Walking On The Line Handout
Walking On The Line Handout
To make an ellipse:
Choose 2 points to be your foci.
Find the center of the two points and mark.
Moving out from the center point, place another point.
With a piece of string, make a “V” Shape with a person holding the end of
the string at each foci and the point of the “b” is the point you selected
outside the midpoint. Be sure the string is taut. Move a piece of chalk
along the inside of the string, until an ellipse is drawn.
Age: From the time the child enters the Children’s House until they leave.
Presentation:
Set-up:
If necessary, move furniture to prepare the room. Take off shoes and socks and put
them neatly in the appointed place.
If you do these preliminary exercises well and don’t rush them, you will be setting clear
expectations and the children’s work with the line will go much more smoothly. Do not
move ahead until the previous stage has been mastered.
This is a series of exercises that build in complexity over a period of time. Each step
introduces a new signal that will be used for Walking on the Line. You will build skill
slowly, doing many repetitions at any one particular level until the group is ready to go
to the next level. What we do as adults in an hour in class will probably take several
months with children before you will complete the sequence.
● When the class can do this consistently, introduce the next signal.
2. Making space:
● “When you hear this signal, you are going to make space.” (ie: 2-beats on drum)
● Model how to stretch your hands to the side without touching your neighbor. If
you are touching the person next to you, move to bigger space.
● Play a game as in previous exercise incorporating the signals for coming to the
line and for making space.
● When class can respond consistently to these 2 signals, proceed to the next step.
When they are doing this consistently without too much clumping, move on to next
level.
NOTE: All of the equilibrium exercises are done walking heel-to-toe and without music.
1. Walking Heel to Toe with No Object. Children need lots of practice with this step.
● Announce the demonstration of a new way to walk on the line.
● Using same signals for coming to line, turning, etc., make a game of walking
heel-to-toe. Guide the children to keep their abdominals tight to prevent
wobbling.
● Challenge the child to keep their chin up.
When they are successful with this level, they are ready for objects.
4. Two flags
5. A tower of two blocks, holding only the bottom block
6. One sphere on a spoon
7. One glass of water
8. Two glasses of water
9. One bell
10. Two bells
11. An object on a string
12. A bean bag on the head
13. An object on the head and something in both hands.
● These are informal activities that are done with groups of children. With the rhythm
exercises, movement is always combined with music. As these may be new ways to
move for the children, the guide models the appropriate movements to the children as
an introduction.
● When you combine walking with music, you will always start with walking music, or
music with an unmarked walking rhythm. Elise Brown Barnett and Sanford Jones
both have compiled commercial collections of music that serve this purpose. The
music can be matched to the following movements: galloping, running, marching,
processional and skipping. You can put together your own CD with music to match
these rhythms.
● Flight of the Bumble Bee is a good example for running, Sousa marches are great for
marches. In the classroom, you will only have music for walking available for the
children to choose individually. Those individual choices should be equilibrium
exercises.
● When you are working with a group and you are changing the movement and the
music, it is wise to always alternate fast rhythms with the walking rhythm to center
the energy in the child.
● In addition to the rhythm exercises, the guide may initiate activities related to body
movement. How can I move my body through space? What can my body do? How can
my shoulders move? My knees? Play games with the children, giving verbal direction.
The guide demonstrates a given movement and the children imitate, working
kinesthetically (position different parts of the body). This is conducted with the same
spirit that choreographers work with dancers. You can model stretches, bends, twists,
circles, lifts, how to collapse, spinning, swinging, swaying and shaking. Explore how
you make these movements. Sharp, fluid, quick, slow. Explore how to move – curved,
straight, on the spot, through space, big movements, small movements, forward,
backward, and sideways. Moving up high, moving down low. These activities are
presented as games: follow-the-leader, jack-be-nimble, ribbons and scarves, etc.
● If you have done rhythm and movement in isolation with children, when they are older
you can put on a piece of music and ask the children to move however the music makes
them feel. This is the beginnings of music as human expression.