AM/FM STEREO RECEIVER SX-450 OPERATING INSTRUCTIONS | QPIONEER’CONTENTS IMPORTANT-LINE VOLTAGE ‘The SX-450 is provided with a line voltage selector on the rear panel (Fig. A). This is normally pre-set to 220V, so before using for the first time, or if the unit is to be used in a different area, it is important to check the compatibility of the selector setting. Important-Line Voltage Stereo System Composition . . Features ....000000eeeeeeeeeeeeeeee +8 | CHANGING THE LINE VOLTAGE SETTING Connection Diagram ......00c00ereee 4| 1. Disconnect the A.C. mains cord. nnection Disgrat 2. Use a Phillips screwdriver to take out the Connections... 5 VOLTAGE SELECTOR plug locking serew. 3. Pull out the VOLTAGE “TOR ph Antenna and Ground Connections ........ 6 the socket SELECTOR plug from ‘Tape Deck Connections... 7| 4. Rotate the plug until the cutway aligns with the appropriate line voltage marker on the back of Front Panel Facilities ....... 8 the unit, and then replace it in the socket. 5. Replace the locking screw. Operations .. Using Tape Decks. - Conditions Frequently Mistaken PHILLIPS R for Malfunctions SCREWDRIVER 8 Circuit Diagram and Specifications . . . Insertion screw PLUS Fig A STEREO SYSTEM COMPOSITION INSTALLATION PRECAUTIONS When installing the SX-450 avoid locations such as the following: © In direct sunlight, near radiators or other heat sources. In humid or dusty surroundings. © On unlevel or unstable supports, or where sub- ject to vibration. Tape Dock ~ (© Be sure to install rel clampe hen using vertically. ‘© Always keop heads clean, © Do.not neglect recorded tape for long periods. i © Avoid magnetic felos. Speaker System Fear and side panels of loft and ht peakre should hove se surroundings. with rear panel against “Thick curtain shute ut aireet sunight. eakers 10 that vibra tions ore not wansterred Factly to the floor. {Employ ‘stands. or concrete blocks "with "bookshelt ype speakers) '8X-450 (Keep connecting ‘cords as short as posible) Absorbs sound and vibrations {Piaing in front of speakars is alto effective.)FEATURES High Stability FM Tuner Junction type FET (RF amplifier) and frequency linear type precision 34ang variable capacitor are employed in the FM front end. These are followed by a high perform- ance Pioneer developed IC in the IF and phase locked loop (PLL) system IC in the MPX circuits to form a superb Circuit composition utilizing high reliability elements. Outstanding performance is achieved in terms of such speci- fications as frequency drift, image rejection, S/N, capture ratio and selectivity, The low distortion, stable operation allows luxurious FM stereo reception to be fully enjoyed. Low Distortion Power Amplifier and Extra ‘Strength Power Supply Differential fiest stage, balanced positive and negative pow- er supply, quasicomplementary OCL circuit composes the power amplifier. The SX-450 delivers Continuous Power Output of 1Swatts’ per channel min, RMS at 8 ohms from 20 Hz to 20,000 Hz with ‘no more than 0.5 % total harmonic distortion. Plenty of power is available, together with superb fre ‘quency response, output bandwidth and distortion charac- teristics. Two 4,700 microfarad electrolytic capacitors in the power supply section also assure stable operation even in low frequency reproduction. ‘cuit Elements FOR USE IN UNITED KINGDOM OR AUSTRALIA CAUTION 240V Mains supply voltage is factory adjusted at 240 volts. WARNING ‘THIS APPARATUS MUST BE EARTHED. IMPORTANT ‘The wites in this mains lead are coloured in ac- cordance with the following code: Green-and-Yellow: Earth Blue: Neutral Brown: Live As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows. ‘The wire which is coloured green-and-yellow must be connected to the terminal in the plug which is marked by the letter E or by the safety: earth symbol + or coloured green or green-and-yellow. The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured blue or black. The wire which is coloured brown must be con- NS 11K Te Faithful Reproduction Preamplifier Section PNP and NPN silicon transistor direct coupled circuit is employed in the equalizer amplifier together with stringent- ly selected equalizer elements. RIAA deviation, the most vital factor in record playback, becomes suppressed to result in advanced fidelity. A transistorized voltage regula: tor circuit is also included which increases the maximum nominal input, broadening the dynamic range to allow enjoyment of low distortion record performances. Compatible with All Program Sources In addition to special jacks for turntable and tape decks, auxiliary (AUX) input jacks are provided for connecting a cartridge tape player or other component. Virtually all program sources can be connected. The front panel micro- phone jack also provides flexibility for record concert nar- ration or public address applications. 2 Sets of Speaker Systems Can Be Used ‘The speaker switch can be used to select between two sets of stereo speaker systems. A-B. comparison listening or simultaneous listening with speakers installed in another room become possible. A single SX-450 functions as two stereo amplifiers in this manner. New Receiver Styling Large easy to see tuning scale, excellent tuning feel and rich ‘operating systems are combined in the integrated stereo amplifier. Both appearance and functions of the front panel express a quality Pioneer product. nected to the terminal which is marked with the letter L or coloured brown or red. ‘The AC Outlets of this apparatus have been re- moved from this apparatus in order to comply with U.K. Safety Regulation, Ensure that your equipment is connected correctly—if you are in doubt, consult a qualified electrician. Do not unscrew the bottom plate and cabinet. No user serviceable parts inside. Always disconnect all the equipment from the mains supply when disconnecting the signal leads. The Power cord should be connected last, make sure that the Power switch is OFF. Be sure the appliance connector is fully inserted into the AC inlet. Unplug the set from the wall socket when it is not to be used for an extended period of time. FOR YOUR SAFETY 1. Insert this plug only into effectively earthed three-pin plug-socket outlet. 2. If any doubt exists regarding the earthing, con- sult a qualified electrician. 3. Extension cords, if used, must be three-core correctly wired. ‘Measured pursuant to Federal Trade Commission's Trade Regulation ule on Power Output Claims for Amplifiers. 3CONNECTION DIAGRAM ourooor TerVPE FM ANTENNA, FM ANTENNA AM ANTENNA indoor or Outs000 Connect to LINE VOLTAGE, AC Cord SELECTOR CARTRIDG! ‘TAPE PLA’ RCHANNEL CHANNEL —_LCHANNEL_ A CHANNEL, SPEAKER SYSTEMS A SPEAKER SYSTEMS BES ON EET CONNECTIONS SPEAKER SYSTEMS CONNECTION ‘The receiver is provided with two sets of speaker terminals for connecting two sets of stereo speaker systems. If only one set is to be used, connect it to the A terminals (selected by the SPEAKER switch in the A position). As shown in Fig. 1, connect the right channel speaker system (at listener’s right as viewed from listening position) to the R terminals and the left channel speaker system to the L terminals. © Perform connections carefully to avoid revers- ing polarities. Red terminals are plus (+) and black terminals minus (-), while the terminals of the speaker system also possess + and - po- larities. Be sure to connect + to + and~ to-. In the same manner, a second set of stereo speaker systems can be connected to the B ter- minals (selected by the SPEAKER switch in the B position). Speaker Lead Wire Preparation and Connection ig. 2) 1. Strip about 10mm (3/8 inch) of the insulation from the end of the speaker lead wire. ‘2. If the conductor is stranded, twist the strands together so they do not come loose. 3. Depress the black colored button of the speaker terminal, insert the speaker minus lead wire into the adjacent hole, and release the button. 4.In the same manner, connect the speaker plus lead wire into the hole above the red button. TURNTABLE CONNECTION Connect a turntable equipped with a moving magnet (MM) type cartridge to the PHONO jacks, taking care to observe L and R channels. The ground lead of the turntable should be connected to the GND terminal (Fig. 3). Cartridge Note: Moving magnet (MM) type phono cartringes are directly compatible with the receiver. If using another type of cartridge which differs in output adaptor will be required. See cartridge operating instructions. USE OF THE AUX JACKS (Fig. 3) ‘These are auxiliary input jacks, which can be used to connect a cartridge tape player, television sound tuner, or other signal source. Be sure to connect L and R channels correctly. SPEAKER OUTPUT TERMINALS |___ RIGHT SPEAKER LEFTSPERRER gi. y NOTE: When two sets of speaker systems are being used ct the same time (A and B), please ensure that the impedance of each speaker system is not less than 822. Use caution since ‘connecting a speaker system of less than 82. in this cose can lead to malfunctions. Fig. 2 TURNTAGLE CARTRIDGE TAPE PLAYBACK PLAYER Fig. 3ANTENNA AND GROUND CONNECTIONS FM ANTENNA CONNECTIONS FM broadcast signals are sharply affected by in- tervening mountains or buildings, or inside metal framed structures, since the signals are weakened and reflections can interfere with reception. Care is thus needed in selecting a suitable FM antenna to match the surrounding conditions and field strength. FM Outdoor Antenna The antenna should normally be installed as follows: © Connect antenna feeder to the 8009 antenna terminals of the receiver as shown in Fig. 4. © While listening to a broadcast as described on page 10, determine the best position for optimum reception, and secure the antenna firmly. NOTE. In urban locations where traffic is heavy, industrial zones, ‘or when nearby high voltage power lines are present, an ordinary FM antenna may not be adequate to prevent noise. The problem can often be solved by using a special FM antenna ond 762 coaxial cable to connect it to the receiver. Connect the cable to the 76 UNBAL connector 8 shown in Fig. 5. T-type Antenna When stations are nearby, or in wooden frame buildings, etc. where FM signals are strong, the ac- cessory T-type antenna can be employed. © As shown in Fig, 4, connect the T-type antenna to the 3002 antenna terminals, spread the arms horizontally and while listening to an FM sta- tion, position the antenna for best reception. ‘The antenna can then be taped to a wall or ceiling. NOTE. Consult audio dealer for defailed information on FM out. door antenna installation. AM ANTENNA CONNECTIONS Normally, position the ferrite bar antenna (Fig. 6) for best reception while listening to an AM station as described on page 10. AM Indoor Antenna If reception is difficult with the bar antenna, an indoor AM antenna can be erected with vinyl insulated wire as shown in Fig. 7. OutdeorFM antenna Station direction Fig. 4 780 Coaxial cobie Plug 7892 UNBAL connector Fig. 5 ‘Turn bar antenno until best recep= tion if obtained, Fig. 6NS £1) N= T AM Outdoor Antenna For optimum AM reception, an outdoor AM antenna using vinyl insulated wire can be erected as shown in Fig. 7. GROUND For maximum safety and to eliminate noise, con- nect the GND terminal to an earth ground if at all possible. See Fig. 7. TAPE DECK CONNECTIONS The receiver can be connected to a stereo tape deck (reel-to-reel, cassette) for recording and play- back. Connecting cords are usually supplied with the tape deck. Connect as follows: RECORDING CONNECTIONS ‘The recording output signal is present at the TAPE REC jacks. Connect the recording input (LINE INPUT) jacks of a tape deck to the TAPE REC jacks of the receiver, taking care to connect left and right channels correctly. PLAYBACK CONNECTIONS Connect the playback output (LINE OUTPUT) jacks of a tape deck to the TAPE PLAY jacks, taking care to connect left and right channels properly. TAPE REC/PLAY Jack Connection If the tape deck is provided with a DIN type REC/PLAY jack, use a separately sold connecting cord to connect it to the TAPE REC/PLAY jack of the receiver. Both recording and playback con- nections are then performed with the single cord. In this case, do not connect any components to the TAPE REC and PLAY jacks, Outdoor AM antenna Tndoor ANT ving insul Fig. 7 ‘TAPE DECK © tices 1 rons neon | 1 | I | | I } 460 TAPE TERMINALS FineFRONT PANEL FACILITIES SPEAKERS SWITCH (POWER). A combined power ON/OFF switch and speaker system selector switch POWER OFF: Receiver off. A: To select speakers connected to the A speaker terminals. OFF: Speakers cut off (headphones can be wed) B: Operates speakers connected to the B speaker terminals. AtB: To listen simultaneously to speaker systems connected to A and B speaker terminals. PHONES JACK. To listen through stereo headphones, plug them firmly into this jack. WARNING: Do not plug a microphone into the PHONES jock es you ‘may damage the microphone. “AM/FM TUNING METER. When tuning in FM stations, position the needle in the center FM area for optimum reception. In the case of AM stations, tune for maximum meter deflection toward the right of the scale. BASS & TREBLE CONTROLS Controls for adjusting the tone. Adjust low frequencies with the BASS control and high frequencies with the ‘TREBLE control Turn controls toward the right (MAX) to enhance, and toward the left (MIN) to reduce, their respective fre- quency ranges. BALANCE CONTROL- Control for adjusting volume balance between left and right speakers or headphones. Clockwise rotation from center increases right channel volume, while counter- clockwise rotation increases left channel volume.FM STEREO INDICATOR With the FUNCTION switch set to FM, the STEREO indicator lights while an FM stereo broadcast is being re- ceived. TUNING KNOB Select the desired station while observing the AM/FM meter for optimum tuning. FM MUTING OFF BUTTON Leave this button undepressed (in the ON position) to suppress unpleasant interstation noise while tuning be- tween FM stations. Low-strength signals may also be sup- pressed by this function, s0 to pick up a weak station depress this button to the OFF position. LOUDNESS BUTTON Depress this switch when listening at low volume. The Frequency response of the human ear varies according to the listening level, and the depressed position compensates for hearing characteristics by emphasizing the bass and treble. VOLUME CONTROL Clockwise rotation increases volume from speakers or headphones. [- FUNCTION SWITCH Switch for selecting desired program source. AM: For AM broadcast reception, FM: For FM stereo reception. Automatically receives. monophonically during FM monophonic. broadcasts. The STEREO indicator lights up when the broadcast is in stereo, To operate a turntable connected to PHONO jacks. For listening to an audio component (cartridge tape player, TV sound tuner, etc.) connected to the AUX jacks. Also set to this position when using the micro: phone. Note, when the microphone is plugged in, the component connected to the AUX jacks cannot be used, PHONO: AUX/MIC: ‘MIC JACK A high impedance (approx. 50k-ohms) dynamic type ‘microphone with 2 standard plug can be connected to this jack, TAPE MONITOR BUTTON Depress this switch when using a tape deck for tape playback, or when monitoring 2 tape during recording. NOTE: Except for tape playback, keep this awitch in the underpressed position. MODE SWITCH (MONO) For stereo playback leave this switch undepressed. When depressed for MONO playback, left and right channel stereo signals will be mixed to produce monophonic sound from both speaker systems. Nore: Recording stereophonically with the MODE switch in the MONO position may cause channel separation to d- ‘eteriorate. 3OPERATIONS Before switching on the power, set the various con- trols as follows: © VOLUME control to MIN. * BALANCE control to the center position. © TAPE MONITOR switch to OFF(undepressed). ¢ BASS & TREBLE controls to the center posi- tions. © MODE switch to STEREO (undepressed). © FM MUTING OFF button to ON (undepressed). It is important to set these controls as indicated to avoid any inadvertent overload on the receiver or speakers, etc. when power is switched on. The receiver may now be switched on, and the re- quired speaker systems selected. FM RECEPTION 1, Set the FUNCTION switch to FM. 2, Leave the FM MUTING OFF button in the ON position. Note, however, that in areas of low signal strength the signal may be suppressed. In this case only, the FM MUTING OFF button should be depressed to the OFF position. 3. Select the station by means of the TUNING knob. Best reception is obtained when the AM/FM TUNING meter needle is exactly in the center (see Fig. 9). 4, Adjust the level of the sound with the VOLUME control, and use the BASS & TREBLE controls to adjust for the tone quality of your prefer- ence. © The FM STEREO indicator lights during FM stereo reception, but does not light during monophonic reception. AM RECEPTION 1 Set the FUNCTION switch to AM. 2, Tum the TUNING knob to select your station. Best reception is obtained when the AM/FM TUNING meter needle deflects to the extreme right (Fig. 10). 3, Adjust the VOLUME, BASS & TREBLE con- trols for the listening level and tone quality of your preference. Nore: If, when listening to either PM or AM broadcasts listen- ing pleasure is seriously affected by poor sensitivity or hheavy interference, refer to the section “ANTENNA CONNECTIONS” on page 6 and make any necessary changes. 10 PLAYING RECORDS 1. Set the FUNCTION switch to PHONO. 2, Operate the turntable to play the record. 3, Adjust the VOLUME, BASS & TREBLE con- trols for the listening level and tone quality of your preference. USING THE AUX JACKS To play equipment connected to the AUX jacks, proceed as follows: 1. Set the FUNCTION switch to AUX/MIC. 2, Operate the attached component. 8. Adjust the VOLUME, BASS & TREBLE con- trols for the listening level and tone quality of your preference. NOTE. If @ microphone is connected to the MIC jack, it will ‘override the AUX signal. USING THE MICROPHONE 1. Connect the microphone to the MIC jack. 2. Set the FUNCTION switch to AUX/MIC. 3. Adjust the sound level by turning the VOLUME, control gradually to the right. The midway sett- ing of the BASS & TREBLE controls will usually be best. NOTE: '® Monophonic sound can be heard from both left and right channel speaker systems, © You should use high impedance (above 20k-ohms) ‘microphones of the dynamie type, with standard 6mm diameter phone plugs. © Under certain conditions microphones are liable to sive rise to “howling” or feedback noise. Be careful not {0 raise the volume too high when the microphone is lose to the speaker systems or in a room with a great deal of resonance. This tendency can be reduced by setting the BASS and TREBLINcontrols to their center positions, © When employing a microphone, set the output volume Of @ component connected to the AUX jacks to mini- ‘mum, or disconnect the component. FM Reception [AM Reception By a aN Fig. 9 Fig. 10 With a full 4 ohms load connected the receiver, do nal] apply @ sinewave signal continuously at full power more than 1 hour.USING TAPE DECKS TAPE PLAYING As shown in Fig. 11, the tape deck is connected to TAPE PLAY jacks. 1. Set the TAPE MONITOR button to ON (de- pressed) position. 2. Operate tape deck and play tape. 8. Adjust. VOLUME, BASS & TREBLE controls for desired volume and tone. NOTE: With the TAPE MONITOR button depressed, the tape deck playback sound will be obtained from the speakers regardless of the FUNCTION switch setting. TAPE RECORDING The program source selected by the FUNCTION switch is always present at the TAPE REC jacks. 1, Set the FUNCTION switch according to the source to be recorded. See Fig. 12. 2. Operate selected component and adjust for optimum sound. 8. Adjust recording levels with the controls of the tape deck and proceed with recording NOTE. The receiver VOLUME, BASS & TREBLE controls have no effect upon the signal at the TAPE REC jacks. Recording Monitor If the tape deck is a 3 head type recording condi- tions can be monitored from the speakers or head- phones by setting the TAPE MONITOR button to ON (depressed). Both recording and playback connections must be performed in order to use this, facility. ‘TAPE DUPLICATING With two tape decks, you can duplicate tape-to- tape, or edit recordings while re-recording. For example, you can first tape a complete FM stereo program, with announcements and commercials, and later re-record on another tape while cutting out unwanted portions. 1. Connect two tape decks as shown in Fig. 13. 2. Set the FUNCTION switch to AUX, and operate the tape deck connected to the AUX jacks as the program source. 8. Record the program onto the tape deck con- nected to the TAPE jacks, controlling the recording level by means of the controls on that deck. 4.To check recording conditions, set the TAPE MONITOR button to ON (depressed position). PIONEER TAPE DECK Fig.11 TAPE DECK 1 ‘TAPE DECK 2 (tor playback) {Hor recording) "1CONDITIONS FREQUENTLY MISTAKEN FOR MALFUNCTIONS If trouble is experienced, perform the following simple checks. In most cases, the difficulty can be traced to incorrect operation or faulty connections. If the problem cannot be corrected, contact a Pioneer Authorized Service Center. ~~. Check speaker terminal connections Check tape and turntable jack connections To turntable To tape input Wa.” tee out Check aha , owning ‘lzoparation correct? “Ig sound recorded on tape? runeton \__ If power cord plugged in? he yy A oud GO “yee Oe crersreanersswnensonsr_) Lf. Chek FUNCTION vite poston ToLone cont Svan ntsc Chk TARE MENTOR sen psn att atte ot ey Torte ON an ig re) exon Nate(9 i es Neer eae ee 08 an rn ao fr soratches? "1s ground lead connected to amplifier? is noise recorded on tape? (= | ar Sgn as ere Le TREBLE coe wg 6 FP crc yb comin 1 FM MUTING button undeprested (ONT? Does meter defect? on “Tracking force correct? ‘Antenna direction? oS “Is headshell loose? “Is transmitter antenna tov close? ff 7 *Stylus worn or soiled? (contact service) / — A Fer AM try changing bar Subjected to ‘antenna position external vibrations? {ls distorted sound recorded on > "I$ output level to high? tape? ES] Does meter defiset? vos /soeus sane eC. O VOLUME contralto it PIONEER ELECTRONIC CORPORATION 4-1, Meguro 1-Chome, Meguro-ku. Tokyo 153. Janay UB. BIONEER ELECTRONICS CORPORATION. 75 Oxford Crive, Moonachic, New Jersey 07074, USA PIONEER ELECTRONIC (EUROPE) N,V. Luithagen-Havend, 2030 Antwerp. Belgium PIONEER ELECTRONICS AUSTRALIA PTY. LTD. 175-164 Boundary Road, Graesido, Victone 3195, Australia .<7610706)> Printed in Japon AM/FM_STEREO RECEIVER X=-450 SPECIFICATIONS Semiconductors FET Ics : Transistors. cieeeeeeeeeees Diodes... : 15 Power Amplifier Section Continuous Power Output of 15 watts‘per channel, min. RMS, at 8 or 4.ohms from 20 Hertz to 20,000Hertz with no more than 0.5% total harmonic distortion. ‘Total Harmonic Distortion (20 Hertz to 20,000 Hertz, from AUX) Continuous Rated Power Output No more than 0.5% 1 watt per channel power output, Bohms. . No more than 0.1% Intermodulation Distortion (50 Hertz: 7,000 Hertz = 4 :1, from ‘AUX) Continuous Rated Power Output No more than 0.5% | watt per channel power output, BOWMS ee eee ee eee No more than 0.1% Damping Factor (2042 10 20,000H2, 8 ohms) : cee Input (Senstivity/Impedance) PHONO 2.5mV/SOk ohms Mic... LLL T.SmV/50k ohms AUX oo 150mV/S0k ohms TAPE PLAY 150mV/SOK ohms ‘TAPE PLAY (DIN connector) PHONO Overload Level (T.H.D. 0.1%) 150mV/S0k ohms PHONO 150mV (1kHe) ‘Output Level/impedance TAPE REC 150mv TAPE REC (DIN connector) 30mV/80k ohms SPEAKER cee A, 8, AtB HEADPHONE Low Impedance Frequency Response PHONO (RIAA equalization) AUX, TAPE PLAY 30Hz to 15,000: “#748 20H2 to 60,000Hz £148 Tone Control BASS... +1048, ~948 (100H2) TREBLE +948, ~10dB (10kHz) Loudness Contour (Volume conical et at 4048 position) . = 7648 (100H2), +348 (1OKHz) Hum and Noise (IHF, short-circuited, A Network, cated power) PHONO... wie Tod8 AUX, TAPE PLAY +9008 FM Section Usable Sensitivity... MONO 11.248 (2.00V) STEREO 20.048. (5.5uV) 504B Quieting Sensitivity MONO 18.3086 (4.54V) STEREO... 39,248 (SOV) Signal to Noise Ratio at 6548 MONO. 70a STEREO 65d8 Distortion at 6548! 100Hz ....... MONO 0.15% STEREO 03% Tite MONO. 2 015% STEREO 03% 6kH2 2.2.22. MONO 22 0.4% STEREO 04% Frequency Response 30H? to 15,000He +38 Capture Ratio : : = 1.048 ‘Alternate Channel Selectivity 6008 Spurious Response Ratio 7568 Image Response Ratio 6568 IF Response Ratio» - : cis. BSdB AM Suppression Ratio 50d8 Muting Threshoté 144B0 (281V) Stereo Separation + 40dB (TkH2}, 30dB (30H2 ~ 15kHz) Subcarrier Product Ratio : 4048 SCA Rejection Ratio oe 4068 ‘300 ohms balanced 75 ohms unbalanced ‘Antenna Input [AM Section Sensitivity (IMF, Ferrite antenna). 300uV/m (IHF, Ext, antenna) 15uV Selectivity 3548 Signalto-Noise Ratio 5048 Image Response Ratio 4048. IF Response Ratio 6548 Antenna. + Builtin Ferrite Loopstick Antenna Miscellaneous Power Requirements 220V/240V SoH: Power Consumption we 130 Dimensions 448(W)x141(H)x307(0) mm 17-48(W)x5-9/16(H)x12.1/16(0) in Weight -- Without package 8.6kg (19 Ib) With package 9.7kg (21 6 02) Furnished Parts FM Tetype Antenna : 1 Operating Instructions 1 + Measured pureuant to Federal Trade Commission's Trade ‘Regulation rule on Power Output Claims for Amplifiers. yore. Specifications and the design subject to possible modifica tion without notice due to improvements