WEEK 4 LEARNING TASK:

A. What are the salient characteristics of post-EDSA literature?

1.After EDSA, publishing became more daring and willing to take a chance on an
unconventional ventures, authors are more often to create works with new themes other than
what they are used to create.

2.During this Period writing in Philippine languages other than tagalog is being
revived. meaning to say, authors wrote there works in many different languages
such as cebuano ilokano and other Philippine Dialects.

3. the literature during this time has a thriving feminist tradition when we say
feminism it's about gender having equal rights and opportunities. stories of
women from the martial law left a huge impact to the writers not only from that
era but also now in the present

4.The New Criticism, which used to be a big deal in analyzing literature, isn't as important
anymore. It had strict rules about how literature should look and feel, kind of like a strict bed
that forced Filipino authors and their works to fit into its mold. Now that New Criticism isn't
as popular, there's a gap in how people evaluate literature. This means there's a chance to
look at literature in different ways, beyond just the strict rules of New Criticism. It's an
opportunity to consider the cultural and social context of Filipino literature and appreciate its
diversity more fully.

5.In the academic world, there's a new way of looking at literature that's becoming popular.
This approach takes ideas and insights from the way people study literature in England and
the US. It means scholars are paying attention to the latest thinking and theories about
literature from these places. This new approach influences how literature is understood and
analyzed in academic circles

B. Discuss the famous authors of the period

Famous Authors during Post-Edsa Period

 Lilia Quindoza-Santiago

Professor Lilia Quindoza-Santiago, born on

February 5, 1949, in Manaog, Pangasinan, was a
passionate educator and acclaimed writer known for
her prolific contributions to literature. A former
fellow at the UP Institute of Creative Writing, she
authored over 20 books and monographs, spanning
various genres including essays, commentaries, and
book reviews.

An activist against the martial law regime under Marcos, Prof. Santiago faced adversity and
house arrest for her dissenting views. Despite challenges, she continued to express criticism
through her writing, even delving into the life of Dr. Jose Rizal in her later works.

Proficient in Filipino/Tagalog, Ilokano, and English, she contributed to international publications

and later served as an assistant professor of Ilokano at the University of Hawai’i at Manoa.
Honored as the Makata ng Taon by the Komisyon sa Wikang Filipino, her literary legacy
endures through acclaimed works like "Sa Ngalan ng Ina, ng Diwata’t Palamunan." Sadly, she
passed away on February 15, 2021, leaving behind a profound impact on Philippine literature
and culture.

Notable works:
 Kagampan
 Asintada
 Ang Manggagamot ng Salay-Salay at Iba Pang Kuwento
 Ang Pinakahuling Kwento ni Huli

Reference:
https://thefilipinochronicle.com/2021/08/07/remembering-lilia-q-santiago-professor-scholar-
writer-author-and-feminist/

Charlson Ong

Charlson L. Ong, born on July 6, 1960, in Mandaluyong, Philippines,

graduated from the University of the Philippines in 1977 with an A.B. in
Psychology. Through international workshops, he refined his writing skills,
becoming a distinguished and multi-awarded fictionist in Philippine
Literature.

Ong's literary achievements include prestigious grants and awards such as

The Palanca, Free Press, Graphic Asiaweek, National Book Award, and the Dr. Jose Rizal
Award. His novel "Embarrassment of Riches" was honored with the Centennial Literary Prize in
2002.

He served as co-editor of the Likhaan Book of Poetry and Fiction, showcasing his commitment
to nurturing emerging voices in Filipino literature. Ong's works range from satirical parodies of
beloved Filipino texts to insightful explorations of Chinese-Filipino culture, enriching the literary
landscape with his diverse perspectives and profound insights.

Notable Works:
 Banyaga: A song of War
 Blue Angel, White Shadow
 A Tropical Winter’s Tale and Other Stories
 The Execution etc..

Reference:
https://philnews.ph/2022/02/09/charlson-ong-biography-life-story-famous-writer-fictionist/

Jose Y. Dalisay Jr.

Dr. Jose Y. Dalisay Jr., renowned for his "Penman"

column in the Philippine Star, was born in 1954 in
Romblon, Philippines. Having authored close to 30
published works spanning plays, stories, and essays,
he has been honored with the esteemed National
Book Award by the Manila Critic Circle. for six of
his works. Additionally, twenty of his screenplays
have been produced.

Graduating Cum Laude from the University of the Philippines in 1984 with an A.B. in English,
Dr. Dalisay currently serves as a full professor, teaching English and Creative Writing at his
alma mater. He serves as a Fellow and previously held the position of Director at the UP Institute
of Creative Writing.

Acknowledged as one of the top 100 distinguished Filipino artists of the previous century by the
Cultural Center of the Philippines (CCP) Centennial Honor Lists, Dr. Dalisay is currently
engaged in an oral history project documenting the early years of Martial Law in the Philippines.

Dr. Dalisay's activism during the Marcos Administration, marked by anti-Marcos and anti-
dictatorship sentiments, led to his imprisonment for over seven months in 1973. This experience
served as the basis for his first novel, published in 1992.

Notable works:
 Killing Time in a Warm Place,1992
 Soledad’s Sister,2008
  “Soledad: Recombolesco Romanzo Filippino” (Italian Version), 2009
 “In Flight: Two Novels of the Philippines” ( A combined Us Edition), 2001
 La Soeur de Soledad, (“ French Edition), 2013

References:
https://up-diliman.academia.edu/JoseDalisay/CurriculumVitae
Ricardo Lee

Ricardo Lee, born on March 19, 1947, in Daet, Camarines

Norte, left an indelible mark on the Filipino film industry
spanning over five decades. Renowned for creating 180 scripts
and best-selling Filipino books, his screenwriting masterpiece
"Trip to Quiapo" is a staple in introductory film courses.

Lee's illustrious career garnered 70 awards, and his

collaborations with luminaries like Lino Brocka, Ishmael
Bernal, and Marilou Diaz-Abaya have been showcased in prestigious film festivals worldwide,
including Cannes, Berlin, and Venice.

Despite his early struggles with shyness, Lee found solace in literature and cinema, channeling
his experiences into writing. Juggling various jobs, he pursued an A.B. in English at UP Diliman.
However, the onset of Martial Law forced him underground due to persecution of student-
activists.

Lee's screenplays, marked by their exploration of marginalized voices and social dynamics,
reflect his own experiences with isolation and resistance during Martial Law. His work
challenges dominant ideologies and power structures, leaving a lasting impact on Philippine
cinema and society.

Notable Works:
 Para kay B
 Salome: A Filipino Transcript
 Si Amapola sa 65 na Kabanata
 Trip to Quiapo

References:
https://mubi.com/en/notebook/posts/ricky-lee-life-beyond-the-screenplay

Danton R. Remoto

Danton R. Remoto, born on March 25, 1963, in Basa Air Base, Pampanga,
is an esteemed scholar and writer. He obtained his AB Interdisciplinary
Studies as an ASEAN scholar at ADMU in 1983. In 1989, he earned an
MA in English Lit. through the Robert Southwell Scholarship, followed by an MA in publishing
studies with a British Council fellowship at the University of Sterling in Scotland in 1990.

Remoto was a local fellow at the UP Creative Writing Center for poetry in 1994. His accolades
include the ASEAN prize for the essay in 1979, The Palanca Award in 1978, the CPP literary
award for poetry, and the Sterling District Arts Council Award for both poetry and short story
writing.

Notable Works:
 Luha ng Buwaya ( Crocodile’s Tears) with Amado V. Hernandez
 The Heart of Summer: Stories and Tales
 The Preying Bird. With Amado V. Hernandez
 Banaag at Sikat ( Radiance and Sunrise) with Lope K. Santos
 Riverrun, A Novel

References:
https://www.goodreads.com/author/show/524322.Danton_Remoto

Marjorie Evasco

Marjorie Evasco, born in 1953 in Maribojoc, Bohol, is

a distinguished poet proficient in both English and her
mother tongue, Binisaya or Boholano-Visayan. She has
received prestigious awards including the South East
Asian Writer’s Award for poetry from the Prince of
Thailand, the "Ani ng Dangal" award from the
Philippine National Commission on Culture and Arts,
and the "Gawad Balagtas" award from the Writer’s
Union of the Philippines.

she has been recognized by esteemed international associations such as the Rockefeller Center
for Studies in Italy, The International Writer’s Retreat in Hawthornden Castle in Scotland, and
The International Writing Program at the University of Iowa.

Her works also reflect feminist themes and lament the traditional role of women as essential
caregivers, highlighting their vulnerability to men's cruelty.
Notable works:

 A Life Shaped by Music

  Ochre Tones: Poems in English and Cebuano
 Dreamweavers: Selected Poems
 Ani : The Life
 Art of Hermogena Borja Lungay

References:
https://aaww.org/postauthor/marjorie-evasco/

Ruth Elynia S. Mabanglo

Ruth Elynia S. Mabanglo, born on March 30, 1949, is a retired

professor from the University of Hawaii at Manoa. She obtained a
BA degree in Filipino from the University of the East in 1969,
followed by a Master’s Degree in Education from the Philippine
Normal College in 1980. Later, she earned her Doctorate degree in
Filipino and Literature from Manuel L. Quezon University.

Over the past 30 years, Mabanglo has garnered numerous awards,

notably becoming the first woman to receive the Don Carlos
Palanca Memorial Awards for Literature Hall of Fame. She was
awarded the "Makata ng Taon" for her poetry book titled "Mga Liham ng Pinay."
Notable Works:
 Balada ni Lola Amita
 Liham ni Pinay mula sa Brunei
 Anyaya ng Imperyalista

C. Create literary reviews (you can decide your own format based on your readings).
of chosen Post Edsa and 21st-century Philippine literature pieces. Use the following
suggested work, only one for each number 3-5.

The Very Last Story of Huli

Lilia Quindoza-Santiago

The narrative of Huli presents a profound depiction of societal dynamics wherein women

are ensnared in a web of oppression orchestrated by dominant men who exploit their silence and

instill a pervasive fear of exploitation. Within the societal construct delineated, figures of

authority such as priests wielded abusive power, manipulating and inflicting untold suffering

upon their victims for personal gratification. The narrative poignantly underscores the pervasive

misery inflicted upon the protagonist throughout her life's journey, as she sought assistance only
to be ensnared further within the labyrinth of victimization. Tragically, her earnest quest for aid

led to repetitive cycles of abuse, exacerbating her plight and culminating in a harrowing descent

into madness—a dire consequence of the absence of genuine support and understanding.

Symbolically, "The Very Last Story of Huli" serves as a mirror reflecting the broader

socio-political landscape of the Philippines, wherein men arrogate predatory roles, preying upon

vulnerable women with impunity. It illuminates the historical milieu wherein women, bereft of

agency, found themselves incapable of articulating their grievances, thereby perpetuating cycles

of abuse and victimization. Against the stark backdrop of Martial Law, the narrative resounds as

a damning indictment of power abuses and flagrant human rights violations, echoing the

pervasive theme of unjust authority and systemic oppression.

Amidst this tumultuous period, narratives akin to Huli's emerged as potent catalysts for

societal awareness, effectively illuminating the dark underbelly of inhuman practices and flawed

justice systems prevailing. The parallels drawn with "Ascending the Fourth" by Maria Virginia

Yap—a narrative also situated within the tumult of Martial Law—serve to underscore the

collective outcry against violence towards women and the wanton perversion of justice under

military rule.

The indelible scars borne by women at the hands of their oppressors leave an enduring

mark upon their psyche, body, and spirit, perpetually shadowing their existence. Huli's tragic

narrative epitomizes the profound anguish of those subjected to relentless abuse, whose quest for

solace is tragically met with betrayal and despair. The enduring legacy of their suffering serves
as a poignant reminder that the life once cherished becomes irretrievably lost amidst the tumult

of exploitation and trauma.

Geyluv

By Honorio De Dios

"Geyluv" encapsulates a narrative where two men grapple with the decision to commit to

a relationship amidst doubt and confusion. Benjie, haunted by the repercussions of past

heartbreaks, fears vulnerability in love, while Mike, entangled in a partnership with Carmi,

navigates a labyrinth of uncertainty regarding his identity and affections. The dual perspectives

of the main characters afford readers a comprehensive understanding of the intricacies inherent

in human relationships, underpinned by the realism theory that reflects contemporary societal

dynamics. Moreover, the narrative delves into the societal perceptions of the third gender,

advocating for acceptance beyond traditional gender norms and societal standards.

The story poignantly asserts that love transcends gender, status, and societal expectations,

challenging individuals to confront their authentic selves regardless of societal pressures. The

fear of societal judgment and misunderstanding often constrains individuals from embracing

their true identities, perpetuating a cycle of concealment and internal conflict. Benjie's

apprehensions stem from past betrayals, while Mike grapples with the complexities of his

existing commitment amidst personal turmoil.

 Amidst the backdrop of Martial Law, "Geyluv" broaches sensitive socio-political issues,

particularly the significance of queerness in challenging established norms and resisting

oppressive regimes. The article "Queer Love and Urban Intimacies in Martial Manila" elucidates

how LGBTQ identities and relationships subvert hetero-patriarchal constructs, embodying a

form of resistance against societal constraints and political oppression. Through nuanced

portrayals of love and intimacy, the narrative critiques institutionalized forms of control,

advocating for the recognition and acceptance of diverse expressions of affection and identity.

In essence, "Geyluv" serves as a testament to the resilience of love amidst societal

upheaval and personal struggle. It underscores the transformative power of love as a force for

social critique and change, challenging prevailing norms and advocating for inclusivity and

understanding in the pursuit of authentic connection and fulfillment.

Among the Disappeared

(Kabilang Sa Mga Nawawala)

Amidst the tumultuous landscape of Philippine history, the Marcos regime cast a long

shadow of oppression and fear, culminating in the imposition of Martial Law in 1972. Within

this cauldron of political upheaval and societal unrest, Ricky Lee's "Among the Disappeared"

emerges as a poignant exploration of the human condition under authoritarian rule, encapsulating

the collective trauma and resilience of the Filipino people.

Lee's narrative transcends the bounds of conventional storytelling, serving as a testament

to the enduring power of literature to bear witness to historical injustice and human suffering.
Through the lens of Jun-Jun's journey, we are invited to navigate the treacherous waters of

violence and uncertainty that defined life under Martial Law—a period marked by the erosion of

civil liberties and the suppression of dissent.

At its core, "Among the Disappeared" serves as a meditation on the universal quest for

identity and belonging amidst the turmoil of political upheaval. Jun-Jun, a child thrust into the

crucible of violence and oppression, becomes a symbol of the silent suffering endured by

countless Filipinos during this dark chapter of history. His odyssey, fraught with turmoil and

tribulation, echoes the existential struggle of a nation grappling with the erosion of fundamental

freedoms.

Through Jun-Jun's eyes, we bear witness to the corrosive effects of unchecked power and

the toll it exacts on the human spirit. The bullet that pierces his flesh serves as a haunting

reminder of the violence and oppression that lurk beneath the veneer of everyday life—a visceral

symbol of the sacrifices made in the pursuit of freedom and justice.

Moreover, Lee's narrative transcends the confines of individual experience, offering a

panoramic exploration of the interplay between oppression and resistance across different strata

of society. The plight of the Chinese family depicted in "The Execution" by Charlson Ong

resonates with Jun-Jun's struggle, underscoring the universality of suffering and the resilience of

the human spirit in the face of adversity. Together, they serve as a poignant testament to the

enduring legacy of Martial Law and the ongoing quest for justice and freedom in the Philippines.
 As Lee's narrative draws to a close, we are left with a profound sense of both loss and

possibility. Jun-Jun's journey becomes emblematic of the collective struggle for liberation from

the shackles of tyranny—a beacon of hope illuminating the path towards a brighter future for

generations to come. In the darkness of Martial Law, Jun-Jun's awakening becomes a testament

to the enduring power of hope in the face of despair—an affirmation of the indomitable spirit of

a people determined to carve out their own destiny amidst the shadows of oppression.

In conclusion, "Among the Disappeared" stands as a poignant testament to the resilience

of the human spirit and the enduring quest for justice and freedom in the face of tyranny.

Through its evocative prose and powerful imagery, Lee's narrative serves as a rallying cry for all

those who dare to dream of a better tomorrow, a testament to the enduring power of literature to

bear witness to the darkest chapters of human history.