Asian Literature Notes
Asian Literature Notes
Introduction
Asian literature encompasses an incredibly rich and diverse body of works, spanning millennia and reflecting the vast
cultural tapestry of the continent. From ancient epics and philosophical treatises to modern novels and experimental poetry,
Asian literature offers a window into the hearts, minds, and imaginations of people across Asia.
Exploration of Major Literary Traditions
A. Chinese Literature: Chinese literature boasts a long and illustrious history, dating back to the Shang dynasty (1600-
1046 BCE). Notable works include the Confucian classics, such as the Analects of Confucius and the Tao Te
Ching, as well as the epic novel Dream of the Red Chamber.
The Tao Te Ching is a philosophical and spiritual text that originated in ancient China. It is considered one of the
foundational texts of Taoism, a tradition that emphasizes living in harmony with the natural world and the Tao,
which is the underlying principle of the universe.
The Tao Te Ching is attributed to Lao Tzu, a semi-legendary figure who is said to have lived in the 6th century BCE.
The text consists of 81 chapters, each of which is brief and poetic. The Tao Te Ching is known for its paradoxes
and its emphasis on simplicity and non-action.
The Tao Te Ching has been translated into many languages and has had a profound influence on Chinese thought
and culture. It has also inspired many artists, writers, and philosophers around the world. The text's teachings
emphasize the importance of:
Living in harmony with nature
Seeking inner peace and enlightenment
Rejecting ego and attachment
Acting with simplicity and spontaneity
Predominant Faith in China
While China is officially an atheist country, the most prevalent religion is Taoism, followed by Confucianism and
Chinese folk religion. Taoism is a philosophy that originated in ancient China and focuses on harmony with the
natural world. Confucianism is a philosophy that focuses on morality, social order, and personal development.
Chinese folk religion is a syncretic blend of various beliefs and practices, including ancestor worship and veneration
of deities.
The Book of Songs, also known as the Shijing, is an ancient Chinese collection of poetry compiled between the
10th and 7th centuries BCE. It is one of the Five Classics of Chinese literature and is considered one of the most
important works of Chinese culture.
The Book of Songs is a collection of over 300 poems, divided into three sections:
The Odes: These are the oldest poems in the collection and are mostly anonymous. They are short, simple,
and often lyrical, and they deal with themes such as love, nature, and social life.
The Hymns: These poems are longer and more formal than the Odes. They are mostly religious in nature
and are dedicated to gods, spirits, and ancestors.
The Songs: These poems are a collection of miscellaneous pieces, including folk songs, ceremonial songs,
and songs of praise and blame.
JAPANESE LITERATURE: Japanese literature is renowned for its elegance, subtlety, and appreciation of nature. Famous
works include the poetry anthology Man'yōshū, the Genji Monogatari (The Tale of Genji), and the haiku of Matsuo Bashō.
Seppuku, also known as harakiri, is a form of ritual suicide by disembowelment that was practiced by samurai in
Japan. It was considered an honorable way to die, and was often carried out as a form of punishment, protest, or
self-sacrifice.
The act of seppuku was highly ritualized, and there were many steps involved. The samurai would first bathe
and dress in their finest clothing. They would then write a death poem, or jisei. The samurai would then kneel
on a tatami mat and place their sword in front of them. They would then take a short knife and stab themselves
in the abdomen, making a deep incision from left to right. They would then pull the knife upwards, cutting
through their intestines.
After the samurai had disemboweled themselves, they would be decapitated by a second person, usually a
friend or family member. This was done to ensure that the samurai died quickly and without pain.
Seppuku is still considered an honorable way to die in Japan today. It is sometimes practiced by people who
have disgraced themselves or their families. However, seppuku is also seen as a very outdated practice, and it
is no longer as common as it once was.
Here are some of the reasons why seppuku was considered honorable:
It was seen as a way to die with dignity and courage.
It was a way to avoid capture and torture.
It was a way to protect one's family from shame.
It was a way to show loyalty to one's lord.
INDIAN LITERATURE: Indian literature is characterized by its rich mythology, its exploration of spiritual themes, and its use
of symbolism. Key works include the Ramayana, the Mahabharata, and the Vedas.
The Vedas: The Foundation of Indian Literature
The Vedas, a collection of sacred hymns composed in Sanskrit, are considered the foundation of Indian literature.
Dating back to the 2nd millennium BCE, the Vedas encompass four main collections: the Rigveda, Yajurveda,
Samaveda, and Atharvaveda. These hymns, dedicated to various deities, contain prayers, rituals, and philosophical
musings, laying the groundwork for India's rich literary traditions.
The Epics: Ramayana and Mahabharata
The Ramayana and Mahabharata, two epic Sanskrit poems, stand as cornerstones of Indian literature. The
Ramayana, an epic tale of love, duty, and exile, narrates the story of Rama, an exiled prince who sets out to rescue
his wife Sita from the demon king Ravana.
The Mahabharata, a grand epic of war and social order, revolves around the conflict between two branches of a
royal family, the Pandavas and the Kauravas. These epics, with their profound themes and enduring characters,
continue to inspire and captivate readers across generations.
Classical Sanskrit Literature: A Golden Age of Expression
The Gupta period (320-550 CE) marked a golden age of classical Sanskrit literature, with a flourishing of poetry,
drama, and philosophical treatises. Kalidasa, a renowned poet and playwright, produced works of exceptional
beauty and profound insight, including the plays Abhijñānaśākuntalam (The Recognition of Shakuntala) and
Meghadūta (The Cloud Messenger). Other notable works of this period include the Kāma-sūtra, an ancient Indian
treatise on love and sexuality.
Bhakti Movement and Devotional Literature
The Bhakti movement, a devotional movement that swept across India from the 7th to the 17th centuries, gave rise
to a rich tradition of devotional literature. Saints and poets, such as Kabir, Mirabai, and Tukaram, expressed their
love for and devotion to God through their writings, often in vernacular languages like Hindi, Marathi, and Bengali.
Their works, infused with emotional intensity and spiritual fervor, continue to inspire and uplift readers today.
Modern Indian Literature: Embracing Change and Identity
The 19th and 20th centuries witnessed the rise of modern Indian literature, as writers responded to social and
political transformations, cultural encounters, and the emergence of Indian nationalism. Rabindranath Tagore, the
first non-European Nobel Laureate in literature, captivated readers with his novels, poetry, and plays, exploring
themes of love, loss, and national identity. Other notable modern Indian writers include Premchand, Mulk Raj
Anand, and Kamala Das, who addressed issues of social inequality, political conflicts, and gender roles in their
works.
Contemporary Indian Literature: A Diverse Landscape
Contemporary Indian literature reflects the country's vibrant diversity, encompassing a wide range of languages,
genres, and styles. Writers like Arundhati Roy, Salman Rushdie, and Vikram Seth have gained international acclaim
for their works, which explore themes of globalization, migration, and the complexities of modern Indian society.
Indian literature continues to evolve, capturing the essence of India's rich cultural heritage and the changing
landscape of the modern world.
Rabindranath Tagore and Gitanjali
Rabindranath Tagore (1861-1941) was a Bengali polymath who reshaped Bengali literature and music, as well as
Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its
"profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the 1913 Nobel Prize in
Literature.
Tagore's vast creative output included poems, novels, short stories, plays, musical works, and essays on political
and social issues. His songs, known as Rabindra Sangeet, became a popular form of music and remain widely
performed in Bangladesh and India today.
Gitanjali, a collection of 157 poems, is considered Tagore's most significant work. The poems, written in the style of
Vaishnava bhakti poetry, express Tagore's profound devotion to God. The collection is characterized by its lyrical
beauty, its exploration of spiritual themes, and its celebration of love and human connection.
Kalidasa and Shakuntala and the Fatal Ring
Kālidāsa was an Indian classical Sanskrit poet and dramatist who flourished in the Gupta period (c. 320–550 CE).
He is considered to be one of the greatest poets and dramatists of classical Sanskrit literature. His three surviving
plays — Abhijñānaśākuntalam (The Recognition of Shakuntala), Mālavikāgnimitram (Mālavikā and Agnimitra), and
Vikramuurvashiiya (Urvashi Restored to Pururavas) — are considered masterpieces of Indian drama.
Abhijñānaśākuntalam, Kālidāsa's most famous play, is a love story that revolves around the relationship between
King Dushyanta and Shakuntala, a maiden raised in the forest. The play is known for its lyrical beauty, its
exploration of themes of love, loss, and fate, and its depiction of the natural world.
Vikramuurvashiiya is a play that tells the story of the love between King Pururavas and the celestial nymph Urvashi.
The play is known for its use of magical elements, its exploration of themes of love, sacrifice, and redemption, and
its celebration of the power of love.
Kālidāsa's works are characterized by their elegance, their wit, and their profound insights into human nature. They
continue to be admired and performed today, and they have been translated into many languages
Abhijñānaśākuntalam: A Tale of Love, Loss, and Recognition
Kalidasa's Abhijñānaśākuntalam, meaning "The Recognition of Shakuntala," is a timeless masterpiece of Indian
drama that captivates audiences with its poignant love story, intricate plot, and profound exploration of human
emotions. Set in ancient India, the play follows the romantic journey of King Dushyanta and Shakuntala, a maiden
raised in the forest. Their love blossoms amidst the tranquility of nature, but fate intervenes, leading to a series of
trials and tribulations that test their bond.
The Enchanting Encounter
King Dushyanta, while pursuing a deer in the forest, stumbles upon the hermitage of Kanva, a respected sage.
Enchanted by the serene beauty of the hermitage, Dushyanta encounters Shakuntala, Kanva's foster daughter, and
their eyes lock in a moment of mutual attraction.
Love Blossoms in the Forest
Dushyanta, captivated by Shakuntala's charm and grace, falls deeply in love with her. Their connection deepens as
they share intimate conversations, explore the wonders of the forest, and their love blossoms amidst the tranquility
of nature.
The Fatal Ring: A Symbol of Lost Love
In a moment of passion, Dushyanta bestows upon Shakuntala a ring, a symbol of their love and a promise of their
future together. However, due to a cruel twist of fate, Shakuntala loses the ring, unaware of its significance
Dushyanta's Return and Shakuntala's Forgotten Love
When Dushyanta returns to his kingdom, the memory of Shakuntala fades from his mind, and he fails to recognize
the ring when it is presented to him. Shakuntala, heartbroken and alone, bears Dushyanta a son, Bharata, and
raises him in the forest.
The Recognition and Reunion
Years later, Bharata, now a young man, travels to Dushyanta's court and displays remarkable wisdom and courage.
His resemblance to Dushyanta sparks curiosity, and the ring, once lost, resurfaces, leading to a series of
revelations.
A Happy Ending
Dushyanta, confronted with the truth, is overwhelmed with remorse and regret. He recognizes Shakuntala and their
son, Bharata, and their family is reunited amidst joy and celebration. Abhijñānaśākuntalam concludes with a
harmonious resolution, reaffirming the power of love, forgiveness, and recognition.
KOREAN LITERATURE: Korean literature is known for its lyricism, its focus on emotions, and its portrayal of social and
political issues. Significant works include the pansori tradition, the novella The Tale of Chunhyang, and the poetry of Yi
Sang-yŏp.
Prose: Korean prose developed during this era, with the emergence of novels, biographies, and historical texts. One of
the most celebrated works is The Tale of Chunhyang, a poignant love story that has been adapted into various forms of
art over centuries.
Drama: Korean drama, known for its vibrant storytelling and stylized performances, gained popularity during this period.
The most notable form of Korean drama is the sandaegeuk, a satirical comedy that often criticized social and political
issues.