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The exhibition will feature works by Michael Blake, Ryan Brennan, ray ferreira, Priscilla Fusco,
Adam Golfer, Miatta Kawinzi, Takayuki Kubota, and Erik Patton. She received a B.A. in
Psychology and Studio Art with concentrations in Art and Technology and Interaction Design from
Northeastern Illinois University (NEIU) in Chicago. Artists: Alec H. Andersen, Amy Araujo, Calvin
Arterberry, Kendra Conn, Kelly Lynn Daniels, Yinan Dong (???), Meaghan Gates, Marcia Goodwin,
Kyungsun “Ariel” Lee (???), John A. This exhibition will include work of graduate students in
Combined Media, Painting, Works on Paper, Photography and Sculpture. Gallery exhibitions are
open daily in New Bedford from 9:00 am to 6:00 pm and until 9:00 pm during AHA. This large-
scale exhibition at the Star Store Campus in historic Downtown New Bedford consists of a wide
variety of media including painting, drawing, sculpture, digital and moving images, software
application design, as well as intricately made jewelry that utilizes both text and unusual
contemporary materials. Choi keeps questioning limited status and belonging beyond nationality as
well as obscure distinctions between human and non-human beings. She has worked with Video
Game Art Gallery since 2018. By pushing the capabilities of open-source software to render a
hyperreal cinematic simulacra, the inevitable resulting glitches point to the flimsiness of digital media
and melodrama. In addition, many artists, curators, critics, and historians are invited to meet with
students. The work selected represents the culmination of each student’s unique experience in Hunter
College’s prestigious and competitive MFA program. Raab, who has always understood, and bravely
embraced, the importance of the arts at Hunter as well as New York City. Carrie Moyer is Director
of the MFA Program in Studio Art at Hunter College. Ramos-Barajas and Schichtel are mutually
invested in the ethics of historiography and turn to computer software as a means of intervening in
dominant historical narratives and exposing “History” as a composite of constructed,
institutionalized narratives open for revision. As a community organizer, Ashley works in the realm
of gender violence survivor advocacy and Philippine human rights and cultural production. After
three years of working towards a thesis exhibition—the culminating event of our
program—graduating candidates were stuck in limbo, not knowing whether or not anyone would lay
eyes on their debut into the art world. We did this with the unwavering support of Jennifer J.
Middleton Mark Phelan Sara Allen Prigodich Cuong Abel Sy Brett Sylvia Andrew Tedesco William
M. Choi’s works are mainly based on his moving experiences and developing ideas about the body
and space as a memory container. Launching this evening at the ground floor and second floor
spaces in TriBeCa at 205 Hudson Street (entrance on Canal St.) the array of paintings, performances
and mixed media works on view will provide a little something for everyone, as the exhilarating
effort these graduates have put into the final exhibit are fresh and compelling. Students set to
graduate this past spring experienced this loss most keenly. Prigodich Alanna Schull Anser Shaukat
Denise Sokolsky Yishu Wang (???) Katie Wild Ge Yang (??). For the students in the Hunter College
MFA Program in Studio Art, the closures brought on by COVID-19 pandemic meant no full-scale
artmaking or access to their studios for over five months. Thesis work from Artisanry, Design, and
Fine Arts CVPA UMass Dartmouth. In 2019, Tayyabi was awarded the NEIU MakeSpace
Fellowship. Finally, Choi’s artistic practice examines the personal even further by adapting early
photography techniques, which expose (and re-expose) the fragile, impermanent conditions of
modern, urban-sited subjectivity. Her work deals with the pervasive influences of pseudo-historical
aesthetics in digital media. The work selected represents the culmination of each student’s unique
experience in Hunter College’s prestigious and competitive MFA program. Our students returned to
their studios in late July, but the world as we know it had radically changed.
The work selected represents the culmination of each student’s unique experience in Hunter
College’s prestigious and competitive MFA program. Prigodich Alanna Schull Anser Shaukat Denise
Sokolsky Yishu Wang (???) Katie Wild Ge Yang (??). Most recently, she was a resident artist at
SpaceShift Collective’s starlight community art space. By investigating narratives of exploration and
discovery and by distorting the established conventions of landscape art, his work manifests how
images have mediated the telling of history by veiling ideologies of colonization. Our presence in the
middle of New York’s art world is crucial to our educational goal: the development of professional
artists capable of continued growth once they leave the relatively structured graduate school
environment. Choi’s works are mainly based on his moving experiences and developing ideas about
the body and space as a memory container. Her research examines popular media that exists at the
intersection of the historical and the digital, or rather, media that utilizes contemporary image-
making technology to depict varying historical periods and fantasy landscapes. Tayyabi looks at the
layering, movement, and patterning found in these spaces to inform her creative process. Artwork
located in the Institute of Contemporary Art on the first floor. Andersen, Amy Araujo, Calvin
Arterberry, Kendra Conn, Kelly Lynn Daniels, Yinan Dong (???), Meaghan Gates, Marcia Goodwin,
Kyungsun “Ariel” Lee (???), John A. These exhibitions will include work of graduate students in
Combined Media, Painting, Works on Paper, Photography and Sculpture. Facilities include a
woodshop, a metal shop, clay studio, printmaking studio, computer lab, audio and video editing
facilities, black-and-white and color photo darkrooms, a flexible performance space, and a 5,000-
square-foot gallery, which houses the MFA thesis shows each semester in addition to exhibitions
curated by Hunter College faculty and curatorial staff. Students set to graduate this past spring
experienced this loss most keenly. The 2016 exhibition includes the creative efforts of 18 UMass
Dartmouth MFA degree candidates in the visual arts: Alec H. Facilities include a woodshop, a metal
shop, clay studio, printmaking studio, computer lab, audio and video editing facilities, black-and-
white and color photo darkrooms, a flexible performance space, and a 5,000-square-foot gallery,
which houses the MFA thesis shows each semester in addition to exhibitions curated by Hunter
College curatorial staff and faculty. Middleton Mark Phelan Sara Allen Prigodich Cuong Abel Sy
Brett Sylvia Andrew Tedesco William M. Artists: Alec H. Andersen, Amy Araujo, Calvin Arterberry,
Kendra Conn, Kelly Lynn Daniels, Yinan Dong (???), Meaghan Gates, Marcia Goodwin, Kyungsun
“Ariel” Lee (???), John A. In 2019, Tayyabi was awarded the NEIU MakeSpace Fellowship. In
addition, many artists, curators, critics, and historians are invited to meet with students. Choi
becomes an examiner around various boundaries with linguistic and visual differences through his
research, which is Identifying himself as a transnational wanderer. Finally, Choi’s artistic practice
examines the personal even further by adapting early photography techniques, which expose (and re-
expose) the fragile, impermanent conditions of modern, urban-sited subjectivity. Her work deals with
the pervasive influences of pseudo-historical aesthetics in digital media. In her process, Schichtel
utilizes code and digital image making techniques typically used for mainstream mass media
projects. An opening reception will be held on Saturday, April April 2, from 3 to 5 pm and the
exhibition is open to public through May 14, 2016. Schichtel received her Bachelor of Fine Art at the
School of the Art Institute of Chicago in 2016 and has shown work at Intersect Art Space, Fluffy
Crimes Gallery, and Gene Siskel Film Center. Ramos-Barajas and Schichtel are mutually invested in
the ethics of historiography and turn to computer software as a means of intervening in dominant
historical narratives and exposing “History” as a composite of constructed, institutionalized
narratives open for revision. Launching this evening at the ground floor and second floor spaces in
TriBeCa at 205 Hudson Street (entrance on Canal St.) the array of paintings, performances and
mixed media works on view will provide a little something for everyone, as the exhilarating effort
these graduates have put into the final exhibit are fresh and compelling. She has worked with Video
Game Art Gallery since 2018. She is project coordinator for public art-focused nonprofit More Art,
working to put meaningful. But how do we interact with this heritage, how do we transform our
reality, our times, into something else?’ Perhaps against all odds, our graduating students now have
the opportunity to exhibit their work at 205 Hudson Street this fall, albeit with a limited physical
audience because of the pandemic.
Choi keeps questioning limited status and belonging beyond nationality as well as obscure
distinctions between human and non-human beings. Selections from this exhibition will be shown
this summer at the Bromfield Gallery in Boston from June 1 to June 26, with an opening reception
on Friday, June 3, 6:00 - 8:30 pm. Dequilla’s and Tayyabi’s media-based art riff on the radical refrain,
“the personal is political,” in the exploration of “the screen” as an extension of the racialized,
gendered, and minoritized body. Ramos-Barajas and Schichtel are mutually invested in the ethics of
historiography and turn to computer software as a means of intervening in dominant historical
narratives and exposing “History” as a composite of constructed, institutionalized narratives open for
revision. She received a B.A. in Psychology and Studio Art with concentrations in Art and
Technology and Interaction Design from Northeastern Illinois University (NEIU) in Chicago.
Students set to graduate this past spring experienced this loss most keenly. Finally, Choi’s artistic
practice examines the personal even further by adapting early photography techniques, which expose
(and re-expose) the fragile, impermanent conditions of modern, urban-sited subjectivity. This large-
scale exhibition at the Star Store Campus in historic Downtown New Bedford consists of a wide
variety of media including painting, drawing, sculpture, digital and moving images, software
application design, as well as intricately made jewelry that utilizes both text and unusual
contemporary materials. Exhibiting artists: Jessica Benzaquen Mary Black Andrea Abarca Coutts
Nick Heyl Sarah Jenea Jones George Manuel Karos Amanda Kralovic Xi Nan (??) Russell K.
Emmanuel is the co-creator and video producer of Unsettling Journeys, an educational YouTube
channel dedicated to deconstructing Latinx identities through Art History; as well as co-curator of
Borderless Cultures, a film screening project invested in the critical dissection of cinematic
conventions. MFA students work with Hunter’s exceptional full-time faculty both individually in
tutorials and in small seminars focusing on student work and contemporary practice, as well as in
classes in the theory, criticism and history of art. Andersen Amy Araujo Calvin Arterberry Kendra
Conn Kelly Lynn Daniels Yinan Dong (???) Meaghan Gates Marcia Goodwin Kyungsun “Ariel” Lee
(???) John A. In addition, many artists, curators, critics, and historians are invited to meet with
students. But how do we interact with this heritage, how do we transform our reality, our times, into
something else?’ Perhaps against all odds, our graduating students now have the opportunity to
exhibit their work at 205 Hudson Street this fall, albeit with a limited physical audience because of
the pandemic. Facilities include a woodshop, a metal shop, clay studio, printmaking studio, computer
lab, audio and video editing facilities, black-and-white and color photo darkrooms, a flexible
performance space, and a 5,000-square-foot gallery, which houses the MFA thesis shows each
semester in addition to exhibitions curated by Hunter College curatorial staff and faculty. Our
presence in the middle of New York’s art world is crucial to our educational goal: the development
of professional artists capable of continued growth once they leave the relatively structured graduate
school environment. After three years of working towards a thesis exhibition—the culminating event
of our program—graduating candidates were stuck in limbo, not knowing whether or not anyone
would lay eyes on their debut into the art world. Most recently, she was a resident artist at
SpaceShift Collective’s starlight community art space. The 2016 exhibition includes the creative
efforts of 18 UMass Dartmouth MFA degree candidates in the visual arts: Alec H. As a community
organizer, Ashley works in the realm of gender violence survivor advocacy and Philippine human
rights and cultural production. In addition, many artists, curators, critics, and historians are invited to
meet with students. Middleton, Mark Phelan, Sara Allen Prigodich, Cuong Abel Sy, Brett Sylvia,
Andrew Tedesco, William M. By pushing the capabilities of open-source software to render a
hyperreal cinematic simulacra, the inevitable resulting glitches point to the flimsiness of digital media
and melodrama. In 2019, Tayyabi was awarded the NEIU MakeSpace Fellowship. Facilities include
a woodshop, a metal shop, clay studio, printmaking studio, computer lab, audio and video editing
facilities, black-and-white and color photo darkrooms, a flexible performance space, and a 5,000-
square-foot gallery, which houses the MFA thesis shows each semester in addition to exhibitions
curated by Hunter College faculty and curatorial staff. The exhibition will feature works by Michael
Blake, Ryan Brennan, ray ferreira, Priscilla Fusco, Adam Golfer, Miatta Kawinzi, Takayuki Kubota,
and Erik Patton. Artwork located in the Institute of Contemporary Art on the first floor. Studio space
is available for all matriculated graduate students in the building at 205 Hudson Street, and students
are required to maintain a studio and work in the building throughout their residency. The work
selected represents the culmination of each student’s unique experience in Hunter College’s
prestigious and competitive MFA program.