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Concierto Haydn

The document contains musical notation for Franz Joseph Haydn's Trumpet Concerto in Eb. It is written for solo trumpet in Bb. The piece begins with an Allegro section in 4/4 time, featuring the solo trumpet. It then transitions to other sections including Andante and a cadenza. The notation contains rhythms, notes, dynamics, and other musical markings for the trumpet part throughout the concerto.

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Greivin Alfaro
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© © All Rights Reserved
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36 views5 pages

Concierto Haydn

The document contains musical notation for Franz Joseph Haydn's Trumpet Concerto in Eb. It is written for solo trumpet in Bb. The piece begins with an Allegro section in 4/4 time, featuring the solo trumpet. It then transitions to other sections including Andante and a cadenza. The notation contains rhythms, notes, dynamics, and other musical markings for the trumpet part throughout the concerto.

Uploaded by

Greivin Alfaro
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Trumpet Concerto in Eb

Solo Trumpet in Bb

      
Franz Joseph Haydn
Allegro

           
 
f

 
   
16 Solo

           

f

            
      
41

          

47
          
        
   

   
53
          
   

   
        
  
59

       


                  
65

    

           
71
  
 

       
 
77

           

     
    
83

      
p

            
     
89

    

           
   
92

    

Notated by S.S. Ellis


Please Distribute Freely
2

      
                
95

  

        


98

 

  
     
    
101

   

107 
 
         
  
p

   
    
       
119
 
  
   

      
125

            
f
131    
 
  
        
137      3 

3

     
   
3 3 3 3 3

                               
144



146
     
  

            
       
151

   


Cadenza

                              
  
Andante

166

 
p
3

                    


179

            

              
        
186
  
        


          
         

192

 
      

   
200
          
    

           
203
        
        

               
       
206

       
p

             

211
        
               

            
    
216 Allegro

      
p

                  
266

   

              
272

        

                   
278

  

284             
 
4

        
  
298

       
     
 

305
         
           

   
    
311

    

          
319
     
    

     

325
  


331 
              
f


339
            
 
     

       
[Cadenza]

           
  
345




 
351

    
           
 
p

     
362

        

       
369

           


    
376

          
f
5

    
385
  
           
p

                      
398

     

            
   
404




            
416

 
 
     

        
    
422
 
          

428
        
 
     

436 
 
    
       

         
447     
   

      

465

   

  
   
472

                 

   
      
     
498

    
      
cresc.
505

                        
f

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