Lesson 2 Contemp
Lesson 2 Contemp
Contemporary artists influenced by many factors like: (1) religion, (2) education, (3) environment
PAINTING THEMES
ANTIPAS “BITOY” DELOTAVO (1954)
A. RELIGIOUS THEME TITLE OF PAINTING: Women with Umbrella
- The primary subject for the artworks during the
Spanish colonial times. It supports the moral message of RAFAEL DEL CASAL - Portrait of San Pedro
the religion it purports to illustrate. Calungsod
1. FREE STANDING –
also known as “in the
round”, sculpture Precolonial sculptural artworks:
that are raised 1. Panolongs of Torongan – by Maranos (carving –
independently in its “okir”)
given space. It can be observed from all 2. Sunduk of Badjaos – gravemakers
points of view. 3. Bulul of Igorot – Ifugao rice God
4. Maranao Royal House – Maranao Sultan/ Datu
2. RELIEFS – sculptures that are raised from a
background. Spanish Era:
- used to create and decorate items used in one’s life
Bas-reliefs (low – he most notable sculptures: Santos
relief) – reliefs that – examples: Nazareno in Quiapo, Lady of Pena Francia
are slightly in Naga, Santo Nino in Cebu
– divided into classical and modern
protruding from their background. From
Ancient Greek and
Roman (e.g.,
American Period:
Parthenon)
- prominent people of society and politics
Many respected Filipino artists of today such as: Examples of time-honored sculptural crafts
- GAMABA (Gawad ng Manlilikhang Bayan)
Many respected Filipino artist are part of it. 1. The Bulul
- It is used as decorative element
Examples Of Contemporary Decorative Arts Found throughout daily wares.
in The Country
2. Okir
- geometric patterns and stylized
POTTERY
images of plants and animals
- It is the art and craft of making pots and other - It is a symbol of power and prestige
wares using clay or mud usually adorned during festivities.
- Pottery makers made everyday items such as - “Okir” is a design or pattern that
food containers, water vessels, and some are tells the story of a person; his
created for formal and ritualistic purposes as experiences, beliefs, and values – that
burial jars or as figurative mementos. composed his being and identity,
- Pottery tradition is still alive in Vigan, Ilocos through the use of authentic
Sur. symbolisms; which reveals the
- Examples: food containers, water vessels, for distinct & original culture and civilization of the Muslim
south.
formal and ritualistic purposes (burial) or as
figurative mementos.
3. Sarimanok
- A chicken- like figure that carries
BURNAY a fish in its beak.
- Burnay are earthen jars with small openings - The Sarimanok, also known as
while those with bigger mouths are called papanok in its feminine form, is a
wangging. In the early years, the burnay, legendary bird of the Maranao
locally known as tapayan or banga, was used people who originate from
for storage of water, rice grains, basi Mindanao, an island in the
(sugarcane wine) and condiments like salt and Philippines and part of the
bagoong (fish paste). Philippine Mythology. It comes from the word’s "sari"
- made in Giant kilns and "manok." "Sari" means "assorted" or "various"
while manok means "chicken"".
Ugu Bigyan (Augusto Bigyan) - A popular decorative motifs used as their decorations
– Tiaong, Quezon in their houses, boats, instruments, containers, weapons
– his pottery pieces are recognized here and abroad and utensils.
Siniwsiwan
Woven Products: - An indigeneous fabric
from
Binakael (binakel, binakol, binakul) (transliterated, "to Bontoc used for men’s wanes and
do a sphere") - is a type of weaving pattern traditional in for women’s lufid.
the Philippines. Patterns consisting
entirely of straight lines are woven to Pineapple (pinya/piṅa) -
create the illusion of curves and Queen of the Philippine
volumes. Fabric
Aze Ong
- She is known for her trademark crocheted art
pieces.
- She exhibited in Yuchenco Museum 8.83-
meter-high crochet installation entitled
Liwanag sa Kawalan ng Kulay (Light in the
Absence of Color) and Liwanag at the Cultural
Center of the Philippines.