What is a curator? ‘ur conempoarydefiton of eustr i more broad-ranging than ver tle A ciate i probably est known 38 the selector and Interpreter of works of a far an exhibion; however, the role ao Incorportesthoe of produce, commissioner, exhibition planner, ductor, manager 2nd organizer. In ain, the curator is now likly t be the person responsible fr wring wall labels, catalogue css andar spporang conta fr te etbiton iis nodes we tea all med). The seen carr maya beespetedoinerer wih te pean te publ, ng tenon an tl Carts aye ete areata ind ‘Shge domes sich perso rato re ‘nd hey ay eine inthe sede word rough peeps it schoo, college oer, proving lear, seni, ‘nerahp or woth placement opprtnie. A the arora fsion continual changing, Secopag nd expanding, 20 Be must devdop a ean foment hse new cursors ge ofl stalenges and oporunites. The word ‘cur’ fit came into use as meaning oversee, ‘manager ot guardian inthe mid-iqth ceneuy. The root of the word le mck ain er cre meaning otk cae oP originally vet ‘nd dsb hse who were in charge ofminore or omen, The bpd the doelopment of calecting a spstneof ihe neh ein bec of cree forms ineleding mutase ee lepel spciens aswel as caring, decorate objet andar < hos ity would stasideceomsintheishomestostnecedsite hey ENSton These wom were known as “abines of Cosham ee SRpte soom The onmer-coleor would sce whe sad Bruce Ist of what was inthe colt or man sao a the collection. or delegate ete ‘Seams os member of houchld sats eee se span fr locking afer works of we calor ee iui bce nw Kooper rnin Meese here eer) eee eg permet sich pein eer eer oka Ree veret nas naa Pecan estes mor rayon, nung aon rescach ting an cme ihe Robeookes-17e5wathe in Keeper cheat Tel oct of Landon for non Nar iacEige Teta Scie te now known, as enabled ioe oma aoc ofthe sata word hough ose 1 Catunepermens te Repent wara pb colle of td tna objec ee Comm ad sme re 0 166 Hooke ‘Sieecedin th Soc’ acess the Cara of Experiments Mowe ob ed ot ert wos af at rot sal Inc iat Hoke yng caf deo dine he wey denortonons of aw acne experimen tees fd pute noone ve now uadeand a eset tree ry en eel the pone He cloged etched Sd ‘ne te) mc ofr work donee Sse, ewe tr embnaton, osteo aes beat det compan thou tomenpany eprom os aor aru teh and entre le collins wee ‘ome ac the deapt or many lr equated ton. Dang ths ede oso mana cr herp and Sista bed nine burt a th ine be mow esa and i he cesan of Stren oan es = ib ely tend nd steaming ioe mulig dees on hat ade aceleon aio sin ty tneng og nd nap Sees mtn erste ote regh chau pbenons andes vows sind mie tae a eet Traore wot’ or ole is offen seen ar that of an expert with euturand ast. This arcewype began o take sae works 4d more than simply display fed of curator made connections focus on an artistic or historical ofarists who were working in sn tin oe fea i So icone = ae wn a ep Mi “ra es Pa a, ar See ke os 2 piers segs chan toy tinpstecoind pec taeny eee ence an ern gn Eee scape tc eae sens Seine create See ne tne ec erence eh ec et eat Seis pec te at neck rae ius cree a eg Si nee nese te iin a cate “Throughout the iggos there was a greater focus on the history oF ares erage sateen pre ep ge eae Seer ae et enantio encewoking ina smb telaonship with artists, chal Eee Siapon and inegate what ore culate may bead what lenge exception andi gh look ‘The different types of curator (subject specialist, collection-based, independent, artist, head of department) In large onganzaons with major colleions - such 2s national ttuscus thee are fen subject opecaliteuators (fr example, Contr of Prints and Drawings, Curator of Japanese A, et). It such eunstanees some aspects ofa curt original or tadiional responses (ie. documentation or cae of woes), ace tke on Wy ake sa alcon managers, conseratrs and or cesar: is While this enables the curator to ear ou specialist research oF {0 ded te towards deeoping major exibion projects ican Asante carat somewt rom the collection ad els nad ‘inal dates managing large ears, negotiating and collaboreting ith cut alerges. Cursors woking fr smaller organizations, however, may not ony bare o cary otal the research and exibition tasks tadon- lassie with he role. nan, hey may ls be responsible fer minasing acute records wring dng and managing pent ‘nd polishing: image esearch ering copyright and they may De ‘erled io (possibly having to deliver) many other element that are a ofa contemporary programme of exbitions, suchas educaGon, ‘ais, dca finding and pes. temporaiy as extemal c-curato, or ‘guest curator, alongside 3 museum bared collrgue. Paulo Venacio Flo is Brain curator, weiter and academic based in Rio de Janet. In 3000 he was gust crator, working in cllaboration with UK collegues © produce ‘Cenary Cir Art and alrure in the Mogern Metropolis” at Tate Moder, London. When ted abou the experence of working with such a major insaton ‘Yenanco Flo's ilomati answer was can sy ty wok Te a a apprentices ‘Georgina ackaoa ie Diestor of Meter Union ~anarst-un centre far cootemporary ae Toronto, Onto, Canada. She gives some insight into her experience of workings an external arta within an ‘nations amework: “he dais potion eee em aperting 2 ie wch incite emp sd tet pstes pret fenton, at at octal ate lend or id Spying sch cote nce sep aring ene dhe ay tg lp an wert how ‘on wo nde tion! pent Baling working lost ‘rth st fdr dines communion pers neal Working a guest curator sn beaver rewarding collaboration, but itean alo be quite challenging, 38 one curator may be charged with maintaining ineton-deve plies an praces, while the oer ‘may wish o subvert or challenge these, orsimply ta decent way of doing something. ist and musician Steven Claydon, when talking shout hie role a gest curator a Carden Art Cente, Landon, i 008 sid, ‘ho male ing ca of can mae fa eer ad theThe implicion is at the artit-euator is fie, petaps even “coupe to hea he conventions ofthe institution that invites ‘Soe tw arene a eahbion, and can choose disregard academic ‘oror quae in terms af euatoril practice. Whatever they do could te defied as a wok ofa, an instalation for instance, even if that instal made wp of work by ober ass. “hearse curtor bat 2 lng tadon in the Wes, stetching at less fr ack the funding of London's Royal Academy of Ars iy en art nd member Joshua Reynolds was appointed is fit presen s orgaier, administrator and curator. However, iewas noc una 127 that Aleander Dorner, then director ofthe my, made the unprecedented move fining an arcs-desgne to curate a projectthar not only included ‘heart's work bt tht ofhi perl Lise chose tex his workalonsie that of Paso, Léger and Schwier. Towards the ed ofthe aot ena tere wasp incense inthe umber ofarst-crtors-perkape ara renltofa backstage he riing Public profile ofthe craton the bith ofthe ‘eb euttor “ody. Hong Kong tor, Paricboied gulls Joveph Tang ofes eres esporsiiliy of easing his ply exhibitions eo ats, 2 does Sis bom Lzen Hebling,Ditcor of Sangha Galler) in Shanghai seating tha here somehow the art are he Best cra tor However whilearss maybewellplcedtotakeon hat aspect sy rile atte py of woes fa may istoel eee of earttalpracice— sachs propre plan ing administration, indasng. wating imerpeation, marketing, es, persona nd bung management = may ot be something two eget nih ‘cur i fin wed 10 designate the head of @ lepariment within 9 cura organization (or cxample Cuter of Eaction Cato o Eitons) whose leis to cordate ad Gish ouputof ose, ensrng hat en ove vison and {sions maianed.Alngide hs there hs beens paifetion scone mg ace sr ros few someone whose ae itis to conc, sce and xn proentons of sce ohevating pose mieten eis Perens tara Pree eee Moet! Peet etege eee res sian Sree eee history and scrutinizing th eeeach one ofthese curatorial avenes or specialisms has is own history theory and unique considerauons. Arie Chen is Curator of Design and architecture a Me, che museum for visual clre in Wese onion Cultural District, Hong Keng. While primarily in design and rehiteture hisexperene crosses tesitonal fin art curatorial pac tees: He makes the diferent approaches to curatorial practice in these tisilines quite evident with mention outa few things that might impacton scart’ thought processes ete eeetie eee eeeee seats Te social engagement aspect of Fe af eee fei prcice wees beacore commend tt eel Pet: Hane Uch Obit has tn ne tor hing han dont only ih ringing people ogee’ which he trator has to bri¢ Peo ebi otc Pristes of communitie: eer ten tere einer ocd and causing the conditions Pee econ institutions, and other types The crux of this work Piet Seen hatersees as asignifcant partof is role a8 acurator.°0/A sentiment echoed by Nichols Seota, Director, Tate, London: ‘the ctor must ul toga al he sands pled to rel an eon ‘ung clitonson withthe exons ex and inspeing aris ose Tle price The cut then neds tow when et go and what oe oats Why is curating flourishing today? “he end ofthe 190 awe spat ofa and publiaions relating © ‘he el ofeurting In 2008 Obit plished short history of cure ing hghgbong key Indias and thei exhibons cat change ‘belinda of urtorl practie There are neresing umbers often published on specifi exhibitions, investigating thee cone Son and the consequenes Since hat ne dhe role of he ctor ‘cone odevelop and along with that an increasing historic ng ‘onan profesionalaon ofthe Geld ay curatorial study programmes have bee established, om ‘9 adminsiation to specialist courses inthe curation of specie tdi, Unters, celleges anderen museums cross the wold tare extablthd ter ow curso uring progemmes and cue ttl pace ino often sen aa ahora fn 0 el ndson conneted and running parallel oat athor set nag oft corr as igh sled sj speciale ech ao the noon, die bythe shifting the 980 rash demtenton ft wot hatte curator shold be an educator. The caro must now explain fen i yan" ton tan a alleging new tends in visual at and post sisal ediciones seen woncese nr ore er oduton th curs ako seen oat a flr, oF i poag anh ate who pat bundy abl a What ‘ salads tothe perception of curs ngcter. ceurng knowledge experencesnd tlt Te Ea, site owen sen nd anc trav sy one an it oat coruor are sen beng sg conscOt 0c phncton Contemporary ass a ost wealthy can afford and by association ta Prato gin access fo the rch and famous. Asa rest here aoe andl ofaraors known as international ‘Ober-urators! who fine dercloped an almost exebey smu, photographed at launch nice and evens around the wort her faces seem not ost i a [urmale bln mainsttenm newspapers and magazines tbo, This has soa oa mage of curating 2 a glamorous, jetse career option ‘hich canbe, but, fe dhe major is nt tyxury brand that onthe ms ‘The curator as catalyst or conduit for ideas curators role i the potential i offers t Ps om parila subject and bring ito the public's attention +t re ihc moment, Through the slecon of ats, through the Jmporition and interpretation oftheir works of a, curators ate a sencat dialogue (or more accurately rilogue) between the Sodiene,thearistand che stun. sie OvBean, who has eld roles 24 Curator and Head of propane st The Power Pant Contemporary Art Gallery in Toronto aeerstor| curt ofthe arit-ran centre Arspeak in Vancouver ‘Soimpares curating with heal ofa literary editor: ‘One important aspect ofa compan o tht of eng. The ed aces TPhcettngsnenbing ananing an singles ring th ro oe = SIE deacons, xn ing fran tan tal pec Sen hc a nal sutencs no oy ough exons, but ubcloes eben, am el eter et ‘he lng fering ko actascatalytfor othe projec, programmes ‘curators in his way al fons that may benspited by Sid collateral evens even spin-off exhibit other curators ides. or racaor, working one-on-one with an artist during commission- ing proce foremmpl, lteter a diferent sorofdalogue. In chis Rano cuetors hae the opportunity to discuss and review, ideally ‘Si come cal distance, the projectanartsis proposing. They are ete cation and challenge hile being sure not direc or lead ‘renin any ways important to remember thatthe curators i ieen cents coe eee Coen ents ellectual experience of an exhibiti a Sins cout menos pre paige 9c mox Su re et he Sh pes Mars Mart wat cnn in 209 wo crene ee dncsod sapere eth a he me tied er any es at calge en pbs ies of et rae wt eri sti ‘Segui beh aad ent Wy wood you sian a pinto make 2 ee dimensions Thiecral nen? wold be ore obo, ad peoably Sipe, 0 appoach an art who as previous experienc inthis feof commision, Whe here maybe Hk in ain 2 pier to workin thir way tao pens the doo or experimentation and Pesaps shies cae ean challenge for Bost Endcomonasioing ctor oat which my coe dialogue, lado teen delopment ia bth pasties Sige 2 his se Marc rode» ighoe stalin ~ eset paitg in thee dines, working on fur planes and eneodg trough ‘crea for othe balling Ths proj marked thea Bat tine worting nts dnensos aon his see, he fest ese ha prodaced lightbox andthe fren sea ealabored with somofarciee Winsted ew pase a er pacticeapdshewent ‘nto iakes commissioned pie for Guys Hospi Landon, ‘The curator as author, editor and criti Wile the many ing cr bono te ysis ital wth ngsge Wigs sb ee import ‘Bpctofen pie Thetequtenene becutraraaor Tilo prove silt sod er tent thelr he ho, ponace snd mening of wok as exuded dat Cala ema ea has dee. Case mow Capel w pret hues propose we gy SadiePee arora ecarte| through volunte Sean soar hares There is only so much you can ora ossible). nen ina classroom, Dealing with peo} Pee eae eae t learned ote erenore nt etait etter ede sentry nd wel esearced exalogse texts and | or books, wil lo being aa eesas comple ess and cere them fran svat 2 tog in eather sno such ting 35 “=r a pe mao he organ, he cuaorwho conceives aero ay be asked to wit aol texts fr use dng $Eanbion: wa nt, txt panes trohars and lait sn rinetios these ae ceasing” ween by ect In re ot people who cote fom an education or public a et acgzound Howee, th exhibition curator bas some aa ng that te coment and drecion ofthe weting tore ncton af th erin concept. This can sometimes aca eebeorenedcaion cursor and crib coletion (Gor ece chap iteretaton material 24). tian npan al fo he curator to, involving bch 2h ofan o deal and diploma Ensoing that com ne ectanors,wringaboutan xb or arotanexibition pase Gunedt arcing sucncand sting thet argument cleat eee SUpueage tori ners ofetng bin dealing Wi Pet eae eaite and egy nacuaces and mistakes can Be cst” ‘au siittiogand cn revlin ary ofcomplans or enques aera ofwhich mast be handled crefally. Ling a8 sr pe esata or tepeettaies of deceased aa cabo mt sy fact’ names tes of thee works courtesy ines ‘Siemon ne Chap 6 Pie clleton, coreg, cutesy Mee aenance £30, So issmporsant 0 conn hi informae ep leant prce snd ensure thatall eal ac acre “Chto aka sometines ake the fle of te and/or our ix roming throw ov ober exibitons ad rats by engsaiog ie Bin acbses or commenting cial. Someines this cn Be Mobimaue paca if the curator works for 2 pablicnstaton Uther being cea of nother rgnltion or inna cam ea to ‘Wiisce profesional wlaonsige. Corrs who develop 2 signi ‘Scrub profile, who have wnige and urusal pens of view or ‘iho Rave satura let in evs of presenting or performing oc LU bccome medi personales tn hr wm igh stance ‘Hemeran acy Sal, known for hs wenn The ilge ‘ict Neo Yok again, waa adge onthe US telerision series Vio Te Ne Gat s(t) wie ee UK Lacy Worse.‘social media and the web. Increasingly, web users access the vast Siena a greene curate, the content ofthese websites, muct sing Routes into curatorial practice toe nent fring opivion abou tining for eurtria pre- Soon, inc ne Ban, ar salt corm Hsing, asthe jb it mol based fee Theat seas ‘heimportne othe pat thor and curator Michael ety links ical and the theoretical Semin iereasingly profesionaied il practice evolving rapid aps also curating, as undergradvate ustry of ermine emerge, cll ees, English, etic Sa a ing flowed by postgrad nd possibly doc Seon anos nants are ste ie sor ea vpuanie cous, ats adminatraton os. Sm tpn aor of te sth a a 218 CE a ee om tes ar of ay Kasper Konig, Curt a0d Fer I (Sig seu, cologne, sedanropoloy:end, ai gy noed, Haid Seremann, de Swiss curator WO a ear cablon mat oiginaly worked in bea Se ea ert aning programmes is ab 1 ae ie Greate, Fane, by te Cente national a ae ul magn The course roninars on or sen Ser inte & round breaking caring cours 250 an eh otug, cw fork into, The Bard Callege ener for Select Sache te ft to oer an imei cours that incor Can omy rua a hstry and exhibiion-making 38 rar ay aad cau of ial ar eoninue 9 combine aan erect tening wih a museum seting and ia Pee phe uit andthe Hessel Museum ofA “Signy based onthe Soa propane, the Roa Calle of nena Ras adminsaaton, Caring and Commisioning seceeatn re MA tno ted Craung Comemporny ACD at Citinhed i Condon in toga A oo-year programme combines See tad nny ofa! clare sth coronal sides, See Ae pane and applied sls sucha eng, publabing SA at Evmiioning Compl a te courte marked by dee Sin ars public enibiton and accompanying enalogve, a sere a subminon of final isenauon ltBowgh this can SESS is ey sar to what uppens in ose museum cand. Char corns manage lee proes simultaneous Toe fer he inane othe opel College course the De Aneleeetol Programme we eabliedie the Netherlands, The sees eT worm ofers made curators a condensed package sEe'Setparcr seminars, moishopr, excerion (nleing 2 (Mecnce rsnch up ta detain outside Wester Europ) cetera ssigmmencs and encoumers ith ets and at story of vieul culture (phfesonle. Sukie Bos, Founding. Diteaor of the De Ape seeeeeh Ring Rope notes that endstes "wade pod Se rng coe Ths ea ey important aspect of tee 2eSlorandi wi become more apparent ater ints ook “he Coad Inte of At London, ore Maret ia canmagibe At tneun blacng sina handiron expert Sd imtip placement taking to account the expanding te {Rv ofte caro ness centr Much ke the enue tthe al Clg of hte Courtauld benefits rm ing slo dew Gerth scale aly alley and colton, Dut addon ith an ios consenaondeparment. 48 with most eusing Couns there an xeon that den should deliver an exhib Sonn righ core Londons Geld Coleg ters Drorane deinen dcop profesional scatemic exec {at iy yuri senna and enue experiment “hs a as ow ofthe core that are spill elated cuss cher et wl eu ale 'ng opin foal and nal are poiferting In Germany ibe Gace Unvesiy Fak bas an exe neon oF Fa 2 ing te Sa seaeny of Fin re, the Sal seam, ‘Lees Stlpensamming MME Saneu ft Moderne Su Horse stm and he Ween sco sorkng cher roa Sain CuoralSes CRO scm) a ance, the Unies Pas Panto Sark semen. caver more theoretical focusing om bistoryand hie the Uniersiy of ade as ars manager, reps, eestor archivist, art handler and many ‘hore The MA in Curatorial Studies a Lasalle Sia College of he Ars In Singapore f based on Western model and curently one ofthe {courses in tha region. New edseaona nities by commercial trganiastion auch a Christe’ (in elaboration withthe Unitersiy of Glasgow, Scouand) and Sotheby's ate establishing advanced sty Courses bused in As, with stadene intake from mainland China ‘Bhwan, singapore. South Korea and farther afeld. tn Japan, the ‘at Inve Tokyo fre po learning 2nd residency programmes fr both arts and curators, ith talks and small group seminars Covering topis such the history of exhibitions. ideas bout space ‘hd display and the management oFexhibions, plus an outline of key {theoretical terme. “Then sorts ofcourse, although highly compete offer students a global view, unigue insights and (asualy) extensive international tenel Speaking about the explosion of curating courses, Andrew enon, peviotsy Professor of Carag at London's Goldsmiths College sid in 10, ‘Any liberal ats nso would be considered lacompete without one “Alongside these clay defined curatorial programmes there ate ‘many ars adminisvation courses programmes i gallery and or art marke studies; museum management and museology courses that (ould also lead to a aver asa curator Work placements and internships carer development pathways on completion of postgraduate Stuies might involve an internship, wo gain practical and workplace Cipeience, although certun aspects OF thls ae ow considered ‘controversial some sounties. Some feel that interns ae exsen- thay unpaid worker ether caring out menial ask, guiing ile from the experince or conversely working at quite an involved level, bur without recognition Gnancial or otherwise) fr thei input. On ‘he other hand, in economies where the ats and cultural sectors are Under-esoured, infers are often essential in otder to support the delivery of + programme ot project they gain a significant amount ‘of handson experience in exhibion-making along the ways internscctepney eam othanbths I god and ba prace canbe ound. The sue that pete he aoe een pean stem ean et me st accompa sini had cei ‘€aperience they need and, for that matter, th ree ladder, The majority of = sie couse we bul “ ‘kasd postgraduate courses ae building’ Sop eet ime tr programmes, which o some extent i ipa or arts on internships by sting thar the placement Fe nea itd 6 rhe dent does no ed DE is does mean that he Sasha o meet organization where te ter Dene wie tanning objectines during that la ‘© indvdwa workloads within the instton ise and may reduce the overall erin bene othe instuton ‘Work plcement opportanies are a8 & consequence, increasingly ficult find deo the large numberof applicants, and even harder to secure ifyou are a foreign stadent with the addional hurdles of language sls and lack of contac ‘The first rung on the ladder Following an internship, a rst in cuating might be a ‘curatorial ‘sistant. Depending onthe country, netation and job description ‘hisean eacompats eveything fom being the assistant working with ‘rforone cursor ora eam of curator) to tang sole responsibiliy for curating exibidons or depye yourself and al the addtional tanks that might entail. Thee is similar valance withthe “assis- tant carta job den the USA an asacanecurstor tends to have Imore cachet and indvuals can often stay at that level for many Yeats Progression, though, would See the move to curator, senior OF teeociate curator, head of exibitons, head of programme, head of Collection, deputy director associate director and ultimately director. ‘This jut one route and there are many versions and diversion that oul: be curator coal tae [A onetime, the curator in an insttton wat rarely known oF seen ~ engaged ently in esearch, leaving the exhibition reais tonto ances or manager, Hower incresingy the ram's role includes public engagement and Is more “hands on” in terms of ‘projec deliver. This could take the Form of letues or galley tlk, ‘acing the media o being part ofan advisory pane publicly account: able or even aking paras audge nan a peze ‘The curator as judge “There are many ar prizes offered around the globe, from student prizes within a college or univers tothe world-famous. One of the best-known the Turner Prize awarded by Tae, a London, The expe rience of being a sletr or judge can be esting. Richard Dorment, who began his earer as assistant curator at Philadephia Museumaren T its een me a ets thing a teacher should do is to eee rere of Ar, and has been Art Cte forthe Daily graph since 1986, as {Turner Pez judge in 989 and recalls is experience: ‘he iging poss wast ho, nt pret ejoble pena ‘Sow Une manent hd oc whatou mig cle pols fo "rte an aos oon fb Paar hen cand moi wae grein thw tap taste sack he oy oft armen. Pd lara Boubnova, Founding Director atthe Insitute of Contemporary ‘at, Sofia, Bulgari, has experience of working on 4 number oF ite. ‘ational conmites and projets. n 213 Soubnova was aodge on the pane awarding the Clete Prize (Oased in aly), an international ‘contemporary art prise open f0 emerging and mid-career ats without limits of age, gender or experince. I is Boubnova’s com ‘mitment to showing emerging artic talent alongside hee ability tO dalver thought provoking exhibisons, that has broughe ert inter ‘atonal tention. She describes herexperience of working ona panel of diverse Internationa cursor: Noma you meat them ete members wih Your own iteration ‘fans acte, yo ie ada ample of works an ou Pu speVery occasional cursos ae inthe privileged positon of being shim inte a peze of their own. Sting up a prize canbe a long nd complex proces, of ican result from an unexpected meeting or oppor, Before running a galley, London-based independ: ent custor Ceri Hand set up and managed the 1999 Oly Award for Women Artists (ponsored by Ol of Ula, subsequently rebranded association with MAKE magazin and the Lux Cente‘ ota "ha en dae mech, whe em at cri ut ese at ‘Deer wansha bn an pponty ont oo peach a ospesidin ti deo and gat me "Mh commtmen ge sled ari 65.08 to make new work ad the inet ved Canon The teed st wee eae and were ed terete uc ek es ove ack a te band of ARE a theme She sow Dic (ise te, ondon anda cabled Monae iad fr Wome hh rey much pon sor pers sepeor Hae team coal noe ee age ona single winner ad ultimately spit sadernomontherluccfna. ote crh wade Foec funder tht prow challenging Siow ait on ars. Opnion is ded among bth ata pens ple expect thane tat rs ty be conione st by the egg: scien lth tenon ands cash necon ecm % stems for some. ican aun ret ad Scrape oasis ha ane shee sapere of Who is this book aimed at? oat ing point td den cane a OF specially eclevantes a on, "ells ooking a other svenues of curatorial practice, Bear in mind, however, that part of curatorial prac ‘Taceks to extend boundarie, Be Innovative and test the limits, 50 the creatvity of your approwch might mean that dhere are no stand nds established for what you propose. The Carters Handbook provides Information, advice and expertise om a diverse range of educator ‘Recarchere, academics, lle, curators and museum directors si are woeking in the changing landscape of curatorial practic, Vinal arta the museum and gallery Seto.