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At The Movies-Haunted Nights - Justin Williams - Gd. 3.5

Concert Band score + parts

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Louis Lemay
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100% found this document useful (1 vote)
846 views108 pages

At The Movies-Haunted Nights - Justin Williams - Gd. 3.5

Concert Band score + parts

Uploaded by

Louis Lemay
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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At the Movies: Haunted Nights Featuring 29 Neibolt Street (from IT), Hello Zepp (Theme from Saw), Sidney's Lament (From Scream), and Halloween Theme ‘Arranged by Justin Williams INSTRUMENTATION 1 Conductor 2. 1stTrombone SUPPLEMENTAL and 3 IstFlute 2. 2nd Trombone WORLD PARTS 32nd Flute 23rd Trombone ‘Arable for dont tom 2 Oboe 2. Euphonium SS 2. Bassoon 1. Baritone Treble Clef B Alto Clarinet 3. 1st BbClarinet 4 Tuba Serna Lie 3 2nd Bb Clarinet 1 Optional String Bass mn 3. 3rd BsClarinet 1. Optional Piano ‘st Trombone in B Bass Clef 2. BbBass Clarinet 2. Mallet Percussion 2nd Trombone in 8b Bass Clef 2 1st B Alto Saxophone ‘Wibrephone/Beli) 3rd Trombone in Bs Bass Clef 2 2nd B Alto Saxophone 1 Timpani 1st Trombone in B Treble Clef 1 BrTenor Saxophone 3 Percussion 1 2nd Trombone in 8 Treble Clef 1. B Baritone Saxophone (Suspended Gymba/Snar Drum, 3rd Trombone in 8 Treble Clef 3. 1st Bb Trumpet A fomhel, Baritone in Bb Bass Clef 3. 2nd Trumpet SON ymin Tuba in Bas Clef 3 3rd Bs Trumpet Concert Tams [2/Trangle) Tuba in B Treble Clef 2. Ist Hom ‘Tuba in B Bass Clef 2. 2nd F Hom ‘Tuba in By Treble Clef PROGRAM NOTES The newest installment of the At the Movies series, At the Movies: Haunted Nights showcases selections from IT, Saw, Scream, and Halloween. Familiar themes and suspenseful ambiances collide in an arrangement that is not so much a medley asitis a portrait ofa classic “Haunted Nights” soundtrack. With shocking twists and turns throughout the duration of the piece, iis certainly recommended that audiences create a film from their own imaginations! Plante ut bd noes me now beg etd yo static igh peed pe. ‘The encod prs now ted ype cur ae an sae @elwin sano NOTES TO THE CONDUCTOR ‘As noted in the score, the introduction of "29 Neibolt Street” should be very creepy and ethereal, setting the mood for the rest of the arrangement. Tell your ensemble to think of a scene in a movie where someone is walking into a haunted house! Use your discretion on the “shhh” vocalizations in measure 4. The original soundtrack utilizes a wind effect, so try to mold this accordingly. Ensure all crescendos are well-formed and dramatic throughout this section, The trombone gliss in measure 9 should be very intrusive and, as noted, should happen in time with the noted tempo. At ‘measure 11, the tempo increases suddenly—all attacks should be very strident! “Hello, Zepp” begins in measure 12 and should be very brooding and uneasy. The bassoon, clarinet, and flute melodic lines in measures 12-29 should be lightly attacked but intense. The closed hi-hat isthe driving mechanism here! Ensure the player keeps a steady pulse. Beginning in measure 18, the snare drum joins the hi-hat with rim attacks. Tell the player to keep a light grip on the drumstick; as much of an “echo” effect as can be achieved here i optimal! Take great care in measure 30 that the gfp and subsequent crescendos in brass and woodwinds are carefully ‘executed, This should build intensely to measure 46; let the trumpets keep bells up here, taking care to play to the end of each measure. However, be sure the woodwinds can stil be heard in the ensemble. Measures 58 and 59 should bbe as dramatic as possible! Measure 60 is one bar of silence, but feel free to take more time before the woodwind choir begins at measure 61, At measure 61, use the flute line as a solo only ifthe player can balance with the rest of the woodwinds. “Sidney's Lament” begins at measure 69 and the low brass and percussion downbeat should be unexpected, loud, and abrasvel Be sure the low brass decrescendo to a nice piano, so the oboe (cued in alto saxophone) solo can be heard. ‘Take liberties withthe tempo and shaping here. Measure 83 should be very emotional, expressive, and convey sadness. ‘The gff+ and subsequent crescendo in measure 85 should be as bold as possible! The iconic “Halloween Theme” begins in measure 89. The melody is scored inthe vibraphone and optional piano, but, of course, the optional piano is preferred if instrument and player are available. Feel free to use a synthesizer on piano setting as welll Once again, the hi-hat keeps the pulse moving along throughout this section, At measure 93, be sure the bass drum pulse is crisp and in time. Tell your player to dampen with a free hand if necessary, to eliminate any echo or ring here. If available, a drumset bass drum can be used in this section. It is imperative that flutes, oboes, and larinets execute articulations crisply and precisely. Beginning in measure 96, ensure that brass long tones are played to the end of each measure, and the crescendos and decrescendos are carefully executed, Throughout the rest ofthis section, take great care to maintain the constant pulse and tempo! In measure 147, the “scream” vocalization should be shocking and eerie! If your ensemble doesn't lend itself to this, all players with the “scream’ notated can simply picka note and attack intensely. 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Ef: ————_ 48207 MALLET PERCUSSION - 3 “Rlloween Theme” «Composed by Joe Carpenter ‘Vibraphone of MALLET PERCUSSION - 4 ea} —$+— Ff At the Movies: Haunted Nights Featuring 29 Neibolt Sweet from IT), Hello Zepp (Theme from Saw), TIMPANI Sidney's Lament (ftom Scream) and Halloween Themes anoed by justin Williams “29 Netbtt Stet (om 17)" «Competed by Benjamin Walch Creepy and ethereal J= 66 ‘Tune: FA, B,D P ————————— Suddenly fast! = 132 tet Zepp Theme rom Sev)" - Composed by Carte Closer = wg =z w= fos @=f f “Tis Arngenen ©2000 NEW LIE TUNES (ASAP), WC MUSIC CORP ASCAR), WARNER TAMERLANE PUBLISHING CORE (BMD. ras ‘HPPERCUwe MUSIC (ab, CRSK Sic Gu) SPEAK Ts TMUM MUS (Bd, 901 HICVLAND MUSIC (BMD "TREXCO LANTERN MUSIC PUBLISHING COMPANY (ASCAP) Purchase 48207 ‘AbRigi evel cag Ue Peormnse "Udy Pematan performance cordig! 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