(DUCTOR - ACT ONE Book by Musie & Lyris by Harvey Fierstein Cyndi Lauper Based on the Miramax motion picture Kinky Boots Written by Geoff Deane and Tim Firth Music THEATRE INTERNATIONALNOTICE: DO NOT DEFACE! Should you find it necessary tomar cues orcuts, use soft blacklaadpenciony NOT FORSALE — DO NOT COPY OR REDISTRIBUTE ‘This bookis ented forthe period spectiedin you contact itremains th property of [3 music THEATRE INTERNATIONAL FOR RETURN SHIPPING ADDRESS, PLEASE VISIT OUR WEBSITE: www. mtishows.co.uk Book ©2012 Harvey Berta Music © 2013 Cyn Lauper {yr © 23 Cy Lauper (Last Revised ~ October 2021)KINky Boots Keyboard 1/Conductor - Act One Act One 1. Price & Son Them cn 4 2. The Most Besutiful Thing 3 2a, The Funeral - 23 2b. Into the Pub: 28 3. Take What You Got. - a 3a, Before "Land of Lola” - a 4 Land of Lola son son 4a, “Land of Lola” Playot 36 5. Land of Lola (Reprise) 7 6. Step One = a 7. Sex Is In The Heel. i) Ja, Price & Son Theme (Reprise). a0. 8 The History of Wrong Guys. 203 Be, Lola's Factory Entrance an 8, Into the Bathro0m ns poll 9. Not My Father’ Son... 7 9a, Lets Make Boots nT 410, Everybody Say Yeah, one T Appendix - Act One 6. Step One (F Major) 151 6 Step One (Alternate Key - Fto B to C) 163 9, Not My Father's Son (G Major). a3Soft Homs “exis in the Hee!” Synth Laad +80 Piano Buzzy House Bass Piano + Cesta Fast Saw Synch + Bll Layer String Quartet (sounding 15m) Warktoer Sparkle Harp Ballad Piano Piano Wary String Quartet (sounding Sa) Bar Piano ‘Accordion ‘Accordion (sounds 8b) Fast Stings ‘Analog Brass Stabs ‘Analog Synth fase House Dance Piano Fast Strings (#86) Clay ‘Analog Electric Boss (no fuzz) Rhodes Synth Bass EMEP. ‘Analog Pad (w/ Attack) ise Electric Guitar Dist. Electric Guitar (+8vb) ‘Synth Clav w/ Filer Fast Analog Saw Dry Claw Synth Brass Danee Piano (Octave Strings (Octave Strings (sounding Bva) ‘Analog YAZ Synth Rockford Files Portamento (sounds vb) Airy Pad w/ Attack ‘Airy Pad w/ Attack w/YAZ Synth (sounds va) Fast tings (sounds 15ma) Rock Piano Phano/Glock Piano Harpsichord (ctaves) Suings Fast Stings (loco*8vb) Piano/Pad Bright EP. + Piano Rockford Files Harpsichord (octaves) Fast Saw Synth Spatkle Pad Clav-Synth Fast Synth Strings (+805)Keyboard 1/Conductor Kinky Boots PRICE & SON THEME i CESS AR aT mana (Click Ste "123-49 la Schoo! Proper I= yu + (OPETOCSARERERICORDED] | Sete Me ae en nek el me Ho0qmn_ PLAY WHOetd Vac ce 2 SON THEME 3) Ma J a (even) ——~Y ety easKeyboard Conductor Kinky Boots THE MOST BEAUTIFUL THING Hi (tay 2 beats, ‘Selene pe Soe _ ' ates, EI ' u gD MAM Mater one ATI eR or vin be Sree moe the sah an youl tad ae [MR PRICE: "Do you kaow wattle Bow [eavatl hing in te wel Co YOUNG CHARLIE! “Ashe MR PRICE" shoe"/G0 ON) astp otsmy, Atempo ert Rl toy ia he wor The mt es ting i te ol — Chr ~ He hat om _—_, ———_ 2 ro he mest bee ing ie the wd re eur A Ug ie he worl Char ies bea =@ * tes Be pd he way before you. Yul be neti loe whe my Une tgh Aad ews x yt ta, "Fe Fara Ds That yom can tl tout 2 TE ow bisea Cr {LE Mos aEAUTIRAL TING 4 iy Bae YOUNG CHALE @ v bear--Al Ging ta the wo hess ing te de Yet ing le de wo Ghareae ig im the wor the st ef ng he wor Car - Be, ts ence thing ie he work ‘The mon Set thog fe woh - Uy tr YOUNG CHARLIE: “But wht MR-PRICE: “Youve gh funy i, youre” (60 ON} eee ear i, as bear beam aY bem =f Ae SF [ascEn ce (Bay OUT) Hp. pie (otaKey ae 2TH Most BEAU MENG 6) oan Atempe i [, Stighty Stower i Och Ske fi Sie,Ke Wea avec) ean BT hinge the work The mitre“ tig In @e wrk Gare hat, e-ti-fl thing in the worl Tost ea folteg to the wold Char - He tae 2 tp) 2 Grin o.OUD, Bs Dr neee 1 toot ne mst ea gta thee me eo Al ng in te ear ‘ing in teSION SK: “le se igs a Your fe an nade! Sapa boy (coon; « , fogs the the mag fe never ens se te ZL Tf eon ahad tae 2-H Hos EALTFOL TANG) iyo 5) Dictated «, Atempo NICOLA: “Arent they the most necessagy hing ver you want sip 2 fing any finger yout fet tp tese ste nny fa: a (CHARLIE! "Ata posh frit a Norhampeon, Would you say? —nNICOLA: “Then good hing weve moving London. And Woot ey make a fitng facet) {>the sf of cul an onig lester? We maybave been om at ama oy owe {ne pom of Enon, bt me se ell Soot hve die ese CHARLIE: “Yousce he price? Tae’ duce on eat NICOLA! *Pinch'cm or uy for om, at up 0 you. Bul hese shoes a in my fore” Safety (out any 2 beats, ‘vocal last x) nem) oy Tl os — ee wg oe Woo ie mw lin ents fe mr OPT De cont eShterabs ys.Ken one 2. Most BEAUTIFUL TANG 2) King Boe TT WS im - pos si-be wo Gnd x tace of what we leh be- hind, And de de UY a 2p. rsdean-ti-fil hing in de rk Te moto hing in the wohl» Char» Ge th he mat bea. ing Be rol Tie mt ETAT tang To Be wet S100) 2 tsa east ing fo te nekbn Eada {THE MOST BEAUTIFUL THING 18) Ky one enfin, in ewok — ens oc ent = fas Beant = beara ing te wc Ws bows ~ a (MR, PRICE: “You ie, you fare ight es inthis factory, You belong ese (CHARLIE: °No oto wth Nicola a London MR. PRICE: "Na, you belong re ‘putt, ve CHARLIE il oo tse jourey widitd = 2.0200) PB oiadseyo one 2. MOST REALL TING 9) ‘MIR. PRICE: “But eve your fay and he fora ob shopping London. CHARLIE: °Maritng. Nicol and {have akenpsiton ie aetg el eae MRSPRICE: "Youve teaing my hea, Chae” & see S ” * CHARLIE: “To yu, Da ‘MR PRICE: "Shoes an protects u's joumey, tt only hi ear can choose the pa ‘Rodan toes tour own Chae, May Yu ne fal tpn You Shoes BRE BOM ogy To Carte <4 RTE OS Bs ee 2 Ys. (both hands) afem-t = tae @,oeee v ‘1 Hes (ee) £ Bs. ine BORER, pce: teat ‘it —___ es bewt i Fe bee ead 8 es bent = fl ‘aRoja inte 2. TUE MOsT REAUTFULTHNG The toes wl ea ea efBeat ei} fil en} l_—ey Contr B © csuameies “yuo eaice Sores as we = aa Dost you go a-ah-alee eur you Beda met w os Ea raeben 2TH MOST REAUTIFULTHENG 20) oa A tempo a bear-t-fi Ging Be woe The mt Dem hing oe woe — Stay hs a wos Star ‘ts, wi i ee (Ne KV deeau f agin the wrk ~ ha eau Ging in te wore The ot ef ig he wall-e, beni fl ing in he well THEBES ent fi hig ne world char = Bets ee 3ete Cote 2 THe MOST BEAUTIFULTHING eg. 2) Key eos ke bem = td 3 HENS ”Keyboard 1/Conductor Kinky Boots [2a] THE FUNERAL (CHARLIE: “Hate. Tiss itn. ‘reimtiencatdore ‘ent How te) Flowing bach Choral, 7 ‘hue pr in ke and Se, cet wrk el wna (G1,Be,DeTACET) oa. Krome Gn Ac daeKeto ve 2A THR RUNERAL 9 ay BoeKeyboard 1/Conductor Kinky Boots| INTO THE PUB CHARLIE: "So its heppenet bere?” PAT. "Neier aba at” GEORGE: "Acually oft ne seemed less conse Saidbe seid on wom smo plan IMUSIC) Drunken Shuffle) 68 GHARLIE: “Astoria? a Wm ¢ oe COCO EEE sin i Sis. TACEN)Keyboard 1/Conduetor inky Boots >] TAKE WHAT YOU GOT ‘CHARLIE: “ts sling cheap inprs you asiation”™ HARRY. “ify fe was nothing mor tan shoes, you's Fd me swinging by mye fom eam pipe” MUSIC) Mumford-esque 3-02 . HARRY. con) My gut, yates, and mune are my erape. Rain perfec, ars wha Tt” od ‘AcG2 afgs Sia? wiice es 5D ds El mane: Recenter te poh shoe our tes CHARLIE: spend the end af th aso — Te-mwaber he palesd te SAKE WHAT YOUOOT 682 ily Bo : Yeah wl ee veane pnkta 0bKew 1dr ae wer YoUGOT gE ey tse By cance » » * Youd ane ay tak Of ee Gar Boat of Nach - ham ton Tow wine desde 7 — v Youd alway my tat yon mln may ao yon woldet ack a ond Shae OMren when your Ue is in ia Bieta ed RE Bajar. 0 he oie got ke nhs oueen vnc {LAKE HATYOUORT 6.6 ty 2.61 aot ete e 4 ‘crane: Brine Sus. K2 ad Mj (tow) ERE" “e v ih tts ee fo Lon = don - em ortho aa Te amas he]? Heavier "Fen ee mone lope Kid Ohm GitMabe Bis mesa ay des HARRY tty ane CHARLIE: so, Fg a et Tt ie reeohy vs.HARRY «M86 itive) 2 ™ Ps = mat 1 Bisa byTe oreceralal) S aes, Ee] Vam (ut any bar) eave got tae what yn ——— So tar Whiekd sda S HOMELESS MAN; “Hove you something spre fors iy man? CHARLIF: Hew. Price an Son soe wl aaa feu ‘HOMELESS MAN "Do Ilo ies man woe probe isshos™” (60 ON)Keyboard 1/Conductor Kinky Boots BEFORE "LAND OF LOLA" “maacansetan, LOLA: “Alri las. Lets go cay aon” HOOLIGAN 1: “And what iF id mind your HOOLIGAN'T "itoweveryou the atin, Wecan sa Sun business" ‘uteasy snake from ee” (60 ON} (CHARLIE: “Letty goon erway HOOLIGAN 2: tm al or progress HOOLIGAN i "Youean ake ne pati yoa tency.” CHARLIE: "Come or. get unk maybe LOLA: "Stop side Sir ean nl tees of ise Svea your fan" (G0 ON] 160 ON} | Free, Ominous a : v vs. 7 Fine Keown ‘it 2884p eeStow, Grand Gl, ancets: ¥ RAN Ogan fjKinky Boots Keyboard 1/Conductor LAND OF LOLA eure so, LOLA: “He's ot the rst un to fal for me, And promise, be won't eth ast Sexy Cub Tempo J = 118, v in Ain 8A we tons x the do, fase yours erp, ay cn-e-ma-te Dar fom ay pn oot to dereinere rege a lave aieen fel whines heat atl Tmtt Her Js LaporLo.a ge) ity Be Cem aie = ont pet pa ene tat fom dren pce Once you wake de tse os, yoa¥e aime Aw Be Bow Jourdan Ui Sh oe EEE On en 8 An [okn ate mmm S coe 6Kes Cnr stanmortata we) Kin Bose a = 5 a tint Oo.me Thats se, ebony 1 ampau 1 LAND OFLOLA 4) ity Boa here gaan is eteme Tew gant So come and ake ey hand, sad welcome te nd of Loe Wane reer Poy 1mLOLA: “No neo ob maiased ike oe ook ‘Sodyou let ook. know sway to mae eB happy” @ am words of Sin Am 8 e se As 8A oHx Ginger og ee We mes Fel Ase, Ti ck Jesus, tm Mak SA BT nt coo ec)Mors lop ae a) TH your co-eo batur ch, oma whe cater Lich. T pone Oro The ven = pee tein pie at's on dete 2G KESta ne A LANDORLOLA Ge ty Bon 2, * = 6 = Tats expla ur ght of fin Fam gona ea Jo gh A he Sha & 3 les explore yur Ses gover eed you cis8 * = Baran ds Fampo 1 ALAND OFLOLA 10 v va tn, 2 cs Sep 10 dea ere pam een a Welcome 9 ay beev We ahe gad er ‘Where ger hone v Welcome way fats! e ghe gol ipa - of! So come and okey hand, sad ve md be oy fe as cone! We gre grade pba = Den Graffin 2S. . Granade 4 ge. we -3-ny Bow Xeyt n woe Welcome ed om WS CAPES* hw PE ED SEESKeyboard 1/Conductor inky Bots] "LAND OF LOLA" PLAYOFF __ "3" Same Sey Tempo 4-118 ese = 7 GLE ky a) ds peeKeyboard 1/Conductor inky Boots > LAND OF LOLA - REPRISE LOLA: "And ey eal me kinky? Wel a Opa Wie si, "Be youl Everyone cle rate tken™ (MUSIC) 3 ‘and of Lola" Tempo ANGELS: . 2 a — tense _— : —sed Ce SLANDOFLOLA- REPRISE Ge. 2) ay ee LOLA: "Las, gentlemen, tose who have yet to make op heir minds. ave you took gon. ‘You ay sce srging you want Did yo cath tat [Jost ade aa dpe a ve Wink a ” a ® ? a Trp? aw? LOLA: cour) "What a shame My ws sowanted et isa that 8” (GO OF ‘Vamp (out any beat) LOLA: (ont)-Now dost womy, soe pest safe, Ny gis ate harmless But then aghn thes ve these, So. fouaever know" (G0 ON} - swe Atempo vows: me KE Remlog Sy Bs.een onset SLANDOFLOLA- REPRISE 3) inky se & an FT ter abe or, Stim? 2 2 2 poorer roror or ¢ 3°93 3 i “TRISHA gw ns ote? Ante wa GRRL. Se Tend enc oy or ae stk btw de fc et season we iNest ve: ue, o07 aD “TRISH: “Pes, Chay g's jt startet sth forms, ove. And me with ahh io help.” (GARE: Ss say TQM hr Chamber seme oar soac. Wa ee adoRep ines SLAND OFLOLA- REPRISE Bo “TRISH "sat wha a is shout Thm Charters ret? Alri ove idm bd nest chino cu." a, GLK: Cle * sine * ¥ = e ‘TRISH (con) “As my mt sd to, Dea wary nay ese {aday anton Sols rte at Ce ad pd bck a, OWKR Cw a os e e Safety = ‘CHARLIE: "No Tsk ts ot ike tat, ave." 60 ONT oeeps Vet SLANDOFLOLA-REPRSE@e 5 Kinyo at Ad ban Here 1 am. Beene vs. (LH play)tl ee SLANDOFLOLA REPRE 6) ey Bos (CHARLIE: So, 11 aving eveyone iro week noice ‘Nel se ene tortcet Sowa prodocuen, tae vein) len the chins. DDON: “Who are you lin” Tbcen work’ ere since sb me wasde. Tes rd eneaton Pece & Son” GHAR: “ie fat tt ne ot fen shoe afer: are hat own ale, Sponless we car finda sul ayer Wha ene can do?" DDON: "Do s yu pense but you cat fe me Renamer back steel, when you id tat me off your gy team.” (MUSICOUTI ‘Yamp (lump any bar) SKE SES a - .CHARLES" ved dove DOR! Mech Bat raven am" (0 ON - a fy Stempo ° == Buxx syanes, 3 as On-wee, Thats ae, eto-ay Tm laBut har ee can do? We capt ep making tings hao oe want.” make sola hey do FF (a Si. 007) an GRE Pad Era CHARIBE: Tease (CHARLIE: Mate smating hy do wha? ‘Nos te anyone TAUREN: “yl smcung ey drat Chage the proce” (GO ON} Ss 16008) s wm Se. LAUREN: "Over athe Whitcomb tay Tey att ck of west hiking hoes By Sete Soe * a = Wie Tort Tp, "So oy sated making llowaterhiking shoes sve the fico Toys bs stoking snd" oe (time)Keyan ont SAND OFLOLA REPRISE 9) ky VS. >>eh! Hada SAND OPLOLA- REPRISE 1) Kay Boe "All dem oe sods wo survived weat cut looking for an uae served ice met ‘dame ll evi. They dias up a thet oees whining, What ese aa Td?" (GO ON] Tp Fl typ? NICOLA: “Well my weddiog shoes ae stil bere. Buty Hance is nowh insight” (CHARLIE: *Soiry, Nie. Fi complayusdarwater.” NICOLA: “You saying you sil have let? Che, w= have an apponiment” Slow 4 Ee cn ‘eon ‘GS Sng ara NICOLA: (con) "ie lose this all wll win up geting marina fishand chip shop.” (CHARLIE! “Now tn sounds lke fn NICOLA: “Are youseculy standing ne wp?” (CHARLIE: “Cine, Nic. Do we aly aed showy weddig? In th ed sould tbe about vs" NICOLA: “A weiingaanounces othe work! who you, ae couple ae gong tobe” « 2 Vi 2 Se QuerKets aniooe S:LANDOFLOLA. REPRISE. 11) Kyo ve jut given two-ek notices 1 Gera, Do, Magee, Ts. “Caps! ergot to ak Maggi tobe bideouid. She ke he" CHARLIE: “tak ste’ ike «paycheck bet. Honey, Nie, would sing all ‘howe pops jo tl the word bt mre abou ut hn ving afte pra pit fine hundred id hoes youl wear ase? Talk abost your niche met” [GO ON] we Sache ‘tempo, stil faster than J=125 CHARA, “Tae about your pce mask Stand Grtota” ‘yaks wba ie mete my Mand tty NT StCOAE ra the (CED ojo Mise her t repre (CHARLIE: “Take what you got! “Change the rst Find an ander send, Sich mate: And they se cain a cOmpleeyunderanwed che mae” ‘Seco 3 ToT NICOLA: “Have you gone of your ut?” CHARLIE; "Ni. Tising yx back Laren othe office! Laren came see Mir. Cac in ios! NOW!" tg co1oun a a * eds waKeo S LAND OF LOLA. REPRISE. 12) Kay Bo a eral ANGELS Sexy Club Tempo 4 «118 ua Sip Fan! Where Jano Serene Welcome © ay fave phe good e-bay So cme al ake ay tad, and welcome w dela cae, tnt ate on Sis, 2ep Cote SAANDOrtoLA REISE LAUREN; "Hes gota gr.” [EMUSIC OUT} , ve tite Py Sekt, SouKzaKeyboard 1/Conductor Hanky Boots 5 STEP ONI —_ LOLA: *Socry, bu Ihave tribe bal of doing exact ce opposite ‘faa poops ch aight be wy Tm wei ti ck today Sceyoun NernagtonAndmake them RED * (MUSIC) 10 . (os. wee 2 Om. ” way v BEET "Ot tows ees" of anKepb Catcue esmoNe ge.2) Ky Boos Sei Do T feng hare? Am I wat’ weg be? nw wh i do = ig? eam 1 eta en Sena, Du tA whe do | beget Same kd cheb, ghee and ined, Se _ deep ay ead op keKe ent STEP ON 3 ney toe v Maye hoe pe cet ae ‘flag ogo orang Bal Ue se Br ro ths fewer Tis Kd-a fn the Fetch hme TnKee Une stEroNe 8.4) Kt oc Sy “ 5 _— : SSS PS 4 Pa anil and dam Hey He7 er _s = ny ee This sme fr sake op, ok a ax — op Ths erew begs ~ img ay geasare spn - hy onvard wo fr = mand Ted bea sere but ow 1 dewey el Wat 1 my Behe hero who ree-vens e beal Ty be fg the ish de ssrePone we.) Kt Bon a 7 ay be aig ar me = ac, And ery be the sees ~ ore Be se Sting soe FX is ep Yea is sepeB * lee Thal mete wg G2), Bs Ie it laowge a Know ow Doe sap the show — ac ob yeh yet ing Begin BA saw KS wk o sin. Batre hin ‘at supe Bow — tie ae into eer ye eng he1 iy be ig ar ie sm px a he sig sg a ‘LY tr or ofpea ane ster one 9 ity te om, ‘et vile Chae ce axund| Wey be Gag eoapo vate STEP OE 2-1) iy Bo Rey be aig oer i ste We maybe chang au mieae one 6 srmP one .10 inky Boa v Tw i ep one ook wat ha be, SomeKeyboard 1/Conductor Kinky Boots SEX IS IN THE HEEL DON: "Its Doo w you, sweetican* OLA: "Well Doo oucant ge women to wear them oul aver get tem on bke like be Ad tats heated you seed /MUSIC] Andi ou ato pat the ver he top, Chie, lok tthe bes” (GO ON} deur : 2 «, Safety Lows bong you cant eRpau! Yeo 7.SEXUSINTHE HEEL 2) iy Bom ck yp cs igh LOLA: “Hope yoo dost mid tat bough, beta Ladies tal te msn What ye ee" ANGELS 143 es : TOIAANGHS 36 see Meso fem = be a a Yt 162,42: Sen Son REN J ea Bs Dds ‘Gavmein-297 choo ene choo eo choo choo sh tnKehoe 2 sexs NTE HEEL G3) iy Bae Se-daeon an The be iste as (@.K20un, non ‘ibe. a@ ” ting ae al ichen Be wasn ede te Ge pond Ge Hd gare gn, faa. 06)Kehoe 7 SUIS WTAEEEL 4) ey Soe LOLA “Thats the sient view Buty kaw what iy?" (60 ONT 5 ‘a Wamp ee LoL: Png he ear and making appear prt and ex for eating sn. The ‘6.800, 8 “ « «we Wie oF = ents ak top Tonk top vs.epee UCoce 1 SECIS INTHE HEEL 6.8) iy Bas rr ee o-oo Mo fed tha ie ho el ft comp i Ra Be. dhean inde 2 SERS 10 TUEEEL ig) ayo 0 Woot gp oo-wte wi-ow @-m-my Man-o-l 1 coda meen ie Wont go aoe woul M9 Wont go aocwhae thee my Man-o-le New York Pe yong SEI ae fon ved Ba e New Yok Per tong — tong SHE lene em elKey tee 7 SEIS INTHE REL. 8) Ki Bo The ‘hel stall Be Sedation an pl — Bed The tot stoud tt te ‘he bel shall Be Se-de-ton am pl = Sol The Teel Soald teep Comte 7-SBXIS INTHE MEE 9) ty [Hl Dance Break * gow,est ne 7 sexs HEL 10) ety is = . A 5 LOLA: (peed = Vc bm te tek Gee) The om te eked) The wom ‘ey (ec) Jobs ‘et the bee Frca.ap.m @n.000, ‘et Bei = =nee ance seis EEL 1) ay Bo CTATORAOAT, ae he wou eel “G2 Babe coca = Ce 7 a e AY} (a2 ov) Tm ~m.K2.01 F feo (Moat cts) 93Keyed Yom 1 SEX ISINTHEHEEL 1) Ky Boe EB ie See Desay Brora ro TENOR BAR: 128 Ea Brae) aan ante 7 Sexi TEAL 9.2) tye on = don tM ‘is OUT IG pyc ae Tn rob aed neon ie Gt te PP PPP PoPae In eb and neon Got ite P PPP. P PR Gam bt P PPP PoP Ie roland 26Ne York B= ee Hong Se dc-ton aml ~ fl oobootne-eo boo-boas fi; » NewYork Pa = Hag New Tock Pa es Hog Soa. 99Kehae Ui 1 sex iso 19 ty oneKeyboard 1/Conduetor Kinky Boots [7a] PRICE & SON THEME - REPRISE LOLA: “Hope you tow youre cts cone na have ke mew ew seticet aes od warn you thal betes be REDI™ aItcy [SEAR CLICK: (1-2) Old Schoo! Proper J=s1 —[Z}one (OME MOCALS AREPRERECORDED] 1Keyboard 1/Conductor inky Boots 5 THE HISTORY OF WRONG GUYS cE MARGE: “Chale? Can get your opinion ere” lee ree CHARLIE: "Seue me” fUSiCy Seem TAUREN: “Ob, ao, Boot you dre Gig gi. tm teaming ou! tink have ors ean aig fr hi 1305 4 . . . LAUREN uo sie Ge Be osnin, oF one i (CHARLIE: Teas inking, kespng you on he produc ae sa wate of your ‘slants 7 ike you work wth me te Mia show TAUREN: "ic dot one me ab “No” Ail sed wi you having.” Thad ft bt you ad an a Teas wy some {fe et oor me on cnn and he etn parca GAEARETEArsomeone who ne non tony: Tam acing ny espace yout sume on os of ny execu onda” (G0 0M) Ae you gan-ca be & eather oe — of ie Zw 103—— eee Bx : oe TAUREN "God. Gan What 1s areata stk i my wet” Sa hg eon Ei“ ny ow youcan sa sna your ie ad mo rely ko : “CW pos be eing you ‘ed think oo were rn Oar spc. ‘who's ht bight eed guy — your place vt. 12 Nod Fos Ye Kd a et won ote at Ba, 1e ba bere before, HT came fk or ore Acute upteria he So-r o Wey a > We 104 warsey Cone ‘SHE TORY OF WRONG GUYS ps3) yoo Yon wed eso” A pk be, Ba wou changing fe some a gore as Gx Vie 2S es sores + the be vs. —105—106LAUREN: “Hes got glen, you fake, Why argh ony nie when hye ule ‘Sie. G1.Bs 00) poe Dont matt be a-o-Ber scr lor Ve ST kaow tow et a better of without bin, weve Baur oF a Gals 0ed Vente {THE STORY OF WRONG GUYS os 8) Ky ans ue been hee before, tae T come hack or more? A-noserchapter i the history of wrong as = Tirade wo th, no eat aching ei sy om lig oi Ta ct ae ss Yi 2: Ss, (tases) / do ‘Qlaps G2,42,¥4,B5.0 Br padaKeio UConn ‘LTE STORY OF WRONG QUYSis. 7) Kinyo He been ta — Me be = fre —— The te-toocy af rong apse ear vs. 109a “ * me, tes 3 bm Teor bes aot into yn, MS org xb ele ee tee Four Tos the gil et done Fes tes he by set dae ile yoo ir ce, makes you so ats, He so de te, bes Me ter mo, : "Are you realy tgett© work” (GO ON)Keto! Cea ‘HE STORY OF WRONG UYSe. 8) Kyo VS. coe anco GES = Mie a Fa) OF ols Be Ss ete ne lee Ps Se. me ENE Ds Tre ben bart Whe is be fre oh woh cl hon POP aeons ~ =~ fe em me hes move tr you han wh levy ets ———— ENN Eeeeit, EEXENED Pet ainKeaton {THE STORY oF WRONG GUYS 1 ity bn fe Twn ke bendy TRISH: “Hy! Where ar you off to" ERUREN: “Ive been exe-otze!" [G0 ON) ‘uy a1Keyboard /Conductor Kinky Boots: LOLA'S FACTORY ENTRANCE ‘sme BSR as aaah Ominens DON: "And here come: her royal highness ow." vasa SONG ee 42: OnanKeyboard 1/Conductor Kinky Boots [x8] INTO THE BATHROOM LAUREN: “he's he Gens CHARLIE “The shat? TAUREN: “The Men's Room.” CHARLIE: “Well couse she..." (MUSIC AN) Same Tempo J sik 010 en ‘Wi, OL Nad AE: Quin ta Gis) —us—Keyboard 1/Conduetor Kinky Boots 9 NOT MY FATHER'S SON (CHARLIE: “The day Iwas bor dust ne don eatin ne of Fre and So, Forbima done del. But fore? Fast opponity {grabbed my etched sweciand topped the ak! ean et of on” (MUSIC) LOLAS “What was you ra off 0 63" CHARLIF: “Anyi bt wat ho Wasted LOLA: “And yeere you ae CHARLIE: Verein" [60 ON) cady 4+70 ‘Vamp ova: 2) When 1 vas jae al fo er-ing! dvs be he Wn vs. ureye en © ROTM FATHERS SON 2) a fa — ee 2s ong sg and Nae soe. [HS steady, but slightly cotta voce @ ae me powers and hldng ay roth, Trysng ard teres what sae Wo oa, as ™ Fin ausop Coder SNOT MY ETHERS SON 3 tye Vga as yw behi ope ot mm Tobreake ee was oan hel Ande oF f= es son om et te mage a at He dreamed of Wh he = 19Ct a ot hed nea ic wat wasnt EbpHmen on? a Intempo J=70 fe ectemes ef lather a (ep oy rumand Gent's epee eat ee) sin oun 10Kept onde NOP ay ATER SONG 9) inky Boe ‘ond same rgheer atch of he rod dike ar sean Mer masprsunk— aad [A chet ono * ore « ek vs. 1pnt Heat NOT MY FATHERS SON 8) iy Bose oI = 6 eS fates sn mmo Ge tage of wht be ramet of, — Via 2S Que =F OT eT stem of Sura and te gene oib__—l cout-at be be one ¥ Sppeim oman? ainThe ed les wen! | wiz Oe Sait sg 2 Son? a3 Kinyo ing Ws ay. ‘edyon ate 2 NOT FATHERS SON 8) ony Boe 4, , Calla Vooe = Atempo o ‘cHaRLT: rm aot de smsge wat be dream of: ithe. iB seg of Spare sade pane oeb si eml-at bebe one to hn R255 OL A an?hcgo 5 = = Fie ow hat Red one ed eo a as = = LOLA: “Chute from Necro, est Son fom Clacton.” (CHARLIE: "Les make bos!" (GO ON) Slightly Slower sane, Gale bo, you an me ‘Sig. OUT, ‘ri, Anse Po Sisk a a ‘Ss K2SeQuane 1sKeyboard 1/Conductor LET'S MAKE BOOTS "2" lew, : ws toe racer) BP har tie ts Aad casniacl onan SeeLAe |S i a wikayn. Bs —116~Keyboard 1/Conductor Kinky Boots [10] EVERYBODY SAY YEAH NICOLA "Sop Aveyond Youre ating ot Cari: Allyou seeddo fs walkavay” [SHE taves} (MUSIC) Interpa, ighyeaia vee CHA a a Yor wee al mas ell ing me coon < ‘a me Dad, you ewe ep te ew =nape Case 10 EVERYBOOY SAY YEA pe?) oy Boos (oj Rove ste d= 9 this ce fo goa ake at ance,ne one 1a EVERYBODY SAY YEA 3 cy Boas VS. (play) 19Keon Nae (0 EVERYBODY say YEAH 4 ety et Motownsont J=134 « os CHARLIE: et me fee yu ine om wih onaes pov, 130‘GBORGE, a 1486 a * wows» —— ow out he ld wap ease Ks Bam de Wee gta reddy forthe ax (ess K20U0) on a T et err 8 % 31td ee 16 EVERYBODY SAY YEAN p.6) King Bot CHARLIE » LoL ‘Mes te care ofPrie sl Soe” Owl Peps gla bad cow sue —— 4 nan ‘ep ih ew aincrises: v wn ok ton Tat a her you aKeo Ua 0 EVERYBODY SAY YEAR pe.) iy Bo a 2 = “ n-ne tear you | Gt bres, 2 ra anrTRIsHW 2 crore 1tse —_ 6 ae iMepee Conte a evenvnany say veins 9) yo (CHARLIE: “Welcome our utr, No lng te we making shoes, ‘Weare king tvo snd shal et of reset bex, So et ot & = * . o Bre coats, aseshte 10 EVERYBODY ay VEIT 1) Katy Bee El wwe 1 pnd i es, T seme he seams A pull tee = te Gh v a ny GEORGE __ALLWOMEN 1 cna: YO pt eae kde —— bk Nowe go eae pee ths« emus gs fs hens ee =a Un 10. EVERYBODY SAY YEAH ok 12 ‘yo Be . Lowe ‘Sq yee yeas ota yor 7 Glies S 138wih : : : Syne Teeter ey wt — congas: one Tele is Kemet Now yor are we te 19span! Hens {0.BVERYBODY SAY YEAR iy Bo LOLA: “Ladies nd Gentlemen, please welcome or ithe naet” Fo] anys purer 2 voor i Loop cone) | «Eas oun F G2 De, 8,0. 140LE 1 ? oie GB inet” fs Kineybne iv 1a aKepner 16 EVERYBODY SAY YEA IT ss, §2, Bs De 18ey! 1c 10 EVERYBODY SAY YEAI Gp.) iy Boot "TA" TRISH “Help Chae, help me!” Vs im G00) fo lt Gaba OV) tl 1 = = z = ¥Gesoun Gorm ge $8eye onder a BveRvB00e SAY Ase.) ity cant: [evansKp! Het 10. BVERYBOOY sy YEAH gs. 29 Ky Bow iG comp 2, Su 08 Bs, 8 ie wm wo bar yn sysu. Sp Wah ab, Ya eat aKen! ons a EveRYBODY SAY YEAH p52 oe LOL we BOTH: ws = at Beenebo-dy sr ye, yah,Kinky Boots Appendix - Act One (Alternate Keys) 5, Step One F Major) = A51 6, Step One (Alternate Key -Fto Bo) 163 9. Not My Father's Son (G Major) 5 10Keyboard 1/Conductor Kinky Boots| STEP ONE (angus de) ‘rete eatin LOLA: “Sorry, bu have ated hai of doing exact theoppsite af het kh cpt ny eng ko. Seeyou Nerhrigton Ande them RED" /MUSICT J=n0 ty i ae) i RE: pa m4 oeeo Hn STEP OWE Tou ug ni at 82) ty Bae Sx occas) ‘CHARLIE: Do 1 belong he? Av Vs wong. hre?-— oom whl im do = ip? OF am 18 Ca incon FA Do 1B A Whee do 1 hep? Sead Gar te, heen and awed, ‘ad tsp my bead op tke 1 isee ance aye te He Panhing Iles — co ae bling gah 6. STEPONE a dot 2a 1 3) Ky Boe aang oe fe the (ois the mack tome tmKeke Nase {STEP ONE Te nani Dat Fee tye Rock J = 108 fos war Grae om aiseee rok ae at now I ely ed tt Tay be Be hese ho recive he heal a Be ey tn ass—Ket Uae (6 STEPONE (ra ove iw FL) iy Bo @ Tay be chang aie mir aes, Jad how ny bee sy sy, RE Sci soma Voom un weuo ie tad i ne me beg oe— LS sro wg dace ow Dan ap the sow noma tape Bor — po Concent sore yeah ad ei mb never YF yring beg Bat ow ks stk or vin so I bate he eh 1 be fg asKoka Yenc 6 STEP ONE (te domi 2a 9.8) Ki one & Vor - she (ay beohag ster mir = cls 1 ep ewer!No coe gn = mast i; _7 Cf tf No ole Carle Pice 8 a-roiad We ny be bei fe iments tr | STEPONE ran ou nn. 21 Fo Ky Bs 1 mop be cing aftr ie We my be cing in “ait We yb casing aur ale = aes ap G lett "5 5 a te teeter Cee coor mB 160ee 5 Sexe Look hat hare, by has our Desi Cre? tro182Keyboard 1/Conduetor inky Boots & STEP ONE LOLA: "Ser, tthe eile bit of oie acy opie, ff wha popes, which aight be wy Ts wearin he oc ody. See youn Nornpon. And ake there RED (ASIC) Jaw nee 3% 2 a Ds pe 16S —7 Sx(octtats) a “ca ow Hats wrong Bee? Rew wha tm) do ig? OF am 1 2 fe Det Sse oll Chart, gel and_ ad tnd feep ay trad op tke 1en ante Mee se pi ‘6 STP ONG erate ey Pe Be 46.3) Kinyo ce ue flag o- gut - mak me fel the last th leth-er TNs inde eT bck tame tmRonde STEP ONE Ata erred 6 O81) ity Ben wa 1 ton = ° oan Zs GT GE oe . + vba Dsepee ante (SEP OME Anemteey-F0 88 6.8) ty Bo a . : . Ths amet esbke— up, bokarme wie op. 04 le ek me ll Fg ye pu row dearly el tat T'may bee bert who elevate bed aay be bese te in 167@ q maybe caving aber mir = ces And ee may be he spt pgp Re Bilin” oud FX yy aw tie ay ef tah is & sya . . v 1 oo) wane po wg G8 a he Re owl and now bow Dot ape ow tp bended ar - yeh yet edi ihelali-boaerer (ing tepn, Be now nk or avis bee de gic. T mabe ng be im 169& fe And tere may be the seep-est layk dong ee ar - a is Hs sp soso age Ts not faset anor STEP ONE Hn ey -Fv Be Chie 9 oye ye No ows gaa - ek sh os Wey be bag bem aneKeyed Yn {6 STEPONE eat Key -Pe Bi ey Boe We maybe having aber alr — es Ad ae aay Bee ee Te any be caving aver mie = ack And te may bee ekTiaKeyboard 1/Conduetor Kinky Boots [e ] NOT MY FATHER'S SON (CHARLIE: “The da 1 ws bom ds me do extn in of Fein Meh EE NS ene a ey [gated ny chido! swecc sed togped he wet ts ota wn.” (U Utne What wer oa nao aa IARLIT: "hoy tate ned” LOLA: Tana yether GqtARLIR! reat" [6 ov Steady J=70 ‘Vamp ota: (2) 2 ‘ . When Lome om a ee gig 1 dna Be he an vs. asder stag ad oe Na Hhe me a-benes——T.begn [i] SU steady, but slightly colla voce Fe, fw erkor and boing oy Oren, Tying Mg pes wht sare iw deh. was 176Ketone NOT MY FATHERS SOK en ema an 08.3) iyo Yt bes pye ol man, Torrie Gee ms ao BS pln And Ie wt he wald- 91 se y= o's son rm no theiragt of wot be dreamed of — laste a +k: Ang Pat a7sth of Spc-ul the psec fob al eld be te one. wht ted dose — Intempo J=70 med in my dransand Gund an e-cge mabe 1 vem so ecies of enor mn. tat he ) a oon v ToKehoe {OTM FATHERS S08 ton en me inh 8) inky be 7 wo seemed bier st cs of the gun And heal senedUgh- er maspovtend— ad To tee utay hes om fm not de rage owt be deed of Vn, K2 Qu tT sk Ano Pat sta of Spats He's done ae sadhe paleo hl cau. be he one fod oto wat as et —180—The cafes rent of ex pee Ss ~ tps id Gages = | ke S = 7Kt oot ‘y, Colla Voce a Atempo s aun fy Gah = ers son Tre aot te image of Berean Dr, 182Lou (CHARLIE aie: 101K song of Spann andthe pateereofjoh—— leat bee ane 0 FRasequste! @ AnSiy c] od ior wat wat ae LOLA: ‘Chie fom Nostanpton, meet Sinon fm Clason." CHARLIE: Lers me bt (60 ON) Slightly Slower 5 sine, arte boy, you and pe ‘Gas ou Gs. ou ins SSIS ATSIg Quek Mace Tee 183aisKeyboard 1/Conduetor Kinky Boots 15] SOUL OF A MAN (trowpeaed down nr 2nd 0) erat ct Mott‘The Hoople Glam Js: ; . @ cume + 7 Tim tad meng Mack ad heeer wns # er A meray-gp-runlsp dm to 1 vod op, mc ed chewed op o's pt scent up the same old Char-be hyv are pend ase TU nner be sulfammn molest use thee sod ram alo iad hh chan on 24 cr ty eos ie be# Sed kes Tle ay fs, gues in jst x sen mp ses {grouptou Heat 15 SOULOFAMAN doi ae Bp. 8 Ky Bas . #5 Ss no con iv rare of loan Teen brand we Ro mc tbe the 188he the Fo yes mn weeds Ste sal ott can who Wied bik ANCE a ww ANGERS Sout of 2 ain on Sout 0 3 se Oc cot ae — EE hn Fa oe Blom ome fs VO wal fama nine He he soul oa ah tt Sst of 2 in om, soa ee ee One oe |p oeean Cor |S SOULOFAMAN Td ate oe 8 ey Boe Te ta brothel on-state ‘ue whan Ty rang foe Ca rang a he op, 30. 1d, c2 mw 085 KD, 8, Des cont 190Kite vs. siied en 1S SOULOFAMAN ten denn 2a 58) ay Bo a f = “ . ‘oul damn soNeandnee— Wiehe sul aman vo ad me gh ig Senha wie. fe on on due Teanfese the he sao tt mani Soul oft ome Soul 3 mi 19ee Caner 15 SOULOFAMAN ton 2B) 9) ye + — —193—iy Bose — oO “ 1 rar be. No, never be Thine poe and yo dom 194inci sod Sane od Gar-e Mu te goad Dictated ledge Sen 195For return shipping address, please visit our website: www.mtishows.comfollow the fun @mtishows 00000 EE —___