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Font Size

This document discusses font usage and formatting in LaTeX. It describes the main font families (serif, sans serif, monospaced), default Computer Modern fonts, and commands to change font styles (\rmdefault, \sfdefault, \ttdefault), emphasize text (\emph{}, \textbf{}), and alter font styles (\textit{}, \textsl{}, \textsc{}). It also covers built-in text sizes (\tiny - \Huge) and packages for additional formatting like underlining.

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0% found this document useful (0 votes)
105 views

Font Size

This document discusses font usage and formatting in LaTeX. It describes the main font families (serif, sans serif, monospaced), default Computer Modern fonts, and commands to change font styles (\rmdefault, \sfdefault, \ttdefault), emphasize text (\emph{}, \textbf{}), and alter font styles (\textit{}, \textsl{}, \textsc{}). It also covers built-in text sizes (\tiny - \Huge) and packages for additional formatting like underlining.

Uploaded by

lopollo1000
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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LaTeX/Fonts - Wikibooks, open books for an open world https://en.wikibooks.

org/wiki/LaTeX/Fonts

LaTeX/Fonts
Font families
There are hundreds - if not thousands - of typefaces, or font families. Common examples
include Times, Courier, and Helvetica. These families can generally be grouped into three main
categories: serif, sans serif, and monospaced. LaTeX commands generally refer to these with the
shorthand rm, sf, and tt respectively.

By default, LaTeX uses Computer Modern, a family of typefaces designed by Donald Knuth for
use with TeX. It contains serif, sans serif, and monospaced fonts, each available in several
weights and optical sizes.

The bodies of LaTeX documents are set in Roman (serif) type by default, but this can be
changed by setting the family default:

\renewcommand{\familydefault}{<family>}

where <family> is any of the following:

\rmdefault
\sfdefault
\ttdefault

Emphasizing text
In order to add some emphasis to a word or a phrase, use the \emph{text} command, which
usually italicizes the text. Italics may be specified explicitly with \textit{text}.

I want to \emph{emphasize} a word. I want to emphasize a word.

Note that the \emph command is dynamic: if you emphasize a word which is already in an
emphasized sentence, it will be reverted to the upright font.

\emph{In this emphasized sentence, In this emphasized sentence, there is an


there is an emphasized \emph{word}
which looks upright.} emphasized word which looks upright.

Text may be emphasized more heavily through the use of boldface, particularly for keywords the
reader may be trying to find when reading the text. As bold text is generally read before any

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other text in a paragraph or even on a page, it should be used sparingly. It may also be used in
place of italics when using sans-serif typefaces to provide a greater contrast with unemphasized
text. Bold text can be generated with the \textbf{text} command.

Bold text may be used to heavily


\textbf{Bold text} may be used to
heavily emphasize very important words emphasize very important words or
or phrases.
phrases.

Font styles
Typefaces usually come in various styles and weights, such as italic and bold. The following
table lists the commands you will need to access typical font shapes.

Note: Paragraph breaks are not allowed inside the command forms.

LaTeX command Equivalent switch Output style Remarks

{\normalfont document font


\textnormal{...} This is the default or normal font.
...} family
Typically italics. Using emph{} inside of
\emph{...} {\em ...} emphasis italic text removes the italics on the
emphasized text.

{\rmfamily
\textrm{...}
...}
roman font family

\textsf{...}
{\sffamily sans serif font
...} family
{\ttfamily teletypefont This is a fixed-width or monospace
\texttt{...}
...} family font.

{\upshape
\textup{...}
...}
upright shape The same as the normal typeface.

{\itshape
\textit{...}
...}
italic shape

{\slshape A skewed version of the normal


\textsl{...}
...}
slanted shape typeface (similar to, but slightly
different from, italics).

{\scshape
\textsc{...}
...}
S C

Also \lowercase. There are some


UPPERCASE caveats, though; see here (http://www.t
\uppercase{...}
(ALL CAPS) ex.ac.uk/cgi-bin/texfaq2html?label=cas
echange).

{\bfseries
\textbf{...}
...}
bold

{\mdseries
\textmd{...}
...}
medium weight The normal font weight.

{\lfseries A font weight lighter than normal. Not


\textlf{...}
...}
light supported by all typefaces.

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Generally, one should prefer the commands over their equivalent switches because the former
automatically corrects spacing immediately following the end of the selected style.

You may have noticed the absence of underline - this is because underlining is a byproduct of
the typewriter era, and is not recommended when bold and italic type is available instead.[2]
However, underlining can be useful in some cases, such as to draw attention to changes during
editing. Although underlining is available via the \underline{...} command, text
underlined in this way will not break properly. Instead, use the \ul{...} command from the
soul package or \uline{...} command from the ulem (underline emphasis) package. By
default, the latter package also overrides \emph to underline instead of italicize the text. In the
likely case that this is not your intent, use the normalem option, i.e.
\usepackage[normalem]{ulem}. Both packages also provide strikethrough text with
\st{...} or \sout{...}, respectively.

Sizing text

Built-in sizes
To scale text relative to the default body text size, use the following commands:

Command Output
\tiny sample text

\scriptsize sample text

\footnotesize sample text

\small sample text

\normalsize sample text

\large sample text


\Large sample text
\LARGE sample text
\huge sample text
\Huge sample text
These commands change the size within a given scope. For instance {\Large some words}
will change the size of only some words, and does not affect the font in the rest of the
document. It will work for most parts of the text.

{\Large\tableofcontents}

These commands cannot be used in math mode. However, part of a formula may be set in a
different size by using an \mbox command containing the size command. The new size takes

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effect immediately after the size command; if an entire paragraph or unit is set in a certain size,
the size command should include the blank line or the \end{...} which delimits the unit.

By default, \normalsize is 10 points, but this can be changed in the \documentclass


declaration, e.g. \documentclass[12pt]{article}. Note that not every document class
has unique sizes for all of the above size commands.

Absolute Point Sizes


standard classes (except slides), beamer AMS classes, memoir
size slides
[10pt] [11pt] [12pt] [10pt] [11pt] [12pt]
\tiny 5 6 6 6 7 8 13.82

\scriptsize 7 8 8 7 8 9 16.59

\footnotesize 8 9 10 8 9 10 16.59

\small 9 10 10.95 9 10 10.95 16.59

\normalsize 10 10.95 12 10 10.95 12 19.907

\large 12 12 14.4 10.95 12 14.4 23.89

\Large 14.4 14.4 17.28 12 14.4 17.28 28.66

\LARGE 17.28 17.28 20.74 14.4 17.28 20.74 34.4

\huge 20.74 20.74 24.88 17.28 20.74 24.88 41.28

\Huge 24.88 24.88 24.88 20.74 24.88 24.88 41.28

Points in TeX follow the standard American point system in which 1 pt is approximately
0.35136 mm. The standard point size used in most modern computer programs (known as the
desktop publishing point or PostScript point) has 1 pt equal to approximately 0.3527 mm while
the standard European point size (known as the Didot point) had 1 pt equal to approximately
0.37597151 mm (see: point (typography)).

Arbitrary sizes
The \tiny...\Huge commands are often enough for your needs, but you may occasionally want
an arbitrary font size.This is done with \fontsize{<size>}{<line
space>}\selectfont. For example:

\fontsize{5cm}{5.5cm}\selectfont

sets the current font size to 5cm with 5.5 centimeter leading.

If you are using the latex or pdflatex engines, you may get a warning similar to the
following:

LaTeX Font Warning: Font shape `OT1/cmr/m/n' in size <142.26378> not available

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(Font) size <24.88> substituted on input line 103.

This is because these older engines only support a fixed set of sizes - between 5 and 17 point.
When he designed Computer Modern, Knuth created individual font files for these sizes, each
with stroke widths and spacing optimized for that particular size. To avoid distorting them,
scaling these fonts is disabled by default.

This issue is avoided when using lualatex or xelatex, which use Latin Modern (http://ww
w.gust.org.pl/projects/e-foundry/latin-modern) - a vectorized version of Computer Modern - as
the default font family. This still provides individual files at each of the original optical sizes, but
will automatically scale the closest one when asked for an arbitrary size.

Using alternative fonts


When TeX was originally designed in the late 1970s, vector-based fonts didn't exist in any
common format - PostScript wouldn't be released until 1982. Consequently, TeX was designed
to use its own font system, METAFONT. Over time, TeX (and LaTeX) were extended to support
PostScript fonts, and modern LaTeX engines also support the TrueType (TTF) and OpenType
(OTF) fonts found on modern systems.

Using TTF and OTF fonts


If you are using lualatex or xelatex, you can use TTF and OTF fonts with the fontspec
package:

\documentclass{article}

\usepackage{fontspec}
\setmainfont[Ligatures=TeX]{Georgia}
\setsansfont[Ligatures=TeX]{Arial}

\begin{document}
Lorem ipsum...
\end{document}

The [Ligatures=TeX] option allows you to use the standard TeX ligatures mentioned in the
Text Formatting chapter instead of Unicode characters that are unlikely to be on your keyboard.
For example, --- can be used to create em dashes (—), quotes can be typed ``like this''
instead of “like this”, and so on.

The fontspec package is extremely configurable. See the manual[3] for details, but some
basics are covered below.

Selecting font files


Different weights and styles of a given typeface are usually stored as separate font files. A typical
typeface might offer four files to represent its normal weight, italics, bold, and bold italics.
Given a typefaces's name, fontspec can generally deduce the names of the individual files.
However, many typefaces come in more than two weights—some versions of Futura, for
example, comes in light, book, medium, demi, bold, and extra bold weights. Sometimes small

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caps are stored as separate files as well.

We might want to hand-pick weights to achieve a certain look or better match the weights of
other fonts in our document. Continuing to use Futura as an example, say we want to use the
"book" weight for our default weight, "demi" for bold, and the font files are named:

Futura-Boo for upright book weight


Futura-BooObl for oblique book weight
FuturaSC-Boo for small caps, book weight
Futura-Dem for upright demi(bold)
Futura-DemObl for oblique demibold
Our font setup might resemble:

\usepackage{fontspec}
\setmainfont[
Ligatures=TeX,
UprightFont = *-Boo,
ItalicFont = *-BooObl,
SmallCapsFont = *SC-Boo,
BoldFont = *-Dem,
BoldItalicFont = *-DemObl
]{Futura}

Note that instead of typing out Futura-Boo, Futura-BooObl, and so on, we can use * to
insert the base name.

Controlling font features


The OpenType (OTF) format allows type designers to embed font features that can be turned on
and off, such as:

Alternate versions of glyphs


Lining and "oldstyle" figures, each with tabular and proportional spacing[4]
Up to three sets of ligatures: standard, contextual, and historical
Superscript and subscript glyphs
Small caps (in the same file as the standard upper and lowercase characters)
All of these features can be turned on and off using different fontspec options. If we wanted to
set our body text in Linux Libertine with oldstyle, proportionally-spaced figures, for example,
we might set up our fonts as follows:

\setmainfont[
Ligatures=TeX,
Numbers={OldStyle, Proportional}
]{Linux Libertine}

Features can be turned on and off using \addfontfeatures{...}. Say you wanted to set a
table in lining, tabular figures:

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{\addfontfeatures{Numbers={Lining, Tabular}}
\begin{tabular}{l r}
Widgets: & 25 \\
Gadgets: & 6 \\
Whatsits & 24 \\
\end{tabular}
} % Return to previous figure style

Changing fonts in latex and pdflatex


If you are not using one of the Unicode-aware engines, font selection is more complicated. (See
the discussion of encoding below.) Useful resources for latex and pdflatex font
configuration include:

The Latex Font Catalogue (http://www.tug.dk/FontCatalogue/)


LaTeX font commands (http://www.cl.cam.ac.uk/~rf10/pstex/latexcommands.htm)
How to change fonts in Latex (http://www.ee.iitb.ac.in/~trivedi/LatexHelp/latexfont.htm)
Understanding the world of TEX fonts and mastering the basics of fontinst (ftp://tug.ctan.org
/tex-archive/fonts/utilities/fontinst/doc/talks/et99-font-tutorial.pdf)
Font installation the shallow way (http://www.tug.org/TUGboat/Articles/tb27-1/tb86kroonenb
erg-fonts.pdf) "For one-off projects, you can cut corners with font installation (i.e. fontinst)
and end up with a more manageable set of files and a cleaner TEX installation. This article
shows how and why"

Font encoding
Digitising human language is a complicated topic that has evolved significantly since TeX's
inception.

Unicode
Today, text is usually represented in computer systems using Unicode. Briefly,

A Unicode text file is made of a series of code points, each of which can represent a
character to be drawn, an accent or other diacritical mark to combine with an adjacent
character, or some non-printing character, such as instruction to print subsequent text right-
to-left.
One or more of these code points combines to represent a grapheme cluster or glyph, the
shapes within a font that we informally call "characters".
Modern font formats such as TrueType and OpenType contain encoding tables which map
code points to the glyphs the font file contains.
LuaLaTeX and XeLaTeX use these tools to render Unicode-encoded input files (LuaLaTeX
accepts UTF-8 files, while XeLaTeX is a bit more flexible and also accepts UTF-16 and UTF-32)
into PDF documents.

TeX encodings
The original TeX and LaTeX, designed long before the advent of Unicode, use a very different
scheme. When using latex or pdflatex, you must choose an input encoding, which the
engine uses to interpret your file, and an output encoding, which the engine uses to map your

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inputs to glyphs. The default font encoding is OT1, the encoding of the original Computer
Modern fonts. It contains only 128 characters, many from ASCII, but leaving out some others
and including a number that are not in ASCII. When accented characters are required, TeX
creates them by combining a normal character with an accent. While the resulting output looks
correct, this approach has some caveats compared to Unicode-based approaches:

It prevents automatic hyphenation from working inside words containing accented


characters.
Searches for words with accents in PDFs will fail.
Extracting (e.g., via copy-paste) the umlaut 'Ä' via a PDF viewer actually extracts the two
characters '"A'.
Some Latin letters cannot be created with this approach, to say nothing about letters of non-
Latin alphabets such as Greek or Cyrillic.
To overcome these shortcomings, several other 8-bit output encodings were created. Extended
Cork (EC) fonts in T1 encoding contains letters and punctuation characters for most European
languages that use Latin alphabets. The LH font set contains letters necessary to typeset
documents in languages using Cyrillic script. Because of the large number of Cyrillic glyphs,
they are arranged into four font encodings—T2A, T2B, T2C, and X2. The CB bundle contains
fonts in LGR encoding for the composition of Greek text. By using these fonts you can
improve/enable hyphenation in non-English documents. Another advantage of using new CM-
like fonts is that they provide fonts of CM families in all weights, shapes, and optically scaled
font sizes.

All this is not possible with OT1; that's why you may want to change the font encoding of your
document.

Note that different fonts support different output encodings. The default Computer Modern
font does not support T1, for example. You will need Computer Modern Super (cm-super) or
Latin Modern (lmodern), which are Computer Modern-like fonts with T1 support. If you have
none of these, it is quite frequent (depends on your TeX installation) that tex chooses a Type3
font such as the Type3 EC, which is a bitmap font. Bitmap fonts look rather ugly when zoomed
or printed.

The fontenc package tells LaTeX what font encoding to use. Font encoding is set with:

\usepackage['encoding']{fontenc}

where encoding is the font encoding. It is possible to load several encodings simultaneously.

There is nothing to change in your document to use CM Super fonts (assuming they are
installed), they will get loaded automatically if you use T1 encoding. For lmodern, you will need
to load the package after the T1 encoding has been set:

\usepackage[T1]{fontenc}
\usepackage{lmodern}

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The package ae (almost European) is obsolete. It provided some workarounds for hyphenation
of words with special characters. These are not necessary any more with fonts like lmodern.
Using the ae package leads to text encoding problems in PDF files generated via pdflatex (e.g.
text extraction and searching), besides typographic issues.

PDF fonts and properties


PDF documents have the capability to embed font files. It makes them portable, hence the name
Portable Document Format.

Many PDF viewers have a Properties feature to list embedded fonts and document metadata.

Many Unix systems make use of the poppler tool set which features pdfinfo to list PDF
metadata, and pdffonts to list embedded fonts.

References
1. Matthew Butterick. "Bold or italic". Practical Typography. https://practicaltypography.com
/bold-or-italic.html.
2. Matthew Butterick. "Underlining". Practical Typography. https://practicaltypography.com
/underlining.html.
3. http://mirrors.ctan.org/macros/latex/contrib/fontspec/fontspec.pdf
4. Matthew Butterick. "Alternate figures". Practical Typography. https://practicaltypography.com
/alternate-figures.html.

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