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Bergerac TV Theme - George Fenton - Total Guitar 1997 08-5

bergerac tv theme

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Ubaldo Zabala
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0% found this document useful (0 votes)
980 views3 pages

Bergerac TV Theme - George Fenton - Total Guitar 1997 08-5

bergerac tv theme

Uploaded by

Ubaldo Zabala
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Bergerac RAY RUSSELL ‘This 1980's police show theme was part- inspired by, er, The Police. JOz BENNETT interviews guitarist Ray Russell. ee eee ee ice rictn pat eisai fat hat they competing fated se See ius ol tha a Raho oad eutart oid merewed in TCS) Sl tok te gape wth Jen Bary Sore then len eae ses ee aa ee ee ee eres (eee ee ees Scrat ere ees ee Boast genet ey Mi I had one attr el och stye dave the D Doi heme Th it eee TECHNIQUE Ray worked hard getting the tone and note production exaetly right, which is one reason why the transeription doesn't stay in one fingerboard position: “When the main theme is playedon the guitar [bar 50] it starts on the Sth fet, fourth string —Kind of second postion D Dorian, but it lover the place. We took it phrase by ee ecstatic et for each. The interval are quite large, so the fingerings ean be tricky. [also played it very near the bridge, so the strings sort of whined ‘The track changes key and mode at several points, vering subtly in and out of D Dorian, D hharmenie minor, A natural minor, and F major. But because the theme is so melodie, is better to follow the theme precisely rathor than improvising = you can easily put your own slant on it by using different bends, sides, hammer-ons and so on. ‘There are wo guitars on the recording, and our transcription includes the essential pats of both Ray: “After the main theme and rhythm section, I ‘overdubbed what I cal ‘sprangs’. You know, like the Andy Sumnmors chord past from Walkin’ On ‘The Moon, with chorus, delay and compression. Its all suspended chord, sus4s and so on. GUITAR SOUND Apart from the techniques mentioned, that biting guitar tone isan essential part ofthe feel ofthe track, Ray used a Sinclair eustom soid-body similar toa Strat, with active EMG pickups. "I was using MXR effets atthe time ~ just ehomas and delay stomp-boxes, into miked up Fender Twi, ‘sTremember in the mid-eighties we re recorded the theme, just to update the production really ~ I used a Steinberger C series, a Bradshaw pre-amp, and Groove Tubes to get the tone. But you can win when you change atheme. The week after the new version was used, the producer hod ‘to.gp on the BCS Points Of View and justify why the theme had changed. I just shows how ‘important TV themes ean be to people!” #52 ro} ? ee ce a oe ete a he plays te a pari te ere The outro uses ‘votining’ . Loceas cree | each note using the woume ‘coil on te uta Tis cn 04 ETE AUGUST 1997 ISSUE 34 ERE) pmo Em me Em pms Ambo Dm Dm6 Dm eb Am 7 8b A GIA A ome (8-5 2 An fam? om she 7 A An Servolo omy. Emo ; wth owe amon? am am bh Am Com Bb am Fr a ISSUE 94 AUGUST 1997 > 9s CD TRAC Pern ta PINES 7 m mei pms Gh Brisa aia ste Am No D 9 oon aes axxo 6 aE AveUST 1997 BSUE 94

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