How Does An Asian Commons Mean
How Does An Asian Commons Mean
Lawrence Liang
Prashant Iyengar
Jiti Nichani
Table
of
Contents
1. Introduction
2. Violence,
Dispossession
and
the
Enclosures
Movement
in
Europe
3. How
does
an
Asia
Commons
mean:
Notes
towards
a
Genealogy
of
the
Commons
in
Asia
4. Mapping
the
Enclosures
Movement
in
Asia
5. The
Uncanny
Lightness
of
Being
an
Asian
Cultural
Commons
6. Conclusion
2
Introduction
A
walk
through
the
lexical
jungle
of
intellectual
property
reveals
a
range
of
strange
creatures
lurking
in
various
nooks
and
corners.
A
patent
here,
a
trademark
there
and
copyrights
springing
threats
at
trespassers
warning
them
not
to
stray
into
the
domain
of
protected
property.
On
the
other
side
of
the
IP
jungle
lies
the
enchanted,
albeit
mythical
commons
in
which
one
is
allowed
the
freedom
to
roam
and
sample
the
pleasures
of
the
forests
without
the
risk
of
legal
action.
The
invocation
of
these
metaphors
of
jungles
may
seem
self
indulgent,
but
we
believe
that
they
serve
more
than
a
decorative
value,
as
this
monograph
seeks
to
return
us
‐inhabitants
of
the
digital
commons‐
to
the
lands
and
forests,
where
the
twin
stories
of
the
making
of
property
and
the
destruction
of
the
commons
begins.
We
will
navigate
this
journey
via
history,
keeping
one
foot
firmly
within
the
contemporary,
so
that
the
past
may
reveal
our
present
to
us
in
clearer
light.
Philosophers
have
warned
us
that
when
a
word
or
phrase
becomes
so
commonly
used
as
to
require
no
explanation
or
substantiation,
then
we
have
to
be
all
the
more
careful
while
using
it.
In
recent
times
we
have
seen
the
dramatic
rise
in
the
career
of
one
such
word
in
debates
on
the
politics
of
information
and
knowledge,
“the
commons”.
The
idea
of
the
commons
has
entered
the
debate
on
copyright
in
a
significant
manner
to
signify
a
domain
of
collaboration
and
creation
unhinged
by
the
usual
restrictions
placed
by
copyright1.
The
aggressive
expansion
of
intellectual
property
into
every
domain
of
life
has
been
the
cause
of
concern
for
a
number
of
people.
Academics
and
scholars
have
responded
to
this
problem
in
various
ways.
Recent
scholarship
on
intellectual
property
has
been
marked
by
the
invocation
of
the
metaphor
of
the
commons
and
the
public
domain,
and
the
threat
that
it
faces
from
this
limitless
expansion
of
intellectual
property.
More
often
than
not
the
commons
is
allegorized
as
a
mythical
ideal
governed
by
principles
of
sharing,
access
and
collaboration,
which
was
lost
after
the
first
enclosures
movement.
The
argument
proceeds
to
caution
against
a
similar
enclosure,
the
second
enclosures
movement
in
the
realm
of
the
information
ecology
that
threatens
to
privatize
every
aspect
of
information
and
knowledge
thereby
threatening
creativity
and
access
to
knowledge.
There
seems
to
be
a
consensus
that
we
all
know
what
we
are
speaking
of
when
we
speak
of
the
commons,
and
the
task
of
this
monograph
will
be
to
examine
and
question
our
commonplace
assumptions
about
the
commons.
When
we
participate
in
the
making
of
the
digital
commons
we
rarely
ask
the
question
of
why
it
is
that
the
metaphor
of
the
commons
has
emerged
as
the
dominant
metaphor
against
the
perceived
privatization
of
knowledge
and
culture.
When
probed
a
little
further,
an
entire
set
of
questions
are
raised:
How
did
the
commons
come
to
be
chosen
as
the
most
appropriate
mode
of
describing
a
set
of
collaborative
practices
of
sharing
that
refuses
to
secede
to
the
logic
of
Commodification
of
knowledge?
In
what
manner
for
instance
does
it
differ
from
1 A few examples of it use include ‘Creative Commons’, ‘Science Commons’, ‘Asian Commons’, ‘Digital
Commons’ etc.
3
other
ideas
such
as
the
public
domain?
Is
the
commons
synonymous
with
the
absence
of
property
norms?
Can
there
be
an
automatic
translation
of
the
history
of
the
commons
in
land
to
the
world
of
intellectual
property?
It
is
to
carve
a
space
through
which
we
can
collectively
navigate
this
rather
dense
world
of
the
commons
that
we
have
written
this
primer
on
the
commons
for
the
commoner.
There
are
various
ways
in
which
an
introduction
to
the
commons
can
be
written
and
the
most
obvious
way
would
be
to
introduce
the
idea
of
the
knowledge/
culture
commons
and
examine
how
they
have
been
threatened
by
the
expansion
of
the
global
IP
regime.
This
would
be
followed
typically
by
an
introduction
to
various
initiatives
that
seek
to
counter
the
hegemony
of
intellectual
property
and
create
an
alternative
normative
paradigm,
one
that
promotes
freedom
and
access
to
knowledge
and
culture
in
the
name
of
the
commons.
It
would,
in
other
words
serve
as
an
introduction
to
the
various
issues
at
stake
to
the
‘layperson’.
By
now,
this
aspect
of
the
story
is
familiar
enough,
and
has
been
documented
extremely
well2.
We
believe
that
there
would
be
no
purpose
served
in
reiterating
the
story,
and
we
instead
take
this
opportunity
to
introduce
a
set
of
critical
questions
and
directions
in
which
future
research
on
the
nature
of
the
commons
may
proceed.
We
have
therefore
chosen
to
take
a
slightly
different
route
to
tell
our
story
of
the
commons.
Rather
than
assume
one
single
story
for
the
commons
that
exists,
our
aim
has
been
to
expand
the
possibilities
of
engaging
with
the
commons
and
with
the
history
of
the
commoner
(a
phrase
that
the
historian
Peter
Linebaugh
uses
to
refer
not
just
to
laypersons
but
to
inhabitants
of
the
commons).
One
of
our
attempts
has
been
to
frame
the
question
in
such
a
manner
that
it
enables
the
coming
together
of
existing
approaches
to
the
problem
of
intellectual
property
along
with
genealogies,
disciplines
and
voices
that
are
not
normally
seen
as
having
a
take
on
questions
of
intellectual
property.
One
way
of
opening
up
the
debate
on
IP
may
be
to
throw
it
beyond
the
question
of
information
and
the
intangibles
alone,
and
to
instead
examine
other
histories
and
routes,
which
will
enable
us
to
return
to
the
question
of
intellectual
property
differently.
Thus
rather
than
examining
the
question
of
intellectual
property
as
a
disjuncture
of
the
contemporary,
we
see
the
possibilities
of
looking
at
it
through
various
continuums;
some
that
navigate
through
the
chequered
histories
of
property,
others
that
engage
with
the
histories
of
spectral
figures
hovering
around
the
commons.
An
example
of
such
a
continuum
for
instance
lies
in
the
processes
through
which
new
languages
of
property
are
claimed,
and
have
historically
sought
to
be
instituted.
The
expansion
of
intellectual
property
is
a
story
that
continues
with
the
expansion
of
property
rights
in
general.
Contrary
to
common
assumptions
that
property
is
a
universal
and
eternal
facet
of
history,
property
is
in
fact
a
social
2
See
for
instance,
Lawrence
Lessig,
Free
Culture:
How
Big
Media
Uses
Technology
and
the
Law
to
Lock
Down
Culture
and
Control
Creativity
(New
York:
Penguin,
2004),
Rosemary
Coombe,
The
Cultural
Life
of
Intellectual
Properties:
Authorship,
Appropriation
and
the
Law
(Durham,
NC:
Duke
University
Press,
1998),
Yochai
Benkler,
The
Wealth
of
Networks,
http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book,
Lawrence
Liang,
Primer
on
Open
Content,
http://en.wikibooks.org/wiki/FOSS_Open_Content
4
artefact
that
has
to
be
actively
created
over
a
period
of
time
and
consolidated
through
various
social
and
legal
processes.
But
once
property
norms
are
established,
they
go
on
to
define
a
larger
universe
of
behaviours
and
set
the
boundaries
between
the
prescribed
and
the
prohibited.
The
making
of
property
requires
the
establishment
of
the
language
of
ownership,
and
the
grant
of
exclusive
rights.
They
determine
the
extent
and
range
of
rights
that
accrues
from
such
ownership
and
finally
also
define
a
set
of
practices
that
would
be
considered
an
infringement
which
is
suppressed
by
the
violent
force
of
the
law
in
the
form
of
criminal
sanctions
and
punishments.
An
examination
of
the
making
of
property
necessarily
brings
us
to
the
older
histories
of
how
the
commons
came
to
be
enclosed
through
the
creation
of
property
rights.
This
'enclosures'
movement,
which
we
shall
examine
in
greater
detail,
was
accompanied
by
a
large
scale
escalation
of
violence
and
dispossession
of
people.
Our
concern
with
contemporary
expansions
of
intangible
property
is
also
motivated
by
the
equal
violence
and
dispossession
that
they
are
capable
of
unleashing.
If
we
therefore
take
the
history
of
exclusion,
trespass
and
encroachment
not
merely
as
linguistic
inheritances
from
the
history
of
the
commons,
but
as
conceptual
linkages
that
unite
the
worlds
of
the
tangible
and
intangible,
historical
and
contemporary,
we
may
be
furnished
with
a
set
of
conceptual
resources,
which
are
otherwise
unavailable
at
any
singular
entry
point
into
the
domain.
The
making
of
property
is
also
a
project
that
is
fraught
with
tension
and
fragility.
Property
asserts
its
might
by
translating
the
terms
of
knowledge
practices
into
its
own
logic
using
the
same
coercive
language
of
exclusion
and
trespass,
building
newer
fences,
boundaries
and
walls
that
marked
the
experience
of
the
first
enclosures
movement.
Fences,
boundaries
and
walls
which
marked
the
binaries
between
the
owner/
trespasser,
legal/
illegal,
occupier./
encroacher
face
are
sought
to
be
redefined
in
terms
of
access
costs,
access
restrictions,
royalty
payments,
infringement
claims
and
monopoly
rights.
Our
concern
with
intellectual
property
stems
from
the
ways
in
which
claims
over
property
over
the
word
of
intangibles
ideas,
expressions
and
creativity
are
effectively
drawing
new
boundaries
and
fences
around
a
domain
that
was
relatively
free
for
people
to
use.
The
introduction
of
a
discourse
on
property
entails
not
just
the
creation
of
a
new
system
of
legal
rights
and
obligations,
but
also
in
the
reworking
of
existing
social
relations.
It
introduces
new
forms
of
sociality
via
the
terms
of
possession
and
exclusion
where
none
may
have
existed
earlier.
Ideas
of
property
and
personhood
also
go
hand
in
hand
as
evidenced
in
the
work
of
John
Locke,
the
most
influential
theorist
of
property3.
It
is
also
Locke
who
provides
the
model
which
determines
the
3 See, Etienne Balibar, My self and My own: One and the Same?, in Bill Maurer and Gabriele Schwab,
Accelerating
Possession:
Global
Futures
of
Property
and
Personhood,
(New
York:
Columbia
Univ.
Press,
2006)
5
core
philosophy
of
copyright.
A
language
of
property
is
also
totalizing
in
the
sense
that
it
overwrites
all
other
languages
of
social
relations
which
may
have
existed.
If
for
instance
a
community
had
various
norms
through
which
it
dealt
with
questions
of
the
control
over
natural
or
cultural
resources,
these
cannot
co
exist
with
a
property
claim.
The
introduction
of
property
transforms
diverse
practices
by
rendering
them
illegitimate
or
by
erasing
them
from
the
official
memory
of
a
community.
We
shall
see
many
examples
of
these
in
our
chapter
on
the
history
of
the
commons
in
Asia.
One
of
the
most
important
reasons
then
for
recalling
a
history
for
the
commons
is
to
also
look
at
the
ways
in
which
people
negotiated
and
managed
their
relations
to
land,
to
culture
and
to
each
other,
without
a
property
regime.
We
began
by
asserting
that
the
Commons
is
more
than
a
romantic
metaphor
that
is
useful
for
the
contemporary.
It
is
vital
for
us
to
understand
the
commons
not
only
through
the
lens
of
history,
but
to
examine
the
philosophical
challenges
that
it
throws
up
to
the
regime
of
property.
We
are
interested
in
the
practices
of
the
commons
that
can
help
us
rethink
ideas
of
owning,
possession
and
management
of
resources.
We
need
in
other
words,
an
allegorical
reading
of
the
commons,
which
can
alert
us
to
new
modes
of
being
in,
and
relating
to
the
world
of
knowledge
and
culture.
C.
B.
Macpherson
has
stated
that
the
meaning
of
property
is
not
constant.
The
actual
institution
and
the
way
people
see
it,
and
hence
the
meaning
they
give
to
the
word,
all
change
over
time.
The
changes
are
related
to
changes
in
the
purposes
in
which
society
or
the
dominant
classes
in
society
expect
the
institution
of
property
to
serve.
One
interesting
example
of
this
is
slavery.
For
a
long
period
of
time,
it
was
seen
as
being
perfectly
legitimate
and
moral
to
be
able
to
own
human
beings.
Today
slavery
is
considered
morally
reprehensible
and
humans
are
no
longer
regarded
as
legitimate
objects
of
possession.
Consequently,
institutionalized
slavery
no
longer
"fits"
within
our
modem
conceptualization
of
property
and
is
deemed
an
illegal
form
of
ownership
by
most
cultures.
And
yet,
most
people
would
be
shocked
by
the
suggestion
that
there
may
be
ways
of
going
about
the
world
without
the
concept
of
property,
at
least
in
the
manner
in
which
it
is
applied.
When
John
Locke
theorized
the
state
of
nature,
one
of
the
most
important
insights
that
he
drew
on
was
the
idea
that
the
state
of
nature
lacked
a
regime
of
private
property.
And
it
was
this
lack
of
private
property,
for
Locke,
that
resulted
in
the
unpredictable
nature
of
life
since
there
was
no
rule
of
law
which
regulated
society.
It
is
important
to
remember
that
Locke’s
state
of
nature
was
not
merely
an
imaginary
one.
While
writing
about
the
state
of
nature,
he
really
had
in
mind
practices
of
indigenous
and
aboriginal
people
in
Belize
and
Guyana.
Under
English
common
law,
land
that
was
already
occupied
or
in
possession
of
another
could
not
simply
be
taken
by
force.
But
Locke
helped
redefine
the
concept
of
property
ownership
to
overcome
the
legal
bars
to
appropriation
of
the
land
in
the
possession
of
the
Aboriginals
and
to
facilitate
the
colonial
purpose
of
the
European
settlers.
4
4
Mary
Caldbick,
Locke's
doctrine
of
property
and
the
dispossession
of
the
Passamaquoddy,
PhD
Dissertation
submitted
to
The
University
of
New
Brunswick,
1997,
Tara
Letwiniuk,
John
Locke:
The
Devonshire
Farmer
and
the
Dispossession
of
the
Amerndians
of
Belize
and
Guyana,
PhD
Dissertation
submitted
to
the
University
of
Toronto,
1998
6
Traditional
approaches
to
Locke's
work
have
failed
to
appreciate
the
extent
to
which
his
theory
of
land
ownership
is
constructed
around
his
attempts
to
resolve
the
debate
in
England
over
the
unique
legal
problems
arising
from
British
territorial
expansion
and
the
settlers'
need
for
land
in
the
new
world.
Locke,
in
his
defense
of
the
dispossession
of
natives,
constructed
a
set
of
arguments
intended
to
deflect
claims
that
European
rights
to
land
in
the
new
world
were
limited
by
the
prior
occupation
of
the
Aboriginals.
Locke
also
remains
one
of
the
exemplar
philosophers
of
the
seventeenth
and
eighteenth
century,
a
period
in
which
many
of
our
ideas
of
selfhood
emerges.
In
many
ways,
the
question
of
personal
identity
was
the
primary
question
that
motivated
Locke’s
enquiry,
and
his
theories
set
the
stage
for
the
philosophic
and
juridical
establishment
of
what
Macpherson
calls
the
theory
of
“possessive
individualism”.5
While
the
question
of
personal
identity
troubled
many
philosophers
even
before
Locke,
it
was
only
with
the
publication
of
Locke’s
Two
Treatises
on
Government
and
Essay
Concerning
Human
Understanding
that
you
have
the
establishment
of
the
most
coherent
argument
linking
theories
of
identity
to
property.
For
Locke,
consciousness
is
a
mental
operation
that
appropriates
the
self
to
itself,
where
to
appropriate
means
to
identify
with
or
to
make
a
property
of.
The
use
of
the
word
own
is
both
as
an
adjective
(my
own
thought)
and
as
a
verb
(to
confess).
The
relationship
between
the
self
and
the
own
is
therefore
dependent
on
a
circularity
whereby
ideas
of
identity
and
identification
on
the
one
side
and
appropriation
on
the
other
continuously
exchange
their
function
and
become
virtually
equivalent.
The
relationship
between
the
self
and
the
own
is
dependent
on
a
self
fulfilling
prophesy
where
“what
I
can
consider
as
me,
myself
is
my
self
and
‘my’
self
is
some
‘thing’
that
I
own,
or
that
I
must
own
(confess)
is
mine,
was
done
or
thought
by
me,
has
become
my
own
because
I
appropriated
it
to
me
by
doing
it
or
thinking
it
consciously”.6
If
there
is
such
a
strong
link
between
the
history
of
property
and
the
creation
of
concepts
of
personhood,
it
is
arguable
then
that
the
history
of
the
commons
is
not
merely
an
interest
in
alternative
regimes
of
property,
but
a
quest
for
fundamentally
different
ideas
of
personhood
as
well.
JGA
Pocock
says
that
if
property
is
both
an
extension
and
a
pre
requisite
of
personality
then
we
should
be
aware
of
the
possibility
that
different
modes
of
property
may
be
seen
as
generally
encouraging
different
modes
of
personality.7
This
monograph
will
thus
address
three
core
thematic
concerns:
5
Macpherson,
C.
B.
The
Political
Theory
of
Possessive
Individualism:
Hobbes
to
Locke.
Oxford:
Clarendon
Press,
1962.
6
See,
Etienne
Balibar,
My
self
and
My
own:
One
and
the
Same?,
in
Bill
Maurer
and
Gabriele
Schwab,
Accelerating
Possession:
Global
Futures
of
Property
and
Personhood,
(New
York:
Columbia
Univ.
Press,
2006)
7
J
G
A
Pockock,
Tangata
Whenua
and
Enlightenment
anthropology,
New
Zealand
Journal
of
History,
Vol.
26,
No.1
(1992),
28‐33
7
The
first
segment
takes
us
through
the
history
of
the
commons.
We
will
attempt
to
answer
the
question
of
why
the
metaphor
of
the
commons
is
used
in
contemporary
debates
on
IP
by
linking
the
experience
of
pre
property
forms,
as
well
as
providing
an
account
of
dispossession
created
by
property.
The
next
segment
poses
the
rather
difficult
question
of
how
we
can
provide
an
account
of
the
commons
in
the
Asian
context.
Given
the
different
histories
of
Europe
and
Asia
with
respect
to
enclosures,
it
seeks
to
raise
fundamental
questions
of
what
it
means
to
make
a
claim
of
an
Asian
experience
of
the
commons.
In
the
third
segment,
we
will
attempt
to
chart
out
possible
directions
that
a
project
on
theorizing
of
the
commons
in
Asia
will
need
to
take.
We
will
do
this
by
sampling
the
history
of
the
commons
in
land
in
Asia,
as
well
as
look
at
the
ways
in
which
an
Asian
cultural
commons
may
be
thought
of.
Finally,
we
will
return
to
the
contemporary
debates
to
see
how
an
Asian
Commons
can
contribute
to
the
global
debate
on
the
commons.
8
Violence,
Dispossession
and
the
Enclosures
Movement
in
Europe
Recent
intellectual
property
debates
have
witnessed
a
manifold
expansion
of
catch
phrases
such
as
the
e‐commons,
creative
commons,
network
commons,
digital
commons
and
other
such
adaptations
of
the
‘commons’
to
describe
a
system
of
collaboration,
access
and
exchange
of
information.
Invoking
this
metaphor
of
the
‘commons’
has
helped
create
an
alternative
language
to
the
dominant
discourse
of
intellectual
property.
However,
very
often,
the
contemporary
invocation
of
the
commons
does
not
really
capture
the
historical
experience
of
the
commons,
and
we
attempt
to
revisit
the
history
of
the
commons
to
provide
an
account
of
the
commons,
which
is
attentive
to
its
tenuous
relationship
with
property,
legality,
and
the
experience
of
dispossession.
But
first
we
need
to
begin
with
a
few
instances
of
the
way
that
the
commons
is
evoked
in
contemporary
scholarship.
“By
the
commons
I
mean
a
resource
that
is
free
–
not
necessarily
zero
cost,
but
if
there
is
a
cost,
it
is
a
neutrally
imposed,
or
equally
imposed
cost”.
Lawrence
Lessig
8
Lessig
defines
the
e‐commons
as:
“It
is
commonplace
to
think
about
the
Internet
as
a
kind
of
commons.
It
is
less
commonplace
to
actually
have
an
idea
what
a
commons
is.
By
a
commons
I
mean
a
resource
that
is
free.
Not
necessarily
zero
cost,
but
if
there
is
a
cost,
it
is
a
neutrally
imposed,
or
equally
imposed
cost.
…
Open
source,
or
free
software,
is
a
commons:
the
source
code
of
Linux,
for
example,
lies
available
for
anyone
to
take,
to
use,
to
improve,
to
advance.
No
permission
is
necessary;
no
authorisation
may
be
required.”9
In
Lessig’s
invocation,
the
commons
is
equated
with
the
idea
of
freedom,
and
the
use
of
the
commons
is
to
describe
what
in
the
free
software
world
has
come
to
be
described
as
the
essential
freedom.
Yochai
Benkler,
whose
work
focuses
on
a
‘Commons‐based
approached’
to
managing
network
economies
describes
the
commons
as
a
new
model
of
economic
production
in
which
the
creative
energies
of
large
numbers
of
people
are
coordinated
(usually
with
the
aid
of
the
internet)
into
large,
meaningful
projects,
mostly
without
traditional
hierarchical
organisation
or
financial
compensation.10
He
defines
the
“networked
information
economy”
as
a
non‐market
economy
of
information,
knowledge
and
culture
that
flows
through
society
over
a
ubiquitous,
decentralised
network.
And
finally,
the
‘Creative
Commons’
sees
the
commons
as
the
cultural
domain
in
which
cultural
resources
are
available
freely
for
people
to
use,
modify
and
share.
8
Larry
Lessig,
The
Architecture
of
Innovation,
51
Duke
L.J.
1783,
1788
(2002).
9
Ibid.
10
Coase's
Penguin
or
Linux
and
The
nature
of
the
firm
‐
a
paper
by
Yochai
Benkler
defining
what
Commons‐Based
Peer
Production
is
and
how
it
works.
The
paper
also
includes
a
long
study
of
what
motivates
contributors.
9
As
we
have
stated
in
our
introduction:
When
we
participate
in
the
making
of
the
digital
commons
we
rarely
ask
the
question
of
why
it
is
that
the
metaphor
of
the
commons
has
emerged
as
the
dominant
metaphor
against
the
perceived
privatization
of
knowledge
and
culture.
We
would
like
to
restate
some
of
the
questions
that
motivate
us
such
as
:
How
did
the
commons
come
to
be
chosen
as
the
most
appropriate
mode
of
describing
a
set
of
collaborative
practices
of
sharing
that
refuses
to
secede
to
the
logic
of
Commodification
of
knowledge?
In
what
manner
for
instance
does
it
differ
form
other
ideas
such
as
the
public
domain?
Is
the
commons
synonymous
with
the
absence
of
property
norms?
Can
there
be
an
automatic
translation
of
the
history
of
the
commons
in
land
to
the
world
of
intellectual
property?
The
invocation
of
the
commons
in
the
digital
age
is
a
useful
starting
point,
but
it
would
be
incomplete
if
we
did
not
acknowledge
the
histories
of
the
making
of
property
and
its
subsequent
history.
The
contemporary
invocation
of
the
commons
do
not
seem
to
address
the
fundamental
question
of
the
effect
of
the
language
of
property
on
existing
social
relations,
on
ideas
of
ownership
and
on
ideas
of
crime.
Our
primary
interest
in
revisiting
the
history
of
the
commons
is
to
explore
the
ways
in
which
people
imagined
forms
of
existence
and
relationality
that
were
outside
of
the
imagination
of
property,
the
violence
unleashed
by
the
gradual
enclosure
of
the
commons,
and
how
a
large
number
of
people
dispossessed
by
the
enclosures
movement
relied
on
the
memory
of
the
commons
in
future
struggles
for
basic
entitlements.
Social
historians
of
crime,
for
instance,
have
rigorously
alerted
us
to
the
intertwined
histories
of
property
and
criminalization.
It
may
therefore
be
insufficient
for
us
to
invoke
the
commons
only
in
allegorical
terms,
and
it
may
be
more
fruitful
to
look
at
current
conflicts
over
intellectual
property
within
a
wider
historical
continuum,
which
examines
the
nature
of
contestation
over
the
definition,
the
contours
and
the
enforcement
of
property
itself.
The
first
enclosures
which
resulted
in
the
expropriation
of
the
commons
freed
large
territories
for
capitalist
agriculture,
logging,
mining,
and
speculation
in
land,
and
created
at
the
same
time
a
vast
army
of
the
dispossessed
who
were
then
freed
to
become
wage
earners
in
new
industrializing
areas
at
home
or
abroad,
or
criminalized
through
harsh
laws
that
imposed
penal
servitude
in
the
colonies.
The
enclosure
of
the
commons
was
therefore
just
the
first
step
towards
the
consolidation
of
the
rule
of
property,
and
the
career
of
capital.
Linebuagh
characterizes
the
history
of
the
period
starting
from
the
enclosures
of
the
commons
in
the
following
manner:
1
0
We
can
periodize
the
almost
two
and
a
half
centuries
covered
here
by
naming
the
successive
and
characteristic
sites
of
struggle:
the
commons,
the
plantation,
the
ship
and
the
factory.
In
the
years
16001640,
when
capitalism
began
in
England
and
spread
through
trade
and
colonization
around
the
Atlantic,
systems
of
terror
and
sailing
ships
helped
to
expropriate
the
commoners
of
Africa,
Ireland,
England,
Barbados
and
Virginia
and
set
them
to
work
as
hewers
of
wood
and
drawers
of
water.”
11
The
history
of
the
‘commons’
can
be
traced
to
the
early
fifteenth
century
when
nearly
quarter
of
all
the
‘common
land’
in
England
and
Wales
began
to
be
enclosed
by
multiple
Acts
of
Parliament.12
The
‘enclosure
movement’
was
characterised
by
the
process
of
physical
fencing
of
arable
land
with
a
hedge
or
wall,
therein
transforming
‘common
lands’
into
pieces
of
privately
owned
property.
Prior
to
the
enclosure
movements,
the
majority
of
the
population
in
England
lived
in
nucleated
settlements
whose
fields
lying
open
were
used
in
common.
Under
this
old
system,
two
main
labouring
methods
were
practiced:
the
first
was
open‐
field
farming
where
“each
farmer
had
rights
over
individual
lands
but
decisions
about
the
timing
of
ploughing,
sowing
and
harvesting
were
communal”.13
The
other
was
communal
grazing
of
flocks
of
sheep
and
herds
of
cattle
on
the
commons.
Since
the
two
activities
conflicted
with
each
other,
frictions
were
resolved
usually
by
community
action.
The
following
account
by
Victor
Magagna
provides
some
insight
into
the
process:
“In
open
field
system
the
core
of
daily
life
revolved
around
a
complex
of
cooperative
practices
that
integrated
arable
farming
and
animal
husbandry.
In
open
field
villages,
the
property
rights
of
individuals,
households
and
communities
were
intermixed
in
a
pyramid
of
tenurial
rights
and
duties
that
defy
any
reduction
to
a
simple
dichotomy
between
private
and
public
property.
Household
or
“hearths”
were
the
usual
bearers
of
ultimate
property
rights
to
land
in
the
common
fields
and
forests,
but
the
whole
membership
of
the
village
had
rights
of
control
over
what
specific
households
could
do
with
their
property.
Individual
proprietors
were
bound
by..
rules
of
property
as
trusteeship,
and
householders
could
be
held
accountable
for
violating
their
role
as
trustees
of
the
village.
For
example,
excessive
grazing
of
animals,
chopping
of
wood,
or
enclosure
without
the
consent
of
neighbours
and
kin
could
result
in
penalties
ranging
from
stiff
fines
to
violent
reprisals.
Rights
of
access
to
a
household’s
arable
strips,
for
instance,
were
crucially
moulded
by
the
patterns
of
exchange
and
co‐ordination
that
existed
among
all
villager
members.
Even
the
decision
about
when
and
what
to
plant
was
shaped
by
11
Peter
Linebaugh,
The
Many‐Headed
Hydra:
Sailors,
Slaves,
Commoners,
and
the
Hidden
History
of
the
Revolutionary
Atlantic.
Boston:
Beacon
Press,
2000.
See
also,
Peter
Linebaugh,
The
London
Hanged:
Crime
and
Civil
Society
in
the
Eighteenth
Century.
London:
Verso,
2006.,
Peter
Linebaugh,
The
Magna
Carta
Manifesto:
The
Struggle
to
Reclaim
Liberties
and
Commons
for
All.
Berkeley:
University
of
California
Press,
2008.
12
Rojer
J.P.
Kain,
John
Chapman
and
Richard
R.
Oliver,
The
Enclosure
Maps
of
England
and
Wales,
1595‐1918,
Chapter
1
(Cambridge:
Cambridge
University
Press,
2004).
13
John
Goodacre,
“Common
fields
and
open
spaces
in
an
English
midland
county”,
p.2
1
1
the
group
practices
of
the
village,
and
a
cultivator
who
was
foolish
enough
to
plant
when
his
neighbours
grazed
ran
the
risk
of
having
his
crops
eaten
by
the
village
flock.”
14
It
is
clear
from
Magagna’s
account
that
the
commons
was
not
the
zone
of
lawlessness
of
popular
imagination.
There
existed
a
complex
set
of
norms
through
which
people
governed
their
relation
to
land
and
natural
resources.
In
contrast
to
this,
one
of
the
most
cited
theorists
of
the
commons
Garret
Hardin
provided
an
account
of
‘the
Tragedy
of
the
Commons’,
in
which
he
argues
about
the
depletion
of
the
commons
was
caused
by
the
absence
of
private
property.
He
argues
that
the
exploitation
of
public
resources
by
a
growing
population
causes
the
tragedy
of
the
commons.
He
based
his
argument
on
the
selfish
nature
of
individuals,
who
are
inherently
driven
by
the
singular
interest
of
maximising
their
own
consumption,
devoid
of
any
injury
caused
to
another.
Collective
loss
is
far
smaller
than
the
individual
gain
‐
Hardin
Hardin
used
the
analogy
of
the
pastures
to
highlight
his
point
–
where
he
describes
how
local
herdsmen
use
the
common
village
pastures
to
graze
their
cows,
with
the
understanding
that
by
adding
animals
to
work
on
the
land,
the
value
of
the
land
increases
reaping
greater
profits.
However,
it
also
generates
negative
effects
such
as
overgrazing
the
land,
therein
affecting
the
prosperity
of
the
villages.
Hardin
underlines
that
the
collective
loss
is
far
smaller
than
the
individual
gain
for
the
farmer,
making
the
village
susceptible
to
the
tragedy
of
the
commons
–
‘each
man
is
locked
into
a
system
that
compels
him
to
increase
his
herd
without
limit
–
in
a
world
that
is
limited.
Freedom
of
the
commons
brings
ruin
to
all’.
15
Hardin’s
thesis
has
been
refuted
by
a
number
of
scholars,
and
we
shall
also
explore
its
claims
in
a
subsequent
chapter
on
the
commons
in
Asia.
One
does
not
get
a
sense
in
Hardin’s
analysis
of
the
material
experience
of
the
enclosures
movement.
Central
to
the
experience
of
the
enclosure
of
the
commons
is
the
experience
of
dispossession.
When
lands
which
were
available
to
all
for
agriculture
and
for
grazing
are
converted
into
private
property,
what
happens
to
the
people
who
relied
on
the
commonness
of
the
land
for
their
livelihood
and
sustenance?
In
his
discussion
of
‘Expropriation
of
Agricultural
Population’
in
Capital,
Karl
Marx
cites
Bacon’s
account,
of
the
enclosures
movement
in
England
which
is
worth
reproducing
here:
“Inclosures
at
that
time
(1489)
began
to
be
more
frequent,
whereby
arable
land
(which
could
not
be
manured
without
people
and
families)
was
turned
into
pasture,
which
was
easily
rid
by
a
few
herdsmen;
and
tenancies
for
years,
lives
and
at
will
(whereupon
much
of
the
yeomanry
lived)
were
turned
into
demesnes.
This
bred
a
decay
of
people,
and
(by
consequences)
a
decay
of
towns,
churches,
tithes
and
the
like.”16
14
Victor
V.
Magagna,
Communities
of
Grain:
Rural
Rebellion
in
Comparative
Perspective
15
Davis,
Philip
M.
‘The
Tragedy
of
the
Commons
Revisited:
Librarians,
Publishers,
Faculty
and
the
Demise
of
the
Public
Resource’,
The
John
Hopkins
University
Press.
16
Marx,
Karl,
Capital,
Vol.
I..
Chicago:
Charles
H.
Kerr
and
Co.
1906.
Trans.
Samuel,
and
Edward
Aveling
Moore.
Ed.
Frederick
Engels.
Library
of
Economics
and
Liberty.
6
May
2008.
1
2
Marx
also
cites
an
account
by
a
Dr.
Price,
which
is
instructive
on
the
effects
of
this
enclosure:
“When
this
land
gets
into
the
hands
of
a
few
great
farmers,
the
consequence
must
be
that
the
little
farmers
will
be
converted
into
a
body
of
men
who
earn
their
subsistence
by
working
for
others,
and
who
will
be
under
a
necessity
of
going
to
market
for
all
they
want..
There
will,
perhaps
be
more
labour,
because
there
will
be
more
compulsion
to
it..
Towns
and
manufacturers
will
increase,
because
more
will
be
driven
to
them
in
quest
of
places
and
employment.
This
is
the
way
in
which
the
engrossing
of
farmers
naturally
operates.
..
Upon
the
whole,
the
circumstances
of
the
lower
ranks
of
men
are
altered
in
almost
every
respect
for
the
worse.
From
little
occupiers
of
land,
they
are
reduced
to
the
state
of
day‐labourers
and
hirelings;
and,
at
the
same
time,
their
subsistence
in
that
state
has
become
more
difficult”.17
During
the
Middle
Ages
in
England,
feudal
lords
began
to
evict
small
farmers
from
their
lands,
denying
them
access
to
the
“commons”.
So
land
that
was
once
held
in
‘common’
or
was
‘open
or
unfenced’
but
held
in
severalty
slowly
began
to
disappear
as
a
result
of
the
manifold
changes
in
the
economic
and
social
conditions
of
the
time.
The
impression
we
are
left
with
after
this
account
is
of
communities
that
have
a
rather
loose
notion
of
private
property,
but
a
corresponding
strong
notion
of
collective
or
shared
entitlements
which
the
entire
community
may
draw
upon
equally.
Robert
Gray,
a
publicist,
recalled
a
time
when,
“the
commons
of
our
country
lay
free
and
open
for
the
poore
common
[er]s
to
injoy,
for
there
was
roome
enough
in
the
for
every
man,
so
that
no
man
needed
to
encroach
[on]
or
inclose
from
another,
whereby
it
is
manifest,
that
in
those
dayes
we
had
no
great
need
to
follow
strange
reports,
or
to
seeke
wild
adventures,
for
seeing
we
had
not
onely
sufficiencie,
but
an
overflowing
measure
proportioned
to
everie
man.”.18
The
enclosures
movement,
began
to
reveal
how
the
trend
of
appropriation
was
set
off
against
the
accumulation
of
capital,
transforming
land
and
labour
into
commodities.
The
enclosure
of
common
grazing
land
involved
two
processes:
a
property
reorganisation
movement
an
(field
and
meadow
land),
and
a
reclamation
movement
(common
and
waste),
in
other
words,
the
making
of
property
itself.19
And
finally
a
conversion
of
the
dispossessed
into
wage
labour.
Enclosures,
Dispossesion
and
Violence
Linebaugh
and
Rediker
begin
with
an
invocation
of
the
twin
myths
of
the
many
headed
hydra
and
of
Hercules’s
task
of
slaying
the
hydra
as
away
of
thinking
about
the
challenges
faced
by
the
world
of
capital,
as
it
seeks
to
reproduce
itself
endlessly,
across
border,
domains
of
life,
having
the
sovereign
authority
of
law
as
its
eternal
companion.
The
slaying
of
the
hydra
was
the
second
of
the
twelve
labors
of
<http://www.econlib.org/Library/YPDBooks/Marx/mrxCpA27.html>.
17
Ibid
18
Peter
Linebaugh
and
Marcus
Rediker,
The
Many
Headed
Hydra
(London,
Verso,
2000)
19
See
Supra
note
5,
p
3
1
3
Hercules.
Confronted
with
the
monstrous,
many‐headed
Hydra,
a
water
snake
with
nine
to
a
hundred
heads,
Hercules
found
that
as
soon
as
he
cut
off
one
head,
two
grew
in
its
place.
With
the
help
of
his
nephew
Iolaus,
he
learned
to
use
a
firebrand
to
cauterize
the
stump
of
the
beast’s
neck.
Thus
they
killed
the
Hydra.
Hercules
dipped
his
arrows
in
the
blood
of
the
slain
beast,
whose
venom
thus
gave
to
his
arrows
their
fatal
power.
Using
the
allegory
of
the
hydra
as
the
various
obstacles
that
capital
faces
from
the
18th
century
to
the
present,
Linebaugh
starts
from
the
material
organization
of
many
thousands
of
workers
into
transatlantic
circuits
of
commodity
exchange
and
capital
accumulation
and
then
proceeds
to
look
at
the
ways
in
which
they
translated
their
cooperation
into
anti‐capitalist
projects
of
their
own.
The
first
enclosures
which
resulted
in
the
expropriation
of
the
commons
freed
large
territories
for
capitalist
agriculture,
logging,
mining,
and
speculation
in
land,
and
created
at
the
same
time
a
vast
army
of
the
dispossessed
who
were
then
freed
to
become
wage
earners
in
new
industrializing
areas
at
home
or
abroad,
or
criminalized
through
harsh
laws
that
imposed
penal
servitude
in
the
colonies.
Those
dispossessed
from
the
land
also
became
the
bulk
of
the
work
force
for
the
new
engines
transporting
commodities
across
continents,
the
Ship.
Sailors
and
ships
linked
the
mode
of
production
and
expanded
the
international
capitalist
economy.
The
ship
was
also
the
site
for
the
coming
together
of
diverse
labours,
from
different
ethnicities,
bound
together
by
a
pidgin
tongue.
The
solidarity
of
this
motley
crew,
like
many
others
of
the
era
was
forged
around
a
commonality
of
their
situation
of
dispossession
and
their
labour.
Linebaugh
and
Rediker
document
in
detail
the
very
difficult
conditions
under
which
these
sailors
worked,
the
dangers
that
they
were
constantly
exposed
to,
while
at
the
same
time
creating
the
conditions
for
a
solidarity
which
would
challenge
smooth
flow
of
capital.
The
first
pirates
in
a
sense
were
often
the
‘outcast
of
the
land’
who
would
mutineer
against
the
conditions
of
their
work,
and
create
an
alternative
order
challenging
the
division
of
labour
and
of
capital.
Thus
summarizing
the
characteristic
of
the
multitude
or
the
hydra
of
the
era
of
early
capitalism,
Linebaugh
says
that
“It
was
landless,
exploited.
It
lost
the
integument
of
the
commons
to
cover
and
protect
its
needs.
It
was
poor,
lacking
property,
money
or
material
riches
of
any
kind.
It
was
often
unwaged,
forced
to
perform
the
paid
labours
of
capitalism.
It
was
often
hungry,
with
uncertain
means
of
survival.
It
was
mobie,
transatlantic.
It
powered
industries
of
worldwide
transportation.
It
left
the
land,
migrating
from
country
to
town,
from
region
to
region,
across
the
oceans,
and
from
one
island
to
another.
It
was
terrorized,
subject
to
coersion.
Its
hide
was
calloused
by
indentured
labour,
gallery
slavery,
plantation
slavery,
convict
transportation,
the
workhouse,
the
house
of
correction.
Its
origins
were
often
traumatic:
enclosure,
capture,
and
imprisonment
left
lasting
marks.
It
was
female
and
male,
of
all
ages.
(indeed,
the
very
term
proletarian
originally
referred
to
poor
women
who
served
the
state
by
bearing
children.)
It
included
everyone
from
youth
to
old
folks,
from
ship’s
boys
to
old
salts,
from
apprentices
to
savvy
old
masters,
from
young
prostitutes
to
old
“witches.”
It
was
multitudinous,
numerous,
and
growing.
Whether
in
a
square,
at
a
market,
on
a
common,
in
a
regiment,
or
on
a
manofwar
with
banners
flying
and
1
4
drums
beating,
its
gatherings
were
wondrous
to
contemporaries.
It
was
numbered,
weighed,
and
measured.
Unknown
as
individuals
or
by
name,
it
was
objectified
and
counted
for
purposes
of
taxation,
production,
and
reproduction.
It
was
cooperative
and
laboring.
The
collective
power
of
the
many
rather
than
the
skilled
labor
of
the
one
produced
its
most
forceful
energy.
It
moved
burdens,
shifted
earth,
and
transformed
the
landscape.
It
was
motley,
both
dressed
in
rags
and
multiethnic
in
appearance.
Like
Caliban,
it
originated
in
Europe,
Africa,
and
America.
It
included
clowns,
or
cloons
(i.e.,
country
people).
It
was
without
genealogical
unity.
It
was
vulgar.
It
spoke
its
own
speech,
with
a
distinctive
pronunciation,
lexicon,
and
grammar
made
up
of
slang,
cant,
jargon,
and
pidgin—talk
from
work,
the
street,
the
prison,
the
gang,
and
the
dock.
It
was
planetary,
in
its
origins,
its
motions,
and
its
consciousness.
Finally,
the
proletariat
was
selfactive,
creative;
it
was—and
is—alive;
it
is
on
a
move”.20
The
history
of
“commoning”
would
be
incomplete
without
addressing
parallel
developments
that
took
place
in
the
society.
Rediker
and
Linebaugh’s
account
of
an
alternative
to
the
imagination
of
property
highlighted
that
any
form
of
resistance
to
the
enclosure
movement
amounted
to
high
treason.
There
were
several
statutes
that
were
enacted
against
the
crimes
of
robbery,
burglary
and
stealing,
which
were
targeted
at
the
dispossessed.
According
to
A.L.
Bier,
vagabonds
were
like
“a
hydra‐
headed
monster
poised
to
destroy
the
state
and
social
order.”21
In
England
for
instance,
the
successful
expropriation
of
the
commons
ensured
that
there
was
enough
idle
labour
available
to
be
expropriated
as
maritime
labour
and
this
obtained
through
the
twin
strategies
of
law
and
terror.
The
use
of
Press
Gangs
and
martial
laws
which
provided
for
death
penalties
as
the
punishment
for
resistance
has
been
documented
by
social
historians
of
property
and
crime.
A
series
of
laws
that
were
passed
to
ensure
that
this
effort
was
successful.
Some
of
these
included
the
:
Navigation
Act
1651
Articles
of
war
1652
Navigation
Act
1660
–
outlining
commodities
Navigation
Act
1673‐
enforcement
of
trade
The
quantity
shipped
had
doubled
over
a
span
of
fifty
years.
In
1629
merchants
had
shipped
115,000
tons
and
by
1686
they
have
shipped
340,000
tons
of
commodities.
In
1633
they
had
50
ships
and
9500
sailors
and
by
1688
173
ships
with
42,000
sailors.
This
massive
expansion
in
the
world
of
maritime
trade
and
commodity
production
and
circulation
was
also
accompanied
by
an
equally
meteoric
rise
in
laws
that
criminalized
social
life.
The
Articles
of
war
of
1652
for
instance
imposed
death
penalty
in
25
out
of
39
clauses.
The
first
pirates
in
a
sense
were
often
the
‘outcast
of
the
land’
who
would
mutiny
against
the
conditions
of
their
work,
and
create
an
alternative
order
challenging
the
division
of
labour
and
of
capital.
In
fashioning
their
hydrachy,
these
buccaneers
20
See
Supra.
Note
11
at
332
21
Ibid.
to
Supra
Note
p
18
1
5
often
drew
from
the
memory
of
utopias
created
by
pedants,
where
work
had
been
abolished,
property
redistributed,
social
distinctions
leveled,
health
restored
and
food
made
abundant.
By
expropriating
a
merchant
ship
(after
a
mutiny
of
a
capture),
pirates
seized
the
means
of
maritime
production
and
declared
it
to
the
common
property
of
those
who
did
its
work.
Rather
than
working
for
wages
using
the
tools
and
larger
machinery
(the
ship)
owned
by
a
merchant
capitalist,
pirates
abolished
the
wage
and
commanded
the
ship
as
their
property,
sharing
equally
in
the
risks
of
common
adventure.
Thus,
the
introduction
of
property
was
central
to
the
making
of
the
figure
of
the
trespasser
and
the
criminal.
Emerging
from
the
history
of
the
enclosure
of
the
commons,
the
idea
of
the
trespasser
has
shown
remarkable
resilience
and
adaptability
to
the
changing
ideas
of
property
and
value.
The
trespasser
and
the
language
of
trespass
has
resurfaced
in
recent
times
in
the
context
of
the
information
era
along
with
other
familiar
figures
from
the
history
of
property
such
as
the
pirate,
the
copier
etc.
The
expansion
of
intellectual
property
also
relies
on
similar
strategies
where
various
categories
of
illegality
are
mobilized,
both
to
justify
intellectual
property
as
well
as
to
argue
for
stronger
enforcement
regimes.
And
yet
the
resurfacing
of
the
trespasser
is
necessarily
complicated
by
the
fact
that
they
also
bring
with
them
residual
memories
such
as
that
of
the
commons.
Comparing
the
history
of
the
commons
with
the
story
of
IP
in
the
contemporary,
the
Raqs
Media
Collective
says
that
the
history
of
the
commons
and
of
dispossession
and
violence
holds
an
important
lesson
for
us
interested
in
looking
at
the
condition
of
life
under
the
sign
of
intellectual
property.
Intellectual
property
is
the
new
sign
of
value
in
the
contemporary.
Embodied
in
different
commodities
ranging
from
film
and
music
to
software
and
branded
clothes,
this
new
cluster
of
commodities,
made
up
of
culture
and
information,
is
also
brought
into
the
world
through
trans‐
continental
networks
of
new
indentured
labour,
made
in
virtual
vessels
that
pass
each
other
in
the
global
working
night,
on
the
high
seas
of
data.
They
argue
that
“These
tall
ships
of
our
times
that
fly
many
flags
of
convenience
are
the
software
sweatshops,
the
media
networks,
the
vast
armadas
of
the
culture
industries
and
the
lifestyle
factories.
They
produce
high
value
primary
commodities,
stars,
stories,
sagas,
software,
idols,
lifestyles,
and
other
ways
of
ordering
meaning
in
an
increasingly
chaotic
world.
Typically,
even
though
they
sell
the
fantasies
of
place
and
identity
in
an
increasingly
enmeshed
world,
they
are
produced
in
a
global
everywhere,
and
delivered
through
electronic
pipelines
everywhere,
and
when
necessary
more
or
less
instantaneously,
through
telecommunication
networks.
Their
ubiquity,
and
their
global
reach
is
also
the
hallmark
of
their
greatest
vulnerability;
for
like
their
precursors,
the
cargo
of
the
tall
ships
of
the
new
economy
is
just
as
vulnerable
to
attacks
of
piracy.
The
new
electronic
pirates
are
located
in
the
precise
interstices
of
the
global
culture
economy,
which
are
the
nodes
that
make
the
network
viable
in
the
first
place.
If
we
cannot
imagine
a
global
media
industry
without
the
technology
that
made
possible
the
phenomenon
known
as
peer‐to‐peer
networking
on
intranets,
then
it
is
precisely
the
same
technology
on
the
Internet
that
renders
any
attempt
to
police
the
distribution
channels
of
media
content
in
the
interests
of
proprietary
agencies
almost
impossible.
Just
as
the
piracy
of
the
past
disturbed
the
equilibrium
1
6
composed
of
slavery,
indentured
labour,
the
expropriation
of
the
commons,
the
factory
system
and
penal
servitude,
the
electronic
piracy
of
the
present
is
destined
to
wreck
the
culture
industry
either
by
making
the
economic
and
social
costs
of
policing
content
prohibitive,
or
by
ushering
in
a
diversity
of
new
protocols
of
usage,
distribution
and
reproduction
of
cultural
and
intellectual
content
that
will
make
the
whole
enterprise
of
making
vast
sums
of
money
out
of
the
nothing
of
data
and
culture
a
difficult
business”.22
We
have
chosen
to
take
this
detailed
route
through
the
history
of
commons
to
celebrate
the
possibility
of
forms
of
life
which
were
not
governed
only
by
the
norms
of
property,
but
equally
to
bear
witness
to
the
scale
of
violence
that
went
into
the
making
of
a
rule
of
property.
We
also
need
to
be
alert
to
the
fact
that
like
the
experience
of
the
past,
the
making
of
a
language
of
intellectual
property
will
also
be
governed
by
the
dispossession
of
people,
the
acceleration
of
social
conflicts
over
law
and
crime.
The
Commons
and
the
Public
Domain
We
can
now
return
to
trace
the
legal
history
of
the
commons,
as
well
as
the
other
concept
popularly
used
in
IP
debates,
the
Public
Domain.
By
the
end
of
the
seventeenth
century
forms
of
non‐exclusive
or
common
property
slowly
started
to
decline
as
a
result
of
the
enclosure
movement.23
But
despite
the
enclosures
movement,
there
still
existed
older
Roman
law
principles
of
nonexclusive
property
or
the
‘public’
which
continued
to
exert
an
influence
on
the
English
common
law.
Carol
Rose
says
that
though
Roman
law
did
not
develop
the
categories
of
non‐
exclusive
property
in
detail
–
the
rise
of
civil
society
and
the
modern
state
afforded
an
opportunity
for
the
classical
texts
to
discuss
them
broadly
under
the
rubric
of
‘the
commons’.
Concepts
such
as
‘res
communes’
[things
open
to
all
by
their
nature]
and
‘res
publicae’
[things
belonging
to
the
public
and
open
to
the
public
by
operation
of
law]
served
as
an
antidote
to
the
idea
of
exclusion/exclusive
property
itself.
But
the
burgeoning
market
space
only
emphasized
the
notion
of
individual
ownership,
weakening
the
influence
of
traditional
postulates
of
Roman
law.
24
While
the
notion
of
the
public
and
the
private
goes
back
to
the
seventeenth
century,
the
division
of
things
into
corporeal
and
incorporeal
is
coincident
with
the
division
of
objects
into
tangible
and
intangible
categories
under
Roman
law
tradition.
The
difference
between
them
was
brought
to
the
forefront
only
when
English
property
law
recognized
the
various
forms
of
incorporeal
property
such
as
debts
and
choses
in
action,
or
‘intellectual
property’
(jura
in
re
propria)
claims.
There
are
thus
two
distinct
histories
of
the
‘commons’.
The
first
consists
of
the
22
Raqs
Media
Collective,
Value
and
its
Other
in
Electronic
Culture:
Slave
Ships
and
Private
Galleons,
DIVE,
ed.
Armin
Medosch,
FACT
Liverpool,
2003
23
Daniel
R.
Coquillette,
Mosses
from
an
Old
Manse:
Another
Look
at
Some
Historic
Property
Cases
about
the
Environment,
64
CORNELL.
L.
REV.
761,
807‐809
(1979).
24
Carol
Rose,
Romans,
Roads,
And
Romantic
Creators:
Traditions
of
Public
Property
in
the
Information
Age.
Law
and
Contemporary
Problems
66(1&2).
1
7
commons
and
the
‘enclosure
movement’
or
the
disappearance
of
the
‘open
fields’,
and
the
second
idea
of
the
public
domain,
emerged
from
principles
of
publicness
under
Roman
law.
While
the
former
consider
the
‘commons’
as
a
state
or
condition
of
‘pre‐property’,
the
latter
is
an
exception
that
is
carved
out
from
property
for
public
purpose
‐
offering
to
us
a
dual
trajectory
to
understand
the
notion
of
the
‘commons’.
James
Boyle
compares
the
history
of
IP
to
the
history
of
land
in
the
UK,
where
the
literary
work
was
considered
as
a
kind
of
landed
estate.
Implicitly
woven
into
the
story
of
the
‘enclosure
or
landed
property’
also
lies
the
twin
narrative
about
the
birth
of
copyright
–
where
all
literary
material
that
was
once
free
has
been
circulated
via
control
mechanism
restricting
it’s
outreach
and
circulation.
Even
though
today
it
may
sound
paradoxical,
the
protection
under
the
IP
regime
was
primarily
designed
to
protect
the
‘commons’
‐
to
boost
innovation
and
creativity.
The
second
enclosure
movement
or
the
“enclosure
of
the
intangible
commons
of
the
mind”
was
a
term
used
by
James
Boyle
that
referred
to
the
newly
developed
set
of
property
rights
(incorporeal)
granted
as
a
return
on
the
investment
of
time
and
money
of
the
creator.25
Boyle’s
work
most
explicitly
links
the
history
of
the
enclosures
movement
with
the
developments
in
IP
law.
He
questions
whether
the
terms
that
justified
one
could
justify
the
other.
It
is
argued
that
there
are
no
traditional
claims
over
the
digital
commons,
as
demanded
by
the
victims
of
the
first
enclosure
movement
‐
information
is
principally
very
different
from
the
notion
of
property
in
land(immoveable
property),
primarily
due
to
its
the
“non‐rival”
and
“non‐
excludable”
character.
Therefore,
unlike
a
scarcity
of
the
physically
owned
property,
there
cannot
be
a
paucity
of
ideas
or
information,
as
once
they
are
introduced,
ideas
can
be
recycled
and
reused
without
reducing
original
possession
of
it.26
James
Boyle
went
on
to
exemplify
the
common
characteristics
shared
by
enclosure
movements,
stating
that
“protecting
new
subject
matter
for
longer
periods
of
time,
criminalizing
certain
technologies,
making
it
illegal
to
cut
through
digital
fences
even
if
they
have
been
the
effect
of
foreclosing
previously
lawful
uses
and
so
on”.27
Drawing
from
Boyle’s
work
,the
second
enclosure
movement,
it
appears
that
the
digital
commons
has
revived
a
thinking
of
public
domain
once
again.
He
cites
the
example
of
the
environment
movement
of
the
1950’s
as
an
analogy
to
point
out
how
today
we
are
witnessing
a
gradual
disappearance
of
the
public
domain.
According
to
him,
a
rise
in
private
property
claims
within
a
linear
scientific
system
that
treats
the
world
as
a
set
of
causes
and
effects
controlled
by
the
market,
forced
the
environment
to
steadily
disappear
from
the
debate
on
conserving
public
25
James
Boyle,
Fencing
off
ideas:
enclosure
and
the
disappearance
of
the
public
domain,
Daedalus,
Vol.
131,
2002.
26
Boyle,
James.
“Law
and
Contemporary
Problems:
James
Boyle,
The
Second
Enclosure
Movement
and
the
Construction
of
the
Public
Domain”
Law
&
Contemp.
Probs.
66.Winter/Spring
(2003):
33.(at
p.41)
27
Ibid..
1
8
resources.
Similarly,
the
expansionist
tendency
of
the
IP
regulations,
built
around
the
notion
of
originality,
ownership
and
layered
protections
is
pushing
forward
the
agenda
which
supports
the
shrinking
of
the
public
domain,
urging
it’s
own
reinvention.
“The
idea
of
the
public
domain
takes
to
a
higher
level
of
abstraction
a
set
of
individual
fights
over
this
chunk
of
the
genome,
that
aspect
of
computer
programs,
this
claim
about
the
eaning
of
parody
or
the
ownership
of
facts.
Just
as
the
duck
hunter
funds
common
cause
with
the
bird
watcher
and
the
salmon
geneticist
by
coming
to
think
about
‘the
environment’,
so
an
emergent
concept
of
the
public
domain
could
tie
together
the
interests
of
groups
currently
engaged
in
individual
struggles
with
no
sense
of
the
larger
context.”
28
Given
this
background,
let
us
examine
the
meaning
of
the
‘public
domain’,
whilst
attempting
to
clarify
the
conceptual
confusion
between
the
often‐exchangeable
categories
of
the
‘commons’
and
the
‘public
domain’.
Are
the
characteristics
of
the
categories
universal
in
their
application,
or
are
these
metaphors
challenged
as
we
move
along
altering
geographies
of
the
world?
The
scholarship
on
the
public
domain
in
the
IP
debate
can
be
traced
to
the
initial
writings
of
David
Lange
(1983).
According
to
Lange
in
this
first
article,
“Recognising
the
Public
Domain”,
the
“recognition
of
new
IP
interests
should
be
offset
today
by
equally
deliberate
recognition
of
individual
rights
in
the
public
domain”.29
But
what
does
this
mean?
Although
Lange’s
article
set
momentum
to
the
thinking
on
the
subject
of
public
domain
through
the
analysis
of
various
cases,
he
did
not
further
expound
on
the
theory
or
definition
of
the
public
sphere
specifically.
Nonetheless,
from
then
onwards,
other
theorists
have
attempted
to
throw
light
on
the
area,
yet
restrictively
developing
it
as
an
immediate
alternative.
The
term
‘public
domain’
was
derived
from
the
French
term
‘domaine
public’
meaning
‘property
unlikely
to
private
ownership’,
but
its
relevance
has
been
diverse
and
elastic
through
the
years.
30
In
the
US,
the
term
found
in
a
judicial
pronouncement
when
Ralph
Brown
&
Ben
Kaplan
made
references
to
it
with
regard
to
a
patent
case
in
1966,
‘The
Congress
in
the
exercise
of
the
patent
power
may
not
overreach
the
restraints
imposed
by
the
stated
constitutional
purpose.
Nor
may
it
enlarge
the
patent
monopoly
without
regard
to
the
innovation,
advancement
or
social
benefit
gained
thereby.
Moreover,
Congress
may
not
authorize
the
issuance
of
patents
whose
effects
are
to
remove
existent
knowledge
from
the
public
domain,
or
to
restrict
free
access
to
materials
already
available.”
31
In
the
more
recent
writing
of
Lange,
he
expands
on
the
concept
of
the
Public
28
Ibid
29
David
Lange,
Recognising
the
Public
Domain,
44
LAW
&
CONTEMP.
PROBS.
147
(Autumn
1981)
30
Wikipedia
–
check
‘public
domain’
visited
on
27/01/08.
31
Graham
v
John
Deere
Co.
,
383
U.S.
1,
5‐6
(1966)
1
9
Domain,
referring
to
it
as
“a
recognisable
place
of
refuge
for
creative
endeavour
in
its
own
rights;
a
sanctuary
conferring
affirmative
recognition/protection
against
the
forces
of
private
appropriation
that
threaded
such
expression”.32
Can
the
metaphor
of
the
public
domain
be
associated
to
a
wilderness,
a
commons,
a
sanctuary,
a
home?
While
Boyle
agrees
with
this
analogy,
David
Lange
affirms
that
the
public
domain
needs
to
be
re‐imagined
in
terms
of
a
distinct
‘status’,
“as
if
it
were
a
status
like
citizenship,
but
a
citizenship
arising
from
the
exercise
of
creative
imagination
rather
than
as
a
concomitant
of
birth”.33
The
public
domain
should
be
then
understood
as
“an
affirmative
source
of
entitlements
capable
of
deployment,
as,
when
and
where
required,
against
the
encroachments
upon
the
creative
imagination
threatened
by
intellectual
property”.34
This
conception
undermines
the
need
for
a
re‐thinking
on
the
ideas
of
the
commons/public
domain
as
opposed
to
the
ownership
of
property
–
in
an
attempt
to
move
beyond
the
traditional
arguments
of
‘network
commons’.
What
remains
still
unclear
is
whether
the
terrain
of
the
public
domain
can
be
envisioned
into
clearly
a
defined
compartment
for
all
practical
purposes?
For
example,
according
to
Pamela
Samuelson,
who
also
believes
that
the
public
domain
is
that
sphere
in
which
content
is
free
from
intellectual
property
rights,
it
is
also
a
sphere
where
the
boundaries
are
still
blurred
and
uncertain.35
Citing
the
example
of
the
open
source
movement,
she
argues
that
most
information
and
content
that
appears
to
be
outside
the
public
domain
in
theory
is
seemingly
inside
in
effect,
while
some
works
rest
on
the
periphery.
Therefore,
however
necessary
and
important
it
may
appear
to
map
out
the
layout
of
the
public
domain,
it
is
still
a
contentious
assessment
to
say
the
least.
In
writings
on
Intellectual
property,
there
is
a
tendency
to
use
of
the
terms
‘public
domain’
and
the
‘commons’
as
though
they
were
synonymous.
But
it
is
important
to
bear
in
mind
the
two
distinct
histories
that
inform
the
concept,
because
central
to
the
distinction
between
the
two
is
the
question
how
you
deal
with
the
question
of
property.
Our
reading
of
the
commons
places
it
outside
of
formal
property
regimes,
while
the
public
domain
may
be
seen
as
exceptions
carved
out
of
private
property.
32
David
Lange,
‘Reimagining
the
Public
Domain’,
66
Law
&
Contemp.
Probs.
463
(Winter/Spring)
33
Ibid.
34
Ibid.
35
Pamela
Samuelson,
Mapping
the
Digital
Public
Domain:
Threats
and
Opportunities.
66
LAW
&
CONTEMP.
PROBS.
147
(Winter/Spring
2003)
2
0
How
does
an
Asia
Commons
mean?
Notes
towards
a
genealogy
of
the
Commons
in
Asia
In
an
episode
in
Lewis
Carrol’s
Alice
in
Wonderland,
the
Mad
Hatter
approaches
Alice
and
says
“Pray,
can
you
tell
me
what
the
answer
is”.
Alice
says
that
she
doesn’t
know
the
answer.
To
which,
the
Mad
Hatter
then
says,
In
that
case,
can
you
tell
me
what
the
question
is”.
This
episode
alerts
us
to
the
importance
of
formulating
our
questions
clearly
before
we
seek
answers.
In
the
rather
accelerated
world
of
internet
time,
it
seems
as
though
the
virtues
of
slowness
advocated
by
Nietzsche
are
a
thing
of
the
past.
Our
experience
of
the
present
is
one
of
constant
crisis,
and
as
activists
and
scholars
we
are
also
prompted
to
respond
with
urgency
to
the
crisis.
The
crisis
to
the
flows
of
knowledge
and
culture
caused
by
the
expansion
of
copyright
has
resulted
in
the
creation
of
the
commons
as
the
symbolic
alternative,
a
symbol
that
is
sought
to
be
extended
in
different
domains.
One
of
these
has
been
to
see
the
idea
of
the
Asian
commons
as
a
solution
to
the
specific
problem
of
restrictions
on
knowledge
and
culture
in
Asia.
Heeding
the
Mad
Hatter’s
and
Nietzche’s
warnings,
we
will
attempt
to
read
the
question
of
Asia
Commons
a
little
slowly
and
try
to
be
clear
about
how
an
Asian
commons
means
before
we
attempt
to
theorize
its
relevance
in
the
global
debate.
Beginning
with
the
Asia
Commons
workshop
in
Bangkok
in
2006,
there
has
been
a
move
towards
examining
what
an
Asian
commons
can
look
like,
and
how
the
Asian
commons
can
add
a
distinctive
perspective
to
the
global
debate
from
the
world’s
most
populous
region.
This
segment
of
the
monograph
argues
that
while
there
may
be
a
lot
of
value
in
thinking
through
the
idea
of
an
Asian
Commons,
the
more
difficult
task
may
be
to
think
through
what
exactly
this
Asian
commons
is
without
reverting
to
any
easy
cultural
relativism,
or
falling
into
the
trap
of
being
‘native
informants’
of
a
global
concept.
We
have
already
traversed
a
fair
distance
in
charting
out
the
history
of
the
commons
and
the
enclosure
movement
in
the
west,
and
it
is
clear
that
there
is
no
single
history
that
can
encompass
the
entire
story
of
the
commons
even
in
Europe.
But
before
we
even
begin
to
examine
the
idea
of
the
commons
in
Asia,
we
have
to
deal
with
the
rather
tricky
question
of
how
do
we
think
through
the
idea
of
Asia
itself.
In
the
1950’s
Umesawa
Tadao,
a
Japanese
intellectual
and
theorist
of
Asia
was
in
a
meeting
where
he
was
having
a
conversation
with
a
Pakistani
intellectual
who
said
to
Tadao,
‘We
are
all
Asians’.
Tadao
writes
that
he
was
completely
taken
by
surprise,
and
he
felt
that
the
identity
claim
of
being
an
Asian
was
merely
a
conceptual
play,
lacking
in
either
substantial
content
or
affective
support.
He
asserted
that
this
could
only
be
a
certain
‘diplomatic
fiction’36.
This
story
for
us
alludes
to
the
complexity
and
difficulties
involved
in
making
any
claims
in
the
name
of
Asia
or
Aisanness.
This
is
further
complicated
when
we
attempt
to
graft
the
idea
of
the
commons
upon
Asia,
given
the
specific
history
of
the
commons.
It
is
not
entirely
clear
to
us,
as
to
what
kinds
of
claims
are
being
made
when
we
speak
of
An
Asian
Commons.
36
Umesawa
Tadao
(1967)
An
Ecological
Historiography
of
Civilization,
cited
in
,
Sun
Ge,
How
does
Asia
mean,
Part
1,
Inter‐Asia
Cultural
Studies,
Volume
1
,
Number
1
,
2000
2
1
Prima
facie,
the
phrase
“Asia
Commons”
has
a
misleading
intelligibility
about
it,
and
it
seems
to
signify
the
idea
of
what
a
commons
in
Asia
means.
But
on
probing
the
idea
a
little
further,
we
immediately
discover
that
the
phrase
imagines
the
coming
together
of
two
categories,
which
are
distinct
in
terms
of
their
histories,
as
well
as
their
epistemological
status,
and
it
seems
less
intelligible
than
it
initially
looked.
The
invocation
of
Asia
to
elucidate
a
historical
and
cultural
idea
like
the
commons
poses
a
number
of
conceptual
problems
and
questions.
So
we
need
to
begin
by
mapping
out
the
various
ways
in
which
an
Asian
Commons
in
invoked:
i.
Asian
Commons
as
part
of
Global
Commons
In
the
narrowest
sense
of
the
term
Asia
Commons
is
an
extension
of
the
global
commons
movement,
which
acts
as
an
antidote
to
the
expansionist
tendency
of
the
global
IP
regime.
In
particular
it
can
be
seen
as
an
expansion
of
the
Creative
Commons
initiative.
And
this
indeed
seems
to
be
one
of
the
ways
in
which
the
Asian
Commons
is
used
by
a
number
of
people.
It
is
clear
that,
in
this
usage,
neither
the
terms
Asia
nor
the
terms
commons
actually
have
any
substantive
content.
The
former
is
understood
to
be
geographic
category,
and
the
latter
a
reference
to
an
existing
movement.
The
idea
of
Asian
commons
in
such
a
usage
ends
up
being
no
more
than
the
demonstration
of
the
way
that
the
commons
works
in
the
world’s
most
populous
region.
One
could
replace
Asia
with
Africa,
or
Latin
America,
and
the
import
would
be
the
same.
In
other
words,
there
is
no
real
sense
of
any
issues
specific
to
the
history
of
the
common
in
Asia
that
are
raised.
ii.
Asian
History
of
the
Commons
The
second
way
of
thinking
about
the
Commons
is
to
look
at
the
various
histories
of
the
commons
and
the
making
of
property
in
Asia.
As
the
Asian
equivalent
of
the
history
of
the
commons
or
the
enclosures
movement‐
this
would
entail
‐
a
history
of
the
making
of
private
property
and
the
story
of
the
enclosures
in
different
parts
of
Asia.
But
as
we
have
already
demonstrated
in
the
previous
chapter,
the
by
now
familiar
story
of
the
commons
and
of
the
enclosure
movement
encompassing
a
wide
canvass
of
the
making
of
private
property,
emerged
in
the
specific
historical
context
of
land
in
Europe.
Do
we
have
the
equivalent
of
the
history
of
the
commons
in
Asia
at
all,
and
if
not
what
are
the
differences,
and
what
genealogies
will
we
have
to
provide
before
we
begin
to
build
a
theory
of
the
commons
in
Asia?
For
a
large
number
of
Asian
countries
the
enclosures
of
the
commons
is
not
concomitant
with
the
history
of
the
west
but
intrinsically
tied
with
the
experience
of
colonialism.
As
a
result
there
can
be
no
easy
mapping
of
the
history
of
the
commons
onto
Asia
and
the
task
of
providing
a
historical
account
of
the
commons
in
Asia
would
entail
charting
out
different
histories
of
the
commons.
It
entails
mapping
out
practices
around
the
management
of
land
and
natural
resources,
and
the
invocation
of
histories
where
land
has
not
been
in
the
possession
of
individual
but
communities.
It
is
also
important
to
remember
that
the
commons
has
not
been
completely
relegated
to
the
annals
of
history,
and
in
many
parts
of
Asia
it
is
indeed
still
a
living
2
2
practice.
In
the
next
chapter,
we
shall
be
looking
in
some
detail
at
the
processes
of
the
enclosures
in
a
few
Asian
countries.
The
commons
has
not
been
completely
relegated
to
the
annals
of
history,
and
in
many
parts
of
Asia
it
is
indeed
still
a
living
practice
iii.
The
Asian
Cultural
Commons
Finally,
the
third
way
of
thinking
about
the
commons
may
be
to
specifically
understand
the
cultural
traditions
and
practices
that
have
shaped
the
making
of
a
common
cultural
tradition
or
common
cultural
consciousness
that
is
specifically
Asian
in
nature.
One
of
the
ways
at
looking
at
the
formation
of
Asian
Cultural
commons
will
be
to
examine
the
histories
of
informal
cultural
flows
and
the
way
that
cultural
practices
have
spread
through
different
parts
of
Asia.
We
will
examine
this
in
some
greater
detail,
as
well
as
link
it
to
the
way
that
informal
cultural
flows
are
enabled
in
the
contemporary
by
piracy.
The
Question
of
Asian
Knowledge
All
three
approaches
seem
to
make
a
claim
for
Asianness,
albeit
in
varying
degrees,
and
for
different
purposes.
The
second
two
claims
in
particular
are
made
towards
a
different
epistemological
basis
of
the
commons
in
Asia.
They
are
claims
about
the
specificity
of
Asian
knowledge
and
practice.
We
need
to
therefore
examine
the
manner
in
which
these
claims
are
made,
and
their
links
to
older
histories
and
debates
on
the
idea
of
the
Asian
knowledge.
In
the
social
sciences,
there
has
been
considerable
thought
paid
to
the
question
of
how
Asia
is
configured
in
the
world
of
knowledge
production.
After
the
important
work
of
Edward
Said
and
the
impact
of
Orientalism
on
a
generation
of
postcolonial
historians
and
cultural
theoreticians,
scholars
have
argued
for
the
importance
of
seeing
Asia
not
merely
as
a
discursive
invention
of
the
west,
nor
as
an
object
of
western
knowledge
but
as
a
subject
of
knowledge
through
which
Asian
knowledge
gets
to
be
counted
as
knowledge
at
all.
For
the
longest
time,
Asia
existed
only
as
an
abstract
other
of
Europe
with
no
history
to
claim
for
itself
(or
at
least
that
what
the
Europeans
historians
would
like
us
to
believe).
Every
single
category
of
the
experience
of
political
modernity
can
be
traced
to
a
European
history
–
rights,
secularism,
public
sphere
etc.
It
is
this
dominance
of
Europe
in
the
18th
and
19th
century
history
that
accounts
for
the
emergence
of
various
concepts
that
we
take
for
granted
as
universal
ideas.
The
capacity
of
Europe
to
universalize
itself
and
of
European
knowledge
to
establish
itself
as
a
universal
knowledge
creates
the
risk
of
creating
meta
categories
of
knowledge
that
shapes
the
experience
of
others
and
renders
their
own
experiences
unavailable
to
them.
Dipesh
Chakrabarty,
a
leading
historian
of
the
subaltern
studies
movement
argues
that
“The
dominance
of
Europe
as
the
subject
of
all
histories
is
a
part
of
the
much
more
profound
theoretical
conditions
under
2
3
which
historical
knowledge
is
produced
in
the
third
world”37.
He
further
says
that
“Although
categories
that
were
once
subject
to
detailed
theoretical
contemplation
and
enquiry
now
exist
as
practical
concepts,
bereft
of
any
theoretical
lineage
embedded
in
quotidian
practices”38
This
claim
by
Dipesh
Chakarbarty
that
the
history
of
colonialism
and
its
apparatus
of
knowledge
production
has
ensured
that
Europe
emerges
as
the
site
of
the
production
of
theoretical
concepts
which
are
then
tested
against
a
range
of
regional
examples.
This
is
evidenced
for
instance
in
Edmund
Husserls’
statement
in
1935
where
he
pointed
out
that
only
Europe
possessed
the
capacity
to
produce
a
theoretical
insight
(theoria
or
universal
science)
while
all
other
histories
are
matters
of
empirical
research
that
fleshed
out
a
theoretical
skeleton
that
is
essentially
European.
While
thinking
about
the
commons
as
a
conceptual
category
through
which
we
explore
the
experience
of
countries
in
Asia,
one
cannot
be
innocent
of
this
history
of
the
unequal
exchange
between
Europe
and
Asia
in
the
creation
of
intellectual
discourse.
The
demand
for
a
different
history
of
the
commons
is
not
merely
an
attempt
at
revisionist
history
but
to
argue
that
the
sphere
of
the
commons
is
itself
informed
by
various
cultural
histories
of
knowing
and
doing
of
which
the
European
commons
is
one
instance.
If
we
return
to
the
three
ways
in
which
the
Commons
can
be
thought
of
in
Asia,
then
it
is
clear
to
us
that
in
the
first
instance,
we
will
be
recycling
the
idea
that
Asia
has
no
theory
to
offer,
and
is
at
best
an
empirical
category.
The
importance
therefore
of
the
second
two
routes
is
to
build
a
theory
of
Asia
,
a
task
that
we
will
see
requires
a
lot
more
work,
before
even
a
partial
theory
can
be
offered.
The
task
of
building
a
theory
of
the
commons
is
significant
to
the
extent
that
one
produces
a
theory
of
knowledge
and
culture
that
responds
to
the
global
debate
on
its
own
terms.
In
other
words,
it
produces
a
theory
of
itself
but
also
of
the
world.
It
is
abundantly
clear
that
the
idea
of
the
commons
and
the
public
domain
cannot
be
an
assumed
sphere
of
neat
and
easy
consensus.
In
his
book,
Provincializing
Europe,
Chakarabrty
argues
for
a
project
which
seeks
to
provincialize
the
history
of
Europe.
By
this
he
means
that
we
need
to
see
whether
western
knowledge
as
a
knowledge
produced
within
a
temporal
and
spatial
horizon
called
the
west,
and
not
necessarily
as
universal
knowledge
whose
claims
to
universality
remain
unchallenged.
There
is
of
course
a
paradox
here,
which
lies
in
the
fact
that
if
Europe
has
already
successfully
universalized
itself
as
a
meta
category
of
experience,
how
does
one
then
provincialize
Europe
from
the
margins.
Can
Europe
be
provincialized
merely
through
a
claim
of
cultural
difference?
If
we
are
claiming
that
as
a
result
of
the
historical
differences
between
Europe
and
Asia,
there
is
a
mismatch
between
theories
produced
in
Europe
and
the
Asian
experience,
then
the
first
task
that
we
will
have
to
undertake
is
to
create
a
theory
for
what
constitutes
the
European
experience.
37
Dipesh
Chakrabarty,
Provincializing
Europe:
Postcolonial
Thought
and
Historical
Difference.
(Princeton:
Princeton
University
Press.
2000)
38
Ibid.
2
4
Vivek
Dhareshwar,
writing
about
what
it
means
to
create
a
theory
of
non
western
experience
makes
it
clear
that
western
theories
are
rejected
not
because
they
are
western
but
because
they
fail
to
be
theories.
In
other
words,
the
rejection,
far
from
excluding
or
negating
the
western
experience
(which
would
be
a
symmetrical
inversion
of
the
negation
of
the
experience
of
the
non‐western
cultures
by
the
western
theories),
would
have
to
first
make
that
experience
theoretically
intelligible.
He
says
that
‘The
construction
of
the
meta
theory
of
western
theories
is
at
the
same
time
an
attempt
to
describe
or
theorize
ourselves.
We
cannot
attempt
the
latter
without
undertaking
the
former.
It
is
only
when
we
begin
to
describe
or
theorize
our
own
experiences
that
valorizing
the
present
can
become
a
viable
political
task.
(The
'we'
and
'our'
indexes,
I
have
reason
to
hope,
not
only
the
place
I
come
from’39.
Western
theories
are
rejected
not
because
they
are
western
but
because
they
fail
to
be
theories
It
is
clear
that
a
project
attempting
to
describe
an
Asian
Commons
can
easily
fall
prey
to
the
other
side
of
the
project
of
provincializing
Europe,
namely
a
crude
cultural
relativism.
In
the
context
of
Asia,
we
have
this
form
of
cultural
relativism
used
in
an
instrumental
manner
by
the
invocation
of
‘Asian
values’
v.
‘western
values’
debate.
The
‘Asian
values’
approach
was
popularized
by
Mahtir
Mohammad
and
others,
primarily
as
defence
against
any
form
of
criticism,
whether
of
the
violation
of
human
rights
or
of
mismanagement
of
public
money
by
institutions
of
governance.
It
attempts
to
make
a
claim
of
cultural
difference,
and
renders
it
as
a
question
of
different
ways
of
doing
things
and
different
outlook,
without
ever
making
it
clear
as
to
what
the
authority
or
the
basis
of
the
claim
is.
The
familiar
and
tired
binaries
of
western/
non
western
have
played
very
little
role
in
the
production
of
new
terms
through
which
we
collectively
theorize
the
world.
Instead,
they
have
become
a
lazy
excuse
for
the
inability
to
have
inter‐cultural
dialogue
and
debate.
Thus
if
we
are
making
a
claim
for
a
cultural
and
historical
difference,
we
will
have
to
do
more
than
claim
an
inapplicability
of
a
theory
because
it
emerges
from
the
west.
It
is
useful
to
recall
Dhareshwar’s
injunction
that
we
do
not
reject
western
theories
because
they
are
western,
but
because
they
are
not
theories.
Dipesh
Chakarabrty,
while
describing
the
project
of
provincializing
Europe
argues
“The
idea
is
to
write
into
the
history
of
the
modernity
the
ambivalences,
contradictions
and
the
use
of
force,
and
the
trajectories
and
ironies
that
attend
it”.
If
we
were
to
replace
‘modernity’
with
the
word
‘commons’
in
this
statement,
it
would
be
equally
informative
and
telling.
The
central
question
for
us
to
answer
is
what
role
does
a
concept
like
the
Asian
Commons
play
in
the
shaping
of
an
intellectual
debate?
What
are
the
ways
in
which
the
project
of
an
Asian
commons
reveals
the
inherent
problems
in
theories
of
IP
as
well
as
of
the
commons.
In
the
early
days
of
the
IP
debate,
you
would
often
find
39
Vivek
Dhareshwar,
Valorizing
the
Present,
Cultural
Dynamics
10(2)
211‐231.
See,
Balagangadhara,
S.
N.
"The
Heathen
in
His
Blindness"‐‐:
Asia,
the
West,
and
the
Dynamic
of
Religion.
Leiden:
E.J.
Brill,
1994.
2
5
references
to
the
fact
that
IP
is
a
western
idea
which
does
not
have
any
resonance
in
non
western
societies.
What
is
often
missing
from
these
claims
is
the
question
of
“What
then?”,
after
making
the
claim
that
IP
is
not
endemic
to
non
western
societies.
If
western
theories
of
ownership
of
knowledge
and
culture
do
not
relate
to
a
non
western
context,
then
what
theories
of
knowledge
and
culture
do
we
have
as
alternatives?
What
we
need
then
from
a
project
such
as
the
Asian
commons
is
not
so
much
a
celebratory
account
of
the
spread
of
a
particular
practice
of
cultural
production;
rather
what
is
needed
is
a
complicating
account
of
what
it
may
mean
to
be
a
commons
itself,
and
how
indeed
does
an
Asian
commons
mean?
Having
established
the
motivations
behind
the
establishment
of
an
Asian
Commons,
we
can
now
link
to
older
debates
on
the
question
of
Asia
itself.
Asia
and
the
West
An
examination
of
the
intellectual
history
of
the
idea
of
Asia
reveals
that
there
can
be
no
consideration
of
Asia
without
a
reference
to
the
complicated
relationship
that
Asia
has
had
with
the
idea
of
the
west.
In
an
important
conceptual
mapping
of
the
history
of
the
Asian
question,
Chinese
scholar
Sun
Ge
says
The
question
of
Asia,
like
the
question
of
modernity,
resists
any
attempt
to
provide
a
clear
explanation
partly
because
it
is
loaded
with
interconnected
issues
from
many
facets
.
Asia
is
not
only
a
political
concept,
but
also
a
cultural
concept;
it
is
not
only
a
geographical
location,
but
also
a
measure
of
value
judgment.
The
Asia
question
itself
does
not
bear
any
necessary
relation
to
the
question
of
hegemony
and
counter
hegemony,
although
the
attempts
to
tackle
this
question
have
brought
into
play
considerations
of
hegemony
of
the
East
and
the
West.
The
question
itself
does
not
entail
nationalism,
although
the
theme
of
nationalism
has
been
conjured
in
the
course
of
discussing
this
question.
Another
reason
why
the
question
of
Asia
is
difficult
to
explicate
is
that
it
is
hardly
a
question
of
substantialization,
namely,
by
way
of
ascribing
to
it
unequivocal
geographical
attributes.
Quite
contrarily,
it
is
often
invoked
in
the
discussion
of
questions
that
bear
no
direct
relation,
or
are
even
in
stark
opposition,
to
any
geographical
considerations.
For
a
long
historical
period,
Asia
has
not
been
treated
as
a
self
contained
geographical
concept,
but
has
only
been
put
forward
ideologically
in
opposition
to
Europe.
The
discussion
of
Asia
involved
not
only
the
question
of
Eurocentrism,
but
also
the
question
of
hegemony
within
the
East.
As
difficult
as
it
is
to
sort
out
the
question
of
Asia,
it
remains
an
underlying
thread
running
through
the
intellectual
history
in
the
modern
world.
Hence,
we
still
have
to
grapple
with
the
question
of
Asia
as
one
that
constitutes
a
totality
in
itself.40
Asia
is
not
only
a
political
concept,
but
also
a
cultural
concept;
The
history
of
the
debate
on
Asia
as
a
category
of
intellectual
experience
can
be
traced
to
Japanese
scholars
in
the
turn
of
the
19th
century.
The
Japanese
were
understandably
most
concerned
with
the
question
of
western
civilization,
and
their
40 Sun Ge, How does Asia mean Part 1, Inter‐Asia Cultural Studies, Volume 1 , Number 1 , 2000
2
6
own
status
as
an
Asian
country.
Given
Japan’s
preeminent
place
in
the
global
order,
there
were
competing
strands
of
thought
about
how
Japan
should
deal
with
the
west.
Writing
in
1885,
Fukuzawa
Yukichi
for
instance
argued
that
Japan
should
disassociate
from
Asia
and
align
itself
with
Western
Europe.
His
idea
of
‘Datsu‐A‐
Ron’41
was
an
attempt
at
dislocating
Japan
temporally
from
Asia,
and
seeing
its
point
of
reference
vis
a
vis
western
modernity.
Fukuzawa
saw
in
the
experience
of
western
modernity,
a
pinnacle
of
human
achievements,
which
outclassed
the
relative
backwardness
of
its
Asian
counterparts.
He
saw
no
reason
for
Japan
aligning
with
Asia,
and
felt
that
if
Japan
were
to
progress
then
it
should
follow
the
lead
of
western
Europe,
and
look
forward
rather
than
backward
at
tradition
as
many
countries
in
Asia
were
wont
to
do.
In
a
sense
it
was
an
attempt
at
abandoning
the
‘waiting
room
of
modernity’42
that
Asia
had
been
consigned
to
exist
in.
It
is
clear
that
what
animates
Fukuzawa’s
rather
dramatic
disavowal
of
Asia
is
the
experience
of
modernity
in
Europe
from
the
enlightenment
onwards.
It
is
also
an
important
attempt
at
reconfiguring
the
experience
of
time.
Fukuzawa
saw
Japan
existing
in
a
time
zone
of
eternal
deference,.
It
was
unlike
the
rest
of
Asia
which
he
saw
as
being
underdeveloped
and
backward,
and
at
the
same
time
being
an
Asian
country,
it
was
somehow
never
modern
enough
in
the
western
sense
of
the
term.
The
idea
of
disassociating
from
Asia
was
therefore
simultaneously
a
move
away
from
the
traditions
and
cultural
histories
associated
with
Asia,
and
an
attempt
to
create
one’s
own
sense
of
time
which
is
measured
not
by
the
past
but
by
the
future.
In
contrast
to
Fukuzawa’s
desire
to
disassociate
from
Asia
was
another
Japanese
intellectual
writing
in
the
early
decade
of
the
twentieth
century.
Okakura
Tenshin
,
one
of
the
most
influential
art
curator
of
the
early
twentieth
century
wrote
in
Ideals
of
the
East
of
the
moral
and
spiritual
disintegration
of
Europe
brought
about
by
western
modernity.43
He
argued
that
in
contrast
to
the
spiritual
vacuousness
of
the
west,
Asia
still
possessed
a
vast
civilizational
and
cultural
inheritance
that
ought
to
be
united
for
the
purposes
of
spiritual
rejuvenation
of
the
world.
Tenshin
also
believed
that
the
cultural
history
of
Asia
was
a
common
one:
Asia
is
one.
The
Himalayas
divide,
only
to
accentuate,
two
mighty
civilizations,
the
Chinese
with
its
communism
of
Confucius,
and
the
Indian
with
its
individualism
of
the
Vedas.
But
not
even
the
snowy
barriers
can
interrupt
for
one
moment
that
broad
expanse
of
love
for
the
ultimate
and
universal,
which
is
the
common
thought
of
inheritance
of
every
Asiatic
Race,
enabling
them
to
produce
all
the
great
religions
of
the
world,
and
distinguishing
them
from
those
maritime
people
of
the
Mediterranean
and
the
Baltic,
who
love
to
dwell
on
the
Particular,
and
to
search
out
the
means,
not
the
end,
of
life.44
41
Fukuzawa,
Yukichi
(1995)
An
Outline
of
a
Theory
of
Civlization,
cited
in
Ibid.
42
The
'waiting
room'
of
history
is
a
metaphor
used
by
Dipesh
Chakrabarty,
in
"Provinicializing
Europe"
discussing
the
importance
for
people
outside
Europe,
and
the
metropolitan
West,
of
stepping
outside
the
trap
of
considering
themselves
forever
to
be
'waiting'
for
the
arrival
of
the
contemporary
moment,
even
of
modernity
itself.
43
See,
Rustom
Bharucha,
Another
Asia:
Rabindranath
Tagore
and
Okakura
Tenshin.
Oxford
University
Press,
USA,
2006.
44
Okakura
Tenshin,
The
ideals
of
the
East
with
special
reference
to
the
art
of
Japan,
Modern
Japanese
Thought
Series,
1976,
quoted
in
Sun
Ge
at
Ibid.
2
7
Of
course
it
must
be
noted
that
for
all
his
sensibilities
about
Asia,
Tenshin
was
clear
that
within
Asia,
Japan
was
the
only
country
that
was
capable
of
rejuvenating
Asia
since
all
the
other
mighty
countries
(
China,
India)
were
struggling
under
the
might
of
western
domination.
He
saw
them
in
a
scene
of
decay,
and
believed
that
it
was
the
duty
of
Japan,
being
the
museum
of
Asia,
to
ignite
the
spark
of
Asian
revival.
The
themes
that
run
through
Fukuzawa’
and
Tenshins;
work
are
themes
that
find
themselves
resurrected
in
various
ways
through
the
history
of
Asia.
And
while
it
seems
that
Fukuzawa
and
Tenshin
were
arguing
two
completely
different
positions,
the
similarities
that
underlie
their
work
and
motivations
are
roughly
the
same.
The
crisis
animating
both
their
work
was
the
question
of
western
civilization
and
western
modernity
and,
in
particular,
how
to
respond
to
the
west
from
within
Asia.
Both
Fukuzawa
and
Tenshin
rely
on
a
symbolization
of
Asia
(in
one,
it
emerges
as
a
sign
of
decay
and
in
the
other,
of
cultural
rejuvenation).
But
for
both,
the
realms
of
Asia
exceed
the
physical
space,
and
occupies
instead
a
mind
space
or
a
social
and
cultural
imaginary
from
which
they
are
able
to
make
claims
or
Asianness.
Interestingly,
Tenshin
spent
a
few
months
at
the
school
set
up
by
Rabindranath
Tagore
in
Shanitiniketan.
Tagore
was
a
staunch
critic
of
nationalism,
and
his
own
theorization
of
Asia
emerged
from
his
loathing
of
nationalism.
While
he
finally
emerges
as
a
curious
representative
or
national
icon
by
becoming
the
‘national
poet’
of
India,
his
self
perception
was
always
that
of
a
cosmopolitan
intellectual
(Vishwa
kobi
or
world
poet).
45
Contrasting
the
Asia
of
Tagore
and
the
Asia
of
Tenshin,
Bharucha
says
that
“Here
we
run
up
against
familiar
tropes
by
which
`Asia’
is
being
constructed,
and
in
the
process,
separated
from
the
`rest
of
the
world’
more
specially,
`the
West’
.
In
Okakura’s
emphases,
placed
on
the
`Ultimate’
and
the
`Universal’
,
the
`great
religions’
and
the
`end’
of
life,
we
encounter
more
or
less
the
same
values
and
vocabulary
as
in
Tagore’
s
affirmation
of
an
essentially
spiritual
ideal
that
provides
the
foundations
for
`the
common
thoughtinheritance
of
every
Asiatic
race’
.
The
spiritual
is
not
religious
it
is
linked
to
an
independent
and
essentially
imaginative
quest
for
the
eternal
sources
of
life
through
which
one
can
posit
a
`creative
unity’
in
the
world.
This
`unity’
can
be
achieved,
in
Tagore’s
words,
by
`realising
our
own
selves’
in
the
world
through
`expansion
of
sympathy;
not
alienating
ourselves
from
it
and
dominating
it,
but
comprehending
and
uniting
it
with
ourselves
in
perfect
union.
Sustaining
the
visions
of
Okakura
and
Tagore
is
a
profound
faith
in
an
essentially
imagined
`Asia’
,
in
which
(as
Tagore
fantasized
its
utopian
prehistory),
`the
whole
of
eastern
Asia
from
Burma
to
Japan
was
united
with
India
in
the
closest
tie
of
45
Rustom
Bharucha
writes
of
the
friendship
between
Tenshina
and
Tagore
as
a
way
of
reflecting
on
another
Asia.
See,
Rustom
Bharucha,
Another
Asia:
Rabindranath
Tagore
and
Okakura
Tenshin.
Oxford
University
Press,
USA,
2006.
2
8
friendship’
a
friendship
marked
by
a
`living
communication
of
hearts’
,
in
which
`no
difference
of
languages
and
customs
hindered
us
in
approaching
each
other
heart
to
heart”46
The
question
of
Asia
has
also
been
invoked
by
a
range
of
other
thinkers
and
political
leaders
including
Sun
Yat
Sen,
Watsuji
Tetsuro
and
more
recently
Chinese
scholar
Wang
Hui.
In
the
South
Asian
context,
Kanak
Mani
Dixit
has
posed
the
idea
of
using
the
phrase
south
Asia
as
a
single
word
–southasia‐
to
gesture
to
the
shared
physical
and
cultural
geographies
of
the
region.
He
also
proposes
in
a
playful
manner
a
rethinking
of
the
cartography
of
southasia,
proposing
that
we
see
the
map
of
southasia
backwards
instead
of
the
usual
manner
which
we
are
accustomed
to,
in
which
India
emerges
as
the
overwhelming
giant
of
southasia.
(Himal,
SouthAsia)
It
should
be
clear
from
our
brief
description
of
the
various
attempts
at
locating
Asia
as
an
intellectual
and
cultural
idea,
that
the
idea
of
Asia
does
not
connote
a
single
referent.
The
question
that
arises
is
which
Asia
are
we
referring
to
when
we
speak
of
an
Asian
commons?
There
are
various
ways
in
which
Asia
emerges,
including
the
following
o As
an
abstract
entity
countering
the
west
o As
a
concrete
geographical
zone
o As
a
mind
set
to
a
mood
46
Rustom
Bharucha,
Under
the
sign
of
`Asia’
:
rethinking
`creative
unity’
beyond
the
`rebirth
of
traditional
arts’,
Inter‐Asia
Cultural
Studies,
Volume
2,
Number
1,
2001
2
9
o As
a
unified
civilization
o As
a
cultural
identity
It
seems
clear
to
us
that
given
the
diverse
histories
of
the
commons
in
Asia,
there
exists
the
possibility
of
conceptual
confusions
when
we
attempt
to
use
a
singular
idea
of
Asia
as
our
point
of
reference.
The
possibility
of
conceptual
confusions
caused
by
the
diversity
of
an
Asian
commons
can
however
also
be
seen
as
an
opportunity
rather
than
a
hindrance
in
thinking
about
the
commons
in
Asia.
While
it
is
tempting
to
resolve
these
diversities
and
diverse
histories,
and
draw
them
as
a
single
thread
which
glosses
over
their
differences,
we
believe
that
it
is
precisely
the
diversity
and
fluidity
of
practices
in
Asia
that
form
the
crux
of
an
intellectual
contribution
of
an
Asian
commons.
The
diversity
and
fluidity
of
practices
in
Asia
that
form
the
crux
of
an
intellectual
contribution
of
an
Asian
commons
Thus,
rather
than
looking
at
either
Asia
or
the
commons
as
a
pre‐given
category,
if
we
were
to
see
them
as
categories
in
the
making,
then
the
“Asian
commons”
emerges
as
an
opportunity
to
revisit
the
question
of
Asia
via
the
commons,
and
vice
versa.
To
be
able
to
successfully
sustain
the
intellectual
diversity
necessary
for
an
Asian
commons
also
demands
that
we
abandon
the
project
of
commonality,
which
we
often
use
when
we
speak
of
Asianness.
Asia
then
becomes
a
simultaneous
of
similarities
and
differences.
In
such
a
revised
formulation,
the
history
of
the
commons
also
gets
reconfigured.
In
its
present
avatar,
the
question
of
land,
forests,
natural
resources
is
regarded
as
a
part
of
the
history
of
the
commons,
while
the
question
of
our
digital
futures
is
seen
as
a
question
of
contemporary
significance
and
of
future
importance.
Our
digital
futures
is
seen
as
a
question
of
contemporary
significance
and
of
future
importance
The
complex
temporalities
of
countries
in
the
Asia
region
defy
the
easy
bifurcation
of
the
past
and
the
present,
as
the
continuance
of
forms
of
common
property
resources
reveals
the
existence
of
practices
not
only
within
collective
memory
but
as
living
practices.
In
a
sense
it
could
be
argued
that
the
idea
of
an
Asian
commons
exists
as
a
limited
concept;
a
concept
that
does
not
fully
reveal
its
own
contours
but
works
as
a
limit
of
western
thought
and
experience
as
well.
Keeping
this
background
in
mind,
we
can
now
move
towards
mapping
out
a
genealogy
of
the
commons
in
Asia.
We
propose
the
following
directions
not
as
exhaustive
ways
of
imagining
the
project
of
an
Asian
commons
but
illustrative
ideas
of
future
research
agendas
and
questions,
which
are
worth
pursuing.
3
0
1. Genealogies
of
the
Commons
in
Land
in
Asia
2. Accounting
for
the
Cultural
Commons
of
Asia
3. Informal
Cultural
Flows
and
the
making
of
Asia
Before
we
proceed
to
the
next
segment,
we
would
like
to
leave
you
with
two
evocative
accounts
which
questions
our
cartographic
and
cultural
assumptions,
and
helps
us
through
more
literary
forms,
to
imagine
the
possibilities
of
an
Asian
commons.
Kanak
Mani
Dixit,
Porous
societies,
sealed
frontiers:
What
would
Lalon
Fakir
have
said?
Southasia
Beat:
Nepali
Times,
No.
230,
(14–20
January
2005)
But
several
seemingly
contradictory
forces
have
transformed
the
demographic
makeup
here:
open
migration,
forced
migration
and
prevented
migration
due
to
closure
of
frontiers.
In
southeast
Nepal,
the
roadside
cemeteries
are
primarily
of
the
Tibeto‐
Burman
Kirant
hill
migrants,
with
many
of
the
graves
ornately
designed
replicas
of
mountain
dwellings.
More
than
120,000
Nepali‐
speaking
Lhotshampa
refugees
are
huddled
here
in
refugee
camps.
It
has
been
12
years
since
they
were
ousted
from
their
native
Bhutan,
and
regional
geopolitics
blocks
their
return.
The
syncretistic
mix
of
cultures
in
Nepal’s
Jhapa
is
nowhere
in
evidence
40
km
away
as
the
crow
flies
in
Bangladesh.
The
cemeteries
here
are
all
Muslim:
many
of
the
Hindus
have
left
since
Partition
and
creeping
Islamisation
makes
them
more
vulnerable.
Only
the
place
names
remind
of
the
once‐
upon‐a‐time
demography:
Rangpur,
a
dynamic
marketplace
before
the
borders
were
drawn
in
1947
is
now
a
backwater.
The
Nepal–India
border
is
open,
a
kind
of
frontier
that
does
most
justice
to
the
shared
history
of
all
Southasia.
The
Bangladesh–India
frontier
has
been
closed
since
the
rise
of
East
Pakistan,
but
remained
porous
for
decades.
Today,
it
is
in
the
process
of
being
sealed.
India’s
fence‐building
frenzy
to
keep
out
Bangladeshi
migrants
has
reached
Changrabanda.
To
the
south
stretches
an
impregnable
line
of
barbed
wire,
steel
pillars,
concrete
and
a
service
road.
Some
contractors
have
made
good
profit.
This
is
one
alternative
for
a
Southasian
future,
where
weak
governments
dependent
on
vote
bank
politics
will
take
the
course
of
least
resistance.
But
building
a
fence
will
only
make
societies
more
rigid
in
their
own
identities
and
certitudes.
One
wonders
whether
sharply
defined
frontiers
will
ever
work
in
Southasia.
Instead,
is
there
a
lesson
to
be
taken
from
the
open
Nepal–India
frontier
just
a
few
miles
away?
From
Amitav
Ghosh,
Shadowlines
3
1
A
few
months
after
I
had
made
my
discovery
in
the
Teen
Murti
Library,
I
found,
at
the
bottom
of
my
bookshelf,
the
tattered
old
Bartholomew’s
Atlas
in
which
Tridib
used
to
point
out
places
to
me
when
he
told
me
stories
in
his
room.
Mayadebi
had
given
it
to
me
many
years
before.
One
day,
when
it
was
lying
open
on
my
desk
in
my
hostel
room,
quite
by
chance
I
happened
to
find
a
rusty
old
compass
at
the
back
of
my
drawer.
It
had
probably
been
forgotten
there
by
the
person
who
had
lived
in
the
room
before
me.
I
picked
it
up
and,
toying
with
it,
I
placed
its
point
on
Khulna
and
the
tip
of
the
pencil
on
Srinagar.
Khulna
is
not
quite
one
hundred
miles
from
Calcutta
as
the
crow
flies:
the
two
cities
face
each
other
at
a
watchful
equidistance
across
the
border.
The
distance
between
Khulna
and
Srinagar,
or
so
I
discovered
when
I
measured
the
space
between
the
points
of
my
compass,
was
1200
miles,
nearly
2000
kilometres.
It
didn’t
seem
like
much.
But
when
I
took
my
compass
through
the
pages
of
that
atlas,
on
which
I
could
still
see
the
smudges
left
by
Tridib’s
fingers,
I
discovered
that
Khulna
is
about
as
far
from
Srinagar
as
Tokyo
is
from
Beijing,
or
Moscow
from
Venice,
or
Washington
from
Havana,
or
Cairo
from
Naples.
Then
I
tried
to
draw
a
circle
with
Khulna
at
the
centre
and
Srinagar
on
the
circumference.
I
discovered
immediately
that
themap
of
South
Asia
would
not
be
big
enough.
I
had
to
turn
back
to
a
map
of
Asia
before
I
found
one
large
enough
for
my
circle.
It
was
an
amazing
circle.
Beginning
in
Srinagar
and
travelling
anti‐
clockwise,
it
cut
through
the
Pakistani
half
of
Punjab,
through
the
tip
of
Rajasthan
and
the
edge
of
Sind,
through
the
Rann
of
Kutch,
and
across
the
Arabian
Sea,
through
the
southernmost
toe
of
the
Indian
Peninsula,
through
Kandy,
in
Sri
Lanka,
and
out
into
the
Indian
Ocean
until
it
emerged
to
touch
upon
the
northernmost
finger
of
Sumatra,
then
straight
through
the
tail
of
Thailand
into
the
Gulf,
to
come
out
again
in
Thailand,
running
a
little
north
of
Phnom
Penh,
into
the
hills
of
Laos,
past
Hue
in
Vietnam,
dipping
into
the
Gulf
of
Tonking,
then
swinging
up
again
through
the
Chinese
province
of
Yunnan,
past
Chungking,
across
the
Yangtze
Kiang,
passing
within
sight
of
the
Great
Wall
of
China,
through
Inner
Mongolia
and
Sinkiang,
until
with
a
final
leap
over
the
Karakoram
Mountains
it
dropped
again
into
the
valley
of
Kashmir.
It
was
a
remarkable
circle:
more
than
half
of
mankind
must
have
fallen
within
it.
And
so,
fifteen
years
after
his
death,
Tridib
watched
over
me
as
I
tried
to
learn
the
meaning
of
distance.
His
atlas
showed
me,
for
example,
that
within
the
tidy
ordering
of
Euclidean
space,
Chiang
Mai
in
Thailand
was
much
nearer
Calcutta
than
Delhi
is;
that
Chengdu
in
China
is
nearer
than
Srinagar
is.
Yet
I
had
never
heard
of
those
places
until
I
drew
my
circle,
and
I
cannot
remember
a
time
when!
was
so
young
that
I
had
not
heard
of
Delhi
or
Srinagar.
It
showed
me
that
Hanoi
and
Chungking
are
nearer
Khulna
than
Srinagar,
and
yet
did
the
people
of
Khulna
care
at
all
about
the
fate
of
the
mosques
in
Vietnam
and
South
China
(a
mere
stone’s
throw
away)?
I
doubted
it.
But
in
this
other
direction,
it
took
no
more
than
a
week
In
perplexity
I
turned
back
through
the
pages
of
the
atlas
at
random,
shut
my
eyes,
and
let
the
point
of
my
compass
fall
on
the
page.
It
fell
on
Milan,
in
northern
Italy.
Adjusting
my
compass
to
the
right
scale
I
drew
a
circle
which
had
Milan
as
its
centre
and
1200
miles
as
its
radius.
This
was
another
amazing
circle.
It
passed
through
Helsinki
in
Finland,
Sundsvall
in
Sweden,
Mold
in
Norway,
above
the
Shetland
Islands,
and
then
through
a
great
3
2
empty
stretch
of
the
Atlantic
Ocean
until
it
came
to
Casablanca.
Then
it
travelled
into
the
Algerian
Sahara,
through
Libya,
into
Egypt,
up
through
the
Mediterranean,
where
it
touched
on
Crete
and
Rhodes
before
going
into
Turkey,
then
on
through
the
Black
Sea,
into
the
USSR,
through
Crimea,
the
Ukraine,
Byelorussia
and
Estonia,
back
to
Helsinki.
Puzzling
over
this
circle,
I
tried
a
little
experiment.
With
my
limited
knowledge,
I
tried
to
imagine
an
event,
any
event,
that
might
occur
in
a
city
near
the
periphery
of
that
circle
(or,
indeed,
much
nearer)
‐
Stockholm,
Dublin,
Casablanca,
Alexandria,
Istanbul,
Kiev,
any
city
in
any
direction
at
all‐
I
tried
to
imagine
an
event
that
might
happen
in
any
of
those
places
which
would
bring
the
people
of
Milan
pouring
out
into
the
streets.
I
tried
hard
but
I
could
think
of
none.
None,
that
is,
other
than
war.
It
seemed
to
me,
then,
that
within
this
circle
there
were
only
states
and
citizens;
there
were
no
people
at
all.
When
I
turned
back
to
my
first
circle
I
was
struck
with
wonder
that
there
had
really
been
a
time,
not
so
long
ago,
when
people,
sensible
people,
of
good
intention,
had
thought
that
all
maps
were
the
same,
that
there
was
a
special
enchantment
in
lines;
I
had
to
remind
myself
that
they
were
not
to
be
blamed
for
believing
that
there
was
something
admirable
in
moving
violence
to
the
borders
and
dealing
with
it
through
science
and
factories,
for
that
was
the
pattern
of
the
world.
They
had
drawn
their
borders,
believing
in
that
pattern,
in
the
enchantment
of
lines,
hoping
perhaps
that
once
Ifley
had
etched
their
borders
upon
the
map,
the
two
bits
of
land
would
sail
away
from
each
other
like
the
shifting
tectonic
plates
of
the
prehistoric
Gondwanaland.
What
had
they
felt,
I
wondered,
‘chen
they
discovered
that
they
had
created
not
a
separation,
but
a
vet‐
undiscovered
irony
‐
the
irony
that
killed
Tridib:
the
simple
fact
that
there
had
never
been
a
moment
in
the
4000‐year‐old
history
of
that
map
when
the
places
we
know
as
Dhaka
and
Calcutta
were
more
closely
bound
to
each
other
than
after
they
had
drawn
their
lines
‐
so
closely
that
I,
in
Calcutta,
had
only
to
look
into
the
mirror
to
be
in
Dhaka;
a
moment
when
each
city
was
the
inverted
image
of
the
other,
locked
into
an
irreversible
symmetry
by
the
line
that
was
to
set
us
free
‐
our
looking‐glass
border.
3
3
MAPPING
THE
ENCLOSURES
MOVEMENT
IN
ASIA
In
previous
chapters,
we
have
dwelt
on
how
property
was
the
instrument
by
which
the
commons
–
both
in
land
and
in
information
‐
came
to
be
enclosed
and
parceled
into
discrete
holdings.
While
the
analysis
and
examples
in
preceding
chapters
have
drawn
on
an
extensive
catalog
of
European
literature,
we
would
like,
in
this
chapter,
to
readjust
our
lens
to
focus
on
Asia.
This
chapter
seeks
address
the
following
questions:
1) Studies
on
pre‐enclosure
European
traditions
with
respect
to
common
management
of
physical
property
emphasize
both
the
efficacy
of
non‐
proprietary/commons‐based
ownership
practices
as
well
as
the
experience
of
violence
that
accompanied
these
enclosures.
Little
attention
has,
however,
been
paid
to
traditional
common
property
regimes
in
Asia.
If
expropriation
in
Asia
was
a
result
of
imposition
of
European
colonial
property
regimes,
what
did
this
terrain
look
like
prior
to
that?
2) Likewise,
what
are
the
traditions
that
were
practiced
with
respect
to
intellectual
and
cultural
‘production’
in
Asia.
In
what
way
were
they
disrupted
by
the
imposition
of
‘Intellectual
Property’
regimes?
3) Recently,
attempts
have
been
made
to
carve
up
a
commons
through
deft
manipulations
of
the
very
rights
granted
by
the
Intellectual
Property
system.
Through
such
instruments
as
‘open’
and
‘creative
commons’
licenses,
the
direction
of
appropriation
is
sought
to
be
reversed.
If
property
can
enclose
the
commons,
the
logic
seems
to
be
to
use
property
to
create
one.
The
problem
with
these
licenses
is
that
they
end
up
creating
Franken‐
commonses
‐
resurrections
of
the
original,
but
uncannily
devoid
of
their
original
vitality.
This
chapter
will
try
to
hark
back
to
the
real
commons
–
a
realm
of
communal
caretaking
as
opposed
to
one
of
communal
abandonment.
A
commons
that
is
ritually
and
spiritually
significant
as
opposed
to
a
legally
signified
one.
Each
of
these
questions
is
discussed
in
sequence
in
the
following
sections.
Common
Property
Resources
in
South
Asia:
Whither
Tragedy?
This
section
tries
to
identify
and
describe
“common
property
traditions”
in
South
Asia
with
the
objective
of
sampling
different
practices
of
owning,
possession
and
management
that
may
provide
alternatives
to
conventional
exclusionary
proprietary
modes
of
thinking.
This
is
not
an
exhaustive
compilation
since
the
territory
under
consideration
is
vast
and
there
are
enormous
variations
therein.
However,
in
keeping
with
our
overriding
object
‐
shunning
historiography
in
favour
of
genealogy‐
we
hope
to
unearth,
in
the
few
examples
below,
enough
raw‐
materials
for
allegories.
What
we
are
attempting
in
the
sections
that
follow
is
to
look
for
Asian
equivalents
(or
variants)
of
the
English
“open
field
systems”
and
of
analogous
(or
heterologous)
“enclosure”
movements
described
in
so
much
detail
in
previous
chapters.
The
idea
is
to
write
into
the
history
of
the
commons
“the
ambivalences,
contradictions
and
3
4
the
use
of
force,
and
the
trajectories
and
ironies
that
attend
it”.
Accounts
from
two
regions
–
the
Indian
sub‐continent
and
Philippines
‐
are
offered
in
the
sections
that
follow.
India
/
Pakistan
/
Bangladesh
With
regard
to
the
Indian
context
it
would
be
instructive
to
heed
Utsa
Patnaik’s
reminder
at
the
outset,
that
while
in
Europe,
“the
disintegration
of
the
serf
peasantry,
resulting
in
the
creation
of
a
class
of
wage
labourers,
was
hastened
by
wholesale
evictions
and
enclosures”47,
in
India,
by
contrast
“a
class
of
propertyless
labourers
existed
as
an
integral
part
of
the
pre
capitalist
economy
and
society:
they
were
in
hereditary
servitude
to
the
landed
families,
were
forbidden
to
hold
land,
and
were
employed
in
agricultural
production
and
certain
specific
tasks
considered
to
be
particularly
menial
in
return
for
their
mere
subsistence.”
48
Thus
our
inquiry
into
common
property
in
India,
at
least,
must
proceed
with
the
acknowledgment
of
a
threshold
traditional
exclusion
of
certain
categories
of
people
from
most
basic
entitlements
including
access
to
land.
To
an
extent
this
would
appear
to
be
derailing
our
ambitious
allegorical
endeavor
at
the
outset.
If
one
is
trying
to
mount
a
challenge
to
the
Intellectual
Property
system
by
gesturing
to
the
practices
it
suppresses,
it
certainly
seems
like
rotten
form
to
be
holding
up
a
caste
sequestered
commons
as
a
shining
beacon
of
inclusiveness.
However,
even
here
one
may
witness
parallels
to
the
knowledge/cultural
domain
in
the
way
in
which,
for
instance,
levels
of
literacy
while
it
may
escape
attention
in
discussions
of
Intellectual
Property
rights
assignments,
in
fact
play
a
determinative
role
in
defining
the
boundaries
of
the
market
for
that
particular
Intellectual
Property
good.
This
caveat
is
therefore
in
the
nature
of
a
placeholder
–
to
remind
us
that
both
the
commons
as
well
as
private
property
function
within
a
constant
framework
of
exogenous
structural
constraints
on
freedoms.
We
embark
now
on
an
analysis
of
common
property
regimes
in
Punjab
,
Bangal
(including
Bangladesh),
and
Kumaon.
Common
Lands
in
Punjab
In
her
dense
analytical
account
of
common
lands
in
Punjab49,
Minoti
Chakravarty‐
Kaul
provides
a
detailed
description
of
the
regimes
of
shared
land‐use
prevalent
in
the
region.
According
to
her
:
“Punjab
had
the
largest
acreage
of
uncultivated
but
cultivable
land
in
British
India
in
18601:
much
of
this
land
was
communally
held
and
managed.
Subsequently,
the
Punjab
experienced
the
second
highest
increase
in
area
cultivated
–
a
trend
which
continued
till
1947.
Such
a
change
was
47 Patnaik, Utsa, “Social Scientist, issues 122, July 1983, page 3. ‐‐ The Social Scientist ‐‐ Digital South
Asia
Library.”
Social
Scientist
11,
no.
122
(July
1983):
3.
48
Ibid
at
p.4
49
Chakravarty‐Kaul,
Minoti.
Common
Lands
and
Customary
Law.
Oxford
Oxfordshire:
Oxford
University Press, 1996.
3
5
accomplished
at
the
expense
of
the
areas
held
and
used
in
common
both
within
the
villages
and
outside
them…
Thus,
while
at
the
outset
of
the
British
period
there
appeared
large
areas
of
what
the
British
called
‘primeval
waste’,
by
the
end
of
the
colonial
period
much
of
this
had
been
apportioned
by
communities
and
later
privatized
by
partition.”50
The
current
section
draws
on
her
work
extensively
to
present
the
key
features
of
common
land
management
in
Punjab
and
the
administrative
and
legal
mechanisms
through
which
these
practices
were
stymied.
According
to
Kaul,
prior
to
British
entry,
the
settled
villages
in
Punjab
alternatively
practiced
cultivation
and
pastoral
activities.
These
villages
possessed
extensive
common
lands
or
banjar
khadim,
which
were
held
collectively
by
a
village
proprietary
body
known
as
the
malikendeh.51
Other
categories
of
uncultivated
lands
were
also
held
in
common,
including
the
abadedeh
or
the
residential
area,
the
catchment
areas
or
johads,
and
gora
deh
‐
the
area
around
the
village
site.52
In
addition,
in
some
regions,
no
sharp
distinction
was
made
between
the
“waste”
which
was
near
a
settlement
and
the
“waste”
further
away.
Both
were
equally
regarded
by
the
community
to
be
resources
which
could
be
drawn
upon
without
restriction.
It
appears
that
the
long‐distance
‘waste’
was
being
used
by
the
pastoralists
during
times
of
distress
just
as
they
were
periodically
occupying
them
during
seasonal
cycles.
Under
this
regime,
since
no
tract
was
inhabited
for
long
and
no
one
could
call
a
particular
area
his
own,
definite
rights
in
the
long
fallow
or
banjar
kadim
within
the
villages
did
not
arise.
Three
official
measures
led
to
the
evolution
of
definite
property
in
the
open
uncultivated
‘waste’:
Firstly,
colonization
of
the
waste
from
the
1820s
brought
settlers
from
other
districts
restricting
the
nomadic
movements
of
pastoralists
who
had,
perforce,
to
become
sedentary
farmers.
Kaul
suggests
that
settlement
was
done
according
to
principles
that
“maximized
aggregate
annual
cultivation”,
rather
than
it
being
based
on
the
pattern
of
fallows.
“The
initial
policy
was..
to
search
for
greater
revenue
from
more
inhabited
and
cultivated
land;
and
such
action
was
really
no
different
from
that
of
the
preceding
Sikh
and
Mughal
rulers.”53;
We
may
infer
from
this
shift
from
pastoral
to
sedentary,
a
change
in
personhood
as
well
brought
about
by
the
different
circumstances
that
villagers
had
to
adapt
to.
To
that
extent,
Pockock’s
observation,
discussed
earlier,
that
“different
modes
of
50
Ibid
p.
51
The
maliken
deh
administered
a
bundle
of
rights
over
these
categories
of
land
including
“the
right
to
hold
and
to
partition,
the
right
to
manage
and
the
right
to
use.”
Ibid
52
It
is
important
to
bear
in
mind
that
this
was
not
uniformly
the
case
in
all
of
Punjab.
As
Kaul
herself
points
out,
there
were
vast
areas
in
Punjab
where
village
common
lands
did
not
exist
prior
to
the
arrival
of
the
British.
Ibid
53
Ibid
3
6
property
..
encourage
different
modes
of
personality”
gets
borne
out54.
On
an
allegorical
note,
it
is
interesting
to
think
of
whether
the
introduction
of
an
intellectual
property
rights
regime
heralds
a
similar
sedentarisation
of
culture
and
knowledge
production.
If
so,
what
did
the
“pastoral”
mode
entail?
What
was
lost
to
cultural
production
in
the
course
of
this
shift?
Secondly,
villages
were
prevented
from
keeping
unlimited
grazing
grounds
as
part
of
the
settlements.
The
reduced
areas
of
open
waste
outside
the
villages
were
increasingly
reserved
by
the
government
after
the
enactment
of
the
Indian
Forest
Act
of
1878,
so
less
was
available
to
supplement
grazing
on
village
commons;
Thirdly,
the
‘savannah
like’
plains
were
dividend
into
grass
preserves
with
definite
rights.
Summing
up
these
developments,
Kaul
says:
“[W]ith
the
revenue
settlement
operations,
the
open
range
lands
..
were
internalized
in
demarcated
villages
and
became
village
common
lands,
‘shamilatdeh’.
Here
was
the
first
stage
of
the
transformation
of
openaccess
land
into
enclosed
village
commons,
where
only
the‘malikan
deh’
had
rights
in
common…
Demarcation
of
village
boundaries
established
new
villages
on
the
surplus
waste
of
he
old
settled
villages,
or
created
them
in
the
unoccupied
territories
of
the
CisSutlej”55
These
changes
impacted
traditional
land‐use
patterns
significantly.
By
enclosing
the
open‐range
grazing
fallow
that
had
hitherto
been
used
by
pastoralists,
the
area
available
for
grazing
outside
the
villages
was
reduced
thereby
disturbing
the
migration
routes
of
nomadic
pastoralists.
There
was
also
a
reduction
in
such
areas
of
cultivable
waste
outside
the
village
as
the
open
‘primeval’
wastelands
of
the
dry
tracts,
riverine
grazing
areas,
scrub
forests,
and
hill
grazing
runs.
There
was
a
shift
away
from
mainly
pastoral
to
arable
in
certain
districts
and
as
this
coincided
with
the
increase
in
population
after
1868
there
was
a
consequent
shrinkage
in
area
available
per
head
of
cattle
and
a
change
in
the
composition
of
the
herds
of
cattle
reared.
Lastly,
there
was
a
decline
in
institutions
of
communal
ownership
and
management
of
common
lands
which
followed
a
process
of
privatization
initiated
by
the
transference
of
common
lands
from
communal
control
and
joint
use
to
individual
property
and
limited
access.
This
process
of
partitioning
the
common
lands
or
cultivable
waste
within
villages
eroded
the
adhesive
element
in
communities
of
cultivating
owners.
That
this
led
to
greater
friction
is
evident
when
one
considers
that
disputes
tended
to
be
greater
in
districts
where
communal
ties
had
eroded
due
to
land
alienation;
where
common
lands
were
partitioned
and/or
enclosed;
where
canal
irrigation
had
extended
cultivation
in
the
waste
thus
reducing
the
grazing
wastes
both
outside
and
within
villages;
where
cattle
pressure
was
high
and
increasing
because
of
inter‐zonal
movements
of
cattle
during
certain
seasons,
droughts
and
shrinkage
of
grazing
all
round;
and
where
legislation
like
the
Punjab
54
Ibid
55
Ibid
3
7
Tenancy
Act
of
1868
and
its
amendment
in
1887
had
supported
the
rights
of
a
particular
category
of
cultivators.
A
pattern
of
reciprocal
interdependence
emerges
from
Kaul’s
account
wherein
cultivators
and
nomadic
pastoralists
cohabited
in
relative
harmony
despite
the
absence
of
clear
titles
to
the
land
that
they
used.
It
is
evident
that
the
introduction
of
private
property
here
was
owing
more
to
the
administration’s
desire
to
rationalize
revenue
collection
rather
than
to
avoid
any
imminent
“tragedy”
that
would
befall
the
common
property.
Introduction
of
private
property
here
was
owing
more
to
the
administration’s
desire
to
rationalize
revenue
collection
rather
than
to
avoid
any
imminent
“tragedy”
that
would
befall
the
common
property.
Forest
management
in
Kumaon
This
section
draws
on
the
work
of
Ramachandra
Guha
in
his
writings
on
Forestry
and
Social
Protest
in
Kumaon56.
Three
elements
of
Guha’s
account
will
be
focused
upon
here
viz:
the
economic
reliance
of
inhabitants
on
common
access
to
forests,
the
religious/cultural
significance
that
the
inhabitants
of
the
region
attached
to
the
forests
and
the
mechanisms
and
consequences
of
enclosures
which
excluded
them
from
the
forests.
I
–
Forests
as
common
property
Guha’s
account
highlights
the
intricate
webs
of
independence
that
linked
forest‐
dweller
to
forest.
The
forests
supplied
inhabitants
with
pastures
for
their
cattle,
supporting
animal
husbandry,
which
complemented
the
agrarian
economy
and
provided
a
resource
that
could
be
drawn
upon
during
distress.
In
addition,
the
forests
provided
them
with
raw
materials
which
they
used
to
fashion
implements
as
well
as
ingredients
for
direct
consumption.
“In
the
permanent
hamlets,
oak
forests
provided
both
fodder
and
fertilizer.
Green
and
dry
leaves,..
were
mixed
with
the
excreta
of
the
animals
and
fermented
to
give
manure
to
the
fields.
Thus
the
forest
augmented
the
nutritive
value
of
the
fields
directly
though
its
foliage
and
indirectly
through
the
excreta
of
the
cattle
fed
with
fodder
leaves
and
forest
grass.
Broad
leafed
trees
also
provided
the
villagers
with
fuel
and
agricultural
implements.”57
A
high
degree
of
co‐operation
and
communal
action
directed
the
behaviour
of
the
villagers
towards
the
forests
upon
which
they
were
jointly
reliant.
This
is
evident
in
the
manner
in
which
customarily
fixed
boundaries
‐
existing
from
the
time
of
Indian
rulers
–
were
adhered
to
by
each
village,
as
also
in
the
manner
in
which
groups
of
villages
in
some
areas
exercised
joint
rights
of
grazing
and
fuel
that
were
secured
by
long
usage
and
customs.
Guha
provides
an
example
of
Chaundhkot
pargana
in
Garhwal
which
contained
forests
within
village
boundaries,
called
‘banis’
where
“branches
and
trees
were
only
cut
at
specified
times
and
with
the
permission
of
the
56 Guha, Ramachandra. "Forestry and Social Protest in British Kumaun, c. 1893‐1921," SS4, pp. 54‐
100.
57
Ibid
3
8
entire
village
community”.
That
the
villagers
considered
themselves
collectively
entitled
to
these
forests
is
revealed
through
accounts
of
their
reactions
after
the
forests
started
to
be
closed
off
from
them.
For
instance,
Guha
quotes
the
following
passage
from
the
correspondence
of
a
forest
settlement
officer
of
British
Garhwal,
written
at
the
time
of
the
constitution
of
reserved
forests
:
“The
notion
obstinately
persists
in
the
minds
of
all
from
the
highest
to
the
lowest,
that
the
Government
is
taking
away
their
forests
from
them
and
is
robbing
them
of
their
own
property.
The
notion
seems
to
have
grown
up
from
the
complete
lack
of
restriction
or
control
over
the
use
by
the
people
of
waste
land
and
forest
during
the
first
80
years
after
the
British
occupation.
The
oldest
inhabitants
therefore,
and
he
naturally
is
regarded
as
the
greatest
authority,
is
the
most
assured
of
the
antiquity
of
the
people’s
right
touncontrolled
use
of
the
forestl
and
to
a
rural
community
there
appears
no
difference
between
uncontrolled
use
and
proprietary
right.
Subsequent
regulations
only
appear
to
them
as
a
gradual
encroachment
on
their
rights.”58
Guha’s
conclusion
from
this
account
that
the
state
and
hill
villagers
harboured
“alternative
conceptions
of
property
and
ownership”
and
this
difference
underlay
their
conflict
is
instructive.
He
observes:
“There
did
not
exist
a
developed
notion
of
private
property
among
these
peasant
communities,
a
notion
particularly
inapplicable
to
communallyowned
and
managed
woods
and
pasture
land.
In
contrast,
the
state’s
assertion
of
monopoly
over
forests
was
undertaken
at
the
expense
of
what
British
officials
insisted
were
individually
claimed
rights
of
users.
With
the
‘waste
and
forest
lands
never
having
attracted
the
attention
of
former
governments’
there
existed
strong
historical
justification
for
the
popular
belief
that
all
forests
within
village
boundaries
were
‘the
property
of
the
villagers’.
59
Thus,
while
it
appears
that
the
villagers
did
not
have
a
refined
understanding
of
‘property’
they
did
regard
the
forests
as
belonging
to
them
in
a
different,
extra‐legal
sense.
It
is
not
possible
to
map
this
“belonging”
onto
property’s
intellectual
universe
dominated
as
it
is
by
the
Lockean
conception.
As
we
have
seen
in
the
introduction
to
this
monograph,
Locke’s
conception
of
property
was
an
invention
born
of
the
necessity
to
justify
European
expansionism,
and
it
is
precisely
such
a
nebulous
relationship
as
“belonging”
that
threatens
to
collapse
the
whole
enterprise.
Even
though
this
“belonging”
does
not
figure
a
place
on
any
register
of
approved
property
theories,
it
rebuts
some
of
property‐dogma’s
central
assumptions
including
the
belief
that
without
property
there
is
no
incentive
to
care
for
property,
and
its
corollary
–
no
other
forms
of
caring
exists
other
than
individual
property‐
caring.
As
we
shall
see,
unowned
is
seldom
the
same
as
uncared
for.
58
Ibid
59
Ibid
3
9
II
–
Forest
dwellers
and
conservancy
Guha’s
account
does
not
delve
very
extensively
into
the
specifics
of
the
conservation
methods
practiced
by
the
villagers.
However,
central
as
the
forests
were
to
hill
life,
we
are
able
to
discern
patterns
of
a
distinctively
communal
system
of
conservancy,
backed
by
“religion,
folklore
and
tradition”
from
his
account.
Thus,
Guha
notes
that
hill
tops
were
often
“dedicated
to
local
deities,
and
the
trees
around
the
summit
and
on
the
slopes
were
preserved”.
Further,
the
religious
significance
of
the
forests
prompted
the
villagers
to
actively
afforest
the
surroundings
of
temples.
Guha
notes:
“Particularly
in
easter
Kumaun
and
around
temples,
deodar
plantations
had
become
naturalized.
Temple
groves
of
deodar
varied
in
extent
from
a
few
trees
to
woods
of
several
hundred
acres.
As
late
as
1953
it
was
reported
that
the
fine
strands
of
deodar
found
near
temples
were
venerated
and
protected
from
injury.”60
III
Enclosure
The
colonial
administration
began
enclosing
the
forests
in
order
to
meet
the
growing
demand,
worldwide,
for
timber,
as
well
as
to
service
the
expansion
of
the
Indian
railways.
The
working
of
the
forest
for
commercial
purposes
necessitated
its
closure
to
men
and
cattle
in
order
for
successful
reproduction
to
take
place.
Grazing
and
lopping,
if
allowed
had
to
be
regulated
to
promote
the
reproduction
of
favoured
species.
The
practice
of
firing
the
forests,
which
had
hitherto
been
customarily
undertaken
in
order
to
prepare
new
fields
for
planting
had
to
be
regulated
or
stopped
in
the
interests
of
sustained
production
of
chir
pine.
Regarding
the
specific
administrative
devices
employed
to
effect
this
enclosure,
Guha
indicates
that
“A
prolonged
debate
within
the
colonial
bureaucracy
on
whether
to
treat
the
customary
use
of
forest
as
based
on
‘right’
or
on
‘privilege’
was
settled
by
the
selective
use
of
precedent
and
the
principle
that
‘the
right
of
conquest
is
the
strongest
of
all
rights
–
it
is
a
right
against
which
there
is
no
appeal’.”
In
1887,
a
comprehensive
all‐India
Forest
Act
was
drafted
which
provided
for
the
constitution
of
‘reserved’
(closed)
forest
divested
of
existing
rights
of
users.
This
Act
“provided
for
an
elaborate
procedure
of
forest
settlement
to
deal
with
all
claims
of
user,
which,
if
upheld
could
be
transferred
to
a
second
class
of
forest
designated
as
‘protected’”.61
While
the
Burden
of
Proof
to
establish
‘legally
established
rights’
was
on
the
people,
the
state
could
grant
both
‘non
established
rights’
and
‘terminable
concessions
at
its
discretion.”
While
the
exercise
of
rights,
where
allowed,
was
specified
in
elaborate
detail,
rightholders
had
the
onerous
responsibility
of
furnishing
knowledge
of
forest
offences
to
the
nearest
authority
and
of
extinguishing
fires
however
caused
in
the
state
forests.
It
is
interesting
to
observe
how
frequently,
in
its
most
egregious
acts
of
60
Ibid
61
Ibid
4
0
expropriation,
the
colonial
state
constantly
evokes
metaphors
of
conservation.
Thus
forests
are
‘reserved’
and
‘protected’
connoting
an
unprotected,
wanton
past
that
has
now
mercifully
come
to
an
end.
In
a
similar
vein,
copyright
owners
are
‘protected’
from
their
works
being
spread
without
their
explicit
authorization.
In
this
way,
more
culture
will
be
circulate.
Subsequent
to
the
enactment
of
this
statute,
in
1893
all
unmeasured
land
in
the
Kumaun
division
was
declared
‘District
Protected
Forest’
(DPF)
which
included
in
its
fold,
“tree‐covered
lands,
snow‐clad
peaks,
ridges
and
cliffs,
river
beds,
lakes,
buildings,
temple
lands,
camping
and
pasture
grounds
and
roads
and
shops”.
62
A
series
of
subsequent
developments
further
curtailed
the
access
of
the
villagers
to
their
forests:
1) In
1894,
eight
types
of
trees
including
deodar,
chir
and
sal
were
reserved.
Rules
were
framed
for
regulating
the
lopping
of
trees
for
fuel
and
fodder
and
claims
for
timber
and
trade
by
villagers
in
any
form
of
forest
produce
was
prohibited.
2) Forest
settlements
set
up
in
three
districts
between
1911
and
1917
resulted
in
the
constitution
of
almost
3000
sq
miles
of
reserved
forest
in
the
Kumaun
division.
Elaborate
rules
were
framed
for
the
exercise
of
rights,
specifying
the
number
of
cattle
to
be
grazed
and
the
amount
of
timber
and
fuel
wood
allotted
to
each
right‐holder.
Villagers
had
to
indent
in
advance
for
timber
for
construction
of
houses
and
agricultural
implements
which
would
be
supplied
by
the
Divisional
Forest
officer
from
a
notified
list
of
species.
3) The
annual
practice
of
buring
the
forest
floor
for
a
fresh
crop
of
grass
was
banned
within
one
mile
of
reserved
forests;
but
as
this
excluded
few
habitations
in
these
heavily
forested
hills,
the
prohibition
virtually
made
the
practice
illegal.
The
burden
of
these
new
regulations
on
the
villagers
is
movingly
captured
in
the
following
extract,
a
letter,
quoted
in
Guha,
from
a
Government
clerk
applying
for
exemption
from
begar:
“In
days
gone
by
every
necessities
of
life
were
in
abundance
to
the
villagers
than
tot
others
and
there
were
no
such
Government
laws
and
regulations
prohibiting
the
free
use
of
unsurveyed
land
and
forest
by
them
as
they
have
now.
..
Now
the
village
life
has
been
shadowed
by
all
the
miseries
and
inconveniences
of
the
present
day
laws
and
regulations.
They
are
not
allowed
to
fell
down
a
tree
to
get
fuels
from
it
for
their
daily
use
and
they
cannot
cut
leaves
of
trees
beyond
certain
portion
of
them
for
fodder
to
their
animals.”63
The
erosion
of
customary
rights
resulted
in
a
growing
alienation
of
man
from
forest.
Afraid
that
the
state
would
take
away
other
wooded
areas
from
their
control,
villagers
in
certain
cases
began
deforesting
woodland.64
Further,
there
were
62
Ibid
63
Ibid
64
Ibid,
Guha
points
out
that
this
trend
was
absent
in
villages
where
ownership
was
still
vested
in
the
community,
where
the
forests
continued
to
be
well
looked
after.
He
provides
the
example
of
“the
twenty‐mile
stretch
between
Rudraprayag
and
Karanprayag
in
the
Alakananda
Valley
where
the
government
had
explicitly
made
over
these
forests
to
the
neighbouring
villages”.
In
addition,
he
4
1
mounting
incidents
of
arson
and
incendiarism
through
which
the
villagers
registered
their
discontent
with
the
new
order.
Guha’s
account
of
the
fires
that
routinely
broke
out
in
the
region
in
the
period
beginning
from
1916
is
revealing
:
“Numerous
fires
broke
out
simultaneously
over
large
areas,
and
often
the
occurrence
of
a
fire
was
the
signal
of
general
‘firing’
in
the
whole
neighbourhood.
Fortyfour
fires
occurred
in
North
Garhwal
division,
almost
all
in
order
to
obtain
fresh
crop
of
grass.
..
the
areas
chosen
for
attach
had
been
under
both
felling
and
resintapping
operations.
In
Airadeo,
the
fire
continued
for
three
days
and
two
nights
with
‘new
fires
being
started
time
after
time
directly
a
counterfiring
line
was
successfully
completed’
”65
There
are
tempting
parallels
that
one
can
draw
between
the
patterns
of
resistance
of
the
forest
dwellers
described
above
and
the
widespread
IP‐indisciplines
that
are
commonplace
in
Asia.
Directly
a
new
counter‐piracy
measure
is
installed
(for
instance
Digital
Rights
Management
locks)
when
a
new
cluster
of
piracy
is
spawned
or
a
new
software
crack
invented.
Numerous
files
are
shared
over
large
areas
and
often
a
file
is
seeded
and
downloaded
simultaneously.
However,
in
the
realm
of
knowledge
production
‘incendiarism’
is
in
fact
quite
the
opposite
and
involves
an
explosion
in
the
circulation
of
copies.
Counter‐firing
on
the
other
hand
often
involves
acts
of
wholesale
destruction
–
for
instance
mass
crushing
of
pirated
CDs
and
DVDs.
Conclusions
from
the
Indiansubcontinent
Although
the
traditional
property
practices
outlined
above
stand
at
stark
odds
with
conventional
property
regimes,
there
is
reason
to
believe
that
this
change
was
not
necessarily
the
result
of
the
imposition
of
British
(read
Western)
property
regimes
in
an
Asian
receptacle,
but
could
quite
possibly
have
been
the
outcome
of
indigenous
churnings
in
property
structures
due
to
political
instability.
Bernard
Cohn,
for
instance,
in
his
work
on
Structural
change
in
Indian
Rural
Society
1596188566
points
out
that
the
efforts
of
the
British
were
directed
towards
restoring
existing
practices
rather
than
supplanting
them
with
their
own.
“From
the
beginning
of
their
large
scale
acquisition
of
territorial
control
and
sovereignty,
the
British
conceived
of
governing
India
by
codifying
and
reinstituting
the
ruling
practices
that
had
been
developed
by
previous
states
and
rulers.
They
sought
to
incorporate,
as
much
as
possible,
the
administrative
personnel
employed
by
previous
regimes.
Thus
knowledge
of
the
history
and
practices
of
Indian
states
was
seen
as
the
most
valuable
form
of
knowledge
on
which
to
build
the
colonial
state.
”
indicates
that
“vast
extents
of
broad‐leaved
forests”
which
were
of
use
to
the
villagers
and
also
under
state‐control
remained
largely
unharmed.
Explaining
this
selective
conservativeness,
Guha
notes
“As
in
other
societies
in
other
historical
epochs,
the
destruction
by
arson
was
not
simply
a
nihilistic
release
but
carefully
selective
in
the
targets
attacked.
As
Hobsbawm
has
argued,
such
destruction
is
never
indiscriminate,
for
‘what
is
useful
to
poor
men’
–
in
this
instance
broad‐leaved
species,
far
more
than
chir
is
spared.”
65
Ibid
66
Bernard
S.
Cohn,
An
Anthropologist
Among
the
Historians
and
Other
Essays,
New
Ed
(OUP
India,
1991)
4
2
Phillipines
–
the
Zanjeras
In
her
survey
of
the
evolution
of
institutions
for
collective
action,
Elinor
Ostrom67
details
the
practice
of
the
zanjera
system
–
a
system
of
common
irrigation
and
land
holding
–prevalent
in
the
Phillipines.
A
Zanjera
is
established
by
landowning
farmers
wanting
to
construct
common
irrigation
works,
as
well
as
individuals
organizing
themselves
in
order
to
acquire
land.
It
enables
the
acquisition
of
long‐term
use
rights
to
land,
and
the
water
to
irrigate
it
“without
prior
accumulation
of
monetary
assets”.
The
following
paragraphs
briefly
outline
its
working
and
the
benefits
that
accrue
from
this
system.
A
type
of
contract
–
called
a
biang
ti
daga
or
a
‘sharing
of
land’
–
underlies
the
zanjera
and
allows
the
landowner
to
retain
ownership
while
use
rights
are
extended
to
the
various
members
of
the
zanjera
for
as
long
as
the
irrigation
system
continues
to
be
maintained.
In
its
operation,
the
zanjera
works
somewhat
along
the
lines
of
a
company
limited
by
shares.
At
the
time
of
formation,
each
original
member
of
the
zanjera
is
issued
one
membership
share
or
atar
which
entitles
each
member
to
one
vote,
and
a
proportionate
share
of
the
land
acquired
by
the
zanjera.
In
addition,
the
atar
defines
the
obligation
of
the
members
for
material
and
labour
inputs
that
they
must
each
contribute.
Each
atar‐holder
is
obliged
to
contribute
one
day’s
labour
during
each
work
season
declared
by
the
zanjera,
plus
a
share
of
the
material
required
at
the
time
of
construction.
The
maximum
number
of
atars
is
settled
at
inception
itself.
68
The
manner
of
division
of
land
acquired
by
the
zanjera
reveals
a
high
degree
of
communal
management
and
consensual
action.
Typically.
the
land
acquired
is
divided
into
three
or
more
large
sections
with
each
farmer
being
assigned
a
plot
in
each
section.
This
not
only
gives
them
rights
to
farm
equal
amounts
of
land,
but
also
provides
them
with
both
advantageous
locations
near
the
head
of
the
system
(where
the
water
is
abundant),
and
some
near
the
tail.
When
rain
is
insufficient
to
irrigate
all
the
fields,
“a
decision
about
sharing
the
burdens
of
scarcity
can
be
made
rapidly
and
equitably
by
simply
deciding
not
to
irrigate
the
bottom
section
of
land.”69
In
this
manner,
all
members
are
placed
in
“fundamentally
symmetric
positions”
in
relation
to
one
another.
The
work
assignment
pattern
allows
each
group
to
monitor
the
progress
of
other
groups
and
engenders
competition
among
them.
67 Elinor Ostrom, Governing the Commons: The Evolution of Institutions for Collective Action
(Cambridge
University
Press,
1990)
68
Ibid
69
Ibid
4
3
Fig
1.
Diagram
describing
a
Zangera
(Ostrom)
Not
all
of
the
land
is
discretely
parceled
out.
Some
units
are
earmarked
for
communal
purposes.
For
instance,
a
few
parcels
located
at
the
tail
of
the
system
are
assigned
to
officials
of
the
association
as
payment
for
their
services.
This
provides
a
positive
reward
to
the
officials
for
services
rendered,
and
also
provides
incentives
for
those
in
leadership
positions
to
try
to
get
water
to
the
tail
of
the
system.
Other
lands
are
retained
to
secure
income
for
the
zanjera
itself,
for
instance,
by
renting
them
out.
The
fact
that
the
technologies
used
in
zanjera
systems
are
relatively
crude
and
labour‐intensive
has
resulted
in
the
technology
of
dam‐construction
becoming
widely
distributed
among
farmers
in
the
area.
Empowered
by
this
knowledge,
enterprising
tenant
farmers
have
been
enabled
to
band
together
and
construct
irrigation
systems
on
previously
nonirrigated
land
in
exchange
for
rights
to
the
produce
from
a
specified
portion
of
the
newly
irrigated
land.
Ostrom’s
account
(relying
on
Robert
Siy’s
(1982)
analysis
)
of
the
success
of
the
Bacarra‐Vintar
federation
of
nine
zanjeras
provides
some
insights
into
the
affordances
of
this
common
property
system.
The
Federation
constructs
a
dam
“built
of
bamboo
poles,
banana
leaves,
sand
and
rock”,
which
is
demolished
three
to
four
times
a
year
due
to
the
unpredictable
and
destructive
nature
of
the
river.
The
federation
is
organized
along
the
pattern
described
above.
According
to
this
account,
the
members
of
this
federation
supply
16000
man‐days
to
their
zanjera
annually
in
order
to
perform
this
Sisyphean
task.
As
Siy
reflects
‘there
are
definitely
few
rural
organizations
in
the
developing
world
which
have
been
able
to
regularly
mobilize
voluntary
labour
to
such
extent”.
70
70 Ibid
4
4
Over
time
zanjeras
have
had
to
devise
strategies
to
face
the
problem
of
increased
fragmentation
of
the
original
shares.
“A
founding
member
with
three
sons,
for
example,
may
bequeath
his
plots
to
be
distributed
evenly
among
his
sons,
each
of
whom
them
assumes
a
third
of
the
obligations
that
the
father
had
to
fulfill
(and
having
access
to
only
one
third
of
the
land).”71
Coping
strategies
have
differed
between
zanjeras.
While
some
some
appoint
a
single
person
to
be
responsible
for
the
fulfillment
of
each
atar’s
responsibilities,
so
that
the
association
does
not
have
to
monitor
intra‐atar
work,
other
require
prior
approval
before
an
atar
is
sold
or
transferred.
In
the
later
system
prospective
members
are
made
to
understand
the
full
extent
of
their
obligations
before
the
transaction
is
approved.
In
this
manner,
emphasis
is
placed
on
protecting
the
zanjera
from
disintegration.
The
Zanjera
system
is
an
interesting
example
of
how
property
rights
are
collectively,
rather
than
individually
managed.
Incentives
in
this
system
are
arranged
so
as
to
accrue
to
those
whose
efforts
lead
to
greater
benefits
for
the
entire
group
rather
than
only
the
individuals
themselves.
Nepal
–
Forest
Management
This
section
relies
on
Stanley
Stevens’72
analytically
rich
account
of
the
history
and
practices
of
the
Khumbu
Sherpas
of
Nepal.
The
Kumbhu
Sherpas
inhabit
the
higher
reaches
of
the
Himalaya
‐
one
of
the
more
challenging
environments
on
earth.
As
in
previous
sections,
we
are
concerned
here
with
describing
a
traditional/indigenous
common‐property
regime,
how
this
regime
was
displaced
by
modern
enclosures,
and
the
changes
attendant
on
this
displacement.73
Communal
organization
of
property
in
Kumbhu
Stevens
describes
life
in
Khumbu
as
being
“a
complex
integration
of
the
requirements
of
conducting
crop
production
and
pastoralism
at
the
altitudinal
limits
of
both”.
Adaptive
land‐use
tactics
employed
by
the
inhabitants
of
this
region
include
systems
of
land
tenure
and
resource‐use
decision
making
that
“combine
communal
management
of
common‐property
pasture
and
forest
resources
(and
sometimes
also
community
influence
in
crop‐production
decisions)
with
private
family
land
and
livestock
ownership”.
The
use
of
forest
resources
is
interwoven
71
Ibid
72
Stevens,
Stanley
F.
Claiming
the
High
Ground:
Sherpas,
Subsistence,
and
Environmental
Change
in
the
Highest
Himalaya.
Berkeley:
University
of
California
Press,
c1993.
http://ark.cdlib.org/ark:/13030/ft8b69p1t6/
73
Ibid,
A
prefatory
mention
needs
to
be
made
about
the
harsh
ecological
conditions
prevalent
in
the
terrain
under
consideration
that
make
it
a
difficult
environment
to
live
in.
The
climatic
hazards
that
come
with
the
terrain
and
the
altitude,
make
high
mountains
unpredictable
places
with
“low
primary
productivity,
and
high
environmental
fragility”..
Agriculture
is
a
chancy
enterprise
in
such
regions,
and
high
pastures
are
often
not
suitable
for
winter
grazing
due
to
snow
cover.
Further,
the
slow
rates
of
tree
growth
make
forests
and
woodlands
vulnerable
to
disturbances
and
recovery
from
them
is
more
difficult
and
uncertain.
4
5
with
agropastoralism
and
provides
essential
contributions
to
fuel
and
shelter
as
well.
Crop
production,
pastoralism
and
forest
use,
each
entail
a
high
degree
of
communal
organization
and
management
of
resources.
Even
those
families
who
own
little
or
no
livestock
draw
upon
the
commons
of
the
forests
to
supplement
their
needs.
For
instance
annual
fertilization
of
potato
fields
is
a
fundamental
principle
of
Sherpa
agriculture
the
most
important
soil
additive
is
undoubtedly
manure.
This
is
so
important
that
the
route
and
timing
of
herd
movements
is
decided
in
part
on
the
basis
of
where
household
fields
are
located
and
when
the
optimal
times
are
to
supply
them
with
manure.
This
runs
counter
to
most
notions
of
private
property
where
decisions
are
premised
on
the
existence
of
an
absolute
and
unfettered
right
to
control
land.
Further,
the
communal
use
by
Sherpas
of
their
limited
forest
areas
to
extract
timber
and
fuel
wood
and
their
reliance
on
them
for
grazing
and
for
soluk
‐
dried
leaves
and
needles
scoured
from
the
forest
floor
–
seems
to
openly
defy
dark
predictions
of
“the
tragedy
of
the
commons”.74
Forests
are
especially
important
to
poorer
families,
during
times
of
food
shortage.
Open
woodland
in
the
vicinity
of
villages
provides
much‐used
grazing
and
browsing,
especially
in
winter
and
are
managed
by
intricate
conservation
schemes
which
ensure
the
sustenance
of
these
resources.
The
following
sections
attempt
to
provide
some
details
of
how
the
Kumbhus
own
and
manage
their
agriculture,
pasturage
and
their
forest‐use
along
communal
lines.
Agriculture
Khumbu
agriculture
is
based
on
private
land
ownership
and
subsistence
farming
by
nuclear
households.
Although
land
can
be
freely
bought
and
sold
both
to
fellow
villagers
or
to
Sherpas
from
other
settlements,
it
appears
uncommon
for
land
to
change
hands
other
than
through
inheritance.
At
one
time,
it
appears,
it
had
been
relatively
easy
for
recent
immigrants
from
Tibet
to
establish
new
fields
on
uncultivated
village
lands.
subject
to
their
gaining
the
permission
of
a
local
Sherpa
pembu
.
In
the
early
1940s,
however,
the
Kathmandu
government
began
to
implement
a
national
land‐registration
system
and
a
set
of
accompanying
policies
that
had
the
effect
of
curtailing
any
further
expansion
of
Khumbu
crop
areas
in
subsequent
decades.
Land
that
had
not
been
registered
could
henceforth
not
be
claimed
and
cultivated
without
making
the
proper
arrangements
with
the
government
office
at
the
district
center,
and
for
many
years
there
was
a
moratorium
on
new
land
claims.
This
prevented
a
number
of
immigrant
families
from
obtaining
land
by
carving
new
terraces
near
the
villages
or
even
from
claiming
any
of
the
long‐abandoned
terraces
that
are
plentiful
in
some
parts
of
Khumbu.
74
Only
about
2
percent
of
Khumbu,
approximately
2,200
hectares,
is
forested,
but
for
Sherpas
this
small
area
is
a
critical
component
of
their
homeland
and
way
of
life.
The
temperate
and
subalpine
forests
are
a
fundamental
subsistence
resource
providing
fuel
wood,
food,
timber,
fodder,
grazing,
fertilizer,
and
materials
for
many
of
the
articles
of
daily
life.
Beyond
that
they
are
also
a
significant
component
of
the
spirit‐filled
cosmos
within
which
Sherpas
build
their
houses
and
gather
their
fuel
wood.
4
6
Thus,
this
new
registration
system
introduced
an
element
of
semi‐permanence
into
land
relations
which
the
villages
in
the
region
were
unaccustomed
to.
As
with
the
Punjab
example,
this
shift
in
property
relations
can
also
be
viewed
in
terms
of
the
changes
in
personality
it
occasioned.
The
move
from
fluidity
to
fixity
from
multiple
tenures
to
singular
and
from
trust
to
registration
presumably
had
a
profound
impact
on
personhood
as
Pockock
suggests.
In
the
realm
of
knowledge
production,
this
provides
us
a
useful
analogue
in
the
manner
in
which
the
introduction
of
Intellectual
Property
privileged
a
fixed
rather
than
fluid
relation
to
knowledge
and
culture.
The
move
from
fluidity
to
fixity
from
multiple
tenures
to
singular
and
from
trust
to
registration
presumably
had
a
profound
impact
on
personhood‐
introduction
of
Intellectual
Property
privileged
a
fixed
rather
than
fluid
relation
to
knowledge
and
culture
Khumbu
Pastoralism
It
is
in
Kumbhu
pastoralism
that
common
property
management
is
most
directly
visible.
Stevens
finds
that
since
the
middle
of
the
nineteenth
century,
Khumbu
Sherpas
have
maintained
agropastoral
management
systems
aimed
at
protecting
crops
and
pastoral
resources
through
controlling
grazing
and
the
cutting
of
wild
grass
for
hay.
Herding
emphasized
the
use
of
the
extensive
rangelands
that
were
regarded
as
common
property
resources
freely
available
to
all
Khumbu
Sherpas.
The
use
of
some
of
these
areas
was
regulated
during
summer
by
local
pastoral
management
regulations.
Stevens
reports
that
since
the
nineteenth
century
all
Khumbu
has
been
open
range
for
Khumbu
Sherpa
livestock
(except
where
seasonal
prohibitions
on
grazing
are
in
effect).
Thus,
theoretically,
any
family
could
herd
in
any
part
of
Khumbu
that
it
wished
to.
Writing
about
the
mechanics
of
this
system,
Stevens
records75:
“Community
nawa
officials
enforce
a
form
of
rotational
grazing
that
protects
growing
crops
from
livestock
depredation,
limits
the
use
of
some
highaltitude
pastures,
and
protects
crucial
winter
grazing
and
fodder
resources…
In
each
valley
a
set
of
zones
is
sequentially
opened
and
closed
to
specific
activities.
.
A
particular
zone
can
be
closed
or
opened
to
different
activities
at
different
times.
It
is
common,
for
example,
to
close
the
village
area
to
livestock
before
closing
it
to
all
work
in
the
fields
and
to
open
it
in
the
early
autumn
for
crop
harvesting
and
hay
cutting
several
days
or
weeks
before
allowing
the
return
of
the
herds…
.
These
decisions
(when
to
open
and
close
zones)
are
generally
linked
to
the
Sherpa
lunar
calendar
and
the
regional
festival
cycle.
The
regulations
that
nawa
enforce
are
also
determined
not
personally
but
by
custom
and
community
decisions.
”76
It
is
usual
for
nawa
to
be
selected
by
village
assemblies,
although
other
systems
75
Zonal
systems
such
as
this
are
not
common
in
Nepal
and
are
very
rare
even
among
other
Sherpa
groups.
76
Ibid
4
7
may
exist
including,
for
instance,
rotation
systems
amongst
different
households.
Stevens
gives
the
example
of
the
village
of
Nauje
to
illustrate
this
system
in
operation.,
“before
the
system
was
abandoned
in
1979,
the
village
was
always
closed
to
stock
during
the
week
after
Dumje.
...
Any
stock
still
in
the
area
after
the
deadline
are
subject
to
fines.
..
Nawa
seek
out
offending
Sherpas
or
the
owners
of
banviolating
livestock
and
demand
compliance
with
the
regulation
and
the
payment
of
a
fine.
Livestock
owners
are
required
to
offer
the
officials
chang
(the
local
beer),
and
sometimes
also
pay
a
small
fine
that
is
usually
put
toward
village
projects
such
as
maintaining
temples,
bridges,
and
trails.
Fines
escalate
in
size
with
continued
refusal
to
comply.
Nawa
can
do
no
more,
however,
than
issue
further
fines.
They
are
not
authorized
to
confiscate
livestock.
If
someone
refuses
to
comply
with
repeated
warnings
a
nawa
can
inform
other
community
members
of
this.
Community
social
pressure
generally
ensures
compliance
with
the
regulations.”
Of
central
importance
to
this
system
is
the
fact
that
all
Sherpas
are
required
to
obey
the
nawa's
injunctions
regardless
of
whether
they
are
residents
of
a
particular
valley
or
not.
This
responsibility
balances
the
right
given
to
all
Khumbu
Sherpas
to
make
use
of
all
pasture
lands
in
the
region
regardless
of
their
village
affiliation
and
the
boundaries
of
particular
villages.
All
owners
of
livestock
who
are
found
violating
a
local
zone
closure
are
subject
to
the
same
fine
regardless
of
whether
or
not
they
are
"outsiders."
The
same
regulations
have
also
been
applied
to
non‐Sherpas
making
use
of
Khumbu
for
summer
‘transhumance’77.
Forests
The
economic
and
religious
importance
of
forests
in
Khumbu's
tree‐line
terrain
led
the
Sherpas
to
devise
a
range
of
local
institutions
to
protect
forests.
Particular
forest
areas
belonged
to
or
were
administered
by
villages,
monasteries,
temples,
and
pembu.
There
eventually
came
to
be
at
least
seven
types
of
communally
protected
forests,
encompassing
nearly
half
of
Khumbu's
twentieth‐
century
forest
cover.
These
forests
were
set
aside
at
different
times
for
different
purposes
and
administered
according
to
different
rules.
These
included
“Sacred
Groves”
(protected
because
of
the
villagers’
belief
that
trees
were
home
to
lu
spirits
worshiped
by
particular
families
who
were
charged
with
its
caretaking
through
generations),
Lami
Nating:
"Lama's
Forests"
established
by
the
personal
intervention
of
revered
local
religious
leaders.78,
Temple
and
Monastery
Groves
(felling
trees
in
temple
groves
is
regarded
as
an
inauspicious
act),
Secular
Preserves
(administered
by
local
officials
or
community
assemblies,
allowed
limited
logging
for
special
purposes
such
as
housebuilding)
and
Rani
Bans..
Some
protected
forests
were
administered
so
as
to
keep
villagers
safe
from
divine
77
Seasonal
movement
of
sheep
and
goats
to
higher
or
lower
pasture
78
Stevens
cites
the
example
of
Phurtse
lama's
forest
which
“has
been
very
stringently
protected,
and
here
at
3,800
meters
there
are
more
than
ten
hectares
of
birch,
some
probably
a
century‐and‐a‐half
old,
whose
gnarled
and
mossy
limbs
show
no
sign
of
ever
having
been
lopped.”
4
8
wrath
or
evil
fortune,
others
simply
ensured
that
families
would
continue
to
have
a
source
of
certain
forest
resources
conveniently
close
by.
They
had
in
common
the
fact
that
in
all
of
them
there
were
at
least
some
restrictions
on
the
purposes
for
which
trees
could
be
felled.
This
religious/spiritual
relationship
of
the
Khumbhu
villagers
with
their
forests
could
offer
us
a
useful
way
to
rethink
our
ideas
of
ownership
and
property.
Disintegration
of
Nepal’s
Forest
Management
Systems
Varying
accounts
and
explanations
exist
for
the
decay
of
these
forest
management
systems.
Many
of
these
blame
the
nationalization
of
forests
in
1957
which
wrested
control
over
forests
from
villagers,
as
the
primary
reason.
These
accounts
suggest
that
villagers
reacted
negatively
to
nationalization.
Because
their
traditional
rights
of
access
and
use
had
been
curtailed,
local
responsibility
for
forest
protection
disappeared.
Whereas
previously
there
had
been
communal
responsibility
for
managing
the
forest,
after
nationalization
no
one
took
responsibility
for
managing
this
resource
Michael
Bruce
Wallace,
for
instance,
attributes
soil
erosion
and
the
disappearance
of
forests
between
1964
and
1975
to
the
breakdown
of
the
communal
property
holding.
He
alleges
that
the
State
in
Nepal
was
“unprepared
to
assume
the
responsibility
of
forest
ownership”.
In
his
account,
since
there
were
no
land
records,
villagers
had
a
strong
incentive
to
destroy
forests
and
convert
them
into
croplands.
Therefore,
he
suggests,
“the
nationalized
forests
in
Nepal
became
nobody’s
responsibility
and
increased
demand
from
growing
numbers
of
people
and
cattle
resulted
in
overuse
and
under‐investment.”
The
situation
had
typical
free‐rider
characteristics.
Benefits
were
obtained
by
anyone
who
could
‘clear
and
cltivate’,
while
the
costs
were
imposed
on
the
forest
dwellers
as
a
whole,
besides
the
creation
of
negative
externalities
such
as
floods
downstream
in
India
and
Bangladesh.
Stevens
contradicts
these
accounts
by
pointing
out
firstly
that
these
systems
were
not
as
ancient
as
were
popularly
presumed,
and
secondly
that
certain
forests
ceased
to
be
well
protected
before
the
1950s
‐
before
nationalization.
Thus
Stevens
points
out
that
of
the
seven
types
of
protected
forest
only
two,
the
lama's
forests
and
temple
forests,
were
definitely
protected
before
1900,
and
only
one
bridge
forest
may
date
to
that
period.
Further,
he
states
that,
“no
Khumbu
forest‐
management
system
administered
any
"village
forest"
in
the
sense
of
a
commons
in
which
residents
obtained
all
of
the
forest
products
necessary
to
their
subsistence
in
a
regulated
way.”
This
seemingly
contradictory
account
of
the
antiquity
of
the
system
need
not
detract
us
from
observing
that
a
certain
complex
communitarian
claims
to
property
were
in
fact
practiced
in
the
region.
The
fact
that
they
perhaps
died
“naturally”
rather
than
as
a
result
of
the
imposition
of
an
external
regime
lends
some
nuance
to
our
understanding
of
the
workings
of
common
property
regimes
and
the
ways
in
which
they
can
end
other
than
enclosures.
4
9
Conclusion
Elinor
Ostrom
outlines
8
‘design
principles’
which
she
determines
to
be
underlying
the
success
of
the
Common
Property
Resource
(CPR)
institutions
that
she
analyses.
These
are
reproduced
in
the
box
inset
just
below:
Source:
Ostrom79
Although
quite
nifty
in
their
arrangement,
the
conditions
that
this
table
describes
are
not
quite
as
uniform
in
the
cases
previously
discussed.
For
instance,
monitoring,
graduated
sanctions
and
clearly
defined
boundaries
are
not
as
common
as
flexible
boundaries
and
shared
interestedness.
However,
as
a
statement
of
broad
ideal
principles,
they
provide
a
useful
contrast
to
the
somewhat
untidy
practices
prevalent
in
the
parts
of
Asia
discussed
above.
An
important
theme
that
emerges
from
the
accounts
in
this
section
is
that
of
diversity.
In
almost
each
instance
mentioned
above,
the
relation
between
humans
and
their
environment
is
configured
so
as
to
be
accustomed
to
a
diversity
(not
necessarily
an
abundance)
of
resources
so
that
a
person
is
at
one
time
cultivating
fields,
at
another,
grazing
cattle
and
living
off
forest
produce.
This
reduces
the
pressures
on
any
single
resource
and
simultaneously
provides
alternate
sustenance
options
during
times
of
distress.
This
diversity
is
made
possible
by
an
absence
of
strict
divisions
or
enclosures
which
wall
people
out
of
resources
driving
them
to
a
79 See supra n. 71
5
0
ruinous
overreliance
on
a
single
resource.
Another
equally
important
theme
is
that
of
co‐ordinate
or
co‐operative
communal
conservancy.
The
diversity
just
discussed
above
is
only
operable
when
it
is
open
to
be
drawn
upon
anyone.
This,
by
itself,
does
not
mean
that
it
is
prone
to
abuse
–
an
openly
accessible
diversity
is
not
a
diversity
in
neglect.
In
most
instances
conservation
of
a
resource
is
coupled
with
its
use
so
that,
for
instance,
lands
are
cultivated
in
shifts
or
grazing
only
undertaken
during
certain
periods
of
the
year.
In
these
cases
even
when
conservation
is
not
a
communal
or
co‐operative
enterprise,
the
co‐ordinate
conservative
uses
by
people
ensure
the
sustenance
of
that
resource.
A
third
theme,
not
easily
identifiable
in
the
above
accounts
but
with
perceptible
undercurrents,
is
the
enfolding
of
resources
with
culture.
Open
communal
spaces
are
not
merely
“unowned
spaces”
but
are
possessed
by
forest
spirits,
celestial
beings
and
other
folkloric
figures
with
whom
the
people
identify
intimately.
Thus
forests
surrounding
temples
are
conserved,
certain
tress
revered
because
of
the
spirits
they
house,
and
the
dates
of
opening
and
closing
of
grazing
periods
are
determined
by
astrological
significance.
An
explanation
elevates
each
mundane
“resource”
into
an
object
with
folk
significance
so
that
in
acting
out
one’s
economic
activities
one
is
also
simultaneously
enacting
and
irrigating
a
shared
cultural
heritage.
This
intricate
relationship
is,
as
we
have
seen
almost
in
every
case
fractured
by
an
economic‐legal
enclosure
of
land
into
holdings.
5
1
The
Uncanny
Lightness
of
Being
An
Asian
Cultural
Commons
In
the
Yogavasistha,
it
is
said
that
the
world
often
appears
to
us,
as
the
fragment
of
a
story
just
heard.
In
thinking
about
the
world
of
the
Asian
commons,
we
find
it
useful
to
begin
with
a
story.
A
story
about
culture
and
the
ways
in
which
it
refuses
to
be
bogged
down
by
the
stubborn
logic
of
time
and
the
cruel
demands
of
space.
Of
Jealous
Demons
and
Scattered
Objects
Once,
not
so
long
ago,
on
a
damp,
rainy
afternoon
in
Paris,
a
stroll
took
us
across
the
Avenue
d’Iéna,
from
contemporary
art
to
ancient
and
medieval
Asian
art,
from
the
Palais
de
Tokyo
to
the
Musée
Guimet.
There,
standing
at
the
far
end
of
the
ground‐
floor
section
of
the
Guimet’s
permanent
collection
in
front
of
a
frieze
from
the
Banteay
Srei
temple
in
Cambodia’s
Siem
Reap
province,
we
felt
the
sharp
edge
of
estrangement
in
something
that
also
felt
downright
familiar.
The
Banteay
Srei
frieze
narrates
a
story
from
the
Mahabharata,
a
Sanskrit
epic.
The
story
is
of
two
brothers,
the
demons
Sunda
and
Upasunda,
whose
tussle
over
the
attentions
of
Tilottama,
an
Apsara—a
heavenly
courtesan
sent
by
the
gods
to
destroy
them
with
jealousy—was
the
cause
of
their
downfall.
Like
most
others
who
grew
up
listening
to
stories
in
India,
we
knew
it
well,
even
if
only
as
an
annotation
to
the
main
body
of
the
epic.
But
it
wasn’t
the
details
of
the
story
that
intrigued
us
that
afternoon,
nor
the
carved
contours
of
Sunda
and
Upasunda’s
rage,
not
even
the
delicacy
of
the
depiction
of
Tilottama’s
divisive
seduction.
Instead,
standing
before
these
stone
images,
made
in
a
region
roughly
3,500
miles
to
the
east
of
where
we
live,
in
Delhi,
and
exhibited
in
a
museum
roughly
6,500
miles
to
the
west,
we
felt
compelled
to
think
again
about
distance
and
proximity,
and
about
how
stories,
images,
and
ideas
travel.
The
story
of
Sunda,
Upasunda,
and
Tilottama
was
probably
first
told
around
200
B.C.
in
the
northwestern
part
of
the
South
Asian
subcontinent.
Between
the
first
telling
of
the
story
and
the
carving
of
the
frieze
in
a
clearing
in
the
forests
of
Seam
Riep
in
circa
967
lay
a
little
more
than
a
thousand
years
and
an
eastward
journey
of
a
few
thousand
miles.
Between
its
carving
and
our
sudden
encounter
with
it
in
Paris,
there
lay
a
little
more
than
another
millennium
and
a
westward
journey
halfway
across
the
world.
These
intervals
in
time
and
space
were
overlaid
by
an
elaborate
circuit
that
encompassed
travel,
conquest,
migration
and
settlement,
wars
and
violence,
the
clearing
of
forests,
the
quarrying
of
stone,
slavery
and
indenture,
skilled
artisans,
the
faces
and
indiscretions
of
the
men
and
women
who
would
become
the
inspiration
for
jealous
demons
and
divine
courtesans,
a
few
thousand
years
of
history,
the
crossing
of
oceans,
the
rise
and
fall
of
several
empires
across
different
continents,
and
the
repeated
telling
and
forgetting
of
a
minor
story.
Contemporaneity,
the
sensation
of
being
in
a
time
together
is
an
ancient,
enigma
of
a
feeling.
It
is
the
tug
we
feel
when
our
times
pull
at
us.
But
sometimes
one
has
the
sense
of
a
paradoxically
asynchronous
contemporaneity—the
strange
tug
of
more
5
2
than
one
time
and
place.
As
if
an
accumulation
or
thickening
of
our
attachments
to
different
times
and
spaces
was
manifesting
itself
in
the
form
of
some
unique
geological
oddity,
a
richly
striated
cross
section
of
a
rock,
sometimes
sharp,
sometimes
blurred,
marked
by
the
passage
of
many
epochs.
Standing
before
Sunda,
Upasunda,
and
Tillottama
in
the
Musée
Guimet,
we
were
in
Siem
Reap,
in
Indraprastha
(an
ancient
name
for
Delhi,
in
whose
vicinity
much
of
the
Mahabharata
story
is
located),
in
New
Delhi,
in
nineteenth‐century
Paris,
and
in
the
Paris
of
today.
We
were
in
many
places
and
in
many
times.
Sometimes
art,
the
presence
of
an
image,
moves
you.
And
you
find
yourself
scattered
all
over
the
place,
as
a
consequence.
How
can
we
begin
to
think
about
being
scattered?
Collections
of
objects
from
different
parts
of
the
world
are
indices
of
different
instances
of
scattering.
The
minor
encounter
that
we
experienced
in
the
Musée
Guimet
is
one
kind
of
scattering.
It
taught
us
that
sometimes
we
encounter
familiarity
in
the
guise
of
strangeness
and
then
suggested
that
we
learn
to
question
the
easy
binary
shorthand
of
the
familiar
and
the
strange,
as
ways
of
thinking
about
ourselves,
others,
and
the
world.
It
suggested
the
possibility
of
other
less
polarized
and
more
layered
relationships
between
cultural
processes.
But
this
is
not
the
only
possible
kind
of
scattering
that
the
presence
of
images
and
stories
echoing
the
familiar
in
uncanny
ways
provoke.
Raqs
Media
Collective
The
word
uncanny
comes
from
German
(Unheimliche),
and
was
used
by
Freud
to
refer
to
the
strange
feeling
of
something
which
is
familiar,
and
yet
completely
alien.
When
the
Raqs
Media
Collective
write
of
their
experience
of
an
‘estrangement
in
something
that
also
felt
downright
familiar’,
they
capture
for
us
the
sense
of
the
uncanny,
a
feeling
of
being
surprised,
not
by
something
new
but
by
something
familiar,
when
they
encounter
the
life
of
culture
in
circulation.
It
is
similar
to
the
uncanny
discovery
by
the
protagonist
of
Amitav
Ghosh’s
novel,
The
Shadowlines
(which
we
have
extracted
before).
In
it,
the
sudden
discovery
of
the
arbitrariness
of
the
shadowlines
that
divide
nations
and
create
borders
reveals
the
sheer
fiction
and
fragility
of
markers
of
cultural
boundaries.
Unlike
goods
and
people,
cultural
practices
have
far
scantier
respect
for
checkposts
and
national
boundaries,
and
actively
destroy
national
boundaries
even
as
they
cross
it.
Unlike
goods
and
people,
cultural
practices
have
far
scantier
respect
for
checkposts
and
national
boundaries,
and
actively
destroy
national
boundaries
even
as
they
cross
it.
And
it
is
perhaps
the
uncanny
which
allows
us
to
sense
an
Asian
commons.
A
sensibility
that
is
not
easy
to
pin
down
or
define
in
any
formal
terms,
but
one
that
constantly
surprises
us
with
its
distant
familiarity.
If
Euclidian
space
sees
Asia
as
a
large
geographical
space
made
up
of
different
countries,
and
populated
by
more
5
3
than
half
the
world,
cultural
spaces
provide
us
with
an
archeology
of
the
ways
in
which
people
moved
through
this
region,
now
known
as
Asia,
and
carried
with
them
stories,
songs
and
memories
that
claimed
a
bit
of
the
ground
that
they
crossed
by
attaching
themselves
to
the
soil,
but
without
ever
claiming
roots.
Drawing
upon
this,
we
can
begin
to
think
of
Asia
not
as
a
signifier
of
something
that
we
already
know,
but
as
a
scattered
form
of
meaning
that
surprises
us,
and
as
a
form
waiting
to
be
understood.
We
have
also
been
forewarned
in
the
story
of
Sunda
and
Upasunda,
that
any
attempt
to
define
an
Asian
cultural
commons
as
though
it
were
devoid
of
influences
of
the
west
are
equally
futile,
and
for
evidence
of
this,
we
only
need
to
remember
that
the
Banteay
Srei
frieze
is
displayed
in
the
Musée
Guimet,
and
not
at
any
museum
in
Asia.
An
invocation
of
Asia
then
serves
to
provide
those
of
us
who
live
within
the
confines
nation
states
in
Asia,
an
opportunity
to
temporarily
claim
a
wider
berth
of
cultural
citizenship.
In
seeking
an
archeology
of
the
Asian
commons,
we
will
need
to
follow
the
routes
traversed
by
travelers
and
gather
the
stories
that
they
have
so
carelessly
scattered
around.
For
it
is
in
the
scattering
of
people
and
stories
that
the
outlines
of
a
commons
can
slowly
emerge.
Just
as
the
story
of
the
commons
allows
us
a
glimpse
into
the
possible
worlds
of
dealing
with
resources
outside
the
sign
of
property,
the
world
of
informal
cultural
flows
and
practices
enables
us
to
expand
our
sense
of
the
commons
in
the
contemporary.
Iterant
People/
Iterant
Cultures
The
restless
manner
in
which
people
and
cultures
have
moved
points
us
towards
the
itinerant
as
the
point
which
can
possibly
connect
the
historical
to
the
contemporary,
the
cultural
commons
to
the
digital
commons
and
the
static
to
the
itinerant.
While
the
idea
of
the
itinerant
often
refers
to
a
sense
of
the
movement
of
people,
our
claim
is
that
the
movement
of
people
and
the
movement
of
culture
can
never
be
distinguished,
and
the
itinerant
and
the
iteration
begin
to
merge.
Markovits
et
al.,
in
their
introduction
to
Society
and
Circulation
draw
our
attention
to
importance
of
networks
rather
than
nodes
in
the
creation
of
culture
in
India.
80
“If
Indian
civilization
must
be
defined
in
terms
of
its
greatest
epics,
as
classical
Indologists
have
so
often
insisted,
we
must
surely
make
something
of
the
fact
that
both
the
Ramayana
and
the
Mahabharata
centre
in
large
measure
on
the
relationship
between
fixity
and
circulation,
between
the
life
of
the
wanderer
and
that
of
the
sedentary
prince.”
Culture
is
produced
not
only
in
centres
of
power
–
whether
the
princely
courts
of
yesteryear,
or
the
television
studios
of
today
–
but
also
on
the
move.
“81
This
mode
of
thinking
about
cultural
production
as
peregrine
rather
than
sedentary
80
Claude
Markovits
et
al.,
Society
and
circulation
:
mobile
people
and
itinerant
cultures
in
South
Asia,
1750‐1950,
(New
Delhi:
Permanent
Black,
2003)
81
Ibid.
5
4
provides
us
with
a
useful
frame
within
which
to
locate
our
enquiry
into
cultural
production
in
Asia.
Taking
a
cue
from
the
Raqs
Media
Collective,
we
will
experiment
with
‘Contemporaneity’,
moving
from
an
account
of
informal
cultural
flows
of
the
Jatakas
and
the
Ramayana
into
the
informal
cultural
flows
of
our
digital
present,
allowing
the
past
to
inform
the
present
and
vice
versa.
We
begin
with
the
trajectories
of
two
iconic
sets
of
oral
and
literary
texts
–
the
Jataka
collection
of
takes
–
deeply
rooted
in
Buddhist
tradition
widely
prevalent
in
Asia,
and
the
Ramayana(s)
with
its
strong
cultural
influence
across
South
Asia.
The
Jatakas
The
Jatakas
are
a
collection
of
550
stories
concerning
the
previous
births
(jāti)
of
the
Buddha.and
constitute
a
significant
part
of
the
Buddhist
tradition.
82
Uma
Chakravarty
draws
our
attention
to
the
Jatakas
as
a
collection
of
stories
that
is
“intrinsically
open‐ended,
and
can
grow
(as
the
Jatakas
clearly
did)
over
many
hundreds
of
years
till
it
is
finally
compiled
in
the
form
in
which
it
comes
down
to
us”83.
In
the
period
before
they
were
compiled,
however,
she
argues
that
they
became
imbued
with
a
subversive
antiorthodox
flavour
that
was
arrived
at
in
the
course
of
their
retellings
by
bhikkhus
‐
wandering
monks
who
traveled
the
country
and
narrated
these
tales
to
the
common
folk.
Thus
not
only
do
they
stand
in
stark
opposition
to
the
contemporaneous
Brahminical
texts,
but
they
also
appear
to
be
at
odds
with
the
rigid
tenets
prescribed
in
the
canonical
Buddhist
texts
–
tenets
which
the
Jatakas
were
meant
to
exemplify
in
the
first
place.
For
our
purposes
it
would
be
adequate
to
examine
the
Jatakas’
use
of
folklore
and
also
the
influence
of
the
audience
on
the
content
of
the
Jatakas,
which
appear
to
contradict
our
modern
popular
preconceptions
of
authorship
and
creativity.
The
Jatakas
and
Folklore
According
to
Chakravarty,
the
Jatakas
“appropriated”
a
considerable
amount
of
folklore
“which
had
floated
about
for
ages
as
waifs
and
strays
of
literature”
through
the
mediation
of
the
bhikkhu.84
Particular
features
of
folklore,
Chakravarthy
says,
lent
themselves
to
easy
appropriation
within
the
Jataka
fold.
“The
dual
characteristic
of
folklore
–
having
both
fixity
of
form
and
capacity
for
variations
in
content,
to
insert
their
own
messages.
The
traditional
narratives
thus
became
vehicles
for
new
cultural
meanings
that
were
intended
to
reach
the
largest
audience
possible,
in
contrast
to
the
texsts
of
the
high
tradition
in
Buddhism,
which
would
have
had
a
much
more
restricted
clientele.”85
82
This
section,
drawn
from
Uma
Chakravarty’s
analysis
in
‘Everyday
Lives
Everyday
Histories’
which
examines
the
sources
of
the
Jatakas
in
folklore
and
their
relation
to
the
society
in
which
they
were
born
and
retold.
Everyday
lives,
everyday
histories,
beyond
the
kings
and
Brahmanas
of
'ancient'
India
/
Uma
Chakravarti.
‐
New
Delhi,
India
:
Tulika
Books,
2006.
‐
xxx,
328
83
Ibid
84
Ibid
85
Ibid
5
5
Positioned
as
they
were
at
“the
divide
between
the
common
folk
and
the
learned”
the
Bhikkhus
negotiated
the
folk
tale
and
the
canonical
Buddhist
text
to
construct
“a
unique
set
of
narratives”.86
Comparing
the
bhikkhus
to
medieval
friars,
Chakravarthy
states
“Like
the
medieval
friars
whom
Burke
describes
as
ambhibians
men
of
the
marketplace
as
well
as
the
university,
the
bhikkhu..
function[ed]
as
an
active
bearer
of
the
little
tradition
upwards.”87
This
description
draws
attention
to
the
extent
to
which
the
Jatakas
relied
on
the
already‐familiar
folklore
to
build
their
own
popularity.
The
Jatakas
and
the
Audience
How
much
does
any
text
owe
itself
to
the
audience?
This
might
sound
like
a
silly
question
since
the
audience
normally
presumes
the
existence
of
a
text.
However,
Chakravarthy
reminds
us
that
“people..,
are
not
passive
consumers;
they
are
not
like
wax
to
be
inscribed
over
in
whichever
way
the
author
likes.
The
text
(in
our
case
Jatakas)
may
be
‘appropriated’
differently.”88
She
conjectures
that
the
audience
would
have
played
an
important
role
in
reconfiguring
the
messages
originally
sought
to
be
broadcast
through
the
medium
of
the
Jatakas.
Variations
in
narrative
style
would
have
had
to
be
invented
in
response
to
the
nature
of
the
audience.
Through
these
variations,
the
response
of
the
audience
“would
have
been
recycled
as
an
input
into
the
original
story,
leading
to
considerable
interpenetrations
in
the
agendas
of
the
narrator
and
the
audience.”89
Chakravarthy
find
evidence
of
this
“recycling”
in
the
representation
of
everyday
life
in
these
tales.
Even
while
it
is
not
possible
to
identify
a
particular
set
of
people
as
the
producers
of
the
Jatakas,
she
says,
“it
is
possible
to
see
in
this
common
authorship
marked
participation
by
sections
who
are
normally
outside
the
arena
of
intellectual
production”.90
Thus,
it
appears
that
that
the
content
of
the
Jatakas
was
arrived
at
through
a
process
that
is
more
akin
to
negotiation
than
‘authorship’
in
its
classical
ivory‐
towered
sense.
This
negotiation
–
intellectual
consumption
as
production
‐
occurs
at
the
margins
of
visibility.
Chakravarthy
recalls
Michel
De
certeau’s
words:
‘To
a
rationalized
production
corresponds
another
production,
qualified
as
consumption.
The
latter
is
sly,
it
is
dispersed,
but
it
insinuates
itself
everywhere,
it
is
quasi
invisible
since
it
is
not
recognizable
by
its
products
per
se,
but
by
ways
of
using
the
products
imposed
by
a
dominant
order.’
91
86
Ibid
87
Ibid
88
Ibid
89
Ibid
90
Ibid
91
Ibid
5
6
The
Jatakas
then,
can
be
seen
not
just
as
a
collection
of
products
per
se,
but
as
the
way
in
which
they
evolved
in
conversational
opposition
to
prevailing
dogmas.
{The
section
of
Jatakas
is
interesting,
but
either
it
is
over
length
or
missing
from
delivering
concrete
message,
Uncanny
situation
for
me
;)
}
The
Many
Ramayanas
Throughout
Indian
history
many
authors
and
performers
have
produced,
and
many
patrons
have
supported,
diverse
tellings
of
the
Ramayana
in
numerous
media.92
In
the
paragraphs
below,
we
will
examine
the
range
and
the
variations
within
the
Ramayana
tradition
with
a
view
to
broaden
our
understanding
of
the
manner
in
which
culture
is
created,
conveyed
and
consumed.
The
Reach
of
the
Ramayanas
In
this
sub‐section
we
try
to
first
outline
how
far
and
wide
the
Ramayanas
traveled
in
order
to
form
a
mental
image
of
the
territory
that
the
epic
influenced.
A.K.
Ramanujan
cites
Santosh
Desai
in
“Three
Hundred
Ramayanas:
Five
Examples
and
Three
Thoughts
on
Translation”93
on
the
routes
traveled
by
the
Rama
story:
"By
land,
the
northern
route
took
the
story
from
the
Punjab
and
Kashmir
into
China,
Tibet,
and
East
Turkestan;
by
sea,
the
southern
route
carried
the
story
from
Gujarat
and
South
India
into
Java,
Sumatra,
and
Malaya;
and
again
by
land,
the
eastern
route
delivered
the
story
from
Bengal
into
Burma,
Thailand,
and
Laos.
Vietnam
and
Cambodia
obtained
their
stories
partly
from
Java
and
partly
from
India
via
the
eastern
route."94
Ramanujan
encapsulates
the
extent
of
the
Ramayana
tradition’s
influence
in
South
Asia
by
listing
the
languages
in
which
it
has
been
found
including
Assamese,
Balinese,
Bengali,
Cambodian,
Chinese,
Gujarati,
Javanese,
Kannada,
Kashmiri,
Khotanese,
Laotian,
Malaysian,
Marathi,
Oriya,
Prakrit,
Sanskrit,
Santali,
Sinhalese,
Tamil,
Telugu,
Thai,
Tibetan
as
well
as
some
Western
languages.
Further,
he
says,
some
languages
have
more
than
one
version
of
the
story
and
the
story
itself
may
be
presented
in
different
literary
and
artistic
styles
so
as
to
be
capable
of
being
regarded
as
independent
tellings
on
their
own
“Sanskrit
alone
contains
some
twentyfive
or
more
tellings
belonging
to
various
narrative
genres
(epics,
kavyas
or
ornate
poetic
compositions,
puranas
or
old
mythological
stories,
and
so
forth).
If
we
add
plays,
dancedramas,
and
other
performances,
in
both
the
classical
and
folk
traditions,
the
number
of
Ramayanas
grows
even
larger.
To
these
must
be
added
sculpture
and
bas
reliefs,
mask
plays,
puppet
plays
and
shadow
plays,
in
all
the
many
South
and
Southeast
Asian
cultures
Camille
Bulcke,
a
student
of
the
Ramayana
,
counted
three
hundred
tellings
It's
no
wonder
that
even
as
long
ago
as
the
fourteenth
92
Richman,
Paula,
editor.
Many
Ramayanas:
The
Diversity
of
a
Narrative
Tradition
in
South
Asia.
Berkeley:
University
of
California
Press,
c1991
1991.
http://ark.cdlib.org/ark:/13030/ft3j49n8h7/
93
A.K.
Ramanujan
“Three
Hundred
Ramayanas:
Five
Examples
and
Three
Thoughts
on
Translation”
in
Paula
Richman
ed.
Many
Ramayanas:
The
Diversity
of
a
Narrative
Tradition
in
South
Asia
94
Ibid
5
7
century,
Kumaravyasa,
a
Kannada
poet,
chose
to
write
a
Mahabharata
,
because
he
heard
the
cosmic
serpent
which
upholds
the
earth
groaning
under
the
burden
of
Ramayana
poets
(
tinikidanu
phaniraya
ramayanada
kavigala
bharadali
).”95
The
diversity
of
forms
described
above
prompts
us
to
wonder
whether
they
may
be
regarded
as
variations
of
the
same
theme
or
as
independent
productions.
Is
there
a
“True”
Ramayana
of
which
the
remainder
are
merely
copies?
A
True
Ramayana?
As
witnessed
above,
there
are
hundreds
of
tellings
of
Rama’s
story
which
range
over
time
(from
Valmiki’s
Ramayana
‐
the
oldest
full
literary
telling
of
the
story,
to
the
relatively
recent
Indian
national
television
production
by
Ramanand
Sagar)
and
space
(India
to
Thailand
and
Cambodia).
Is
it
possible
to
designate
any
of
these
as
the
“original”
Ramayana.
Is
there
a
common
core
to
all
of
these
stories?
While
it
is
perhaps
possible
to
regard
Valmiki’s
telling
in
elite
Sanskrit
as
the
“authentic”
version,
Ramanujan
argues
that
this
would
“perpetuate
a
narrow
view
incommensurate
with
the
amazing
popularity
of
Rama’s
story”.96
This
is
because
most
Hindus
today
cannot
read
Sanskrit,
nor
could
they
in
the
past.
“knowledge
of
Sanskrit
remained
primarily
the
intellectual
property
of
the
upper
three
varnas
in
society,
and
of
Brahmin
males
in
particular.
In
contrast,
most
Hindus
learned
the
story
of
Rama
by
hearing
it
in
their
local
or
regional
language.
The
first
model
thus
privileges
a
telling
that
excludes
the
majority
of
Hindus.”
97
Thus
the
antiquity
model,
if
believed,
would
exclude
the
majority
of
Hindus
from
its
fold
since
they
could
only
have
received
the
story
through
other
sources.
In
response
to
his
own
question
about
the
existence
of
a
core
to
the
Rama
stories
(other
than
a
skeletal
set
of
relations)
Ramanujan
recalls
the
anecdote
of
Aristotle's
jack
knife:
“When
the
philosopher
asked
an
old
carpenter
how
long
he
had
his
knife,
the
latter
said,
"Oh,
I've
had
it
for
thirty
years.
I've
changed
the
blade
a
few
times
and
the
handle
a
few
times,
but
it's
the
same
knife."
I've
changed
the
blade
a
few
times
and
the
handle
a
few
times,
but
it's
the
same
knife.
In
a
similar
vein,
Ramanujan
regards
the
Rama
stories
as
all
having
“some
shadow
of
a
relational
structure”,
but
which
on
closer
look
do
not
necessarily
resemble
each
other
that
well.
They
are
like
“a
collection
of
people
with
the
same
proper
name,
they
make
a
class
in
name
alone”.98
To
Ramanujan,
the
various
texts
relate
to
each
other
through
a
common
pool
from
95
Ibid
96
Ibid
97
Ibid
98
Ibid
5
8
which
“every
author
..
dips
into
it
and
brings
out
a
unique
crystallization,
a
new
text
with
a
unique
texture
and
a
fresh
context.”
He
says,
The
great
texts
rework
the
small
ones,
for
"lions
are
made
of
sheep,"
as
Valery
said.
And
sheep
are
made
of
lions,
too:
In
this
sense,
no
text
is
original,
yet
no
telling
is
a
mere
retelling—and
the
story
has
no
closure,
although
it
may
be
enclosed
in
a
text.
In
India
and
in
Southeast
Asia,
no
one
ever
reads
the
Ramayana
or
the
Mahabharata
for
the
first
time.
The
stories
are
there,
"always
already."99
Within
different
Ramayana
stories
themselves,
Ramanujan
finds
self‐referential
allusions
to
its
own
diversity.
For
instance
he
cites
one
folk
legend
according
to
which
“Hanuman
wrote
the
original
Ramayana
on
a
mountain
top,
after
the
great
war,
and
scattered
the
manuscript;
it
was
many
times
larger
than
what
we
have
now.
Valmiki
is
said
to
have
captured
only
a
fragment
of
it.”100
He
cites
another
similar
instance,
found
in
many
of
the
later
Ramayanas101
in
which
Rama
is
exiled
and
does
not
want
Sita
to
accompany
him.
“Sita
argues
with
him.
At
first
she
uses
the
usual
arguments:
she
is
his
wife,
she
should
share
his
sufferings,
exile
herself
in
his
exile,
and
so
on.
When
he
still
resists
the
idea,
she
is
furious.
She
bursts
out,
"Countless
Ramayanas
have
been
composed
before
this.
Do
you
know
of
one
where
Sita
doesn't
go
with
Rama
to
the
forest?"
That
clinches
the
argument,
and
she
goes
with
him.”102
He
narrates
a
third
episode
where
Hanuman
is
attempting
to
recover
Rama’s
ring
that
has
slipped
“through
a
hole”
into
the
netherworld.
"
When
he
was
finally
taken
to
the
King
of
Spirits,
he
kept
repeating
the
name
of
Rama.
"Rama
Rama
Rama
.
.
."
Then
the
King
of
Spirits
asked,
"Who
are
you?"
"Hanuman."
"Hanuman?
Why
have
you
come
here?"
"Rama's
ring
fell
into
a
hole.
I've
come
to
fetch
it."
The
king
looked
around
and
showed
him
a
platter.
On
it
were
thousands
of
rings.
They
were
all
Rama's
rings.
The
king
brought
the
platter
to
Hanuman,
set
it
down,
and
said,
"Pick
out
your
Rama's
ring
and
take
it."
They
were
all
exactly
the
same.
"I
don't
know
which
one
it
is,"
said
Hanuman,
shaking
his
head.
The
King
of
Spirits
said,
"There
have
been
as
many
Ramas
as
there
are
rings
on
this
platter.
When
you
return
to
earth,
you
will
not
find
Rama.
This
incarnation
of
Rama
is
now
over.
Whenever
an
incarnation
of
Rama
is
about
to
be
over,
his
ring
falls
down.
I
collect
them
and
keep
them.
Now
you
can
go."
So
Hanuman
left.
103
Ramanujan
concludes
from
these
curious
examples
that
“To
some
extent
all
later
99
Ibid
100
Ibid
101
such
as
the
Adhyatma
Ramayana
,
16th
C.
See
Ibid
102
Ibid
103
Ibid
5
9
Ramayanas
play
on
the
knowledge
of
previous
tellings:
they
are
meta‐Ramayanas”
104
The
idea
of
a
text
that
is
insistent
on
its
own
lack
of
uniqueness
stands
fascinatingly
at
odds
with
most
modern
notions
of
originality
and
authorship.
Diversity
and
Difference
within
the
Ramayanas
In
the
introduction
to
‘Many
Ramayanas’,
Paula
Richman
asserts,
in
a
voice
similar
to
Uma
Chakravarthy’s
discussion
of
the
Jatakas,
that
“each
Ramayana
text
reflects
the
social
location
and
ideology
of
those
who
appropriate
it”.105
In
other
words,
the
audience
played
a
constitutive
role
in
determining
the
content
of
each
text.
She
quotes
Romila
Thapar’s
account
of
the
plurality
of
the
Ramayana
tradition
in
Indian
History.
“The
appropriation
of
the
story
by
a
multiplicity
of
groups
meant
a
multiplicity
of
versions
through
which
the
social
aspirations
and
ideological
concerns
of
each
group
were
articulated.
The
story
in
these
versions
included
significant
variations
which
changed
the
conceptualization
of
character,
event
and
meaning.”106
This
plurality
of
contexts
is
visible
when
one
compares
the
different
strands
of
the
Ramayana.
For
instance,
as
Ramanujan
suggests,
different
Ramayanas
focus
differently
on
certain
characters
and
conceive
of
their
roles
differently.
“Valmiki
focuses
on
Rama
and
his
history
in
his
opening
sections;
Vimalasuri's
Jaina
Ramayana
and
the
Thai
epic
focus
not
on
Rama
but
on
the
genealogy
and
adventures
of
Ravana;
the
Kannada
village
telling
focuses
on
Sita,
her
birth,
her
wedding,
her
trials.
Some
later
extensions
like
the
Adbhuta
Ramayana
and
the
Tamil
story
of
Satakanthavana
even
give
Sita
a
heroic
character:
when
the
tenheaded
Ravana
is
killed,
another
appears
with
a
hundred
heads;
Rama
cannot
handle
this
new
menace,
so
it
is
Sita
who
goes
to
war
and
slays
the
new
demon
The
Santals,
a
tribe
known
for
their
extensive
oral
traditions,
even
conceive
of
Sita
as
unfaithful—to
the
shock
and
horror
of
any
Hindu
bred
on
Valmiki
or
Kampan,
she
is
seduced
both
by
Ravana
and
by
Laksmana.
In
Southeast
Asian
texts,
as
we
saw
earlier,
Hanuman
is
not
the
celibate
devotee
with
a
monkey
face
but
a
ladies'
man
who
figures
in
many
love
episodes.
In
Kampan
and
Tulsi,
Rama
is
a
god;
in
the
Jaina
texts,
he
is
only
an
evolved
Jaina
man
who
is
in
his
last
birth
and
so
does
not
even
kill
Ravana.
In
the
latter,
Ravana
is
a
noble
hero
fated
by
his
karma
to
fall
for
Sita
and
bring
death
upon
himself,
while
he
is
in
other
texts
an
overweening
demon.
”107
From
the
above
account
it
appears
that
there
are
radical
differences
in
even
the
conception
of
the
major
characters
of
the
Ramayana
–
“so
different
indeed
that
one
104
Ibid
105
Supra
n.
96
106
Ibid
107
supra
n.
97
6
0
conception
is
quite
abhorrent
to
those
who
hold
another”.108
Ramanujan
cites
other
divergences
in
different
accounts
such
as
varying
elaborations
on
“the
reason
why
Sita
is
banished,
the
miraculous
creation
of
Sita's
second
son,
and
the
final
reunion
of
Rama
and
Sita”.
109
The
examples
provided
by
Ramanujan
make
it
difficult
to
think
of
a
the
Ramayana
in
any
unified
sense.
He
ends
his
essay
with
a
powerful
anecdote
about
a
village
dullard
who,
upon
being
forced
to
listen
to
a
narration
of
the
Ramayana
is
moved
to
physically
enter
into
the
story
as
a
character.
Explaining
the
significance
of
the
anecdote,
Ramanujan
says:
“This
story
is
about
the
power
of
the
Ramayana
,
about
what
happens
when
you
really
listen
to
this
potent
story.
Even
a
fool
cannot
resist
it;
he
is
entranced
and
caught
up
in
the
action.
The
listener
can
no
longer
bear
to
be
a
bystander
but
feels
compelled
to
enter
the
world
of
the
epic:
the
line
between
fiction
and
reality
is
erased.”110
At
the
heart
of
these
stories
behind
the
Jatakas
and
the
Ramayanas
are
a
set
of
narrative
practices
in
which
modes
of
circulation
ensure
that
the
process
of
cultural
production
remains
a
lived
processes.
The
Raqs
Media
Collective
have
coined
a
fascinating
word
‘Rescension’
which
captures
the
essence
of
the
ways
in
which
epic
forms
like
the
Jatakas
and
the
Ramayana
have
developed
over
the
centuries,
and
a
rescension
is
also
perhaps
one
of
the
best
ways
of
capturing
contemporary
practices
in
the
digital
era.
In
their
words:
“A
Rescension
is
a
re‐telling,
a
word
taken
to
signify
the
simultaneous
existence
of
different
versions
of
a
narrative
within
oral,
and
from
now
onwards,
digital
cultures.
Thus
one
can
speak
of
a
'southern'
or
a
'northern'
rescension
of
a
myth,
or
of
a
'female'
or
'male'
rescension
of
a
story,
or
the
possibility
(to
begin
with)
of
Delhi/Berlin/Tehran
'rescensions'
of
a
digital
work.
The
concept
of
rescension
is
contraindicative
of
the
notion
of
hierarchy.
A
rescension
cannot
be
an
improvement,
nor
can
it
connote
a
diminishing
of
value.
A
rescension
is
that
version
which
does
not
act
as
a
replacement
for
any
other
configuration
of
its
constitutive
materials.
The
existence
of
multiple
rescensions
is
a
guarantor
of
an
idea
or
a
work's
ubiquity.
This
ensures
that
the
constellation
of
narrative,
signs
and
images
that
a
work
embodies
is
present,
and
waiting
for
iteration
at
more
than
one
site
at
any
given
time.
Rescensions
are
portable
and
are
carried
within
orbiting
kernels
within
a
space.
Rescensions,
taken
together
constitute
ensembles
that
may
form
an
interconnected
web
of
ideas,
images
and
signs”.
111
Scholars
working
on
the
circulation
of
culture
have
sought
to
harness
the
108
Ibid
109
Ibid
110
Ibid
111
6
1
productive
powers
of
circulation,
and
the
manner
in
which
they
enable
modes
of
adaptation
and
creative
transformations,
since
circulation
relies
not
on
a
singular
flow,
but
on
a
constant
‘movement
of
going
forth
and
coming
back
which
can
be
repeated
indefinitely.
In
circulating,
things,
men
and
notions
often
transform
themselves.
Circulation
is
therefore
a
value
loaded
term
which
implies
an
incremental
aspect
and
not
the
simple
reproduction
across
space
of
already
formed
structures
and
notions’.112
A
focus
on
circulation
may
be
a
way
of
moving
beyond
the
ideas
of
creation
and
authorship
embedded
within
heroic
narratives
of
the
romantic
genius
as
author,
and
a
more
productive
way
of
thinking
about
how
cultures
are
made.
It
is
through
circulation
that
epics
have
emerged.
But
if
the
epics,
and
our
reconstruction
of
the
history
of
the
Jatakas
and
the
Ramayanas
seem
distant
to
us
‐creatures
of
the
contemporary‐
then
it
is
perhaps
time,
to
leap,
Hanuman
like,
across
many
oceans
of
time
and
technology
to
look
at
circulation,
iterant
cultures
and
the
rescensions
of
our
own
time.
Here
for
instance
is
an
interesting
‘travel
document’,
if
you
like,
a
report
from
the
Motion
Pictures
Association
(MPA)
documenting
the
movement
of
a
film
across
pirate
networks,
navigating
its
way
through
the
slippery
terrains
of
an
alternative
map
of
the
Asian
commons.
112
Claude
Markovits
et
al.
Society
and
Circulation:
Mobile
People
and
Itinerant
Cultures
in
South
Asia,
1750‐1950.
Delhi:
Permanent
Black,
2003.
6
2
.
We
would
like
to
use
this
map
to
help
us
navigate
between
the
itinerant
commons
of
the
Jatakas
and
the
Ramayans,
to
a
way
of
thinking
about
forms
of
cultural
flows
in
the
contemporary.
Outside
of
the
sign
of
legality
which
names
this
flow
as
piracy,
we
can
see
the
ways
in
which
cultural
artifacts
still
defy
the
norms
of
ordered
Euclidean
spaces
of
national
borders,
as
well
as
of
the
boundaries
established
by
property.
The
dramatic
growth
of
the
internet,
the
emergence
of
cheap
and
ubiquitous
technologies
of
reproduction
enable
the
exchange
of
ideas,
texts,
music
and
images
at
speeds
which
were
difficult
to
imagine
till
now.
If
the
earlier
moment
of
iterant
cultures
that
we
have
described
sought
to
place
culture
within
the
larger
account
of
how
people
traveled
with
their
cultures,
the
contemporary
moment
is
not
very
different.
In
the
era
of
globalization,
while
capital
has
free
movement
across
the
globe,
the
two
greatest
restrictions
on
movement
are
on
people
(
illegal
immigrants
in
particular)
and
culture
(by
IP
laws).
The
guarding
of
borders
against
illegal
immigrants
protects
the
fiction
of
the
nation,
while
the
6
3
defence
of
the
media
commodity
protects
the
fiction
of
property
in
the
age
of
the
digital.
Both
these
fictions
are
currently
sustained
only
by
highly
brutal
acts
of
militarized
or
police
violence.
In
the
era
of
globalization,
while
capital
has
free
movement
across
the
globe,
the
two
greatest
restrictions
on
movement
are
on
people
(
illegal
immigrants
in
particular)
and
culture
(by
IP
laws)
The
digital
era
has
seen
the
emergence
of
a
range
of
practices,
which
appear
hydra
like
to
the
copyright
police113.
From
file
sharing
networks
that
enable
the
downloading
of
films
and
music
to
the
cheap
DVD
version
available
on
most
streets
of
Asia,
from
free
software
practitioners
to
creative
commoners,
there
seems
to
be
a
radical
outburst
of
practices
of
communing.
By
locating
their
practices
on
alternative
ethics,
of
sharing,
of
democracy,
of
access
–
these
commoners
of
the
contemporary‐
have
created
an
immense
turbulence
in
the
domain
of
culture
and
economy.
This
domain
of
exchange
has
scant
respect
for
rules
of
property,
or
for
rules
of
cultural
boundaries,
merging
as
it
were
the
two
diverse
worlds
that
we
have
attempted
to
map.
Writing
about
the
changed
landscape
of
the
contemporary
south
Asian
city,
Ravi
Sundaram
states
that
‘at
the
level
of
the
everyday,
the
old
prohibition
and
regulation
on
the
social
life
of
commodities
have
proved
ineffective,
urban
residents
are
now
assaulted
with
a
deluge
of
cultural
products,
cassettes,
CDs,
MP3s,
VCDs,
cable
television,
grey
market
computers,
cheap
Chinese
audio
and
video
players,
thousands
of
cheap
print
flyers,
and
signage
everywhere.
What
is
remarkable
here
is
that
the
preponderance
of
these
products
comes
from
the
grey
or
informal
sector,
outside
the
effective
regulation
of
the
state
or
large
capital.
India
today
has
the
world’s
second
largest
music
market,
a
large
film
industry
with
global
dreams,
a
majority
grey
computer
market,
hundreds
of
thousands
of
tiny
phone
and
word
processing
shops
and
cybercafes.
And
as
if
from
the
ruins
of
urban
planning
new
media
bazaars,
which
supply
these
networks,
have
emerged
existing
in
the
cusp
of
legality
and
non‐legality.
Everyday
a
guerrilla
war
is
raging,
between
new
intellectual
property
raiders,
the
police
and
unceasing
neighbourhood
demand
for
grey
ware.
At
the
heart
of
this
extension
of
the
visible
has
been
the
production
of
media
commodities
outside
the
legal
property
regimes
of
globalisation.
Copy
culture
and
non‐legal
distribution
networks
have
been
central
to
the
spread
of
the
media,
in
a
way
that
distinctions
between
the
technological
and
cultural
seem
blurred
in
daily
life.
A
significant
section
of
the
urban
population
derive
their
media
from
these
networks.
Using
the
tactics
of
the
fragmentary
city,
the
pirate
networks
have
frustrated
every
effort
of
the
proprietary
enforcement
regime
to
control
113
But
these
peer‐to‐peer
networks
are
as
hard
to
stamp
out
as
the
Hydra.
Cut
off
one
head,
and
two
grow
in
its
place,
quoted
in
http://www.usatoday.com/life/music/news/2003‐05‐05‐piracy‐cover_x.htm,
see
also,
Perspective:
P2P
vs
Privacy
in
which
the
author
says
about
P2P
that
“
Enter
the
Hydra
‐
kill
one
head
and
two
more
replace
it”,
6
4
them114
We
can
now
return
to
our
digital
commons,
bringing
the
insights
that
we
have
gathered
from
our
encounter
with
the
history
of
the
commoners
of
land,
and
the
story
of
the
commons
of
culture.
Just
as
the
logic
of
property
sought
to
brutally
efface
the
memory
of
the
commons
through
fences,
walls
and
legal
regulations,
the
contemporary
is
marked
by
dizzying
attempts
at
securing
intellectual
property
rights
for
intangibles,
and
seeking
criminal
sanction
against
pirates.
It
is
vital
to
remember
that
the
global
discourse
of
copyright
piracy
particularly
targets
Asia
as
a
pirate
continent.
The
growth
of
the
East
Asian
economies,
fuelled
by
innovation
in
the
electronic
sector
were
seen
to
have
been
enabled
through
various
pirate
practices.
Taiwan
for
instance
was
described
as
the
kingdom
of
piracy,
just
as
China
and
India
are
constantly
being
threatened
with
trade
sanctions
under
Special
Sec.
301
for
not
curbing
IP
piracy.
How
do
we
understand
the
history
of
piracy
in
Asia
as
a
form
of
commons.
We
have
seen
that
the
commons
was
marked
by
a
range
of
activities
and
practices
that
existed
outside
the
legal
system,
Let
us
recall
Peter
Linebaugh’s
history
of
piracy
and
the
commons.
The
first
pirates
in
a
sense
were
often
the
‘outcast
of
the
land’
who
would
mutineer
against
the
conditions
of
their
work,
and
create
an
alternative
order
challenging
the
division
of
labour
and
of
capital.
The
early
maritime
pirates
were
commoners
who
had
been
outcast
from
their
lands,
expropriated
from
the
commons
and
converted
to
wage
labour.
In
fashioning
their
hydrachy,
these
buccaneers
often
drew
from
the
memory
of
utopias
created
by
peasants,
in
which,
where
work
had
been
abolished,
property
redistributed,
social
distinctions
leveled,
health
restored
and
food
made
abundant.
The
memory
of
the
commons
in
other
words
arises,
whenever
people
stake
their
claim
to
a
utopian
alternative.
If
an
Asian
Commons
is
relevant,
it
is
to
answer
to
the
call
of
a
utopian
alternative
in
a
region
which
has
seen
some
of
the
sharpest
polarities
between
those
legitimately
entitled
to
participate
in
certain
forms
of
life,
and
those
who
desire
it
from
a
distance.
Ravi
Sundaram’s
work
is
also
central
to
our
understanding
of
another
idea
of
the
Asian
commons.
If
Asia
has
always
been
theorized
in
terms
of
a
lack
vis
a
vis
western
modernity,
how
do
we
understand
the
phenomenon
of
piracy
as
the
mode
through
which
a
large
number
of
people
access
the
global
modern
and
participate
in
the
promises
of
the
digital
era.
We
need
to
understand
the
information
era
as
one
which
holds
a
particular
promise
of
an
intellectual
or
cultural
life.
By
making
more
knowledge
and
cultural
artifacts
available
in
easier
forms,
it
offer
the
possibility
of
a
particular
form
of
reflective
and
expressive
life.
And
yet
when
these
promises
are
not
honoured
on
account
of
the
costs
or
restrictions
imposed
on
information
goods,
they
effectively
preclude
a
large
number
of
people
from
laying
claim
to
a
particular
life
of
thought.
An
engagement
with
the
idea
of
the
commons
in
114 Ravi Sundaram, Uncanny Networks, Economic and Political Weekly, January 3, 2004.
6
5
Asia
will
have
to
account
for
this
world
of
the
sharp
gap
between
ordinary
dreams
and
aspirations,
and
their
constant
frustration.
Sundaram
has
termed
this
world
of
everyday
media
piracy
as
the
world
of
the
recycled
modern,
where
fueled
by
aspirations
of
upward
mobility,
people
engage
in
quotidian
media
practices
and
stake
their
claim
to
an
expressive
life
form,
and
their
space
in
modernity.
Interestingly,
the
media
landscape
that
dots
many
south
Asian
countries
is
a
landscape
chiseled
out
of
another
Asia
of
the
mind.
This
is
an
imagination
of
the
modern,
in
which
the
point
of
reference
is
not
the
enlightenment
or
the
industrial
revolution
of
Europe,
but
the
almost
magical
transformation
of
south
east
Asia.
This
is
an
Asian
modernity,
in
which
the
copying
countries
of
south
east
Asia
serve
as
the
original
role
models
for
countries
in
the
rest
of
Asia.
We
can
illustrate
this
with
one
of
our
favourite
maps
(and
here
we
use
the
idea
of
a
map
not
in
the
'disenchanted'way
of
seeing
national
territory
within
a'techno‐rational
grid).
Our
map
belongs
to
the
genres
of
enchanted
maps,
in
which
the
imaginary
overwhelms
the
real,
and
opens
out
fantastical
possibilities
of
seeing.
This
is
our
map
of
an
Asian
commons
of
copy
culture.
As
you
step
out
of
National
Market
‐a
haven
for
pirated
goods‐
in
Bangalore,
you
are
6
6
faced
with
a
cartographic
puzzle.
Diagonally
opposite
the
national
market
is
the
Bangkok
Plaza,
and
a
few
meters
away
you
have
the
Burma
Bazaar.
Smiling
across
the
Burma
Bazaar
is
the
New
Hong
Kong
Bazaar,
announcing
itself
with
it’s
not
so
new
signboard
in
which
the
Kong
is
only
a
matter
of
an
educated
guess.
While
globalization
is
supposed
to
have
redrawn
boundaries
and
shifted
our
ideas
of
time
and
space,
you
are
still
not
quite
prepared
for
this
distorted
sense
of
Asia,
in
which
you
step
out
of
the
national
to
encounter
Bangkok,
Burma,
Hong
Kong,
gesturing
towards
a
very
different
experience
of
the
global
and
of
modernity.
All
these
markets
which
specialize
in
non
legal
media
commodities
from
phones
to
DVD’s
and
software,
are
the
nightmare
of
global
policing
institutions
such
as
World
Trade
Organization
and
the
World
Intellectual
Property
Organization.
They
also
serve
as
an
appropriate
metaphors
of
the
contemporary,
in
which
rules
of
property
collides
with
unofficial
cultural
flows.
In
the
early
days
of
globalization,
travel
writer
Pico
Iyer
set
out
in
search
of
what
he
despairingly
called
the
Ramboization
and
Coco
Colonization
of
Asia.
This
is
a
trope
that
has
been
adopted
by
a
number
of
critics
of
globalization,
who
argue
that
what
has
taken
place
is
merely
the
Americanization
of
the
world,
with
the
hegemonic
spread
of
American
businesses
and
culture
across
the
globe.
And
yet
if
one
were
to
careful
look
at
what
is
being
sold
in
the
DVD
shops
in
any
of
these
markets
and
elsewhere
in
the
country
too,
you
find
that
apart
from
your
standard
Hollywood
and
Bollywood
fare,
you
also
increasingly
find
a
range
of
films
from
countries
whose
films
do
not
have
any
official
circulation
in
India.
Whether
it
is
the
Korean
cult
classic
Old
Boy
(Aka
non
incestuous
Zinda
in
India),
or
lesser
known
films
from
all
parts
of
the
world.
If
Iyer
were
to
make
his
trip
again,
this
time
stopping
to
check
out
the
movies
that
circulates
through
what
Sasken
calls
the
underbelly
of
globalization,
he
would
find
that
Rambo
has
lost
to
the
scent
of
green
papayas.
6
7
Conclusion
The
formal
academic
conventions
of
a
paper
require
a
conclusion,
with
its
rather
grandiose
invocation
of
a
fully
worked
out
argument
and
thesis.
This
paper
has
no
conclusions
to
offer,
and
it
would
be
more
accurate
to
see
it
as
an
invitation
rather
than
a
conclusion.
Through
the
course
of
the
paper
we
have
been
identifying
various
intellectual
obstacles
and
stumbling
blocks,
which
we
face
when
we
attempt
to
speak
about
the
commons
in
Asia.
This
paper
has
been
an
attempt
at
creating
a
skeletal
map
with
which
we
can
begin
to
navigate
the
tricky
terrain
of
the
cultural
commons
in
Asia.
It
is
only
fair
that
we
think
of
it
in
terms
of
a
map,
since
out
first
experience
of
Asia
tends
to
be
one
created
through
a
map.
As
children
growing
up
and
learning
about
the
world
through
our
geography
textbooks
ands
Bartholomew’s
Atlas,
we
encounter
Asia
cartographically,
so
Asia
always
remains
an
abstract
landscape.
Similarly
when
we
move
into
the
terrain
of
the
commonality
of
Asia,
we
find
ourselves
in
a
similarly
abstract
space,
with
useful
but
not
necessarily
accurate
markers
such
as
culture,
civilization
etc.
If
we
are
to
move
form
this
abstract
space
in
which
we
speak
either
about
Asia
or
indeed
the
abstract
‘commons’
in
Asia,
the
task
is
to
build
a
theory
of
the
commons
which
does
not
recycle
the
idea
of
the
Commons
as
a
theory
in
search
of
geographic
examples,
but
as
a
theory
that
is
built
from
the
memory
and
lived
practices
of
people
living
in
the
region
called
Asia.
The
debate
on
intellectual
property
can
therefore
be
seen
as
a
mere
pretext,
which
allows
us
to
explore
the
idea
of
the
commons
in
Asia,
and
we
welcome
you
aboard
this
trip.
6
8