Activity Sheets in Music 9
Activity Sheets in Music 9
287ACTIVITY 3
288 1. MEDIEVAL, RENAISSANCE AND BAROQUE
289 2. POPE GREGORY THE I
290 3. PEARL OF IRREGULAR SHAPES.
291ACTIVITY 4
292 1. MEDIEVAL
293 2. TROUBADOURS
294 3. POPE GREGORY I
295 4. LUTE
296 5. DE LA HALLE
297 6. RENAITRE
298 7. MIDDLE/DARK AGES
299 8. BAROQUE
300 9. INSTRUMENT
301 10. PERFORMER
302 11. RENAISSANCE
303 12. PORTUGUESE
304 13. BARROCO
305 14. GREGORIAN CHANT
306 15. MEDIEVAL PERIOD
307DAY 2
308ACTIVITY 1
309 1. MEDIEVAL, RENAISSANCE AND BAROQUE.
310 2. MEDIEVAL PERIOD
311 3. IRREGULAR SHAPE
312 4. RENAISSANCE
313ACTIVITY 2
314READ AND COPY ON YOUR MAPEH NOTEBOOK
315
316ACTIVITY 3 LISTENING ACTIVITY
317
318ACTIVITY 4
319 1. MELODIES
320 2. VOICES
321 3. TEXT AND MUSIC/MUSIC AND TEXT
322 4. POLYPHONIC
323 5. MELODIC LINES
324
325DAY 3
326ACTIVITY 1 REVIEW ONLY
327ACTIVITY 2 COPY
328ACTIVITY 3 LISTENING ACTIVITY
329ACTIVITY 4
330 I.
331 POLYPHONIC
332 SUNG A CAPELLA
333 THROUGH-COMPOSED
334 FREQUENTLY IN 3 TO 6 VOICES
335 2. MADRIGAL IS A SECULAR VOCAL POLYPHONIC TYPE OF MUSIC.
336DAY 4
337ACTIVITY 1 REVIEW
338ACTIVITY 2 COPY
339ACTIVITY 3 LISTENING ACTIVITY
340 1. AFTER LISTENING TO THE MUSIC, WERE YOU ABLE TO IDENTIFY THE CHARACTERISTICS
341 OF THE SONG?
342 2. DESCRIBE THE TEMPO AND RHYTHM OF THE SONG.
343ACTIVITY 4 IDENTIFICATION
344 1. SUNG A CAPPELLA
345 2. USE OF WORD PAINTING IN TEXTS AND MUSIC.
346 3. DYNAMIC CONTRAST
347 4. MELODIC LINES MOVE IN A FLOWING MANNER
348 5. PRIMARILY CONTRAPUNTAL TEXTURES WITH SOME HOMOPHONY
349 6. IMITATION AMONG VOICES IS COMMON
350 7. FREQUENTLY IN 3 TO 6 VOICES
351 8. POLYPHONIC
352 9. THROUGH-COMPOSED
353 10. MOSTLY POLYPHONIC
354 DAY 5
355ACTIVITY 1 REVIEW
356ACTIVITY 2 COPY
357ACTIVITY 3 THE DIFERENCE BETWEEN GREGORIAN CHANT AND TROUBADOUR MUSIC.
358GREGORIAN CHANT ARE MUSIC RELATED TO CHURCHES OR SACRED THAT USUALLY BASED ON
359LATIN LITURGY WHILE TROUBADOUR MUSIC ARE THE MUSIC ORIGINATED IN FRANCE,
360IMPROVISING ACCOMPANIMENT WHICH WRITTEN IN FRENCH LANGUAGE.
361
362ACTIVITY 4
TROUBADOUR MUSIC GREGORIAN MUSIC
USUALLY MONOPHONIC MONOPHONIC
TELLS OF CHIVALRY AND FREE METER
COURLY LOVE
WRITTEN IN FRENCH MODAL
LANGUAGE
USE OF NEUME NOTATION
363
364
365 LEARNING ACTIVITY SHEETS DAY 1 (WEEK 1)
366 Music 9 ADI-6 QUARTER 1 WEEK 1
367
368DAY 6 SUMMATIVE TEST
369ANSWER KEY FOR SUMMATIVE TEST
370 1. A. TRUE
371 2. B. ADAM LE BOSSU
372 3. A. BAROQUE
373 4. B. POPE MARCELLUS MASS
374 5. A. BAROQUE
375 6. A. WRITTEN IN LATIN
376 7. D. MEDIEVAL
377 8. D. IMITATION AMONG VOICES IS COMMON
378 9. B. RENAISSANCE
379 10. C. EARLY COMPOSERS FAVORED HOMOPHONIC TEXTURE
380 11. BAROQUE
381 12. RENAISSANCE
382 13. MEDIEVAL
383 14. RENAISSANCE
384 15. BAROQUE
385
386
387
388