Qualitative Data Analysis
Qualitative Data Analysis
Making Meaning
From Your Data
■■ In general, qualitative data analysis involves coding data and looking for themes and
concepts.
■■ Some researchers prefer to use narratives rather than themes.
■■ Many researchers have moved beyond verbal data and use videos or visuals in their
analyses.
■
Qualitative research takes time to constantly review where you are in the research
process; what you have accomplished, what you have not accomplished, what challenges
you have overcome and what new challenges you may have to deal with in the future.
Once I was confident that I had captured my study participants’ perceptions, then I
organized, analyzed, and interpreted my data. I began writing my findings and observations
as I went along. I found that presenting the feelings and perceptions of study participants
can be difficult, especially when you are trying to be an objective observer and recorder
of other people’s thoughts, feelings, and perceptions. Capturing the experience through
the images of your study participants requires good in-depth interviews, accurate
transcriptions, and unbiased reporting. None of which is an easy task. A well-organized and
conducted qualitative research study will enable you to make valuable contributions to the
literature like these from my study.
—Warren Snyder
241
242 PART III ■ PUTTING IT ALL TOGETHER
A t this point in your study of qualitative research, you have had experience with conducting
interviews, making observations, or writing reflexive journals. You realize that the type
and quantity of the information you will gather (or have gathered) can be vast. But what are you
to do with it? What does it all mean? How can you make sense of what you have learned? For unless
you do something with all the information you have collected, you have not completed your
research. It is now that you begin to consider more carefully, then, what you will do with it.
Let’s start with some actual interview information. The following comments are taken from
an interview with Neil Armstrong as part of the NASA Johnson Space Center Oral History Project.
Stephen Ambrose and Douglas Brinkley conducted the interviews in 2001. The entire transcript
covers more than 100 pages. As a reminder, Neil Armstrong was the first person to set foot on the
moon. He was born in 1930 in Ohio.
Armstrong: I began to focus on aviation probably at age eight or nine, and inspired by what I’d
read and seen about aviation and building model aircraft, why, I determined at an
early age—and I don’t know exactly what age, while I was still in elementary
school—that that was the field I wanted to go into, although my intention was to
be—or hope was to be an aircraft designer. I later went into piloting because I
thought a good designer ought to know the operational aspects of an airplane. (p. 3)
Armstrong: Well, my knowledge of aerodynamics was not good enough to match the quality of
the Wright Brothers’ tunnel, and at that point I suppose I was equally educated to
them. But it was a fun project. Blew out a lot of fuses in my home. [Chuckles] Because
I tried to build a rheostat which would allow the electric motor to change speed and
then get various air flows through the tunnel, not altogether successfully. (p. 4)
Ambrose: The assumption among young men at that time was, “As soon as I graduate or as
soon as I get to be eighteen, I’m going into the service.” But then the war ended
when you were fifteen. So you completed the high school without any “I’m going
to enlist” kind of feeling.
Armstrong: That’s correct. We had a few people in my school who had either lied about their age
or were a little older than the class, who had gone into the service, and came back and
finished high school after the war was over. We had several of those fellows in our
school, but the youngest of those would probably be two years older than I was. (p. 6)
Armstrong: Well, I always felt that the risks that we had in the space side of the program were
probably less than we [had] back in flying at Edwards or the general flight-test
community. The reason is that when we were out exploring the frontiers, we were
out at the edges of the flight envelope all the time, testing limits. Our knowledge
base was probably not as good as it was in the space program. We had less
technical insurance, less minds looking, less backup programs, less other
analysis going on. That isn’t to say that we didn’t expect risks in the space
program; we certainly expected they would be there, were guaranteed that they
would be there. But we felt pretty comfortable because we had so much technical
backup and we didn’t go nearly close to the limits as much as we did back in the
old flight-test days. (p. 33)
Chapter 12 ■ Making Meaning From Your Data 243
The preceding dialogue includes several responses to questions posed by the interviewers.
In one case, I also include the question. Let us continue to think about this. These brief selec-
tions and the remainder of the interview are your data. As a qualitative researcher, your task is
to organize and make sense of the data. One way to do this is to see if you can identify key
concepts that come out of the data. An alternate way to do this is to see if you can develop a
story from the data. Whether key concepts or a story—both are legitimate ways of dealing with
the data and making sense of it. There are a number of steps between the data and the key
concepts or story.
First, let me provide some definitions. Data are the information you collect as part of your
research study. In qualitative research, data usually take the form of words or pictures. (In quan-
titative research, they take the form of numbers.) Key concepts are derived from the data
through a process of coding, sifting, sorting, and identifying themes. Storytelling or narrative
is an alternate way of making sense of the data. As you can imagine, there are numerous steps
along the way to move from the actual data you collected to either of these two ways of making
sense of the data.
One of the first ways in which you manipulate the data is to assign codes to portions of the
data. As a novice researcher, you will find it helpful to identify important portions of the text and
choose several words to mark the data. We are going to try this now. Let’s return to our original data.
Armstrong: I began to focus on aviation probably at age eight or nine, and inspired by what I’d
read and seen about aviation and building model aircraft, why, I determined at an early age—and
I don’t know exactly what age, while I was still in elementary school—that that was the field I
wanted to go into, although my intention was to be—or hope was to be an aircraft designer. I
later went into piloting because I thought a good designer ought to know the operational aspects
of an airplane. (p. 3)
I want you to try some initial coding. Look at Armstrong’s comments. How would you code
his response? One choice might be [early interest in aviation]. Another might be [choosing career].
Your knowledge of Armstrong’s background might come into play here as you proceed through the
transcript. Let’s try another bit of data.
Armstrong: Well, my knowledge of aerodynamics was not good enough to match the quality of
the Wright Brothers’ tunnel, and at that point I suppose I was equally educated to them. But it
was a fun project. Blew out a lot of fuses in my home. [Chuckles] Because I tried to build a
rheostat which would allow the electric motor to change speed and then get various air flows
through the tunnel, not altogether successfully. (p. 4)
How might you code this bit of data? [Sense of humor] might be used. Or you could tag [inter-
est in aviation]. Notice that most of the codes are concerned with the topic or content of the
response. One is concerned with the emotion shown by the respondent. Both are legitimate types
of codes. Saldana (2009) has taken us even further in talking about coding attributes. I hope you
244 PART III ■ PUTTING IT ALL TOGETHER
get the idea. You are beginning to move from the raw transcript data toward developing key con-
cepts. You are at the very first stages—what Saldana called preliminary codes or jottings (p. 17).
Here is another selection from the interview. Try your hand at coding.
Ambrose: The assumption among young men at that time was, “As soon as I graduate or as
soon as I get to be eighteen, I’m going into the service.” But then the war ended when you were
fifteen. So you completed the high school without any “I’m going to enlist” kind of feeling.
Armstrong: That’s correct. We had a few people in my school who had either lied about their
age or were a little older than the class, who had gone into the service, and came back and
finished high school after the war was over. We had several of those fellows in our school, but
the youngest of those would probably be two years older than I was. (p. 6)
■ Introduction
I have just taken you through the very beginnings of qualitative data analysis toward the pathway
of developing themes and then key concepts. Later in this chapter, I take you through six steps to
move from raw data into key concepts. Bazeley (2009) supported my view that analyzing qualita-
tive data is more than just looking for themes that are supported with quotes drawn from the raw
data. She thinks much deeper analysis should be involved that might include interpreting and
naming categories or looking at pattern analysis. I also introduce you to the idea of narrative
analysis in contrast to thematic analysis. I begin by asking you to think about what qualitative data
are. Then I ask you to consider whether your analysis will involve looking for themes and key
concepts or telling stories. Although many researchers have chosen to write about themes and
concepts derived from the data, others use stories to convey meaning.
Next, I introduce the idea of data analysis as a process. What constitutes data? When should
you do your analysis? How should you get started? What about coding and themes, or would you
prefer to focus on the stories and narratives of those you study? How do you know when you are
finished? Are you ever finished? I suspect that you will find those questions in any discussion of
qualitative analysis.
Qualitative research uses an inductive strategy. Its purpose is to examine the whole, in a
natural setting, to get the ideas and feelings of those being interviewed or observed. As a conse-
quence, data analysis in qualitative research is also inductive and iterative. Some people like to
collect data and analyze it simultaneously; the analysis can lead to further areas that could be
investigated as the study continues. Others find that they collect the data and then begin the
Chapter 12 ■ Making Meaning From Your Data 245
analysis; while this is not advised, it often happens. You can make the process iterative by proceed-
ing through the six steps that follow with some of your data and then testing it on additional data.
I see data analysis as being about process, and interpretation. Whether you analyze your data
using statistics or choose some other method, there is a process you follow and interpretations to
be made from that process. The process in quantitative research is straightforward—at least, once
you determine what statistics to run. When I was in graduate school, the process was very difficult.
You entered your data on 80-column cards and sorted the cards in the appropriate order. You wrote
a program or selected a program to run your data, and you had your university run the program
on a behemoth of a computer. How you interpreted the data you ran was also straightforward; it
was primarily a matter of testing hypotheses and rejecting (or failing to reject) them. When per-
sonal computers replaced large mainframe computers, data analysis also changed. Several statisti-
cal programs (e.g., Statistical Packages for the Social Sciences and Statistical Analysis System)
became available to analyze data. These and others are still in wide use today. The major issue for
analyzing numerical data is to determine the appropriate statistics. Programs produce statistical
output that can be used to test hypotheses. While you may not be entirely clear about which sta-
tistical approach to use or precisely how to enter your data, or even how to make meaning from
your data once it is run, you might feel comfortable that the results you obtain are objective and
scientific. You also expect that those who read your research will be comfortable with your results
and find them objective and believable.
I suspect, however, that you are left somewhat dissatisfied when you try to organize your
thoughts and put words to paper. What do those numbers really mean? Why are you rejecting the
null hypothesis? Can you even be sure that you understand the null hypothesis? What does it mean
to test at the .05 level of significance? To assist, you are usually able to obtain guidance from a
professor or tutor, who can help you interpret what you did.
Using computer software for qualitative analysis, however, is not comparable to that available
in the quantitative domain. In the example I provided about coding Armstrong’s interview data,
many computer programs would not be helpful in terms of identifying elements in the data that
you deem important. Be aware, though, that there are some new techniques currently being tried
that allow you to provide simple codes to data. I believe that it is only a matter of time before
additional techniques become available.
Analyzing qualitative data is an entirely different matter. The data are not numerical.
There are not agreed-upon ways of analyzing the data you have. And, whether you have a theo-
retical component to your research or not, you have the practical dilemma of doing something
with the data. Most qualitative approaches provide very general information about how to do
this. With the exception of grounded theory, you are pretty much left on your own. Thorne
(2000) has reminded us that “qualitative data analysis is the most complex and mysterious of
all of the phases of a qualitative project, and the one that receives the least thoughtful discus-
sion in the literature” (p. 68). There is a lack of standardization and few universal rules. Basit
(2003) commented that qualitative data analysis is the most difficult and most crucial aspect
of qualitative research (p. 143). In 1994, Morse suggested that the actual process of analysis
remains mysterious. Morse (2008) considered the issues of collaboration in qualitative inquiry
and particularly commented that the researcher must “get inside the data,” which makes col-
laboration somewhat problematic.
At times, investigators analyze the data using more than one method of analysis. Simons,
Lathlean, and Squire (2008) described a study in which they used the same data set but two different
246 PART III ■ PUTTING IT ALL TOGETHER
analysis protocols. First, they tried a thematic content analysis, in which they looked for themes
across the data set based on content. Then, with the same data, they applied a narrative analysis.
They described a technique developed by Riessman (2005) in which the analyst considered the
social position of the narrator. Their conclusion was that using iterative and sequential methods
reveal a greater depth of understanding than they would have found with only one method. Also,
to take experimentation even further, Frost and his colleagues (2010) took the same interview
transcript and conducted an analysis using four different analytic approaches: (1) grounded
theory, (2) Foucauldian discourse analysis, (3) interpretative phenomenological analysis, and
(4) narrative analysis. Kaufmann (2011) has described a poststructual analytic approach in which
new meaning is created by looking for differences rather than similarities, by looking for absence
rather than presence, and by looking at local rather than universal. Li and Seale (2007) reported
on a project involving teaching and supervising their students in conducting qualitative analyses.
Their students had difficulty knowing where to start coding, and they faced problems with ambi-
guities in definitions of codes, inaccuracies in reporting, and overinterpretation of the evidence.
As my extensive experience and these studies suggest, how to analyze qualitative data is an area
that remains conflicting or more likely somewhat vague. I have thrown many terms at you without
any definitions or explanations. Now I want to bring you back to reality. We will look together at
some ways you can make sense of the data you collect.
Whether you approach data analysis via a generic coding strategy or select one of several
specific strategies—some of which I mention subsequently—and whether you use computer
software or not, I believe you will have the most success with a systematic approach. A systematic
approach to analysis and interpretation brings order and understanding to your qualitative
research project. You will also need creativity and discipline as you embark on your data analysis.
The challenge is that the way you do this is flexible and open to discussion and interpretation.
I also discuss clarification of your philosophical stance. What do you believe qualitative research
can do with and for data? What is your belief regarding what I call “who is right”? Do you need to
verify what you have done with an expert? After all, who is an expert? Should you connect to theory?
I then introduce a concrete example of what I refer to as the three Cs of analysis. This six-step
approach should provide you with enough detail to start your own analysis.
Another topic I cover is whether, and in what ways, you should make use of computer soft-
ware to analyze your data. Although most of you will have your data on your laptop computer, this
is different from using analytical software. If you choose to use software, which program should
you choose? How do you learn the software? Many faculty members are not qualified to assist you.
Many of the instructional manuals cannot be used without additional workshops or tutoring. I
conclude with new trends, especially in the area of secondary analysis.
Steven Johnson (2004), in Mind Wide Open, helped us understand our inner workings
and psyches in his fascinating book about the brain and the neuroscience of every-
day life. By now, I shouldn’t have to remind you that I want you to keep your mind
wide open!
Chapter 12 ■ Making Meaning From Your Data 247
your thinking entirely, you might place disposables into one pile and those that are permanent into
another. So, there is no right way to do this. And, you are no more or less expert at doing the task
than the next person. Organizing the data you collect takes on the same kind of challenge. There
are no clear rules, nor is it obvious how you should begin. As a beginning researcher, I suggest you
begin by practicing. By following a process of coding and looking for themes, you can begin to
make sense of your data.
One limitation of this type of analysis is that it operates from a reductionist perspective. Do
we really believe that we can capture so much of what a person thinks and feels and portray it in
five or six basic themes? Some would argue that by doing this, we are trying to move into an
analytic mode that is more closely allied to principles of quantitative paradigms. An alternative
approach to an analysis that identifies themes is the emphasis on finding the narrative or telling
stories (Coffey & Atkinson, 1996). The intention is to examine how such stories can be used as
structured or formal ways to transmit information. You can read in greater detail Denzin’s (1989)
account of interpretive biography. Connelly and Clandinin (1990) have written extensively on the
topic. Baumgartner (2000), in her study of HIV-positive adults, shed light on exploring how
stories can be used as a source of data. Although Richmond (2002) proposed some specific
guidelines for a narrative analysis, most researchers follow their own plan and often do not
describe details in their published work. Guy and Montague (2008) analyzed the personal narra-
tives about men’s friendships. Zilber, Tuval-Mashiach, and Lieblich (2008) stressed the impor-
tance of context in the construction and understanding of life stories. I particularly like Coffey
and Atkinson’s (1996) admonition:
There are no formulae or recipes for the “best” way to analyze the stories we elicit and col-
lect. . . . Such approaches also enable us to think beyond our data to the ways in which
accounts and stories are socially and culturally managed and constructed. That is, the analy-
sis of narratives can provide a critical way of examining not only key actors and events but
also cultural conventions and social norms. (p. 80)
Some researchers have experimented with visual narratives. Researchers might rely on nar-
ratives generated by participants or those they generate. For details using this approach you can
examine a Visual Research Methods course taught at the University of California, Berkeley, during
the spring of 2011 (http://blogs.ischool.berkeley.edu/VizNarrative/potential-readings/). Others
combine multiple types of data: visual, written, and spoken. Keats’s (2009) point is well taken:
“Studying narrative texts aids the researcher in understanding how participants experience, live,
and tell about their world” (p. 181). Li and her colleagues (2011) have provided an excellent
example of visual narrative combined with text.
I am suggesting that you can either conduct an analysis in which your goal is to identify
themes or conduct an analysis in which your goal is to provide an interpretation of the data by
telling or retelling a story. Neither way is “right.” The process you follow to get to the end depends
on your goal.
Writing about the analysis process is linear; in contrast, actually doing an analysis is anything
but. You will be faced with many questions you need to answer and decisions to make. It is often
the case that you know in advance the main types of data you will collect. However, as your project
develops, you might discover that additional data become available. You may decide in advance
250 PART III ■ PUTTING IT ALL TOGETHER
that you will use a computer software program to analyze your data. However, the program you
want may not be readily available, or you may think you can learn how to run a program that turns
out to be much more complicated than you anticipated. You may decide that you are going to con-
centrate on one aspect of a problem and then find that the data you collect lend themselves to
exploring totally different arenas. You may decide to incorporate images in your data, but you are
not really able to determine how best to include the visual data and how to incorporate them into
an analysis. The process may appear to be relatively clear and systematic; however, in reality, you
might find yourself getting bogged down in details you did not expect. You might find that you
want to capture information from the Internet (e.g., chat room discussions, Listserv comments,
the blogosphere, YouTube), but you do not know enough about the logistics to do this effectively.
Shulman (personal participation, webinar, 2011) has developed Discover Text that enables the
researcher to capture data from Facebook or Twitter in real time and apply preliminary codes.
Getting Started
Qualitative research is usually a solo activity. You collect data on your own, analyze it on your own,
write it on your own, and are responsible for what you say. But we know that much research ben-
efits from interacting with others, trying your ideas out on others, and learning about the reaction
of others to your ideas.
I know that students learn by doing and practicing. I encourage you to work with small
groups of students as you embark on looking for meaning in what you have gathered. Here is an
exercise from Barbara Kawulich (personal communication, 2008; exercise used with permission
of Barbara Kawulich) that she calls “Hot Monkey Sex”: Students are given three Post-it Notes each.
On the first, they write their answer to the question “Given all the money you need, where in the
world would you like to go for a month’s vacation?” On the second, they write down whom they
want to go with. On the third Post-it Note, they indicate what they want to do on the vacation.
Students work in pairs to analyze the data by organizing the Post-it Notes in various ways to tell a
story the responses generate. Kawulich chose the title for the exercise while working with a class
consisting of several young teachers and one older, quiet teacher who typically did not get involved
in the class. This activity really got the quiet teacher involved: Her Post-it Notes revealed that she
wanted to go to Hawaii with Brad Pitt and have hot monkey sex. “The younger teachers roared with
laughter, loving her openness and appreciating the fun-loving side we had never before seen.”
Kawulich reported that once she renamed the exercise, students would bring cameras to class
because their friends wanted to see what “Hot Monkey Sex” looked like. Exercises like this can help
you see how the codes emerge from the data and how no single scheme is better than another.
Chapter 12 ■ Making Meaning From Your Data 251
9/15/2008. Read through the transcript of DanielInt1. Daniel certainly had a lot to say. I wish
I had asked him more about why he decided to leave the field of teaching. I will need to
remember to do that in my next interview and if I go back with him as well.
9/20/2008. Finished my second interview with Daniel. Glad he clarified his thoughts on this
topic. Not sure I would have picked this up unless I had read what he said.
your responsibility to generate the codes. Do not expect that a computer program will generate
codes or organize them; rather, you will need to provide the input. I have broken down this
process into six steps (see Figure 12.1).
Raw Data
Interview 1
Raw Data
Observation 4
The six steps are as follows, and are subsequently explained in detail:
Step 1. Initial coding. Going from responses to summary ideas of the responses
Step 1. Initial coding. An initial code can be a word, a phrase, or the respondent’s own words. You
come to it by a careful reading of the text. In my coding of the Armstrong interview, I used brief
phrases for my coding. Even if you have only collected a small amount of data, it is not too early to
begin coding. Select any transcript. Read the initial page or two. Use the “Comment” function in
your word processing program to insert your initial codes (in Microsoft Word, you will find the
function on the “Insert” menu). Enter your initial codes. Continue reading the transcript while
Chapter 12 ■ Making Meaning From Your Data 253
entering different codes. Upon completion of initial coding with one transcript, select another
transcript and continue the same process. Box 12.1 is an example that might help you see this
more clearly. The researcher’s codes are in brackets.
Step 2. Revisiting initial coding. By now, you will have developed a large number of codes. Some of
them will be redundant, and you will need to collapse them and rename the codes. I have observed
that some people tend to code almost every phrase or sentence, while others code larger chunks of
information. You need to choose whatever works best. You may want to modify your codes based
on an examination of what you have already collected and new raw data. The brief transcript I
provide does not give you a chance to show how you might rename your codes. But you should
focus on removing redundancies, renaming synonyms, or clarifying terms. If you coded attributes,
you should make them consistent, for example, men, boys, teenage boys, and so on. Choose one
term to describe the attribute.
Step 3. Initial listing of categories. Now that you have modified your codes, it is time to organize
them into categories. I have found that certain codes become major topics, while others can be
grouped under a major topic and become subsets of that topic. In essence, you have moved from
one long list of codes into several lists of categories, with related codes as subsets of the categories
(see Box 12.2).
254 PART III ■ PUTTING IT ALL TOGETHER
• Maintenance
• Physical attraction
• Intimacy
• Tensions/barriers
• Problems
• Issues with boyfriend/girlfriend
• Meaning of friendship
• Issues of homosexuality
Step 4. Modifying the initial list. At this point, you will need to continue the iterative process. You
may decide that some of your categories are less important than others, or you may see that two
categories can be combined. Remember that your goal in the three Cs analysis is to move from
coding initial data through identification of categories to the recognition of important concepts
or themes.
Step 5. Revisiting categories. I suggest that at this point, you revisit your list of categories and see
whether you can remove redundancies and identify critical elements. In my experience, most
novice researchers tend to see everything as important. They appear reluctant to say that one area
might reveal more interesting ideas than another. This is where you can exercise your judgment
about what is important and what is not.
Here is an example taken from an entirely different context. Suppose you have 100 books and
you want to arrange them into five piles. Well, there are a number of ways you can do this. You can
sort by color—all blue-covered books together, all green-covered books together, and so on. You
can sort by size—grouping all oversized books together. You can sort by topic—all books on sci-
ence together, all books on humor together, and so on. Or you can sort by author—all books by
Roth together, all books by Faulkner together, and so on. You could arrange by publication date—
all books published after 2000 together, all from 1990 to 2000 together, and so on. Obviously, some
categories make more sense than others, depending on your purpose. Further, you could place the
books in subsets within each of the major categories. To continue with my example, you could
place light blue books together, navy blue together, and so on. If you arranged by author, you could
put major works together and minor works together.
Step 6. From categories to concepts. The final step in the process is to identify key concepts that
reflect the meaning you attach to the data you collect. While there are no definitive rules for the
number of concepts you might identify, I believe very strongly that fewer well-developed and
supported concepts make for a much richer analysis than many loosely framed ideas. As you read
and reread your data, you will see that some ideas appear richer and more powerful than others.
It is up to you to determine that. I would suggest, as a rule of thumb, that five to seven concepts
should be the maximum number that you can find in a set of data. You might consider even fewer
Chapter 12 ■ Making Meaning From Your Data 255
concepts as you become more sophisticated in conducting analyses. Obviously this number
depends on the size of the data and the range of the interview. Some information is unimportant
even though it is there.
When organizing your codes into concepts, it is your task to decide the most informative or
logical manner of sorting. You need to determine from the data what meaning you think can be
found. Sometimes your initial thoughts are quite superficial. You will find that reorganizing and
rewriting and rethinking often lead to more powerful ideas. At this point, some writers like to
weave information from the available literature together with their new data.
Analyzing data
Asking
and finding
questions
meaning
Gathering
data
256 PART III ■ PUTTING IT ALL TOGETHER
■ Analysis of Narratives
Thus far, I have described a process you can follow if you are analyzing your data by coding and
looking for central concepts or themes. But some writers and researchers prefer an analytic pro-
cedure that focuses on stories and the narrative. Riessman (2008) wrote about narratives as tell-
ing, transcribing, and analyzing. She includes four analytic approaches: thematic analysis,
structural analysis, dialogic/performance analysis, and visual analysis. According to Q: Foundations
of Qualitative Research in Education (n.d.), a site developed for students at the Harvard Graduate
School of Education,
Thematic analysis relies on categorizing accounts or aspects of accounts that are being
told. Structural analysis looks into the ways in which the narratives are structured and
what the language in the stories does both on the textual as well as the cultural level.
Dialogic/performance analysis focuses on the difficulty in analyzing accounts that are co-
constructed or performed. Lastly, visual analysis focuses on the analysis of all visual media
including art, video, and digital media. (¶ 3)
Langellier (1989) has added two additional categories: resolution (what finally happened)
and coda (return back to the present). Richmond (2002) argued for the importance of studying
stories. She studied adult learners by using a story map. You might find her four-step process help-
ful. The structure you use would include (1) an orientation (setting and characters), (2) an
abstract (a summary of the events or incidents important in the story, (3) complicating action
(your evaluative comments on events or conflicts or themes), and (4) resolution (the story out-
comes). Paulson (2011) explained how she used open and focused coding in conjunction with two
types of data (ethnographic and narrative interviews) in her study about dance. For me, this is an
example of blurred lines. While it is a study based on narrative, she follows quite explicit and
detailed coding procedures.
My original task was to help guide you, in detail, on how to analyze your data so that you
could develop and write in a narrative, storytelling manner. Saldana (2009) has offered an example
of narrative coding. He spoke of how narrative coding emerged after looking at the structures and
properties of an interview (p. 110). While helpful, the specific details of how one moves from the
raw data into a narrative or story mode is based more on the whole of the data rather than isolat-
ing each part into specific codes. In a sense, the process is about the whole rather than a focus on
the details. That is not to make a judgment about the value of this approach. There is a large
increase in presentations that are based on autoethnography, poetry, performances, and storytell-
ing. You will find many such examples in the journal Qualitative Inquiry. The June 2011 issue, for
example, includes 10 articles; there are plays, poetry, autoethnography, and performance text. One
includes visuals. None are written in the more familiar style. The April 2011 issue follows a similar
pattern.
While there is some writing about narrative analysis, very little of it addresses any specifics
on how to do it. In fact, Griffin (2011), in a review of Goodall’s 2008 volume on writing qualitative
inquiry and storytelling, commented “but though it is a rapidly growing area, there is a dearth of
practical advice regarding personal narrative as a method of inquiry” (p. 219).
Chapter 12 ■ Making Meaning From Your Data 257
I presented two types of analysis: theme analysis and narrative analysis. In the section on
theme analysis, I provided you a six-step process to move from raw data to themes (and concepts).
This process is generic in nature, but incorporates ideas from many different research approaches
and analysis approaches. I also discussed in an abbreviated manner the idea of analyzing based
on narrative or storytelling. What follows are two sections. In the first, I talk about the major
qualitative research approaches I described in Chapter 4. In the second, I discuss various analytic
techniques that sometimes stand on their own.
If you were following a postmodernist or critical theoretical approach, you might look at
issues of sexuality and gender. Because these approaches are more theoretical than practical,
analyses are very general.
If you were using mixed methods, you would tend to organize your data and construct tables
as well as look for themes.
Perhaps the preceding discussion simply highlights the lack of clarity between qualitative
research approaches and how to conduct an analysis. At times, you will see references to very
specific qualitative analytic techniques. I list and give examples of some of the major ones.
Generic approach. Although there are a number of specific analytic techniques associated with
various research approaches, many qualitative researchers use a generic approach to coding.
The procedure I outline previously is a generic style. Creswell (2009) has stated this cogently:
“Often we see qualitative data analysis reported in journal articles or books that is a generic form
of analysis. In this approach, the researcher collects qualitative data, analyzes it for themes or
perspectives, and reports 4–5 themes” (p. 184). For Saldana (2009), generic coding (both first and
second cycle) includes attribute coding and descriptive coding as well as coding for patterns. I
reviewed a number of qualitative research studies to determine the approach used. Many
discussed coding and looking for themes, but did not discuss details of how the coding was
accomplished or how the themes were derived from the codes.
theory is derived from the concepts. Strauss and Corbin (1990) have provided specific examples of
how to use this procedure. Charmaz (2006) also takes you through some of the details. Kirchhoff and
Lawrenz (2011), in their study of teacher education, provided an excellent and detailed explanation
of how to do such coding. Allen (2011) applied the method in her feminist approach to grounded
theory. This detailed procedure involves line-by-line coding from which concepts appear. Her article
offers examples of the raw data, the initial codes, and the focused codes. Eich (2008) provided more
details of how to use this method in his grounded theory study of student leadership development
programs. Connolly (2003) has adapted and simplified this method, which she refers to in general
terms as qualitative data analysis. She identifies three phases: generative, interpretive, and theorizing.
Content (textual) analysis. Content analysis has been around since Lasswell introduced the idea
of studying the content of communication. Krippendorff wrote about it in 1980 (see also
Krippendorff, 2004). Some qualitative researchers are drawn to it, I suspect, because it has a
structure and is more in keeping with the position of looking for rigor and acceptance. Hsieh and
Shannon (2005) identified three approaches to content analysis. In what they called a conventional
content analysis, coding categories were derived directly from text. In a direct approach to content
analysis, a theory or prior research is used to guide the analysis in the initial coding. A third type
is summative analysis; in this latter approach, counting categories precedes the interpretation. It
seems to me that these three approaches are a continuum, from less to more conservative. Denny
(2011) used content analysis to explore gender differences in the messages of handbooks and
other material from boy and girl scouts. She was interested in the content, the context, and the
approach. I found the variety of information she coded fascinating. For example, she looked at
badges and badge activities for boys and girls. I was surprised to learn that there were 20 badges
and 323 activities for boys and 104 badges and 1440 badge activities for girls. So, you can see the
process was very detailed and tedious. Sonpar and Golden-Biddle (2008) used content analysis of
qualitative archival data to elaborate on theories of adolescence.
Conversation analysis. As its name implies, conversation analysis is a detailed analysis of the
talk between two or more individuals. Coming from the field of sociolinguistics, the careful study
of talk was originally started by Sacks, and you can view an online tutorial (Antaki, n.d.; www
-staff.lboro.ac.uk/ssca1/intro1.htm). You might also find Belouin’s (2010) blog helpful in
understanding this approach.
Discourse analysis. Discourse analysis is a technique with several interpretations. It was originally
interpreted as analyzing structure of text content in terms of syntax and semantics. When
influenced by poststructural or postmodern views of the world, this procedure “is concerned with
the way in which texts themselves have been constructed in terms of their social and historical
‘situatedness’” (Cheek, 2004, p. 1144). Prins and Toso (2008) employed discourse analysis in their
analysis of a widely used parent profile instrument. Freshwater and her colleagues (2010), writing
in the field of nursing, were concerned with qualitative research as evidence and presented clear
discussions about ways in which discourse analysis coupled with autoethonography can be seen
to have suitable rigor and relevance. Foucauldian discourse analysis emphasizes power relationships
and subjectivity. Garrity (2010) discussed the complexity of some of these issues and urges
considering some of the complexities of the theory.
260 PART III ■ PUTTING IT ALL TOGETHER
Interpretative phenomenological analysis. This analytic approach involves the detailed examination
of the lived experience of individuals. It is influenced by hermeneutics. Owens and her colleagues
(2011) applied the approach in a study of urban African American males’ perceptions of school
counseling services.
Narrative analysis. Based on the idea that people use stories to make sense of themselves, this type
of analysis explores the data specifically looking for stories. While early narrative analysis relied
on Labov’s (1972; Labov & Waletzky, 1967) writing, Cortazzi (2002) developed later work in
education. Spector-Mersel (2011) has helped us understand ways in which narratives can be
interpreted. Her model relies on the idea that identities can be claimed via stories. Later in this
chapter, I discuss the importance of interpreting stories informants tell. Her article used life stories
of senior officers who come from the generation of those who founded Israel in the 1940s. But you
can see how this might be applied to a study of baby boomers who are preparing to retire from the
field of education.
Qualitative comparative analysis (QCA). Ragin (1987) developed QCA when dealing with
comparison across cases. According to Greckhamer, Misangyi, Elms, and Lacey (2008), its purpose
is to preserve the complexity of a single case while making comparisons across cases. It has
primarily been used in sociology and political science and is more closely associated with
conservative or traditional approaches to qualitative analysis.
I believe that many of these analytic approaches were developed to systematize the analysis
of qualitative data. All assume that the data are represented by words. They are not as well estab-
lished as quantitative procedures and, as you can see, current researchers are still modifying many
of the techniques. My philosophy is that, unless you are following a grounded theory approach, you
will be best served by using a generic approach and following the steps I outlined earlier in the
chapter. Perhaps the last word on coding comes from Woodby and her colleagues (2011), who
wrote about the emotional stress of coding on the researchers as they worked with after-death
interviews of family members. This led them to write about how qualitative inquiry can impact
the emotional well-being of researchers. This may seem a little extreme, but then again, I didn’t do
the type of coding they did.
Hammersley (2010) raised a different point. He suggested that using actual transcriptions is
a more rigorous type of evidence than field notes because it offers a more accurate representation
of what happened. He is also interested in capturing a description of behaviors.
Some equipment on the market that transcribes audiotapes is not yet perfected. (See Johnson,
2011, for his comparison of voice recognition software with listen-and-type method. His conclu-
sion is that the latter method takes less time and is more accurate.) Perhaps, by the time you begin
your research, better equipment will be available. But for now, you will need to transcribe your
interview data—not write a summary. This is, of course, time consuming and quite difficult,
especially if you have focus group data. Some will hire a person to transcribe their data, but, in my
view, it is worth the effort to do it on your own. Bailey (2008) argued that because transcribing is
not just a straightforward and simple task, but involves judgment questions about the level of
detail to include, the researcher should do the work.
In contrast to the process described earlier, some researchers believe that the analysis
process involves identifying salient stories that either emerge from the data or are con-
structed as composites from bits and pieces of several data sources. For them, the meaning
is in the story and in the researcher’s interpretation of the story. This process works best if
you have interview data from a number of individuals, although I have also used it with
detailed and extensive interviews from one or two individuals. Those who adopt this stance
take the position that coding raw data into concepts is a reductionistic practice and detracts
from the meaning of what is said (see Chase, 2005, and Riessman, 2005, for additional details
about the process).
■ Philosophical Stance
I agree with many writers who say that qualitative analysis is the least understood and most com-
plex of all aspects of conducting qualitative research. I think it is important for you to clarify your
views about the process of analysis, but first I want to reveal mine.
As the researcher, you are the best equipped to make sense of the data. Using others to verify
your interpretations assumes that there are “right” concepts to find or that some “findings” are
better than others. Get rid of that notion. Unlike statistical analysis, in qualitative research analysis,
there is nothing that says that one set of interpretations is better than another. Now, that does not
mean that you might not make a case for one set of interpretations over another based on your raw
data, but “experts” are not needed here. You should be closer to your data than anyone else.
Using computer software makes the process easier; it does not give more reliable or believable
results. The hard work of sifting, sorting, coding, organizing, and extracting remains yours.
The analysis is an integral part of the process of qualitative research. As such, it must begin
early in your project. You should not wait until all your data are collected before you begin to think
about your analysis. There are various procedures that you can choose to follow; whichever you
choose, you need to document how you carried out your analysis.
It is important not to get to the end too quickly. The data need to be looked at several times.
Don’t jump to conclusions and concepts too quickly. That often leads to superficial analyses that
don’t really add much new information to the literature.
What about the role of theory? Although there is not agreement that theory building is part
of qualitative research, some writers support the idea, especially when using grounded theory. And
you should be aware of this. Wright (2007) described how she connects data analysis to theory
building for her students studying public health. I like her suggestion of using a photograph of a
coal-mining child to evoke issues of public health. The students were asked to write a story about
the child from the photograph. That was their first attempt at coding. After practicing coding, they
then practiced reducing the data. They then moved into theory building by looking at how creative
and imaginative explorations can enhance systematized mechanical coding. I am particularly
drawn to the visual display of data, which you can see in her interesting article.
program to find a given word or phrase in the text. For example, Microsoft Word has a “Find”
feature that searches text and indicates each instance of a particular word or phrase. You could
begin to code your raw data by asking the program to find a given phrase, then highlight it, and
change the text color. Next, you could give each of those phrases the same code. You could do this
for each set of raw data you have. Of course, you would have to keep track of the color and coding
scheme that you have developed. There are several advantages to this simple process: (1) the
ability to locate terms in text quickly, (2) the ability to identify text associated with the terms, and
(3) the ease of storing and accessing information in comparison to the old way of color coding or
sorting on the dining room table.
When I began teaching qualitative research, I was very reluctant to use computers. It
seemed to me that by using computers I was buying into a paradigm that valued numbers,
tables, and precision, yet I recognized that much of qualitative research took a different
approach. What was I to do? I thought a qualitative software program might be too structured;
in fact, I was not even sure what these programs did. We are a far cry from note cards and
search-and-find features of basic word processing programs. There is now a fairly substantial
number of sophisticated computer programs that permit a more elaborate system of coding,
searching, and retrieval of information.
Known as qualitative data analysis software (QDAS) or as CAQDAS, a number of software
programs have been developed. Four are thoroughly described in di Gregorio and Davidson’s
(2008) comprehensive text: ATLAS.ti, MAXqda, NVivo, and XSight.
QSR International has been one of the leaders in the field. You can read about their programs
on the website (www.qsrinternational.com/). I am most familiar with the software this company
offers. NVivo will allow you to perform a number of functions that I describe subsequently. I sus-
pect other software products will allow you to perform similar functions. NVivo has additional
functions not described below.
Importing files into a project. You can import any text material into the program directly from your
word processing program. You can bring in one or many files at the same time. This saves an
incredible amount of time. You can also link any other material that is nontextual through a
process of external links. Thus, if you have photographs or audio material that you do not want to
lose, you can make links directly to your master file. New material can easily be added. You can also
bring in results of your literature review. Thus, all of your data—whether interview data,
photographs, references, or notes—can be organized and placed in the same project. This is a
tremendous advantage, even if the program does nothing else for you. The latest versions of NVivo
have the capacity to handle videos and audio. It is also available in Chinese and Spanish.
Coding information in your project. You can begin coding the various files you have in your project.
Some simple keystrokes will enable you to mark a word, line, sentence, or section and code for that
piece of data with whatever term you want. The program makes a list of the various codes you have
chosen. As your coding progresses, you might find that you have used terms that are similar. The
program will let you combine several codes if you wish. New codes can always be added and others
deleted. You can also code demographic information and develop tables and charts. If desired, the
data can be exported into SPSS or a spreadsheet for display or analysis.
264 PART III ■ PUTTING IT ALL TOGETHER
Organizing codes in your project. You can begin organizing the various codes you have developed
into a series of nodes with branches. This is similar to putting codes into categories and subsets.
In a way, this is how you begin to take your raw data, code them, and develop concepts. The
program has enormous flexibility with these nodes.
Searching in your project. One of the great strengths of this program is that you can conduct
complex searches once you have coded your data. There are more than a dozen types of searches
that you can conduct. Once you decide what you want to do, the program will locate information
from any of your files and bring it into a new file and provide ready access.
Building models. You can develop models representing your theoretical position, either prior to
your analysis or subsequent to it. Attractive graphics facilitate this task.
Other capabilities. You can create a file for your personal memos or self-reflections and add these
to your project at any time. You can manage an enormous amount of data in a single project. You
can work on your project with others and share your ideas. QSR training has now reached the
United States; the developers are readily available to answer your questions. The website is very
accessible. Although based in Australia, they often are in England at workshops and presentations.
QSR provides online support and runs a Listserv where most of your questions can be answered.
Limitations. As you can tell, I really like this program. But I will be the first to admit that it is very
difficult to learn. I don’t think you can learn it on your own, so you need to decide whether it is
worth the effort. A student version is available at a reduced cost. If you get it and use it, I believe it
will open up many ideas to you that you have not thought of before.
You can read about other computer software programs such as Ethnograph, AtlasTI, and so
on. I write about QSR products to illustrate the best of what is out there. However, if you have a
small amount of data and a small budget, go for the old-fashioned method. Make use of your
computer word processing programs as best as you can.
Shulman (2011) has developed Texifter, mentioned in Chapter 6, a program that captures live
data from social media such as Facebook or Twitter and enables basic coding of text. I participated
in a webinar that demonstrated the ease with which the system works. One caveat is in order: At
the present time (spring 2011) the coding is limited to basic two or three levels of response (e.g.,
positive, neutral, or negative).
At a 2010 conference comparing five software packages, Woods and Dempster (2011)
described Transana (www.transana.org/), a qualitative analytic software that can examine multi-
ple simultaneous video streams.
■ Other Issues
In what ways can cloud computing be affected by and affect qualitative research? While not techni-
cally a software program, cloud computing, introduced in Chapter 6, enables computational
resources on demand by using a computer network. Such a paradigm enables users—whether or
not they have a particular piece of software—to access the software on demand and pay accord-
ingly. Since it exists in a virtual environment, it is basically in the clouds. Mei, Chan, and Tse (2008)
have referred to this paradigm as a way to share data, calculations, and services transparently
Chapter 12 ■ Making Meaning From Your Data 265
among many users on a massive grid. Oza, Karppinen and Savola (2010) reported on a qualitative
study of expert users from the Finnish Cloud Software Program Consortium.
How can Web 2.0 be useful in qualitative analysis? Also discussed in Chapter 6, Web 2.0 is
associated initially with Darcy NiNucci who coined the term in 1999. O’Reilly media ran a Web 2.0
conference in 2004. Today it is associated with web applications that facilitate information shar-
ing and collaboration on the web. It has been described as a revolutionary way to create, collab
orate, edit, and share user-generated content online—what a great arena for qualitative
researchers. Duffy (2008) described a number of qualitative research groups on Web 2.0 social
networking sites. She sees their value as incubators for innovation. But I think Europe and the Far
East are ahead of the United States on this topic. A conference on qualitative research in social
media and Web 2.0 was held in Macau in 2011. The 4th European Conference on Computer-Aided
Qualitative Research is scheduled for September 2011 in Switzerland. The latest technologies to be
discussed are desktop software, mobile computing, and Web 2.0 platforms.
Secondary analysis of qualitative data is a fairly new idea. Heaton’s thoughtful book on
reworking qualitative data highlights some important issues (Lichtman, 2005). Corti (2007) has
provided information about a project conducted in Finland dealing with archived qualitative data.
Mruck (2005) commented on this and issues of data archiving and data protection in her editorial
in a special issue of FQS on qualitative secondary data analysis.
A number of issues have surfaced recently regarding the use of the Internet and qualitative
data. Can you use qualitative data that is found on the Internet for your study? Shulman recently
posted in an e-mail that he had captured a large number of tweets related to Bin Laden. He made
them available to his research community, but within a day he was asked not to do so. They have
been removed from his site. How can you organize and process data you collect on the Internet?
Are there available tools to facilitate this process?
A number of online journals make qualitative data available to the marketplace. How can you
gain access? How useful is it? Is secondary analysis of qualitative data legitimate?
Should data be archived? What about the quality of the data? Who should have access? Who should
maintain the files? The Faculty of Social Sciences Committee on Ethics (FSSCE, n.d.) at Lancaster
University has published a paper on the legal aspects of archiving qualitative data that addresses such
issues as who holds the copyright, the potentially sensitive nature of some of the data and the potential
harm to participants, and the issues of anonymity and privacy (see also Bryman & Burgess, 1994).
■ Summary
Unlike quantitative research, qualitative research—with the exception of grounded theory—lacks prescriptive
guides to data analysis, although several approaches are suggested: constant-comparative method, content
analysis, discourse analysis, and qualitative comparative analysis. Most approaches are based on identifying
concepts or telling stories. Regardless of which approach you use, you are a key tool in the analysis process, and
you need to document your process.
The three Cs of data analysis are coding, categorizing, and concepts. I suggest a six-step process: (1) initial
coding, (2) revisiting initial coding, (3) developing an initial list of categories or central ideas, (4) modifying
your initial list based on additional rereading, (5) revisiting categories and subcategories, and (6) moving from
categories to concepts.
For larger data sets, computer programs such as NVivo or other QDAS programs can increase efficiency.
266 PART III ■ PUTTING IT ALL TOGETHER
■
G ROU P ACT IV IT Y
Purpose: Move from coding to concept development.
Activity: Select a piece of writing from the Internet. You can use a blog, a newspaper article, or other current
topic. Have each class member provide codes of the text. Form small groups to review the codes together and
categorize the codes into concepts. Compare concepts from different small groups.
Evaluation: Explore the extent to which individuals are able to move from codes to concepts.
■
I N D I VI D UA L ACT IV IT Y
Purpose: Practice narrative analysis.
Activity: Write a short paper using metaphors to describe an important event in your life. Share your paper with
class members. Compare analysis using coding and concepts with analysis using narratives.
Evaluation: Determine in what ways class members are able to make meaning from each method of analysis.
■
S T U D E NT ST UDY SIT E
Log on to the Web-based student study site at www.sagepub.com/lichtman3e for additional study tools
including:
■ References
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