0% found this document useful (0 votes)
202 views

Multimedia System

This document contains a lab manual for a multimedia systems course. It provides an introduction to key concepts like multimedia, multimedia systems, and multimedia authoring. It also covers the user interfaces and functions of software like Adobe Photoshop, Adobe Audition, and Adobe Premiere for editing photos, audio, and video. Exercises are included to demonstrate skills in importing, organizing, and saving multimedia content.

Uploaded by

Elsabet Tesfaye
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
202 views

Multimedia System

This document contains a lab manual for a multimedia systems course. It provides an introduction to key concepts like multimedia, multimedia systems, and multimedia authoring. It also covers the user interfaces and functions of software like Adobe Photoshop, Adobe Audition, and Adobe Premiere for editing photos, audio, and video. Exercises are included to demonstrate skills in importing, organizing, and saving multimedia content.

Uploaded by

Elsabet Tesfaye
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 85

DEBRE MARKOS UNIVERSITY

INSTITUTE OF TECHNOLOGY

SCHOOL OF COMPUTING

INFORMATION TECHNOLOGY ACADAMIC PROGRAM

Lab Manual for Multimedia System

PREPARED BY: ELSABET TESFAYE

December 2013
MULTIMEDIA SYSTEM LAB MANUAL

Contents
1. Introduction to Multimedia Systems ..................................................................................................... 1
1.1. What is Multimedia? .................................................................................................................. 1
1.2. What is Multimedia System? ..................................................................................................... 1
1.3. Multimedia Authoring ................................................................................................................ 1
1.4. Multimedia authoring tools: ...................................................................................................... 2
1.5. Multimedia Images and Graphics ............................................................................................. 2
2. Introduction to Adobe Creative Suite 6 Master Collection ................................................................... 3
2.1. Adobe Photoshop ........................................................................................................................ 3
2.2. Photoshop Panel and Tools ........................................................................................................ 3
2.3. Adobe Photoshop User Interface ............................................................................................... 4
2.4. Main Components of Photoshop................................................................................................ 4
2.5. Open a Photoshop Document or Image .................................................................................... 6
2.6. Saving Your Work ...................................................................................................................... 7
2.7. Customizing the Photoshop environment ............................................................................... 11
2.8. Working with Layers ................................................................................................................ 13
2.9. Layer basics ............................................................................................................................... 16
2.10. Compositing Images and Text ............................................................................................. 25
2.11. Cropping Image..................................................................................................................... 26
2.12. Creating Areas of Solid Colors ............................................................................................ 30
2.13. Adding Text Layers .............................................................................................................. 31
2.14. Quick Selection Tool ............................................................................................................. 34
2.15. How to Cut Part of One Image to Use on the Other .......................................................... 35
2.16. How to Create a Banner in Photoshop ................................................................................ 36
2.17. Animate Text in Adobe Photoshop ...................................................................................... 38
2.18. How to Animate a Photo in Adobe Photoshop ................................................................... 40
2.19. How to Create 3D Text Effect in Photoshop ....................................................................... 42
2.20. How to Remove Acne and Skin Blemishes in Photoshop .................................................. 49
2.21. Exercise .................................................................................................................................. 53
3. Introduction to Audio .......................................................................................................................... 54
3.1. What is Sound ........................................................................................................................... 54
3.2. Adobe Audition ......................................................................................................................... 54
3.3. Adobe Audition User Interface ................................................................................................ 54
3.4. How to Import or Open an Audio ........................................................................................... 57

ELSABET TESFAYE I
MULTIMEDIA SYSTEM LAB MANUAL

3.5. How to Select and Move Clips ................................................................................................. 58


3.6. How to Split or Cut up a Clip in Your Timeline .................................................................... 58
3.7. How to Save Audition File ........................................................................................................ 59
3.8. Apply Effects to Audio.............................................................................................................. 60
3.9. How to Record Audio in the Waveform Editor...................................................................... 60
4. Video ................................................................................................................................................... 62
4.1. Introduction to Adobe Premiere.............................................................................................. 62
4.2. Premiere Pro Interface ............................................................................................................. 62
4.3. Starting a new Project in Premiere ......................................................................................... 68
4.4. Create a new Project in Premiere Pro..................................................................................... 70
4.5. Save Premier Pro Projects ....................................................................................................... 70
4.6. Import Video and Audio........................................................................................................... 70
4.7. Assemble and Refine a Sequence ............................................................................................. 71
4.8. How to Split Video or Audio in Premiere Pro ........................................................................ 73
4.9. Add Titles................................................................................................................................... 74
4.10. How to Add Transitions in Premier Pro ............................................................................. 76
4.11. How to Add Video and Audio Effects ................................................................................. 78
4.12. Exercises................................................................................................................................. 80
5. References ........................................................................................................................................... 82

ELSABET TESFAYE II
MULTIMEDIA SYSTEM LAB MANUAL

Lab objective

The objective of this manual is to help students:

 To identify elements of the Photoshop CS6 user interface.


 To be able to edit photo, video and audio.
 To demonstrate importing, organizing and saving.
 To demonstrate knowledge of producing and reusing images and video.
 To demonstrate how color is managed in digital video and image.
 To understand and use key terms related to video and audio production.

1. Introduction to Multimedia Systems


1.1. What is Multimedia?
Multimedia is the field concerned with the computer-controlled integration of text, graphics,
drawings, still and moving images (video), animation, audio, and any other media where every
type of information can be represented, stored, transmitted and processed digitally. A
multimedia application is an application which uses a collection of multiple media sources e.g.
Text, graphics, images, sound/audio, animation and/ video.

1.2. What is Multimedia System?


A multimedia system is a system capable of processing multimedia data. A multimedia system
is characterized by the processing, storage, generation, manipulation and rendition of
multimedia information.

1.3. Multimedia Authoring


Multimedia authoring is a process of assembling different types of media contents like text,
audio, image, animations and video as a single stream of information with the help of various
software tools available in the market. Multimedia authoring tools give an integrated
environment for joining together the different elements of a multimedia production. It gives
the framework for organizing and editing the components of a multimedia project. It enables
the developer to create interactive presentation by combining text, audio, video, graphics and
animation.

ELSABET TESFAYE 1
MULTIMEDIA SYSTEM LAB MANUAL

1.4. Multimedia authoring tools:


Multimedia authoring tools provide important framework that is needed for organizing and
editing objects included in the multimedia project (e.g. graphics, animation, sound, video, etc.).
Types of authoring tools
There are three types of authoring tools, which are divided by the style in which the
multimedia presentation is created.
 Card and page based tools.
 Icon‐based, event‐driven tools.
 Time‐based tools.

1.5. Multimedia Images and Graphics


An image consists of a rectangular array of dots called pixels. The size of the image is specified
in terms of width x height, in numbers of the pixels. The physical size of the image, in inches
or centimeters, depends on the resolution of the device on which the image is displayed.

The resolution is usually measured in dpi (dots per inch). An image will appear smaller on a
device with a higher resolution than on one with a lower resolution. For color images, one
needs enough bits per pixel to represent all the colors in the image. The number of the bits per
pixel is called the depth of the image.

ELSABET TESFAYE 2
MULTIMEDIA SYSTEM LAB MANUAL

2. Introduction to Adobe Creative Suite 6 Master Collection

Adobe cs6 master collection for windows provides a full set of professional tools for video
editing, effects creation, graphic design, website & application development, page layout, and
image editing – and for publishing all this creative content to mobile devices, the web, print,
and tablets.

2.1. Adobe Photoshop


Adobe Photoshop is a powerful graphic editing program that allows you to create and
manipulate images for print, the web, and other media. Photoshop is almost limitless in the
ability to manipulate and edit images.

Application area of adobe Photoshop

Adobe Photoshop is a software application for image editing and photo retouching for use on
Windows or Mac OS computers. Photoshop offers users the ability to create, enhance, or
otherwise edit images and artwork.

2.2. Photoshop Panel and Tools


Photoshop is modular in it is layout and it is infinitely customizable. In the default
configuration, the panels are located on the right hand side, the tools are on the left and the
option bar which displays the most useful parameters for a selected tool is across the top of the
work area. There is also a standard menu bar at the very top of the application.

ELSABET TESFAYE 3
MULTIMEDIA SYSTEM LAB MANUAL

2.3. Adobe Photoshop User Interface

Figure 1. Photoshop user interface

2.4. Main Components of Photoshop


You create and manipulate your documents and files using various elements, such as panels,
bars, and windows. Any arrangement of these elements is called a workspace.

Any arrangement of these elements is called a workspace. (The workspaces of


different adobe creative applications share similar appearances so that you can move between
the applications easily.) You can adapt Photoshop to the way you work by selecting from
several preset workspaces or by creating one of your own.

ELSABET TESFAYE 4
MULTIMEDIA SYSTEM LAB MANUAL

The toolbar

The toolbar (also known as the toolbox or the tools panel) is where Photoshop holds all of its
tools. You'll find it along the left of Photoshop’s interface. There's tools for making selections,
for editing and retouching images, for painting, adding type or shapes to your document, and
more.

Figure 2.Toolbar

The document window

The document window is the large area in the center of the interface where the image is
displayed. It's also where we edit the image. The actual area where the image is visible is
known as the canvas. The dark area surrounding the image is the pasteboard. The pasteboard
doesn't really serve a purpose other than to fill in the space around the image when the image
itself is too small to fill the entire document window.

The menu bar

Along the very top of Photoshop’s interface is the menu bar. The menu bar is where we find
various options and commands, all grouped into categories. The file menu, for example, holds
options for opening, saving and closing documents. The layer menu lists options for working
with layers. Photoshop's many filters are found under the filter menu, and so on.

ELSABET TESFAYE 5
MULTIMEDIA SYSTEM LAB MANUAL

Figure 3.Menu bar

The options bar

Directly linked to the toolbar is Photoshop’s options bar. The options bar displays options for
whichever tool we've selected in the toolbar. You'll find the options bar along the top of the
interface, just above the document window.

The panels

Along the right of Photoshop’s interface is where we find the panels. Panels give us access to
all sorts of commands and options, and there are different panels for different tasks. The most
important panel is the layers panel. It's where we add, delete and work with layers in our
document.

Figure 4.Panels

2.5. Open a Photoshop Document or Image

To start edit a photo you have to open the image.

ELSABET TESFAYE 6
MULTIMEDIA SYSTEM LAB MANUAL

To open a file:
1. Select File > Open

Figure 5. Opening a document

2. A dialog box will appear. Locate and select the file on your computer, then click Open.

Figure 6.Selected image

2.6. Saving Your Work


Saving options
When saving a file in Photoshop, you have several options and file formats to choose from:

ELSABET TESFAYE 7
MULTIMEDIA SYSTEM LAB MANUAL

PSD this is the default file type for Photoshop documents, although you won't necessarily use
it for every image. It will save your layers and all of the other information in your image so
you can easily re-edit it later. PSD files are designed to be opened in Photoshop, so if you
want to share the image with others you'll also need to save a copy of the image in a common
file format, like JPEG.
Common file formats you can save images in a variety of common file types, including
JPEG and PNG. These file formats can be viewed and edited on almost any computer or
mobile device, which makes them well-suited for sharing with others.
Save for Web if you're planning to upload an image to the Web, like on a blog or website,
you'll want to use the Save for Web feature. This tool allows you to save images that are
optimized for the Web, which will make them easier to download and view online. Save for
Web also includes several helpful features for preparing images for the Web, including the
option to resize images.
Using Save As
You'll use the Save As command to save files in the PSD format, as well as other common
formats like JPEG and PNG.

1. With the image open in Photoshop, select File > Save As.

Figure 7.Save as
2. A dialog box will appear. Type the desired file name, then choose a location for the
file. You'll want to use a new file name to avoid accidentally overwriting the original
file.

ELSABET TESFAYE 8
MULTIMEDIA SYSTEM LAB MANUAL

3. Click the Format menu, then choose the desired file format. If you're saving as a PSD
file, make sure the Layers option is checked. However, most other formats won't allow
you to select this option.

Figure 8. File name


4. Click Save
To save for the Web
1. Select File > save for web.

ELSABET TESFAYE 9
MULTIMEDIA SYSTEM LAB MANUAL

Figure 9.Save for web

2. The Save for Web dialog box will appear. Select the desired file type and quality
level.

Figure 10.File type

ELSABET TESFAYE 10
MULTIMEDIA SYSTEM LAB MANUAL

3. If needed, resize the image by typing the desired dimensions under Image Size.
When you enter the new image width, the height should be adjusted automatically
to maintain the original aspect ratio.
4. Click Save. A new dialog box will appear. Type the desired file name and choose
a location for the file, then click Save.

Figure 11.Choose location

2.7. Customizing the Photoshop environment


If you want to customize Photoshop, you can adjust the default application settings. Most of
these options are pretty technical, but we'd like to show you two basic adjustments you may
find helpful.
1. Select Edit > Preferences > Units & Rulers.

ELSABET TESFAYE 11
MULTIMEDIA SYSTEM LAB MANUAL

Figure 12.Prefernces
2. A dialog box will appear. Under Units, click the menu next to Rulers, select
Pixels, and then click OK. You may need to quit and restart Photoshop for the
changes to take effect.

Figure 13.Unit and rulers

ELSABET TESFAYE 12
MULTIMEDIA SYSTEM LAB MANUAL

To adjust the text size


If you'd like the text of the Photoshop interface to be larger or smaller, you can
adjust the application's text size.
1. Select Edit > Preferences > Interface.
2. Under Text, click the menu next to UI Font Size, then select the desired size.
You may need to quit and restart Photoshop for the changes to take effect.

Figure 14.Text size

2.8. Working with Layers


Layers are simple stacks of images, objects or text layers are very powerful because they allow
us to edit and move individual image components without affecting other elements within the
scene.

You use layers to perform tasks such as compositing multiple images, adding text to an image,
or adding vector graphic shapes. You can apply a layer style to add a special effect such as a
drop shadow or a glow.

Showing and hiding panels

ELSABET TESFAYE 13
MULTIMEDIA SYSTEM LAB MANUAL

You'll also be able to view and modify information on the current file through the other panels
in the workspace. For example, you can view the document's layers in the Layers panel. To
show or hide any panel, click the Window menu, then select the desired panel (currently visible
panels are indicated by a check mark). In the image below, we're using the Window menu to
turn on the History panel.

Figure 15.Show or hide

You can use the double arrows to expand or collapse panels. This can be helpful if you want
to temporarily hide a panel without removing it from the workspace.

Figure 16.Expand

Moving panels

If you want to change a panel's location, you can move it by clicking and dragging the panel
to a new part of the workspace.

ELSABET TESFAYE 14
MULTIMEDIA SYSTEM LAB MANUAL

Figure 17.Moving
To reset the panels to their default positions, select Window > Workspace > Reset Essentials.
Note that this process may vary depending on which version of Photoshop you're using. For
example, in Photoshop Elements you'll select Window > Reset Panels.

Figure 18.Reset window

ELSABET TESFAYE 15
MULTIMEDIA SYSTEM LAB MANUAL

2.9. Layer basics


You can view, create, and edit layers with the Layers panel. This will generally be found in
the lower-right corner of the screen, although you can always go to Window > Layers to
make sure it's turned on.

Figure 19.layers

To create an adjustment layer


An adjustment layer does not contain content; it simply allows you to apply
adjustments to the layers below it.
1. In the Layers panel, select the layer below where you want the adjustment layer to
appear.in our example, we'll select the girl layer.

ELSABET TESFAYE 16
MULTIMEDIA SYSTEM LAB MANUAL

Figure 20.Selected layer


2. Click the Adjustment button at the bottom of the Layers panel, then choose the
desired adjustment.

Figure 21.Adjustment

ELSABET TESFAYE 17
MULTIMEDIA SYSTEM LAB MANUAL

3. The adjustment layer will appear, and you can then customize the adjustment in
the Properties panel. Any changes you make will affect every layer below the
adjustment layer.

Figure 22.Customize adjustment


You can also use the buttons in the Adjustments panel to create an adjustment layer.
To duplicate a layer:
N.B. Before start editing a photo or other project you have to unlock or duplicate a
background layer. There will also be times when you'll want to duplicate an existing layer.
This is an easy way to try out different edits without altering the original layer.
1. Right-click the layer, then select Duplicate Layer

Figure 23.Duplicate a layer

ELSABET TESFAYE 18
MULTIMEDIA SYSTEM LAB MANUAL

2. A dialog box will appear. Click OK. The duplicate layer will appear.
Using adjustment layers
We'll be using adjustment layers to correct images. Adjustment layers are a type of
nondestructive editing because they don't actually change anything about the original image.
And because you can continue to tweak adjustment layers as you work, it's easy to try out
different effects and get the image to look exactly the way you want.
Levels
Every image has a mix of shadows, highlights, and midtones. Shadows are the darkest parts
of the image, highlights are the brightest parts, and midtones are everything in between.
When you adjust levels, you're adjusting these different tones. And while you could use the
brightness and contrast tools for a similar type of adjustment, they're much less powerful than
levels.

Figure 24.Before &after

To adjust levels:
1. In the Layers panel, add a Levels adjustment layer.

Figure 25.Levels

ELSABET TESFAYE 19
MULTIMEDIA SYSTEM LAB MANUAL

2. Locate the graph in the middle of the Properties panel. This is called a histogram, and
it shows information about the shadows, highlights, and midtones of the image.

Figure 26.Histogram
3. Notice the Input Levels sliders just below the histogram. These are the controls you'll
use the adjust levels. Do not use the Output Levels sliders near the bottom of the
panel.

Figure 27.Output level


4. Because our image is too dark (underexposed), we'll click and drag the white slider to
the left. Notice how we're dragging the slider to the right-most edge of the histogram.
Be careful not to drag the slider past this point or you'll begin to lose detail in your
image. This is commonly referred to as clipping.
5. If the shadows in the image are too bright, you can click and drag the black slider to
the right.
Saturation
If the colors in your image are dull or muted, you can increase the saturation to make them
look more vivid. You can see an example of this in the images below.

ELSABET TESFAYE 20
MULTIMEDIA SYSTEM LAB MANUAL

Figure 28.Saturation
On the other hand, you can reduce the saturation to make the colors less vivid. If you remove
the saturation completely, it will produce a black-and-white, or grayscale, image. You can
see an example of this in the images below.

Figure 29.Increase or decrease


To adjust saturation, add a Hue/Saturation adjustment layer. Then click and drag the
Saturation slider in the Properties panel to increase or decrease the saturation.
Vibrance
Increasing the saturation can sometimes look a bit unnatural. One solution is to use a
Vibrance adjustment layer instead of Hue/Saturation. Vibrance lets you boost the saturation
for the parts of the image that are less colorful without oversaturating the parts that are
already colorful.

ELSABET TESFAYE 21
MULTIMEDIA SYSTEM LAB MANUAL

Figure 30.Vibrance
Sharpening
Sometimes an image may not be as clear as you'd like it to be. Sharpening can help make it
look crisp and clear by enhancing the edges of objects in the image. However, adding too
much sharpness can actually make an image look worse, or it can lead to a loss in image
detail.
Unsharp mask
The unsharp mask filter is a common way to sharpen images in Photoshop. When you use
this tool, you'll be able to control several settings, including:
 Amount: The amount determines how much sharpness will be applied. The amount
you'll need depends on several factors, including the overall image size, so it's good
to experiment with this setting.
 Radius: The radius controls the size of the details that will be sharpened, so it's
generally best to use a very low value for this setting. We recommend a radius
between 0.3 and 0.5 for most images, although you may find it useful to use a slightly
larger radius (between 1 and 1.5) for higher-resolution images.
 Threshold: Sharpening tends to make image noise more visible. Increasing the
threshold can help to reduce this by telling the unsharp mask to ignore certain parts of
the image. However, this can also mean that different parts of the image are not
sharpened consistently. This is why we recommend keeping this setting at 0 most of
the time, unless the sharpening is creating a lot of extra noise.

ELSABET TESFAYE 22
MULTIMEDIA SYSTEM LAB MANUAL

To apply an unsharp mask:


1. Right-click the layer you want to sharpen, then select Duplicate Layer. You'll apply
the sharpening to this duplicate layer, which will prevent you from accidentally
altering the original.

Figure 31.Duplicate a layer


2. A dialog box will appear. Type a name for the new layer, then click OK. In this
example, we'll call it Sharpened.

Figure 32.Type name


3. With the new duplicate layer selected, go to Filter > Sharpen > Unsharp Mask. If
you're using Photoshop Elements, you'll need to go to Enhance > Unsharp Mask.

ELSABET TESFAYE 23
MULTIMEDIA SYSTEM LAB MANUAL

Figure 33.Unsharp mask


4. A dialog box will appear. Set the desired radius size, then choose the amount of
sharpness to add. We recommend experimenting with different amounts of
sharpening to see what looks best. You can look at the preview window above the
sliders to see how sharpening is affecting the image.
5. Click the preview window to toggle the preview off and on. This is an easy way to
compare the sharpened version with the original. To view a different part of the
image, click and drag within the preview window. Note that you'll also see the
preview in the main document window.

Figure 34.Preview

ELSABET TESFAYE 24
MULTIMEDIA SYSTEM LAB MANUAL

6. Continue adjusting the settings until you're satisfied with result, then click OK. The
unsharp mask will be applied.

Figure 35.With different layers

2.10. Compositing Images and Text

You can use various features in Photoshop and image ready to combine several images or parts
of images to produce creative compositions.

Photoshop projects can have multiple images by separating them into different layers. To add
another image into your project:

1. Go to file at the top menu and open an image …


2. Next select the image you would like to add.
3. When you Place a new image into your document, it will automatically go into
Transform mode
 Transform mode is used to size content within a layer
 You can also move your content to any desired location by left clicking on it and
dragging

ELSABET TESFAYE 25
MULTIMEDIA SYSTEM LAB MANUAL

 When you are satisfied with the size and placement of your content press enter
on your keyboard

Add text in your photo

To add text effect into your image go to toolbar and select horizontal type tool then type your
text and add different editing features.

Figure 36.Composing image and text

2.11. Cropping Image


If you want to remove parts of an image, you can crop it. You can think of cropping like
using a pair of scissors to cut out the parts you no longer want.
There are two main ways to crop an image in Photoshop. You can either use the Crop tool or
make a selection with the Rectangular Marquee tool. These methods work a bit differently,
and you may find that you prefer using one method over the other.

ELSABET TESFAYE 26
MULTIMEDIA SYSTEM LAB MANUAL

To crop an image (Method 1):

1. To crop an image select the crop tool located in your tool bar on the left (c)

Figure 37.Crop tool


2. Click and drag to select the part of the image you want to keep, then release the
mouse.

Figure 38.Cropped area


3. Press Enter on your keyboard to crop the image. You can also double-click the image.

ELSABET TESFAYE 27
MULTIMEDIA SYSTEM LAB MANUAL

Figure 39.Final result


To crop an image (Method 2):
1. With the image open in Photoshop, choose the Rectangular Marquee tool from the
Tools panel.

Figure 40.Rectangular tool


2. In the Control panel, locate the Style drop-down menu (also called Mode in some
versions). If you want the image to be a specific aspect ratio, select Fixed Ratio
and type the desired width and height. Otherwise, make sure the Style is set to
Normal. In this example, we'll crop the image to a 4-by-3 aspect ratio.

ELSABET TESFAYE 28
MULTIMEDIA SYSTEM LAB MANUAL

Figure 41.Specific ratio


3. Click and drag to select the part of the image you want to keep, then release the
mouse.

Figure 42.Selected area


4. Select Image > Crop. The image will be cropped.

ELSABET TESFAYE 29
MULTIMEDIA SYSTEM LAB MANUAL

Figure 43.Option

2.12. Creating Areas of Solid Colors


By using the shape tool, located in your tool bar, we will be able to create a solid color on a
layer. This layer will be used as background color for text we will add later.

1. Click the shape tool in your tool bar and select the rectangle shape tool
2. Go to your options bar and click on the fill option
3. Click on the color picker button (the multicolor button)
4. Using your mouse click and drag where you would the new solid color to be add.

Figure 44.Solid color

ELSABET TESFAYE 30
MULTIMEDIA SYSTEM LAB MANUAL

2.13. Adding Text Layers


You can add text to your Photoshop project by using the type tool located in the tool bar. Every
time you add text to your document it will automatically be created in a new layer, located in
your layers panel on the right.

1. Locate and select the Type tool in the Tools panel. You can also press the T key on
your keyboard to access the Type tool at any time.

Figure 45.Type tool


2. In the Control panel near the top of the screen, choose the desired font and text size.

Figure 46.Font size

3. Click the Text Color picker, then choose the desired color from the dialog box.

Figure 47.Text color

ELSABET TESFAYE 31
MULTIMEDIA SYSTEM LAB MANUAL

4. Click and drag anywhere in the document window to create a text box.

Figure 48.Text box


5. A new text layer will be added to your document. You can start typing to add text to
the layer.

Figure 49.Add text to a layer

ELSABET TESFAYE 32
MULTIMEDIA SYSTEM LAB MANUAL

If you want to add a lot of text to your document, you may find it easier to work with
multiple text layers. This will give you more control over the appearance of your text.

Figure 50.Multiple text layer

Figure 51.Text effect and areas of solid colors in image

ELSABET TESFAYE 33
MULTIMEDIA SYSTEM LAB MANUAL

2.14. Quick Selection Tool


A selection allow us to isolate a particular portion on the layer. Then we can edit the selected
region without affect the rest of the layer. There are many ways in which we can generate a
selection in Photoshop.

Figure 52.Selected area


Once the selection is complete you have to go the image menu.

1. Image >adjustments>hue/saturation.
2. The hue/saturation adjustments are only applied to the selected areas.
3. Not only can you apply adjustments to selected areas, you can also apply filters from
the filter menu.
4. Filters>filter gallery>artistic>plastic warp filter has been applied to the same selection.

ELSABET TESFAYE 34
MULTIMEDIA SYSTEM LAB MANUAL

Figure 53. Plastic warp filter

2.15. How to Cut Part of One Image to Use on the Other

1. We have gone to file>open and then navigated to a folder containing the two
images we went to combine. We select both and then click on open to get
started.
2. We need to concentrate on the selected image and remove its background.
3. We could select quick selection tool (w).select it from the toolbar, we start to
click and drag the tool across the outline of the image.
4. Once we have the suite selected, we can refine the selection using the selected
and mask tool.
5. If you’re happy with the selection, click ok to proceed and return to the main
image. You can now go to edit>copy (ctrl+c) to copy all the pixels inside the
selection area you have created. You can then on the document tab of the other
image to open it
6. Now we can go to edit>paste (ctrl+v) and paste the cut out image in to this
document on its own layer.

ELSABET TESFAYE 35
MULTIMEDIA SYSTEM LAB MANUAL

Figure 54. Before cut out

Figure 55. After cut out

2.16. How to Create a Banner in Photoshop


1. Go to file menu> new file and select suitable size.

ELSABET TESFAYE 36
MULTIMEDIA SYSTEM LAB MANUAL

Figure 56. New document

2. If you want to add color, select Edit > Fill


3. Add all the element of banner such as font, logo shape and image.
4. After the end of your work save your file.

Figure 57. Advertising banner

ELSABET TESFAYE 37
MULTIMEDIA SYSTEM LAB MANUAL

2.17. Animate Text in Adobe Photoshop


Animating text in Adobe Photoshop is just like animating anything else in Photoshop. It takes
some placement, creativity and key frames to get the job done.

To create frame-based animations in Photoshop, use the following general workflow.

1. Create a new document.

Figure 58. New document

2. After creating a new document we have to change a background color and add text
layer.
3. To adjust your text you have to use free transform (CTRL+T).
4. After correcting your text go to window menu and select timeline and create frame
animation.

ELSABET TESFAYE 38
MULTIMEDIA SYSTEM LAB MANUAL

Figure 59. Timeline

5. Duplicate the text layer, change each font color and set there animation second or delay.

6. Edit the layers for the selected frame.

Do any of the following:

 Turn visibility on and off for different layers.

 Change the position of objects or layers to make layer content move.

 Change layer opacity to make content fade in or out.

 Change the blending mode of layers.

 Add a style to layers.

ELSABET TESFAYE 39
MULTIMEDIA SYSTEM LAB MANUAL

Figure 60. Frame animation

7. After the end of your work play your animated text.

Figure 61. Animated text

2.18. How to Animate a Photo in Adobe Photoshop

1. Open your picture.


2. Select the main subject using quick selection tool.

ELSABET TESFAYE 40
MULTIMEDIA SYSTEM LAB MANUAL

Figure 62. Selection

3. After selection go to in select menu inverse the photo.


4. In edit menu copy the image and paste.
5. To start the animation we have to select timeline from window menu and create video
timeline.
6. Change the layer to smart object.

Figure 63. Smart object

ELSABET TESFAYE 41
MULTIMEDIA SYSTEM LAB MANUAL

7. After converting smart object resize the clipping layer click the little arrow to expand
clips option the first key farm option is to animate the position of the clip and click the
stopwatch icon to apply transform key farm.
8. Move the play head along and add another key frame by clicking the little diamond
icon.

Figure 64. Video animation

9. Zoom out the image fits in to the screen area and use CTRL (T) shortcut for transform
to manipulate the waterfall clipping.
10. After the end of your work click play arrow to see your animate photo.

2.19. How to Create 3D Text Effect in Photoshop


Photoshop is an amazing designing software and play with 3D Text in Photoshop also has great
fun. 3D Text gives a three-dimensional view and realistic feel to your text.

Step 1: Create a New Document go up to the File menu at the top of the screen and
choose New, or for a quicker way, press the keyboard shortcut (Ctrl+N). Or open an
image you went to add 3D text effect (optional).

Step 2: Go to Tool Panel and here we’ll take text tool from Tool Bar and your text.

ELSABET TESFAYE 42
MULTIMEDIA SYSTEM LAB MANUAL

Figure 65. Text layer

Step3: With the text layer selected, go to 3D > New 3D Extrusion from Selected
Layer.

Figure 66 3D Extrusion

ELSABET TESFAYE 43
MULTIMEDIA SYSTEM LAB MANUAL

Step 4: Your text will be turned into a 3D object with some default settings. Before
we start changing them, let's set the scene first. Click the 3D text and go to the
Coordinates tab in the Properties panel. Change the X angle to 90 degrees.

Figure 67.3D object


Step 5: Select the first tool in the upper bar, and click somewhere outside of the object to
move the camera. Drag it until you see a red-blue cross.

Figure 68.Move camera


Step 6: Go to the Coordinates tab and adjust the second column to only include a 90-degree
rotation on the X axis.

ELSABET TESFAYE 44
MULTIMEDIA SYSTEM LAB MANUAL

Figure 69.coordinator
Step 7:Let's add a background that our object will be interacting with. Go back to the layers
and draw a rectangular shape.
Step 8: Go to 3D > New Mesh from Layer > Depth Map to > Plane.

Figure 70.Plane
Step 9: Select both layers and go to 3D > Merge 3D Layers.

ELSABET TESFAYE 45
MULTIMEDIA SYSTEM LAB MANUAL

Figure 71.Merge
Step 10: Select the last tool in the upper bar and resize the rectangular shape to fill the whole
scene. You can adjust the thickness of the letters by dragging the shape up by its Z axis (the
blue arrow).

Figure 72.Resize
Step 11: You can change the Softness of the shadow and the Intensity of the light in the
Properties panel.

ELSABET TESFAYE 46
MULTIMEDIA SYSTEM LAB MANUAL

Figure 73.Softeness
Step 12: Go to the Materials tab now. Select all the materials of the text and add some colors
to them. Diffuse is the main color of the object. Specular is the color of the highlights and
shine. Ambient is the color of the shadow. Keep these colors in the same hue range for a
natural effect.

Figure 74. Materials tab


Step 13: Once you've set all the colors, create a New Material.
Step 14: If you want to make the shadows brighter, you can also add some ambient light to
the scene. Find Environment on the 3D list and change Global Ambient to a bright color.
You can increase the intensity of the ambient light, too.

ELSABET TESFAYE 47
MULTIMEDIA SYSTEM LAB MANUAL

Figure 75.Brightness
Step 14: When you're done, click Render to see how your scene really looks. It can take a
while to finish rendering, but even a few passes can show you what to expect.

Figure 76.Render

ELSABET TESFAYE 48
MULTIMEDIA SYSTEM LAB MANUAL

Figure 77.Final 3D text

Figure 78. 3D in a photo

2.20. How to Remove Acne and Skin Blemishes in Photoshop


Step 1: add a photo in your layer. The layers panel shows the image on the background layer.

ELSABET TESFAYE 49
MULTIMEDIA SYSTEM LAB MANUAL

Figure 79. Original photo in a layer

To keep your retouching work separate from the original image, Duplicate the layer or hold
and drag the image and clicking the add new layer icon then rename the layer.

Figure 80. Add a new layer

Step 2: Select the spot healing brush from the toolbar.

ELSABET TESFAYE 50
MULTIMEDIA SYSTEM LAB MANUAL

Figure 81. Spot healing brush

Step 3: Select the sample all layers option and content-aware.

Figure 82. Selected spot healing brush

Step 4: Click on the skin blemishes to heal them

Click on pimples and other minor skin blemishes with the Spot Healing Brush to quickly heal
them. For best results, keep your brush slightly larger than the blemish. To change your brush
size from the keyboard, press the left bracket key ([ ) to make the brush smaller or the right
bracket key ( ]) to make it larger.

ELSABET TESFAYE 51
MULTIMEDIA SYSTEM LAB MANUAL

Figure 83. Original image

Before And After Comparison

To compare your retouching work with the original image, toggle the "Spot Healing" layer on
and off by clicking its visibility icon in the Layers panel

Figure 84. Off and on visibility

ELSABET TESFAYE 52
MULTIMEDIA SYSTEM LAB MANUAL

Figure 85. Final result

2.21. Exercise
1. Insert an image into your Photoshop and apply adjustment layers on your photo like
color balance, Hue/saturation, brightness and vibrance?
2. Apply effect on your image like crop and text layer?
3. Combine five different images together on your document and apply brightness,
text vibrance?
4. Create your own 3D text?
5. Prepare an advertisement banner for Ethiopians New Year it contains text and
photos.

ELSABET TESFAYE 53
MULTIMEDIA SYSTEM LAB MANUAL

3. Introduction to Audio

Audio is a term used to describe any sound or noise that is within a range the human ear is
capable of hearing. Any digital information with speech or music stored on and played
through a computer is known as an audio file or sound file.

3.1. What is Sound


Sound is produced by a rapid variation in the average density or pressure of air molecules
above and below the current atmospheric pressure. We perceive sound as these pressure
fluctuations cause our eardrums to vibrate.

3.2. Adobe Audition


Audition is a comprehensive toolset that includes multitrack, waveform, and spectral display
for creating, mixing, editing, and restoring audio content. This powerful audio workstation is
designed to accelerate video production workflows and audio finishing and deliver a polished
mix with pristine sound.

3.3. Adobe Audition User Interface


When Adobe Audition is first opened the application can appear very complicated and
overwhelming. Don’t panic. The workspace is broken into easily accessible areas. See Below:

ELSABET TESFAYE 54
MULTIMEDIA SYSTEM LAB MANUAL

Figure 86. Audition interface


Files

This is where any files and multitrack sessions associated with your project are
referenced.

ELSABET TESFAYE 55
MULTIMEDIA SYSTEM LAB MANUAL

Figure 87. File menu

Media Browser

This is the navigation pane. From here you can browse any connected device and drag any
wanted files into ‘Files’ window.

Figure 88. Media browser menu

Audio Waveform / Multitrack Display


This is main display. Single track or multitrack waveforms will be displayed here ready for
direct editing.

ELSABET TESFAYE 56
MULTIMEDIA SYSTEM LAB MANUAL

Figure 89. Waveform view

Warning! If you import an audio file and work on it in the Waveform view this is a destructive
process. Any file edits and alterations will overwrite the original file when saved. If you begin
a multitrack session and import your audio file into this then edits to the multitrack audio
channels does not overwrite the original audio file.

Editing Tools

Basic Waveform editing tools allowing you to ‘Cut’, ‘Delete’, ‘Move’ and ‘Join’ audio clips
in either Waveform or Multitrack sessions.

Figure 90. Editing tool

3.4. How to Import or Open an Audio


You have to use two options to open an audio in Audio Waveform / Multitrack Display.

 File >open>select the audio >click open.


 File>import>file>select file>click open.

ELSABET TESFAYE 57
MULTIMEDIA SYSTEM LAB MANUAL

3.5. How to Select and Move Clips


Do any of the following:

1. Select an individual clip, click it in the Editor panel.


2. Select all clips in selected tracks, choose Edit > Select > All Clips in Selected Track.
3. Select all clips in a session, choose Edit >Select > Select All.
4. Move selected clips, select the Move tool in the toolbar, and then drag the clips. Or
choose Clip > Nudge Right or Nudge Left to move clips one pixel at a time.

3.6. How to Split or Cut up a Clip in Your Timeline


1. Split audio clips to break them into separate clips that you can independently move or
edit.

2. Split clips with the Razor tool in the toolbar, hold down the Razor tool , and choose

one of the following from the pop-up menu:


3. When you select razor selected clips splits only clips you click.
4. But if you select razor all clips splits all clips at the time point you click.

Figure 91. Split clip

History

This contains a history of your changes to the current file you are working on, clicking on
previous changes will allow you to undo actions you have applied to the audio clips up to that
change.

ELSABET TESFAYE 58
MULTIMEDIA SYSTEM LAB MANUAL

Figure 92. History menu


Audio Meter
This allows you to monitor the playing audio tracks, it this monitor becomes red then the audio
is peaking (too loud) and will distort when played back through speakers and headphones.

Figure 93. Audio meter


3.7. How to Save Audition File
After the end of your work you have to save your work, go to file menu and select save as
option write the file name and browse the location then save click ok.

Fade a clip in audition


Fade a clip: Every clip placed in the multitrack view when selected will have a small box at
the beginning and end of the clip: If you click and drag this box a line will appear. This is the
fade Position the box to the place you wish your fade to finish (or if at the end of the track
where you wish it to begin) or both at the beginning or end.

Figure 94. Fade a clip

ELSABET TESFAYE 59
MULTIMEDIA SYSTEM LAB MANUAL

3.8. Apply Effects to Audio


Creating silence

This is useful for inserting pauses and removing nonessential noise from an audio file. To mute
existing audio in the Waveform Editor, select the desired content, and choose Edit > Insert >
Silence. Unlike deleting or cutting a selection, which splices the surrounding material together,
muting leaves the duration of the selection intact.

Figure 95. Silence


Mute or solo a track

Sometimes you want to turn off a track so you can focus on the rest of the mix, or sometimes
you want to only listen to one of the tracks.

 Click the M to mute a selected track.


 Click S to solo a track.

Applying amplitude and compression effects to audio

You have to apply amplitude compression and effects in your audio, go to effects, select the
effect and apply it.

3.9. How to Record Audio in the Waveform Editor


You can record audio from a microphone or any device and then plug into the line in port of a
sound card.

1. Set audio inputs.


2. Do one of the following:
3. Create a file.

ELSABET TESFAYE 60
MULTIMEDIA SYSTEM LAB MANUAL

4. Open an existing file to overwrite or add new audio, and place the current-time
indicator where you want to start recording.
5. At the bottom of the Editor panel, click the Record button to start and stop recording.

Figure 96. Record a sound

ELSABET TESFAYE 61
MULTIMEDIA SYSTEM LAB MANUAL

4. Video

The term video refers to the moving picture, accompanied by sound such as a picture in
television. Video element of multimedia application gives a lot of information in small duration
of time. Digital video is a series of images and useful for showing real life objects. When this
series of images are displayed on screen at fast speed (e.g. 30 images per second), we see a
perceived motion. It projects single images at a fast rate producing the illusion of continuous
motion. These single images are called frames. The rate at which the frames are projected is
generally between 24 and 30 frames per second (fps). The rate at which these images are
presented is referred to as the Frame Rate.

4.1. Introduction to Adobe Premiere


Premiere Pro is a powerful video editing tool developed by Adobe, jam packed with thousands
of options for any aspiring editor to use. Adobe premiere pro is the leading video editing
software for film, TV and web. It is used by videographers to edit, manipulate and export their
video projects.

4.2. Premiere Pro Interface


This is the Premiere interface when you start a new project. There are 6 main areas:

1. Source Window (for previewing and trimming clips), plus other editing related tabs
2. Project Window (where clips and sequences are stored)
3. Toolbar area
4. Program Window (view edited video clips from timeline), plus other editing related
tabs
5. Timeline
6. Audio Meters

ELSABET TESFAYE 62
MULTIMEDIA SYSTEM LAB MANUAL

Figure 97. Premier interface

Panels

Panels are Premiere’s method of organizing its workspace. These are essentially windows that
can be moved around and locked into different locations within the program’s interface
according to how the user sees fit. This is easily accomplished simply by clicking and dragging
on the top bar of each panel. Under panels there are a lot of panels.

Media Browser Panel


When starting a new project, this is where the user can import the files they’ll need. These files
will then be placed into the Project panel.

ELSABET TESFAYE 63
MULTIMEDIA SYSTEM LAB MANUAL

Figure 98. Browser panel

Project panel

Here, the user can organize the project files into separate folders within the Media Browser.
These folders are called Bins. There’s a variety of ways to customize the view of the files
within the panel, like List view, Free form view, or Icon view. By clicking and dragging on
the files contained here, the user can then edit the files within a different part of Premiere.

Figure 99. Project panel

ELSABET TESFAYE 64
MULTIMEDIA SYSTEM LAB MANUAL

Source Monitor Panel

This panel is for editing individual clips for a project. The user can define the length with In
and Out points, with In being the start and Out being the end. They can also decide the clip’s
source track (audio or video). There is also the option to export a single frame from the footage.

Figure 100. Source monitor panel


Program Monitor Panel

This panel is to the right usually of the Source Monitor. It’s used for the overall timeline of the
project, with all the clips and layers together. The user can play their project back in real-time
to preview how their video looks.

ELSABET TESFAYE 65
MULTIMEDIA SYSTEM LAB MANUAL

Figure 101. Program panel


Timeline Panel

Usually located under the Program Monitor panel, the Timeline is an overview of all the clips,
layers, and audio layers together. The Play head is used to slide up and down the Timeline.
There are options to lock layers to keep them from being edited, a mute button to quiet audio
tracks, and the ability to resize the labels by extending the scrollbar on the right side.

Figure 102. Timeline panel

ELSABET TESFAYE 66
MULTIMEDIA SYSTEM LAB MANUAL

Tool Panel

A compact panel that contains all the tools used for editing. The Select, Ripple Edit, Rolling
Edit, Crop, Track Select Forward, Razor, Pan, Pen, Text tools, and more are accessed from
here.

Figure 103. Tool panel

Effects Panel
This panel is where all the effects in Premiere can be accessed. They’re organized by type into
folders. Any effect can be applied by dragging and dropping the name onto the desired layer
in the Timeline.

Figure 104. Effect panel

ELSABET TESFAYE 67
MULTIMEDIA SYSTEM LAB MANUAL

Effect Controls Panel

This panel is usually nested within the same area as the Source Monitor panel. Here is where
the user can adjust and control any effects applied to layers from the Effects panel.

4.3. Starting a new Project in Premiere


When you first open up Premiere, a welcome screen appears where you can either create a new
project or open up an existing one.

Figure 105. Welcome screen

1. Click on New Project… and the New Project window opens up. This is where you
name your new project and select the location for the project.
2. Always keep all your project files in one location and parent folder.
3. Name your project with a unique name and set the location of where the project will be
stored by clicking on the Browse… button.
4. Click OK to start the Premiere project , and a blank Premiere interface will open up,
the next step is to create a sequence
5. Go to: File>New>Sequence…(Ctrl + N)

ELSABET TESFAYE 68
MULTIMEDIA SYSTEM LAB MANUAL

Figure 106. Sequence

The New Sequence window opens up and you must name your Sequence and select the editing
CODEC that matches the camera footage you shot.

Figure 107. Rename the sequence

ELSABET TESFAYE 69
MULTIMEDIA SYSTEM LAB MANUAL

Note: CODEC is the term for compressor - decompressor .it is the format that the camera uses
to shoot and store the information on the memory cards.

4.4. Create a new Project in Premiere Pro


 File>new>new project>project name>ok>new sequence>sequence name.

4.5. Save Premier Pro Projects


 Go to file menu>new>save as write file name>save.

Figure 108. Save project

4.6. Import Video and Audio


For file-based assets, using the Media Browser you can import files from computer sources in
any of the leading media formats. Each file you import automatically becomes a clip in the

ELSABET TESFAYE 70
MULTIMEDIA SYSTEM LAB MANUAL

Project panel.

Importing video or Audio

1. After creating a project you have to import a video or audio File>import>select the
video/audio>open.

Figure 109. Import video

4.7. Assemble and Refine a Sequence


Using the Source Monitor, you can view clips, set edit points, and mark other important frames
before adding clips to a sequence. For convenience, you can break a master clip into any
number of sub clips, each with its own In and Out points. You can view audio as a detailed
waveform and edit it with sample-based precision. You can automatically assemble clips into
a sequence that reflects their order in the Project panel.

Add clips to sequences

To add clips to a sequence in the following ways:

1. Drag the clip from the Project panel or Source Monitor to a Timeline panel or the
Program Monitor.

ELSABET TESFAYE 71
MULTIMEDIA SYSTEM LAB MANUAL

2. Use the Insert and Overwrite buttons in the Source Monitor to add clips to a Timeline
panel.
3. Automatically assemble a sequence from the Project panel.

Open a sequence

In a Project panel, double-click a sequence. The sequence opens in a Timeline panel. Drag
video and audio to a sequence. By default, when dropped into a sequence, the video and audio
components of linked clips appear in corresponding tracks.

Merge or Drag video or audio to a sequence

You can add the video track, the audio tracks, or both types of tracks of a clip to a sequence.
When you drag a clip from the Project panel or from the main viewing area of the Source
Monitor, you automatically add both types of tracks. If you want to add only one type of track,
add it from the Source Monitor.

1. Double-click a clip in a Project panel or Timeline panel to open it in the Source


Monitor.
2. In the Source Monitor, do one of the following:
 Drag all audio and video tracks of the clip, drag from anywhere inside the main
viewing area.
 Drag only the video track of the clip, drag from the Drag Video Only icon.
 Drag only the audio tracks, first target in the Timeline panel the tracks you want to
receive the clip audio tracks. Then map the audio tracks you want to use to the
target audio tracks. Then, drag from the Drag Audio Only icon.

ELSABET TESFAYE 72
MULTIMEDIA SYSTEM LAB MANUAL

Figure 110. Drag only video/audio

4.8. How to Split Video or Audio in Premiere Pro


Splitting media clips can help you break lengthy footage down into more manageable pieces
and make editing easier. The first step in splitting a video is to open it from the project part of
your screen and place it on the timeline. Then, select the clip and adjust the timeline bar to the
spot where you want to make a cut and split your single video into two or more separate clips.

Use The Razor Tool to cut clips in Premiere Pro

Cutting clips is actually quite simple. You can click on the end or beginning of a clip and drag
it to shorten or lengthen it. To cut a video use the razor tool. You can select it on your toolbar,
or use the shortcut "C" to select this useful tool. With the razor tool selected, simply click on
a clip to cut it on a certain frame. For more precise cuts, you can zoom in on the timeline as
much as you need to, making it easy to select the exact frame you want.

Figure 111. Razor tool

ELSABET TESFAYE 73
MULTIMEDIA SYSTEM LAB MANUAL

Using the razor tool will split the clip, which includes its audio track, into two clips. You can
Alt-click to cut only the audio or video track without cutting both.

Figure 112. Cut video

4.9. Add Titles


Using the Premiere Pro create stylish still titles, title rolls, or title crawls that you can easily
superimpose over video. If you prefer, you can modify any of a wide range of provided title
templates. As with any clip, you can edit, fade, animate, or add effects to the titles in a
sequence.

To add a title to your project, go to Title > New Title in the main menu bar. There are three
options to choose from:

1. Default still,
2. Default roll,
3. Default crawl. Choose default still, and you'll arrive at a prompt to choose your settings
for your new introduction title.

ELSABET TESFAYE 74
MULTIMEDIA SYSTEM LAB MANUAL

Figure 113. Add title

You should now see a black frame in the title window. Choose the text style for your title by
selecting from the options under the main viewer in the Title panel. Make sure that the Type
Text tool is selected in the tool panel.

Figure 114. Text style

ELSABET TESFAYE 75
MULTIMEDIA SYSTEM LAB MANUAL

After you've added text, align the title in the frame by clicking and dragging with the arrow
tool. And also you have to adjusting the title add different properties in your text like font size,
colure, and style.

When you're satisfied with your title settings, exit the Title panel. Your new title appears in the
Project panel next to your other source media. To add the title to your sequence, select it from
the Project panel and drag it to your desired location in the sequence. The default duration for
titles in Premiere Pro CS6 is five seconds; adjust this value by right-clicking on the title in the
Project panel.

Figure 115. Add title in a sequence

4.10. How to Add Transitions in Premier Pro


A transition is the way one shot changes to the next. By default, if two clips are placed next to
each other in the timeline, the transition is a cut. To make more interesting transitions such as
dissolves, wipes and effects, use the transitions available in the Effects window.

1. Import videos to your project. Before you can create a transition from one video clip to
another, your project needs to have a couple of video clips to transition to and from.
Use the following steps to import videos into your project:

ELSABET TESFAYE 76
MULTIMEDIA SYSTEM LAB MANUAL

 Click File.
 Click Import.
 Select a video clip.
 Click Open.
2. Drag your clips into the Timeline panel. Once you have a couple of clips imported into
your project drag them from the Project panel into the timeline at the bottom. The
Project panel on the left side of the screen by default. The Timeline panel is at the
bottom of the screen. In order to apply a transition, the two clips must be right next to
each other on the same track.
3. Adding Transition
Click the effects tab by default, it's at the top of the panel in the lower-left corner.
4. Click Video Transitions or Audio Transitions. The Effects panel has two folders for
both Audio Transitions and Video Transitions. Audio Transitions contains sound
effects to transition from one sound clip to the next and Video Transitions contains
visual effects to transition from one video clip to the next.

Figure 116. Video transition

ELSABET TESFAYE 77
MULTIMEDIA SYSTEM LAB MANUAL

5. Click this little button to expand the folder for the transition type you want to use.
Common transition types include Dissolve, Wipe, 3D Motion, Stretch, and more.
 The most common transition is the Cross Dissolve. This creates an effect where
one video fades out and the next video fades in on top of it. This is found in the
Dissolve folder.
6. Drag and drop a transition into position over two video clips in the timeline. Transitions
can be placed in between two clips, as well as at the beginnings and endings of each
clip. You will see a yellow box with the transition name appear over the two clips when
it is placed.
 Alternatively, you can right-click in between two clips and click apply default
transition to apply the default transition, which is normally a cross dissolve
transition. To set a different default transition, right-click a transition in the
effects panel and click set selected as default transition.

Figure 117. Apply transition

4.11. How to Add Video and Audio Effects

Video effects
Effect manipulates the brightness and contrast of a clip. It combines the functions of the Color
Balance, Gamma Correction, and Brightness & Contrast etc.

To add video effects in your video

ELSABET TESFAYE 78
MULTIMEDIA SYSTEM LAB MANUAL

 Effects>video effects then drag and apply your effect in your video.

Figure 118. Video effects

Audio effects

To add audio effects in your audio go to effects> audio effects select your favorite effect and
drag to add in your audio.

Figure 119. Audio effect

ELSABET TESFAYE 79
MULTIMEDIA SYSTEM LAB MANUAL

How to Add Speed/Duration in Premier Pro in a Video.


1. Import your video in project window.
2. Right click on the video and select speed/duration.
3. Apply the speed as you went to slow or fast to fill the number and click ok.

Figure 120. Speed

4.12. Exercises
1. Prepare your video to apply effects, transition and title?
2. Drag only the video track of the clip in your timeline and add other audio combine them
and paly it?
3. Drag only the audio track of the clip in tour timeline?
4. Apply speed in your video increasing and decreasing the number in half?
5. Apply video and audio effects in your clip?
6. Import two clips in your sequence split and combine them together?
7. Create your own video for Hotel advertisement.
 The advert contains, images, videos, and audio clips. Once you open Premiere
Pro, you’ll want to start a new project and either choose existing media from
your own library, or opt for high-quality stock photos or videos. You can even
use existing audio clips. Be sure to select all of the assets you want to use in
your video production. The images, videos, and audio will show up in the order
of your selection, but you can always rearrange them in the video timeline.

ELSABET TESFAYE 80
MULTIMEDIA SYSTEM LAB MANUAL

 Edit the flow and appearance of your video. To make your video more
interesting, you may want to add transitions, motion graphics, and music to your
story. You can even use the editing tools to split, shorten, lengthen or duplicate
a video clip; use color presets; adjust the audio tracks; and transform your video
with rotation, crop, and zoom functions.
 Customize your video titles. Premiere Pro, you have the option to type in and
edit your own title, or choose from the hundreds of title templates available to
you. If you select a template, you will be able to customize it to your needs,
such as changing the title size, color, spacing, and orientation.
 Save your video for sharing. When you’re finished editing your video, you can
save it as an MP4 file or upload it directly to your YouTube channel or social
media pages.

ELSABET TESFAYE 81
MULTIMEDIA SYSTEM LAB MANUAL

5. References
1. https://edu.gcfglobal.org/en/photoshopbasics/.
2. https://ptgmedia.pearsoncmg.com/images/9780321822475/samplepages/0321822471.pdf.
3. https://www.photoshopessentials.com/photo-editing/spot-healing-brush/.
5. https://helpx.adobe.com/premiere-pro/premiere-pro-cs6-tutorials.html.
6. https://help.adobe.com/archive/en/audition/cs6/audition_reference.pdf.
7. https://ptgmedia.pearsoncmg.com/images/9780321822475/samplepages/0321822471.pdf.

ELSABET TESFAYE 82

You might also like