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    Sevcik Shifting The Position and Preparatory Scale Studies Op8 Violin

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    The chief difficulty in these exercises consists in shifting (changing the position) so smoothly that the same are hardly perceptible. Besondere Schwierigkeiten bietet der Wechsel von den hochen nach den tieferen Lagen.

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    Sevcik Shifting The Position and Preparatory Scale Studies Op8 Violin

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    justkeepfocus
    4K views23 pages
    The chief difficulty in these exercises consists in shifting (changing the position) so smoothly that the same are hardly perceptible. Besondere Schwierigkeiten bietet der Wechsel von den hochen nach den tieferen Lagen.

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    Sevcik Shifting the Position and Preparatory Scale Studies Op8 violin

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    The chief difficulty in these exercises consists in shifting (changing the position) so smoothly that the same are hardly perceptible. Besondere Schwierigkeiten bietet der Wechsel von den hochen nach den tieferen Lagen.

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    4K views23 pages

    Sevcik Shifting The Position and Preparatory Scale Studies Op8 Violin

    Uploaded by

    justkeepfocus
    The chief difficulty in these exercises consists in shifting (changing the position) so smoothly that the same are hardly perceptible. Besondere Schwierigkeiten bietet der Wechsel von den hochen nach den tieferen Lagen.

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    Seveik Shifting the Position and Preparatory Scale Studies, op. 8 PREFATORY NOTE HE chief difficulty in these exercises consists in shifting (changing the I position) so smoothly that it is hardly perceptible. Shifting downwara, from a higher to a lower position, offers peculiar difficulties. In order to effect it smoothly, hold the violin firmly with the chin, and try to use the thumb as little as possible when shifting. Later these exercises are even to be practised without using the thumb, which is then held under the neck of the instrument. It is highly beneficial to practise these exercises désaché at first, and then legato in moderate tempo. THE EDITOR VORBEMERKUNG IE Hauptschwierigkeit in diesen Ubungen besteht darin, die Verbin- D dungen der Lagen so zu bewerkstelligen, dass dieselben kaum horbar sind. Besondere Schwierigkeiten bietet der Wechsel von den hoheren nach den tieferen Lagen. Um diesen Wechsel glatt zu machen, halte man die Violine mit dem Kinne fest und versuche, beim Lagenwechsel den Daumen der linken Hand so wenig wie méglich zu benutzen. Spiter sollen diese Ubun- gen sogar ohne Hilfe des Daumens geiibt werden, wobei der Daumen unter dem Hals der Geige gehalten wird. Es ist von grossem Nutzen, wenn man diese Ubungen zuerst gestossen, dann in massigem Tempo gebunden iibt. DER HERAUSGEBER Lagenwechseliibungen. Bet dem Hintiben dieser Belspiele wiederhole man in semiissigtem Tempo: ') Jedon einzclnen Takt, Dojeden Takt mit dem niichstfolgonden (1-2, 2-8,3-4us") ©)alle Takte, die auf derselben Saite angozeigt sind st© Beispiele Tate 1-0, 7-12, 13-18, 19-25), @ das ganze Betspiel in folgendea Tonarten, geban~ Shifting (Changing the Position). When practising these exercises repeat in moderate tempo: (a) Bach meesure separately: (b) Bach pair of successive messures together; for in= stance { with 2, 2 with 3, 9 with dete (©All groups of measures marked as to be played on the same string;~ in the ist Exercise measures { to 6, 17 to 42,13 to 18, 19 to 255 (a) The entire exercise in the keys given below, both egato and détaché. Weehsel der Laget Saito Synge == Ste Fe wo seaee aesy ave: Changes of position: From Ist to 24, 2d to Bd, Bd to 4th, ete. Eee ——_ eee as seer Seer \ capetaaes counts team 8. Weoksel der Lagen: 1-3, 2-4,3-5 usw. | Changes of position: From Ist to 3d, Rd to 4th,3d to Sth,eto, : =| : a Start i Weehsel dor Lagen:1-4,2-53-6 usw. | Changes of position: From 1st toath, 2d to Sth, dd to bth, ete. 23. Weehsel dor Lagen:1-8,2-6,8-7 usw. “)'" Changes of position: From tst to th, 2d to Oth, Bd to 7theto. 32. Weehsel dor Lagen: 1-6,2-7 8-8 usw, “] Changes of position: From Ist to 6th, 24 to 7th, 3d to 8th, ete. ete pscattttectienee. Eelteetteneo. fel feete o (sees SSS 38. Wechsel der Lagen: 1-7, 2-8, 3-9 u.s.w. | * Changes of position: From Ist to 7th, ‘2d to Sth, 3d to 9th, ete, See cee Ging ttebeeD Phe Boye app apttee Seg epee tr peti iol eis eT we ee EEEeep Ete (ase sleplettitierts Gobet ttitete Woehsel der Lagen: 1-8,2-9, 8:10 usw, > er arsiea Changes of position: From ist to 8th, 2d to 9th, Bd to 10th,cto. wy acer rere SS oe Serge gt meee e2 Sette z i z fates 1 os Tonleitern durch 3 Oktaven. © dur. © major. Scales Throughout 8 Octaves. 11 Fettas eee Hast 2 ther ee ster Man Gbe die NNO 57-50 in allen folgenden Tonarten, gebunden und gestossen: ‘A moll harmoniseh ‘A minor harmonic) et Pructise NO 67-89 in all the following keys,both legato and détaché. F dur.~ F major. D moll~ D minor, Seep itl Pees # © aur @ major. E moll E minor. #4 Sara B ur. Bb major. Fae G moll @ minor. PS Sate te Daur D major ee H moll. B minor, = eee eg me Bs dur.~ Bb major. oe We. Cmol.~ © minor. =a aoe Bd yas Adu A major Ppt Fis moll F# minor. GSR ES te, Pinoll.- F minor. $ ware ces a F dun E major. er Cis moll Cf minor. | See Bmoll.~ Bb minor, {Saas Hu, B major. ee 7 ieee ae Gis moll 04 minor. ———e = + we Bs moll. Ebminor. aero)

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