Creating Invitations Article
Creating Invitations Article
by Deb Curtis
The birds living in a tree just outside the window of our their thinking doesn’t seem to get much of a lively or sus-
school generated quite a stir among the three- and five-year- tained response. But when I carefully arrange props and rep-
old children in the program where I am a child care teacher. resentational materials in the environment with a particular
There was much excitement and delight as the children focus in mind, the children are delighted to discover and
observed the birds build a nest and care for their new babies. play with them, eagerly share their ideas and theories, and
To take advantage and extend on this wonder-filled event, I seek more information. Because of this I have been steadily
decided to gather some props and materials for our indoor collecting, organizing, arranging, and offering props and
environment and invite the children to more personally representational materials that captivate children’s interest.
explore and represent what they were seeing through the
window. Designing Invitations
At the local craft store I found some beautiful bird families
I call collections of interesting and carefully combined
made from feathers, a set of tiny plastic eggs, and a few bird
materials “Invitations” and I use them in a number of ways:
nests commercially made from twigs and feathers. I also
collected feathers, dried leaves, grass, and moss and a variety
■ Invitations to respond to and enhance an emerging
of small, flat baskets. I carefully arranged these items on the
interest, as with the Bird Invitation described above.
top of a low shelf in the classroom and displayed books
about birds and nests nearby. The children eagerly accepted
this invitation, imitating the drama they had been observing When I observe an interest among the group I intentionally
out the window. They were especially drawn to acting out organize props and materials for children to revisit and
how the bird parents cared for their babies. The children also represent their ideas. As I observe their conversations and
designed elaborate nests with the natural materials, sharing activities, I get new information for what else to offer to
their theories about what kinds of nests the birds would like. extend the activities and learning possibilities.
Over the next month the children continued to play with the
birds and nests, poured over the books about them, and par- ■ Invitations to help children learn new skills and multiple
ticipated in many other activities and conversations sparked uses for tools and materials that are a part of the daily
by this enchanting event in nature and the opportunity to environment.
pursue it in active, meaningful ways.
I arrange materials and make displays throughout the
In my work as a preschool teacher I have found that offering regular areas of the room, often including documentation
information about things that children have limited experi- with diagrams, instructions, or photos of children’s
ences with, or posing a series of questions to try to encourage previous work in this area. For example, I arrange blocks
and other block props in specific ways that suggest new
Deb Curtis has been a preschool and childcare teacher at the Burlington Little School
possibilities for building and design and include photos of
in Burlington, Washington for the past seven years. She is also co-author of several
books with Margie Carter. This article was extracted from their latest book Designs for
children’s previous block constructions. The children use
Living and Learning, Transforming Early Childhood Environments, published by these Invitations as launching points for revisiting their
Redleaf Press. work, adding complex ideas, and trying new skills.
■ Invitations to introduce children to new concepts or events. ■ Exploring — Children are drawn to the sensory aspect of
materials.
When I want to plan for a particular topic or concept, I
arrange a collection of materials and props in an accessible Principle: Look for collections that have textures, interesting
place in the room for the children to visit and use through- surfaces for touching or looking at or looking through,
out the day. I observe their actions and record their conver- things that make sounds or move in interesting ways.
sations so I can uncover their ideas and understandings for Natural materials are always a good source for this kind of
further planning. For example, I assembled a display of exploration.
dolls with different skin colors, photos, and books about
the Civil Rights Movement and differences among people. I ■ Transforming — Children are completely mesmerized with
left them out a few weeks before the celebration of Dr. transforming materials and rearranging the world around
Martin Luther King’s birthday. As the children interacted them.
with the materials, I took note of what they seemed to
know and understand about the life of Dr. King. I was sur- Principle: Look for materials and substances that can be
prised to discover how little the children knew about this changed, moved, reconfigured, or otherwise have some
great man, but also heartened to see their intense interest in kind of cause and effect quality.
his life and work around issues of fairness. The informa-
tion and interactions spurred by this simple Invitation ■ Organizing and Designing — With an interesting, varied
helped me design more meaningful activities around the collection of materials preschool children will organize
holiday celebrations, based on the children’s ideas and them by their attributes or use them in beautiful designs.
awareness.
Principle: Find collections of materials that have similarities
Principles for Designing Invitations and differences and can be used for sorting, patterning,
and designing.
As I have been studying how to collect and create Invitations,
I have drawn inspiration from many sources. Maria Montes- ■ Building and Constructing — Young children like to put
sori and her well-known materials and methods, including things together in relationship to each other, to connect
Practical Life activities has made such an important contribu- things to other things, and to use building and construction
tion to my practice. Fredrick Froebel, known as the father of materials to represent many aspects of their ideas and
kindergarten and the inventor of blocks, described his understandings.
Principle: Include resource books, stories, photos, posters, ■ Place like objects in baskets near the tools and materials
diagrams, and instructions to enrich the use of the materials they can be used with so the children can see what is
by offering new suggestions and extensions, and support available and how the materials relate to each other.
the development of literacy skills.
■ Arrange the materials in beautiful ways that suggest how
Collecting Arranging and they might be used. For example, design a beginning
Displaying Invitations pattern with tiles, partially build a small construction, offer
an example of a simple drawing done with colored pencils,
The set of materials I gather depends on the focus of the place the correct number of beads in the section of a tray
Invitation I am creating. I always make sure that the collection with the corresponding numeral.
has at least three or four aspects from the list above so the
children will have a variety of options for combining and Scouting for Invitations
using the materials. I am always searching for items that con-
vey a sense of magic and wonder, treasures that beg to be a Once you begin providing interesting open-ended materials
part of a drama or creation as well as those that are substan- and observe the marvelous ways the children use them, you
tial and have an important aspect or function. For example, in will be eager to search for and provide more. Always be on
an Invitation to explore stones, I gathered a set of identical the lookout in thrift stores, craft stores, garden shops, and
stones of varying sizes that are smooth and heavy to touch; garage and estate sales. You can develop an eye for the perfect
they can be seriated by size, balanced and stacked into a treasure based on what you have seen children do with simi-
tower, or designed as a habitat for a drama using a family of lar materials. You can also take a chance and offer children
plastic snakes. Included with the collection are books about something that jumps out and captures your own curiosity.
designs in nature, rocks, and snakes. It’s always delightful and surprising to see the children’s
unique ideas and approaches. What better way to offer learn-
I have found that the way materials and props are offered is ing experiences — as an invitation to wonder, explore, and
as critical to their use as what is offered. Thoughtfully col- create in as many ways as possible!