RARE ARCHIVAL FIND: Nurse's Home (1938) Philippine General Hospital, Manila Architect: Tomas Mapua
RARE ARCHIVAL FIND: Nurse's Home (1938) Philippine General Hospital, Manila Architect: Tomas Mapua
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In pre-war Manila, houses of illustrious families were designed by well-known architects according to their
elegant tastes. Their homes were either designed in the renaissance, art-deco, beaux-arts, or the traditional
Filipino bahay na bato style. But one house stood out among the rest, and this was the El Nido, the residence of
Eugene Arthur 'E.A.' Perkins, and his wife Idonah Slade. The house and the family became the center of
intrigue among Manila's high society because of domestic quarrels between Eugene and Idonah.
Juan Nakpil
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Quezon Hall was identified as Neoclassic Architecture because of its details likewise to its symmetrical
façade and tall classical fluted four columns that was composed of twenty-four flutes to be exact but
minus the typical capital and base.
The main course or signification of this building was a gateway that is dictated by symbolism of
continues discovery of knowledge, reality and reliability in every activity in a field of overt, love of
nation, and serving the people and the value of humanity.
Pablo Antonio
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The Galaxy is one of the few surviving buildings designed by National Artist Pablo Antonio, Sr. It is of Art
Moderne design, an architectural style that came about in the 1930s along with Art Deco. Many theaters along
Avenida Rizal during the ’50s and ’60s boasted such designs in answer to America’s Hollywood and Broadway.
Leandro Locsin
The Parish of the Holy Sacrifice is remarkable example of modern tropical architecture, how its design
allows natural light and air flow to filter throughout the structure, yet is strong enough to stand the forces of
nature
Francisco Maňosa
Quirino grandstand
Designed a grand Independence Grandstand in ornate Neo-classic style. He incorporated a triumphal arch with
two “wings” that shaded the main galleries. The centerpiece in front of the arch was a stage in the form of a
ship’s bow with a carved figurehead of a maiden representing freedom. Two other figures, representing a
Filipino and a Filipina stood about 10 meters tall behind the stage and the central gallery. The whole
composition was placed facing west a few meters in front of the Rizal Monument and not across the lawn near
the breakwater where we now have the Quirino Grandstand."
Juan Arellano