M ° D E L s HAMMOND ORGAN COMPANY DIVISION OF HAMMOND CORPORATION 1740 N. 25th Avenue e Melrose Park, Ill. 60160 312-378-5472 © 312-XTPIntroduction Specifications TABLE OF CONTENTS SECTION I — How the Organ Operates 1-1 1-24 1-25 1-26 1-27 General Basic Descriptions Tone Source Pedal Tones Manuals. Pedal Keyboard Harmonic Drawbars . Pedal Drawbar . . Expression Pedal . Control Tabs Preset Tabs Percussion Control Tabs Vibrato Tabs Reverberation Volume Soft, Brilliance, Relteration Rate. Pedal Rocker Tabs, Lower Left End Block . Leslie Rocker Tabs . : Cymbal/Brush Tabs Rhythm Rail (T-300) . Rhythm Rail Controls . T-200-1, T-200-2, T-400 Rhythm Controls . Rhythm Voices .......... ; Operation of Controls . kobe kh XTP General (XTP) ........ Power & Reverbration Amplifier . Rhythm I Inbuilt Upper Manual Buss Amplifier . SECTION Il — Theory of Operation General Tone Generatoi Vibrato system. Manual Bus Bar Amplifiers . wee Pedal Keyboard and Switch; Pedal Keyer Boards Pedal Divider and Filter Board... Recovery and Non-Vibrato Board... Vibrato Board Percussion Board . Cymbal and Brush Generator Board. . Swell Pedal Circuitry 650 Power and Reverberation Amplifier Assembly Rhythm Rail Circuits, T-300 only... 2-14 Power Supply . 2-15 Push Button Circuits. 2-16 Upper Manual Keying . 2-17 Lower Manual Keying - 4k n & d PPPPPPPP Hoven one eeu tttddaii 2-21 2-28 2-34 2-35 2-36 2-18 Manual Beat Il.. 2-9 2-19 Pedal Keying Circuits. 2-10 2-20 Pedal Beat I. 2-10 Six-Voice End Block Rhythm, T-200-1, tT 200-2, T-400 . 2-10 2-22 Power Source .... 7 2-23 Push Button Circuits 2-24 Lower Manual Keying Circuits 21 2-25 Pedal Keying Cireuits : 2-1 Phone Jack 2-11 Special Power Sources .. 2-H XTP Percussion Board Assembly (124-000170) 2-29 1% Harmonic Generator ..... 2-30 Normal Percussion Keying 2-31 Reiteration Keying and Triggering : ; 2-32. Main and Alternate Channel Gates 2-12 2-33 Percussion Setup Procedure Rotary Tremolo Unit (121-0001 32). Hum. Tone Cabinet Outlet Box SECTION III — DISASSEMBLY: 3-1 2 3 4 BOBO WHW WWW W PRERT rey 5 6 7 8 9 1 1 1 1 BES 3-14 3-15 3-16 3-17 3-18 3-19 SECTION IV — Practical Service Suggestions 4-1 General Organ Top (Removal of) Upper Manual Key Removal. . Lower Manual Key Removal. pepe Drawbar Assembly (Entire or Partial Removal of) . Pedal Drawbars Assembly (Removal of) Lower Manual End Blocks (Removal of) . Upper Manual (Removal of). . Lower Manual (Removal of) Tone Generator (Removal of) . Power Amplifier (Removal of). Pedal Sustain Keyer (Removal of) Pedal Switch Assembly (Removal of) XTP Top Panel Assembly. . . Upper Console Woodwork Pedal Base Top Cover ..... Pedestal Woodwork .........+.+ Base Rear Cover .......4-0-00+ Music Light Assembly .......... General... Percussion Board Alignment. Replacing Older Percussion Boards Pedal, Correction of Faulty Operation Radio Frequency Interference Problems . Inductive Pickup in Non-Vibrato Board New Vibrato Drive Board, 124-000018 Tab Replacement Maintenance of Leslie Speaker Music Illumination System, T-2624-11 Raising Organ on Deep Pile Carpeting . sere 4-8 4-12. Six Voice Rhythm, T-200-1, T-200-2, T400, Adjustment and Trouble Analysis : 4-13 Output Level Adjustments 4-14 One Rhythm Voice Silent 4-15 Programmed Voice Does Not Speak 4-16 All Percussion Voices Silent 4-17 Both Hiss Voices Silent. . ; 4-18 No Rhythm Response from Pedals 4-19 No Rhythm Response from Manual 4-20 Rhythm Rail Adjustments... 4-21 Overall Organ Level Adjustment Table 4—1, Alignment and Performance Check XTP 4-22 Overall XTP Level Adjustment Table 4—2. Alignment and Performance Check . . SECTION V— 5-1 General 5-2 Arrangement of Section SECTION VI — Parts List 6-1 General..... APPENDIX Appendix Index ......iv Figure doko WELLE oo PPP Peer i Leak UNE ROE UAE OO OPRRRRR RED LIST OF ILLUSTRATIONS ‘Typical T-Series Organ, Front View . Typical T-Series Organ, Rear View . Rhythm Rail Six-Voice End Block Magnet Locations on Tone Generator Filter Locations and Frequency Terminations on Cover .. Manual Wiring Chart Drawbars and Control (Tabs Partial View). Pedal Keyboard 5 Typical Tone Generator . Vibrato System, Fundamental Diagram Vibrato Line Box Typical Scanner. Percussion Null Waveshapes Main Level and Reiteration Rate Main Speaker Cabinet .........-. Rotory Tremolo Speaker Cabinet. Woodwork Disassembly Woodwork Disassembly Base Rear Cover Assembly. Music Light Assembly... Percussion Board Conversion, Cabling to Switches Percussion Board (124000181) Cabling ...... Tab Switches, Addition of Capacitors ..... Percussion Board, Addition of Capacitors Reverb Switches, Addition of Capacitors. Bottom Rail Construction - Placement of Glides .. . Upper Console Components Location Lower Console Components Location Pedal Divider Board, (124-000013), Layout and Schematic Diagram . Recovery and Non-Vibrato Board (124-000014), Layout and Schematic Diagram Upper Manual, Layout and Schematic Diagram Bus Amplifier Board (124-000015) . peeobco Lower Manual, Layout and Schematic Diagram Bus Amplifier Board (124-000016). . , Power and Reverberation Amplifier Board (124-000017), Layout and Schematic Diagram ......... Vibrato Board (124-000018), Layout and Schematic Diagram ... Brush and Cymbal Generator Board 124-000020 (First Design) . we SB Brush and Cymbal Generator Board 124-000020. (Second Design) 5-8 Brush and Cymbal Generator Board 124-000020 (Third Design) . pee Brush and Cymbal Generator Board (12: Schematic Diagram 1969 and later Percussion Board, 124-000021... Percussion Board, 124-000181 Layout and Schematic Diagram .....-.5-13 5-14 5-15 5-16 5-17 5-17 5-18 5-19 5-20 5-21 5-22 5-23 5-24 5-25 5-26 $21 5-28 5-29 5-30 5-31 5-32 5-33 5-33 5-34 5-35 5-36 5-37 5-38 5-39 5-40 5-41 Percussion Board, 124-0001 13 (T-262 only) Layout and Schematic Diagram... Pedal Keyer Boards, 124-000025, 124-000026, 124-000027 Layout and Schematic Diagram Pedal Keyer Board Assembly Power Supply, Schematic Diagram Console, Schematic Diagram (Sheet 1 of 2) Console, Schematic Diagram (Sheet 2 of 2) Rhythm Rail, Layout and Schematic Diagram . Rhythm Rail, Wiring Diagram Six-Voice Rhythm, Layout and Schematic (First Design)... ...5—20 Six-Voice Rhythm, Layout and Schematic (Second Design). Six-Voice Rhythm, Layout and Schematic (1970 and later). . Six-Voice Rhythm, Wiring Diagram . ; T-100 Wiring Diagram T-200 Wiring Diagram T-300 Wiring Diagram . T-262 Wiring Diagram .... T-200-1, T-200-2, T-400 . Upper Manual and Control Panel T-100, T-200, T-300 Wiring Diagram. Upper Manual and Control Panel T-262 Wiring Diagram T-100, T-200, (First Design) Schematic Diagram .. T-100, T-200, (Second Design) Schematic Diagram ‘T-262, Schematic Diagram (Sheet 1 of 2). ; T-262, Schematic Diagram (Sheet 2 of 2) Six-Voice Rhythm End Block Wiring (Lower Right) Special Effects End Block (Lower Left) . Rotory Tremelo Schematic (Satellite Cabinet)... . : Percussion Board (124-000170), Layout and Schematic . XTP Schematic Sheet | of 2..... ; XTP Schematic Sheet 2 of 2. Power Amplifier (126-000170-172 XTP Wiring DiagramINTRODUCTION ‘This manual contains service information covering the T—Series Hammond organs. The series is comprised of the following models: T-100 T-262 T-200 T-300 T-200-1 T-400 T-200-2 ‘The features of each model are explained in Section I. Model T-200-2 is equipped with “drawer” type Rhythm II circuitry; model T—400 is equipped with built- in Rhythm II circuitry. No service information for Rhythm II is included in this manual. Refer to Rhythm II Service Manual, HO-466. For convenience in locating desired information, this manual is divided into the sections listed below. 1 How the Organ Operates Il. Theory of Operation II Disassembly IV Practical Service Suggestions V__ Diagrams VI Parts List Appendix. All pertinent Technical Bulletins issued through May 1970 are reprinted in Section IV. All pertinent Technical Bulletins issued through January 1970 are reprinted in the Appendix. NOTE The service technician may find some model T—100 organs with Rhythm Rail attached. In such cases the Rhythm Rail has been installed in the field, using a kit. No factory installation was made on T—100 organs. Field installations of “drawer” Rhythm II may also be encountered on any model except T-400. SPECIFICATIONS Cabinet Size 45” Wide 25” Deep 444” High with Music Rack Weight with Bench T-100-215 tbs. Weight with Bench T-200-235 Ibs. Weight with Bench T-300-240 Ibs. Weight with Bench T-400-245 Ibs. Power Input T-100 — 0.7 Amps. Power Input T-200/300/400 ~ 1.2 Amps. Music Power Output — 34 Watts (Per EIA Standards - RS-234). XTP Cabinet Size 4314" Wide 28%" Deep 444” High with Music Rack Satellite Speakers 16%” Wide 17” Deep 20%” High Console Weight 289 Ibs. Console with Spkrs. 354 Ibs. Console, Bench, Spkrs. 384 Ibs. Music Power Output 34 Watts1-21. 1-22, in a left-of-center position. Fastenings are provided which permit the unit to swing down and lock under the lower manual for shipment or concealment when not in use. The electronic portions of the Rhythm unit are mounted within the console, and con- sist of the power supply (127-000007), thythm unit detector (124-000024), and rhythm unit voice boards (124-000023). Ten voices appear on the Rhythm Rail. They are from left to right: 1, Drum Roll 2, Snare Drum 3. Bass Drum 4, Cymbal 5, Brush 6. Tom Tom 7. Bongo 8. Temple Block 9. Wood Block 10. Claves. RHYTHM RAIL CONTROLS. ~The ten voices may be placed at any time by means of momentary push buttons. They can also be programmed into the upper manual, lower manual, or pedals, by means of a 4-position slider switch associated with each voice and a “Preset” switch at the extreme left of the Rhythm Rail. Moving the “Preset” switch to the “Off” position cancels the programming. A variation in programming is provided by the BEAT II feature. When the BEAT Il switch is in the Manual position, and Preset switch is on, voices selected for the upper manual are triggered by the first depressed key of the lower manual . Subsequently depressed keys of the lower manual trigger the voice (s) sel- ected for the lower manual. 1-24, When the BEAT II switch is in the Pedal position and Preset switch is On, voices selected for upper manual, except Drum Roll, are triggered by release of a Bass pedal, while Drum Roll and voices selected for Pedal are triggered by depressing a Bass pedal. 1-25. A three position slider switch regulates the loudness of the Rhythm Rail voices relative to the organ. The expression pedal also af- fects the Rhythm Rail. ‘T~200-1, T-200-2, T-400 RHYTHM CONTROLS. — The rhythm controls are locat- ed on the right end block of the lower manual, 1-21, RHYTHM VOICES. — The following voices are available, BLOCK BONGO. CYMBAL TOM-TOM BRUSH CLAVES The BLOCK voice is identical to the Wood Block on the T~300 organ. OPERATION OF CONTROLS. —Any of the six voices may be played at any time by means of the momentary push buttons as- sociated with the rocker tabs. ‘The BLOCK and CYMBAL voices are pro- grammed into the pedal keyboard when their rocker tabs are “on”, The remaining four voices are programmed into the lower manual keys when their rocker tabs are von” The RHYTHM VOLUME control, mounted to the right of the rocker tabs, regulates the loudness of the rhythm voices relative to the other organ voices. The organ’s expression pedal also affects the rhythm voices. The BRUSH and CYMBAL voices sound without reverberation. The remaining voices are reverberated whenever a REVERB tab on the organ’s control panel is depressed. XTP GENERAL (XTP). — With the “T” Series service manual HO-431, and this supplement, the complete organ systems will be covered. This publication only covers the differences or variations of this unit from the “T” Series Spinets. POWER AND REVERBERATION AMPLIFIER BOARD. - This printed wiring board remains physically unchanged. Component value changes were incorporated to conform with the quick response photocell used in the XTP. Refer to Figure 5—5 in the “T” Series service manual, HO-431, Changes are as follows: RE91-3.3M, R602-33K, R603-10K, R645-270K, C605-100 MFD/3V, C614-47Pf. RHYTHM II INBUILT. - The RHYTHM IL assembly is of the improved variety. Service information will be found in the RHYTHM II service manual (HO-466). UPPER MANUAL BUSS AMPLIFIER. —Celesta output resistor R263 to pin 24 decreased in value to 15K ohms to increase output of celesta voice. Refer to Figure 5—3 in the “T” Series service manual for location. 1-92-24, 2-25. When the BRUSH push button is depressed, +15V DC is supplied to the junction of R116 and C111, and this supplies bias through D102 to the base of Q103, turning “on” the one shot multi-vibrator stage, Q103 and Q104 for one complete cycle. ‘The Brush Gate transistor Q105 is turned “on” for a period determined by C113 and R120 of the multi-vibrator stage. This applies positive bias through R123. D104, R124 to base of Q1OS, turning on QUOS and allowing white noise to appear on collector of Q105, tuned by C115 and LIOI, and this signal is then routed through C117 and output level control R126 and R127 to hiss amplifier Q106. 2-26. LOWER MANUAL KEYING CIRCUITS. - The lower manual buss line is connected through C124 to the base of Q109, which is a pulse amplifier stage. Resistor R147 provides base bias to the stage, so that with no key de- pressed, the collector is at approximately 4.5V DC. C124 and R145 is a differentiat- ing network which puts a pulse on the base of Q109. This pulse is amplified by Q109, and instantaneously the collector of Q109 rises from 4.5V DC to approximately 11V DC. This change is routed through R149 to the base of QI10, which at an emitter volt- age of 5.5V and base bias of 4.5V was “off”. With 11V on its base, Q110 turns “on”, and its collector, which was at 15V drops to 5.5V. This change is coupled through C126 and R153 to the base of QI11, a PNP which had been biased “off” through R152 and R153. The change in bias turns “on” Q111 and the collector has an instantaneous +15V DC output of about 2 milliseconds duration. This output is defined as the lower manual trigger pulse. The pulse is routed through whichever LOWER tabs are “on” to trigger the selected voices. Output is obtained as described in Paragraph 2-23. 2-21. 2-28, 2-29, PEDAL KEYING CIRCUITS. ~ In the T-Series organs the keying signal used to trigger the pedal rhythm circuits is a DC voltage change from +15V DC to OV DC as a pedal is de- pressed, Point “A” is connected to point “D”. The signal enters at point “C”, and is fed through R160 to the base of Q114, which is normally in the “on” condition with no pedal pressed (collector at OV DC). When a pedal is pressed, the negative signal applied to the base turns “off” Q114, and the collector voltage rises to +15V DC. Point “D” is routed to point “A” and coupled through C127 and R156 to the base of Q112. Q112 which is normally “off” is turned “on”, and its collector voltage drops to zero. The collector signal of QI12 is then fed to the base of PNP Q113, turning it “on”, and its collector switches to +15V DC. This +15V DC pulse on the collector of Q113 is designated as the pedal-down pulse, and is routed through the BLOCK and/or CYMBAL tabs, when “on” to trigger the selected voices, Output is obtained as described in Paragraph 2~23. PHONE JACK. ~ T-Series organs are equipped with an ear phone jack which will give pleas- ing results. Use Headsets such as Clark 200, Koss SP-3XC, or Sharp HA-10. When ear- phones are plugged in speakers are discon- nected for listening privacy. Leslie effects are not heard in earphones. SPECIAL POWER SOURCES. — T-Series organs are made to operate on the voltage and frequency specified on the name plate. They are available for 117V/60 cycle 117V/50 cycle — 234V/S0 cycle, and 234/60 cycle. If the unit is moved to an area having voltages or frequencies other than those specified on the name plate, consult your local dealer concerning changes required for conversion. XTP PERCUSSION BOARD ASSEMBLY (124-000170). — The following inter-related circuits are located on this board (See Figure 537): 1. 1% Harmonic Generator . Normal Percussion Keying . Reiteration Keying and Triggering 4, Main and Alternate Channel Gates. 1% HARMONIC GENERATOR. —The output of this circuit is used only as part of the chimes voice. ‘The circuit receives its input at pin 11 from the upper manual Sth harmonic buss amplifier. The signal is amplified by Q514, Q515 and Q516. The resultant square wave output provides the input to IC 501, IC 501 is a *-K Flip Flop integrated circuit, The collector supply voltage for the IC and QS16 is a result, of the action of D12, a5 volt Zener diode, The output from IC 501, pin 8, is coupled to a waveshaping network and to the out put pin 14, 2-112-30. 2-31, *J-K Flip Flop — IC 510 isa single package two stage bi-stable divider. Failure of one stage requires the replacement of the IC package. Several pins of the IC package are not used in this circuit application. NORMAL PERCUSSION KEYING. — In the normal percussion mode, when a key is depressed on the upper manual, 220K ohms of resistance are connected between pin 15 and ground. As a result, the positive voltage at pin 15 is reduced. This negative change is differentiated by C517 and applied to the base of Q512 (normally on). The resulting positive pulse at Q512 collector is coupled to Q513, turning it on. The negative change, at the collector of Q513, is coupled by C510, forward biasing D509 and D510. C511 is also charged. Since the pulse used to charge C511 is momentary, C511 begins to discharge immediately. With the Guitar and Chimes switch in the off position, pin 10 is grounded. The discharge path of C511 is split. One path is through D510, R537, and the combination of Q510 and Q511. The other is through D511 and R546 to ground. This provides for the short decay time. When either the Chimes or Guitar switch is depressed, the ground is removed from pin 10 and the second discharge path is, opened. The result is a longer decay time. ‘The entire action will be rekeyed when an additional key is depressed. The voltage at the input will drop in increments with each key depressed and result in an output pulse fed to Q510 and Q511. This type of keying is referred to as Legato type percussion. REITERATION KEYING AND TRIGGERING. ~ When the reiteration tab is depressed, the percussion keying busbar in the upper manual is connected to pin 2. With normal percussion, it was connected to pin 15. When an upper manual key is depressed, a 220K resistor connects pin 2 to ground. This causes the base of transistor Q501 (normally off) to drop from +23 volts to approximately +22.5 volts which causes it to conduct. The collector of Q501 rises to +23 volts. The +23 volts is routed to pin 4, which is connected to the reiteration rate control on the control panel, and also to the top of R506. From Pin 4, through to the wiper of the reiteration control, which is connected to pin 18, the voltage is fed to R508 and R509. The 2-12 2-32. varying voltage applied to pin 18 causes the astable multivibrator (Q506 and Q507) to vary in frequency. The positive 23 volts applied to RS06 causes D502 to be forward biased. This action brings the junction of R506 and D502 to a positive 15 volt level. This 15 volts causes D503 to be forward biased and subsequently becomes the supply voltage. The outputs are taken alternately from the bases of the multivibrator transistors. The negative pulses drive the main and alternate gate circuits. MAIN AND ALTERNATE CHANNEL GATES. — The main channel gate circuit consists of transistors Q508, Q509, Q510, QS11. As Q506 and Q507 (multivibrator transistors) conduct alternately, pulses from the base of Q507 are supplied to the emmiter of Q511, the gating transistor, and Q510, a grounded base amplifier. The AC signal on the base of Q511 is insufficient for Q511 to conduct. The pulses from the base of Q507 supply sufficient bias to cause conduction of Q511 ‘Through QS11, two signal paths exist, one for the gating signal and one for the music signal. The usable portion of the music signal passes through the base-collector junction of Q511, through R556 (Main Null Contro}), to the base of Q509. The music signal is amplified by Q509 and controlled as to amount of output by the setting of R557 (Percussion Level Control). The gating signal, as was mentioned previously, is applied to the emitters of Q510 and QS11. The signal which goes through Q511 appears at the collector with the music signal and is applied to the base of Q509. The gating signal also appears at the collector of Q510 and is directly coupled to the base of Q508. From the emitter of Q508, the signal is coupled to the emitter of Q509. The signal from the emitter of Q509 appears at the collector out of phase with the signal impressed on its base. As a result, the two gating signals are out of phase and cancellation takes place. The Main Null Control (R556) is to affect maximum. cancellation of the gating pulses. ‘The operation of the alternate channel gate is identical as that described for the main channel.2-33. Of special note is that R557 (Percussion Level Control) is the common collector load for both Q502 and Q509. As a result, the gain of both gates is controlled by R557. PERCUSSION SETUP PROCEDURE. ~ Equipment needed: 1, Tektronics oscilloscope 503 or equivalent. Depress the “REITERATE” tab and set Reiterate Rate control at approximatély mid position Depress and hold key #25. Rotate the Percus- sion control R557 full counter clockwise up. Refer to Figure. 5—37 for following setup procedure Connect the oscilloscope to the junction of C503 and R527 on Percussion Board. Set the oscilloscope sensitivity to 10 mv/cm and rotate the Alternate Null R519 and Main Null R5S6 controls until the pulses on the oscilloscope are adjusted to minimum amplitude. Observe Figure 2-5, for proper waveshape. NOT ACCEPTABLE oO ACCEPTABLE NOT ACCEPTABLE Figure 2-5 PERCUSSION AND REITERATION GAIN Depress “CELESTA” tab, depress “REITER- ATE” tab and place control in approximate mid position. Connect the oscilloscope to the “$" speaker terminal and adjust vertical sensitivity to 1.0 V/om. Depress and hold upper manual key #25. Adjust the Percussion Level control (R557) until the percussion output is 10.5V + .3V Peak to Peak. Return all tabs to their “off” position. Depress CHIMES or GUITAR tab. Depress key #25. And hold Decay time should be approximately three seconds. All other percussion voices should have a decay time of approximately one-half to one second. REITERATE RATE ADJUSTMENT. Depress CELESTA and REITERATE tabs. Adjust the Reiterate Rate control to maximum (full clockwise). Hold down upper manual key #25 and measure the duration of one complete percussion wave form on oscilloscope. It should be between 45 and 65 milliseconds (Figure 2~6). Reset the oscilloscope. Horizontal Sweep .1 sec/om. Adjust the Reiteration Rate control to minimum (full counter-clockwise). Hold down upper manual key #25 and measure the duration of one complete percussion waveform on the oscillo- scope. It should be between .10 and .45 seconds. Turn off REITERATION tab. .045-,085 SEC FAST RATE 0.1-0.45 sec, SLOW RATE Figure 2-6 PERCUSSION PRESET VOICES. To check voicing of percussion, it is necessary to match the upper manual percussion voice with a lower manual Tonebar registration by playing a chord in short staccato fashion on the upper manual, and then playing the same chord, in the same staccato manner, on the lower manual. Note that the output for percussion voices on the upper manual will be slightly higher than the corresponding Tonebar registration output of the lower manual. Tonebars that are registered will be set at position #8. 2-13Clear all tonebar registrations and depress “CELESTA” and “TONEBARS” (lower) tabs. VOICE CELESTE *CHIMES. GUITAR MARIMBA. XYLOPHONE. BANJO olololeelclolus S eleleelolole & eo] o]o}oloj & eledelelelolo & lololojojolo|a % 12] 0] 2.03) o0}— *NOTE There will be a mismatch in chimes. The 1% harmonic present in the upper manual chimes voice is not available in the lower manual Tone~ bar registration. By disconnecting the orange lead at pin #14 (1% harmonic output) on the Percussion Board.(124-000170), a perfect match should be obtained. 2-34. ROTARY TREMOLO UNIT (121-000132). — This Tremolo unit is located in one of the Satellite speaker cabinets. Connection to the main console is accomplished with a seven conduc- tor cable. Refer to Figure 5-36 for schematic diagram of circuitry. NOTE The voltages mentioned in the following description are measured with respect to Pin 6. However, itis extremely important to note that UNDER NO CONDITION SHOULD PIN NUMBER 6 BE CONNECTED TO THE COMMON CONSOLE GROUND SYSTEM. This unit receives 120VAC from the console when the console on-off switch is turned “ON”. A transformer is used to obtain 100 volts A.C. for the organs that are designed for 220 Volt A.C. operation. The input A.C is applied to pins | and 2 of the six-pin connec- tor. The audio signal is applied directly to speaker commutators. One side of the A.C, input (Pin-1) is connected to Diode D1. This voltage is rectified by D1 and fed to the voltage divider network con- sisting of R1, R3, R4, RIS, R16, and filter capacitor C1. The +12 V.D.C., developed at the junction of RI and R15, is used to supply transistors Q1 and Q2. The Zener diode D4 at 2-14 the junction of R1S and R3 provides the +6 VDC reference voltage for the FAST and SLOW speed switch. A.C. supply input (Pin-1 )is also connected through the motor winding to one side of bridge con- sisting of diodes D6 to D9. The bridge is also con- nected in series with transistors Q3 and Q4, The other side of the AC supply (Pin-2) is connected to the bridge at the junction of D8 and D9. The bridge acts as a full wave rectifier and supplies pulsating D.C. for the motor and for transistors Q3 and Q4. If the unit is NOT rotating the base of amplifier QI is about .4VDC and its collectors is 8VDC. This D.C. level is fed to the base of Q2 and as a result, Q2 is turned fully “ON”, and its collector is less than .1 VDC. This, .1VDC is fed to the base of Q4, and with these conditions Q3, Q4 (a stacked transistor stage) are tumed off. As previously stated Q3 and Q4 are connected in series with the bridge, motor, and A.C, supply. Q3 and Q4 act essentially as an open circuit and thus most of the pulsating D.C. supplied by the bridge (D6 to D9) is dropped across these transistors. For the stated conditions the collector of Q3 is at approximately 150VDC (Pulsating) and the motor does NOT turn. In the XTP, the Tremolo unit is always allowed to run at slow speed. For this condition Pin 4 is connected to Pin 5 and Pin 4 provides approximately 2VDC bias to the junction of D2 and RS which are part of the speed sensor bridge. The output of the speed sensor is connected to the junction of D2 and D3. The resulting output of the bridge is connected through R7 to the base of amplifier QI. In the slow mode of operation, the base of QI varies in a pulsating manner (due to the speed sensor) from .7 Volts to .9 Volts. The colléo- tor of QI changes at the same rate (.6 to .7V) and this pulsating change is fed to base of amplifier Q2. The collector of Q2 changes from .5 to .7V at the same pulsating rate, and this signal is fed to the base of Q4. This causes Q3, Q4 stacked transistor stage to conduct harder (more) as the base of Q4 rises to its positive peaks (.7) and less when its base is at the .4 volt level. Q3, Q4 conduct enough so that the collector voltage of Q3 (this is the amount dropped across these transistors) drops to about 100VDC (Pulsating). This allows more voltage to be supplied to the motor and the motor tums at its slow rate, At both the fast and slow rates the sensor bridge provides the necessary feedback to the base2-35 2-36 of QI so as to maintain the desired speed accurately. For fast operation Pin-5 is connected to pin 3, which applies the 6VDC (Zener supply) to the speed sensor bridge. Initially, when switching from slow to fast speed, the base of QI rises to approximately | Volt which turns QI on harder and its collector voltage reduces to AV which is fed to base of Q2. Q2 turns off and its collector voltage rises to approximately 1 Volt and this 1 Volt is fed to the base of Q4. The stacked transistor stage of Q3, Q4 turns fully “ON” and very little pulsating D.C. is. now dropped across Q3, Q4. Maximum pul- sating D.C. is then applied to the motor and its speed rises rapidly to its maximum level. As the motor speed is rising, the speed sensor is increasing the feedback voltage applied to the speed sensor bridge. As the fast speed is obtained the base voltage of QI decreases to approximately .9VDC and the collector of Q1 stays at about .7VDC. The .7VDC level is fed to the base of Q2 and the collector Q2 stays at about .65VDC. The collector voltage of Q2 is fed to the base of Q4. Q3, Q4 transistor stage is turned “ON”, not fully on, but enough so that the voltage dropped across Q3, Q4 is maintained at about 75 VDC (Pulsating). This allows a larger amount of voltage to be suppli- ed to the motor and it maintains its “FAST speed. When servicing one of these tremolo units, DO NOT under any circumstances connect Pin 6 to the console ground system or home wiring ground system as this will seriously damage the unit. HUM. — Hum reading should be taken with the control panel cover shield, music lamp, and pedal lamp installed and “TREMOLO” tablet in SLOW position. Depress the following tabs: TONEBARS and PERCUSSION and BRILLIANCE. Turn on Music Lamp and Pedal Lamp. Turn the 6-Voice Rhythm volume control to maximum, Hum evel should be less than .060 Volts RMS. Depress the REVERB I and Il tabs. Hum level should be less than .070 Volts RMS. TONE CABINET OUTLET BOX. — The XTP is wired for connection to two Satellite speaker cabinets. It also has a nine (9) pin plug which allows connection direct to a Model 700 Leslie speaker. The outlet box has three plug outlets 1, Phono Plug for Main Speaker (Hammond) 2. 7 Pin for Tremolo Speaker (Hammond) 3. 9 Pin for Model 700 Speaker (Leslie) NOTE For earphones, refer to paragraph 2-26. Main Speaker Cabinet Fig. 2-7 Rotary Tremolo Speaker Cabinet Fig. 2-8keyer boards (six from end board four from center board). Remove the two mounting bolts which go through the lower cabinet cross member and into the Pedal Switch Base. Tilt Pedal Switch end of organ ap- proximately 12 inches and block. Remove the four mounting bolts which come up through the bottom of the cabinet into the Pedal Switch Base, (two on each end). © (@) © XTP TOP PANEL ASSEMBLY. — Lift front of assembly vertically until two latching pins are disengaged from top of the control panel. Slide top Panel Assembly forward 2 to 4 inches to free rear catches. Disconnect two plugs, one to the rhythm unit and one to the music light. Lift Top Panel Assembly free of console. UPPER CONSOLE WOODWORK. ~ Locate five Phillips head woodscrews at right side of console as viewed from bottom of upper console assembly. Remove center three as illustrated in Figure 3-1. Remove lower manual cover which contains the pedal light and headphone jack by removing four Phillips head machine screws. Care must be taken not sorrow view EAR OF CONSOLE e ect Remove THREE oe ScReas TO. Loosen Hooowoex REMOVE THO 4000 T— scReKs Ins 106 To {Loosen HooDsoRK Fig. 3-1 to break the connections to the phone jack when cover is freed from console. Inside below the lower manual right end block, remove two slotted hex head woodscrews as illustrated in Figure 3-1 Follow the above directions in locating and removing the same number of screws on the left side of console. Locate and remove two slotted hex head woodscrews from vibrato line assembly support brackets, as illustrated in Figure 3—2. 316. Fig. 3-2 Loose woodwork can now be removed. PEDAL BASE TOP COVER. —Remove one screw from each side of the lower front outside corners of the Pedal Base Top Cover Assembly. Slide cover forward and lift up only enough to clear sharp pedal keys until assembly is free of console. ‘When reassembling the Pedal Base Top Cover, several hold down clips mounted on the in: at the rear of the assembly must be hooked under the rear frame lip. PEDESTAL WOODWORK. — Under normal servicing this woodwork should never need to be removed. In the event that it becomes necessary, new parts must be ordered as they will be destroyed in removal. Remove metal trim plate from front of pedestal woodwork by inserting some tool behind trim and prying until contact cement is separated from wood panel. Remove four Phillips head woodscrews and withdraw front panel. The rest of the woodwork is one assembly and can be carefully removed from the rear of the organ. 3-3Trim plate and Logo will have to be replaced 3-19 MUSIC LIGHT ASSEMBLY. —When it becomes if trim plate is damaged. necessary to replace one or more of the 17 incandescent bulbs in the Music Light Assembly 3-18. BASE REAR COVER. ~ Six screws are used to 1, Remove 4 screws (Phillips head) beneath mount the Base Rear Cover. The top three light assembly (Figure 3-4). can be removed from the inside of the base assembly. The bottom three can be reached 2, Swing upper portion of assembly up through three round access holes in the top of hinge (Figure 3-4), the Base Rear Cover as illustrated in Figure Figure 3—3. 3. Replace bulb (s) and reassemble. Fig. 3-3 LAMP 120 HINGE 016-031 749 SCREW,FLAT SLOTTED 935-030538, (4 useD)NOTE The 14” length should be-increased to 15%” for T~222. In addition to the spacer strip, 6 glides are re- quired which will be supplied on a no-charge basis. Order Part No. 032-041 468 Plastic Glide, GLIDER/SPACER INSTALLATION IN- STRUCTIONS. ~ Be careful not to disrupt generator mounting or other electrical com- ponents. Proceed according to the following: 1, Remove and set aside the metal glides from console, 2. Securely glue and nail spacer strip to underside of each end of cabinet and remount (4) metal glides to spacer strips, approximately 1 inch from each end. 3. Insert (2) plastic glides into legs. (Care must be taken not to split leg). 4. Remove (4) metal glides on bench and install the (4) remaining glides. This completes installation, See Figure 4—7. 14, r—\ ae (PLastic) L ame oreray} “18 Figure 47. Placement of Glides ADJUSTMENT AND TROUBLE ANALYSIS, SIX-VOICE RHYTHM, T-200—1, T-200-2, 4-16, T—400 \ OUTPUT LEVEL ADJUSTMENTS. - The rhythm volume levels are set at the fac- 417. tory, and will normally require no adjust- ment. In case it is found necessary to replace a part on the rhythm board, 124- 000114, adjustment will be required. To adjust output levels, proceed according to the following. A VTVM, Amphenol Milli- volt Commander, Model 870, or equivalent is required, See Figures 5—20 through 5—22 for locations of controls. a. Set all tabs and rocker switches to “up” or “off” positions. Set swell pedal and RHYTHM VOLUME, control to maximum output, b. Connect VTVM across main speaker leads. c. Press CYMBAL push button at about 5 times per second. Adjust R113 to obtain a meter indication of 2.2 to 2.8V rms. d. Press BRUSH push button.at about 5 times per second. Adjust R126 to obtain a meter indication of 2.2 to 2.8V rms, e. Press TOM-TOM push button at about 5 times per second. Adjust R134 to obtain a meter indication of 1.3 to 1.7V rms. ONE RHYTHM VOICE IS SILENT. — Check the following: a, Connection to corresponding pin of rhythm PWB, 124-000114, See Fig- ures 5~20 through 5—22. b. If connections O.K., check for +15V DC at pin when push button of miss- ing voice is held down. . —Ifvoltage is missing, check connec- tions to push button switch, rocker tab, and organ power supply. d. If-voltage is present, trace associated voice circuitry. NOTE If failure is in Brush and/or Cymbal voice, check QUOI. PROGRAMMED VOICE DOES NOT SPEAK. — If any voice speaks when push button is pressed, but not from programmed source (manual or pedal, as applicable), check rocker switch and associated wiring. See Paragraphs 4-18 and 4~19 also, ALL PERCUSSION VOICES SILENT. — (Hiss voices speak.) — Check Q107, Q108, and associated circuitry. BOTH HISS VOICES SILENT. (Percussion Voices speak.) ~Check Q106 and associated circuitry. Check Q1O1. 4-94-18, NO RHYTHMVOICE RESPONSE FROM PEDALS. - Check pedal keying pulse cir- cuits. Paragraph 2—25. times per second, Adjust R490 for average output of 2.5 volts. B. Depress BRUSH push button at about 5 times per second, and 4-19, NO RHYTHM VOICE RESPONSE FROM adjust R491 for average output MANUAL. ~ Check manual keying pulse of 2.5 volts. circuits. Paragraph 2-24. C. Connect AC VTVM to pins 16 and 19 of Voice Board 124- 4-20, RHYTHM RAIL ADJUSTMENTS (See Figure 000023. Press and hold down PERCUSSION BOAR moroR ‘START ‘CAPHEITOR 5-18.). - The potentiometers on the Voice Board and Detector Board are set at the factory, and normally require no adjust- ment. If either board has been repaired or replaced make the adjustments described below. Set up the following conditions be- fore making adjustments, Swell pedal to full output All Rhythm Rail slide switches OFF Rhythm Rail VOLUME slide switch in LOUD position A. Connect AC VTVM across sta- tionary speakers. Depress CYM- BAL push button at about 5 SWITCH PANEL, ASSEMBLY & SWITCH PANEL ASSEMBLY. 5 ‘ASSEMBLY vigraro onive AMPLIFIER AMPLIFIER \ RUN MOTOR RUM SCANNER ou curs 4-21, SWITCH PANEL recep wer anne ag / a oe Seema / Masia DRUM ROLL push button. Ad- just R201 for an output of approximately 700 my. OVERALL ORGAN LEVEL ADJUSTMENT. — Recovery and non-vibrato board 124-000014 incorporates an overall volume level adjust- ment, set at the factory. If it becomes neces- sary, it can be readjusted by attaching a VTVM to the voice coil of either station- ary speaker, pulling 8° drawbar on either manual to #8, playing Lowest C on manual (Frequency 37), and adjusting the output to 1.4V. RMS. with the “Swell” pedal fully depressed, UPPER MANUAL BUSS AMPLIFIER / SWITCH PANEL ASSEMBLY | / LOWER waNUAL aus ‘aurLiien LINE Box Upper Console Components Location Figure 4-8Lower Console Components Location Figure 4—9“HTT HO 906N Aipeynedos THAT [E00 son eet | oot ane] ero as ae araypneny sper uotssa| 307) pry). aNON QIVH | wewssony Awazoz | 8 ar cen stqypneuy “PEL YO Sse ste ‘INON ‘davH “URRUE Ss029Y ATWO TIT °° Odd AS OAT “800 U0 OSE ste NON ‘av UyBUT ssOIdy Awozst | “P 181000] (sKeyasour | saynads 9T aaron | scrstiset] somo axon omvarvanravn | spwatoy | adced | os youuey> Iv $71 uO OSSa io as ded AS HTL 10 GEM. oO os wotivaianie | mene | axe ad AS PEI UO SpSe ste NON VaRRivi, yeux sory adooxg | (1 BOWL oEIseo NOLLVUSLITY sayweds: 797 BAA AT MAS “800 uo 9Seu ste ‘NON VISITIO ureut sox adeoxg, oy Ed ASHFAS SI @UON | T#1ePed 0} reqnsq] .8/.9T 10990 B/.9T uyur ssoxy av S| auasorary seo ey don mane wisevasvea | mccoy 2 000 : yenueyy reddy) uopsod oF aqme NO OLVUGIA, sayeads EAAO'SO ATE | npord Ape ste enaeyy 33d) ‘NOISSAOUdd? 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ALIGNMENT & PERFORMANCE CHECK, XTP. STEP| TEST POINT | DEPRESS TABOR ROCKER | TONEBAR REGISTRATION | PLAY KEY (S)| | ADJUST | OSCILLOSCOPE OTHER INDICATION 1 |Outlet Box | TONEBARS & PERCUSSION tab | Upper Manual 8’ Tonebar #25 R870 on 5.5V PP Phono Plug to Position 8 Upper Manual | 124000014 2 |Outlet Box | TONEBARS tab Lower Manual 8’ Tonebar | #25 None 5,64 LAV PP Phono Plug to Position 8 Lower Manual 3 Outlet Box 16"/8" Rocker 16°/8’ Tonebar to Pedal #1 ‘None 36V + 9V PP Phono Plug _| 8° Position Position 8 | Gow “C”) 4 [Outlet Box | REITERATE Reiteration rate-midpoint | #25 Alternate | Ticking from Phono Plug Percussion level-R557 (full) | Upper Manual |Null R519 | speaker is minimized counterclockwise. & Main Null | (Nulled) R556 Alter- nately 5 |Outlet Box | CELESTA, REITERATE None #25 Percussion | 10.5V P-P Phono Plug Upper Manual _| Level-R557 6 Outlet Box — |MARIMBA, REITERATE None #25 None High Frequency Phono Plug Upper Manual 7.3V + 2.8 PP Low Frequency 5.4V + 19V PP | 7 {Outlet Box | TONEBAR & PERCUSSION tab. | Upper Manual 8’Tonebar | #25 R821 4.0V PP Phono Plug | VIBRATO ON/UPPER tab. to Position 8 Upper Manual 8 [Outlet Box | TONEBARS tab. Lower Manual 8’ Tonebar —_| #25 None 5.5 + LIV PP Phono Plug | VIBRATO ON/LOWER tab. to Position 8 ‘Lower Manual } 9 |Outlet Box | TREMOLO, in slow. TONEBARS | None None None Hum less than Phono Plug | & PERCUSSION, BRILLIANCE 060 Volts RMS Music Lamp Pedal Lamp 6-Voice Rhythm Control Max, Add REVERB I & II None None None Hum less than .070 Volts RMSSone = = sory ani eo 4-13 use lSECTION V DIAGRAMS GENERAL. ~This section contains diagrams which illustrate the foregoing text and pro- vide information necessary to proper organ servicing, ARRANGEMENT OF SECTION. ~ Schematic diagrams illustrating the latest production are shown in Figures 5—1 through 5-22. Wiring diagrams for both early and late production are shown in Figures $—23 through 5~30, Schematic diagrams for early T-100 and T-200 models are shown in Figures 5—31 and 5—32. Figure 5—33 is T-262 schematic diagram. XTP Wiring and schematic diagrams for the XTP are shown in Figures 5-34 thru S—41.094-035052-6) FIGURE 5-1 LAYOUT AND SCHEMATIC DIAGRAM PEDAL DIVIDER BOARD, 124 2aememcioe '8 6€6z£0-EzO* 20101». Sao: EI mB Se o9t-082276-1" Figure $33Figure S—34 Six-Voice Rhythm End Block 125-000069 Figure 5—35 Special Effects End Block Taner ones | Fon 220y oper r A r ——— como Laég Sse ° Q ‘ Soto 6 “000 Of}0-OfsOGaED> ° 023-045110 ie © 124-000170 Mi : o © 2 mato ot Ye" OfbO S00 Ofsz}0 AO BOESTO ORS az38Figure 5—39i OF chassis, OF EHASSIS 094-045032 Power Amplifier Wiring Diagram Figure $—40TT 14 Wiring DiagramSECTION VI PARTS LIST INDEX UPPER MANUAL AND CONTROL PANEL ASSEMBLY Upper Manual Assembly 119.000004 Control Panel Assembly 120-000006 | ‘Stop Finger Tabs ‘Tab Mounting Components Playing Keys Drawbar Assembly ‘Switch Panel Assemblies LOWER MANUAL ASSEMBLY 119.000003. «sees eeee Playing Keys Lower Left End Block 7-100 Lower Right End Block 7-100 Lower Right End Block 7-200 Lower Left End Block T-200-300-400 Lower Right End Block —1-200-1-2, T-400 PRINTED WIRING BOARDS Percussion Board Assembly 124.000181 Percussion Board Assembly (1-262) 124-000113 ‘Vibrato Board Assembly 124-000018 Recovery and Non-Vibrato Board 124-000014 Upper Manual Bus Amp Board 124.000015 Lower Manual Bus Amp Board 124-000016 Brush and Cymbal Board (T-100, 7-200) 124-000020 Power and Reverb Amp Board 124-000017 Pedal Divider Board 124-000013 Pedal Keyer Board #1 124.000025 Pedal Keyer Board #2 124-000026 Pedal Keyer Board #3 124-000027 Detector Board (Rhythm Rail) 124000024 Voice Board (Rhythm Rail) 124.000023 Rhythm Board (Used with 6 Button Rhythm) —124.000114 POWER SUPPLY AND AMPLIFIER ASSEMBLIES POWER SUPPLY ASSEMBLY (RHYTHM RAIL) PEDAL KEYBOARD AND SWITCH ASSEMBLY — 116-000002 WOODWORK ASSEMBLIES Cabinet Assemblies Bench Assemblies Case Assemblies Top Panels ‘Music Panels Rear Covers Baffle and Grille ClothsRHYTHM RAIL ASSEMBLY T-300 AND KITS RHYTHM II ASSEMBLIES (AUTOMATIC RHYTHM) MISCELLANEOUS ‘Swell Pedal Components Leslie Speaker Assemblies Generator Assemblies Scanners Speakers XTP Page CONTROL ASSEMBLY Bo 6-21 Stop Finger Tabs = 6-21 Control Panel Assembly 6-21 Switch Panel Assemblies - 6-21 PERCUSSION BOARD ASSEMBLY +62 Trimmer Potentiometers on Transistors 6-2 Integrated Circuit 62 END BLOCK ASSEMBLY (LEFT HAND) + 6-23 Rocker Tab Switches + 6-23 END BLOCK ASSEMBLY (RIGHT HAND) + 6-23 EXPRESSION PEDAL ASSEMBLY Photo Cell Light Diffuser Light Bulb PEDAL KEYBOARD AND SWITCH ASSEMBLY POWER AMPLIFIER ASSEMBLY wooowoRK Case Assembly Bench Assembly Top Panel Assembly MISCELLANEOUS Crossover Network Assembly Lower Manual Cover Music Light Transformer ‘Speaker Cabinets 62END BLOCK AND ROCKER ASSEMBLY LEFT HAND 125-000073 End Block Cover Left Hand (Textured) Rocker Tab Switch Assembly (Left Hand) Rocker Switch Frame Assembly Over Center Spring Shaft Adhesive Backed Felt ‘Stamped Rocker Tab (Pedal Sustain) Stamped Rocker Tab (16’ Pedal 8") Stamped Rocker Tab (Pedal Mute) Stamped Rocker Tab (Tremolo Chorus) Stamped Rocker Tab (Off-On Tremolo) ‘Stamped Rocker Tab (Slow-Fast Tremolo) End Block Left Hand Capacitor, Mylar Film ATMF S0V.DC. Capacitor, Mylar Film (MF SOV.D.C. END BLOCK AND ROCKER ASSEMBLY RIGHT HAND 125-000069 End Block Cover Right Hand (Textured) EXPRESSION PEDAL ASSEMBLY 123-000055 Pedal Base and Felt Assembly ‘Shutter Assembly Cell and Housing Wiring Assembly Diffuser Photo Cell Housing Cover Light Bulb Socket and Terminal Assembly Light Bulb Extension Spring Pedal Assembly PEDAL KEYBOARD AND SWITCH ASSEMBLY 116-000003 POWER AMPLIFIER ASSEMBLY (120V-60Hz) 126-0070 Chassis Assembly (Riveted) Power and Reverb Amp Board Pedal Divider Board Cord and Plug Assembly (AC) Transistor Heat Sink Teflon Insulator Terminal Lug Strain Relief (AC) Plug Bottom) Capacitor, Electrolytic 1500Mfd__25V (Sleeve) Capacitor, Electrolytic 1S00Mfd —25V Capacitor, Electrolytic 3000Mfd —30V Capacitor, Electrolytic 1000Mfa_—25v Power Transistor (Matched Color Dots) Power Transformer (120 60H) Power Transformer (120/220V - 50/60#2) Silicone Compound Capacitor .O2Mfd 1000 Volt C620 Resistor, Fixed 1/2Watt 479 + 10% Resistor, Fixed 1/2 Watt 109 + 10% Resistor, Fixed 2Watt S02 + 59% Resistor, Fixed 3Watt 400% + 57% Silicon Rectifier Zener Diode 15 Volt 1 Watt 009-045147 008-045018 008-045014 012-030819 020-031771 042-031761 031-044624 031-033777 031-0378 031-044625 031-044627 031044626 025-045015 405-040252 405-040212 009-45148 060-030804 060-033749 040-044871 016-030153 025-032880 011-044878 016-031748 012-030154 123.000056 009-031032 124-000176 124.900013 011-045043 041-044539 036-032018 007-021616 013.034996 005-045226 450-060010 450-060020 450-060030 407-060149 001-012050 003-031070 003-031327 007-029624 425.020770 600-020171 600-020011 600-040242 602-050102 001-024051 001-023034 6-23POWER AMPLIFIER ASSEMBLY 120V 50-60 Hz 126-000071 POWER AMPLIFIER ASSEMBLY 220V 50-60 Hz 126-000072 woopwork Case Assembly Music Panel (Complete) Cabinet Assembly Bench Assembly Top Panel Assembly Top Panel Rhythm Unit Phillips Head Countersink (4 Used) Lampholder and Hinge Wiring Assembly Lens (Top) Lens Diffuser (Bottom) Rhythm Knobs (2 Used) Music Panel Hinge (2 Used) Music Panel Lights (12 Volt) 17 Used Front Panel (Rhythm Cover) Logo MISCELLANEOUS End Block (Textured) Upper Right Hand Control Cover, Front Strip Frame Assembly. Heat Shield (Power Output Transistors) Grommet Rear Cover (Music Light Cover) Outlet Box Assembly Crossover Network Assembly Phone Jack Terminal Strip Assembly Phone Jack Assembly Base Cover Music Light Base Rear Cover Pedestal Trim Strip (Rear 20%”) Pedestal Trim Strip (Front 184") Hammond Logo* Filler* Cable Assembly Rhythm IT Lower Manual Cover (Molded) Pedal Lamp Assembly Vibrato Drum Scanner Assembly Pedal Lamp 120V 6 Watt ‘Music Light Transformer 120V._ 50 Hz ‘Music Light Transformer 120V_ 60 Hz Music Light Transformer 220V 50-60 Hz +1 EACH REQUIRED FOR COMPLETE ASSEMBLY-GLUE NOT INCLUDED Main Speaker Cabinet Assembly Cabinet and Grill Cloth Assembly Grill Cloth 12” P M Speaker Horn Speaker. Rotary Speaker Cabinet Assembly 120V 50/60 Hz. 64 050-002525 050-002520 111.900128 152000054 125.000072 050-002485 125-900049 935030538 063-044299 026-044639 016-044640 031-042578 032-033416 016-031749 061-044635 037-043351 025-035707 041-031022 041-044668 060-044565 010-044472 043.020675 129.000007 063-044888 063-044889 005.044868 050-002516 041-044472 041-044579 055-045038 055-045039 037-025943 050-000883 011-044880 025-045036 016-039392 066-042874 GE6S6 003-044481 003-044484 003-044480 102-000055 052-045132 053-045114 014-045044 014032169 102-000056Rotary Speaker Cabinet Assembly 220V__ 50/60 Hz Cabinet and Grill Cloth Assembly Rotary Tremolo Unit 120V 50/60 He Rotary Tremolo Unit 220V 50/608: ‘Tremolo Cable Assembly (For 102-000056) ‘Tremolo Cable Assembly (For 102-000057) ‘Transformer (For 220Volt Operation) 102-000057 052-045131 121-000134 121-000135 011-045177 011-045832 003-045814 6-2510.431%-35007/71 Printed in U.S.A.