Dang Nguyen Basic Optic Systems
Dang Nguyen Basic Optic Systems
by
Dang Nguyen
Submitted to
Spring 2021
Dang Nguyen, 2
Purpose: In Part 1 of this experiment, you will discover the results of mixing red, green, and
blue light in different combinations. In Part 2, you will compare the appearance of red, blue, and
Mixing light adds up the light. If you take two colored light and mix them, the sum is
lighter, and the color is at least slightly less saturated. Paint produces color from white light
shining on it by absorbing many wavelengths in the white light and reflecting only a few.
The reflected light reaches our eyes, the absorbed light is lost.
2. White light is said to be the mixture of all colors. In this experiment, did mixing red,
Yes, if we mix red, green, and blue light, we get white light. This is additive color. As
more colors are added, the result becomes lighter, heading toward white.
Color of Light Line Apparent Color of Ink Do they look Actual Color of
different? Ink
Blue Light A Black Very slightly Red
B Black Black
Red Light C Red yes Red
D black Black
Color of Light Line Apparent Color of Ink Do they look Actual Color of
different? Ink
Blue Light A Red Yes Black
B Blue Blue
Red Light C Black no Black
D black Blue
Look at red and black lines under red light. Which line is easier to see?
___________Black______________
1. What makes red ink appear red? When red ink is illumined by blue light, is most of the
Light is made up of wavelengths of light, and each wavelength is a particular color, object
appear different colors because they absorb some color and reflected or transmitted other color.
White light is made of all the colors of the rainbow. The red dye molecules absorb all colors
except red. Red light is the only light that is reflected from the ink. That is why red ink appears
red.
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2. When illumined with red light, why is red ink on white paper more difficult to see than
black ink?
When red ink on white paper is viewed through red light, it becomes invisible because
red light makes the paper appear as red as the ink. The red light removes any contrast
Black ink absorbs red light and remain black, but the paper appears red due to red light.
Therefore, there is a contrast between the black ink and red paper.
Summary: The subject of color perception can be simplified if we think in terms of primary
colors of light. We have already learned that white is not a color at all, but rather the presence of
all the frequencies of visible light. When we speak of white light, we are referring to ROYGBIV
- the presence of the entire spectrum of visible light. But combining the range of frequencies in
the visible light spectrum is not the only means of producing white light. White light can also be
produced by combining only three distinct frequencies of light, provided that they are widely
separated on the visible light spectrum. Any three colors (or frequencies) of light that produce
white light when combined with the correct intensity are called primary colors of light. There are
a variety of sets of primary colors. The most common set of primary colors is red (R), green (G)
and blue (B). When red, green, and blue light are mixed or added together with the proper
Experiment 2: Prism
Purpose: The purpose of this experiment is to show how a prism separates white light into its
component colors and to show that different colors are refracted at different angles through a
prism.
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1. Rotate the trapezoid until the angle (θ) of the emerging ray is as large as possible and the ray
Colors in the order Red, Orange, Yellow, Green, Blue, Indigo, Violet are seen from top to
The angle of diffraction is directly proportional to the wavelength, and hence the diffraction is
as:
Red > Orange > Yellow > Green > Blue > Indigo > Violet
(c) According to Snell’s Law and the information given about the frequency dependence of the
index of refraction for acrylic, which color is predicted to refract at the largest angle?
2. Without repositioning the light source, turn the wheel to select the three primary color
rays. The colored rays should enter trapezoid at the same angle that the white ray did. Do the
colored rays emerge from the trapezoid parallel to each other? Why or why not?
Yes, they are parallel because the side of the 3D trapezoid all have equal measurements
in both sides.
Summary: In a real parallel glass slide (with two prisms imagined to be touching each other to
form a parallel glass slide), The ray of light should pass through the Z in between without any
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dispersion or change in direction because the density in both of the prisms is the same (and they
Purpose:
sin ( i) u2
Snell’s law given: =
sin (r ) u1
sin ( 42º ) u
= => u = 1.786
sin ( 22º ) 1
What is the angle of the ray that leaves the trapezoid relative to the ray that enters it?
As the incident and emergent surfaces are parallel, the angle of emergence is equal to the
angle of incidence.
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Dang Nguyen, 10
Summary: Snell's law gives the relationship between angles of incidence and refraction for a
wave impinging on an interface between two media with different indices of refraction. The law
follows from the boundary condition that a wave is continuous across a boundary, which requires
that the phase of the wave be constant on any given plane, resulting in n1sin θ1 = n2sin θ2, were
and are the angles from the normal of the incident and refracted waves, respectively.
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Purpose: In this experiment, you will determine the critical angle at which total internal
reflection occurs in the acrylic trapezoid and confirm your result using Snell’s Law.
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Remove the trapezoid and draw the rays that are incident upon and reflected from the inside
surface of the trapezoid. See Figure 5.4. Measure the angle between these rays using a protractor.
(Extend these rays to make the protractor easier to use.) Note that this angle is twice the critical
angle because the angle of incidence equals the angle of reflection. Record the critical angle
sin ( i) u2
=
sin (r ) u1
sin ( ic ) 1
=
sin ( 90º ) u 1
−1 2
i c = sin ( ) = 42.06
3
¿
% different = ¿ 43−42.06∨ 43 ∗100 ¿ = 2.19%
1. How does the brightness of the internally reflected ray change when the incident
The brightness of the internally reflected ray would increase when the incident angle from
2. Is the critical angle greater for red light or violet light? What does this tell you about
The critical angle is greater for the red light. The index of refraction is smaller for the red
light. The index of refraction is inversely proportional to the wavelength of the light.
Summary: In general, total internal reflection takes place at the boundary between two
transparent media when a ray of light in a medium of higher index of refraction approaches
the other medium at an angle of incidence greater than the critical angle. For a water-air
surface, the critical angle is 48.5°. Because indices of refraction depend on wavelength, the
critical angle (and hence the angle of total internal reflection) will vary slightly with
wavelength and, therefore, with color. At all angles less than the critical angle, both
Purpose: In this experiment, you will explore the difference between convex and concave lenses
Summary: The experiment was conducted to explore the difference between the convex and
concave lens. Based on the experiment, a concave lens is thinner in the middle and thicker at the
edges while the convex lens is thicker in the middle and thinner at the edges. Also, it was
observed that incident rays in the concave lens diverge away from the principal axis while for the
concave lens, the incident rays converge towards the principal axis. In terms of focal length, the
concave lens has a negative focal Length while the convex lens has a positive focal length. This
result is supported by theories which state that a convex lens or converging lens focuses the light
rays to a specific point whereas a concave lens or diverging lens diverges the light rays.
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