Contents

C2K INTRODUCTION................................................................................ 4

CUSTOMIZING YOUR COMPETITION 2000 SERIES AMPLIFIER.......... 5

MADE IN AMERICA ................................................................................... 6

OUR DEDICATION TO SONIC PURITY REQUIRES THE HIGHEST OF

QUALITY IN INTERNAL COMPONENT PARTS....................................... 7

SYMBILINK™ BALANCED SYSTEM........................................................ 9

SPECIFICATIONS YOU CAN HEAR ....................................................... 10

A WORD ABOUT “WEIGHTED” SPECIFICATIONS .............................. 11

WARNINGS .............................................................................................. 12

INSTALLATION GUIDELINES................................................................. 13

COMPETITION 2000 KEY FEATURES ................................................... 14

THE COMPETITION 2000 TWO CHANNEL AMPS ................................ 15

2 CHANNEL CONTROLS ........................................................................ 17

POWER ENDPLATE CONTROLS........................................................... 19

12V HOOKUP ........................................................................................... 19

C2K 2.0X POWER VS. DISTORTION AND SPECIFICATIONS............. 20

C2K 3.0X POWER VS. DISTORTION AND SPECIFICATIONS............. 22

C2K 6.0X POWER VS. DISTORTION AND SPECIFICATIONS............. 24

C2K CROSSOVER RESPONSE ............................................................. 26

THE COMPETITION 2000 4 CHANNEL AMPS....................................... 27

4 CHANNEL CONTROLS ........................................................................ 29

1
POWER ENDPLATE CONTROLS........................................................... 31

12V HOOKUP ........................................................................................... 31

C2K 2.5X POWER VS. DISTORTION AND SPECIFICATIONS............. 32

C2K 4.0X POWER VS. DISTORTION AND SPECIFICATIONS............. 34

CUMULATIVE ERROR............................................................................. 36

CLASS D FOR THE AUDIOPHILE .......................................................... 37

CLASS D AMPLIFIER WARNINGS ......................................................... 38

MANUAL FOR SAFE SOUND ................................................................. 39

CONTROL PLATE FEATURES ............................................................... 41

POWER ENDPLATE HOOKUPS ............................................................. 43

DISPLAY AND CONTROL ....................................................................... 44

COLD BOOT BUTTON............................................................................. 44

C2K 9.0XD POWER VS. DISTORTION AND SPECIFICATIONS .......... 45

9.0XD NOTES ........................................................................................... 47

9.0XD NOTES ........................................................................................... 48

SYSTEM DIAGRAMS............................................................................... 49

TECHNICAL ASSISTANCE ..................................................................... 69

2
MISSION STATEMENT

Committed to excellence

ZAPCO is dedicated to the pursuit of audio fidelity. Our prime

objectives are to design and manufacture audio products of unsurpassed
quality, to provide unparalleled support and service for these products and
to conduct business in a manner that will enhance the quality of life for all
involved.

Experience:
Knowledge from doing

There is absolutely no substitute for experience; that is a simple fact of

life. Another simple fact is that ZAPCO has, for over twenty-five years,
been the leader in defining quality standards for the car audio industry.
These years of experience have led to a thorough understanding of the
challenges that are unique to the world of car audio. ZAPCO's relentless
quest for sonic purity consistently yields imaginative designs that utilize the
most innovative technologies. The resulting products set the criteria by
which all others in the industry are judged.

3
 C2K Introduction

The ZAPCO Competition 2000 Series Amplifiers

Thank you for considering ZAPCO and congratulations on

your purchase of our Competition 2000 series product.

The ZAPCO competition series has long been considered the finest
sound quality amplifier for competitive use. For the year 2000, we once
again raise the bar and take the quest for sonic purity to its next level. Our
new Competition chassis and updated circuit design have not only brought
improved cosmetics and more features to the line, they have done what
many thought was impossible. They have actually improved the sonic
performance of the competition series.

In one of the many rave reviews of ZAPCO products last year, one
writer stated that ZAPCO’s circuit design and construction quality were
“head and shoulders” above the competition. We can only imagine what
they’ll be saying this year.

In developing this manual, we have tried to include all the technical

information needed to properly install and use the product. We have also
included a good deal of information which we hope will help you
understand what makes our Competition series different from all other
products, and why we at ZAPCO believe it’s worth the time, money, and
effort to design and build our amps and processors the way we do.

We hope you will read and enjoy the manual in its entirety, that you
will have many years of musical pleasure from the product. If you should
have any questions or comments, they will be both welcome and
appreciated. You can contact us on the net at www.zapco.com or by
phone at (209) 577-4268.

Thank you, from all of us at ZAPCO.

4
 Customizing Your Competition 2000 Series
Amplifier
Our new Competition 2000 series amps provide the ultimate in sonic
purity and audio performance. We felt they should also provide the
ultimate in cosmetic integration. The four trim panels (two on top and one
on each side) of the competition amps may be changed by your dealer to
color match any car or to match any installation need. They can be
replaced with virtually any “Formica”, or laminate, or by any of a number of
custom metal finishes available from ZAPCO. Check with your dealer to
see the various finishes available from ZAPCO and any custom finishes he
might offer individually.

Since replacement of the panels requires some disassembly, we

highly recommend that it be performed only by an authorized dealer.
Improper re-assembly could result in voiding of the warranty.

5
 Made In America
If a product comes into this country complete except for a couple of
screws that hold on a cover plate, should it be called “Made in America”?
We don’t think so! If a company hides its origin of manufacture, you know
there’s a reason. Usually it’s that the quality is so poor that they need the
“Made in America” claim to make the sale.

Are foreign products inferior? Of course not! Most car audio

manufacturers (Including ARPA of America) have products built all over
the world, and they are fine products. However, if you look at the boxes
they come in, each box will tell you exactly where the product in that box
was made. These companies let their reputation stand or fall on the quality
of what they produce. At ARPA of America, we conceive, design, and
engineer every Zapco product we sell and we demand strict adherence to
our bill of materials from everyone who builds products for us. If you make
a quality product you don’t have to trick people into buying it with
dishonest labels.

Why do we want to protect the “Made in America” label? Well for the
Competition line, it means that we make our Comp products here, top to
bottom, in Modesto, CA. We conceive, design, test, and manufacture
every Comp amp and processor we sell, ourselves. We build up all our
own circuit boards on our own surface mount machines. We wind most of
our power supply transformers right here at the factory. We even have our
own heat sink extruded so our own machine shop can build the chassis
and our screener can then screen them. We use 5532 and Bur Brown op-
amps in our products and 1% metal film resisters throughout.

Why don’t other companies use the same quality parts? As one
reviewer put it “You don’t see these used very often because they cost
more”.

We fully intend to continue building the finest car audio electronics

money can buy. We can only do that by putting the finest quality
components we can find inside the product, and by applying the finest
possible craftsmanship to their manufacture. By doing it ourselves!

Does this make the Competition products mare expensive than the
“run of the mill product” product? Absolutely, but we did not build this
product for everyone. We built it for the consumer who shares our passion
for sonic purity and manufacturing excellence.

We built it for you!

6
 Our Dedication to Sonic Purity Requires the
Highest of Quality in Internal Component Parts
• Resistors
All resistors (other than power resistors) are 1% precision, low noise
metal film. This is a key reason why ZAPCO products have the industries’
best noise specifications, and why you won’t see as much fluctuation in
our test certificates as you will in others. Precision resistors also reduce
distortion and improve channel matching.

• Capacitors
Capacitors are similar to batteries. Like a battery, they store energy
and have an electrolyte (internal fluid). Also like a battery, a capacitor can
have a very limited life. “Computer grade” capacitors for example, are
reliable only in cool environments with very little current applied to them.
Only the best high current and high temperature capacitors should be
used in an auto-sound application. Although these capacitors typically
cost five times as much as those used in our competitor’s products,
ZAPCO insists that no audio degradation will occur over time.

• Transistors
Two types of transistors are used in ZAPCO products, bi-polar and
MOSFET. MOSFET transistors are rugged, high current devices that are
suitably used as switches. They are the choice for switching power
supplies. They are however, very non-linear and are not suitable for use
as audio outputs. They cannot be matched and their inherent distortion
requires too much feedback to achieve reasonable distortion levels.
Bipolar transistors are used exclusively in our outputs. The audio
performance of a bipolar transistor heavily outweighs any minor
advantages a MOSFET might offer in durability. We solve the durability
question by simply using considerably more output devices than the amp
needs. This gives us a bulletproof amp with the sound we demand of a
ZAPCO product.

• Transformers
Most of the transformers used in our products are hand-wound in our
own facility to ensure maximum quality. This is the only way that current
capability, efficiency, and radiated noise can all be kept within our
demanding parameters. All transformers are securely mounted in their
respective chassis. Transformers are massive, and if not securely
mounted can cause failure among internal components due to vibration.

7
• Power Supplies
Regulated or Un-regulated? For years amplifier designers have
debated which type of power supply is best. What’s the truth about power
supplies? They each have advantages and disadvantages and there is no,
one, best type. Limiting yourself to one type of power supply limits your
amplifier design components. ZAPCO uses both types of supplies
depending on the intended use of each amp, as well as expected current
demands and operating environment.

8
 SymbiLink™ Balanced System

The most natural configuration for an audio system in the automobile

places the signal source in the dash with the amplifiers located some
distance away, usually under the seat or in the trunk of the vehicle. The
reality of this arrangement dictates the necessity to make long runs of low
level signal cable usually from the front to the back of the car. The
electrical environment in an automobile is one that is inherently noisy and
filled with conditions that threaten to degrade signal fidelity at every turn.
Capacitive loading due to the long cable lengths, the potential for ground
loops, alternator charging currents or currents generated by the amplifiers
themselves are all factors that induce noise and distortion into the signal
cables. By no means is this an ideal situation. Thankfully, ZAPCO has
found the solution.

SymbiLink components convert a standard unbalanced audio signal

into the fully balanced domain usually reserved for expensive professional
audio equipment found in recording studios or at your local concert venue.
After this conversion is made, the audio cabling becomes virtually immune
to electrical interference in the surrounding environment and is much less
susceptible to signal degradation over long cable runs. It is for this reason
that balanced signal cables are common in professional or industrial
applications. ZAPCO has made this technology available for your car.
ZAPCO engineers also discovered that the pulsating D.C. current in the
automobile chassis and amplifier power wiring caused a significant amount
of low frequency distortion. ZAPCO's balanced SymbiLink technology
completely eliminates this distortion.

9
 Specifications You Can Hear
Our dedication to sonic purity, and to the concept of cumulative error
demands that we design and build our amps and processors to be the
cleanest in the industry. And we do! ZAPCO amps are the standard by
which other amps are measured. However, it concerns us when one
specification (THD) that can’t be heard in most modern, high end amps
becomes the only meaningful specification manufacturers seem to publish.
THD is only one of a number of specs that make ZAPCO amps sound
better than the others, and, of the four prime specs, it is probably the least
obvious in normal use.

• Damping Factor:
The most common misconception about ZAPCO amps is that we
drastically under-rate our power output. Not true, it just sounds that way.
Today’s music, of all styles, has a great deal of bass content. Damping
describes an amps ability to control a woofer. An amp with poor damping
will leave bass notes sounding soft and undefined, regardless of its power.
In most amp lines, the largest units have damping factors between 200
and 400. In the ZAPCO Competition series, our smallest amp has
dampening of over 875. Since rock solid bass is perceived as a function of
power, our 100 watt amp sounds like other companies’ 300 watt amps.

• Slew Rate:
A similar situation exists in the higher frequencies. Ever turn up the
volume and hear cymbals sounding like finger-nails on a blackboard?
That’s because the amplifier simply wasn’t fast enough to accurately
reproduce the high frequency ring of the cymbals. A higher slew rate
means a faster amp, which means crystal clear highs. ZAPCO amps have
the highest slew rates in the industry. Once again, clear defined, sound is
perceived as a function of power.

• Signal to Noise Ratio:

Noise is an ever-present problem in auto-sound reproduction. ZAPCO
approaches this problem in two ways. First, is at the input source. Our
amps can all use the SymbiLink balance line inputs, which drastically
reduce the noise coming into the amp. Secondly, ZAPCO amps are built
with the highest quality, lowest noise components available. We have the
highest signal to noise ratios in the industry. The extra money we spend
on better components is directly rewarded with better sound.

10
• Stereo Separation:
The ability of an amplifier to maintain the separation between the right
and left channels is what allows an amp to reproduce an accurate sound
stage. Music is recorded with each instrument in its own location in the
sound stage. You should hear it the same way.

• Results:
To assure that no ZAPCO product ever fails to meet our standards, we
must build them all to exceed these standards by comfortable margins.
Our superior design and construction give our amps advantages that go
beyond power output and show a sound quality difference you will hear the
moment you turn on your system.

A WORD ABOUT “WEIGHTED” SPECIFICATIONS

Most of the time, when you see specifications, they will be preceded
by the term “A” weighted. “A” weighting is a way of coloring numbers to
make specifications look better. You assume the factor you’re measuring
is going to have a certain amount of bad stuff, so you pretend that much
isn’t there and only measure the rest.

About the only place you can find specs that aren’t “A” weighted is in
ZAPCO manuals and literature. We publish only “raw” specs at ZAPCO. If
we don’t like the specifications of one of our products we’ll make it better,
not try to make the numbers look better.

11
 Warnings
ZAPCO highly recommends that a fuse or circuit breaker be placed
within 18" of the battery. Although products have adequate internal
protection, it is possible that a pinched power wire between the component
and the battery may result in a fire. The protection device should be
placed where it can be accessed easily and all wiring should be routed
safely and correctly according to the following guidelines:
Do not run wiring close to hot or spinning objects.

Always use wire grommets when routing wire through the firewall or
any other metal panels.

Make sure that the potential for pinched wiring is avoided by routing all
wires away from moving hinges and seats. This also includes brake, gas
and clutch pedals, hood and trunk hinges, etc.

Caution:
Continuous exposure to excessive sound pressure levels may cause
permanent hearing loss. ZAPCO strongly advises that you use common
sense when setting volume levels. If you experience ringing in the ears, it
could cause permanent hearing damage!

CAUTION!
When connecting our amplifiers to prewired stock speakers care must
be taken that there are no common connections in the speaker wires, i.e.
minus to minus or plus to plus connections, as this will cause the amplifier
to go into immediate protection or may cause damage to the amplifier.
Output connections are not common chassis ground. Please follow the
hookup instructions in this owner’s manual. Any questions should be
directed to your local Zapco dealer or call us at 209-577-4268.

12
 Installation Guidelines

Mounting your Competition Amplifier is easy. Keep in mind the

following guidelines:

• The amplifier may be mounted in any direction, on wood, metal or

carpet.

• The metal case of the amplifier may be grounded or left isolated.

• The amplifier requires adequate ventilation. Position the amplifier with

sufficient surrounding area for proper cooling.

• Keep fan and vent endplates clear for proper internal cooling.

• Keep the amplifier out of the engine compartment and other locations
that may cause excessive heat or moisture.

• Do not mount the amplifier to a subwoofer enclosure or any other

place that may have excessive vibration!

13
 Competition 2000 Key Features
• SymbiLink Balanced Signal Technology

• Low Distortion

• Symmetrical, discrete Power Amplifier Circuitry

• Short Circuit, High Temperature, Reverse, DC offset, and Overvoltage

Protection

• 25-Ampere Bipolar Amplifier Output Transistors

• Precision 1% Resistors used throughout

• 50-Ampere MOSFET Switching Devices

• Very high Damping Factor

• Low Global Feedback

• Can drive highly Reactive Loads

• Four Layer Circuit Board with 2 ounce Copper

• Dual Color LED for Power and Protection Indications

• Gate Drive Boost maximizes power supply efficiency and improves

overall performance

• Load stability to one ohm on two channel models set to stereo mode

• Quality ZAPCO construction

• Designed and manufactured in the USA

• Three year warranty (Dealer Installed)

14
 The Competition 2000 Two Channel Amps
Zapco has a reputation for sound reproduction and for quality that is
unsurpassed. With all the new amps coming onto the market, not one was
any threat to Zapco’s standing as the premium amp and processor line.
So, why change now?

Because we can!

For 2005, we have rededicated the Competition line to absolute sound

quality as our only standard. To this end all C2K amps are designed for
maximum performance and power at a 4 ohm load. Even when driving
only woofers, you receive huge sound quality advantages by operation at
a 4 ohm load. So we felt it only appropriate that the C2K series should
develop its power in the range where you can realize the potential of it’s
superior sound quality

Our chassis design, with changeable inserts, allows unparalleled

cosmetic integration.

All the amps have dual cooling fans, one intake, and one exhaust. This
gives optimum cooling for the power supply and the output devices and
increases the mounting possibilities.

The chassis allows our circuit boards to be considerably wider,

allowing more space between components and more copper on the board.

The entire C2K line uses four layer boards with 2-Oz copper, instead
of the industry standard two-layer/1 Oz board. No other manufacturer does
this. It gives our amps improved specs in almost every area.

Our newly redesigned power supplies with custom wound torroids give
the C2K two channel amps up to 40% more power for short term peaks
than the previous competition models.

Since total value results from both performance and versatility, we

have included all the features you would want in the new comps. We have
even designed a few features you’ve probably never seen before. Please
take the time to study the next few pages and become familiar with all the
features and controls of your C2K amp.

Then, grab your favorite disk, hit the volume, and experience the result
of our passions for music and for sonic purity. We think you will agree that
they are passions well worth indulging.

15
16
 2 Channel Controls
1. Channel Selector: Allows selection of either Rt. or Lt. channel input
when used as a single channel mono amp.
2. Xover Range Select: Shows frequency ranges for internal range
switch (13) and AUX range switch (6).
3. Amp Function Selector: Configures the input to the internal amp for
single channel bridged, stereo, or L&R sum mono (bass amp).
4. Left and Right clip indicators: If they flash more than occasionally,
there is too much gain on the amplifier, and the signal is being
distorted.
5. Speaker Connectors: Marked for two channels at 2-Ohm minimum or
one channel at 4 Ohms Minimum.
6. Aux Freq Range: Sets xover range for AUX out crossover [see range
select (2)].
7. Aux XO Freq: Sets crossover frequency within range setting (6).
8. Crossover Function: Sets Aux crossover function to Hi, Low, or Full
Range.
9. Aux Out: Auxiliary output to provide conditioned signal for another
amp.
10. Sub Filt: Subsonic filter to protect speakers and reduce distortion.
11. Input voltage selector: allows amp to be used with non-SimbiLink
systems if needed.
12. Amp Gain: This should always be in the full off position and is used
only to balance multi-amp systems. (Feel free to contact ZAPCO for
instructions).
13. Identical to 6, but for the amps internal crossover.
14. Identical to 7, but for the amps internal crossover.
15. Identical to 8, but for the amps internal crossover.
16. Pre Clip indicator: When this light flashes, it indicates that too much
signal is being given to the amp. Check for excess gain in preamp or
line driver or switch the voltage selector.
17. Input: Main SymbiLink input to amplifier.
18. Slave Output: True “pass-through” output to feed unaffected signal out
for next amp.
19. Unbalanced selector: Can be used w/voltage selector to run amp with
weaker RCA signals when SymbiLink balanced lines are not
available.

17
18
 Power Endplate Controls
1. Power On / Protect indicator: Glows green when amplifier is on. Turns
red when amp is in protection.
2. Turn On Delay: Since some decks take longer than others to turn on,
we have included an adjustment on the C2K amps to lengthen their
turn-on delay. This will eliminate any dangerous turn-on pops.
3. RSD Port: All C2K amps will support a remote mount status display to
provide a visual check on amp functions.
4. Power connectors: See chart below for appropriate wire size. Use of
small gauge wire will greatly restrict amplifier performance. Always use
the same size wire for both Power (+12V) and Ground (-12V).
5. Main Power Fuses: Fuse sizes are listed on the I.D. plate above the
fuses. If the fuses should blow, always, replace with the fuse rating
on the I.D. plate.

• 2.0X: 10 amp fuses

• 3.0X: 20 amp fuses
• 6.0X: 30 amp fuses

12V Hookup
The use of small gauge wire will greatly reduce the power potential of
your C2K Amplifier. Please observe the following minimum wire gauges.

Since electricity works only when it travels in a full circle, please

remember that the ground connection must use the same size wire as the
power connection.

Amplifier Run less than 10 ft Run over 10 ft

2.0x 10 Gauge 8 Gauge

3.0X or 6.0X 8 Gauge 4 Gauge

When using multiple amps, use a 4 gauge Minimum to run to a

junction block, close to the amps. If possible, run 2 or 0 gauge to the
junction block, as any current loss will result in a loss of power.

19
C2K 2.0X Power VS. Distortion and
Specifications

20
 Specifications for C2K 2.0X

Power per channel - stereo T.H.D. +N @ 1 kHz

125 watts x 2 @ 4Ω <.02%

Power - Mono

400 watts x 1 @ 4Ω <.017%

Frequency Response 20Hz - 20kHz +0db -.35db

S/N Ratio >100dB

Transient Distortion <.01%

Separation >60dB

Damping Factor >900 @ 4Ω @1kh

Input Sensitivity 1 - 4 volts or 4 - 16 volts

Slew Rate 26 V/uS

Idle Current 1.75 amperes

Dimensions 2.375”H x 8.75”W x 13.5”L

21
C2K 3.0X Power VS. Distortion and
Specifications

22
 Specifications for C2K 3.0X

Power per channel - stereo T.H.D. +N @ 1 kHz

150 watts x 2 @ 4Ω <.009%

Power - Mono

600 watts x 1 @ 4Ω <.007%

Frequency Response 20Hz - 20kHz +0db -.35db

S/N Ratio >100dB

Transient Distortion <.008%

Separation >65dB

Damping Factor >1000 @ 4Ω @1kh

Input Sensitivity 1 - 4 volts or 4 - 16 volts

Slew Rate 28 V/uS

Idle Current 1.67 amperes

Dimensions 2.375”H x 8.75”W x 17.5”L

23
C2K 6.0X Power VS. Distortion and
Specifications

24
 Specifications for C2K 6.0X

Power per channel - stereo T.H.D. +N @ 1 kHz

250 watts x 2 @ 4Ω <.014%

Power - Mono

850 watts x 1 @ 4Ω <.008%

Frequency Response 20Hz - 20kHz +0db -.32db

S/N Ratio >100dB

Transient Distortion <.007%

Separation >60dB

Damping Factor >1000 @ 4Ω @1kh

Input Sensitivity 1 - 4 volts or 4 - 16 volts

Slew Rate 32 V/uS

Idle Current 1.77 amperes

Dimensions 2.375”H x 8.75”W x 17.5”L

25
C2K Crossover Response

26
 The Competition 2000 4 Channel Amps
To accompany the two channel C2K amps, we offer the 4 channel
versions, the C2K 2.5X and the 4.0X. In addition to all the standard C2K
features, we have made some changes to greatly increase the value of our
four channel amps.

First, with the C2K series, all ZAPCO 4 channel amps have
independent, fully variable crossovers for front and rear amps.

Second, each end of the amps can be easily switched to a single

channel mono input so they can be used as true stereo amps while
“building” a larger system.

Finally, we have effectively doubled the power of our Competition 4

channel amps. The competition series was conceived and designed for the
serious competitor. Since it was capable of operating at loads as low as 1
Ohm, you could “load down” the amp with multiple woofers and get up to
three times the amps rated power. While this is a great advantage for
woofers, it is usually a disadvantage for sound quality, as all specifications
are better at 4 ohms. Since the competition series is a dedicated Sound
Quality product, it is only appropriate that it should operate best at a 4 ohm
load.

Of course, all the C2K features like sub-sonic filter, RSD port, variable
turn-on delay, and slave output for “daisy chaining” amps are included with
the new competition 4 channels as well.

Moreover, as with every ZAPCO product, the C2K four channels are
made right here in Modesto, California, by people who care about sound
and about quality.

Never before, have there been such versatile amplifiers as the

Competition 2000, four channels, from ZAPCO.

If you should have any questions or comments about your ZAPCO

C2K four channel, please contact us at (209) 577-4268 or
www.zapco.com.

27
28
 4 Channel Controls
1. Source Select: Sets amp function to 4 channel or 2 channel, stereo. In
2 channel, stereo mode, the two front channels are bridged to a single
left channel and the rears are bridged to a single right channel, and
only the front input and crossover are used.
2. Xover Range Select: Shows frequency ranges for front range switch
(15) and rear range switch (7).
3. Front Function Selector: Configures the input to the front amp for left
channel bridged, stereo, or L&R sum mono (bass amp).
4. Front and Rear clip indicators: If they flash more than occasionally,
there is too much gain on the amplifier, and the signal is being
distorted.
5. Speaker Connectors: Marked for 4 channels at 2 Ohms minimum or 2
channels at 4 Ohms minimum.
6. Rear Function Selector: Configures the input to the rear amp for right
channel bridged, stereo, or L&R sum mono (bass amp).
7. Rear Freq. Range: Sets xover range for AUX out crossover [see range
select (2)].
8. Rear XO Freq.: Sets crossover frequency within range setting (6).
9. Crossover Function: Sets Rear crossover function to Hi, Low, or Full
Range.
10. Rear Input: When using amplifier in 4 channel mode.
11. Sub Filt: Subsonic filter to protect speakers and reduce distortion.
12. Input voltage selector: allows amp to be used with non-SimbiLink
systems if needed.
13. Front and Rear Amp Gains: These should always be in the full off
position and are used only to balance multi-amp systems. (Feel free to
contact ZAPCO for balancing instructions).
14. Identical to 7, but are for the front amps crossover.
15. Identical to 8, but are for the front amps crossover.
16. Identical to 9, but are for the front amps crossover.
17. Pre-Clip Indicator: When this light flashes, it indicates that too much
signal is being given to the amp. Check for excess gain in the preamp
or line driver, or, switch the voltage selector to its higher setting.
18. Front Input: This is the front input in 4 channel mode and it is the main
input in 2 channel, stereo mode.
19. Slave Output: this is a true ‘Passthrough” out to provide an unaffected
signal for another amplifier.
20. Unbalanced selector: Can be used w/voltage selector to run amp with
weaker, RCA signals, when SymbiLink balanced lines are not
available.

29
30
 Power Endplate Controls
1. Power On / Protect indicator: Glows green when amplifier is on. Turns
red when amp is in protection.
2. Turn On Delay: Since some decks take longer than others to turn on,
we have included an adjustment on the C2K amps to lengthen their
turn-on delay. This will eliminate any dangerous turn-on pops.
3. RSD Port: All C2K amps will support a remote mount status display to
provide a visual check on amp functions.
4. Power connectors: See chart below for appropriate wire size. Use of
small gauge wire will greatly restrict amplifier performance. Always use
the same size wire for both Power (+12V) and Ground (-12V).
5. Main Power Fuses: Fuse sizes are listed on the I.D. plate above the
fuses. If the fuses should blow, always, replace with the fuse rating
on the I.D. plate.

• 2.5X: 20 amp fuses

• 4.0X: 25 amp fuses

12V Hookup
The use of small gauge wire will greatly reduce the power potential of
your C2K Amplifier. Please observe the following minimum wire gauges.

Since electricity works only when it travels in a full circle, please

remember that the ground connection must use the same size wire as the
power connection.

Amplifier Run less than 10 ft Run over 10 ft

2.5x 10 Gauge 8 Gauge

4.0X 8 Gauge 4 Gauge

When using multiple amps, use a 4 gauge Minimum to run to a

junction block, close to the amps. If possible, run 2 or 0 gauge to the
junction block, as any current loss will result in a loss of power.

31
C2K 2.5X Power VS. Distortion and
Specifications

32
 Specifications for C2K 2.5X

Power per channel - stereo T.H.D. +N @ 1 kHz

75 watts x 4 @ 4Ω <.015%

Power - Mono

230 watts x 2 @ 4Ω <.01%

Frequency Response 20Hz - 20kHz +0db -.33db

S/N Ratio >85dB

Transient Distortion <.02%

Separation >60dB

Damping Factor >700 @ 4Ω @1kh

Input Sensitivity .5 – 2.17 volts or

2.6 – 10.5 volts
Slew Rate 34 V/uS

Idle Current 2.6 amperes

Dimensions 2.375”H x 8.75”W x 17.5”L

33
C2K 4.0X Power VS. Distortion and
Specifications

34
 Specifications for C2K 4.0X

Power per channel - stereo T.H.D. +N @ 1 kHz

100 watts x 4 @ 4Ω <.035%

Power - Mono

200 watts x 2 @ 8Ω <.017%

Frequency Response 20Hz - 20kHz +0db -.23db

S/N Ratio >90dB

Transient Distortion <.025%

Separation >60dB

Damping Factor >1000 @ 4Ω @1kh

Input Sensitivity 1 - 4 volts or 4 - 16 volts

Slew Rate 30 V/uS

Idle Current 3.95 amperes

Dimensions 2.375”H x 8.75”W x 19.5”L

35
 Cumulative Error

An issue that often is debated is at what level does distortion become

detectable to the human ear? Is there truly an audible difference between
a unit that measures .05% THD and one that measures .1% THD? There
are many that contend, with good cause, that distortion does not become
audible until the magnitude approaches 1-% or more. Why do we go to
such great lengths in order to ensure the accuracy of each unit when such
minute differences are most likely inaudible?

The answer to this question underlies ZAPCO’s entire design

philosophy and is based on the simple concept of cumulative error. To
understand the point you must consider all the pieces of electronic
equipment that comprise the chain between the original performance and
your ears. From the microphone used to record the performance, to the
speakers used to reproduce it, the ultimate accuracy of the final output is
directly dependent on the accuracy of all of the pieces that comprise the
system. Given that this is not a perfect world, it is inevitable that each
piece of equipment will add some distortion or error to the original signal.
Signal degradation along this chain can be nothing but cumulative. It is the
cumulative error of the system as a whole of which we must be mindful.

From ZAPCO’s perspective, the idea that .1% THD, inaudible in and of
itself, is good enough, is unthinkable! If .002% THD is possible it is the
obligation of the manufacturer to do all that is feasible to attain that
maximum level of performance.

36
 Class D for the Audiophile
We saw our first Class D amp in 1975. Numerous companies have
been trying since then to design and build a full range Class D, with very
little success. Class D amps have had so much noise and distortion that
they destroy mids and highs. Even when used strictly as bass amps
they’ve been dangerous. Competitors who use class D amps in SPL cars
invariably blow out all their woofers when they hit those high numbers.
This happens because of the extreme distortion the class D amps have
been putting out when they’re driven hard. This may be acceptable to
professional competitors, who get their speakers for free, but for the non-
competitor who has to pay for them out of their own pocket, it can be a real
nightmare. Not to mention that most of us want to be able to listen to
music in our cars and need an amp that sounds great on everything, not
just woofers.

Welcome to ZAPCO’s world! Where dreams of Class D power, and full

range sound quality come true.

The ZAPCO C2K 9.0XD is the ultimate car audio amp in so many
ways. The first, of course is power. With over 2000 watts RMS into either 2
Ohms or 4 Ohms, and a chassis only 18” long, it’s easily the most powerful
amp of its size. But that’s only the start of the story. The 9.0XD has the
most advanced microprocessor control system ever offered in a car audio
amplifier. This amp has a serial port that allows it to talk to other amps, to
a PC, or even to your car. It can be programmed to control its own power
output and clipping levels. The microprocessor system in this amp will be
the heart of our new systems as we move into the realm of full digital, from
source to speaker output. With all of it being brought to you by ZAPCO.

When you’re ready for the ultimate in car audio, ZAPCO has your
product.

37
 Class D Amplifier Warnings

WARNING!!

THIS AMPLIFIER IS AN EXTREMELY HIGH CURRENT DEVICE

AND MUST BE PROPERLY FUSED. ZAPCO Recommends a 175 amp
fuse at the amp, and, a 200 amp fuse at the battery. To avoid putting
yourself and your vehicle at risk, this product should be installed by a
qualified professional only.

WARNING!!

The speaker outputs of this amplifier can generate very high

voltages! At full power, each terminal will have 60 Volts of EMF. If you
bridge this amp, you will have 120 Volts across the speaker terminals. If
you touch them during a 60hz note it will be exactly the same as putting
your finger in a light socket.

WARNING!!

This amplifier draws more current than most stock electrical systems
can provide. We highly recommend the use of a high output alternator and
extra batteries. We also recommend 2 farads of external capacitance per
amplifier.

38
 Manual for Safe Sound
Hopefully you’re reading this manual carefully, front to back, every
word. If so you’re probably wondering why you see so many warnings and
cautions. Is the C2K 9.0XD dangerous? Only in the wrong hands! Read
this manual and follow the instructions and you will have many years of
outstanding performance.

Why all the warnings? The C2K 9.0XD can develop over 2,000 watts
RMS and can draw as much as 175 amps. How many speakers will
handle that kind of power? None, unless the enclosure is built to very
precise specifications. How many cars can deliver 175 amps of operating
current? None! If you are going to drive this amp to full power, you will
need to upgrade your electrical system. For these reasons, we highly
recommend that the amp be installed by a competent professional, familiar
with the amp and with this manual and with the speakers you are using.

However, the amp can be safely installed for basic operation by any
one, if the manual is thoroughly understood and carefully followed.
Please study the next few pages until you have a thorough understanding
of all the control functions and how they work and also the electrical and
speaker wiring. If you have any questions while reading the manual, feel
free to call our technical department at (800) 473-6723.

Once you feel comfortable with the control and hook-up basics, the
next section will take you through an initial startup procedure that will
safely get your system up and running and sounding like nothing you’ve
ever heard before.

In the final section, we will explain some optional pieces you can get
for the C2K 9.0XD and talk about some of the things you can do with the
9.0XD’s D.C.S. digital microprocessor system.

Thank you, and enjoy your amplifier.

39
40
 Control Plate Features
1. Mode select: Assigns the function of the adjustment knob as
needed.

2. Adjust Knob: Multi- function knob for set-up adjustments on

9.0XD.

3. LED bank: LEDs indicate function of adjustment knob and the

levels within each function.

4. Program/Display port and IR Remote port: Allows use of remote

control and remote display as well as PC interface.

5. Bridge in Select: Configures amp as single channel R. or L. amp.

6. Bass crossover controls.

Items 1 through 3 operate the basic amp controls. This is done by

selecting the function (or mode) of the digital encoder knob, and then
making adjustments using the LEDs as a guide.
There are three basic functions you need to adjust at installation. The
first is volume. This is the same as input sensitivity, and should be left all
the way down at initial setup. The last is turn-on delay. This allows you to
extend the delay to be sure the amp is the last piece of equipment to turn
on, thus eliminating any “turn-on pop”. The adjustment in the middle is
probably one you haven’t seen before. It’s called pre-clip. Pre-clip is a fail-
safe system for your speakers. It operates as a governor on the input side
of the amp and, once set, puts an absolute limit on how much input the
amp will accept. Worried about someone hopping into the car and
cranking up your system? Don’t! Once you’ve set the pre-clip, nobody can
give your speakers more than you’ve set them for.
When adjusting the amp, the first three LEDs indicate the function of
the encoder and the next four LEDs show the relative level within each
function.
Item 4 refers to the ports provided for options and programming.
Item 5 is the bridge channel select switch. If your system is to be set
up with a right channel amp and a left channel amp, this switch will put
each amp to its proper channel.
Item 6 is the crossover control section. The 9.0XD will operate full
range or as a bass amp. When engaged, the crossover can be set
anywhere from 38Hz to 500Hz. If the amp is used mono, switch the input
switch to L & R SUM MONO and switch the crossover into 48dB.
41
42
 Power Endplate Hookups

1. 12 volt Negative, or Ground, Connection

2. 12 volt Positive, Power Connection
3. Switched Power plug

Power Connection: The main power wire for this amplifier should be a 2-
gauge wire from the car battery as a minimum. For long runs we highly
recommend a 0-gauge wire.
While the amp may draw more current than many alternators can
deliver, we recommend a 175-amp ANL fuse at the amp as fail-safe
protection. Failure to properly fuse the amp will void the warrantee. While
the fuse at the amp will protect the amplifier, that much current in the line
from the battery does present a short circuit threat to the vehicle. To insure
the safety of both your vehicle and yourself, we highly recommend a fuse
of 200 amps at the vehicle’s battery in addition to the fuse at the amp.
Proper Configuration
Batt.___fuse_____________________________fuse___Amplifier
200amp 175amp

Ground Connection: The most common problems with high power amp
installations relate to the ground connection. Electricity travels in a circuit
and the amount of current the circuit will conduct is limited by the smallest
piece of conductor in that circuit. Therefore, your ground wire must be
same gauge as your power wire! Anything smaller will restrict your
power output. Also, for the ground connection to be effective, it must have
a clean secure connection to the frame or other structural member.
Many sheet metal parts in cars are isolated from the frame, by rubber or
plastic, to reduce road noise and vibration. These do not make good
ground points. Do not ground to sheet metal.

Switched Power Plug: The switched power plug has two connections.
The first is the turn-on lead from the head unit. This connection wakes up
the amp when 12 volts is applied, from the system. The second connection
is switched 12 volts out. When power is applied to the turn-on wire, it
closes a relay in the amp to provide 12V out to operate as a turn-on for
other amps or accessories in the system and avoid having to add outboard
relays.

43
 Display and Control
To go with the most advanced amp around, ZAPCO has developed
the most advanced display around.

The XD-VFD is an in-dash mountable, vacuum florescent display,

which allows you to monitor temperature, battery voltage, amplifier rail
voltage, and power output. It also gives you a readout of your volume, pre-
clip, and turn-on delay settings, plus, adding a “soft mute” switch to
automatically roll back any clipped signals. The display also adds a
function to put a delay on the +12V out if needed

Once you add the XD-VFD, you can also use a wired remote, which
can be mounted in some convenient location up front. Then you can make
all your amp adjustments from your seat while monitoring the display.

Cold Boot Button

Also included with your 9.0XD is a “Cold Boot” button. This is a
gray cable that plugs directly into the VFD receptacle on the 9.0 endplate,
and has a pair of wires with a momentary pushbutton attached. If the
microprocessor of your 9.0XD should ever “lock up”, simply push the “cold
boot” button to restart the processor.

You can use this only when needed or you can leave it attached
permanently, as the cable has a new receptacle for the VFD on the other
end.

44
C2K 9.0XD Power VS. Distortion and
Specifications

45
 Specifications for C2K 9.0XD

Power per channel - stereo T.H.D. +N @ 1 kHz

300 watts x 2 @ 4Ω <.05%

1000 watts x 2 @ 2Ω <.2%
Power - Mono

600 watts x 1 @ 8Ω <.07%

Frequency Response 20Hz - 20kHz +0db -.23db

S/N Ratio >85dB

Separation >70dB

Damping Factor >225 @ 4Ω @1kh

Input Sensitivity 250mV - 8 volts

Slew Rate >20 V/uS

Idle Current 3.8 amperes

Dimensions 2.375”H x 8.75”W x 19.5”L

Please Note: The 9.0XD is available as either a 2 Ohm stereo / 4 Ohm

mono version, or as a 1 Ohm stereo / 2 Ohm mono version.

46
 Start Up and Adjustments
Please Note! When you turn on the C2K 9.0XD, the adjustment LED’s
will light up to display the last adjustment made, regardless of the
position of the selector switch. Therefore, when making or verifying
settings you must make a minor adjustment to each setting so the
microprocessor will set the LED’s to display that particular setting.

Set Up
1) Turn on system with source volume at Minimum
2) Toggle the mode control to the gain (volume) setting on amp
3) Set gain (volume) counterclockwise to minimum. (No LEDs on amp, or
0dB on XD/VFD-WRC)
4) Check the RMS rating of your speakers. Toggle to pre-clip and set the
pre-clip setting to be below the speakers rated RMS power. This puts
a fail safe limit on the input stage of your amplifier. (If you have a one
thousand watt RMS speaker, set the pre-clip to 800 watts) If you do
not have an XD/VFD-WRC, see the chart below for using the LEDs.
5) If you think you need more power, OK...Give it a little more gain. But
remember.. speaker companies expect amp makers to fudge ratings...we
don’t fudge. There are not many speakers that will handle a 9.0 at full tilt.
When you’re done with setup, turn up the system slowly and listen for any
signs of breakup or stress in the woofers. If you hear any, turn down the
pre-clip until they are clean.

Putting number values to those LEDs

Gain (Vol) LEDs Pre-Clip LEDs

8dB 1 400W Mono 1
15dB 2 800W Mono 2
23dB 3 1600W Mono 3
30dB 4 2200W Mono 4

47
 9.0XD Notes
The 9.0XD protection circuit will engage itself three times and will
then lock itself up. This is so you will know there is a problem. Before
pulling a “dead” 9.0XD from a car, always use the cold boot button or
remove the main 12 volt connection and then reattach to reset the amp.

Competition is a special case and there are no universal rules. If you

have a problem ...Call us.

But, for street use...

Never set Gain over three LEDs or 23db on the XD/VFD-WRC.
Never set pre-clip levels higher that your speaker’s RMS power rating.

48
 System Diagrams
For Two Channel Amps:

1. Basic Full Range System

2. Two Amp System with Sub

3. Two Way System with Sub Amp and Processor

4. Three Amp three way with Bandpass

5. Three Amp with Processor (Crossovers at 12 and 18 dB)

6. Single Channel Right / Single Left and Mono Sub

7. Three Amp System with Full Competition Processing

For Four Channel Amps:

1. Basic Four Channel Non-Fading

2. Four Channel Front & Rear with Mono Sub

3. Two Way System with Fader

4. Two Channel with Mono Sub

5. Two Channel Mid / High Plus Two Channel Mono Sub

For the 9.0XD Digital Amp:

1. Power Endplate Connections

2. Full Range System

3. 60 dB Bi-Amp System

4. Three Channel System with Processor

5. Six Channel with Two Mono Bass Amps

6. Three Channel Mono Block

7. Five Channel with Bandpass

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 Technical Assistance

Should you experience a problem with your Competition 2000 Amplifier,

please contact the dealer that sold you this product. If your dealer is
unable to solve your problem, you may contact the factory service
department directly.

Phone: (209) 577-4268 Monday - Friday, 8AM - 5PM Pacific Time

FAX: (209) 577-8548

Also, check our web page, www.zapco.com, for tips. You can also e-mail
technical help directly from our web page or [email protected].

If you need to return this product for repair, please call the factory for a
Return Materials Authorization (RMA) number. We will ask you for
information that will include your name, return shipping address, daytime
phone number, model and serial number, and a detailed description of
your problem. A photocopy of your original purchase receipt is necessary
to determine warranty status and should also be included. Once we issue
you an RMA, please write it in a highly visible area on the package.
ZAPCO will not accept any packages that do not have a valid RMA
number clearly marked on the outside of the package.

Once you have a valid RMA number, send all repairs to:

A.R.P.A. of America Corp.

D.b.a. Zapco
Attn.: Service Department
413 S. Riverside Drive
Suite D
Modesto, California, 95354

69