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Allison Haley - Analysis Essay

The Stories Found Within Earbuds

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0% found this document useful (0 votes)
71 views5 pages

Allison Haley - Analysis Essay

The Stories Found Within Earbuds

Uploaded by

Allison Haley
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Allison Haley

EN 101

Analysis Essay

19 October 2020

The Stories Found Within Earbuds

Peter Forbes, a photographer and author, once said, “Stories create community, enable us

to see through the eyes of other people, and open us to the claims of others” (Allison). People

hear many impactful stories in their lives; however, for some, the ones that resonate the most are

found within a podcast. This may be the reason behind the ever-increasing popularity of

podcasts. The question is why? Tiffanie Wen, a freelance writer, argues in her essay “Inside the

Podcast Brain: Why Do Audio Stories Captivate” that there is a scientific reason why podcasts

are so popular. She suggests that their fame is dependent on the methods that the creators use in

order to captivate the audience, including using tension to get the audience to engage with the

story, dramatizing the audio structure, conjuring up characters, and using sound effects

(135-138). Upon reading this, I decided to put in my earbuds and do my own research, which led

to a fascinating discovery: it is the science behind podcasts--which Wen mentions but does not

emphasize--that lead to their great renown; their use of tension, characters with vivid

descriptions, and sound effects all help the listener engage in the story.

While it may seem difficult to believe, many podcasts tend to achieve an emotional

response from the listener through tension and stressors. When trying to find the perfect playlist

to listen to when getting ready, I stumbled upon the podcast ​Full Body Chills.​ Curious, I decided

to play their new episode titled “Lucid Dreamer.” I was immediately immersed in this false
reality; however, my body reacted as if it was real. Looking back, I now realize how the host of

Full Body Chills ​extracted this type of response from me. One feature that is constant throughout

this podcast episode is the music. The instruments are used to create a dark and mysterious

atmosphere. It keeps the listeners on their toes by crescendoing, decrescendoing, and, at times,

coming to a sudden stop. When the main character, whom we never discover the name of, speaks

of her dream, the music distorts. There are also frequent beat drops and echoes that sound eerily

similar to a woman screaming. Another thing the creators do is have the speaker switch up her

speech patterns. Her stammering and constant sighs make the listeners sympathize with her and

her situation. As she whispers in fear and talks about feeling oblivious to everything around her,

the listeners find themselves beginning to feel helpless and worried. What produces the most

reaction, though, is how she talks as if she knows them personally. The listeners view her as a

friend, which makes her problems of utmost importance to them. Paul Zak, director for the

Center for Neuroeconomics Studies at Claremont Graduate University, explains that “people

require some sort of stressor, some sort of arousal response in the brain to have this type of

narrative transportation where we begin to share the emotions of the characters in a story” (qtd.

in Wen 136). This podcast executes this method perfectly through its use of music and the main

character’s speech; however, this is not the only thing the podcast does well.

Another aspect that popular podcasts have in common is their ability to conjure up

different characters. There were not that many people involved in this story, but those who were

involved created quite an impact. The listeners meet the main character first. She is the one who

is suffering from a constant nightmare and whose curiosity got her into a life-threatening

situation. Though the listeners never find out the character’s name, they know plenty about her;
for instance, she often uses humor as a coping device. While talking about acquiring the VHS

she needs to watch in order to have lucid dreams, she jokes that she is “not looking to become a

connoisseur of mystery sleep tapes” (“Lucid Dreamer”). They also feel as if they know her due

to how she speaks to them with familiarity. The second character they are introduced to is the

attendant, a burly man wearing all white who mainly keeps to himself. They then come to know

Joseph. He is the one who ends up giving the main character the VHS tape, and during the

exchange, they discover that he is paranoid but professional. He is also a strapping young man

with a scar on the side of his head; however, they are never told how he got it. Finally, there are

the creatures, things with no faces, claw-like nails, and cold skin. They are the reason why she

decided to delve into the world of lucid dreams and now feels threatened. The vivid descriptions

as each of the characters appear not only add to the story but allow the listeners to empathize

with the main character more.

The ultimate method, however, that podcasts use to ensnare the listener is strategic sound

effects. One of the ways this podcast gets the listeners to pay attention is, again, through the

music. The listeners become aware of what they should focus on when the music begins to

increase in volume and drops suddenly. When the main character first starts her lucid dream

journey, she has pleasant dreams, which the music backs up by becoming light and

fantasy-esque; however, the listeners know immediately when it becomes a nightmare due to the

drastic switch in the music into a dark vibrato. The instrumentation also makes the listeners feel

as if they are in a time warp and that shadows are lurking behind them, but they cannot see them.

There is also an increase in instruments as the number of faceless creatures rises. In addition to

this, there are the standard sound effects that one would expect to hear. When she hits the diner’s
bell, its inharmonic chords ring in the listeners’ ears. They can hear the sound of the slimy food

as she is forced to eat it, the clock ticking in an impending rhythm, the creaking of doors, and a

woosh when one of the creatures moves her arm. One of the more vivid sounds, though, was

something akin to camera shutters as she attempts to conjure up a face to the faceless creatures.

By providing these unique sound effects, the creators subtly add to the imagery and allow the

listeners to focus on the story itself.

I have found, by listening to an episode of ​Full Body Chills​, that podcasts are more than a

person talking into a microphone. There is a science behind them, a method to their madness.

There is a reason why listeners may find themselves tensing up constantly throughout their

favorite audio drama, and even though they are hidden in the background, the sound effects add

to the story. The character descriptions are not put in for fun but to immerse the listener into the

tale. When I removed my earbuds, I remember feeling a sort of loss. I did not discover what

happened to the girl or why those creatures were after her, and I had many questions left

unanswered. It was then that I realized I am not the only one going through these emotions.

Around the world, other people have also listened to this exact same story and do not know what

occurred afterward. We all got to witness the inside of someone else’s mind and became addicted

to their imagination. That is what stories are supposed to do: leave you wanting but, at the same

time, feeling full.


Works Cited

Allison, Kelly. “21 Amazing Quotes About Storytelling.” ​Ethos3-Empowering Presenters​,

Ethos3-A Presentation Design Agency, 27 Dec. 2017,

www.ethos3.com/2017/12/21-amazing-quotes-about-storytelling/.

“Lucid Dreamer.” Full Body Chills by Flowers, 05 Oct. 2020,

https://getpodcast.com/p/full-body-chills/full-body-chills_lucid-dreamer_be68503d65

Wen, Tiffanie. “Inside the Podcast Brain: Why Do Audio Stories Captivate?” ​Acting Out

Culture:

Readings for Critical Inquiry, b​ y James S. Miller, 4th ed., Bedford/St. Martin’s, 2018, pp.

135-138.

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