Lesson I. A. Fibonacci Numbers and Golden Ratio PDF
Lesson I. A. Fibonacci Numbers and Golden Ratio PDF
Try These!
1. 3, 6, 9, 12, _____
2. 12, 21, 39, 75, _____
3. 41, 39, 37, 34, 32, 30, 27, _____
4. N2, M4, L8, K16, _____
9 3 7
13 20 29
2 5 8 4 ? 6
A B C D E
C. E; the black and white dots are alternating between 5 and 7 in number
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Fibonacci Rabbit Problem: Under ideal circumstances, how fast rabbits could breed?
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Feb 1 1
2 0
Mar 1 2
3 1 0
Apr 1 3
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5 3 2 1 1 0 0 0
June 1 8
o Number of pairs this month = Number of pairs last month + Number of pairs of
newborns
o Number of pairs this month = Number of pairs last month + Number of pairs 2
months ago
Continuing the pattern on the number of rabbit pairs per month, we get
These numbers form the Fibonacci sequence and they follow the rule “Every term is the
sum of the two preceding terms”.
However, Fibonacci introduced these numbers in his book Liber Abaci (The Book of
Calculating) beginning with 0 and 1.
0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, …
The numbers follow the formula F(n + 2) = F(n + 1) + F(n). This means that if you are
looking for F(11) or the 11th term, F(11) = F(9 + 2). Giving n = 9.
Example 1:
The 16th term of the Fibonacci sequence is 987 and the 17th term is 1597. What is the
19th term?
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Example 2:
Change Fibonacci’s problem slightly so that each pair of adult rabbits produces 2 pairs
per litter. Which recursion formula best describes the rabbit population?
Substituting the number of pairs of rabbits to the equations, the correct answer is B.
Example 3:
By listing method:
1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181,
6765, 10946, 17711, 28657, 46368, 75025, 121393, …
While listing method is easy, but it is not convenient at all times. When the required
Fibonacci number is on higher position, listing method is taxing. Binet’s formula (when F1 & F2 =
1) may be used as the alternative.
' '
!" √% !( √%
" # $" #
& &
𝐹! =
√&
&% &%
!" √% !( √%
" # $" #
& &
𝐹'& = = 75025
√&
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Given two values, their quantitative relationship (as signified by their quotient) is termed
ratio. Actual numbers of the Fibonacci sequence do not directly show the sequence’s relationship
with the Golden Ratio, rather from the ratios of the consecutive numbers.
((!*+)
The relationship will be used to determine the ratio at F(n + 1). The table below
((!)
shows the ratio until the 16th Fibonacci number. A line graph displays the correspondence
between the Fibonacci number and its consequent ratio.
Ratio values alternately increases and decreases. However, the ratio appears to converge
upon one number (as shown in the line graph). Continuing the process, the value 1.618 emerges.
This is the rounded value of the Golden ratio.
Golden Ratio
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./ /0
.0
= ./ Ratio is built on length over direct longer
length
1 +$1
+
= 1
Substitution
2
g =1–g Cross multiplication
g2 + g – 1 = 0
$+*√&
g1 = '
≈ 0.618
$+$√&
g2 = '
≈ - 0.618 discarded; measure is negative
AG is 0.618 units long and the ratio between lengths AG and AB is 0.618 : 1. Moreover,
$+*√& +* √&
the accepted value of g, that is '
, is less than 1. Unlike 𝜑 = '
, 𝜑 has a value greater than
1.
Nature presents the Golden Ratio or the Fibonacci numbers is varying ways. One of which
is through the number of clockwise and counter clockwise spirals of some flower heads. These
spirals will have counts observing Fibonacci numbers, even if the flower is still growing. Other
examples of Golden Ratio in nature include number of petals, the ratio between the lengths of
some body parts, and the number of spirals of a pinecone.
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One fascinating idea on Golden Ratio is its implementation on early architectures despite
the absence of knowledge of decimals or tools to exactly measure nearly 1.618. Some of the best
examples are Greece’s Parthenon and the Pyramids in Egypt.
Built from 447 to 438 BC by the ancient Greeks, the Parthenon in Athens illustrate Golden
Ratio or golden section application in its design.
The Parthenon picture on the right shows the golden rectangle. The ratio between its
length and width follows the golden ratio. When a square is cut from a golden rectangle, the
resulting (remaining) rectangle’s dimensions still follows the golden ratio. Continuing the process
to every rectangle will still yield the golden ratio.
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Golden rectangles are also present in da Vinci’s Mona Lisa and the Last Supper. Mona
Lisa’s face was painted in a certain angle such that it reflects the golden ratio. The horizontal and
vertical lines of the golden rectangle fall on important facial details, such as the alignment of the
eyes, nose bridge and lips. In the Last Supper, the golden ratio or divine proportions is featured in
various designs and architectural elements.
Method 1:
Divide the square in half. Measure the diagonal of the resulting rectangle. Use the
length to extend the base of the square from its midpoint. Complete the rectangle.
Method 2:
2. Draw congruent square right next to the first one (1 unit x 2 units)
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6. Continue to the right with a square with side 8. The new rectangle has a width of 8
and a length of 13. Extending the rectangle following the pattern will still produce
golden rectangles.
Golden Spiral
Using a growth factor of 𝜑, the golden spiral widens by 𝜑 for every quarter turn. The golden
spiral is drawn by connecting opposite vertices of the squares by a smooth curve as shown below.
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Several movie scenes observe the golden spiral concept to improve its visual appeal. This
is shown in the pictures below.
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