The Real Global Thing!: The Coca-Cola Company
The Real Global Thing!: The Coca-Cola Company
In 1997, M. Douglas Ivester became the 10th chairman and chief executive officer in the 112-year
history of The Coca-Cola Company. Mr. Ivester has been an architect of significant change for the
Company, from dramatic shifts in financial policies to the creation of the anchor bottler network. In
1998, the Company reached the milestone of selling a billion servings of its products every day.
"We're already working on our next billion servings per day... and we don't expect to take 112
years to get there," he stated in the Company's 1997 Annual Report.
A graduate of the University of Georgia, Mr. Ivester joined the Company in 1979. Throughout the
early 1980s, he moved through the financial ranks. In 1989, he took on operating responsibility as
president of the Company's European Community Group, followed by roles as president of Coca-
Cola USA and the North American Business Sector.
Innovations under Mr. Ivester's leadership include the initial public offering that
created Coca-Cola Enterprises, entrance into East Germany after the fall of the
Berlin Wall, the introduction of the 20-ounce plastic bottle for Coca-Cola and
the strengthening of the Company's bottling network.
For example, a friend of mine, a retired college professor who has worked all over the world, likes
to tell the story of how Coca-Cola helped him meet his wife. He saw this pretty lady he wanted to
meet, so he bought two Cokes and took one over to her. And that became the defining moment of
his life up to then.
I think almost everybody can remember when they had their first Coke. Not just people in the
United States, but people in Tanzania, Nigeria, Beijing, in Tokyo, all over the world. Coca-Cola has
become a contributor to special times in people's lives.
You say all over the world, but the Coca-Cola brand name is so intrinsically
American. What are the positive results, as well as the negative
repercussions of selling a uniquely American identity on the global stage?
What's interesting about your question is that it's from an American point of view. In other places
around the world, Coca-Cola is just a part of daily life. Not only do you drink it, but it may be how
you make a living. I have an acquaintance in Kenya who started out selling Coca-Cola on a street
corner. She went from a small hand-held cooler to a bigger cooler, to a kiosk, to a kiosk with a
refrigerator. When I saw her the last time, I gave her a TV set, so now she's sort of a sports bar.
She sent me a message not long ago telling me that she had bought her first used car. So Coca-
Cola is really part of her life. She doesn't see it as American. It's part of her life in Kenya.
What we have been able to do is capitalize on the heritage that Coca-Cola has had in America in a
very special and unique way. One other example is Santa Claus. When our forefather, Mr.
Woodruff, hired Haddon Sundblom to portray Santa Claus in Coca-Cola print ads, he created the
characterization of Santa Claus that everybody in America recognizes today. So Coca-Cola has
become part of Christmas in a very unique way. That means we've been able to capitalize on our
heritage, but at the same time do so without making it so American that it turns anybody off
elsewhere in the world.
Eighty percent of Coca-Cola's profits come from overseas. How much are
cultural differences taken into account in your marketing efforts? Do you
project an American identity or do you immerse the Coca-cola brand in
language and imagery unique to the locality where you're doing business?
We want to capitalize on the brand. A brand, after all, is a promise to the consumer. When people
around the globe are asked what they think of Coca-Cola the brand, they will tell you that they
can always trust Coca-Cola. That's because they know we will live up to the quality standards we
promise. So the brand makes certain promises. It promises quality. It promises value. And it
promises propriety in the local context.
In economic terms, we also promise jobs, favorable economics, proper retailer margins, and we
promise that people can make a living selling Coca-Cola. So there's both the brand promise and
the business promise. There are very few companies whose main consumer and brand composition
is in fact their company name. Procter & Gamble is a very successful company, but nobody knows
what a Procter is or a Gamble is. But the intrinsic connection of our name with our main product in
effect blends the promise we make to the consumer with the promise we make on the corporate
level as well.
How do you relate that to a product with another name, such as Sprite?
Sprite is an important product that delivers its own brand promise. But that's not connected to the
corporate promise. For example, we don't have any Sprite bottling companies around the world.
We don't have a Sprite de Mexico, but we do have a Coca-Cola de Mexico. Our additional products
are tailored to specific consumer populations. Sprite is certainly one. Fanta is another. If Fanta
were a separate company, it would be the third or fourth largest beverage company in the world.
But nobody thinks of the Fanta Bottling Co. It's the Coca-Cola Bottling Co.
How do you protect the brand from dilution and damage, particularly since
Coca-Cola's presence is so far-flung?
From a marketing perspective, we're very, very careful about what Coca-Cola does and what it
doesn't do. For example, somebody offered me the opportunity to put the Coke name on the mat
on which a boxing match takes place. I turned it down. It wasn't for us. We also have a very
strong legal environment that's very protective of our brand from the legal perspective as well.
Most importantly, the responsibility for the stewardship of the brand comes straight up to my
desk. It's not something that we delegate lightly.
What element of the Coca-Cola brand—the formula, the logo, the contour
bottle, the image advertising—is the most important component of the
brand's identity?
One thing you should add to that list is quality, because that is an important part of the fabric of
the brand as well. We have a saying here, "Everything counts and everything communicates." So I
don't think you can separate any of those components. We constantly try to polish and protect
each one of them. But the truth is, everything does communicate, everything we do, everything
we don't do, everything we say, everything we don't say. And we follow that philosophy with
regard to all of those elements.
How about the contour bottle? How does that build awareness of the Coca-
Cola brand?
The contour bottle is one of those unique things that symbolize only Coca-Cola. Going back to the
original concept, when they had a contest to design the bottle, one of the requirements was that
people would have to recognize that it was Coke even in the dark. So you get not only the look
you want with this bottle, but you also get the feel. That allows us to have lines like "The feel of
refreshment," which has a double or triple meaning. We call it contourizing" a market when we go
into the marketplace. Several years ago, we put on the cover of our annual report the silhouette of
a contour bottle and didn't put the name of our company on it. One of our stockholders wrote to
tell me that his four-year-old daughter looked at it and said, "That's a Coca-Cola book." So the
bottle gives us instant recognition, and it's backed up by the promises we make.