Commercial Architecture - April 2019
Commercial Architecture - April 2019
APRIL 2019
Human-Centric Lighting
Artistic Illumination
SERVING ARCHITECTS, CONTRACTORS, AND OWNERS IN COMMERCIAL CONSTRUCTION APRIL 2019 Vol. 17 No. 3
COMMERCIAL ARCHITECTURE
Vol. 17
No. 3
commercialarchitecturemagazine.com
FUN AND FUNCTIONAL
FLOORS FOR SCHOOLS AND UNIVERSITIES
Reflect
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CIRCLE 200 © 2019, The Stonhard Group
CONTENTS | inside
UNIQUE.
▲
Building Focus: Restaurants . . . . . . . . . . . . . . . . . . . . . . . . . 8
APRIL 2019 Vol. 17 No. 3
DISTINCT.
DEPARTMENTS
6 The Architects
48 Showcase
FACADES.
49 Index
8 50 Portfolio
Restaurants Compete For
Diverse Diners
Eateries cater to a mixed set of ABOUT THE COVER
cuisine-conscious clientele.
22 Why Human-Centric Lighting Matters 30 Finding The Ideal Vegetative Roof Dri-Design Metal Wall Panels offer virtually limitless
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EDITORIAL
Gary L. Parr 847.702.8877
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iffany Coppock, AIA, NCARB, CSI, CDT, LEED AP, ASTM, RCI,
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CIRCLE 202
Elevating The Standard In Architectural Lighting
CIRCLE 203
Learn more at auroralight.com
CONTENTS | notebook
▲
A Peek At Perkins+Will Technology Efforts
A
recent conversation about how architects are using
augmented/virtual-reality had me poking around
looking for other ways technology is changing how
structures are designed. One of my discoveries was an article
on the Autodesk/Redshift site (San Rafael, CA, autodesk.
com/redshift/technology-architecture/) written by Matt
Alderton. The article, “5 Technology Innovations Can Help
Your Architecture Practice Work Smarter,” describes how the
folks at Perkins+Will (perkinswill.com) are changing their
approach.
Before we get to those five innovations, I have to call your
attention to a quote in the article from Nick Cameron, direc-
tor of digital practice at Perkins+Will, because it applies to
much more than implementing technology: “Our mantra is,
‘Why and how?’ As in: Why are we doing things this way?
and: How can we do things better?” That’s worth putting on
the whiteboard in your meeting room.
Now, a heavily paraphrased taste of those five innova-
tions: Perkins+Will’s Boston office. To implement MR, they use Perkins+Will is working to maxi-
• Big data: Your early warning system. At any one time, a Microsoft HoloLens headset to see a 3D model superim- mize technology implementation.
Perkins+Will is managing more than 700 active projects, posed on the actual space. They combined BIM models Learn what they’re doing in an
article on the Autodesk site.
each of which can be mined for information to help archi- with the HoloLens and used a video-game approach to
tects work more effectively and efficiently. Making sure create an immersive tour of a space.
teams can find and extract that information was key to a • Augmented reality on a smartphone. To experience exte-
big-data project. The firm created an app that combs Revit riors as they do interiors with MR, the Perkins+Will folks
models for designated metrics—large file sizes, long syn- use their smartphones and augmented-reality developer
chronization times, and large numbers of simultaneous kits such as Apple’s ARKit and Android’s ARCore.
users—that can indicate teams in distress. Using a visual • AI technology for architectural freedom. The firm
dashboard, managers can see, in real time, which projects worked with Autodesk to develop generative-, or computa-
need extra attention. tional-, design technology. Generative design uses artificial
• Social VR: Learning from multiplayer gaming. When intelligence to create computer-generated design options.
using virtual reality (VR), rather than having one person Architects use machine-learning algorithms to define
wear the headset and the rest of the people in the room design goals, parameters, and constraints. They then enter
watch a screen and miss out on the experience, Iffat Mai, the information into a computer that uses machine-learn-
firm-wide development manager, turned to online video ing algorithms to process them. The result is a menu of
games. The result was a “social-VR” solution based on mul- design options for consideration.
tiplayer games that unites teams inside virtual workspaces. I only had room to share some teaser information about
• Mixed reality: Ditch the drawings. Mixed reality (MR) is the Perkins+Will efforts. If you’re at all interested in imple-
an excellent option for exploring spaces that already exist. menting these technologies, or simply learning more, it’s
“Mixed reality is literally mixing interactive virtual objects worth your time to read the article and explore all of the
onto a physical area,” stated Michael Shyu, an architect in additional linked information. CA
Gary L. Parr
Editorial Director
Below. Workspace flexibility helps employees stay focused and invigorated, while providing
an opportunity to take a break and reset when needed.
D
rawing strongly on the larger societal move- and spaces that best suit their moods or tasks. In office encourage occupant movement is to strategically exploit
ment toward a culture of wellness, active-office settings, this is called activity-based working (ABW), windows and sunlight. Harvard Business Review recently
design is changing the way employees interact where employees don’t just sit at a desk but shift locations reported on a convincing study of hundreds of U.S. work-
with their environment by merging and prioritizing their based on function. This approach fosters employee well- ers by consultant Future Workplace (“The #1 Office
personal, physical, and emotional needs, along with ness, improves space utilization, and enhances occupant Perk? Natural Light,” by Jeanne C. Meister, 9-3-18), con-
the productivity and functionality of their work. This experience. cluding the number-one feature of an effective workplace
comprehensive approach to employee well being in the • Variety is the spice of life. By expanding occupant is availability of natural light and outdoor views. Use
workplace also benefits companies and managers. A choice for locations, spaces, and furnishings, architects those two elements to prioritize destinations that boost
recent, influential study by the Global Wellness Institute, maximize opportunities for physical activity throughout circulation in any building typology.
Miami (globalwellnessinstitute.org) found that managers the day. Collaborating with Arup on their new workplace When some facility owners hear the term active
who value employee health and happiness saw decreased in Boston, Dyer Brown used a blend of lounge furniture design, they immediately think of product solutions,
absenteeism and significant increases in productivity. and bar-height tables to completely transform the experi- such as sit-stand desks. It’s the architects’ opportunity to
Meeting the millennial generation’s wellness needs ence of daily work, regular meetings, and informal hud- encourage clients to go beyond those easy (and valuable)
through active design is becoming a necessary and dles. The various postures, heights, and movements help concepts and think about how architectural elements
effective investment in workplaces and in schools, hotels, employees stay focused and invigorated, while providing that anchor the space can completely transform activity
multifamily properties, and any industries where goals an opportunity to take a break and reset when needed. patterns and movement inside their buildings.
include fostering healthy and welcoming facilities. It also • Destination spaces encourage active work. Successful That’s the fun part, too: Reimagining architecture to
challenges architects to incorporate wellness activities case studies demonstrate that destination spaces are meet wellness and lifestyle aspirations of emerging gen-
directly into their design solutions from the beginning. favored by building occupants who move around. Sunny erations while also serving the health needs of an aging
Inventive, functional, and individualized active windows by the stairs and open-air terraces, for example, workforce. CA
design can be integrated at any organizational level, cre- are delightful places to visit. So is the lobby café. Where
ating spaces that add a healthy twist to the increasingly the traditional office model would allocate prime spaces Ashley L. Dunn, AIA, is director of workplace for Dyer Brown,
true notion that people will be living where they work and to rarely used boardrooms or C-suite offices, architects Boston (dyerbrown.com). She has completed projects ranging from
working where they live. Consider these ideas: instead can encourage occupant travel—enough to have a 4,000 to 400,000 sq. ft., taught at the Boston Architectural College
• Rethink how spaces are used. By strategically laying positive impact on health—by organizing the plan to as an adjunct faculty member, and is a committee member with the
out programmatic areas based on activities, architects locate communal or free-address spaces in those desirable Boston Society of Architects. A graduate of the Univ. of Tennessee,
encourage building occupants to walk, climb stairs, and spots. Dunn has been with Dyer Brown for almost 15 years and is the
move more, all day long. Occupants choose the places • Follow the sun. Studies indicate that the best way to youngest director in the firm’s 50-yr. history.
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CIRCLE 204
FEATURE | restaurants
▲
Restaurants
Compete For
Diverse Diners
Eateries cater to a mixed set of lifestyle-focused,
design, and cuisine-conscious clientele.
Above. CetraRuddy collaborated with the international hospitality group D&D London to create a New York outpost of their London
brasserie, Bluebird. The concept centers on a celebration of British 60s pop culture. Photo: Will Stanley, courtesy CetraRuddy
Right. In Manchester, UK, CetraRuddy worked with D&D London to create 20 Stories, a “garden in the sky” atop the city’s tallest
downtown tower at the time. Inspired by Manchester’s landscape and ever-changing skyline with a nod to the British love of
gardens, 20 Stories offers an expansive terrace and rooftop garden with 360-degree views and a series of intimate, all-weather
gathering spaces. Photo: James French, courtesy CetraRuddy
▲
I
n the United States and around the globe, the restau-
rant market is highly competitive. To stand apart,
a successful restaurant concept needs to create an
authentic, experiential, and immersive hospitality desti-
nation, according to Nancy Ruddy, cofounding principal
and executive director of interior design, CetraRuddy,
New York.
“We find that integrating compelling and unique
design touches with innovative programming choices is
crucial. This approach helps to form destinations that
feel crafted while offering flexibility. This flexibility can
be through a mix of different dining and social experi-
ences. By activating a variety of spaces within the same
property, restaurants cater to a more diverse set of life-
style-focused, design, and cuisine-conscious audiences,”
she said.
In New York, CetraRuddy recently collaborated with
the international hospitality group D&D London to cre-
ate a local outpost of their London brasserie, Bluebird.
“The concept centers on a celebration of British 60s pop
culture,” Ruddy said, “and our team activated the restau-
rant with a thematic mix of art and design that draws
patrons through a number of different experiences.
“At the entrance, a casual café becomes a wine bar at
night,” she continued. “A vibrant cocktail lounge with a
sculptural bar and curated artwork also offers space for
a DJ and dancing on weekends; an elegant sunken din-
ing room overlooks Central Park; and a chic private
room offers a more intimate experience for small par-
ties or groups. Each section offers a unique environ-
ment that allows moments of discovery. People appreci-
ate the ability to choose how they want to experience
the restaurant at a given time, and the flexible design
allows Bluebird to function as a true all-day hospitality
hub,” she said.
AL FRESCO DINING
More than just a trend, Ruddy sees outdoor dining as an
important part of the restaurant experience. “Especially
in urban settings, a well-designed outdoor environment
helps to cultivate a feeling of authenticity and offers
patrons a sense of place and connection to the city scene.
This approach works well at the street level, as with our
recent Sugarcane raw-bar grill in Brooklyn’s Dumbo
neighborhood, where a 2,000-sq.-ft. patio is set up to
offer sweeping waterfront views of the Brooklyn Bridge,”
she explained.
“Rooftop settings are also an ideal basis for a success-
ful outdoor dining experience, because they offer a feel-
ing of connectivity to the cityscape and a sense of place
at a larger urban scale,” Ruddy observed. “In Manchester,
Upon stepping outside Casa Caña into the 5,600-sq.-ft. courtyard, guests will find an additional 106 seats, fire pits, whimsical twinkle lighting, and secondary bar, perfect for al fresco dining and
drinking. Photo: Christine Gatti, courtesy Dyer Brown
C
asa Caña, a nuevo Latina kitchen and rum bar bring to life a space that illustrates the vibrant culture, outside into the 5,600-sq.-ft. courtyard, guests will find
from Lyons Group, Boston, opened August 2018 beautiful landscapes, and weathered architecture an additional 106 seats, fire pits, whimsical twinkle
inside the new art-inspired, experiential boutique hotel, of Havana, Cuba. The tropical climate drives the lighting, and secondary bar, perfect for al fresco dining
Studio Allston, Boston. Dyer Brown, Boston, designed bright blue-and-green color scheme, supported by and drinking.
the hotel for The Davis Companies, Boston, and Casa a secondary palette of raw woods and deep tobacco Inside the main dining area, a soft-focus,
Caña for Lyons Group. tones drawn from cultural elements of cigar boxes and tropical-landscape mural serves as a backdrop, and
Located adjacent to the hotel lobby, Casa Caña its precious contents. handcrafted, woven-wicker pendant fixtures scattered
boasts a 3,000-sq.-ft., 74-seat interior that includes Patrons entering Casa Caña first encounter throughout contribute a playful glow. Statement details
a private dining space and expansive 5,600-sq.-ft. non-uniform decorative Cuban floor tiles emphasized by such as leather strapping on the banquette cushions
courtyard that offers an additional 106 seats as well as the contrast with the raw concrete floor. Drawn toward add warmth and personality. The semi-enclosed private
a secondary bar. Additional private and semi-private the main bar area and the courtyard beyond, diners dining room is bounded by two small decorative wing
space is also available for larger groups, special discover elements of patinaed metal and reclaimed walls and features a large-scale botanical mural that
events, and private parties. wood forming the bar, illuminated from above by mid- creates an immersive experience, a sought-after spot
Dyer Brown worked with the restaurant team to century-inspired pendant lighting. Upon stepping from which to see and be seen.
▲
UK, for example, we worked with D&D London to offers an expansive terrace and rooftop garden with Ruddy continued, “The overall design approach for
create 20 Stories, a ‘garden in the sky’ on top of the 360-degree views and a series of intimate, all-weather 20 Stories merges indoor and outdoor spaces as a seam-
city’s tallest downtown tower at the time. Inspired by gathering spaces that emphasize the feeling of being in less experience, showcasing the stunning views while
Manchester’s landscape and ever-changing skyline nature and complement the design and programming creating a harmonious dialogue between interior and
with a nod to the British love of gardens, 20 Stories of the restaurant’s interior environments,” she said. exterior. Carefully thought-out design features are
continued on p.14
8 8 8 . 6 7 0 . 3 1 0 7
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CIRCLE 205
FEATURE | restaurants
▲
Q
ueensyard, a new restaurant, bar, and café within restaurant group D&D London chairman and CEO Des Hudson Rail Yard tracks with a warm and inviting
the much-anticipated Hudson Yards neighborhood, Gunewardena. “With thousands expected to work, live, environment of curated furnishings. The restaurant’s
aims to bring a flavor of London to New York, blending and visit this area, we know one thing to be true: food British influence is portrayed with artwork referencing
classic English cooking with more modern dishes reflect- brings people together, and that is our main focus with modern UK icons as well as two murals of the Thames
ing the international food scene in the UK today. Each queensyard. We’re building a beautiful environment River, hand painted on the north and south walls by
dining space is inspired by the entertaining rooms of a where residents and visitors will be comfortable, with a American artist, Sarah Moore. At the entrance, an elegant
traditional home: a relaxed Kitchen for casual meals, a menu of from-scratch dishes that ensures they will eat private dining room encircled by glowing wine storage
more sophisticated Dining Room for formal dining, a mod- well.” maintains the vibrancy of the main dining room with a
ern Cocktail Bar, and a daytime grab-and-go Café which Set in an 11,142-sq.-ft. space designed by CetraRuddy, touch of added intimacy.
turns into an evening Wine Bar. New York, queensyard’s interior blends the warm Located on the fourth floor of The Shops & Restau-
“To match the scale and boldness of Hudson Yards, environment of a contemporary English home with the rants at Hudson Yards, queensyard also features views of
we wanted to create a flagship restaurant that embod- sleek feel of a New York penthouse. The space balances Thomas Heatherwick’s Vessel, the Shed Arts Center, and
ies the neighborhood in which it will thrive,” said UK crafted wood and metal textures inspired by the original the Hudson River.
instrumental to success at 20 Stories: the terrace’s ates a focal point for the garden. An undulating con- Diners expect more than just food from restau-
al fresco fireplaces are set amid a lush installation of crete bar frames the dynamic indoor-outdoor atmo- rants today. They want experience, ambiance, and a
native plantings, under a canopy of silver birch trees sphere set against the backdrop of Manchester’s unique environment—to name just a few of their
with dramatic lighting. Reinforcing the connection to skyline, and echoes the form of the restaurant’s cen- demands. Putting together just the right combination
nature and the sky, an installation by British sculptor terpiece, a dramatic indoor bar with a shimmering, of those elements is an ever-changing task for archi-
Jon Bickley depicts a flock of ascending birds and cre- illuminated canopy.” tects and designers. CA
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U
niting previously disparate facilities within the heart
of the Univ. of California, San Diego Health Sci-
ences Campus in La Jolla, CA, the Koman Family
Outpatient Pavilion establishes a new model for healthcare
delivery within an academic setting. CO Architects, Los
Angeles, served as the architect and interior designer for the
project, which is the culmination of a multi-year expansion
and development for the campus.
The 156,000-sq.-ft., four-story, $140-million facility is an
infill building that supports the adjacent Jacobs Medical Cen-
ter. It comprises two masses connected by a public spine. Each
mass is split by three-story light wells, resulting in an overall
composition of four bars measuring approximately 40- to 50-
ft. wide. Illuminated by skylights, the wells respond to the
campus’ existing pedestrian pathways and contain public
spaces, including patient reception and waiting areas.
The Pavilion is targeting LEED Gold certification and is
expected to outperform the stringent California Energy Code
by more than 30%. The building is designed to minimize
energy consumption by maximizing daylight, Southern Cali-
fornia’s most abundant resource. The light penetrates deeply
into the floor plates through high-performance glass in each
wing, thereby reducing artificial lighting loads, otherwise
accommodated by efficient LED fixtures.
As with many academic campus buildings, there is no
“back façade.” A courtyard frames the main entry to the Pavil-
ion, and other sides of the building respond to their adjacent
PROJECT FACTS
ARCHITECT/INTERIOR DESIGNER
CO Architects, Los Angeles
Tom Chessum, FAIA, principal/principal-in-charge
Gina Chang, AIA, EDAC, associate principal/project architect
Ed Martinez, senior associate/construction administrator
Fallon Lebedowicz, project coordinator
SIZE: 156,000 sq. ft.; 4 floors
BUDGET: $140 million
▲
Uniting previously disparate facilities within the heart of the Univ. of California, San
Diego Health Sciences Campus in La Jolla, the Koman Family Outpatient Pavilion
establishes a new model for healthcare delivery within an academic setting. Photos:
Tom Bonner, courtesy CO Architects
MULTI-DISCIPLINARY APPROACH
Following an “all-in-one” approach, the Pavilion offers multi-dis-
ciplinary specialists and comprehensive services for convenient
patient care in one facility. CO Architects examined extensive data
to define a flexible, right-sized interior program that considers the
whole patient, delivers a continuum of care, and enhances and
streamlines the visitor experience from arrival to departure.
The floors are efficiently stacked to centralize and integrate out-
patient services, from surgical and interventional components to
The 156,000-sq.-ft., four-story, $140-million facility is an infill building that supports the adjacent Jacobs Medical Center. It comprises
diagnostics and physical therapy. The pavilion houses an ambula- two masses connected by a public spine. Each mass is split by three-story light wells, resulting in an overall composition of four bars.
tory surgery center with eight operating rooms, an outpatient
• CO Architects, coarchitects.com
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CIRCLE 208
PROJECT | lighting & electrical
▲
“
H
uman-centric lighting” is an emerging best consequence, lighting systems were fixed in light output • Scientists discovered the presence of photoreceptors in
practice in lighting design that leverages the and color once installed, and lighting design focused illu- the eye that connect to the body’s circadian system,
full capabilities of the LED light source to mination on horizontal work surfaces. which regulates bodily functions—such as the sleep-wake
serve occupant needs in terms of visual and non-visual Then everything changed: cycle—based on 24-hour cycles, or circadian rhythms.
well being. It may have the ring of a marketing buzz- • LED systems offered easy and cost-effective dimming This has given rise to the unified concept of
word but, in reality, it is founded on solid science, action- in addition to the ability to adjust shades of white light, human-centric lighting (HCL), which LightingEurope,
able, and shown to produce tangible positive outcomes. emit saturated colors, and even produce unique spectral Brussels, and the International Association of Lighting
In short, it is a revolution in how lighting systems are recipes for special applications. Designers, Chicago, jointly defined as lighting that “sup-
designed to serve people. • Lighting-design best practices recognized the impor- ports health, well-being, and performance of humans by
For most of history, lighting was designed without tance of vertical illumination to creating bright, open, combining visual, biological, and emotional benefits of
knowledge of the non-visual effects of illumination. As a and visually comfortable spaces. light.”
▲
Visual benefits include the industry’s traditional focus on good visi- These approaches provide a range of capability from limited adjust- The A.T. Kearney 2015 study shows a
bility, visual comfort, safety, and orientation. Biological benefits in- ment of correlated color temperature across a set of channels to produc- number of micro and macro benefits
for the medical sector. For a hospital
clude alertness, concentration, cognitive performance, and stable sleep. ing any shade of white light (from very cool/bluish to very warm/red-
with 1,000 beds and 1,500 employees,
Emotional benefits include improved mood, increased energy, better dish), plus a virtually limitless range of saturated colors.
the study indicates that human-centric
relaxation, and impulse control. Various general lighting products are now available that provide lighting can increase capacity utilization
LightingEurope quantified the economic value of these benefits for manual and programmable color tuning, imitate the warm color of through higher attractiveness for new
various building types in a landmark 2015 study conducted by A.T. incandescent lamps while being dimmed, and/or offer precise color patients and can cut treatment costs
Kearney, Chicago, in which HCL was estimated to offer significant matching between LED products and calibrate to maintain constant through reduced treatment times. In
addition, sick leave taken by care staff
potential cost savings related to enhanced worker productivity and few- color output over their life. What all of this has in common is that how
could go down, and employee satisfac-
er errors, absences, and accidents. a space appears depends on how it’s lighted. Change the color quality of
tion, and therefore staff retention, could
the light source, and you change how the space appears, with associated go up.
ENABLERS effects on visual rendering, perception, and mood.
What makes HCL possible is technology properly applied to spaces Now let’s switch to application and design. These capabilities could
through design best practices that, in turn, are promoted by standards. be applied in many ways, ranging from the cosmetic to utility:
First, let’s look at technology. Traditionally, aside from special appli- • changing color output to accommodate changing retail displays and
cations such as boardrooms, lighting systems were installed as static to ensure merchandise appears visually vibrant and appealing
light producers. After installation, light output and color quality more • signaling time for different activities in a classroom
or less remained fixed. Aside from changing failed lamps, lighting was • using saturated color to indicate occupancy and availability of private
largely forgotten. office users
With LED technology, this has changed. • changing color, or CCT (correlated color temperature) to adapt light-
Most LED luminaires are either dimmable as a standard feature or a ing to different situations for the medical environment, e.g., examina-
standard option, with a negligible cost premium. This dimming pro- tion rooms versus reducing patient stress in a hospital
vides inherent flexibility in adjusting light levels in response to daylight • tuning color to saturated colors to transform a functional space into
or occupant needs. Further, it allows control of the luminaire’s color an entertainment venue
output through: • altering color output to precisely match space decor after final mate-
• separately dimmable arrays of warm- or cool-white LEDs rials and furnishings are installed in a hospitality space, with future
• color-mixing arrays of red, green, blue, and amber LEDs retuning available if new furnishings are installed
• adding separately dimmable LEDs to white LEDs. • adjusting white-light temperature to adapt a restaurant space based
REALIZING HCL
What does this mean for designers? Rather than a fixed
utility used to produce the commodity of light, lighting
has become an asset offering far greater value. There is
According to the “SSL-erate” European Union project, exposure to light similar to natural daylight at the right time can help improve the mood of residents no single lighting solution that is ideal for every client
in retirement and care homes as well as patients in hospitals, helping prevent depression and reducing anxiety in patients in the early stages of dementia. and application. What leading commercial architects and
designers are doing is looking beyond traditional design
thinking and changing the conversation they’re having
on time of day, such as cool during business luncheons to Daylight is ideal, though it is not always available, and with their clients.
warm during evening dining. the electric-lighting system can work with daylight for an This requires education that, in turn, will fuel a differ-
In HCL, the greatest value of dimming and color con- optimal solution. ent conversation about lighting—not one limited to light
trol may be found in circadian lighting design. Scientific Finally, this brings us to standards. Best practices for levels and watts, but one that incorporates all of lighting’s
research has shown that specialized photoreceptor cells in circadian lighting are still emerging, such as International current possibilities and best practices. From color tuning
the eye are connected to circadian functions, and has Standard DIS 026/E:2018, which is being considered by and dimming, to more effective ways to light spaces, to
identified spectra, quantity of light, duration, and timing the International Commission on Illumination, Vienna, data collection, today’s lighting technology, application,
capable of producing circadian stimuli. From this under- Austria. This standard would define spectral sensitivity, and thinking has taken the category far beyond its static
standing came actionable approaches to design, with quantities, and metrics to describe light radiation for its traditions, with more value on the table than simple
good circadian design typically focused on: ability to stimulate each of the five types of photoreceptor vision. CA
• Spectral distribution, or saturation of specific wave- cells in the eye that produce non-visual effects in humans.
lengths in the visible-light spectrum that we typically as- One standard that is oriented toward application and Alberto Pierotti is head of R&D and Smart, USC at LED-
sociate with the light being warm or cool in appearance. actionable today is WELL, a rating system focused on VANCE, Beverly, MA, makers of Sylvania general light-
Circadian regulation is most responsive to short-wave- evaluating how effectively a building supports human ing products in the U. S. and Canada. He is leveraging the
length light (460 nm), which is in the blue range of the health and wellness. Launched in 2013 by the Internation- company’s century of expertise in light to chart the path
visible spectrum). al WELL Building Institute, New York, this rating system into the intelligent, distributed-lighting systems of the fu-
• Spatial distribution, which defines where the light awards points for various building features and practices. ture. For more than 20 yr., Pierotti has been involved in
emitted by a luminaire falls in the observer’s field of view This includes lighting, notably circadian lighting, visual every step of the product-development process in fields
(FoV). For circadian response we want a sufficient quanti- comfort, glare control, color quality, automatic dimming spanning medical devices to capital equipment, and from
ty of light on the upper quadrant of the environment for and shading, and daylighting. wearable consumer electronics to architectural lighting.
sufficient periods of time during the day. Equate this to
the outdoors, where the sky occupies the top section of
our FoV. This requires vertical illumination (uplighting
walls and ceilings, or workstation luminaires), in addition
to the standard work-surface-targeted lighting devices.
Want more information from LEDVANCE, Beverly, MA (ledvance.com)? Circle 7 on the Reader Service Card.
• Temporal distribution, which simply means the right
Sources listed below are linked at commercialarchitecturmagazine.com/1904ledvance.
light (in terms of CCT and intensity) at the right time of
• LightingEurope, lightingeurope.org • International Commission on Illumination, cie.co.at
day. A circadian lighting solution ideally exposes users to
high-intensity, short-wavelength-heavy light in the morn- • International Association of Lighting Designers, iald.org • International WELL Building Institute, wellcertified.co
ing, which can taper to lower light levels of long-wave- • A.T. Kearney, atkearney.com
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CIRCLE 209
PROJECT | lighting
▲
L
Largent from Architectural Area Lighting ighting was an integral part of the plan when the District studies, instrumental or vocal music, theatre, technical design and
illuminates the building’s iconic front of Columbia Public Schools embarked on a multi-million production, and visual arts are offered.
entrance. The luminaire’s geometric
dollar renovation of the Duke Ellington School of the Arts Architects Cox Graae + Spack, Washington, wanted to retain the
design and illumination capabilities
in Georgetown. The project to modernize the facility and expand it historic nature of the unique facility. MCLA Architectural Lighting
ensure safety, project a sense of scale,
and align with the design of the façade. from 171,000 to 271,000 sq. ft. included the renovation and addition Design, Washington, was the lead on selecting the lighting used on
of classrooms, dance and art studios, common areas, a media cen- the project, in collaboration with manufacturer’s representative One
ter, and a 300-seat performance hall. The school occupies a building Source Associates, Columbia, MD. To support the architects’ vision,
originally built in 1898 as Western High School. the lighting design deviates from the standard educational template
While traditional academics are offered, the primary focus is the to address the needs of the school’s students.
arts. Majors in dance, literary media and communications, museum The lighting design called for products that would support the
▲
Above. The 6-in. LightFrame (LC6) downlight from Prescolite illuminates the entire Ellington Gallery. The
glare-free optical control of the luminaire supports the preference for a sleek, minimalist aesthetic that
doesn’t bring unwanted attention to the light source. The Ellington Gallery serves as the main gathering
area for receptions, book signings, and art exhibitions.
Above. LCAT from Columbia Lighting adds quiet elegance to the 2D and 3D Art Studios with simplicity and
Below. In the 300-seat performance hall, the Megalum MC10LED cylinder from Prescolite was selected modularity in a popular form. The visual comfort of students and faculty was a driving factor in the selection
to strategically space the fixtures while ensuring proper footcandles were achieved. The Megalum fea- of the luminaire for these studios. The acrylic center lens features linear prisms for performance without LED
tures a 2DM Lutron 2-wire, 1% dimming option, which is suited for this performance area where the goal pixelation, contributing to the visual comfort of the room without sacrifice to quality of light.
is for the lighting to dim when needed and contribute to the drama for recitals and readings.
Below. In the vocal studio, theatre/drama studio, media center, and math classrooms the 65L-P Stance from
Litecontrol provides a crisp visual texture where a strategic mix of uplight and downlight is needed. The Design
Lights Consortium (DLC), Medford, MA, qualified product contributed to energy-code compliance.
intended experience of the space, meet precise light levels in certain areas, perform
as advertised, and contribute to building-code compliance. All the products select-
Want more information from Hubbell Lighting (hubbelllighting.com)?
ed are brands of Hubbell Lighting Inc., Greenville, SC. The collective product Circle 2 on the Reader Service Card.
suite complements the architects’ desired aesthetic with a selection of luminaires Sources listed below are linked at commercialarchitecturemagazine.com/
that contribute to the visual comfort of each area and minimize distraction from 1904hubbell.
the design.
• Cox, Graae + Spack Architects, cgsarchitects.com • One Source Associates, onesa.com
The end result is a building that stands as a tribute to the great musician Edward
• MCLA Architectural Lighting Design, mcla-inc.com • Design Lights Consortium, designlights.org
Kennedy “Duke” Ellington, and combines an historic past with a celebration of
what is to come. CA
LED PL fixture:
• High-ceiling applications
• Three models to 240 W
• IP69K, IK10 rated
▲
GOOD
BETTER
BEST
Cylinder luminaires
Scout cylindrical luminaires have a
simple, clean aesthetic with no visible
seams or hardware. Available in
EXACTLY.
three lengths (6 1/4, 10 1/2, and 18
in.), and two diameters (2 3/4 and 4 1/2
in.), standard colors include pale green, gray, navy blue, black, and white. Products can be wall mounted,
suspended with a wider beam for general illumination, or with a narrow beam to provide focus, and ceiling
surface mounted.
Eureka Lighting, Montreal
Circle 55
eurekalighting.com
Night light
Crescent LED night light illuminates dark rooms at a comfortable level. The
luminaire can be controlled by a switch or activated automatically by sensor
in low-light conditions, bringing an even, low-level light distribution to any
room or hallway. Available in 2700 K, 3000 K, and 3500 K, and amber and
blue colors, the device has a low-profile faceplate.
Waldmann Lighting, Wheeling, IL
Circle 56
waldmannlighting.com
Edge-lit troffer
Vora 50L architectural recessed troffer uses
edge-lit technology. Through laser-etched, acrylic
light guides, illumination is provided in a uniform
manner across the entire surface of the fixture.
With efficacies to 120 lumens/W and outputs to
8,000 lumens, a center mixing chamber uses the
excess light exiting the opposite end of the light
guides and recycles that light uniformly within the
center chamber.
Litecontrol, Greenville, SC
Circle 57
litecontrol.com
CIRCLE 210 29
PROJECT | exteriors
▲
V
The functional design of a rooftop makes egetative roofs are not a new concept, but it is new to many runoff during storms but can remove as much as 95% of heavy metals
a difference not only in the sort of mate- architects and designers who are approaching their first in rainwater.
rials used to construct the space, but in
planted-roofing project. These green roofs are progressively • Urban heat islands, where cities become especially hot when sun-
the types of plants installed. For exam-
catching on with building owners, as they offer a variety of benefits. light is absorbed into hard, dark surfaces, are another long-standing
ple, will a patio, garden, or other usable
space be incorporated? Here are several reasons to pursue a vegetative roof. problem. Planted roofs alleviate this by absorbing sunlight instead of
reflecting is as happens with nonporous surfaces. Vegetative roofs typ-
MANDATED/EXTERNAL REASONS ically emit a temperature of only 95 F on a 90 F day. A traditional roof
Various cities, such as Toronto and San Francisco, require or heavily might exceed 160 F.
incentivize vegetative roofs to deal with larger problems affecting the • Green roofs can also help combat CO2 and smog levels, actively
area, such as excessive stormwater runoff or urban heat-island effects. converting CO2 to O2 to improve air quality.
• Stormwater runoff is a major issue in municipalities where aging
sewer systems can be overwhelmed and chemicals/waste can end up in BUILDING-SPECIFIC REASONS
waterways. Some sewer districts tax stormwater runoff as a result, and In other cases, a building owner might choose a green roof because of
cities sometimes require new buildings to have water-retaining roofs to the benefits such a system grants to the owner.
mitigate the problem. Vegetative roofing not only slows the rate of • A vegetative roof can help save energy by absorbing sunlight that
▲
Work with a landscape architect to determine which plants are best based on the desired use, the climate, and how much time and resources can
be dedicated to upkeep.
would otherwise raise the temperature in the building upkeep. Then, select the correct type of planted-roofing
and tax the HVAC system, which is part of why its inclu- system to meet the requirements of those plants and the
sion in a design can contribute points toward LEED needs of the mixed-use design.
credentials.
• If a building has solar panels on the roof, green roof- What value is to be received from the planted roof?
ing can help the panels perform more efficiently. If you simply want the rooftop to look attractive,
• Vegetative rooftops also protect the roofing mem- that is one thing. But if you want to derive more utility
brane from UV radiation, heat aging, extreme tempera- from the roof design (for instance, carbon dioxide/
ture fluctuation, and physical damage. greenhouse-gas management or stormwater manage-
• Planted roofs simply look good, making them attrac- ment), that can affect vegetation choice and construc-
tive in situations where the rooftop is visible to occu- tion decisions.
pants or is an occupied space featuring useful overbur- Using a green roof for stormwater management is
den, such as pavers, flanked by plant life. partially influenced not only by the ability of plants to
soak up water through their roots, but also by structural
ASK CORRECT QUESTIONS factors below the soil layer of a planted rooftop.
There are a number of factors to consider when Is storage space needed that allows water to collect
determining the proper design and construction of a below the soil level, minimizing the amount flowing off
planted roof. The following questions offer informa- the roof during heavy rains? The construction of the
tion to aid in the selection of a vegetative-roofing solu- drainage layer and choice of moisture-retention mats
tion for a variety of needs. will depend on the answer to this question.
What is the intended use of a vegetative rooftop? Based on the performance expected from the roof, is
Is the rooftop going to be a generally unoccupied a traditional vegetative-roof construction or a tray-
space, chiefly designed to absorb rain and solar rays, or based system needed?
will it have visitors? Will a patio, garden, or other usable Traditional vegetative roofs have various layers
space be incorporated? installed as part of their design, and the composition of
The functional design of the rooftop makes a differ- those layers depends on the performance one is seeking,
ence in the materials used to construct the space and in the weight-carrying capability of the roof, and other fac-
the types of plants installed. tors. Traditional vegetative-roofing constructions typi-
Work with a landscape architect to determine which cally include:
plants are best, based on the desired use, climate, and • Growing medium with custom soil depth on top with
how much time and resources can be dedicated to plants embedded
CIRCLE 211 31
PROJECT | exteriors
▲
time and labor savings but are less customizable and do not fit every
application.
▲
EDITORS’ CHOICE
Wood-look siding
A 17 7/8 x 71 9/16-in. panel size is an addition to the VintageWood
siding series. The material provides the rich and warm look of
wood. The panel length is said to eliminate the need for sealants
and flange backer every 10 ft., speeding installation time. Panels
are available in Bark, Cedar, Redwood, and Ash colors.
Nichiha USA Inc., Atlanta
Circle 60
nichiha.com
Continuous wall
even pet waste from general waste.
Paris Site Furnishings, Princeton, Ontario
Circle 61
insulation
peml.com
MANAGEMENT PROMOTIONS
The board of directors of Belden Holding & Acquisition Inc., the parent company of The Belden
Brick Co., Canton, OH, announced three management promotions for Bradley H. Belden (left),
Robert T. Belden (right), and Brian S. Belden (middle) at Belden Holding & Acquisition Inc. and The
Belden Brick Co. LLC, Redland Brick Inc., and Belcap Inc., respectively. Effective January 1, 2019,
the changes were recommended by the company’s succession planning committee as part of the
orderly transition to fifth-generation leadership.
“These appointments are a reflection of the confidence the board of directors of Belden Hold-
ing & Acquisition Inc. has in these three leaders from the fifth generation of the Belden family,”
said Robert F. Belden, on behalf of the board of directors. “All three have been effective in their
primary areas of responsibility and are dedicated to the success of all the companies under the
Belden Holding & Acquisition Inc. umbrella. The board feels that these appointments give the
company the proper structure to meet the immediate challenges it faces. I am confident that you
will join me in supporting Brad, Bob, and Brian as they accept these new responsibilities.”
The Belden Brick Co. is the largest family-owned and managed brick company in the United
States. It currently is operating five brick plants and a sawing facility and has more than 180
active oil and gas wells that it operates and maintains.
C
harlotte, NC’s, first boutique hotel by Kimpton Hotels horizon. Thanks to the stunning views, the space is casually referred The retractable En-Fold awning with-
stands wind and weather on Charlotte’s
& Restaurants, San Francisco, is the Kimpton Tryon Park to as “Charlotte’s front porch.” It was also important to maximize
front porch.
Hotel. It features an outdoor event space at the building’s these views and specify and install a system that allowed the setting to
rooftop. The building team, consisting of general contractor, Balfour speak for itself.
Beatty Construction, Dallas; installer, Southeastern Architectural The team determined that an En-Fold stadium-grade retract-
Systems, Charlotte; and architect, Cooper Carry, Atlanta, requested able-awning system would be the best solution. The pre-engineered,
a retractable canopy that would protect patrons from sun and rain fully automated, retractable fabric system is manufactured by Uni-
and withstand the high winds that swirl around the 20-story tower. Systems LLC, Minneapolis.
The rooftop lawn, on the 19th floor, is frequently used for weddings The system installed at the hotel is on a smaller scale than major
and other celebratory gatherings, and it was imperative that the space stadiums and event spaces and was designed to cover more than 1,500
feature an architecturally pleasing canopy that would ensure contin- sq. ft. of outdoor space at the rooftop level when deployed. Due to its
ued use of the venue, regardless of the weather. strength and engineering, the awning can remain open in winds as
The event lawn is closed on three sides by a rooftop-restaurant high as 90 mph and handle snow loads as high as 30 psf, allowing it to
structure and is open to a glass railing on the fourth side, presenting a meet the weather-resistance requirements.
spectacular view of a nearby park, baseball stadium, and the Western “En-Fold provided a unique, high-design solution for the rooftop
▲
Dynamic Glass Integral
Part Of Smart Building
The Millennium Center in Crissier, Switzerland,
is designed to make maximum use of building-
management technology.
Fashioned as a tech incubator, Millennium Center in Crissier, Switzerland, is designed for progressive tenants
who desire connectivity, sustainability, and state-of-the-art amenities.
B
uilding-automation systems and integration with occupant technology needs
is an approach that is gaining significant momentum. An excellent example of
that is the Millennium Center in Crissier, Switzerland. It is set to become one of
the world’s most advanced and IoT-(Internet of Things) enabled structures. Millennium
Center designers are motivated by a very bold goal: Empower occupants by providing
them with the best place to create, share, and live their lives and work. Everything at Harmony dynamic glass delivers a gradual in-pane tint transition from fully clear to fully tinted, providing a
Millennium will be connected to a cloud system and managed with smartphone apps. seamless connection with the outdoors and optimized daylight.
Additional technology-oriented amenities include a dedicated secure data center with
ultra-high-speed fiber-optic internet service, facility-wide wi-fi availability, and a safe
room to store valuable information and assets. Fashioned as a tech incubator, Millenni-
um is designed for progressive tenants who desire connectivity, sustainability, and state-
of-the-art amenities.
OCCUPANT COMFORT
Occupant comfort is a top priority in any building and even more so in a technolo-
gy-based structure such as the Millennium. Extensive use of exterior glass, while deliv-
ering desired natural light, presents challenges in terms of controlling that daylight. To
meet the challenge, the building will use approximately 52,000 sq. ft. of dynamic glass
to provide all 1,500 workplaces with sweeping views of the Geneva lakeside along its
curved façade.
The dynamic glass specified for the project is the Harmony product, recently intro-
duced by SageGlass, Faribault, MN. Harmony is designed to enhance the occupant ex-
perience by maximizing visual and thermal comfort while maintaining a seamless con-
nection to the outdoors. The glass delivers a gradual in-pane tint transition from fully
clear to fully tinted, providing a seamless connection to the outdoors and optimized
daylight, color rendering, and heat and glare control. The glass can be controlled auto-
matically as an integral function of the building-management system or through manual
override by occupants and building staff using wall switches. The Millennium building
is expected to open in 2020. CA
ENDLESS CREATIVITY.
Want more information from SageGlass (sageglass.com)? Circle 9
on the Reader Service Card.
UNLIMITED POSSIBILITIES.
WhiteWalls® Magnetic Dry-Erase
Sources listed below are linked at commercialarchitecturemagazine. Whiteboard Wall Paneling
com/1904sage.
CIRCLE 212 39
PRODUCTS | windows & doors
▲ EDITORS’ CHOICE
Oversized doors
Monster Doors:
• Oversized doors
• Variety of woods
• Interior or exterior use
Monster Doors are oversized doors as large as 12 ft. tall and 10 ft. wide. Reportedly
available in any wood species and design, they can mount on alternative hardware, such
as barn track or contemporary pivot swing. For interior and exterior applications, the
handcrafted doors act as more than space dividers, adding an artistic aesthetic to a space.
Simpson Door Co., McCleary, WA
Circle 67
simpsondoor.com
Flood barriers
A line of door flood barriers use 1/4-in. marine-grade aluminum alloy shields that slip into
aluminum brackets, either interior or exterior pre-installed, and lock in place. The brackets
have compression seals of closed-cell rubber sides and bottom. The 30- x 48-in. shields
are stackable, with interlocking posts available to extend width for large openings.
Custom sizes are offered.
Legacy Mfg, Bronx, NY
Circle 70
legacyllc.com
▲
The building includes more than
300 lineal feet of Ruskin 9 1/2-in.-
high EME520DD louvers that
protect ventilation openings from
wind-driven rain penetration.
A
rchitectural products from Ruskin, Grandview, MO, are doing double duty at
a new customer center, providing performance features while supporting the
architect’s aesthetic concept. The center, which serves a large insurance com-
pany, is part of a larger campus-style project that includes four office towers and approxi-
mately 2-million sq. ft. of floor space. In addition to the insurance company, the complex
will house residential, health, and retail businesses.
Ruskin architectural representative Steve Bryan, with ADW Corp., Carrollton, TX,
worked closely with Armetco Systems (a Justin, TX, installer of exterior cladding and cur-
tainwall systems), building architects, the building owner, and Ruskin engineers to secure
orders for Ruskin EME520DD wind-driven rain-resistant louvers and hinged doors and
EV811AB horizontal screen louvers.
“The project posed many challenges for engineering and manufacturing,” said Bryan. C
design a 45-ft.-high picture-frame screen to withstand an elevated 57-psf wind load. The CM
building includes more than 300 lineal feet of 9 1/2-in.-high EME520DD louvers that MY
“Perhaps the biggest engineering and manufacturing challenge was the design and CMY
installation of the large, hinged EME520DD louver doors,” said Bryan. “The building has
K
three sets of double doors, the largest roughly measuring 17 ft. 6 in. wide by 8 ft. 6 in. high.”
Each hinged leaf of the double door weighs approximately 500 lb. and uses special heavy-
duty hinges and rolling casters to help support its weight. CA
Want more information from Ruskin (ruskin.com)? Circle 4 on the Reader Service Card.
Sources listed below are linked at commercialarchitecturemagazine.com/
1904ruskin.
CIRCLE 213 41
PROJECT | hvac
▲
I
n recent years, average rent for a one-bedroom apartment in Brook-
lyn’s Bushwick neighborhood has skyrocketed to more than $3,000
a month, excluding utilities. That’s why New York City’s Depart-
ment of Housing Preservation and Development (HPD) and Ridge-
wood Bushwick Senior Citizens Council (RBSCC) came together to
develop Knickerbocker Commons.
RBSCC also wanted to radically cut tenant utility costs without
compromising comfort. So, they enlisted Chris Benedict, R.A., New
York, to design an ultra-low-energy building. Henry Gifford, who
works for Chris Benedict, designed the mechanical systems for the
building. The team combined several technologies, such as continu-
ous exterior insulation, energy-recovery ventilators, sealed-combus-
tion boilers, and individual room-thermostat controls, including Bal-
timore-based Danfoss’, thermostatic radiator valves (TRVs). According
to Gifford, the result is 90% lower energy consumption than compa-
rable buildings—and heating costs below $50/apartment/year.
“The 803 Knickerbocker Avenue building was completed in 2014,”
said Gifford. “We used proven building-science concepts that could
be applied to any high-performance building. No energy-efficiency
rebates defrayed the cost of the low-energy technology we used. In
fact, we delivered an extreme level of efficiency and comfort without
adding to the construction cost.”
Known for his life-long passion for building science, Henry Gif-
ford attended the first class in the U.S. on ultra-low-energy building
principles known as “Passive House.” According to Gifford, who
recently published the book, Buildings Don’t Lie: Better Buildings by
Understanding Basic Building Science, “If you understand the under-
lying science, you’ll have the tools to improve buildings from the
start.”
The Passive House principles use a continuous air barrier and exte-
rior insulation. These construction techniques eliminate thermal
bridging, creating an interior space that can maintain a comfortable
temperature. Natural light and human activities keep the space gener-
ally warm. Mechanical systems handle domestic hot-water production
and extreme hot and cold conditions.
When energy prices in Europe more than quintupled in the early
2000s, the “Passivhaus” idea took off—with more than 25,000 build-
ings on the continent meeting the voluntary, ultra-low-energy build-
ing standard by 2010.
In the United States, energy-cost hikes were not that extreme, but
rising. In 2011, Gifford and Benedict were presented with two projects
ideal for the unique design approach, one of which was Knickerbock-
er Commons.
▲
“It’s not merely about meeting a standard, but simply
implementing the smartest possible building-science
principles,” said Gifford. “That means integrating all
building systems (insulation, water, lighting, and heat-
ing, cooling, and ventilating) into a cost-effective, holis-
tic solution. That’s why a device like the Danfoss ther-
mostatic radiator valve plays a big role in creating a
comfortable, energy-efficient building.”
EDITORS’ CHOICE
VRF systems for light, MBH input. Ultra Series 4 boilers have a
nanotechnology coating that works like
Ultra Armor, protecting units from buildup
▲
Beer Hall Engages
Above. A 10-ft. x 60-ft. skylight is a show-stopping feature of Nolita Hall, giving guests an experience that
they can’t get elsewhere.
Below. Nolita Hall lies under a flight path into San Diego International Airport. When a plane flies over, a
split-flap display shows the flight origin and number in real time on the retro-inspired display.
The Senses
Blurring the lines between interior and exterior, Nolita
Hall fuses modern fare and retro technology.
“
I
would admit I am somewhat obsessed with design,” said Doug Hamm, founder of
Black Swan Hospitality, Los Angeles, and owner of San Diego’s newest beer hall,
Nolita Hall, located in the city’s Little Italy neighborhood.
Pursuing his passion for ambience, Hamm’s first owned-and-operated bar and restaurant
presents the atmosphere of a European beer hall with Italian design flourishes, elevated
cocktails, and a select menu of gourmet pizzas and salads.
According to co-collaborator David Michael, principal at San Diego design firm Tecture
Inc., “We strove to go beyond the notion of a traditional bar, and build a place where people
can have their own experiences. We like to blur lines, and that’s how we approached the
design of Nolita Hall—which has evolved into an esteemed eatery where people come to play
shuffleboard, drink cocktails, and eat good food.” “We are really able to delight guests and generate conversations
Working with Tecture, Hamm succeeded in creating an engag- totally unique to us,” Hamm commented.
ing environment that effortlessly blends interior and exterior, To keep interest piqued, the display is constantly updated with
pays homage to San Diego’s outdoor culture, and incorporates food and beer specials, clever quotes, and any other information
design elements reminiscent of the neighborhood’s namesake. that Hamm or the managers choose to share.
“San Diego has one of the best climates in the country,” “We build things that you can’t find off the shelf,” Oat Found-
Michael continued. “When designing this space, we wanted to ry co-founder and CEO Mark Kuhn IV said. “The split-flap dis-
capitalize on that and truly blend the indoors and outdoors with play is the perfect addition to the Nolita Hall experience.”
key architectural and design elements.” Adding to the blending of the indoors and outdoors, Tecture
In November 2017, Hamm purchased the 6,500-sq.-ft. proper- built out the largest mechanized glass doors in Little Italy, creat-
ty and gutted it to create an open environment. During the reno- ing four disparate systems made up of a quad-fold system, normal
vation he added an enormous 10-ft. x 60-ft. skylight, which has large pivot doors, a counter-weighted door, and horizontal slider
become the space’s show-stopping feature. doors in all different locations.
“I put in this ridiculously big window at the top of the build- Now a defining characteristic of the restaurant, the door
ing, and it wasn’t until later that I realized it could be used to give installation proved to be a challenging feat for the team. “You can
guests an experience that they cannot get at any other restaurant, design things really well on a computer, but until you get to the
anywhere,” Hamm explained. project site it’s all trial and error,” Michael said. “It’s a technical
The team quickly came to realize that Nolita Hall lies right puzzle. But we enjoy doing things differently, and in this case, it
underneath a flight path into San Diego International Airport, so paid off.”
much so that planes fly overhead only a few hundred feet above Tecture also added big communal tables (an elevated take on
the ground. When they came to terms with the fact that sound the classic picnic table), acrylic light transmitters, and a cus-
proofing the building wasn’t possible, they decided on the next tom-wood bar and kitchen window to differentiate it from other
best thing: to fully embrace it. restaurants in the area. “We chose calming materials that created
Want more information from Tecture
Inc. (tectureinc.com)? Hamm turned to Oat Foundry, a Philadelphia-based engineer- the ambiance we were going for,” Michael said.
Circle 5 on the Reader Service Card. ing and design firm that specializes in classic train station-style Nolita Hall opened in April 2018 to great reviews, and quickly
Sources listed below are linked at split-flap displays, to create a new, engaging experience that makes earned a 2018 Orchids & Onions Design Award from the San
commercialarchitecturemagazine.
the eatery’s location a draw. Hamm asked the Oat Foundry engi- Diego Architectural Foundation. “Every project and property I
com/1904tecture.
neering team to program their retro split-flap display with a cus- acquire starts with the underlying belief that regardless of loca-
• Black Swan Hospitality,
blackswanhospitality.com tom Flight Tracker API that delivers real-time flight information tion, use, or financial underwriting, it should have potential to
• Nolita Hall, nolitahall.com
for airplanes as they pass overhead flying to or from the become something special and provide a certain ‘wow factor’
airport. with aesthetics and design,” Hamm said. “This can be done suc-
• Oat Foundry, oatfoundry.com
When a plane flies loudly over Nolita Hall, the split flap cessfully in a number of different ways. It can be simple and sub-
• San Diego Architectural Foundation,
sdarchitecture.org begins clacking, and guests turn their heads in anticipation to see tle, or unexpected and bold. Often times, and I think in this case,
the flight origin and number appear on the display in real time. it’s the perfect combination of both.” CA
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EDITORS’ CHOICE
Porcelain-tile collection
Industria:
• Large-format porcelain tile
• Natural-feel texture, non-abrasive
• Range of colors
Industria porcelain-tile collection reflects an urban industrial center where utility, function,
dependability, and practicality rule. The large-format tile is infused with the intricacies of indi-
vidual aggregate, weathered over time. Using an intricately designed mold, surfaces blend premi-
um-color body porcelain with a distinct texture of a worn and used concrete. The texture is said
to be natural in feel, but soft to the touch and non-abrasive. Available colors include Zinc (ivory),
Lithium (light gray), Chromium (dark gray), and Graphite (black). The tile’s graphic variation has
movement that blends light and dark details and shadows across each face. Available in a range of
large-format sizes from 12 x 24 to 24 x 48 in., applications include wet areas and exterior locations.
Anatolia Tile + Stone, Vaughan, Ontario
Circle 75
anatoliatile.com
Stair-surface protection
Stair Armor is a temporary surface Concrete-look porcelain tile
protection designed for stairs. The Reformation porcelain-tile collection is a
paperboard is reportedly easy to concrete-look product that provides visual depth
install and can withstand jobsite with movement, pitting, aggregate, and sheen
traffic. A reinforced bullnose variations interpreted in large-format plank
prevents rips, tears, and potential tiles, mosaic options, and trims. Colors include
trip hazards. Tread-Trac technology New Day, a light, cool gray; Rally Cry, a strong,
on the bottom provides extra grip. nuanced gray; Ideology, a light neutral; and
Taping instructions and warning March On, a darker hue reminiscent of industri-
decals are printed directly onto al steel. Three plank sizes are available.
the board. Multiple fold lines Crossville Inc., Crossville, TN
accommodate common 10 to Circle 77
11-in. tread depths. The material crossvilleinc.com
can be reused multiple times and
its recyclability qualifies towards
LEED credits.
Ram Board, Valencia, CA
Circle 76
ramboard.com
Nature-inspired linoleum
Expanded LVT line DLW linoleum Landscape collection is made of 100% USDA-certified, bio-based
Additions to the Art Select Wood gluedown LVT line bring the beauty of real wood. Designed with hand- materials. One of the only flooring options comprised entirely of natural, renewable,
carved embosses and beveled edges, each plank is crafted to enhance the unique grains, knots, and textures and biodegradable ingredients, including linseed oil, wood flour, limestone, jute, resin,
of the woods that inspired them, some of which are no longer available or are cost-prohibitive in their natural and all-natural color pigments, the collection is said to bring the outside in. Each of
state. New visuals in the collection were developed from Reclaimed Hickory, American Chestnut, the line’s 43 colored designs is drawn from the earth’s stunning landscapes: brilliant
and European Oaks. ocean blues, lush forest greens, sandy deserts, snowy mountains, and more.
Kardean Designfl ooring, Export, PA Gerfl or USA, Chicago
Circle 78 Circle 79
kardean.com gerflorusa.com
EDITORS’ CHOICE
Field-management software
360e field-management software is
The PAVE-EL®
Pedestal System
• Transforms flat
roofs into
attractive,
maintenance-free,
landscaped paver stone terraces.
Use Flex-C Trac for
• Elevates paver stones for perfect drainage. your curved framing!
• Levels paver and ensures their uniform Quick and easy!
spacing for an ideal roof terrace surface.
• Ideal for laying paver walkways in roof
gardens.
1-905-271-3441 • www.envirospecinc.com
Greenbuild booth #939 Greenbuild booth 644 Greenbuild booth 3254 Greenbuild booth 644
Circle 214 Circle 215 Circle 216 Circle 217
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Page Circle
number number
Patrick Keefe
MAY
Ironrock Capital Inc. . . . . . . . . . . . . . . . . . . . . 41 . . . . . . . . . . . . . . . . .213
Regional Sales Manager Office Buildings
Midwest
847.494.7044 Acoustics Technology
[email protected] Lightfair Intl . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 . . . . . . . . . . . . . . . . 208
Building Envelope
CIRCLE 218
CIRCLE 219