a cat Base Theater Design Standards =Endorsement Base theaters presenta unique opportunity for us as a place for public forums, training, and entertainment. These Base TheaterDesign Standards set the standard for making our theaters world class ‘operations. Continuous improvement and the fullest utilization of our existing resources are vital aspects of ourquaity program. Thisguide should be used with itscompanion document, Managementand Marketing Guide for Base Theaters, to stimulate innovative design and renovation strategies with the intent of makingbase theatersanintegralpart ofourcommurity environment. Meetingthese standards willenable us to improve facilites, and to expand and improve customer service. | ask commanders to give base theaters theiractive attention and support, in orderto fostera.cuiture ofquaity within Air Combat Command, Sh. el John M. Loh, General, USAF ‘Commander ® ACC Quality "A leadership commitment to an operating style which creates a working climate that promotes trust, teamwork and continuous improvement in ail that we do." ™ ACC Mission "Air Combat Command professionals provid- ing the world's best combat Air Forces deliv- ering rapid decisive air power anytime, any- where " ™ ACC Vision "Air Force people building the world's most respected air and space force....global power and reach for America." @ Our Style creating a working climate that inspires trust, teamwork, quality and pride.” "Give everyone a stake in the mission and its outcome.” "delegate responsibility and authonty — accept accountability. "Set goals. performance Measure progress. Reward “Deliver quality products to all our customers Strive for a culture of continuous improve- ment-make it better.” BASE THEATER DESIGN STANDARDSTable of Contents Purpose and Background Functional Divorsity The Site Building Exterior The Lobby The Auditorium Backstage and Performance Support Space 500 Person Facility 1000 Person Facility Materials and Finishes Budget Estimate; Prototypical 600 Person Theater Budget Estimate: Prototypical 1000 Person TheaterPurpose and Background Purpose Toprovidebotharchitectural programming and interior design guidance forimprovement projects in base theaters. Intent To provide a standard basis for improvement efforts in base theaters. Use Tofaciitate awareness ofthe majorissues with respectto base theater imorovaman's, References MiltaryHandbook 1190 Ded BOCA Building Code BOCA Life Safety Code NFPA Architectural Acoustics David Egan Building for the Arts Brown, etal Viability and Role in Base Community Base theatershave always playedanimportant role inthe base community. They serve as gathering places for airmen and their families, and accommo- date a wide range of mission-related and off-duty recreational activities. Mission-related activities in- clude such functions as Commander's Calls and Professional Miltary Education lectures. Community recreational programs include the presentation of current motion pictures, plays, concerts, and town meetings. In general, activities can be put into four major groups: lecture/meeting hall, movie theater, stage productions, and musical performances Al- though they overlap in terms of their architectural or spatial requirements, each group nas its own unique requirements, Historically, base theaters have played the movie theater role because of limited mobility and limited off-base entertainment options for airmen. Now, however, airmen and their families have much more mobility. Many base locations that were once ruralorremote have become urbanizedandatfordthe base community a widerrange of options for spend- ing their leisure time ard extra money. The resus adeciine inthe use of base theaters as movie theaters: since patrons go off basofortheir recreational needs, Nevertheless, the base theater remains anecessary gathering place to accommodate other community actvities as well as motion picture viewing, This document doesnot propose thatcosmetic modifications alone can boost movie ticket and ‘concession sales. However. architectural, aesthetc, and acoustical modiffcationsin conjunction with other marketing efforts can augment useofthe basetheater across the entire spectrum of activities. I ———— 8/55 THEATER DESIGN STANDARDSMovies The most user-intensive function accommo- dated in base theaters is the showing of motion pictures. When accommodating this role, the base auditorium functions like eny other movie theater. Thomarketingidesign issues of attracting and captur- ing markets and faciity appeal, as well as he activity sequence cf ticket sales, wailing, snack-bar sales, and theater-space entry and exit require the same attention as they do in movie theaters in the civilian communty. Lectures/Conferences ‘These include Professional Military Education (PME) and in-processing briefings, continuing educa- tionlectures, andotheradministratively onentedbriet- ings/lectures. Theaters also serve as assembly halls, for Commander's Cal's, civilian and miltary awerd ‘ceremonies, retirement ceremonies, and Town Meet ings forthe Military Family Housing community. Off- cial conferences and seminars that rely heavily on audio-visual media are also accommodated Stage Performances Less often, base auditonums accommodate plays and cabaret shows as part of morale, weifare, and recreation programs. Consequently, the facility mustalse accommodate traditional backstage spaces such as dressing rooms, tcilet facilities, and storage space Musical Presentations Base theaters also host musicalperformances asthe focusof eventsforgroups such asthe Air Force Band during holidays and special events Musical pperformancas are also a part of theater productions such as Tops in Blue, as well as numerous official ceremonies, BASE THEATER DESIGN STANDARDS Functional DiversityDiagrammatic Site Plan Public Scale ‘The base auditorium is a public piace and a significant focus of activity it must accommodate a variety of functions. ‘The character ofthe site should: = convey 8 public image. = provide an outdoor gathering space or “public plaza" with exterior seating as an outdoor extension ofthe building lobby. The building design should include partial coverage to this outside areato shelter usersininclementweather = accommodate a building entrance of public scale, easly identifiable from the street and the parking lt ‘mallow the passerby and potential patron tolookinto helobby throughatransparent exteriorfacade Parking ‘The parkinglotistheirstimpression the patron has when visiting the facilty The parking lot sould have: 1 parking aisles oriented so auditorium users do not havetotraversedrivingianes. 1 landscaping covering 10% of the gross area of the lot 1 sufficient landscaping toscreen parking from the street, but does not obscure site Ines othe marquoe, the building facade or the parking lot entrance from the street. Accessibility ‘Accommodations forthehandicapped mustbe an integral part ofthe design solution. Facities must be designed to: = conform to Americans with Disabilities Act (ADA), Federal Standard 795. provide an ADA accessible route from park- ing areas to the auditorium stage. These attributes are important for al ofthe functions that this facility accommodates. ensure the disabled can access the stage CN 8 1SE THEATER DESIGN STANDARDSThe Marquee The marquee is the base theater's primary means of communication tothe community. tshould contribute to the theatrical nature ofthe facility and serve as an orientation point wthin the base commu: nity 1 Locate a free-standing marquee near the main entry tothe facity. © Design the marquee so that itis distinguish- able from at least 500 feet away = Use ACC sign standards asebasisforthe design format. However, the theater marquee should reflect the theatrical and recreational nature ofthe facility 1 Pick up stylistic elements of the base orlocal architectural vernacularand reflectthem inthe marquee Use materals that match or complement ‘materials on the theater building. Forexample, metal finishes on the marquee should match exterior metal finishes on the facility. Building Exterior Materials ‘The proposed exterior materials ofthe theater must complement the existing color and material palette used on the installation in general and adja- Cont facilities in particular. Integration into the base contextis the goal 1= Use brick or masonry as the dominantfacing = Develop an architectural statement signify- ing both the professionaland theatnicalcharac- ter of the facity © Use a giass curtain-wall facade to visually ‘open the lobby to the base community anc serveasapoint of attraction andorientationon base. Move the ticket sales and ‘coming attractions” displays inside so that the Duilding expresses a professional face by day and takes onits theatrical face with activity, color, and light by night ‘© Eliminate fat roofs. Incorporate a standing ‘seam, metal roofing system with a3 in 12 minimum slope on ary additions tothe factThe Lobby ‘The lobby serves as a place for circulation, display ofinformaton, purchase ofrefreshments and preparation to enter the auditorium. The ‘obby plan ‘mustbe kept simplesso that different functions canbe easily ocatedby patrons. Thelobby also serves as an intermissionand break area. Visual display ofupcom- ing events is an important element. Ensure that the lobby addition, if required, satisfies local codes in terms of size and egress requirements Accessibility/Life Safety The obby isthemain entryandexttpointforthe facility. Therefore, this spaceis an integral partofthe emergency egress system. 1 Verify the lobby exit provisions with current bulkting and if safety codes. Ensure that atleast 60% of the auditorium capacity is able to ext through the lobby Interior Character The lobby shouldexhibittwocharacters, one by day and one by right © Design the lobby to present a professional character by day and a theatrical character in theevening 1m Use lighting tohelp establish this character. Use recessed, celing- mounted down-ichtswith fluorescent tubes for ordinary daily uses such a lectures or assembles. For a theatrical mood use neon lighting, incandescent wall Sconcas, and track lighting with color tinted dittusers toaccentcolorsandtextures on walls which would ordinarily be muted in daylight or under daytime lighting conditions. 1 The lobby walls can be a hard finish ina medium dark color for good public-space ser- viveabilty andeasy leaning. Sprayed-on colo flecked systems such as Polymix or Zolotone, (or vinyl wall covering would work wellon these. walls '™ Thecellings inthe lobby mustbe very sound absorbent as a means of eiminaling unwanted sundbefore itreaches thetheater. Standard .coustical ceiling tie" is nct adequate for this purpose. A lay-in fiberglass tile 1.5” thick is available A more decorative and effective Solution is a wood strip acoustical system. which could also be usedin the auditoriumasa wall treatment, '§ Cameting provides the most sound absorb- ing floor finish. Use an easy to clean nylon, level oop carpet of at least 26 oz. face weight. Ensure good soil hiding characteristics Ticket Sales Area Due to the multipurpose nature ofthe lobby, a ticket sales clerk and cash register substitute for the ‘conventional ticket sales booth (reference lobby cia- ‘grams in 500 and 1060 Person Facility section) @ Locate this area within the lobby so that Patronsenterthe buiidingto purchasetickets or to.check in for conferences, Entry Control Diagram BASE THEATER DESIGN STANDARDS1m Provide sight ines that allowan unobstructed view of all entry doors, = Accommodate multiple functions such as ‘movie and theater ticket sales and conference registration. '& Provide enough room for patrons to stand in line without inhibiting movement of people throughout the lobby. '§ Display informationrelevantto functions going ‘onin the auditorium, Rest Rooms “Therestrooms are an obviousnecessity which must be easily found but not occupy a dominant location = Locate rest rooms so that they are easily identfied, but away from concession sales areas. Provideameanstoblocksight inesinto the restroom. = Referencethelocally acveptedbuilding codes for numbers of fixtures required. In no case shouldthe number of plumbing fixtures be less than the folowing for each gender (also refer- ence 500 and 1000 person faciity drawings): 600 Person Facility Water CiosetsiUrnais 2 Lavatories 2 * One wir may be suostite fo one water set 1000 Person Facility WaterClosetsiUrnais 4 Lavaiories 3 * Two unas may te substuted er wo walr cosets BASE THEATER DESIGN STANDARDS The Lobby Restroom size and fixture counts should be sufficient to avoid long lines during brief inter missions, = Comply with Americans with Disabiities Act (ADA) guidelines. Accommodate a 60-inch Giameter wheelchair turning space. Provide ‘onewater closet and lavatory that conforms to acoessibilty standards. Reference the Liniform Federal Accessibilty Standard 796. Manager's Office Themanage?'s afice mustbe convenientto all facilty operations, yet inconspicuous to tre oatrons. @ =Providea 100 square feet (minimum) office for the theater manager. = Locate the manager office so that iti accessible rom the lebby Eut not perceived as part of the lobby. © Locate the office so thatithas access othe projectionroom andthe concessionsales area '™ Provide a floor or wall safe for event and concessicnproceeds.The Lobby '™ Include a supply closet for storage of mar~ quee letters and other display tems. Concessions Concessions are a primary element of the lobby. Fordesign guidance, AAFES has developed the prototypica concessions area layout shown be- low. Planners should contact AAFES for current policy regarding concessions design. mUsethe AAFES layoutas a guide inplenning the concessions area, Adjustthe AAFES con- figuration to Suit the actual lobby space 1m Use ceramictile for wall and flcor finishes. Design the plastic laminate serving counter to accommodate candy and other sack dis- plays as well as preparation of hot foods such as hot degs and popcorn 1 Use decorative neon lighting and chrome rallings fora crowd controlmaze where appro- pate For local conditions. ‘Typical Concessions Area 10 Testbed Moe BASE THEATER DESIGN STANDARDSThe aucitorium is the facility's most complex interior space. Acoustics, circulation, lighting, and seating for different uses such as movies, lectures and conferences, stage performances, and musical presentations mus! be considered when designing this space = The auditorium design should allow every member ofthe audienceto seeandhearclearly Circulation Emphasis should be cn user fiendliness. The plan shouldbe claarenoughsothat directional signag= Is not necessary or minimal. = Provide direct access to and from the lobby tofaciltate efficient movementof patrons anc also safe, rapid egress in case of emergency ‘= Comply with NFPA's requirementto provide ‘a main entry/exit “of sufficient width to accom- modate one-half othe total occupant load...” = Reevaluate catchment areas toensurethat Exit Requirements BASE THEATER DESIGN STANDARDS The Auditorium ‘existing oxits can handle exiting requirements. Provide the proper number of exits and acces- sible routes from the facility required by code. Seating The type of seat has a direct bearing on the comfort and enjoyment level of the patron, = Provide 3/4 folding, self-raising seats with a minimum of 33 inches from seat-back to seat- backintheir fully open position. Also provide a minimum of 12inches between seat backs and the most forward projection of seats immedi- ately behind. ‘= Select seating with a contoured steel frame construction that provides lower back support. 1 Select cloth, fully upho'stered seats. Heavy use and soil hiding characteristics are primary considerations. 1 Verify seating capacities for the disabled = Provide "swing-away" seating for the disabled. 5 ef [Seat Spacing _The Auditorium | |Sight Lines Sight Lines Use the conventional "American" seating system with twocentar aisles. Thecentar seat should be no more than six seats from each aise. Continental seating is not acceptable. Provide staggered seating to maximize the View of the stage or screen, = Where a new slopedauditorum fooris being considered, design the new floor to provide a Clear line of sight to the focal point on stage. Maintain § inches between a viewer's line of ‘ight and the top ofthe person's head sitingin front of the viewer. Acoustics ‘The importance of acoustics is paramount Each base theater must be acoustically tested and specific solutions derived for the characteristics of that specific spare Acoustically isolate the auditorium wherever possible. Stage Panels 1§ Use soundabsorbing meteriain allagjoining rooms surrounding the auditorium, 1§ Use solidcoreauditoriumdoors with gasketed ymbs and silent door hardware, = The mechanical system mustbe ascloseto inaudible as possble. Sound measurements taken while the system is running cannot ex- ‘ceed a background noise level of 34 dBA or noise criterion NC-26, = Designtne auditorium acoustics to accom- ‘modate the various auditorium functions. This requires a compromise between speaking and musical productions. Design side and rear walls for high sound absorption. '§ Provides combination ofreflactve andsound absorptive ceiling finishes based onthe results of acoustical testing, Curtains Provide curtains that are both retractable > ———— | 8SF THEATER DESIGN STANDARDSandeasily removable whentheyarenctneeded for a specific evant The Stage ‘Although replacement of the stage area is not part of the scope of work for theater renovation, use the following as a basis for evaluation of the existing stage. ™ Use the existing proscenium stage where one exists. Stage depths should be one and one half times their width, Provide a movie screen system that can be moved mechanically totmefrontofinestage or movie vewing and then retracted. & Designthe stage fioorto be flatwitha smooth resilientsurface. ‘= Acoustically deaden the stage floor. '@ Provide portable risers for choral produc- tions, '™ Provide a portable, acoustically reflective shell for small musical groups BASE THEATER DESIGN STANDARDS The Auditorium = Provide a steel pipe gridiron over the stage area to accommodate lighting, scenary, cur- tains and acoustical cevices. = Suspend all overhead lighting fixtures from the gridiron = All stage lighting specified must be adjust- able and movable. 1m Provide outlats in the stage floorforlighted music stands orinstrument amplification, '§ Provide duplicate lighting controls atthe rear of the auditorium for performances and on stage for rehearsals, Provide stands and equipment support for a range of audio-visual needs such as view graph and 35 mm slide presentations. This should be provided for both long focal length ‘equipment within the seating area and view graphsnear oronthe front ofthe stage accord ing to epeaker nesds, © Verify structural loading of any new lighting grids, screen, or curtains with the existing roof structure,Backstage and Performance Support Space Changing Rooms Diversity ofuses should be the guiding principle inbackstage area design (aiso reference the 500and 1000 Person Facility sections) 'm Productions that require dressing rooms occur relatively infrequently. Similar mutt purpose faciliies in the commercial sector use multpurpose changing rooms rather than dressing rooms whichrequiremore specialized design. '§ Provide @ multipurpose room that can ac- commodate male and female changing areas cor warm-up and rehearsal space. This space can also augment lecture and educational functions. '§ Provide a folding wall partition to!accommo- date male and female changing areas in the multipurpose room. Asa planning guide, provide 16 square feet per person for changing rooms Provide atleast 20 lineal feet of ful-length mirrors nboth male andfemale changing areas. Toilet Rooms and Makeup Areas Tollet rooms and makeup areas need to sup- ort activities prior to and during performances, § Provide one ADA-compliant toilet room for eachsex Provide twotoilets, aminimumoftwo vanity sinks and6to 10 linealfeetof mirrors wth theatrcalmakeup lighting ineachtolletroom. A, urinal may be substituted for one toilet in the men'sroom. Verify substitution guidelines with localbuilding coces Locate toilets so that thay are easily acces- sibie from changing rooms and the crossover pace (space behind stage backdrop or movie. screen), 'm Provide a makeup area in each toilet room with atleast 10 linea’ feet of counterspace and ‘mirrors for both male and female toile: rooms and makeup area. ONerhead door i> Multi-pur} halal ome —Over head deor Backstage Area iL ——— | 8SE THEATER DESIGN STANDARDSBackstage and Performance Support Space General Storage, Production Preparation and Receiving Area All three of these areas are dependent uoon ‘each other for a successful theater operation. mAs arule ofthumb, provide an additional 30- 35 percent of storage space as a proportion of the existing stage area, = Althoughtheseareasareprimarilfortheater production storage, they can also accommo. ate scene, paint and electrical shop activities = Provide a 12 foot wide and 45-55 inch high loading dock and receiving area. Also allow 50- 4100 feet of level adjacent epace to accommo- date a fullsize tractor trailer m Ensure that the storage areas are directly ‘accessible toboth the receiving and backstage areas. Provide overhead door access to the backstage area m Ensure there are no level changes between the loading dock, receiving areas, and stage. BASE THEATER DESIGN STANDARDS we500 Person Facility ‘Thefloor plan below depicts an existing typical 500person theater constructed thecontinentaiU.S. by AAFES during the 1960s and 1970s. Bringing this facilty up to contemporary standards requires the following modifications: 1) Accessibility for the Disabled Remp toprovidean ADA-compliant accessible route from the parking lot to the stage floor. 2) Public Plaza New outdoor area tor gatheringthata'so serves ‘asian exterior extension of the lobby. 3) Ticket Sales/Registration Multipurpose counter for movie ticket sales or registration/information point for otherfunctions 4) Toilets/Utility Core NewADA-complianttolet rooms, maintenance Closet, and mechanical space if required) 8) Concession Sales/Manager's Office New concessions counter equipment recom mendations. Drectly adjacentiothis areaisastorage Existing Plan area and an office for the facility manager. 6) Intermediate Lobby New acoustical finishes to provide sound isola- tion between the main icbby and the auditorum. 7) Auditorium New ceiling finishes, acoustical wail finishes and new seating, 8) Stage Newiighting movable movie screen, andwings 9) Changing Rooms/Multipurpose Rooms New multipurpose rooms with divider curtain Newtoilet rooms with makeup counters andtheatrical lighting 10) Backstage Area New prop/general purpose storage. 11) Storage/Shop Space New storage that can also accommodate light ‘scene construction and lighting shop functions. | 5A5E THEATER DESIGN STANDARDS500 Person Facility Prototypical Renovated Pian [BASE THEATER DESIGN STANDARDS 71000 Person Facility ‘The existing foor plan below depicts e 1000 person theater constructed in the continental United Statesby AAFES duringthe 1980s and 1970s. Bringing this facility up to contemporary standards requires modifications similar to those required for the 500 person facility. The bold numerals on the opposite: age correspond to the descriptions in the previous ‘section on 500 person facies. General guidelines for materials and finishes for both schemes can be found on the folowing two pages. Ingeneral materialsand finishes should be of Adequate quality to ensure good wearabilty and maintainabilty under heavy use conditions For example, use a seat upholstery-cover material that has good sol hiding characteristics and that s easily leaned, The listof suggested sources oniy provides: a reterence or starting point for finish and material choices and does not represent sole source recommendations To assist in the programming and budget estimate phases, prototypcalbudgetestimates have been provided for both the 600 person and 1000 person theater renovations and can be found in the sections following materais and fishes Existing Plan BASE THEATER DESIGN STANDARDS1000 Person Facility Prototypical Renovated Plan BASE THEATER DESIGN STANDAROSMaterials and Finishes Use the following lst of materials and finishes 98 a reference point or defining levels of quality. Do not consider these sole source recommendations, LOBBY AND AUDITORIUM FLOORS Carpeting Karastan Bigelow. NeoRhythms, Antron BOF nylon, color Noctume 4418-5866 for fobby and aisles of aucitorium WALLS AND DOORS Vinyl Wall Covering Lobby: Koroseal Spellbound, color Avante: Garde 8821.76 Auditorium: Forbo Vieratex, Crescendo Type 2, color Hassons Cove; perforate for acoustical panelcovering, Acoustical Wall Panels Auditorium: Armstrong Soundsoak Scores with perforated wall covering; Armstrong Soundsoak custom shaped panels. Wood Strip Acoustical Wall System Auditorium: Ventwood vertical strips of select kiln dried red cedar, spaced on black stained connector dowels, mountad over black fiber- Glass acoustical blankets. Paint Auditorium Doors: Duron 6315N Burgundy ‘Auditorium Trim: Duron §494D Hidden Biue Push Plate for Lobby/Auditorium Doors Chemetal, anodizedaluminum, Bright Smoked Chrome 911 RESTROOMS Ceramic Tile Floors: American Olean unglazed 2x2 Ceramic Mosaics, Empire Gray C17, Walls: American Olean Glazed porcelain 2x2 Sat nBrites, Lite Sterling Y62 (field), WhiteD26 (pin dot) Lavatory Countortop Nevamar Fountainheed solid polymer, color Black Matrix FM-6-1. CEILINGS Lobby Ceiling Ventwood Panels to match Auditorum walls ‘Auditorium Ceiling ‘Armstrong Omega, suspendedacousticalcei- ing panels without foil backing: 1.5" thick: fac tory standard biack grid and celling panels, LIGHTING Typical Lighting Indirect Warmftuorescenttubes, Incandescent down lights. Decorative Wall Sconce Winona Lighting, Aaron Architectural, Do- rminique 3704 or Mentor 3705. CONCESSIONS AREA Ceramictile Floors: American Olean, 8x8 Naturtones, color: Obsidian NT 60; Fog Mist NT 53, Walls: American Olean Glazed Brights 4x4 Gloss Black 49, BrightWhite47, Burgandy 110. Serving Counter’ Wilsonart Plastic Laminate, Ebony Star 4552-50. Paint: Match Pantone 3262 Turquoise AUDITORIUM SEATING Upholstered Chair ‘American Seating, 35M Stellar Series con- struction; Marquesa Lana Olefin, SherpaShire, color Maroon 82; abrasionand flame resistant STAGE CURTAIN Curtain Fabric Dazian Fabrics, NY, NY; Angelo Velour30881 color Wine 3443, 100% Trevira CS, no back coating; clean only with dry cleaning solvent Curtain Track Rose Brand Theatrical Fabrics and Fabricat- ing: New York, NY; motorized center pull cur= ‘ain track, | 855 THEATER DESIGN STANDARDSMaterials and Finishes in sPFo Material and Finish Samples BASE THEATER DESIGN STANDARDS Z_—_————— ZiBudget Estimate: Prototypical 500 Person Theater Fiscal Year 1992 Site Work Parking Ste Utities Grading Landscaping Roads, Walks, Parking Lots Temporay Facies Site Work Subtotal Lobby Addition Selective Demolition Foundations Slabs on Grade Exdenor Walls Exterior Glass (Curtain Wall) Exterior Doors. Intenor Doors Intenor Walls Ceilings Root Structure (Bult Up) Carpet Tie Floors Wall Paint Wall Tile Millwork/Counters Concessions. Equipment Lobby WEIP Mechanical Blectrical Piumbing Lobby Addition Subtotal Auditorium Renovation Selective Demoiton Exterior Doors Interor Doors Wall Finishes Acoustica: Ceilings Camet Chairs ‘ADA Char Lit Auditorium MVEIP Mechanical Electrical ‘Auditorium Renovation Subtotal a Bare Costs 5,000 5.000 750 7,500 7.500 20,000 $45,750 5520 1,768 14,400 64.400 0,000 10,400 2.100 16,200 7.200 36,000 62.400 4,362 1.500 6.800 6.260 22,000 9.600 7.200 12,000 $370,090 4140 5.200 600 33,600 40,800 26,000 160,000 3,000 14.400 10.800 $258,540 Backstage Area Addition Selective Demolition Foundations ‘Slabs on Grade Exterior Walls Exterior Glass Extenior Doors Overhead Doors: Interior Doors Intentor Walls Ceili Roof icture Floors Wall Paint Wall Tie (Toilets) Backstage Equipment Backstage MEP Mechanical Electrical Plumbing Backstage Area Addition Subtotal 3588 2.080 12816 70.000 1.800 2600 3,600 4,200 16.200 4.680 23,400 27 584 1560 2500 10,000 6.240 4.680 8.000 $205,628 Note: As conditions will vary, the costs shown here should only be used as an aid and check- for preliminary discussions. BASE THEATER DESIGN STANDARDSFiscal Year 1992 Site Work Parking Ste Utities Landscaping Roads, Walks, Parking Lots Temporary Facities Site Work Subtotal Lobby Addition Selective Demoltion Foundations ‘Slabs on Grade Exterior Wals. Exterior Glass (Curtain Wel) Exterior Doors Interior Doors Interior Walls Cetings Roof Structure (Built Up) Carpet Tie Floors Wall Paint Wall Tie Millwork/Counters Concessions Equipment Lobby MEP Mecharical Electrical Plumbing Lobby Addition Subtotal Auditorium Renovation Selective Demaition Exterior Doors Interior Doors Wall Finishes Acoustical Ceilings Carpet Chairs ADA Chair Lift ‘Auditorium MVEIP Mechanica Electrical Auditorium Renovation Subtotal Bare Costs $3 ca5 S88888 9522 1458 4032 13.720 34.800 5.200 3,300 22.650 42.420 10.080 107.640 6552 484 9275 4,750 22/000 16,560 12.420 18,000 $314,871 17,581 15,600 600 84.000 22.344 52.000 300,000 3,000 30,576 22,932 $548,633 Backstage Area Addition Selective Demoltion Foundations Slabs on Grade Exterior Walis- Exterior Glass Exterior Doors Overhead Doors Interior Doors Interior Walls Ceilings Roof Structure Floors Wall Paint Wal Tie (Toilets) MiltworkdCounters Backstage Equi Bactetage MEP Mechanical Electical Plumbing Budget Estimate: Prototypical 1000 Person Theater 3.588 2,080 9,360 68,080 1,800 2,600 3\900 4,800 16,200 4,680 23,400 27584 1875 2,900 6.250 10,000 6.240 4,680 12,000 Backstage Area Addition Subtotal $209,717 lote: As conditions will vary, the costs shown here should onty be used 28 an akd and check- for preliminary discussions. ASE THEATER DESIGN STANDAROS —D—U_Base Theater Design Standards Prepared by the Haris Group Ine. for Air Combat ‘Command, Chil Engineering Technical Support Offic, and Fadity Engineering, 1 supoott of Air Combat ‘Command, Morale, Welfare, Recreaton and Services, Langley Ar Force Base, Virginia.