PHILIPPINE ART HISTORY
18th Century
Earliest among the collection are religious in
themes and composed of 18th century icons
and images created by local artisans under the
tutelage of the friars. The devotional pieces of
the collection are of outstanding significance.
Coronation of the Virgin
Retalbo
During the late Spanish colonial period, the
school of Academism or “salon” painting 1900s
emerged and produced the likes of Juan N.
Luna and Felix Resurreccion Hidalgo, who are In the succeeding American period, Fernando
now considered as 19th century masters. C. Amorsolo, who was later declared as the
First National Artist, rose into fame and
Spolarium established his own style or “school” which was
Mother’s Revenge largely characterized by countryside scenery
Governor Dasmarinas with golden sunlight.
La Descencion de Jesus
Association of the Philippines (AAP) was
1920s established in 1948.
The period is represented by the proliferation Burning of Sto. Domingo
of genre themes, landscapes and still lifes as
well as the emergence of pre-modernism.
Bust. of Mons. G. Aglipay
1950s
The Philippine Art Gallery (PAG) was founded
with young modernists as the leading figures.
Emergence of different schools of thought (e.g.
1930s: Pre-modernism school of Botong Francisco, school of
Manansala, emergence of the “Mabini” art
Artists represented in the collection: Victorio group.
Edades, Diosdado Lorenzo, Galo Ocampo,
Carlos Francisco, Gabriel Custodio, Vicente Christmas Card Series
Manansala, Ricarte Purruganan, Romeo Harana in Manila
Tabuena, and others.
1942-1945
A suspension on artistic activity was prevalent
during the Japanese occupation. However,
some visual artists still managed to produce
artworks based on the atrocities brought by the
war.
Artists represented in the collection:
Dominador Castañeda, Demetrio Diego,
Diosdado Lorenzo, Romeo Tabuena, Gene
Cabrera and others
1946-1949
After the Japanese occupation, the art
community sprang back to life. Various themes
and styles were explored and pioneered by
Filipino artists who gained experience
abroad.
Mural painting emerged,
spearheaded by Carlos Francisco. Art
1970s
Most of the artists in the 1960’s continued to
produce important works in this period.
Emergence of different movements such as
People’s Art or Art for the Masses, Protest Art,
Social Realism, and the institutionalization of
1960s the National Artist Award (1972). 11 National
Artists whose works are represented in the
Modern art reached its peak. collection:
Ink Fish Fernando C. Amorsolo-1972
First Mass in Limasawa (Painting)
Carlos V. Francisco-1973
Planting of the first Cross (Painting)
Guillermo E. Tolentino-1973
Mother and Child (Sculpture)
Victorio C. Edades-1974
(Painting)
Napoleon V. Abueva-1976
(Sculpture)
Vicente S. Manansala-1981
(Painting)
Cesar T. Legaspi-1990
(Painting)
Hernando R. Ocampo-1991
(Painting)
Arturo V. Luz-1997
(Painting)
Jerry E. Navarro-1999
(Painting/Sculpture)
Ang Kiukok-2001
(Painting)
Hills of Nikko
1980s
The period is characterized by a revival of
traditional art and ethnic art. Contemporary
sculpture became an integral part of buildings
and parks.
Artists in the collection: Eduardo Castrillo,
Ramon Orlina, Solomon Saprid, Raul Isidro,
Red Mansueto, Charito Bitanga, Phillip Victor,
Emilio Aguilar Cruz, Federico Alcuaz, Al Perez,
Virginia T. Navarro, Abdul Mari Imao, Rey Paz
Contreras, Jerusalino Araos, Norris Castillo,
and others.
1990s
New generation of painters, sculptors and
printmakers expressing their personal feelings
and expressions emerged. Great art movement
in Europe and the Americas gained entry to the
local scene such as installation art and
experimental art. Galleries and museums were
institutionalized spearheading activities in the
cultural scene.
Artists represented in the
collection: Ibarra dela Rosa, Prudencio
Lamarroza, Elizabeth Chan, Eduardo Castrillo,
Pacita Abad, Fil dela Cruz, Romulo Galicano,
Symfronio Y. Mendoza, Godofredo Y.
Mendoza, Rafael Pacheco, and others.
2000 to present
Philippine art has come a long way, from the
primitive ingenuity of the Filipinos to the
present avante-garde artists exploring all
possible techniques and schools ranging from
the traditionalists, representationalists,
abstractionists, abstract expressionists, semi-
abstractionists, figurative expressionists, non-
objectivists and other forms of -isms.
Art
today is an open forum of visual statements.