11.0.

1 9-3-18 247PM
TABLE OF CONTENTS
Installation ................................................................................................................... 1
Launching / Activating / Registering Final Draft ............................................................... 1
Opening and Activating Final Draft ............................................................................. 1
Deactivation ............................................................................................................ 2
Frequently-Asked Questions ......................................................................................... 3
What is product activation? ....................................................................................... 3
How do I move my activation to another computer?..................................................... 3
Is product activation the same as product registration? ................................................. 3
Do I have to register my copy of Final Draft? What are the benefits of registering?............. 3
What is deactivation and when should I do it? .............................................................. 3
Customer Support ....................................................................................................... 4
Self-Service Support Options ..................................................................................... 4
Assisted Support Options .......................................................................................... 4
Reinstalling from the App Store ..................................................................................... 4
Final Draft Menu........................................................................................................... 6
About Final Draft ......................................................................................................... 7
Preferences ................................................................................................................ 7
To set Preferences: ................................................................................................... 7
General tab ............................................................................................................. 7
Auto-Save/Backup tab ............................................................................................ 10
To change the location of the backup folder .............................................................. 12
Format Assistant tab ............................................................................................... 12
Quit Final Draft.......................................................................................................... 13
To quit Final Draft................................................................................................... 13
File Menu ................................................................................................................... 15
New ........................................................................................................................ 16
New from Template ................................................................................................... 16
To create a new document from a template .............................................................. 16
Download More Templates ..................................................................................... 17
Text Documents........................................................................................................ 17
To create a text document ...................................................................................... 17
Open ....................................................................................................................... 18
To open an existing file ........................................................................................... 18
Open Recent ............................................................................................................ 20
Close ....................................................................................................................... 20
Save ........................................................................................................................ 20
Save As .................................................................................................................... 21
Save as PDF .............................................................................................................. 21
To save a document as a PDF file .............................................................................. 22
Export ...................................................................................................................... 22
Export > Document................................................................................................ 22
Export > Beat Board................................................................................................ 23
Backup..................................................................................................................... 23
To back up a document .......................................................................................... 23
Revert ...................................................................................................................... 24
Save as Template ...................................................................................................... 24
Print Preview ............................................................................................................ 24
 Print ........................................................................................................................ 27
Printer .................................................................................................................. 27
Presets.................................................................................................................. 27
Copies .................................................................................................................. 27
Two-Sided............................................................................................................. 27
Pages ................................................................................................................... 27
Print Range ........................................................................................................... 28
Character Sides ...................................................................................................... 29
Script Options........................................................................................................ 29
Save as PDF .............................................................................................................. 30
Register Script ........................................................................................................... 30
Edit Menu .................................................................................................................. 32
Undo ....................................................................................................................... 33
Redo........................................................................................................................ 33
Cut .......................................................................................................................... 33
Copy ....................................................................................................................... 33
Paste ....................................................................................................................... 34
Delete...................................................................................................................... 35
Select All .................................................................................................................. 35
Select Scene ............................................................................................................. 35
Find......................................................................................................................... 36
To find text in the script .......................................................................................... 37
To replace found text.............................................................................................. 37
Go To ...................................................................................................................... 38
To access the Go To options .................................................................................... 38
Find Selection ........................................................................................................... 39
Replace Character ..................................................................................................... 39
Start Dictation ........................................................................................................... 40
To use Dictation ..................................................................................................... 41
Emoji & Symbols ....................................................................................................... 42
Using Smart Drag-and-Drop ....................................................................................... 43
To move text without drag-and-drop........................................................................ 44
To move text using drag-and-drop ........................................................................... 44
View Menu ................................................................................................................. 45
Script - Normal View .................................................................................................. 46
Script - Page View...................................................................................................... 47
Script - Speed View .................................................................................................... 48
The Beat Board.......................................................................................................... 49
Scene View ............................................................................................................... 49
Index Card Commands............................................................................................... 51
Index Cards - Script .................................................................................................... 51
Index Cards - Summary .............................................................................................. 54
Cards Across ............................................................................................................. 56
Hide/Show Action ..................................................................................................... 56
Hide/Show Scene Title ............................................................................................... 56
Hide/Show Summary ................................................................................................. 56
Show / Hide Alts ....................................................................................................... 56
Invisibles .................................................................................................................. 56
To show invisible characters .................................................................................... 56
 To hide the invisible characters ................................................................................ 57
Show / Hide Ruler...................................................................................................... 57
Indent Markers....................................................................................................... 58
ScriptNotes............................................................................................................... 60
Story Map................................................................................................................. 61
Split (Vertically / Horizontally) / Swap ........................................................................... 61
Split Vertically ........................................................................................................ 61
Split Horizontally .................................................................................................... 61
Swap .................................................................................................................... 61
Unsplit Panels ........................................................................................................... 61
To hide a panel ...................................................................................................... 61
Hide/Show Toolbar.................................................................................................... 62
Customize Toolbar .................................................................................................... 62
Zoom ...................................................................................................................... 62
Zoom Story Map ....................................................................................................... 63
Full Screen Mode ...................................................................................................... 64
To enter full-screen mode ....................................................................................... 65
To exit full-screen mode .......................................................................................... 65
Format Menu ............................................................................................................. 66
Elements .................................................................................................................. 67
Change Element to ... Submenu .................................................................................. 68
Cast List Element Options ........................................................................................... 68
Cast List Element in Script ........................................................................................... 69
Automatic Cast List Generation ................................................................................ 69
To generate a Cast List for each scene ....................................................................... 70
Highlight Characters .................................................................................................. 71
Font Commands ....................................................................................................... 73
Set Font ................................................................................................................ 73
Font ..................................................................................................................... 73
[font attribute] Submenus ....................................................................................... 74
Color Submenu ..................................................................................................... 74
Highlight .............................................................................................................. 75
Font ........................................................................................................................ 76
Size ......................................................................................................................... 76
Style ........................................................................................................................ 77
Color ....................................................................................................................... 77
Highlight.................................................................................................................. 78
Toggle Case.............................................................................................................. 78
Alignment ................................................................................................................ 78
Spacing ................................................................................................................... 78
Space Before............................................................................................................. 78
Leading ................................................................................................................... 79
Beat Board................................................................................................................ 82
Dual Dialogue ........................................................................................................... 83
Insert Menu ................................................................................................................ 85
Add Alt (Alternate Dialogue) ....................................................................................... 86
To create an alternate dialogue ("alt"): ....................................................................... 86
Alt Dialogue Controls.............................................................................................. 86
Remove Alt............................................................................................................... 87
 New Beat ................................................................................................................. 87
New Structure Point .................................................................................................. 88
Insert Page Break ....................................................................................................... 88
To remove a forced page break ................................................................................ 88
Insert New Scene ...................................................................................................... 88
To insert a new scene ............................................................................................. 88
Insert Bookmark ........................................................................................................ 88
To insert a bookmark .............................................................................................. 88
Insert ScriptNote ....................................................................................................... 89
To insert a new ScriptNote ...................................................................................... 90
Insert General Note.................................................................................................... 90
To insert a new General Note ................................................................................... 90
Insert Label............................................................................................................... 90
To insert a Label ..................................................................................................... 91
To stop a Label run ................................................................................................. 91
To navigate to a labeled page quickly ....................................................................... 92
To change the Label text ......................................................................................... 92
Image ...................................................................................................................... 92
Alternate Methods of Inserting an Image ................................................................... 93
Non-speaking Character ............................................................................................. 94
Send to Script ........................................................................................................... 94
To enter scene summaries into the script .................................................................. 94
Document Menu ........................................................................................................ 95
Page Layout ............................................................................................................. 96
Margins tab ........................................................................................................... 96
Colors tab ............................................................................................................. 97
Options tab ........................................................................................................... 98
Header and Footer .................................................................................................. 100
Mores and Continueds ............................................................................................. 100
Dialogue Breaks ................................................................................................... 101
Set Font .............................................................................................................. 102
Watermark ............................................................................................................. 103
Title Page ............................................................................................................... 105
To create multiple title pages ................................................................................. 105
Including or excluding the Title Page in the output................................................... 105
SmartType .............................................................................................................. 106
Macros................................................................................................................... 107
Macro Name........................................................................................................ 108
Macro Text .......................................................................................................... 108
Macro Element .................................................................................................... 108
Transition To dropdown menu............................................................................... 109
Custom Macros.................................................................................................... 109
Bookmarks ............................................................................................................. 109
To change the name of a Bookmark........................................................................ 110
To go to a Bookmark............................................................................................. 110
To delete a Bookmark ........................................................................................... 111
Change Target Script Length .................................................................................... 111
Tools Menu .............................................................................................................. 112
Spelling ................................................................................................................. 113
 Thesaurus............................................................................................................... 113
Text-To-Speech Commands...................................................................................... 113
Speech Control .................................................................................................... 113
Assign Voices....................................................................................................... 113
Reports .................................................................................................................. 116
To create a report ................................................................................................. 116
Combine Files ......................................................................................................... 117
Names Database ..................................................................................................... 119
Reformat ................................................................................................................ 119
Format Assistant ..................................................................................................... 121
To use the Format Assistant ................................................................................... 122
Format Assistant Options ...................................................................................... 123
ScriptCompare ........................................................................................................ 125
To compare two scripts......................................................................................... 125
Hide / Show Navigator ............................................................................................. 126
Collaboration .......................................................................................................... 126
To Host a Collaboration Session ............................................................................. 127
To Join a Collaboration Session .............................................................................. 128
The Collaboration Window .................................................................................... 128
Saving ................................................................................................................ 130
Closing a Session ................................................................................................. 130
Production Menu ..................................................................................................... 131
Scene Numbers ...................................................................................................... 132
To number scenes using the default settings ........................................................... 132
Numbers Tab....................................................................................................... 133
Options Tab ........................................................................................................ 134
Renumbering scenes in an already numbered script ................................................. 136
To create a new scene and number it ..................................................................... 136
To number a new scene in a script in which scenes are already numbered .................. 136
Edit Scene Number.................................................................................................. 137
To manually renumber an individual scene .............................................................. 137
Removing an Unwanted Scene Number.................................................................. 138
Omit Scene ............................................................................................................ 138
To omit a scene ................................................................................................... 138
To view an omitted scene ..................................................................................... 139
To retrieve an omitted scene and put it back into the script ....................................... 140
Revisions ................................................................................................................ 141
Active revision set ................................................................................................ 141
To change the characteristics of a revision set .......................................................... 142
To make a revision a “full draft” ............................................................................... 143
To add a new revision set ...................................................................................... 143
To delete a revision set ......................................................................................... 143
Revisions Options................................................................................................. 144
Revision Mode ........................................................................................................ 145
Mark Revised ....................................................................................................... 145
Clear Revised .......................................................................................................... 146
To clear text which has been marked as revised ....................................................... 146
To clear all the revised text in a script ...................................................................... 146
Lock Pages ............................................................................................................. 146
 To lock script pages .............................................................................................. 146
Lock “A” Pages ........................................................................................................ 147
Unlock “A” Pages ..................................................................................................... 147
To unlock “A” pages.............................................................................................. 147
Unlock All Pages...................................................................................................... 148
To unlock all pages ............................................................................................... 148
Locking Tools Submenu ........................................................................................... 148
Relock Pages ....................................................................................................... 148
Edit Page Number ................................................................................................ 149
Lock New Page .................................................................................................... 150
Unlock Page ........................................................................................................ 150
Unlocking Pages .................................................................................................. 151
Tags Mode ............................................................................................................. 152
Tag All Characters.................................................................................................... 152
Window Menu .......................................................................................................... 153
To make a document the front-most (active) ........................................................... 153
Minimize ............................................................................................................. 153
Zoom ................................................................................................................. 153
Bring All to Front .................................................................................................. 153
Help Menu ............................................................................................................... 154
Search ................................................................................................................... 155
Get Support............................................................................................................ 155
Submit Feedback .................................................................................................... 155
Learn ..................................................................................................................... 155
Final Draft User Guide .............................................................................................. 156
What's New ............................................................................................................ 156
Sample Scripts ........................................................................................................ 156
Check for Updates ................................................................................................... 156
Register Online ....................................................................................................... 156
Activate/Deactivate ................................................................................................. 157
Tutorials................................................................................................................... 158
Typing a Sample Script............................................................................................. 159
Importing Content from Other Sources ...................................................................... 162
Make Writing Dialogue Easier .................................................................................... 162
Manipulating the Page Count ................................................................................... 165
Local Indents (Margins) ......................................................................................... 166
Leading .............................................................................................................. 166
Global Indents ..................................................................................................... 166
Line Spacing Options............................................................................................ 166
Line Spacing Differences ....................................................................................... 166
Text and Header/Footer Margins ............................................................................ 167
Elements .................................................................................................................. 168
Elements in a Script ................................................................................................. 168
Changing a Paragraph’s Element Type .................................................................... 168
Adding Paragraphs .................................................................................................. 170
Modifying Elements and Creating New Custom Elements ............................................. 170
To modify the list of elements and element properties .............................................. 170
Basic Tab............................................................................................................. 171
Font Tab ............................................................................................................. 172
 Paragraph Tab ..................................................................................................... 173
To create a custom element .................................................................................. 174
To delete a custom element .................................................................................. 174
To Apply a Template............................................................................................. 175
To Apply the Elements from Another Script or a Template not included in Final Draft .... 177
Standard Elements .................................................................................................. 177
General ............................................................................................................... 177
Scene Heading (Slug Line) ..................................................................................... 178
Action ................................................................................................................ 178
Character and Dialogue ........................................................................................ 178
Parenthetical ....................................................................................................... 179
Transition ............................................................................................................ 179
Shot ................................................................................................................... 179
Cast List .............................................................................................................. 180
Continueds and Extensions ................................................................................... 180
Beat Board and Story Map ........................................................................................ 182
Inserting a New Beat or Structure Point ...................................................................... 183
Page Goal ........................................................................................................... 184
Converting a Beat to a Structure Point or Vice Versa .................................................. 184
Positioning and Sizing Beats or Structure Points ....................................................... 185
Grid Snapping ..................................................................................................... 186
Entering Text ....................................................................................................... 186
Copying Text from Beats or Structure Points ............................................................ 187
Dragging a Beat or Structure Point to a Script Page ................................................... 187
Dragging Selected Script Text to the Beat Board ....................................................... 187
Coloring Beats or Structure Points .......................................................................... 188
Multiple-Selecting Beats or Structure Points ............................................................. 188
Align Selected ..................................................................................................... 188
Deleting Beats or Structure Points .......................................................................... 192
Zooming the Beat Board ....................................................................................... 192
Images on the Beat Board ......................................................................................... 193
Story Map............................................................................................................... 195
Navigation .......................................................................................................... 197
Location Indicator ................................................................................................ 198
Target Script Length ............................................................................................. 198
Menu ................................................................................................................. 199
Navigator ................................................................................................................. 200
Navigator > Scenes.................................................................................................. 201
Navigating to a Scene ........................................................................................... 202
Sorting Scenes ..................................................................................................... 203
Adding and Removing Columns ............................................................................ 203
The Columns ....................................................................................................... 204
Scene Properties .................................................................................................. 205
Navigator > ScriptNotes ........................................................................................... 207
Navigating to a ScriptNote .................................................................................... 208
Sorting ScriptNotes .............................................................................................. 209
The Columns ....................................................................................................... 209
Filtering ScriptNotes ............................................................................................. 210
ScriptNotes Properties .......................................................................................... 211
 Note Text ............................................................................................................ 213
Moving a ScriptNote from one place to another ....................................................... 213
Navigator > Characters............................................................................................. 214
The Columns ....................................................................................................... 215
Characters ........................................................................................................... 217
Character’s Arc..................................................................................................... 218
Filter By… ........................................................................................................... 218
Characters Properties............................................................................................ 218
Non-Speaking Characters ...................................................................................... 218
The Character Arc Beat tool ................................................................................... 219
Showing / Hiding the Navigator ................................................................................ 221
Size and Position .................................................................................................. 221
Changing the way the columns display ................................................................... 222
Tags Navigator ........................................................................................................ 224
Panels ...................................................................................................................... 225
Page and Cards -- Vertical Split .................................................................................. 225
Pages and Scene View -- Vertical Split......................................................................... 226
Pages and Cards -- Horizontal Split............................................................................. 227
Pages and Pages -- Vertical Split ................................................................................ 228
Script Panel ............................................................................................................ 229
Script - Normal View ............................................................................................. 229
Script - Page View ................................................................................................ 229
Script - Speed View .............................................................................................. 229
Index Card Panel ..................................................................................................... 229
Index Card Panel Display Modes ............................................................................. 230
Summary Cards ................................................................................................... 231
Script Cards ......................................................................................................... 232
Changing Fonts and Font Size ............................................................................... 232
Printing Index Cards ............................................................................................. 233
Index Card Context Menu...................................................................................... 235
Scene View ............................................................................................................. 236
Scene View Fields................................................................................................. 236
Printing Scene View.............................................................................................. 238
Scene View and Index Card Panels ............................................................................. 238
Selecting Scenes .................................................................................................. 238
Rearranging Scenes .............................................................................................. 239
Keyboard Navigation ............................................................................................ 240
Insert New Scene ................................................................................................. 241
Double-click to Go To Scene .................................................................................. 241
Coloring Scenes ................................................................................................... 242
Send to Script ......................................................................................................... 242
To copy a scene summary into the scene in the script ............................................... 243
Split (Horizontally/Vertically), Unsplit, Swap ................................................................. 243
Split (Horizontally/Vertically) .................................................................................. 243
Unsplit Panels ...................................................................................................... 244
Swap Panels ........................................................................................................ 245
Additional Script Views and Panels Notes ................................................................ 245
Tagging ................................................................................................................... 246
Tagging an Item ...................................................................................................... 247
 Linking a Character with Tagged Items Throughout a Script .......................................... 249
The Tags Navigator .................................................................................................. 254
The Scenes Table ................................................................................................. 254
The Categories Window ........................................................................................ 258
The Tags in Scene with Category Window ............................................................... 261
The All Tags / Tags in Scene / Tags with Category Window ........................................ 262
Tagging Character Attributes ................................................................................. 263
Tagging in the Navigator .......................................................................................... 265
The Toolbar .............................................................................................................. 268
Hide / Show Toolbar ............................................................................................. 269
Customize Toolbar ............................................................................................... 269
To edit toolbar preferences.................................................................................... 269
Available Toolbar Items ............................................................................................ 270
Toolbar icons not found in menus .......................................................................... 272
Status Bar ............................................................................................................... 273
Page X of Y .......................................................................................................... 273
Scene number ..................................................................................................... 273
Tab and Enter ...................................................................................................... 273
Macros ............................................................................................................... 274
Dictation ............................................................................................................. 274
Night Mode ......................................................................................................... 274
Zoom (scaling)..................................................................................................... 275
Header and Footer .................................................................................................. 276
Header and Footer Content ...................................................................................... 277
Tab Stops ............................................................................................................ 277
Text in the Header and Footer................................................................................ 279
Placeholder Fields ................................................................................................ 280
Page Numbers on the Title Page ............................................................................ 281
Header and Footer Options ...................................................................................... 281
Show Header....................................................................................................... 282
Header on First Page ............................................................................................ 282
Show Footer........................................................................................................ 282
Footer on First Page ............................................................................................. 282
Starting Page number ........................................................................................... 282
Reformatting............................................................................................................ 283
Reformatting a Single Paragraph ............................................................................... 283
To change the element of a single paragraph .......................................................... 283
Reformatting Many Paragraphs ................................................................................. 284
To change the element type of many paragraphs ..................................................... 284
Shortcuts & Menus ................................................................................................... 286
Keyboard combinations and commands that make writing easier .................................. 286
Adding Paragraphs with the Return Key ..................................................................... 286
To modify these transitions.................................................................................... 286
Context Menus ....................................................................................................... 287
Script pages context menus .................................................................................. 287
Element Shortcuts ................................................................................................... 288
KEYBOARD COMMAND SHORTCUTS ....................................................................... 288
ELEMENT TAB / RETURN KEY SHORTCUTS ................................................................ 290
Manual Carriage Returns .......................................................................................... 291
 To manually place a carriage return (line break or hard return) .................................... 291
Reformatting .......................................................................................................... 291
INT./EXT. Creates Scene Headings ........................................................................... 291
Tab Key .................................................................................................................. 291
SmartType .............................................................................................................. 292
Right-Arrow for Match Completion ......................................................................... 293
First-Letter Method of Finding the Desired Text ........................................................ 293
Entering SmartType Items in the Script.................................................................... 294
Entering New SmartType Items on the Fly ............................................................... 295
More About SmartType Matching .......................................................................... 295
New SmartType Entries ......................................................................................... 296
Modify SmartType Entries ......................................................................................... 296
To change an existing entry in the list ..................................................................... 296
Deleting SmartType Entries....................................................................................... 297
Rebuild SmartType Lists ........................................................................................... 298
Reorder SmartType Lists ........................................................................................... 299
To view the list in alphabetical order ....................................................................... 299
Managing SmartType Lists ........................................................................................ 300
SmartType Options .................................................................................................. 300
To disable Character, Scene Heading or Transition matching ...................................... 301
Automatically Guess Next Character ....................................................................... 301
Tab Key Transitions to Character Extension .............................................................. 301
Show SmartType Window ..................................................................................... 301
Alphabetize SmartType Window ............................................................................ 302
SmartType Color .................................................................................................. 302
Scene Intros and Times Separators ............................................................................. 302
To change the separator character ......................................................................... 302
Spelling.................................................................................................................... 304
Spell-Checking ........................................................................................................ 305
To Begin Spell-Checking ....................................................................................... 305
Spell-checking with the Contextual Menu ............................................................... 306
To access the spell-checker commands in the context menu ..................................... 306
Spelling Options ..................................................................................................... 308
Language popup menu ........................................................................................ 308
Check Capitalization ............................................................................................. 308
Check Repeated Words ......................................................................................... 308
Automatic Spell-Checking ..................................................................................... 309
Thesaurus............................................................................................................... 309
To find words in the thesaurus ............................................................................... 309
Foreign Language Spell-Checkers and Thesauri ........................................................... 310
Glossary ................................................................................................................... 312
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Installation
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Installation
For up-to-date download and installation instructions, log on to

• Macintosh: https://www.finaldraft.com/support/install-final-draft/install-final-draft-11-macintosh/

To watch a tutorial video on installing Final Draft onto a Mac computer, click HERE
(internet connection required).

Launching / Activating / Registering Final Draft

Opening and Activating Final Draft

Customers who have purchased Final Draft 10 through the Mac App Store do not
need to activate or deactivate their software.

Activation and Registration are two separate and distinct processes. Product activation is a mandatory, anonymous process
that verifies your product Customer Number and license. Product registration is a one-time-only process that links you in
our system to your copy of Final Draft so that you can receive customer support, product updates and special offers from
Final Draft, A Cast & Crew Company.

Make sure your computer is connected to the Internet.

1. From your Dock, open the Applications folder (or go to Macintosh HD > Applications);
2. The Activation screen appears. Enter the Customer Number (found in the purchase email). The number may
be copied and pasted in but do not include any spaces before or after the Customer Number. If you type it in,
be sure to enter it exactly as it appears in the email;
3. Click Activate. A confirmation window appears after the program is activated.
• If you purchased Final Draft directly from finaldraft.com you are automatically registered.
• If you purchased Final Draft from an authorized reseller and you have not yet registered, click Register;
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Installation
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Only registered Final Draft customers are entitled to the many services we provide,
including access to customer support, upgrades to new versions of Final Draft, free updates to
Final Draft, and discounts on other Final Draft products and services.

Deactivation

After Final Draft is activated on a computer, there may be a need to remove the activation. For example, if a computer with
an activated copy of Final Draft is to be replaced, it should be deactivated before it is discarded.

To deactivate Final Draft:

1. Make sure the computer is connected to the Internet;

2. Launch Final Draft and choose Help > Deactivate.

The computer will be deactivated and the user’s account will be credited so he or she can activate Final Draft on another
computer at any time, if desired.

Deactivating does not remove or uninstall Final Draft. The installation is left intact
and Final Draft may be reactivated later. Once deactivated, Final Draft will run in Reader mode
and can open and view (but not edit or save) Final Draft files.

Deactivating does not delete Final Draft script files.

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Installation
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Frequently-Asked Questions
What is product activation?

Product activation is an anonymous and hassle-free process that authenticates licensed Final Draft customers. The process
verifies that the Customer Number is legitimate and has not been activated on more computers than are allowed by the
Final Draft End User License Agreement.

How do I move my activation to another computer?

To move an activation to another computer, Final Draft must first be deactivated on the machine that will no longer be
used. See Activate / Deactivate for more instructions on deactivating Final Draft. Once completed, Final Draft may be
activated on the other computer.

Is product activation the same as product registration?

No. They are two separate procedures. Product activation is a mandatory, anonymous process that verifies the product
license. In contrast, product registration is a process that links a user’s copy of Final Draft to that person and that person
alone, and also entitles that person to customer support, product updates, and special offers from Final Draft.

Do I have to register my copy of Final Draft? What are the benefits of registering?

Registration is not mandatory but until a user is are registered, he or she will not be eligible for customer support, program
updates, script templates, and discounts on other Final Draft products and services. Registration is strongly recommended.

What is deactivation and when should I do it?

Deactivation disables Final Draft software on a particular computer and turns it into a reader that can open Final Draft files
for viewing but cannot edit or save them. Final Draft should be deactivated if it is activated on a computer that will no
longer be used, temporarily or permanently. Note that deactivating leaves the full Final Draft installation on the computer,
but it will run only in Reader mode until it is activated again.
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Installation
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Customer Support

You must first register in order to receive customer support from a Final Draft
technician. The online registration form is HERE. If you have already registered, there is no need
to register again.

Self-Service Support Options

Knowledge base

Go to: http://kb.finaldraft.com/. This online resource contains hundreds of plain-English articles dealing with technical
issues, how-to’s, troubleshooting, tricks, and tips.

Videos

Go to: http://www.finaldraft.com/discover/tutorial-videos/desktop to watch tutorial videos.

Assisted Support Options

Email

Go to: www.finaldraft.com/support/email-support and email us with your issue. You should receive a reply no later than
the end of the next business day, although it is usually faster.

Chat

Go to: www.finaldraft.com/support/chat-support Monday - Friday between 8:30am and 5:30pm PT.

Telephone Support Service

Telephone support is available Monday - Friday between 8:30am and 5:30pm PT.

• 1-818-906-8930 (toll fees may apply)

Reinstalling from the App Store

After you have purchased Final Draft from the App Store for your Mac, you may need to reinstall it on a new computer.

1. From your new computer, launch the App Store application;

2. Sign in using the account login you used when you purchased Final Draft;
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Installation
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3. Select the Purchases icon at the top of the window;

4. Select the previously purchased Final Draft license from the list;
5. If this is the first time logging on to the App Store from this computer, you will be required to verify your billing
information.
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Final Draft Menu
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Final Draft Menu

• About Final Draft
• Preferences
• Quit Final Draft
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Final Draft Menu
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About Final Draft

Displays the Final Draft version number, your unique Customer Number and Final Draft copyright information.

Preferences
Preferences are settings that control the way in which many Final Draft features operate. Settings are saved between
sessions.

To set Preferences:
1. Choose Final Draft > Preferences and the Preferences dialogue appears:
2. Click the desired tab and make any changes;
3. Click OK to apply the settings.

General tab

The first tab of the Preferences dialogue is for general application preferences.
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Final Draft Menu
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Speech Commands

Enables / disables speech commands. See Edit > Start Dictation.

Scroll keys mimic MS Word

Enables / disables the option to make keyboard navigation and scrolling functions consistent with Microsoft Word
conventions rather than Mac OS X conventions.

Capitalize first word of a sentence

Enables / disables the automatic capitalization of the first letter of the first word of new sentences.

Automatically Check for Updates

Enables / disables the option to connect to an online service that determines if the installed version of Final Draft can be
updated. If a newer version is available, it can be downloaded for free.
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Final Draft Menu
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Recent items

Set the number of recently opened files to be displayed in the File > Open Recent list. The maximum number is 60.

On Launch

Select Open Last Document and the document active at the time Final Draft was last closed will be the starting document
when the program is reopened.

Select Open New (default template) and when Final Draft is opened, the starting document will be based on the last
template selected by the user under File > New from Template.

Appearance

Select Classic for black text and markings on a white background and a white background behind the Toolbar.

Select Night Mode for white text and markings on a dark grey background and a black background behind the Toolbar.
Night Mode is available for all script page views, the SmartType window, the Navigator, the ruler, the Beat Board and the
Story Map.

Zoom – Disable Trackpad Zooming

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Check this box to eliminate unintended zooming if the trackpad is touched accidentally. Checking this box has no impact
on zooming through other means. See Zoom for more information.

Help Final Draft improve its products and services by sharing anonymous diagnostic and usage data

Choose to send to our company information about how Final Draft software is used. Only program data is collected --
nothing about a user’s identity, location, computer or files is sent.

Auto-Save/Backup tab

The second tab of the Preferences dialogue is Auto-Save/Backup preferences:

Auto-Save Every

Check this box to have Final Draft automatically save open documents at a time interval specified. Defaults are On and 15
minutes. To change the Auto-Save time interval, select a different number of minutes from the Auto-Save Every dropdown.

To change the Auto-Save time interval, select a different number of minutes from the Auto-Save Every dropdown.
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Ask Before Auto-Save

Check this box to have Final Draft display a confirmation message before it automatically saves the open document.

If change have been made to the open document since the last time it was saved, and the Ask Before Option is checked, a
confirmation message appears before Final Draft saves the document:

Even if the time has expired, Final Draft will not interrupt your typing to save the script.
It will wait for approximately 10 seconds of inactivity before triggering an Auto-Save.

To save, click Save.

To not save at this time, click Don't Save.

To continue to Auto-Save automatically, check Do not ask me this again but keep Auto-Save on.

To disable Auto Save, check Turn Auto-Save off.

Auto-Backup Enabled

To watch a tutorial video on the Autosave and Backup features, click HERE (internet
connection required).

Check this box to have Final Draft automatically create a backup copy of a document every time it saves. The maximum
number of backup copies Final Draft keeps in the backup folder can be set here and the location of the backup folder may
be changed. This can be on the local hard drive or, better yet, an external storage device.
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When Final Draft creates a backup copy it is named [date] [time] [filename].fdx. For example, if a script named Airship -
script is saved on July 4, 2019, at 1:37pm, the backup is named 201907041337 Airship - script.fdx.

Backup Folder File Count

To change the maximum number of copies Final Draft saves to the backup folder, enter a number in Backup Folder File
Count (default is 100; maximum is 1000).

After the maximum number of backups are saved, the oldest backup will be deleted at the moment a new backup is
created.

Open Backup Folder

Click this button to access the backup script files.

Select New Folder

Choose this option to move or rename the backup folder. For example, Final Draft can be set to save backups to a cloud
storage synch folder or another hard drive.

To change the location of the backup folder

1. Outside of Final Draft, create the new backup folder in the desired directory or storage device and give it an
appropriate name (such as Final Draft Backups);
2. In Final Draft, go to the Final Draft menu and choose Preferences;
3. Select the Auto-Save/Backup tab;
4. Click Select New Folder button;
5. Navigate to the new backup folder that has been created;
6. Select the new backup folder and click Open;
7. The path to the new backup folder will be displayed.

The auto-save and auto-backup functions are on by default. Unless your computer
uses some other backup system, DO NOT disable the auto-save and auto backup.

Format Assistant tab

The third tab of the Preferences dialogue is the Format Assistant preferences. See Format Assistant for details.
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These options determine whether and / or how to use the Format Assistant before printing.

Scan for formatting errors before printing

Check this option to have Format Assistant check scripts before they are printed.

Always ask me before printing

Check this option to have Final Draft ask whether a script is to be scanned for formatting errors before printing.

Quit Final Draft

Closes all open scripts and documents as well as the Final Draft program.

To quit Final Draft

1. Choose Final Draft > Quit Final Draft;

Any script that contains unsaved changes displays the Save Changes message.
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2. Click Save to save changes or Cancel to return to the script.

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File Menu
The File menu contains commands for working with scripts and file management.

• New
• New from Template
• Open
• Open Recent
• Close
• Save
• Save As
• Save as PDF
• Export
• Backup
• Revert
• Save as Template
• Print Preview
• Print
• Register Script
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New
Creates a new document using the last template chosen. The default template is Screenplay. This command can also be
issued by pressing Command + N on the keyboard.

New from Template

To watch a tutorial video on using templates, click HERE (internet connection

required).

Creates a new document from a template.

To create a new document from a template

1. Choose File > New from Template and the New Document dialogue appears:

2. Select the desired document type from the list of template categories.
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• My Templates are templates customized and saved by the user under File Save As Template > My
Templates;
• Scripts are formatted for screenplays, television dramas, sitcoms and stageplays;
• TV Templates are formatted for one-hour and half-hour scripted television shows;
• Graphic Novels are documents that describe the complete characteristics of each panel in a graphic
novel or comic book;
• Text Documents are generic text documents such as treatments, letters or resumes. See Text Documents
for additional information;
3. Select the template from the list of templates in the selected category;
4. Click New.

A new window named “Untitled [name of template]” appears.

Example: If the Broadway Musical template was chosen, the window will be named “Untitled Broadway Musical.”

When you go to File > New from Template, Final Draft will use this template as the
new default document when the program is opened next time. To change this, go to File > New
from Template, choose the new default template and exit Final Draft. The next time Final Draft
is opened, a blank copy of the template you chose will be displayed.

Download More Templates

More script templates are available from the Final Draft templates library. Click the Download More Templates link to open
the computer’s default web browser to the template download page. These templates are free to registered Final Draft 11
customers.

Text Documents
Though primarily designed for writing screenplays, Final Draft can be also used for writing regular word-processed
documents — treatments, letters, resumés, etc.

To create a text document

1. Choose File > New from Template and the New Document dialogue appears;
2. Click the Text Documents icon to display the list of available text documents;
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3. They are:
a) Manuscript
b) Novel
c) Outline
d) Query Letter
e) Text Document — blank
f) Treatment
4. Select a text document to use as a template;
5. Click OK.

The Manuscript and Novel templates have sample content and are actually script documents that use screenplay macros
and commands. The Tab and Return keys operate as they do when a script is being written. It is safe to delete the sample
content before writing begins.

The Outline, Query Letter and Treatment templates have sample content and are text documents. The Tab and Return
keys operate as they do in a regular word processor, and most scriptwriting-specific functions are disabled. It is safe to
delete the sample content before writing begins.

The Text Document does not have sample content; it opens blank. The Tab and Return keys operate as they do in a regular
word processor, and most scriptwriting-specific functions are disabled.

When a text document is the active document, many commands in the menus are disabled. These functions are
screenwriting-specific and are not needed for general word processing.

Any text document may also be saved as a Template (see File > Save as Template).

All Reports are text documents, which can be edited and saved as stand-alone documents.

Open
Opens an existing Final Draft file or other types of files. This command can also be issued by pressing Command + O (not
zero) on the keyboard.

To open an existing file

1. Choose File > Open and the Open dialogue appears;
2. Navigate to the location of the file to be opened;
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3. Click the file to be opened;

4. Click Open.

If a Final Draft file is selected, a window containing the document opens, ready for editing or printing.

Final Draft can open the following file types:

Final Draft Documents include scripts and text documents (.fdx extension), as well as templates (.fdxt extension).
Although a Final Draft template can be opened using the File > Open command, a new document will be created as
though a template has been selected using the File > New from Template command. If a template has been edited,
choose File > Export > Document and save it as the same name as the original template.

Final Draft 5-7 Documents are documents created in earlier versions of Final Draft (.fdr and .fdt extensions).

Plain Text Documents are standard text files (.txt) with no formatting.

Rich Text Format are rich text files (.rtf) created by other word-processing programs with formatting retained.

File Converter Files are in an intermediate format (.fcf) used to pass files between very old versions of Final Draft (FD4 and
older) or Final Draft AV and more recent versions of Final Draft.

If the selected file is a plain text, rich text or .fcf file, a dialogue appears asking whether the file is to be converted to a script
or text document. If the selected file is to be imported as a script, choose Script and the text will be brought in and
formatted in the default screenplay template.

The document appears in a new window.

Even with Final Draft’s built-in formatting intelligence, some files may require
additional reformatting after conversion. See Reformatting for more information.

Network Note: When a file is opened over a network, the first user who opens a file
will be the only user who will be able to edit and save changes to the original. Other users will be
able to open the file at the same time but will have to save changes using a different name
using File > Save As.
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Open Recent
Lists the Final Draft files that have been most recently opened. Set the maximum number of files to be listed in the
Preferences panel.

If the script to be opened does not appear on this list, go to File > Open.

Close
Closes the front-most window.

To close the file currently being worked on:

1. Choose File > Close. If the file has been changed since it was opened, the Save Changes dialogue appears;
2. Click Save to save all changes before closing the script;

- or -

2. Click Don't Save to close the script without saving it.

- or -

2. Click Cancel to return to the script.

Save
Saves changes made to the document since the last time it was saved. This command is available only after a change has
been made to the script or if the script is an unmodified template.

When saving a script for the first time:

1. Choose File > Save and the standard Save As dialogue appears;
2. Navigate to the location where the file is to be saved;
3. Type in the name of the script in the File Name field;
4. Click Save.

To save changes while working in a script, choose File > Save (or Command + S on the keyboard), and Final Draft saves the
file.
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Although Final Draft has an auto-save function that is on by default, it is still good
practice to save your work manually before you take any kind of break from your writing or at
some regular interval, such as when you start a new page. Command+S is a quick and easy
way to save your file and prevent data loss.

Make sure to back up your work to a storage resource outside of your computer —
cloud storage, external drive, USB stick, even email. If your computer becomes inoperable or is
lost or stolen, you will need the ability to recover your data.

Save As
Allows a copy of the current script to be saved under a different name or to a different location.

This command is also used to assign a name to a new script that was created with File > New, or when a non-Final Draft file
is imported (which creates an unnamed script).

1. Choose File > Save As and the standard Save dialogue appears;
2. Navigate to the folder where the file is to be saved;
3. Type in the name of the script in the File name field;
4. Click Save.

Do not use the Save As command repeatedly when you intend to merely save recent
changes to a script. Use the Save command instead. Overuse of the Save As command may
lead to the operating system changing the file to Read-Only.

Save as PDF
PDF (Portable Document Format) is a widely used format recognized by Adobe Reader and PDF viewing programs. Saving
a script or document in this format makes it available to anyone who does not have a copy of Final Draft or the Final Draft
Trial.
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To save a document as a PDF file

1. Choose File > Save as PDF or press Command + Shift + P on the keyboard;
2. The Save As dialogue opens.
3. Navigate to the location where the PDF document is to be saved and enter a file name;
4. Check or uncheck the box to include or exclude the title page;

5. Click OK.
6. A PDF file of the document is created.

Export
Export > Document

Saves a script in formats usable by Final Draft and other programs.

1. Final Draft Template (.fdxt) saves the document as a Final Draft 11 template (.fdxt extension). A template is a
document that can be reused and saved under another name without overwriting the original. If a script has
been customized to certain specifications and the intention is to format other scripts in this way, save it as a
template.
2. Rich Text Format (.rtf) saves the document as a formatted text file, including all paragraph indents and element
styles. A script exported from Final Draft as RTF and opened in most word processors will retain many element
styles (such as scene headings in all uppercase and character names uppercase and indented toward the
middle of the line).
3. Plain Text (.txt) saves the document to a standard text file with no formatting. A script exported from Final Draft
as TXT and opened in most word processors will not retain any element styles.
4. Text with Layout (.txt) saves the document as a plain text file that uses white space to simulate formatting for
indents and line spacing.
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5. HTML Document (.html) saves the document as a web document readable by web browsers. (NOTE that
saving in this format does not publish the file to the internet.)
6. Scheduling Export (.sex) saves the document in a format that is importable by EP Scheduling.
7. File Converter Format (.fcf) saves the document in the File Converter format, readable by Final Draft 7 and
earlier.
8. Avid Script–Based Editing exports a script to a format readable by Avid’s professional editing systems (.txt
extension).
9. PDF (.pdf) creates a PDF copy of the script, readable by any PDF viewer.
10. Tab-Delimited Dialogue (.txt) exports all dialogue in the script along with filename, date, character name,
dialogue number and scene numbers in a tab-delimited text file for spreadsheet or database import.

Movie Magic Scheduling 5 and later are able to import Final Draft files directly; there is
no need to export Final Draft scripts out of the .FDX format to get them into this scheduling
program.

Export > Beat Board

Saves the Beat Board as a PDF file, readable by any PDF viewer.

Backup
Creates a backup copy of a document.

To back up a document
1. Choose File > Backup. The standard Save dialogue appears with the file’s name and today’s date added;
2. Navigate to the folder where the backup will be kept;
3. Click Save.
4. The script will be saved and the month, day and year will be appended to the end of the file name.

If possible, back up your scripts to an external storage device.

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Revert
Rolls a script back to its last saved state.

1. Choose File > Revert;

2. A confirmation dialogue appears;
3. Click Revert to undo all changes made since the last save or click Cancel to return to the script.

The Undo command will not undo the Revert command.

Save as Template
Saves the active document as a reusable template. Choose Add to My Templates to save to the My Templates folder,
where the file will be available under File > New from Template > My Templates, or choose Save… to choose a location on
the computer or other storage device.

Print Preview
Displays a document exactly as it will appear in print.

To preview the script, choose File > Print Preview.

The currently displayed page will be in the Preview window.

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To print the script, click Print.

To move from page to page, use the vertical scroll bar on the right side of the Preview window or type in a desired page
number and press Return.
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To view two pages side by side, check the Double View box. To return to the single-page view, uncheck this box.

To return to the script editing window, click Close.

You cannot edit or change the script while in File > Print Preview.
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Print
Prints part, or all, of a document according to the current Page Setup. Many Final Draft-specific options are offered. The
Print menu can also be opened by pressing Command + P on the keyboard.

The Print window may open collapsed, i.e. smaller and with few settings displayed. Click Show Details to expand the
window and display more settings. To collapse this window, click Hide Details.

Printer

Final Draft will print to the computer's default printer. A different printer may be chosen from the dropdown menu.

Presets

If necessary, adjust the Presets to other settings. (Default Settings are recommended.)

Copies

To print more than one copy of the script, enter the number of copies needed.

Two-Sided

If the chosen printer has two-sided printing capability and this is how the script is to be printed, check this box.

Pages

To print the entire script, check this radio button. To print a range of pages quickly, enter the page numbers of the first
page and last pages to be printed. These pages and all pages in between will be printed.

To display the rest of Final Draft's printing options, "Final Draft" must be selected from
this dropdown menu.
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Print Range
1. Enter a page range or a scene range in the appropriate fields;
• To print a range of pages or scenes, click the Page or Scene radio button and enter the first page or scene
number followed by a dash followed by the last page or scene number (e.g. 1-6);
• To print individual pages or scenes, enter the numbers separated by commas (e.g. 2,7,9);
• To print a range and individual pages or scenes in the same print job, combine the entries (e.g. 1-6,
8,11,12);
2. To print both odd and even pages, leave the default setting (All Pages in Range) as the selection in the Print
dropdown menu;
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• To print only odd pages (1,3,5, etc.) choose this from the Print dropdown menu;
• To print only even pages (2,4,6, etc.) choose this from the Print dropdown menu.

Character Sides

If a character is chosen from the Name dropdown menu, only pages that contain that character’s dialogue will be printed.

Click the Print Character Name on Page box to have that name printed at the top of each page.

Script Options

Entire Script

Click this radio button to print all pages (default).

All Revised pages

Click this radio button to print only pages with revised text.

Revision

Click this radio button and choose a revision set from the dropdown menu to print only pages that are part of the chosen
revision set.

Unrevised Pages

Click this radio button to print only pages that do not have revised text.

Include Title Page

Check this box to print the title page along with the print job.

Back to Front

To print in reverse order, check this box.

If your printer is already set to print in reverse order, setting Final Draft to print
backward as well will likely result in your printed script starting with the last page first. Before
you check the Print Backward box here, ascertain how your printer is set up. The command to
print backward should be given to either Final Draft OR the printer, not both.
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Revisions in Color

Check this box to print revised text in its assigned color (requires a color printer).

Scan for Script Formatting Errors

Check this box to bring up the Format Assistant before pages are printed. The Format Assistant will ask if the script is to be
examined for common formatting errors and fix them if desired, or bypass the error(s) and print the script as is. If any errors
are found, they may be corrected before printing or the script can be printed without the errors corrected. See Format
Assistant for more information.

Text in Color

Check this box to print text that has been assigned a different color or any highlighting that has been applied to any text
(requires a color printer).

Save as PDF
The File > Save as PDF command will "print" the full script to an electronic PDF file. This process does not involve a physical
printer. The PDF section in the Print dialogue is used to create a PDF of either the full script or only certain pages, scenes,
character sides, revised pages or revision sets.

Set up the print job in the Print Script window as necessary, and use the File > Print > Print to PDF button. Click this button
and choose Save as PDF.

Register Script
Opens the computer’s default web browser on a page on the Final Draft website. This page contains information on
registering scripts via email with the Writers Guild of America’s registry service.

You do not need to be a member of the WGA to use this service.

Using the File > WGA command does NOT register a script.
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No script registry information is retained by Final Draft, A Cast & Crew Company.
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Edit Menu
The Edit menu contains tools for working with text.

• Undo
• Redo
• Cut
• Copy
• Paste
• Delete
• Select All
• Select Scene
• Find
• Go To
• Find Selection
• Replace Character
• Start Dictation
• Emoji & Symbols

• Using Smart Drag-and-Drop

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Undo
Reverses the last editing action made to a script. It performs the same function as Command + Z on the keyboard.

Most editing actions can be undone. Depending on the last action, the text of the Undo command contains the type of
action to be undone, such as “Undo Typing” or “Undo Cut.” If there is no reversible action, the label will say "Can't Undo"
and the command is disabled.

Redo
Reverses the previous Undo command. It performs the same function as Command + Shift + Z on the keyboard.

If Undo was used to reverse an action, Redo will re-perform the action that was undone. Depending on the last action, the
text of the Redo menu command contains the type of action to be undone, such as “Redo Typing” or “Redo Cut.”

Redo is useful for correcting an unintentional Undo. For example, if a format change is made, such as changing the font or
the style of an element, and the Undo command is used, the script will revert to its previous state by selecting Edit > Redo.
If there are no commands that can be re-performed, the label will read "Can't Redo" and the command will be disabled.

Cut
Deletes selected text, index card(s), scene(s) or Beat(s) or Structure Points(s) from the script and moves it / them to the
Clipboard. It performs the same function as Command + X on the keyboard.

Cut can be undone. It is active when a range of text is selected. If no text is selected, the Cut command is disabled.

Copy
Copies selected text, index card(s), scene(s) or Beat(s) or Structure Points(s) to the Clipboard. Unlike the Cut command, The
Copy command does not delete text from the current location. It performs the same function as Control + C on the
keyboard.

Copy can be undone. It is active when a range of text is selected. If nothing is selected, the Copy command is disabled.
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Paste
Copies text from the Clipboard into the script. It performs the same function as Command + V on the keyboard.

The text is placed wherever the cursor is located. If a range of text is selected, the pasted text replaces the selection. Pasted
text will assume formatting according to the following rules:

• If the text was copied or cut from a Final Draft document, it will retain its formatting characteristics of element
type, margins, font styles, etc.
• Text that is copied or cut from another program will assume the formatting characteristics of the document
into which it is being pasted. *
• If one paragraph or less is pasted, the text will take on the formatting characteristics of the paragraph into
which it is pasted. Once the text has been pasted, it may then be reformatted.
• If the paragraph from which the text was copied is an action or dialogue and an entire sentence or more is
copied, it will retain its formatting when pasted into an element of a different type.
• If more than one paragraph is pasted, the Paste command attempts to format the text according to its
position. Once the text has been pasted, it may be necessary to reformat it using the Reformat command.

Copying and pasting text from other programs or web pages is not recommended.
Other applications render text in ways Final Draft cannot process and either quickly or
eventually, a file created by pasting text (or a file that has had text pasted in) may become
erratic, unstable, or prone to crashing.

The only correct way to bring content in from other programs or web pages is to save the file as a plain-text TXT file or RTF
(rich text format) file. See Importing Content from Other Sources for more information.

*To apply a different format to this script, see Applying a Template. If the script needs reformatting, see Reformat.

The Paste command places an index card (or cards) or a scene (or scenes) in Scene View at the insertion point.

When a Beat (or Beats) or a Structure Point (or Structure Points) on the Beat Board are cut or copied and then pasted onto
the Beat Board, the paste will be in the center of the Beat Board.

When a Beat (or Beats) or a Structure Point (or Structure Points) on the Beat Board are cut or copied and then pasted onto a
script page, the title of the Beat or a Structure Point will be pasted in at the insertion point as a scene heading and the body
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of the Beat or Structure Point will be pasted in as action. If multiple Beats or Structure Points are copied or cut and pasted
onto a script page, the paste order on the page will correspond to the order in which they were selected on the Beat Board.

Delete
Removes the currently selected text. The Delete command is only active when text, an index card, a scene in Scene View or
a Beat or Structure Point on the Beat Board is selected. It performs the same operation as pressing the Delete key when
something is selected.

Select All
Highlights all text, index cards, scenes in Scene View or Beats or Structure Points on the Beat Board. It performs the same
function as Command + A on the keyboard.

Use this command to take some action on the entire script, such as copying the entire script into the Clipboard or
modifying text attributes.

If you need to strike a new copy of the file, do not select all text in a script, copy it and
paste it into a new blank document. If a file is duplicated this way, SmartType lists will not be
populated with the script's content. Instead, go to File > Save As and rename the file. This will
give you a complete copy of the script with all of its metadata intact.

Select Scene
Selects the entire scene in which the cursor is located.

A scene in Final Draft is defined as a Scene Heading followed by other elements such as Action, Character, or Dialogue
paragraphs until the next Scene Heading begins. That is, Scene Headings delineate the boundaries between scenes.
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Use Edit > Select Scene to take some action on an entire scene, such as changing the font or moving it to another location.

Find
Searches for text in a document.

Find begins its search from the cursor position in the document, not the top of the
script.

To search from the top of the script, first:

Scroll to the top of the script and click the mouse at the beginning of the text.

- or -

Press Command + Home.

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Choose Edit > Find, and the Search dialogue appears, open to the Find tab:

To find text in the script

1. Enter the text to search for in the Find What text field;
2. Click Find Next.;
3. If the searched text is found, searching stops and the found text is selected;
4. If the text is not found, a message appears to indicate that;
5. If Final Draft reaches the end of the script without finding the text, it asks if the search should continue from
the beginning;
6. To find the next occurrence of the same text, click Find Next again.

Click the down arrow next to the Find box to view a list of the last 10 words or phrases that were searched for since the
current session of Final Draft was initiated. Select a word in the list to search for it again.

To replace found text

1. In the Replace field, enter the text to be used as a replacement for found text;
2. Click Replace to replace a single instance of found text or Replace All to replace all instances of found text.

Be careful when using Replace All — you cannot use the Undo command to reverse it.

Choose the direction to scan by clicking the Forwards or Backwards radio button. Forwards will search from the cursor to
the end of the document; Backwards will search from the cursor to the beginning of the document.
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Whole Words Only

The search will check for complete matches only.

Match Case

The search will match upper and lower case type exactly.

Search in Elements

Limit the search to only the elements in this list that are checked.

Press Escape to exit.

Go To
Scrolls the script to another location, per the user’s instruction.

To access the Go To options

1. Choose Edit > Go To and click the Go To tab;

- or -

2. Press Command + G on the keyboard:

3. Choose which item to go to from the Go To dropdown list;

• Page
• Scene
• Paragraph
• Bookmark
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• Revision
• Header Label

More specific options are displayed when certain items are chosen.

4. Click the direction to move in (Next/Previous);

- or -
4. If you know the number of the element, such as a page number, type the number in the text field. The Go
button becomes enabled;
5. Click Go.

If the location or element is found, the cursor jumps to it and text at that location is highlighted.

To dismiss the Go To window, press Escape on the keyboard or click the red Close button in the upper left corner.

Find Selection
Searches for the next instance of highlighted text without having to use the Find/Replace dialogue.

To use this command, highlight a word or phrase on a script page and click Find Selection. The script will scroll to the next
occurrence of the word or phrase. Click Find Selection again to scroll to the next occurrence.

Replace Character
To change a character's name throughout the script, choose it from the Character to Replace dropdown menu ...
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... and type the new name into the Replace With field. Click OK.

The program will scan the entire document and change every instance of that name. Note that the character name will be
replaced in all elements (i.e. Action, Parentheticals, Alt Dialogues, etc.). The name will also be changed in all tools (i.e.
SmartType, Characters section of the Navigator, Reports, etc.).

This action cannot be undone. If you need to revert to the previous character name,
choose the unwanted new name from the dropdown menu, type in the original name and
press OK.

Start Dictation

To watch a tutorial video on dictation, click HERE (internet connection required).

Final Draft 11 takes advantage of the dictation feature built into the Mac operating system. It understands natural-
language voice commands to perform keystrokes and enter text. At this time, only English is supported.
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To use Dictation
1. Go to Mac System Preferences (found in the Dock);
2. Go to Sounds and choose the Input tab;
3. Select a microphone (an external microphone connected to the computer or, if the computer has one, the
built-in microphone);
4. Verify that the mic is picking up your voice;
5. Dismiss the Preferences window;
6. Open Final Draft;
7. Go to the Final Draft 11 menu > Preferences > General and if it not already checked, check the box for Speech
Commands, then click OK;
8. Choose Edit > Start Dictation or press the Command key twice or click the microphone icon in the status bar.

The voice commands “return” and “tab” are interpreted by Final Draft as those keys on the keyboard.

The voice command “new paragraph” will break the line in which blinking cursor resides and wait for the user to issue the
command for the type of paragraph type desired, i.e. “new paragraph… scene heading.”

The voice commands “period,” “comma,” “question mark,” “semi-colon” and other punctuation marks at the end of a
sentence will insert the announced mark.

The voice commands “undo” and “redo” will perform the same actions as Edit > Undo <last action> and Edit > Redo <last
action>.

Example:
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1. In Final Draft, go to File > New to open a new screenplay document. The cursor will be blinking in a scene
heading paragraph;
2. Say “interior… house… day… return”;
3. This text will be inserted on the page as properly-formatted scene heading and the blinking cursor will now be
in a blank action paragraph, waiting for the user’s next voice command;
4. Say “Bob walks in and sits on the sofa… period”; This text is inserted on the page as a properly-formatted
action paragraph;
5. Say “Bob says ‘hello comma everybody exclamation mark.’” This text is inserted on the page as a properly-
formatted Character paragraph followed by a properly-formatted Dialogue paragraph.
6. Say “Sue says ‘what are you doing here… question mark.’” This text is inserted on the page as a properly-
formatted Character paragraph followed by a properly-formatted Dialogue paragraph;
7. Say “new paragraph…transition” to insert a new transition paragraph;
8. Say “cut to… return.” This text is inserted on the page as a CUT TO transition, followed by a blank scene
heading paragraph.

To stop dictation, click the Done button in the microphone icon.

Emoji & Symbols

Opens the Mac OS dialogue window for choosing and inserting non-standard or foreign-language characters.
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Choose the category from the list on the left (Latin, in this example), select the desired character from the middle panel,
and double-click it to place it into the script at the current cursor position.

Not all characters are supported in Final Draft. If an unsupported character is inserted,
it will usually be displayed as a question mark, a slash, a box or some other symbol.

Using Smart Drag-and-Drop

When a block of dialogue is dragged from one place to another, the correct character element is created automatically
when the dialogue is dropped. Smart Drag-and-Drop also recognizes other script elements and behaves correctly and
predictably when text is dragged-and-dropped anywhere in a script. The same also holds true for Edit > Cut / Copy and
Paste.

The drag-and-drop feature simplifies the relocation of text without having to use the Cut and Paste commands. Text may
be selected, dragged with the mouse, and dropped or placed:

• within a Final Draft script

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• between Final Draft scripts

To move text without drag-and-drop

1. Select the text to be moved;
2. Choose Edit > Cut (Command + X) or Edit > Copy (Command + C);

The text is placed in the Clipboard (a temporary holding area).

3. Click or highlight a range of text where the text is to be placed;

4. Choose Edit > Paste (Command + V).

The copied text is inserted where the mouse was clicked or will overwrite the selected text.

Drag–and–drop simplifies this task.

To move text using drag-and-drop

1. Select the text to be moved;
2. Click and hold the left mouse button and drag the text to the new location;
3. A cursor appears to indicate where the text will go. As long as the mouse button is held down, the cursor will
move to follow the mouse, similar to:

4. Release the mouse button when the cursor is where the block of text is to be moved. The text is moved to the
new location.

Edit > Undo is available to reverse undesired drag-and-drop actions. You may also use
Command + Z.
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View Menu
The View menu contains commands that arrange the script in different ways in the Final Draft application window.

• Script - Normal View

• Script - Page View
• Script - Speed View
• Beat Board
• Scene View
• Index Cards - Script
• Index Cards - Summary
• Cards Across
• Hide / Show Action
• Hide / Show Scene Title
• Hide / Show Summary
• Hide / Show Alts
• Hide / Show Invisibles
• Hide / Show Ruler
• Hide / Show ScriptNotes
• Hide / Show Story Map
• Split (Horizontally/Vertically)
• Swap Panels
• Unsplit Panels
• Hide-Show Toolbar
• Customize Toolbar
• Zoom
• Zoom Story Map
• Enter Full Screen
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Script - Normal View

Displays the text of the script with all active components: page breaks (as a line), page numbers, dialogue breaks, mores,
continueds, headers and footers.
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Script - Page View

Displays the script on more realistic-looking "pages" as it will look when printed, with all active components: page numbers,
dialogue breaks, mores, continueds, headers and footers. Page breaks are displayed in the dark areas between pages. Script
- Page View is the default view for new scripts and text documents.
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Script - Speed View

Displays only the text of the script, as if it were a single, continuous page. With Speed View enabled, more of the text
appears onscreen. It resembles Normal View but without any of the active components, such as page numbers and mores
and continueds that occur for page breaks.
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Whichever Script View (Normal, Page or Speed) is active when a script is saved will be
the view in which it appears when it is reopened.

The Beat Board

Displays the Beat Board.

Scene View
Switches the current panel to Scene View, which displays each scene in its own row.

Because the rows of Scene View are shorter than Index Cards, more scenes are visible.

When View > Scene View is chosen for the first time, Scene View displays the scene heading, the scene title, the first line of
scene summary and the first line of the scene’s action.

A scene row may be dragged and dropped to another location within Scene View and the scene will be relocated in the
script as well.
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Index Card Commands

The Index Card panel mimics the traditional way in which scripts have been developed, fleshed out and annotated. Each
card contains one scene. Cards are ordered in a left-to-right and top-to-bottom fashion.

The Index card panel has two display modes. The Summary display presents blank scene cards in which comments can be
typed. The Script display contains the text of a particular scene.

To switch between the Index Card panel display modes, right-click or Control + click on a card and choose the other view:

or go to View > Index Cards and choose the desired card view:

or click the desired card view from the Views icon in the Toolbar:

Most functions and commands that are used to write or edit the script are not
available in either Index Cards view. You must use one of the Script Views to access them.

Scene cards may be added to scene the Index Card panel. See Insert New Scene for more information.

The top line of each card contains the scene heading, scene number (if any) and page number.

Index Cards may be viewed alongside the script pages (see Split for more information). The number of columns of cards
viewed can be changed using the Cards Across command.

Because many scenes are viewed at once, it is easy to drag-and-drop scenes into any order. Changes will be made to the
script as well.

Index Cards may use any font and font size without affecting the formatting of the script elements.

Either side of the Index Cards may be printed to regular paper or on special card stock that can be used with most printers.
The card stock can be purchased from most office supply stores.

Index Cards - Script

Switches the current panel to Index Cards with some of the script text of its particular scene. The amount of text displayed
is determined by the number of cards across. The more cards across, the smaller the cards and the less scene text they
hold.
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The text in these cards cannot be edited here; it must be edited in one of the Script views. However, the Scene Heading
may be edited by clicking once in that field and adding and deleting text as necessary.
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Index Cards - Summary

Switches the current panel to Index Cards with the scene summary field displayed. The cards are initially blank so that text
can be entered on them for development ideas, notes, sequence or act markers, comments, locations, blocking, or
anything else that might be applicable.
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To add summary text to a scene, click once in the box containing the greyed-out Add Scene Summary.

To edit existing summary text, click once in the box containing that text and add and delete text as necessary.
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Cards Across
The Cards Across command is only enabled when either of the Index Cards views is chosen. It determines the number of
columns of cards to be displayed. The maximum is nine cards.

The more cards that are displayed, the smaller the cards become. The smaller the card,
the less text is shown.

Hide/Show Action
The Hide/Show Action command hides or shows the first line of action in Scene View.

Hide/Show Scene Title

The Hide/Show Scene Title command hides or shows the scene title in Scene View, if scene titles have been written.

Hide/Show Summary
The Hide/Show Summary command hides or shows the first line of the summary in Scene View, if scene summaries have
been written.

Show / Hide Alts

Toggles the onscreen display of Alternate Dialogue commands and contents. Hiding Alts does not remove them from the
script. See Alternate Dialogue for more information.

Invisibles
The Invisibles command shows or hides hidden characters such as carriage returns, spaces and tabs.

To show invisible characters

Choose View > Invisibles. A check mark on the menu indicates that invisible characters are shown.
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Here is how text looks with invisible characters shown:

The small dots indicate hard spaces between words (inserted by the user) and the paragraph marks indicate hard
carriage returns (inserted by the user).

If you print your document while the invisible characters are visible, they are not
printed and don’t affect the script length.

To hide the invisible characters

Choose View > Invisibles again.

Show invisibles when there appears to be erroneous white space on a page (extra
blank lines or extra blank spaces). The invisibles will indicate where carriage returns, spaces or
tabs have been manually inserted; once they have been revealed by the invisibles, they can be
deleted if necessary.

Show / Hide Ruler

Toggles the onscreen display of the ruler. A check mark next to the Ruler command indicates that the ruler is visible.

The ruler shows the width of the page in inches.

Use the ruler to adjust indents (margins) for a particular paragraph. The indent markers represent the left and right indents
of the paragraph containing the cursor or the first paragraph of a selection.
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Click and drag the square indent marker on the left or the triangle indent marker on the right to a new position, which
changes the margins for the current paragraph (the paragraph in which the blinking cursor resides) or all paragraphs in a
selection.

Use the indent markers in the ruler to change the indents for a paragraph. This will override the element's defaults.

Indent Markers

There are three different indent markers available in the Ruler bar on the left:

Indent

The top line indent marker, when moved to the right, will force the top line of a paragraph to indent:
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Outdent

The lower lines outdent marker will indent the second through the last line in a paragraph:

All

The paragraph indent marker will indent the entire a paragraph:

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On the right there is only the lower lines indent marker and moving this will move the right indent for all lines in the
paragraph.

It is not recommended to change the indents of an entire script using the indent
markers in the Ruler. See Modifying Elements -- Paragraph Tab section for information on
adjusting element indents globally.

ScriptNotes
The ScriptNotes command hides or shows ScriptNote markers. Markers indicate the paragraph to which a ScriptNote is
attached.

A check mark next to the ScriptNotes command indicates that ScriptNote markers are visible.
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If you print the script while the ScriptNote markers are visible, the markers will not be
printed and so do not affect the script length or pagination.

Story Map
Toggles the onscreen display of Story Map.

Split (Vertically / Horizontally) / Swap

Divides the script into two panels.

Split Vertically

Divides the script into two side-by-side, upright panels.

Split Horizontally

Divides the script into two panels, one on top of the other.

Swap

Replaces the view of one panel with the other. For example, if a script is split vertically into two panels with the panel on
the left set to Script View and the panel on the right set to Scene View, the Swap Panels command will place the left-hand
panel into Scene View and the right-hand panel into Script View.

Unsplit Panels
The Unsplit Panels command hides one of the panels. This command is disabled if only one panel is displayed.

To hide a panel
1. Select the panel that will remain displayed;
2. Choose View > Unsplit Panels

- or –

2. Click the Split icon in the Toolbar and choose Unsplit Panels.
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The panel that is not selected is hidden and the remaining panel expands to fill the document window.

Hide/Show Toolbar
The Hide / Show Toolbar command shows or hides the toolbar on the current document window. Click the menu item to
toggle the Toolbar on and off.

Customize Toolbar
The Customize Toolbar command displays the Customize sheet. See Customize Toolbar for more information.

To watch a tutorial video on customizing the toolbar, click HERE (internet connection
required).

Zoom
The Zoom submenu allows the user to change the display of the document, making text larger or smaller to better fit the
monitor and its resolution. It does not change the script's font size and will not affect the pagination.

To change the current magnification level

Select a zoom size from the View > Zoom submenu

- or -

Drag the Zoom slider at the bottom right of the document window – left to zoom out / right to zoom in:
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- or -

Click the percentage to the right of the zoom slider to display a menu of pre-set sizes:

- or -

If the mouse has a scroll wheel, hold down the Command key on the keyboard and scroll up or down to zoom in or out;

- or -

Hold down the Command key and press the plus or minus keys on the right-hand side of an extended keyboard;

Zoom Story Map

The Zoom Story Map enlarges or reduces the size of the Story Map. Each tick between the numbers represents a page.

Sizes available are

• 25%
• 50%
• 100%
• 200%
• 300%
• 400%

The lower the zoom percentage, the smaller the Story Map becomes:
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100%:

200%:

Full Screen Mode

Full-screen mode displays the current document (whether Pages, Cards, Scene View or any combination of views) without
the menu bar, toolbar or ruler at the top of the screen and with the Final Draft document window maximized.
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To enter full-screen mode

Go to View > Enter Full Screen; the menu bar, toolbar or ruler will be hidden and the Final Draft document window will
maximize on the screen

- or -

On the keyboard, press Control + Command + F.

To exit full-screen mode

Move the mouse arrow to the very top of the screen and hold it there until the menu bar and toolbar are displayed. Go to
View > Exit Full Screen; the document window will be restored to its previous smaller size and the menu bar, toolbar and
ruler will be visible again;

- or -

On the keyboard, press Control + Command + F.

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Format Menu
The Format menu contains settings for defining how paragraphs and text are laid out on the page and their characteristics.

• Elements
• Change Element to ... Submenu
• Cast List Element Options
• Highlight Characters
• Set Font ...
• Font
• Size
• Style
• Color
• Highlight
• Toggle Case
• Alignment
• Spacing
• Space Before
• Leading
• Beat Board
• Dual Dialogue
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Elements
Shows the Elements dialogue, which contains controls and options for defining script elements.

Elements are what many word-processing programs call "styles." They specify the font, font size, style, indents and other
formatting characteristics for the types of paragraphs specific to a screenplay template (i.e., scene headings, action,
dialogue, etc.).

Choose Format > Elements and the Elements dialogue appears, open to the Basic tab:

When a new paragraph is added to the script, that paragraph will be formatted according to the specifications in the
Elements dialogue. If changes are made to the characteristics of one or more elements, all paragraphs of that type will be
updated to reflect the new settings.

See Standard Elements for a description of the Elements dialogue and a complete explanation of how elements are used to
make up a script.
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Change Element to ... Submenu

Use the Element submenu to reformat an individual paragraph as a different element. The Element submenu contains all
the elements currently defined for the script. Choose Format > Element > <element type> and the paragraph the cursor is
in is reformatted accordingly.

There is also an Element selector in the Toolbar. See Elements in a Script for additional information.

Cast List Element Options

Final Draft automatically keeps track of the speaking characters in each scene. These characters are displayed in the
Characters section of the Navigator. To change the order in which they are displayed in the Navigator, choose the
appropriate radio button (Alphabetical or Order of Appearance in Each Scene):
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If Custom Order is selected, a character name may be dragged to the desired position on the list.

The dialogue balloon icon on the right of this list indicates that the character speaks in this scene. If a non-speaking
character has been inserted into this scene (see Insert > Non-Speaking Character), that character's dialogue balloon icon
has a red X to indicate that this character (Anna, in this example) has no dialogue.

If the Cast List element is used in the script, changing the order in the Cast List Element Option window will also change
the order of the characters in this element.

Cast List Element in Script

Automatic Cast List Generation

The Cast List feature is used in sitcoms to list which characters appear in a scene. The Cast List appears directly below the
Scene Heading.
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To generate a Cast List for each scene

1. Enter a Scene Heading in the script;
2. Press Return to insert a new Action paragraph;
3. Type some action;
4. Once the scene has been started, place the blinking cursor at the end of the Scene Heading and press Return;
5. The cursor will be blinking on a blank line; press Return to bring up the Elements menu;
6. Choose Cast List.

As characters are entered into the scene, their names automatically appear in the new Cast List element. When a character
is removed from a scene, it is removed from the Cast List for that scene.

When finished, click OK.

For information adding a non-speaking character to a scene's Cast List, see Insert Non-Speaking Character.
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Highlight Characters

To watch a tutorial video on character highlighting, click HERE (internet connection

required).

Highlight characters to place emphasis on individual characters and his / her dialogue.

Highlight individual characters to easily find where that character appears in the script.

Highlighting multiple characters can aid the planning and scheduling of a performance.

This feature may be used for table reads and distribute a copy of the script to each cast member with his / her own lines
highlighted.

If a character or characters are highlighted, the colors will be displayed when a PDF of the script is created. If a color printer
is being used and Print Text in Color is selected in the Print window, the character highlighting will be printed exactly as it
is onscreen.

Choose Format > Highlight Characters and the Highlight Characters dialogue appears.
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1. Choose a character to highlight;

2. Click the down-pointing arrow to select a color from the list (in this example, DEANNA will be highlighted in
aqua).

To use a color that is not on the list, choose Custom to define a color.

Click the check box next to a character's color picker to highlight that character in the script. Check the Display All check
box to highlight all the characters. Uncheck the Display All check box to turn off character highlighting for all characters.

This is how a highlighted character appears in the script:

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One, some or all characters may be highlighted at any time.

Font Commands
Set Font

Enabled when text is selected. Opens the Set Font dialogue box.

From the list on the left, choose a feature (selected text, scene numbers, Mores and Continueds or Index Cards) whose text
is to be changed. Options are available for font, size, color, highlighting, style and casing.

Sample text is displayed in the field at the bottom of this window.

When the desired changes have been made, click OK to accept them and return to the script.

Use these commands to change the font, point size, style, color and highlight color of the text.

To change font attributes:

Choose Format > [font attribute] submenu.

Font

Displays a list of available fonts, one which can be applied to selected text.
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[font attribute] Submenus

All standard options for the font type, point size and font styles are available from these submenus.

The default type is Courier Final Draft, 12-point, plain text (i.e. not bold, italicized,
underscored, etc.). Changing the font or font size will very likely result in pagination issues and
other problems. Certain font attributes may be changed as needed without causing problems,
but avoid global changes to the typeface.

Color Submenu

Change the color of text by selecting an item from the Color submenu.

To change text color, select a color from the submenu;

- or -

Select Other..., choose a color from the standard Mac color picker and click OK.
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The selected text will be rendered in the chosen color:

Highlight

Similar to changing the color of a selected block of text, choose the color that will be used.

The Highlighter tool can also be placed on the toolbar by selecting it from View >
Customize Toolbar.

Select a block of text, go to Format > Highlight and choose a color.

The selected text will highlighted by the chosen color:

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To choose a different highlight color:

Select a color from the submenu;

- or -

Select Other..., click in the color grid, and then drag the color selector until the desired color is displayed in the swatch box,
and click OK.

To change highlight color, choose a color from the color swatch and click OK. The text becomes highlighted with the
chosen color.

To highlight text as it is typed:

1. Position the cursor;

2. Choose the highlight color as described above.

All text that is typed, from the cursor position until a new paragraph is created or the cursor is placed elsewhere, will be
highlighted with the selected color.

To change the color of the page background, use Document > Page Layout > Colors.

Font
Choose a font from this menu and selected text will be changed into this font.

Size
Choose a point size from this menu and selected text will be changed to this point size.
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Style
Check menu items as desired to change the appearance of selected text.

Color
Select a color swatch to change the color of selected text. Choose a predefined color from the list...

- or -

Select Other ... and the standard Mac color picker will appear. Choose or create a custom color and click OK. The selected
text will be in the chosen color.

To change the color of the page background, use Document > Page Layout > Colors.
See Page Layout - Colors tab for additional information about this feature.
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Highlight
Select a color swatch to change the background color of selected text. Choose a predefined color from the list

- or -

Select Other ... and the standard Mac color picker will appear. Choose or create a custom color and click OK. The
background of the selected text will be in the chosen color.

To remove highlighting from selected text, choose None as the highlight color.

Toggle Case
Changes the casing of selected text from uppercase to lowercase and lowercase to uppercase.

Example: To change the word "enters" from lower case to uppercase, highlight it and go to Format > Toggle Case. The
word is now "ENTERS."

Alignment
Determines how text is aligned: left, centered, right, or right- and left-justified.

This command applies to the entire paragraph in which the cursor resides. If more than one paragraph is selected, the
formatting change will affect all of them.

Spacing
Determines the spacing between lines in a paragraph to either 1, 1.5 or 2 lines.

This command applies to the entire paragraph in which the cursor resides. If more than one paragraph is selected, the
spacing change will affect all of them.

Space Before
Allows the user to change the number of blank lines preceding a paragraph to 0, 1, 2 or 3 lines. For more than 3 blank lines,
click Other, enter the desired number of line spaces and click OK.
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This command applies to the entire paragraph in which the cursor resides. If more than one paragraph is selected, the
formatting change will affect all of them.

If possible, do not insert blank lines above paragraphs by using Shift + Return. Use the
Space Before command instead in order to avoid spacing or page-breaking errors if content is
added or removed.

Leading
Determines the vertical distance between the lines of a paragraph. A paragraph’s leading style can be Loose, Normal, Tight
or Very Tight. The tighter the leading, the less space a paragraph will take up on a page.

If a paragraph is at the top of a page and there is a reason to move it to the top of the previous page, select some quantity
of text on the previous page and set its leading to Tight. In this example, the dialogue at the top of Page 17 (Zed:
"Warlocks.") must be moved to the bottom of Page 16:
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Select one or more paragraphs on the previous page and set its leading to Tight (it may take a few attempts to determine
the amount of text that needs to be selected):

Set the Leading to Very Tight:

The dialogue that was at the top of Page 17 is now at the bottom of Page 16:
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Beat Board
These commands are available when the Beat Board is the current active panel.

• Align Selected > To Grid

• Align Selected > To Grid > Make Column
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• Align Selected > To Grid > Make Row

• Align Selected > To Grid > Cascade
• Grid Snapping

When Grid Snapping is enabled, Beats and Structure Points will, when created or moved on the Beat Board, automatically
be positioned along the nearest horizontal or vertical grid line or along the midpoint between horizontal or vertical grid
lines.

Enabling Grid Snapping will not snap existing Beats and Structure Points to the grid; Beats and Structure Points are only
aligned along a grid line at the end of a move.

Dual Dialogue
Positions two consecutive dialogue paragraphs side by side.

1. Type in both speeches (including the character names), one after the other. For example:

2. Place the cursor anywhere in the first character name;

3. Go to Format > Dual Dialogue or press Command + D on the keyboard.

The speeches are now next to each other.

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You cannot edit text when it is in dual dialogue.

To revert to the normal single-column format

1. double-click anywhere in the dual dialogue text ...

- or -

1. Single-click anywhere in the dual dialogue text to highlight it;

2. Go to Format > Dual Dialogue or press Command + D on the keyboard.

The speeches revert to the original stacked format.

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Insert Menu
The Insert menu contains commands for the placement into the script of various formatting and markup items.

• Add Alt
• Remove Alt
• New Beat
• New Structure Point
• Page Break
• New Scene
• Bookmark
• ScriptNote
• General Note
• Label
• Image
• Nonspeaking Character
• Send to Script
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Add Alt (Alternate Dialogue)

To watch a tutorial video on Alternate Dialogue, click HERE (internet connection

required).

Allows the user to write and store multiple speeches spoken by a character in a particular place in the script. Each of these
speeches can later be retrieved and displayed on the script page so the user can decide which one to use. Unused
speeches may be kept or deleted.

To create an alternate dialogue ("alt"):

1. Type a character's speech (a dialogue paragraph);
2. Click the plus sign to the right of the text or on the keyboard press Shift + Command + . (period);

3. The dialogue paragraph will be cleared;

4. Type a new speech.

Both speeches are retained and can be displayed under the character name, one at a time, for review.

Alt Dialogue Controls

At the left of the dialogue paragraph are Previous / Next arrows and an x of y indicator.

Click the left-pointing arrow to display the previous alt; click the right-pointing arrow to display the next alt.
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The x of y indicator between the arrows displays the ordinal number of the currently-displayed alt and the total number of
alts stored for this character in this location on the page.

When the x of y indicator is clicked, a menu of all alts by this character in this location on the page is displayed. Click the
desired alt to display it under the character name.

At the right of the dialogue paragraph is plus sign icon and a minus sign icon.

Click the plus sign icon to add a new alt. There is no limit to the number of alt dialogues that can be added.

Click the minus sign icon to delete the currently-displayed alt.

Note that there is no confirmation of the deletion and no ability to undo this command.

When the script is printed or saved as a PDF, only the currently-displayed alts will be in the script.

The Alt Dialogue function is not available when a script is locked.

Remove Alt
Deletes the selected alternate dialogue from the script. See Alternate Dialogue for more information.

New Beat
Inserts a new, blank Beat onto The Beat Board.
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New Structure Point

Inserts a new Structure Point onto The Beat Board.

Insert Page Break

Inserts a page break at the current cursor position, which moves the paragraph containing the cursor, or the beginning of
the selection range, to the top of the next page.

To remove a forced page break

1. Position the cursor just after the page break to be removed;
2. Choose Insert > Page Break to remove the check mark.

Do not break pages by adding blank lines to the end of a page. This can cause gaps to
appear in your script if enough text is added or removed elsewhere and the "page break" is
forced up or down.

Insert New Scene

This command is only enabled when the active panel is an Index Card Panel or Scene View.

To insert a new scene

Select Insert > New Scene from the main menu or select Insert New Scene from the Scene View context menu.

The new scene is inserted after the currently selected scene. If no scene is selected, the new scene is inserted at the end of
the script.

Insert Bookmark
Places a new bookmark at the location of the cursor.

To insert a bookmark
1. Click the paragraph (or select a word or a block of text) where the bookmark is to be placed;
2. Choose Insert > Bookmark or press Command + \ (backslash) and the Insert Bookmark dialogue appears:
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Insert Menu
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The first 32 characters of the paragraph or the selected text form the default name of the bookmark, but the pre-populated
text may be can replaced with a manually-entered name for the Bookmark:

3. Click OK to create the bookmark.

See Bookmarks for additional information on using and managing Bookmarks.

Bookmark all Act and Scene breaks for quick navigation around a television or play
script.

Insert ScriptNote
Creates a ScriptNote. A ScriptNote is a field containing information entered by the user that pertains to a particular
paragraph.
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A web address entered into a ScriptNote will, when clicked, open the computer's
default web browser to that web page.

To insert a new ScriptNote

1. Click the paragraph with which the ScriptNote is to be associated;
2. Choose Insert > ScriptNote or on the keyboard press Command + Shift + K;

A clickable ScriptNote marker will appear on the right side of the page adjacent to that paragraph. If the ScriptNote
Navigator is not currently open, it will open, ready for text to be entered in the new ScriptNote.

3. Enter text in the ScriptNote window. See ScriptNotes Navigator for more information.

Insert General Note

Creates a General Note, which is a text field in which ideas, suggestions, notes or script fragments can be entered. Unlike a
ScriptNote, a General Note is not tied to any particular paragraph; it applies to the entire script.

A web address entered into a General Note will, when clicked, open the computer's
default web browser to that web page.

To insert a new General Note

Choose Insert > General Note or on the keyboard press Command + Shift + G.

If the ScriptNote Navigator is not currently open it will appear onscreen, ready for a Name, Color and Type to be assigned to
the new General Note. Text may be entered in the Note Text box.

Insert Label
Inserts new header text onto a page. This label text will be displayed at the top of each subsequent page until a new label
is inserted.
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Example: Many television scripts and stage plays require the act and/or scene number/letter appear in the header at the
top of each page. “Act 1 Scene A” needs to appear on Pages 1-8, Act I Scene B" needs to appear on Pages 9-16 and "Act 2
Scene A" on Pages 17-24. The Label system enables the user to apply these labels easily.

Before inserting labels into a script, the Label placeholder field must be added to the
Header. See the Header and Footer section for detailed information.

To insert a Label
1. Position the cursor at the top of the page on which the script label text should begin;
2. Choose Insert > Label;
3. The Insert Label dialogue appears:

4. Type the Label name;

5. Click OK.

The label text will appear in the header or footer.

If the cursor is not at the top of the page, the label will be placed on the following
page.

To stop a Label run

Insert a new Label and in the Label Name box, tap the space bar once. The new label will consist of a blank space and will
therefore be invisible.
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To navigate to a labeled page quickly

1. Choose Edit > Go to;
2. Select Header Label from the Go to dropdown menu;
3. Click Go to;

The script scrolls to the Label’s location.

4. Click Close.

To change the Label text

1. Use Edit > Go to to find the label text desired;

- or -

1. Position the cursor where the label text was placed;

2. Choose Insert > Label;
3. The Label dialogue appears.
4. Edit the text;
5. Click OK to apply the changes.

Image

To watch a tutorial video on using images, click HERE (internet connection required).

Opens a standard Mac dialogue box that allows the user to navigate to and select a .GIF, .JPG, .JPEG or .PNG image file to
place at the insertion point on a script or title page. The image, when inserted, will be resized to fit on the page.

An image’s horizontal location on the page will be determined by the paragraph type in which the blinking cursor resides
when the image is inserted – that is, if the blinking cursor is in (for example) a blank Character paragraph, the image will be
placed close to the middle of the line because the Character element is close to the middle of the line; if the blinking cursor
is in a Transition paragraph when an image is inserted, the image will be located towards the right side of the line because
Transitions are located towards the right side of the line.
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To change the alignment of an image, place the blinking cursor on the same line as the image and go to Format >
Alignment.

To change the number of blank lines above an image, place the blinking cursor on the same line as the image and go to
Format > Space Before.

An image can be resized by dragging the resize handle at the bottom right corner. To reduce the size of the image, drag
the resize handle up and to the left; to enlarge it, drag the resize handle down and to the right.

Once inserted, an image may be repositioned in the same way as a text selection via drag-and-drop or with the Cut / Copy
/ Paste commands.

To delete an image, place the blinking cursor on the same line as the image and if the cursor is to the left of the image, on
the keyboard press the Delete key. If the cursor is to the right of the image, on the keyboard press the Backspace key.

The Insert Image command is only available for page views – Normal, Page and Speed. Images are not supported in Scene
View or Index Card views.

Alternate Methods of Inserting an Image

Right-click or Control + click on a script or title page to open a standard Mac dialogue box that allows the user to navigate
to and select an image
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- or -

Drag an image file icon from any folder (including the Desktop) directly onto the script or title page

- or -

Drag an image from the Beat Board onto a script page.

Images larger than 1mb in size are not recommended. If a script file contains many
large image files, program performances may be affected.

Non-speaking Character
Adds a character with no dialogue to the cast list of the scene containing the cursor. Final Draft automatically tracks and
displays all speaking characters in a scene and with this command, the program can also account for non-speaking
characters, extras or background cast.

The order in which the inserted non-speaking character appears in the Characters section of the Navigator and the Cast List
element in the script is managed under Format > Cast List Element Options.

Send to Script
Copies the summary text entered on the scene index card(s) into the body of the script. This command is only enabled in
the Index Card - Summary panel.

To enter scene summaries into the script

1. Select a scene or range of scenes;
2. Choose Insert > Send to Script.

The summary text now appears as Action at the end of the scene(s) in Script view.
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Document Menu
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Document Menu
The Document menu contains settings that affect the entire script.

• Page Layout
• Header and Footer
• Mores and Continueds
• Watermark...
• Title Page
• SmartType
• Macros
• Bookmarks
• Change Target Script Length
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Page Layout
Opens the Page Layout dialogue, which contains options that determine the appearance of the script in both on-screen
display and hard-copy printouts.

Choose Document > Page Layout and the Page Layout dialogue appears.

The tabs are:

• Margins
• Colors
• Options

Margins tab

Set margins to determine the amount of white space between text and the top and bottom edges of the page and
between body text and text in the header or footer.

To change the page margins of a document, click the Margins tab if it is not already selected.

Text Margins: Top and Bottom

Measured in inches from the top and bottom of the page, these settings control the amount of space at the top and
bottom of each page to allow for the header and footer. Varying these settings can change the page count of a script. The
defaults for the US Screenplay template are one inch at both the top and bottom.

If the text margin is set so that it overlaps the header or footer, Final Draft automatically adjusts the text margin so that the
text fits in between the header and footer without any overlap.
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Header/Footer Margins

Measured in inches from the top and bottom of the page, these settings control the amount of white space above the
header and below the footer. The default for the US Screenplay template is 0.50 for both.

To change any Margin settings

1. Click the up or down arrows next to the setting;
2. Click OK to apply the new settings to the script.

If the header or footer margin is set to a value that is less than the header or footer margin of the printer, the text in the
header or footer may get clipped. Final Draft will display a warning, giving the user the chance to adjust the margins to
match the printer's settings.

Write down the current settings before adjusting them so that if you need to revert
your margins you will have the right numbers.

See Paragraph Tab for information on adjusting horizontal element indents.

Paper Type

Set the paper type to either US Letter or A4. The paper type is an attribute of the script file and will open to the chosen
page size on any computer on which it's opened.

Colors tab

In the Colors tab of the Page Layout dialogue, the background (page) color, the text color, and the color of the invisible
characters may be changed. Changing these settings applies only to the currently active script.

To change the background or text colors, click the Colors tab if it is not already selected.
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The default colors are white for background, black for text and gray for invisibles.

To change any of the color options

1. Click a color swatch;
2. The standard Colors window appears;
3. Create or choose a color;
4. Quit the Colors box;
5. The new color will be displayed in the color swatch;
6. Click OK and the color change will be applied to the script.

To quickly change the page color to dark gray and the text to white, use Night Mode.

Options tab

To change the optional settings of a document, click the Options tab if it is not already selected.
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Line Spacing dropdown menu

The options are Very Tight, Tight, Normal, and Loose. The default setting is Normal.

The Line Spacing setting controls how closely the lines of text are spaced vertically; it applies to the entire document.

A script that is exactly 100 pages in the default Final Draft screenplay template will come in at 90 pages in Very Tight, 95
pages in Tight and 107 pages in Loose.

We strongly recommend using Normal because it comes closest to the 1-minute-per-

page rule relied upon by readers, development people and (in particular) production staff.

For more information on adjusting the quantity of text on a page, see Manipulating the Page Count.

Enable Smart Quotes

Check this option to use angled left and right quote marks in the script.

Break Dialogue and Action at Sentences

Check this box to prevent Final Draft from breaking a sentence at the bottom of a page and continuing it at the top of the
next page; it will force the new sentence to start at the top of the next page. Uncheck this box to allow the sentence at the
bottom of a page to run to the end of the line and continue at the top of the next page.
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Header and Footer

Shows the Header and Footer dialogue:

A document’s header and footer contain text that will appear at the top and bottom (respectively) of every page of the
document. When a new script is created, the default header contains a page number on the right side.

The page number label is represented by a small rounded rectangle containing “Page #.” When displayed or printed, the
“Page #” symbol is replaced by the actual page number for each page.

The header appears at the top of every page except the first page. The header can be made visible on the first page if
necessary. See Header and Footer Options for instructions.

See Header and Footer for information about the special symbols and for details about using the header and footer in
general.

Footers are rarely if ever used in a script.

Mores and Continueds

Set the text and options for dialogue and scenes that span across page breaks.
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Dialogue Breaks

Final Draft will attempt to keep a character's dialogue on the same page; however, lengthy speeches may exceed a single
page. When that occurs, the Bottom of Page text (MORE) is placed just beneath the dialogue at the bottom of the first
page. At the top of the next page, the name of the character is repeated along with the Top of Next Page text (CONT’D).

Bottom of page

Check this box and the text in this box will appear at the bottom of the page when there is a break in dialogue. This text
may be edited but (MORE) is standard.

Top of next page

Check this box and the text in this box will appear at the top of the next page when there is a break in dialogue. This text
may be edited but (CONT'D) is standard.

In addition to entering the text, the check boxes for these options must also be
checked or the text will not be displayed or printed.
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Automatic Character Continueds

If this option is checked, the Top of Next Page text will be placed after the character’s name when the character's dialogue
within a scene is interrupted by an element that is not another character's dialogue (i.e., an Action or General element). The
character continued text is not inserted if a character's speech is continued from one scene to the next.

Scene Breaks

The Scene Breaks Mores and Continued should be enabled for production scripts. When a scene is continued from one
page to the next, the Bottom of Page text (CONTINUED) is placed at the bottom of the first page, and the Top of Next Page
text (CONTINUED:) appears at the top of the next page along with the scene number that is being continued.

Bottom of page

Check this box and the text in this box will appear at the bottom of the page when there is a break in dialogue. This text
may be edited but (CONTINUED) is standard.

Top of next page

Check this box and the text in this box will appear at the top of the next page when there is a break in dialogue. This text
may be edited but (CONTINUED:) is standard.

In addition to entering the text, the check boxes for these options must also be
checked or the text will not be displayed or printed.

CONTINUED: (#)

Check this box to add a number after the CONTINUED (e.g. (2), (3), etc.) at the top of each continued page, indicating how
many pages are included in the same scene.

The Scene Breaks Continueds and Scene Continueds are used in scripts in production
and are not recommended for spec scripts.

Set Font

The text box displays the current font and size setting that the Mores and Continueds will use when they are displayed and
printed.
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To set Font attributes

1. Click Set Font;
2. The standard font dialogue appears;
3. Make any changes and click OK;
4. Click OK to save changes in the script.

Watermark

To watch a tutorial video on watermarking, click HERE (internet connection required).

Opens the Watermark editing window. In this window the user can enter text that will appear on all printed and PDF pages.

To preview a watermark, go to File > Save as PDF and open the PDF copy of the script
in your computer's PDF reader to view the script with watermarked pages
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Once a watermark has been added to a script and the script has been exported as a PDF, the watermark cannot be
removed from the PDF.

To remove a watermark from a Final Draft script, go to Document > Watermark, clear the text box and click OK.
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The position, font and size of the watermark text cannot be changed.

Title Page

To watch a tutorial video on creating a title page, click HERE (internet connection
required).

Opens the script’s title page in a separate document window.

Type the script's title, the writer’s contact information and any other pertinent information over the sample text and delete
any unneeded sample text. When the title page has been edited, close the title page editing window with the red Close
button at the upper left. This will return the user to the script. When the script is saved, the updated title page will be saved
as well.

Images may be placed onto the title page(s) via the methods described in the Image section.

To create multiple title pages

Position the blinking cursor at the end of the page and go to Insert > Page Break. As many additional title pages for cast
lists, location lists, introductions, etc. that are needed may be created.

Title pages are numbered with Roman numerals (i, iv, ix) so they will be visually distinct from the script pages' numbering.
Title page numbers may be removed by going to Document > Header and Footer and removing the Page field.

Including or excluding the Title Page in the output

When a script is to be printed (File > Print) to paper or PDF, a check box allows the user to include or exclude the title page
from the print job:
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SmartType
Manages the SmartType lists. Use of SmartType lists eliminates having to enter names and phrases over and over again. The
following example of the Character SmartType list is taken from the sample script Airship:
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In this screen the characters, extensions, scene intros, locations, times and transitions used in a script may be viewed,
changed, reordered and alphabetized. Clicking Rebuild will scan the script and repopulate the SmartType list from the
script's contents.

Clicking Rebuild when there is nothing in a script will result in all SmartType lists being
empty.

SmartType options control whether lists appear automatically and how to handle special situations for entering characters.

See SmartType for more information.

Macros
Macros are key combinations for entering text. Final Draft comes with many built-in macros for entering the most
frequently-used scriptwriting terms (INT., EXT., - DAY, CUT TO:, etc.). When a macro is typed, the associated text is
automatically inserted into the script. Macros to create specific element paragraphs before and after their text is entered
may also be created. Keystrokes that activate existing macros and change their behavior may be modified.

Choose Document > Macros and the macros dialogue appears:

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The list displays the key combinations and the macro names.

Almost all of the Macro key combinations are hard-coded and only the Macro
Element and the Transition To elements can be changed. The Macro name and the Macro text
cannot changed.

Macro Name

Contains the name of the macro, which is displayed in the status area at the bottom of the script window when the
appropriate keys are pressed.

Macro Text

Contains the text that is inserted into the script when the macro is invoked.

Macro Element

The Macro Element pop-up list determines what type of paragraph will be created when the macro is invoked. Unlike the
Command key combinations, invoking a macro does not split the paragraph the cursor is currently in. The Macro Element
mechanism eliminates the need to manually move to the end of a paragraph and create a new one before the macro is
invoked. Select the desired element type for the paragraph where the text is to be inserted or choose General to leave the
element unchanged.

For example, if the cursor is positioned in the middle of an action paragraph and Option + 1 is pressed, the appropriate text
is entered and a new scene heading paragraph is added after the existing paragraph.
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Transition To dropdown menu

Used to switch to another paragraph type after the Macro Text has been entered. This eliminates having to manually create
a new paragraph after the Macro is invoked. Select the desired element type for the paragraph that is to be added or
choose None to leave the element unchanged.

Example: If the cursor is currently at the end of a partially-entered scene heading and Option + 4 is pressed, the appropriate
text is entered at the end of the scene heading and a new action paragraph will be added.

Custom Macros

There are two available Macro key combinations that can be fully customized: Option + 0 (zero) and Option + Shift + 0
(zero).

To create a custom Macro

1. Select the macro (either Option + 0 or Option + Shift + 0) from the list;
2. Enter a macro name in the text field above the list;
3. Click in the Macro Text field and type the text to be entered when the macro is invoked;
4. Set the behavior by selecting the element paragraphs desired from the Macro Element and Transition To
dropdown menus.
5. When finished, click OK.

Bookmarks
Opens a dialogue containing options for managing Bookmarks. Bookmarks are placeholders in a script and may be set
anywhere. See Insert Bookmark for more information on how Bookmarks are created and placed in a script.
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To change the name of a Bookmark

1. Select the bookmark in the list;
2. Edit the name of the bookmark.;
3. Click OK to apply any changes and return to the script.

To go to a Bookmark
5. Select the bookmark in the list;
6. Click Go to

- or -

6. Double-click the bookmark in the list.

Alternatively:

1. Choose Edit > Go to;

2. Select Bookmarks from the Go to dropdown menu;
3. Click the Bookmark name;
4. Click Go to.

The script scrolls to the bookmark’s location and selects the paragraph containing the bookmark.
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To delete a Bookmark
1. Select the bookmark in the list;
2. Click Delete.

The bookmark is removed from the list.

3. Click OK to apply any changes to the script.

Change Target Script Length

The Story Map defaults to 120 pages, considered the average feature film script length. Double-click anywhere in the Story
Map to adjust the target script length (the number of pages represented):

The more pages there are, the longer the Story Map will be.

Enlarge or reduce the size of the Story Map under View > Zoom Story Map.
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Tools Menu
The Tools menu contains functions that can make screenwriting easier, help add polish to a script and assist production
personnel.

• Spelling
• Thesaurus
• Text to Speech
• Reports
• Combine Files
• Names Database
• Reformat
• Format Assistant
• ScriptCompare
• Hide / Show Navigator
• Collaboration
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Spelling
Run a spell-check on the script (Command + , (comma)) also initiates a spell-check.

See Spelling for additional information.

Thesaurus
Search for alternate word choices (Command + ; (semicolon)) also opens the Thesaurus.

See Thesaurus for additional information.

Text-To-Speech Commands
Speech Control

Shows the Speech Control toolbar, which contains a set of buttons to direct the playback of the script being read.

Assign Voices

Specify different voices for each character for playback with Tools > Speech Control.

Characters tab

Displays the SmartType Character list along with the names of all available “actors.”
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To assign an actor to a character

1. Click a character;
2. Click the actor to be assigned to this character;
3. Click the Preview button to hear the actor “audition”;
4. If the pair is acceptable, click OK or click a different actor.

Narrator tab

Set an actor as the "narrator” of the script. The narrator is the voice that reads the text for elements other than dialogue.

To assign an actor to the narrator and to set which elements the narrator reads:

1. Click the Narrator tab:

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2. Select an actor to be the narrator from the Narrator's Voice list;

3. Check the elements that the narrator will read from the Narrator Reads list;
4. Click the Preview button to hear the narrator “audition”;
5. To accept the pair, click OK or click a different narrator.

Actors tab

Modify the voices an actor uses in the Actors tab. To set an actor’s voice:

1. Click the Actors tab:

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2. Select the actor whose voice is to be modified;

3. Select a voice from the Voice dropdown;
4. Make any changes desired to the pitch and speed;
5. Click the Preview button to hear the voice “audition.”
6. When finished, click OK.

Reports
Final Draft’s reports present information from a script in a variety of ways. Though the report formats cannot be changed,
the information produced by the reports can be edited, saved and printed. The font used when the reports are printed may
be modified.

The user can choose to generate all reports as either script documents or text documents.

To create a report
1. Choose Tools > Reports > [Report Name];
2. A dialogue appears with different options depending on the report chosen;
3. Once options are set, click OK.
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The available reports are:

• Scene Report contains the scene number (if the scenes have been numbered), intro, location, time of day,
page number and page length for each scene.
• Location Report contains each location and the number of times it appears in a scene heading in the script.
• Character Report contains the scene numbers (if any), scene headings, character extensions, parentheticals
and complete dialogue for a character. It will also indicate if the character has any monologues of more than
100 words.
• Cast Report contains a list of each character and how many times he or she appears.
• Script Report contains the text from specified elements, presented in screenplay format. Note that Choosing
all the elements will generate a report that is identical to the actual script.
• ScriptNote Report contains the page number, scene heading, marker character and complete text of each
ScriptNote in the script.
• Statistics Report can include the number of words and paragraphs, the number of each element and their
percentage of all elements, character statistics and scene statistics.
• Tags Reports
o By Scene contains a list of all scenes in the script and all tags contained in each scene and their
categories.
o By Tag contains a list of all tags by category and the page numbers on which the tagged items appear
and the scene headings of scenes in which the tagged items appear.

Combine Files
Creates a new script containing the currently-open script and additional selected scripts.

1. If it has not already been saved, save the currently-open script;

2. Go to Tools > Combine Files;
3. A standard Mac Open dialogue will be displayed;
4. Navigate to the location containing the desired FDX script files;
5. Select the desired file(s). To select multiple files, Command + click on each one;
6. When all desired files have been selected, click Combine;
7. The File Order window containing the names of the selected files will be displayed; drag them into the order in
which they should appear in the new script:
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8. Click OK.

A new document will be created containing the first script and the selected scripts in the chosen order. Each successive
section begins on its own page. In addition, the Title Page (Document > Title Page) contains the names and starting page
numbers of the scripts that have been added to the first script:

This is a new, untitled document and should be saved with a unique file name.

If additional writing is to be done in this combined script, the SmartType lists should be rebuilt in order to eliminate
repetitive typing. Go to Document > SmartType and rebuild all of the SmartType lists. See Rebuilding SmartType Lists for
more information.

The Combine Files command works only with FDX script files.
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Names Database
Provides over 90,000 names and is useful in providing unique or interesting alternative names, as well as determining their
correct spelling.

To find a character name:

1. Choose Tools > Names Database to show the Names Database dialogue:

2. Type the first few letters of a name in the Name Prefix text field. In this example, we want to find some
variations on the name "Michael";
3. Click the Look Up button. The list contains all the names that begin with the letters entered;
4. Scroll through the list. Select the desired name;
5. Click the Add to SmartType button to include the selected name in the Character SmartType list;
6. When finished, click the Close button.

Reformat

To watch a tutorial video on reformatting a script, click HERE (internet connection

required).
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Convert text that is not formatted properly into correct script format, such as when a Dialogue is erroneously formatted as
an Action element. If a script written using another word processor is imported, the built-in formatting logic will apply;
however, some elements may still need to be reformatted.

Choose Tools > Reformat. The paragraph containing the cursor is selected and the floating Reformat window appears;

The paragraph containing the cursor is selected.

1. Choose a new element for the paragraph;

- or -
1. Press the number key (shown in brackets) for the new element for the paragraph;

The paragraph is reformatted and the next paragraph in the script is automatically selected.

2. Continue reformatting each paragraph as needed;

• Click Next to skip a paragraph without any reformatting;
• Click Previous to select the previous paragraph;
• Click Delete to delete the current paragraph;

There is no confirmation dialogue and the deletion cannot be undone.

3. When done, click Close or press the Escape key on the keyboard to dismiss the Reformat tool.

In this example, the character name "TRISH" is incorrectly rendered as a scene heading. The Reformat tool has selected the
text and is waiting for the user to choose the correct element. Press the number 3 on your keyboard or click the Character
button from the Reformat window and the text will be re-rendered as a scene heading. The next paragraph will
immediately be selected, ready for the next reformatting choice. If the next paragraph is correctly formatted, click Next.
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You cannot enter text while the Reformat dialogue is open.

See Reformatting for more information.

Format Assistant

To watch a tutorial video on using Format Assistant, click HERE (internet connection
required).

Final Draft is designed to automatically format a script correctly; however, because formatting errors may occur while a
script is being edited, Format Assistant can display an alert if a script has:

• Characters with no dialogue

• A dialogue without a character preceding it
• Characters with two consecutive dialogues
• Elements that begin with a blank space
• Empty elements
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The Format Assistant may be run at any time. It can also be set to run automatically before printing.

To use the Format Assistant

Go to Tools > Format Assistant.

The Format Assistant will search a script for errors. If it finds an error, the Format Assistant window appears and highlights
the paragraph containing the error.

In the example below, the "shaking his head" parenthetical has a blank space at the beginning.

The Format Assistant will identify this error and present the option to fix or ignore the issue:

Clicking the Fix button will delete these blank spaces and move to the next found rule violation.

• Text in the Rule violation area indicates which formatting rule was broken.
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• Text in the Correction area indicates how the error will be corrected.

To correct an error, click Fix. The error is corrected and the search for additional errors continues.

To disregard an error and continue checking for more errors, click Ignore.

To disregard an error and remember to disregard it until the script is closed, click Ignore.

Choose which Format Assistant rules to use by checking or unchecking the check box next to the desired Rule.

The Rules are changed and retained for the current script only.

When the Format Assistant has found and reported on all the errors it can, it will display this message:

When finished, close Format Assistant by pressing the Escape key on the keyboard or by clicking the red Close button at
the upper left corner of the window.

Format Assistant Options

Set whether and how to use the Format Assistant before printing.

From the Tools > Format Assistant dialogue, click Options and the Format Assistant Options dialogue appears:
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Scan for formatting errors before printing

Check this option to have Format Assistant check scripts before they are printed.

Always ask me before printing

Check this option to have Final Draft ask whether a script is to be scanned for formatting errors before printing.

Printing and Format Assistant

By default, Final Draft asks if the Format Assistant is to be run before printing. From the File > Print dialogue, click Print and
the following appears:

To run the Format Assistant, click Scan Now and the Format Assistant begins scanning.

Any Rules you have previously changed for the current script are in effect.

If the Format Assistant does not find any errors, the script prints. If the Format Assistant does find errors, the Format
Assistant window appears, asking if they should be corrected.
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In order to print the corrected script, you have to again choose File > Print.

To print without running the Format Assistant, click Print Now.

To run the Format Assistant automatically before printing, check the box next to "Do not ask me this again but always scan
before printing."

To disable the Format Assistant, check Turn Format Assistant off.

ScriptCompare
Examines two scripts and displays their differences.

To compare two scripts

1. Open the first script;
2. Choose Tools > ScriptCompare;

The standard Open dialogue appears;

3. Choose the script to be compared and click Open.

After the two scripts are compared, a third script appears. It contains text from both scripts with the first script's text in blue
and the second script's text in red.
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This new document is named [Scriptname] Changes and can be saved for future reference.

Hide / Show Navigator

Displays or hides the Navigator.

Collaboration

To watch a tutorial video on collaboration, click HERE (internet connection required).

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Final Draft 11’s Collaboration tool allows the user to work on and discuss a script with any number of Final Draft 11 users
anywhere in the world in real time.

Final Draft’s Collaboration tool uses Amazon Web Services for the connection between users' computers. When a script is
shared via a Collaboration session, it is not uploaded to or stored, even temporarily, on an Amazon server, a Final Draft
server, or any other third-party server. For information on AWS security, see this page:
https://aws.amazon.com/security/?nc1=f_cc

To Host a Collaboration Session

1. Go to Tools > Collaboration > Host or click the Collaboration icon in the Toolbar;
2. In the Host tab, enter a name to be used for the session;
3. Choose a script to share:
4. If a script is currently open, it will automatically be selected as the script to share OR
• Click the dropdown menu to display an Open dialogue from which to choose a script OR
• Select a new blank document from a template OR
• Select a recently-used script;

5. After the script is chosen, click OK;

6. The Collaboration window is displayed;
7. Send (via phone, text message or other method) the Session ID to whoever else will be participating;

8. When the other participant(s) attempts to join the session, the Host can either Deny or Allow their entry.
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9. If the Host approves their entry, the script will automatically be shared. As participants enter the room, their
presence will be indicated in the upper-left panel in the Collaboration window.

To Join a Collaboration Session

1. Go to Tools > Collaboration > Join;
2. The Join Collaboration window is displayed;
3. Enter a name to be used for the session;
4. Type or paste in the Session ID (received from the Host of the session);
5. Click OK;
6. When the host approves the participant’s entry, the shared script will open on the participant’s screen and the
participant will now be able to edit the script and view others’ editing in real time.

All participants in a collaboration session must be on the exact same version of Final
Draft 11. To determine which version is installed, go to the Final Draft menu and choose About
Final Draft.

The Collaboration Window

The Collaboration window’s title bar displays the name of the shared script.

The panel at the upper left displays the names of the room’s participants and the Session ID. Each participant has a unique
colored marker next to his or her name.

The panel on the left displays session messages – chat messages and participant entries/exits. The collaboration window
may be moved and resized as necessary.
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The Session ID

The Session ID must be sent to other participants so they can join the session. It can be selected and copied and pasted
into an email or instant message or read aloud. If the Session ID is read aloud, note that the Session ID has only uppercase
letters.

The Session ID is not reusable for future Collaboration sessions. It expires permanently when the session is
closed. However, a participant can leave a session and as long as that session is still live on the Host’s computer, he or she
can re-enter it with the original Session ID.

Refresh

If, after some time has elapsed since the start of the collaboration session and the shared script fails to update on some or
all participants’ screens, the Host can click Refresh to re-send the updated script to each participant. This command will
ensure that all participants have on their screen the current version of the script, containing all recent edits.
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No matter which view (Normal, Page or Speed) the script is in when the session begins,
the program automatically switches to Page View. This is the only supported view and the
screen may not be split.

Chat

The Collaboration window allows participants to exchange text messages in real time. Type a message into the box on the
bottom right and press Enter on the keyboard to broadcast it to the other participants.

The large box on the right of the Collaboration window is the transcript of the session’s chat.

Click the Sound button on or off to notify participants with a chime when another participant has sent a text message.

Saving

All participants may save a copy of the script to local storage (hard drive, NAS drive, external drive, etc.) at any time during
the collaboration session with the regular File > Save or Save As command.

Closing a Session

To leave a Collaboration session, any participant may click the Exit button at the upper right of the Collaboration
window. The session ends when the Host closes his or her Collaboration window. When a session is closed, all participants
will be prompted to save the script they have been working on.
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Production Menu
The Production menu contains settings and commands to be used when a script is being reviewed, revised and distributed
to cast and crew.

• Scene Numbers
• Edit Scene Number
• Omit Scene
• Revisions
• Revision Mode
• Mark Revised
• Clear Revised
• Lock Pages
• Unlock “A” Pages
• Unlock All Pages
• Locking Tools Submenu
• Tags Mode
• Tag All Characters
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Scene Numbers
Final Draft does not automatically assign scene numbers as scenes are created or deleted. Instead, the Scene Numbers
command must be used to number or renumber scenes. The Scene Numbers command allows the user to number or
renumber scenes or other elements.

Traditionally, scenes are not numbered until pre-production begins. If you are
submitting a spec script, numbering the scenes is not recommended.

In this section, only Scene Numbers are described. You can number other elements in
a script using the Scene Numbers command. To do this, position the cursor in the element you
want to number and select the Element from the dropdown list in the Scene Numbers dialogue.

In standard screenplay format, scene numbers would normally be assigned to scene headings only. If the script requires
that a heading not be assigned a scene number, the shot element should be used instead of the scene heading element.

Final Draft also contains options for nonstandard numbering by permitting any element to be numbered. Nonstandard
numbering is used in animation, interactive, multimedia and other scripts.

To number scenes using the default settings

1. Choose Production > Scene Numbers;
2. Click Number/Renumber;
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3. Choose the desired numbering scheme (numbers then letters / letters then numbers);
4. Click OK.

By default, Scene Heading is selected as the paragraph type to be numbered. Every scene heading is assigned a scene
number, starting with the number entered in the Starting Number field (the default is 1), and incrementing by one.

If the Keep Existing Numbers option is unchecked (and numbering has previously
occurred), a confirmation message appears when OK is clicked.

Numbers Tab

Element

Select the element to number. Only one element may be numbered at a time.

Number/Renumber

Check this box and click OK to initiate numbering.

Remove Numbers

Check this box and click OK to remove all scene numbers from the script.
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Starting Number

Select the number to begin numbering with.

Number from Current Scene

Check this box to begin numbering with the scene at the current cursor position. If this box is not checked, the script will
be numbered from the beginning.

Keep Existing Numbers

Specify whether to lock existing scene numbers. If this box is checked, new scenes which have been inserted between
previously numbered scene headings are assigned “A” and “B” scene numbers.

Restart Numbering Every

Numbers an element (other than the one already numbered) but the numbering restarts at 1 after each occurrence of
another specified element.

For example, if an animation script’s scenes have been numbered and there is a need to number dialogue within a scene
as well, go to Production > Scene Numbers and choose Dialogue from the Element dropdown menu. Check the box for
Restart Numbering Every and from this dropdown menu choose Scene Heading. Click OK and all dialogue paragraphs will
be numbered; the dialogue numbering will restart from 1 after each scene heading.

If (for example) dialogue paragraphs are set to be numbered but the Restart Numbering Every box is not checked, the
dialogue numbering will be consecutive throughout the script.

Options Tab

Click the Options tab and this window appears:

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Draw Number on Left and Draw Number on Right checkboxes

Specify whether to display numbers to the left and/or right of paragraphs.

Left and Right Location Settings

Click the up or down arrows next to the Location box to adjust the location of the scene numbers. Placement of scene
numbers is measured in inches from the left edge of the page.

Once changed, these settings remain for future (re)numberings no matter which
element is selected in the Elements dropdown list.

Font

Choose the font and font size of the numbers.

To set Font attributes

1. Click Set Font;
2. A font dialogue appears.
3. Make any changes desired and click OK.
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Renumbering scenes in an already numbered script

When a script is in production it is common for new scenes to be written and inserted between two existing and
numbered scenes. This new scene must also be numbered but it cannot use a number that has already been assigned.

To create a new scene and number it

1. Position the cursor at the end of the text of the scene after which the new scene will be added;
2. Press Command + 1 to create a new scene heading;
3. Type the letter I (as in Interior) or E (as in Exterior);
4. Press Tab twice;

The Location SmartType list appears, allowing the location to be selected.

5. Press the Tab key to accept the choice;

6. The Time SmartType list appears, allowing the time of day to be selected. Press the Tab key to accept the
choice;
7. The cursor moves to blank Action paragraph;
8. Type the scene.

Following is the process for numbering this sample scene for production purposes:

To number a new scene in a script in which scenes are already numbered

1. Choose Production > Scene Numbers;
2. Check Add Numbers;
3. Be sure that Keep existing numbers is checked. If it is not checked, all currently-numbered scenes will be
renumbered;
4. Click OK.
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Note that the new scene is now correctly numbered 14A. All other scenes have retained their original numbers.

A scene may be renumbered to fit another numbering format requested by someone in production. Individual scene
numbers may be adjusted manually as well.

Edit Scene Number

To manually renumber an individual scene
1. Place the cursor in the scene heading to be edited;
2. Choose Production > Edit Scene Number;
3. In the Edit Scene Number dialogue, manually overwrite the number;
4. Click OK.
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If the scene has yet to be numbered, the dialogue appears blank.

Removing an Unwanted Scene Number

In the event that a scene (or another element) has been assigned a number erroneously, it can be removed by going to
Production > Edit Scene Number, deleting all text from the box and clicking OK.

Omit Scene
Once scenes are numbered, use the Omit Scene command to indicate that a scene has been deleted. Since the scene
numbers must not change, the term “Omitted” replaces the text of the deleted scene.

To omit a scene

Place the cursor in the scene to be omitted;

Choose Production > Omit Scene.

The scene is removed from view and stored (see below). The scene heading text becomes “OMITTED” but the scene
number remains.

In this example, Scene 7 will be omitted:

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When the Omit command is issued, the page looks like this:

Since this scene was omitted in the first Blue revision set (1st Rev. Blue), the page turns blue (denoted by the coloration on
either side of the page) and the omitted scene is marked as revised. The scene itself has not been revised; the omission of
the scene is a revision.

The triangle icon indicates that the omitted scene can be viewed or retrieved.

To view an omitted scene

1. Double-click the triangle icon;

2. and this dialogue appears:

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3. Click View.

A small window containing the omitted scene appears:

Click the Close button when done.

To retrieve an omitted scene and put it back into the script

1. Double-click the triangle icon and a dialogue appears;
2. Click Unomit.

The scene is restored.

You can permanently delete an omitted scene’s text and scene number from the script
by selecting and deleting it. However, this is not recommended because all remaining scenes
would then have to be renumbered. The point of the Omit command is to remove a scene but
still have it accounted for. Deleting an omitted scene defeats the purpose of the feature.
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Revisions
Select, modify and create different revision sets. Each revision set is typically distinguished by color or other characteristics.

Choose Production > Revisions, and the Revisions dialogue appears:

Active revision set

When entering revised text, the revised text has the characteristics of the active revision set, indicated by the name at the
top of the window. Every revision set has its own style characteristics. One benefit of having multiple revision sets is that it
is easy to differentiate between recent revisions and earlier ones. When the script is printed, the revised text prints in its
designated style (and color if the text is colored and a color printer is used).

The only initial difference between the revision sets in the Screenplay template is their name and color.

To move to the next revision set, click Next. The next revision set on the list will now be the active revision set. It is not
possible to go backward in the list of revision sets.
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To change the characteristics of a revision set

Select a revision set in the list at the left and its settings appear on the right. In most Final Draft templates, the standard US
production revision sets will already be listed and only the date of the revision set needs to be added to the revision set
label.

To change the label of the revision set

Highlight and overtype the current revision set name.

To change the revision mark

Highlight and overtype the current revision mark.

The asterisk ( " * " ) is standard for production scripts. Other symbols may be used to
denote a distinct set of revisions from a particular person, or that person's initial(s) may be used.
No more than two characters are recommended for a revision mark.

To change the onscreen page color of a revision set

Choose it from the Revision Page Color dropdown menu. In most Final Draft templates, the standard US production
revision sets will already be listed and the matching page color chosen for each set.

To change the appearance of the revised text

Color:

Click on the color swatch and choose a predefined color from the list

- or -

Select Other... and use the standard Mac color picker create a custom color and click OK.

To change the font style of the selected revision set

Check each font style the revised text is to have. The choices are

• Underline -- the text is underscored by a continuous line;

• Dotted Underline -- the text is underscored by a dotted line;
• Word Underline -- each individual word is underscored by its own line;
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• Strike out -- the text is struck through its horizontal center with a continuous line;
• Bold -- the text is rendered bold.

The lines applied to the text are the same color as the text.

A revision can be set as a “Full” revision set by selecting the Full draft option. This means that, if the Collated Revisions label
is set to display in the header, any pages that do not have revisions on them will display the label for the last “Full” revision
set. If the Revised pages only option is selected, only the pages that have the appropriate revisions on them will display the
Collated Revisions label in the header.

To make a revision a “full draft”

1. Select the revision to be designated as a full draft;
2. Select the Full draft option.

To add a new revision set

1. Click New;

A new revision is added at the end of the list and the default name is selected in the Name text field.

2. Edit the name as desired;

3. Select an appropriate color and font style.

To delete a revision set

1. Select the revision in the list;
2. Click Delete.

Do not delete a revision set that has already been used. Serious problems in page
labeling, revision set printing or exporting revision sets to PDF may result.

If a revision set is deleted, the revision set is cleared from the list and all revisions in the script that were marked with that
revision set are no longer marked as revised. Note that the active revision cannot be deleted.

When all changes are complete, click OK.

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Revisions Options

Revision Mode

Checking and unchecking this box turns Revision Mode on and off. This switch has the same functionality as the
Production > Revision Mode menu item.

Mark Location

Adjusts the margin for revision marks, measured from the left edge of the page.

To change the margin setting, click the up or down arrow to adjust the values. Click OK to apply the change.

Show Active Revision Set

If this radio button is checked, only the revisions from the active revision set appear as revised text on the page. That is, if a
script is in its fourth revision set but only revision marks on text that has been added or removed during this fourth revision
set should be visible, choose this. All the revisions made in sets 1-3 will still be in the script but they will not be marked
revised.

Show Collated Script

If this radio button is checked, all revisions made after the script is moved to a full draft will appear as separate revisions.
That is, if the script is moved to Full Blue and then to Pink, whatever text was revised as part of the Blue set will be shown as
Blue revised, but any text revised after moving to Pink will be displayed as Pink revised.

Show All Revision Sets

If this radio button is checked, every revision set will be displayed. If this option is selected, further choices to show or hide
revised text will be offered. The text will actually still be visible but it will not be displayed as revised. The other checkbox
will toggle revision marks on and off.

Show All Revision Text

If this box is checked, all revisions will be displayed as revised text in corresponding colors at the same time. When this
option is unchecked, all revisions display as normal text.

Show All Revision Marks

If this box is checked, all revision marks will be displayed. When this option is unchecked, no revision marks are displayed.

To apply the options, click OK.

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Revision Mode
Toggles revision mode on and off. When the script is in revision mode, all text added or edited is marked as revised. It is
easier to turn on revision mode than to manually mark every change after the fact using the Mark Revised command. All
new text entered is marked as revised and displayed in the current revision style. Any lines from which text has been
deleted will have a revision mark (if a revision mark is one of the attributes of the current revision set) next to them.

Mark Revised

Marks selected text as revised using the active revision style (text color, text style, page color, revision mark). This revision
will be part of the current revision set.

To mark revision text

1. Select the text;
2. Choose Production > Mark Revised or Command + ] (end bracket).

A revision mark (typically an asterisk “*”) appears to denote the text as revised. The text appears in the color and font style
set for the current revision style.

If Production > Revisions Setup > Show Revision Page Colors is checked, the page on which the newly-revised text appears
will display that revision set's color.

In this example, "A Suit tries not to laugh." has been marked as revised. It is part of the Blue revision set, which is set to
display not only a blue "page" (the coloration on either side of the page) but also blue text. As revised text, the asterisks on
the right side of the page are displayed to indicate that these lines are revisions.

(Note that revised text is usually black; for purposes of illustration and to point out that this option is available, the revised
text in the graphic below has been set to blue).
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Clear Revised
Deletes any revision marks and revert revised text to normal.

To clear text which has been marked as revised

1. Select the revised text;
2. Choose Production > Clear Revised or Command + [ (open bracket).

Revision marks and revision styles are removed, and the text appears the same as other text in the script.

To clear all the revised text in a script

1. Choose Edit > Select All or Command + A on the keyboard;
2. Choose Production > Clear Revised.

Lock Pages
Like any other word processor, Final Draft automatically repaginates when text is added to or removed from the document.
If a document is exactly 10 pages long and 2 pages’ worth of text is added to the beginning, what were pages 9 and 10 are
now pages 11 and 12. This is not an issue if a script is not about to go into production. However, when a script is broken
down by scene and page in collateral production documents (i.e., schedules, prop lists, talent call sheets), automatic
repagination with each change would be a critical problem.

For example, when a script has been distributed to cast and crew and The Big Important First Act Monologue starts on
Page 15 and The Big Chase Scene has been designated as Scene 25, no matter how much the script is rewritten, all
subsequent versions must still have The Big Important First Act Monologue on Page 15 and The Big Chase Scene must still
be Scene 25. Otherwise, people would not be, in a very literal sense, on the same page.

Also, once a script has been issued, every page and scene must now be accounted for without exception — if Page 15 or
Scene 25 are deleted without permanent denotation, cast and crew will wonder if they’re missing a page. Final Draft’s
page-locking feature is designed to protect a script’s pagination against changes caused by the addition and removal of
content.

To lock script pages

1. Choose Production > Lock Pages;
2. A dialogue appears asking whether to enable Revision Mode.
3. Click either the Yes or No button, depending on the situation. (Enabling revision mode is recommended).
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From this point forward, if enough text is added to a page to cause existing text to spill over to the next page, Final Draft
moves the additional text to a blank A page without affecting the next existing script page. Conversely, when text is
deleted or omitted from a locked page, the text from the next page does not flow backward onto that preceding page.

When pages are locked, the menu command changes to Lock “A” Pages and other locking and unlocking commands are
enabled.

"Locking pages" or "locking a script" is not a security setting and does not refer in any
way to its accessibility to certain individuals or groups.

Lock “A” Pages

Pages for each revision may be locked separately. For example, pages have been locked so there is now a 21A, 21B, etc. If
the Lock “A” Pages command is chosen, Final Draft locks all existing A and B pages, which then act just like any other locked
page (retaining their starting position, etc.)

When new text is added to a locked A page that causes an overflow to a new page, it becomes an “AA” page, and so on.
Likewise, if there are multiple locked pages and more than a page is deleted, the multi-page range that appears in the
header reflects the page range that was deleted (such as 7BB-9A).

Unlock “A” Pages

Reverts one level of page-locking. It becomes enabled only after A pages are locked.

To unlock “A” pages

1. Choose Production > Unlock “A” Pages. A confirmation dialogue appears;
2. Click Yes.

The last level of locking is overridden and the appropriate pages are unlocked.

This command may be chosen multiple times, if applicable.

No matter how many times “A” pages are unlocked, the Production menu item still reads “Unlock A Pages” — that is, the
menu item does not dynamically track levels of page-locking.
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Unlock All Pages

Completely unlocks the script and renumbers the pages in standard numerical order (removing all “A” and “B” page
numbers).

To unlock all pages

1. Choose Production > Unlock All Pages;
2. A confirmation dialogue appears.
3. Click Yes.

All pages are unlocked and the script repaginates so that the pages are renumbered consecutively.

You cannot go to Edit > Undo to move a just-unlocked script back to its locked state
with all of its A pages intact. DO NOT unlock a production script unless you have a backup of
the locked script and an important reason to do so. This function should be used only in
extraordinary circumstances.

Locking Tools Submenu

Relock Pages

Removes all A page numbers from the page containing the cursor to the end of the script, renumbers them in normal
sequential order, then locks them again. Use this command when the locked script does not match the printed draft of the
script due to pages not being properly locked at some point before changes were made.

To relock pages
1. Place the cursor at the beginning of the page where relocking is to begin;
2. Choose Production > Relock Pages;
3. A confirmation dialogue appears.
4. Click Yes.

All pages following the current page are unlocked and repaginated normally, then locked again.
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Adjust Locked Page

Changes the starting position for a single locked page. This can be useful when a particular locked page must be moved up
or down a paragraph or two to match a printed draft.

To adjust locked pages

1. Place the cursor at the beginning of the paragraph where the locked page to is start;
2. Choose Production > Locking Tools > Adjust Locked Page;
3. A confirmation dialogue appears.
4. Click Yes;
5. The Adjust Locked page dialogue appears:

6. Select the page number where the current paragraph is to begin;

7. Click OK. The script repaginates to reflect the new starting position for the specified locked page.

If the page number you need is not on the list, it is because that page it is not a valid
candidate. Final Draft cannot number a page in a way that is inconsistent with its pagination
logic or normal sequential numbering.

Edit Page Number

Manually change the number of a page that displays in the header or footer.

To modify a page number

1. Position the cursor in the page whose number is to be edited;
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2. Choose Production > Edit Page Number;

3. The Edit Page Number dialogue appears:

4. Enter the new page number;

Click OK.

The page number changes.

Lock New Page

Creates a new locked page at the current cursor position. The new locked page extends from the insertion point (the
blinking cursor) to the end of that page. This should only be necessary if a page is incorrectly numbered.

To create a new locked page

1. Place the cursor exactly where the new locked page is to begin;
2. Choose Production > Locking Tools > Lock New Page;
3. A confirmation dialogue appears.
4. Click Yes.

The page becomes locked.

Unlock Page

Unlocks a single page. This essentially removes the bottom border of the page and allows as much text as will fit to flow
backward from following page. Use this command if a page is incorrectly numbered or is improperly numbered as an “A”
page.

To unlock a page
1. Place the cursor on the page to be unlocked;
2. Choose Production > Unlock Page;
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3. A confirmation dialogue appears

4. Click Yes.

The page becomes unlocked and text from the following page will move up into it.

Unlocking Pages

A user may want to delete some content on pages after they have been locked, resulting in “orphan” pages. It is common
to combine the page numbers and put the remaining script contents on a single page to cut down on paper and
confusion.

There are two ways content can be moved around: unlocking a page or deleting all the contents on a single page to create
a page “x-y” on the prior page. Unless a page number is not expected to be used again, we don't advise unlocking a page
once the pages are locked and suggest the second method described below in “merging pages”. However, sometimes it is
impossible to get the desired results without unlocking pages.

To manually unlock an individual page

1. Place the cursor in front of the first contents at the top-most position of the page to be unlock in order to have
its contents move up to the prior page;
2. Choose Production > Locking Tools > Unlock Page;
3. A dialogue will ask to confirm the unlocking of the page at the cursor location. Click Yes.

The contents from the page move up to the prior page, filling any available space on the prior page.

Repeat steps 1-4 on any other pages to be unlock and move up to other content. For example, if there is an empty page
1A, 2 and 3 and they should be merged with page 1.

Once all the pages to merged together have been unlocked, the new page must be unlocked so that any subsequent
changes made to the script will maintain the proper pagination and page numbering.

To manually re-lock an individual page

1. Place the cursor in front of the first contents at the top-most position of the page to be relocked;
2. Choose Production > Locking Tools > Lock New Page;
3. A dialogue appears asking to confirm whether the page should be locked at the cursor location. Click Yes.

The contents on the page are now locked.

Continue these steps for any other remaining pages that were created as a result of unlocking pages.
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You do not need to lock pages beyond any that were affected by the “unlock” process.
So, for example, if you unlocked pages 1A, 2 and 3 and merged them all into a single page, you
only need to relock that single page. You will not need to lock pages 4 and after.

Tags Mode
Places Final Draft into Tags mode, in which items may be tagged. All tagged text will be displayed in the color assigned to
the document’s tags. Selecting this menu item while Final Draft is currently in Tags mode will take Final Draft out of Tags
mode. See Tagging for more information.

Tag All Characters

Scans the entire document for speaking characters and tags them as Cast Members. This command may be used
whenever it is necessary to update a Cast Member with additional associated tags. See Tagging for more information.
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Window Menu
Contains commands for displaying the currently open documents. The bottom of the Window menu contains a list of all
currently open documents.

To make a document the front-most (active)

Select the document title from Window menu.

The document window is brought to the front and a check mark appears next to its name in the Window menu.

Minimize

The Minimize Window command (also Command + M) minimizes the active document window into the dock.

Zoom

The Zoom command resizes the active document window. Choose Window > Zoom and the active document window
toggles between its original size and a size where all its contents are visible (depending on the monitor). This performs the
same operation as clicking the window’s maximize button.

Bring All to Front

The Bring All to Front command places all Final Draft windows in front of any others that are open.
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Help Menu
The Help menu contains information about the program and resources for program management.

• Search
• Get Support
• Submit Feedback
• Learn
• Final Draft User Guide
• What's New
• Sample Scripts
• Check for Updates
• Register Online
• Activate/Deactivate
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Search
Searches the Final Draft menus and the internet for the word or phrase entered by the user and returns clickable results.

Get Support
Displays the exact version of Final Draft installed, your unique Customer Number and links to Final Draft support services:

• Self-service support options

• The searchable online knowledge base
• Assisted support options (registered customers only)
• Email
• Chat
• Phone – 818-906-8930

Submit Feedback
Opens the computer’s default web browser to Final Draft's feedback page, where the user can suggest
changes or enhancements to Final Draft products. An internet connection is required.
Final Draft customers are encouraged to submit suggestions on how the program can be improved.

The Submit Feedback channel is a way for us to collect information on what new
functionality our clients need in the program or to let us know if a particular feature can be
improved.

For problems installing or using Final Draft, please log on to www.finaldraft.com/support for troubleshooting
resources and ways to reach our support staff.

Learn
Opens the computer’s default web browser to Final Draft's Learn page, where the user can access a library of “how-to”
screenwriting articles, Final Draft tutorial videos, testimonials from professionals and the official Final Draft blog. An internet
connection is required.
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Final Draft User Guide

Opens the web page on which this PDF document can be viewed and downloaded. An internet connection is required.

What's New
Contains details about new features in Final Draft 11 and a link to the Final Draft website.

Sample Scripts
This User Guide refers to Airship, a sample project in various stages of writing and production.

• Airship - Production represents a script in its beginning stages, when the writer is working on the broad strokes of
the story. It is not tagged.
• Airship - Script represents a working draft of a script. It is tagged for story and character structures and arcs.
• Airship - Shooting Script represents a script that is being or will shortly be produced. It has been scheduled and
budgeted and distributed to cast and crew. It is tagged for production breakdown.

Check for Updates

Queries the Final Draft server to determine whether a newer version of Final Draft is available for download. An internet
connection is required.

Register Online
Opens the computer’s default web browser to Final Draft's online registration form. An internet connection is required.

Registering Final Draft is strongly recommended. Only registered customers are eligible for free software updates, customer
support and discounts on other Final Draft products and services.

Registration is a one-time-only process. If Final Draft has already been registered and you are prompted by the program to
register, choose Register Later.
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Activate/Deactivate
A computer must be connected to the internet to activate and deactivate. Final Draft 11 can only be activated and
deactivated online.

Choose the Activate command to activate Final Draft. Once it is activated, it will run without restrictions. When Final Draft
has been activated, this menu item will read Deactivate.

Choose the Deactivate command to remove the activation from the computer. This activation is returned to the user’s
account on our activation server and is now available to be downloaded onto another computer (or this computer at
another time).

Once the computer has been activated, an internet connection is not necessary to run Final Draft.
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Tutorials
• Typing a Sample Script
• Importing Content from Other Sources
• Make Writing Dialogue Easier
• Manipulating the Page Count
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Typing a Sample Script

To watch a tutorial video on getting started, click HERE (internet connection required).

With Final Draft open to a blank, untitled screenplay document:

Type the letter i

A SmartType menu will come up and offer INT. or I/E. INT. (the abbreviation for Interior) will be highlighted; accept it by
pressing the Tab key. Note that Final Draft capitalizes everything in this element automatically, which is standard. A period
and a space are also added automatically.

Type in a location such as house and hit the Tab key. The Time of Day SmartType menu will come up and allow the user to
choose when the scene takes place. Choose Day with the arrow key, the letter D on the keyboard or the mouse and hit the
Tab key.
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A blank Action paragraph has been created, ready to be typed into.

Type this sentence: a man enters and sits down at the desk. Note that the first letter of the sentence is automatically
capitalized.

Press Return again to move to the next paragraph. Press Return to bring up the Elements menu and choose Character.

Type in bob and press Return. The name will be rendered in all uppercase.

A new, blank dialogue paragraph has been created. Type alone at last!. Press the Tab key to insert a new Parenthetical
paragraph and type sees Sue. Note that the parentheses will be added automatically. Press Enter to continue Bob's
dialogue. Type what are you doing here?

Press Return twice to bring up the SmartType menu of elements. Choose Character with the arrow key, the letter C on the
keyboard or the mouse and type sue. Press Return and type Sue's line, waiting for you.
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Note that Final Draft will insert the next appropriate element when Return is pressed, depending on which element the
cursor is in. For example, when the cursor is at the end of a scene heading, pressing Return brings the next logical element,
action. When the cursor is at the end of a character name, Return inserts a dialogue element.

The Status bar at the bottom will indicate what the Enter and the Tab key will insert (not available in Revision Mode).

If a new paragraph of a type not offered by the Return key is desired, hold down the Control key and choose another
element's number.

Example: If the blinking cursor is at the start of a blank Action paragraph and it should be a Transition instead, hold down
the Command key and press the 6 key. A new blank Transition paragraph will replace the blank Action paragraph.

If it makes the writing flow better, the user may change what the Return key inserts. For example, if it is a dialogue-heavy
script, the user may want to have Return insert a new Character after dialogue instead of Action. This will allow dialogue to
be written quickly.

To do this, go to Format > Elements and from the list on the left, choose Dialogue. Change the Next Element (Enter/Return)
dropdown to Character and click OK. To finish this new setting, go to Document > SmartType > Options and check the box
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for Automatically Guess Next Character, then click OK. From this point on, after Bob's dialogue has been typed and Return
is pressed, then the character Sue has been typed or SmartTyped in and Sue’s dialogue typed, Return after Sue's dialogue
will insert the character name BOB. After Bob's dialogue, press Return and the character name SUE will be inserted.

When this scene ends and it's time to move to the next scene, insert a new scene heading by pressing Command +1.

Importing Content from Other Sources

Scripts written in other writing programs (such as MS Word) or other screenwriting programs can be opened in Final Draft
software in a few easy steps.

1. Open the script in the program in which it was created;

2. Choose the Desktop as the save-to location and from the Save as Type or Format dropdown menu at the
bottom of the window, choose Plain Text, Text Only or ASCII Text file (they're all the same). Recent versions of
MS Word will offer Save As Other; choose Plain Text from this submenu;
3. Save the file;
4. In Final Draft, go to File > Open;
5. Navigate this dialogue box to look on the Desktop;
6. Double-click the text copy of the script;
7. At the prompt to choose between formatting it as a Script or Text, choose Script;
8. Final Draft will import the text and render it as a feature screenplay;
9. Go to File > Save and save the script with any desired file name modifications, such as today's date or the word
"master" (without quotes).

To apply a different format to this script, see Applying a Template. If it needs reformatting, see Reformat.

If content needs to be taken from a web page, a PDF or some other source that cannot be saved as a text file, copy and
paste it into a word processor and follow the steps above.

Make Writing Dialogue Easier

Final Draft can make writing dialogue even easier by changing the Dialogue element to transition to Character with Return
rather than keeping it set to its default transition-to element, Action.

1. Go to Format > Elements and choose Dialogue from the list on the left;
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2. Change the Return value from Action to Character.

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From this point forward, pressing Return after a character is finished speaking will insert a new Character paragraph instead
of a new Action paragraph. Final Draft's Auto-guess Next Character function is enabled by default and once it sees that two
characters are having a conversation, it will automatically insert the other character's name after the first character's
dialogue is over.

To see this work (after making the change to the Dialogue SmartType element as above):

1. Go to Help > Sample Scripts > Script to open the sample script Airship;
2. Click the mouse at the end of AGGRESSIVE WARLOCK 's line, “Don’t let her get time to –"
3. Press Return and then Tab to create a new Character paragraph;
4. Press A on the keyboard to display the character SmartType list;
5. SmartType displays the choices in gray; select APOLOGETIC WARLOCK with the mouse or by typing the letter P
(which instructs SmartType to show all characters that start with the letters AP);
6. Press Return to accept this character name;
7. Type a bit of dialogue and press Return, then Tab.
8. The character name AGGRESSIVE WARLOCK will sketch in; press Return to accept this choice;
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9. Type a bit of dialogue and press Return, then Tab.

10. SmartType displays the choice APOLOGETIC WARLOCK in gray;
11. Type a bit of dialogue and press Return.

Once again, as soon as Final Draft is aware that Aggressive Warlock and Apologetic Warlock are having a conversation, it
can supply their names automatically with the Return key.

To choose a different character name from the SmartType list or to enter a new name, simply overtype the auto-
suggestion. If there is a character match in SmartType, it will sketch in. If there is no character match, finish typing the new
character name, press Return and it will be added to the Character SmartType list.

By changing Dialogue's default transition-to element, to insert a new Scene Heading,

Action, Shot or Transition paragraph after a Dialogue paragraph, you will now need to press
Command + Element Number.

Manipulating the Page Count

Manipulating the page count, also called cheating the page count, is usually done to prevent widows/orphans. It is also
done sometimes to keep the last line or two of a scene at the bottom of the page rather than letting it spill to the top of
the next page.

Widows and orphans refer to paragraphs that should stay together but are erroneously separated by a page break. A
Character name at the bottom of Page 5 and that character’s dialogue at the top of Page 6 is a widow/orphan situation.
Final Draft was designed to prevent this but as writers continually move, add and delete text, this can sometimes occur.

Producers need to rely on roughly one page per minute of screen time and 30 seconds per page for a sitcom. If the script is
cheated too much, those formulas go out the window.

Although you can undo changes to your pagination, it’s much easier to create a new
copy of the file and tweak that one. Go to File > Save As and call the test copy something like
“Scriptname – pagination test” (without quotes). If the new copy isn’t right, you will still have the
master. If it is right, rename it and use it as the new master.
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Local Indents (Margins)

Place the cursor anywhere within the paragraph whose indent is to be changed. In the ruler bar, click on the triangular
indent marker on the right. Drag it to the left or the right and the text will contract or expand accordingly.

If an element’s indents have been adjusted and they should be restored to their default settings, place the cursor anywhere
within the paragraph and use the Revert Paragraph command.

The Revert Paragraph icon is not part of the regular toolbar set, but the Toolbar may be customized to include it. See
Customizing the Toolbar.

Leading

Tighten or loosen the vertical line spacing (leading, pronounced "ledding") of a particular block of text by choosing Format
> Leading and selecting an option. The options are Very Tight, Tight, Normal and Loose.

Global Indents

Narrow or widen the horizontal margin of one or more elements throughout the script.

1. Go to Format > Elements;

2. Click the Paragraph tab;
3. On the list on the left, click the element whose indents are to be changed;
4. Alter the left- or right-hand indents.

Changing margins through the Elements control panel is global and will be applied to every instance of that element.

Best practice is to jot down the indent settings before adjusting them in the event that the change needs to be undone.

Line Spacing Options

1. Go to Document > Page Layout;
2. Click Options;
3. Select an option from the Line Spacing field: Very Tight, Tight, Normal and Loose.

Line Spacing Differences

A script that is exactly 100 full pages with Regular line spacing will come out as:

• Very Tight: 90
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• Tight: 95
• Loose: 107

Text and Header/Footer Margins

Text margins control the amount of space left blank at the top and bottom margin of each page.

Header/Footer margins control the amount of space left blank above the header and below the footer.

1. Go to Document > Page Layout and click on the Margins tab;

2. Raise or lower the top or bottom Text and/or Header/Footer margins.

Due to variables in printer drivers and operating systems, there’s no exact formula for how adjustments made to either of
these two margin settings will translate into pages added or subtracted from the page count. That is, moving the bottom
text margin from (for example) 1” to .5” won’t reliably reduce a script’s page count on any computer by exactly (for
example) 1.5 pages. Some trial-and-error experimenting on test scripts will help determine the appropriate settings. We
recommend leaving the default settings in place.
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Elements
Scripts are comprised of different types of information -- scene headings, action, characters, dialogue and others. Each of
these has its own indents (margins), alignment, spacing, casing and other attributes. Final Draft calls these unique
paragraphs "Elements." In this sense, a script can be described as a stack of elements.

The specifications for all elements are defined in the Format > Elements dialogue. Other word-processing programs may
refer to them as styles or style sheets.

Whenever a new paragraph is created, it gets its characteristics from the specifications in the Elements dialogue, which
gives the script a consistent, professional look. An entire script may be altered by changing the settings for one or more
elements. For example, if the indents (margins) for the dialogue element are changed, every existing and new paragraph of
dialogue is (re)formatted accordingly. See Modifying Elements and Creating New Custom Elements for more information.

Elements in a Script
The Element dropdown menu indicates the element type of the paragraph that contains the blinking cursor.

Changing a Paragraph’s Element Type

Occasionally, a paragraph’s element type may need to be changed after it has been created.

To reformat an individual paragraph to a different element, place the cursor in the paragraph (or select a word or a block of
text).
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Choose the new element from the Format > Change Element to... menu

- or -

Choose the new element from the Element dropdown in the toolbar

- or -

Type Command + Option + [#] to reformat the current paragraph. See Reformat for more information.
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Adding Paragraphs
Final Draft offers a variety of methods for adding new paragraphs and switching elements so that the user may choose the
method that works best for his or her own typing style.

Create a new paragraph with:

• Command + [#] key combination

• The Tab key
• The Return key

Modifying Elements and Creating New Custom Elements

Most scripts can be written using the default set of elements. However, Final Draft gives the user the ability to modify
existing elements and create new ones, which allows complete customization of the look of any script.

To modify the list of elements and element properties

1. Choose Format > Elements and the Elements dialogue appears, open to the Basic tab:
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2. The Elements dialogue contains the controls for all aspects of each element. It contains a list of the current
elements as well as all the keystrokes, margins, alignment, spacing and stylistic information for each element.
3. Make changes to any element(s);
4. Click OK.

The change is applied to all instances of that element throughout the script.

Basic Tab

The Elements List contains the elements that are defined for the currently open script. The currently selected element’s
characteristics are determined by the options set in the Basic, Font and Paragraph tabs of the Elements dialogue.

Behavior Options
These options determine what happens when an element is added or inserted in the script.

Start New Page

When Start New Page is checked, a new page begins where the element is added or inserted.
Example: If each scene should begin on its own page, choose Scene Heading from the list on the left and check this box.
Click OK and every scene will now start on a new page.

Paginate As
The Paginate As option instructs Final Draft how to break pages when the selected element text overflows between pages.
The page-breaking rules for one of the screenplay elements listed may be selected, or None may be selected.
Example: The user is writing a musical and have created a special Lyrics element for use when characters are singing. Set
the Lyrics element to paginate as dialogue, which ensures that it is never orphaned from its associated character element.

Shortcuts
The Shortcuts options determine which keyboard shortcuts are used to add or insert the selected element. It also indicates
which element is automatically created the Return key is pressed at the end of a paragraph.

Command Key
This option sets the keystroke combination that creates a new paragraph of the selected element type.

To change an element shortcut:

1. Choose the element desired from the Element List;

2. Click in the Shortcut Key text field;
3. Replace the current character with any character desired. It can be a number, character, function key, etc.

Enter Key / Next Element pop-up list

This option specifies which element is automatically created when the Return key at the end of an element is pressed.
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To change which element is automatically created when the Return key is pressed, choose the element from the
dropdown list.

Example: The Return key should bring up a new Character paragraph after Dialogue instead of an Action paragraph.
Choose Dialogue from the list on the left and Character from the Next Element (Enter/Return) dropdown on the right.

Font Tab

The Font tab indicates the current font and size setting for the selected element.

You have the ability to use other third-party fonts, but this is not recommended.
Setting a script in a different font almost always causes a change in the page count, especially
when the script is sent to a computer that doesn't have that font installed. This is true even if the
font is in the Courier family. Using Courier Final Draft is the way to ensure that a script retains its
original page count even if it's opened on a variety of machines.

To set font and size for an element

1. Choose the element desired from the Element List;
2. Click the Font tab;
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3. Click Set Font;

4. The Font dialogue appears.
5. Make any desired changes and click OK;

To set font and size for all elements:

1. Change these font attributes for one element;
2. Click Apply Font/Size to All Elements.

All the elements are set to the same font and size. Note that the Apply Font/Size to All Elements command does not apply
a style or styles (such as bold or italic) to all elements.

Paragraph Tab

The Paragraph tab is the place to adjust an element's layout attributes.

Alignment

The Alignment dropdown contains the options Left, Centered, Right and Justified.
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Spacing

The Spacing dropdown contains the options 1, 1.5, 2, and 3.

Space Before

The Space Before option allows the user to set the spacing before an element. The options include 0, 1, 2 and Other (where
a value up to 30 may be entered).

Left and Right Indents

These settings control the indents (margins) of the selected element and are measured in inches from the left edge of the
page.

To change the Left or Right Indent settings for an element:

1. Choose the element desired from the Element List;

2. Click the up or down arrows next to the setting.

To create a custom element

3. Click New. A default name appears in the Element list and in the text field above the list;
4. Edit the name in the text field. The name in the Elements list changes accordingly;

The Basic, Font and Paragraph tab options are set to default for those of the Action element.

5. Make any changes desired.

To delete a custom element

1. Select a custom element. The Delete button becomes enabled;
2. Click Delete.

You cannot delete or rename a core element (General, Scene Heading, Action,
Character, Parenthetical, Dialogue, Transition, Cast List).
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To Apply a Template

If a certain kind of script (i.e., feature screenplay) must be converted to another kind of script (i.e., one-hour drama), there is
no need to adjust all elements of the script one at a time. The script may be converted to another format by instructing
Final Draft to apply the element settings from one of the templates that ship with Final Draft.

1. Click Apply a Template and the Templates menu will appear:

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2. Select the desired template and click OK. The element specifications of the chosen template will be applied to
the script.

To Apply the Elements from Another Script or a Template not included in Final Draft
1. Click Apply a Template and the Template menu appears:

2. Hover the cursor over the down-pointing arrow to scroll to the bottom of the list and click Other;
3. The Open dialogue will appear;
4. Select the desired script or template and click OK. The element specifications of the chosen script or template
will be applied to the script.

Standard Elements
The basic screenplay elements are:

General

General elements are used for any text which does not fall within any of the standard elements.
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Scene Heading (Slug Line)

A Scene Heading marks the beginning of a scene, describing where and when the scene takes place. Scene Headings are
always written in uppercase. Traditionally, scene headings are the only element that have a scene number assigned to
them. They are never “orphaned” at the bottom of a page but are placed at the beginning of the next page to stay with the
action that follows.

Scene intros indicate whether the scene is set inside or outside. The default scene intros are: INT (interior); EXT (exterior); I/E
(interior/exterior).

Location indicates where the scene is to take place.

Time indicates when the scene is to take place.

Action

Action represents screen direction that tells what is happening in the scene. It may include physical and psychological
action.

Character and Dialogue

A character always precedes dialogue to indicate who is doing the talking. Characters are always written in uppercase.

Dialogue represents a character’s speech. It is always preceded by a character, which identifies the speaker.
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Parenthetical

Parentheticals provide directions which precede or follow dialogue. They indicate an immediate action being taken by the
speaker, or that the dialogue should be delivered in a certain way. Parentheticals should be no more than a few words.

When a parenthetical element is added, Final Draft automatically enters both the left
and right parentheses and positions the cursor between them.

Transition

A Transition marks the end of a scene and may indicate how the passage between scenes takes place. They are always
written in upper case. Some examples are CUT TO:, DISSOLVE TO:, and MATCH CUT TO:.

Shot

A shot is used to indicate a camera angle, camera movement or direction within a scene. Shots are always written in
uppercase and behave and paginate just like scene headings, although they do not get numbered. They will not be
“orphaned” at the bottom of a page but will be placed at the beginning of the next page to stay with the action that
follows the shot description.
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Cast List

The Cast List feature is used in sitcoms to list which characters appear in a scene. The cast list appears directly below the
Scene Heading. See Cast List for more information.

As characters are entered into the scene, their names automatically appear in the new Cast List element. When a character
is removed from a scene, it is removed from the Cast List for that scene. For information adding a nonspeaking character to
a scene's Cast List, see Insert Nonspeaking Character.

Continueds and Extensions

Final Draft will automatically add a (CONT'D) after a character name if that character's speech is interrupted by an Action
paragraph. Automatic Character Continueds are enabled by default and can be disabled under Document > Mores and
Continueds.

A character extension indicates where the speech is “coming from” — offscreen, off camera, voice-over, telephone, etc.
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Beat Board and Story Map

To watch a tutorial video on the Beat Board, click HERE (internet connection required).

Displays a field in which the user may insert and arrange Beats and Structure Points.

Before they "go to pages" (write action and dialogue), many writers and writing teams first outline their stories using real or
virtual cards to lay out the "beats" of a script and view them from a high altitude. The Beat Board allows the user to compile
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and organize his / her ideas, notes, story points, scene fragments, scenes, sequences, acts, plot structure, the arc of a show
season or even a series itself.

Open Final Draft, go to Help > Sample Scripts and choose one of the scripts. Open the
Beat Board to see how the writer of Airship used the Beat Board to organize story, plot, theme,
characterization and arcs.

The Beat Board offers two kinds of virtual cards: Beats and Structure Points. Beats generally contain any type of story
content, whereas Structure Points are generally used to denote separate scenes, groups of scenes, sequences, acts, or other
story or plot milestones. Structure Points have a thicker border than Beats.

Inserting a New Beat or Structure Point

To insert a new Beat or Structure Point, right-click or Control + click the Beat Board and choose New Beat or New Structure
Point. A new Beat or Structure Point will be placed on the Beat Board at that location:

A new Beat may also be inserted by*

• Double-clicking anywhere on the Beat Board;

• Right-clicking anywhere on the Beat Board and then clicking New Beat;
• Pressing Command + Return on the keyboard;
• Going to the Insert menu and clicking New Beat.

A new Structure Point may also be inserted by

• Pressing Control + Shift + Enter on the keyboard.

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Page Goal

Another way to create a Beat or Structure Point is to right-click or Control + click on the Story Map on a particular page
marker and select New Beat or New Structure Point. A Beat or Structure Point marker will be created on the Story Map at
that point and a new Beat or new Structure Point will also be placed on the Beat Board.

Note that in the upper right corner of the Beat or Structure Point a “Page Goal” (a number) is displayed. The Page Goal
indicates the script page on which the user expects to write the content contained in the Beat or, in a Structure Point, the
page on which the user wants a certain milestone in the story. This number is not editable, but if the marker is moved in
the Story Map, the Page Goal on the Beat or Structure Point will be updated.

Example: If "The Necktie Scene" should start on Page 12, insert a Beat in the Story Map on Page 12 and title it accordingly.

Example: If there is a Structure Point with Page 25 as its Page Goal, to mark the first act break, and the first act break should
now be on Page 28, drag the Structure Point marker in the Story Map to Page 28. The Page Goal in the Structure Point will
be updated to 28.

To remove the Page Goal from a Beat or Structure Point, right-click in the upper right of the Beat or Structure Point. From
the context menu choose Remove Page Goal.

*Beats or Structure Points created in one of these ways will not have a Page Goal in the upper right corner.

To assign a Page Goal to a Beat or Structure Point after it has been created from the Beat Board and not the Story Map, drag
it from the Beat Board to the desired "page" in the Story Map. A Beat or Structure Point marker will be placed at that
location on the Story Map and the Page Goal will now be displayed in the Beat or Structure Point.

Converting a Beat to a Structure Point or Vice Versa

Right-click or Control + click on Beat or Structure Point and with the left mouse button choose the other:
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Positioning and Sizing Beats or Structure Points

Beats and Structure Points may be dragged anywhere in the Beat Board with the left mouse button; they are not confined
to columns and rows. To move a Beat or Structure Point, click onto it with the left mouse button, hold the left button down
and drag it to the desired location. Note that when in drag mode, the cursor changes to the drag icon.

Beats and Structure Points can be resized or reshaped by hovering the cursor on any border or corner so that the double
arrow appears, holding the left mouse button down and dragging inward or outward, right or left, up or down.

As more Beats or Structure Points are added or moved down or to the right, use the vertical and horizontal scroll bars to
display further sections of the Beat Board.

To move a Beat or a Structure Point or a grouping of Beats or Structure Points (see Multiple-Selecting Beats or Structure
Points, below) to a section of the Beat Board that is not currently visible, drag the selection off the edge of the Beat Board
and continue dragging. The Beat Board will move in the opposite direction of the drag (revealing more of the Beat Board)
until the mouse button is released.
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Grid Snapping

In the Format > Beat Board menu is Grid Snapping, an option to set the Beat Board to position a corner of a Beat / Structure
Point, when it is moved, to the nearest vertical or horizontal grid line or the nearest mid-point between vertical or
horizontal gridlines.

Entering Text

To enter text into the Title or Body field, click once on the Beat or Structure Point to select it (selection indicated by a blue
border), then click again into the Title or Body field. Text may be entered or pasted when the blinking cursor is present in
the field.

Text in the body field of a Beat / Structure Point may be modified by highlighting it and selecting a style or styles from the
Format > Text section.

The font, size, style and color of text in the title field of a Beat or Structure Point may not be modified.

To move the blinking cursor from the Title field to the Body field, press the Tab key on the keyboard. To move the blinking
cursor from the Body field to the Title field, press the Tab key again. If the cursor is in the Title field, Return will also move
the cursor to the Body field.
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Copying Text from Beats or Structure Points

Text in a Beat or Structure Point may be copied to another Beat or Structure Point, a script page, a Summary card or a text
field in the Navigator. To copy Beat or Structure Point text, select the Beat or Structure Point and, on the keyboard, press
Command + C. The text is now on the clipboard and may be pasted elsewhere.

Text can be pasted into a Beat or Structure Point from any source. If a Beat or Structure Point is selected and the blinking
cursor is in a field, right-click in the field and choose Paste. Text can also be pasted with Command + V.

If it is pasted into a script page, the Beat or Structure Point’s title will be inserted as a Scene Heading and the body will be
inserted as Action.

If multiple Beats or Structure Points are selected and Command + C is chosen, and the text is pasted into a script page, the
text will be placed on the page in the order of Beat or Structure Point selection.

There is no limit to the amount of text that can be entered into the body of a Beat or Structure Point; if there is too much
text to be displayed in its entirety and the Beat or Structure Point has not been enlarged to accommodate it, use the Up or
Down arrow keys or the Page Up / Page Down keys on the keyboard to scroll.

Dragging a Beat or Structure Point to a Script Page

If the screen is split and displays Normal, Page or Speed View in one panel and the Beat Board in the other, text may be
copied from a Beat or Structure Point by dragging the Beat or Structure Point to the desired location on a script page. The
Beat or Structure Point’s title will be inserted as a Scene Heading and the body will be inserted as Action.

The Beat or Structure Point will remain on the Beat Board after the drag.

Dragging Selected Script Text to the Beat Board

If the screen is split and displays Normal, Page or Speed View in one panel and the Beat Board in the other, script text may
be selected and dragged onto the Beat Board. A new Beat will be created at the end of the drag that contains the selected
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script text. The selected text will not be removed from the script page and the text in the new Beat will retain its original
formatting from the script page. This function is especially useful for storing content for later use.

Create a “trim bin” area on the Beat Board for bits of your script that you’re not sure
you want to keep. Assign a color to these Beats so you can easily identify them.

Coloring Beats or Structure Points

A Beat or Structure Point may be colored by right-clicking into it and choosing a color from the context menu. Suggested
schemes include color-coding groups of Beats or Structure Points by location, time of day, presence of a particular
character or characters, type of scene, related scenes, or by sequence or act.

When a Beat or Structure Point is colored, its corresponding Beat or Structure Point marker in the Story Map (if any) also
takes on that color.

Multiple-Selecting Beats or Structure Points

Beats or Structure Points may be multiple-selected by drawing a box around the desired Beats or Structure Points with the
mouse. Once several have been selected, they can be moved, colored or deleted as a group. Note that there is no
confirmation dialogue when deleting. To release the selection of a group, click anywhere else in the field. Text may be
copied from multiple Beats or Structure Points and pasted in other locations; the text will paste in as a single block.

Beats or Structure Points may also be multiple-selected by holding down the Command key and clicking desired Beats or
Structure Points. The order in which they are selected will determine the paste order if their contents are to be pasted
elsewhere.

Align Selected

To quickly arrange Beats / Structure Points, the Format menu and the context menu (right-click) offer the following
commands: GRAPHICS
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To Grid

A single Beat / Structure Point can be aligned with the nearest gridline. The Align Selected > To Grid command will move
the selected Beat / Structure Point to the closest horizontal or vertical grid line.

When multiple Beats / Structure Points are selected, this command will move all selected Beats / Structure Points to the
closest horizontal or vertical grid line.

Make Column

When multiple Beats / Structure Points are selected, Align Selected > To Grid > Make Column will arrange all selected Beats
/ Structure Points in a vertical line. The column will be moved to the nearest blank section of the Beat Board so that
existing Beats / Structure Points are not blocked.
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Make Row

When multiple Beats / Structure Points are selected, Align Selected > To Grid > Make Row will arrange all selected Beats /
Structure Points in a horizontal line. The row will be moved to the nearest blank section of the Beat Board so that existing
Beats / Structure Points are not blocked.
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Cascade

When multiple Beats / Structure Points are selected, Align Selected > To Grid > Cascade will arrange all selected Beats /
Structure Points in in this overlapping formation:
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Beats and / or Structure Points that have been arranged by any of the above
commands are not joined as a unit. Beats and / or Structure Points can at any time be moved
away from the arrangement into which they were placed.

Deleting Beats or Structure Points

To delete a Beat or Structure Point, click into the upper right-hand corner so that it is selected (blue outline) but it is not in
text-edit mode (no blinking cursor). Press Delete on the keyboard or right-click on a Beat or Structure Point marker in the
Story Map and choose Remove.

Zooming the Beat Board

The Beat Board may be reduced or enlarged to display more or less of the content area. To zoom:

Mouse and Scroll Wheel

If a mouse with a scroll wheel is being used, hold down the Command key and scroll up or down with the scroll wheel.

Keyboard

Hold down the Control key and press the plus or minus keys on the right-hand side of an extended keyboard.

Menu

Go to View > Zoom Story Map to choose a pre-set zoom size.

View Mini-Bar

At the bottom right of the application window, use the slider to zoom in and out or click on the current zoom setting,
displayed as a percentage, and choose a pre-set zoom size from the drop-down menu.
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Images on the Beat Board

The Beat Board can display images – storyboards, lighting schematics, headshots, location ideas, wardrobe choices, etc.

Supported graphics formats are .GIF, .JPG, .JPEG and .PNG.

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To insert an image, right-click or Control + click on the Beat Board and choose New Beat from Image. A standard Open
dialogue box will appear, allowing the user to navigate to and select an image. Locate the image and double-click it; a new
Beat containing the image will be created on the Beat Board at that location.
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Alternately, an image may be dragged from a folder directly onto the Beat Board to create a new Beat containing that
image. The name of the graphics file will be the title of the Beat.

Insert > Image will open a standard Open dialogue and allow the user to navigate to and select an image. Locate the
image and double-click it; a new untitled Beat containing the image will be inserted at the upper left of the Beat Board.

Beats containing images behave identically to Beats and Structure Points containing text – they may be resized, colored,
dragged to a script page, etc.

Images larger than 1mb in size are not recommended. If a script file contains many
large image files, program performance may be affected.

Story Map

To watch a tutorial video on the Story Map, click HERE (internet connection required).

Story Map is an outlining tool that allows the user to lay out story beats and story milestones in a linear fashion. The
numbers in the Story Map correspond to page numbers in a script and the user can place markers representing Beats and
Structure Points anywhere on the Story Map.

To insert a new Beat or Structure Point marker, right-click on a desired page number marker in the Story Map and choose
New Beat or New Structure Point. A new Beat or Structure Point marker will be placed in the Story Map at that location:
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A new Beat or Structure Point will also be placed on the Beat Board, ready to be given a title. The new Beat or Structure
Point will have that page number as its Page Goal. See The Beat Board for more information on using the Beat Board.

An existing Beat or Structure Point marker may be dragged from one location to another along the Story Map, which
changes its Page Goal. The corresponding Beat or Structure Point on the Beat Board will reflect the new Page Goal.

If more than one Beat or Structure Point is associated with a particular page, the Beat or Structure Point marker in the Story
Map will display the number of Beats or Structure Points:

When the cursor is held over a Beat or Structure Point marker, a window will appear containing the text in the
corresponding Beat or Structure Point:
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Written scenes are represented on the Story Map by blocks that reflect a scene's color, if a color has been assigned:

The location and length of a block corresponds to the scene's starting page number and the number of pages it spans.

Hover the cursor over a block to display the scene contents ("Trish's Bedroom," in the above example). In Page View,
double-clicking on a scene in the Story Map scrolls the displayed page to that scene.

Navigation

Double-click on a Beat or Structure Point marker to move the Beat Board so that the Beat or Structure Point associated with
the double-clicked marker is displayed at the center of the screen. The Beat or Structure Point will also be selected (blue
border).
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Location Indicator

The script page containing the cursor is indicated in the Story Map by a blue line. If the cursor is placed on a different page,
the Location Indicator will move to the new page marker.

Target Script Length

The Story Map defaults to 120 pages, considered the average feature film script length. Double-click or right-click anywhere
in the Story Map to adjust the target script length (the number of pages represented):

The more pages there are, the longer the Story Map will be. If a script is longer than the target script length, the hash marks
and Page Goals in the Story Map will appear in red.

If a locked script has A pages, they will appear as gold hash marks.

If a locked script has dashed / deleted pages (i.e. "page 9-10"), the corresponding area of the Story Map will not display a
scene content tooltip.

Enlarge or reduce the size of the Story Map under View > Zoom Story Map.
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To work with percentages rather than pages, set the Target Script Length to 100. Now
each hash mark represents 1% of the total project rather than page numbers. For example,
placing a Beat or Structure Point at 33 means that it occurs a third of the way in, regardless of
how many pages precede that Beat or Structure Point.

Menu

Right-click or Control + click on a Beat or Structure Point marker to display a context menu:

• New Beat -- places a new Beat in the Beat Board and a new Story Map marker at that page number location.
The Beat will have that page number as its Page Goal.
• New Structure Point -- places a new Structure Point in the Beat Board and a new Story Map marker at that
page number location. The Structure Point will have that page number as its Page Goal.
• Show -- moves the Beat Board so that the associated Beat or Structure Point is displayed at the center of the
screen. The Beat or Structure Point will also be selected (blue border). This command is identical to double-
clicking a Beat / Structure Point marker.
• Remove -- removes the Beat or Structure Point marker from the Story Map and the associated Beat or
Structure Point from the Beat Board.
• Change Target Script Length -- see above.
• Hide Story Map -- removes the Story Map from the application display. To show the Story Map, go to View >
Show Story Map.

Right-click anywhere in the Story Map to display the above menu but without the options to Show or Remove a Beat or
Structure Point.
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Navigator
The Navigator is a tool that displays a variety of information about the currently-open script.

• Navigator > Scenes

• Navigator > ScriptNotes
• Navigator > Characters
• Navigator > Tags
• Showing / Hiding the Navigator
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Navigator > Scenes

To watch a tutorial video on Scene Navigator, click HERE (internet connection

required).

If the Navigator is not open, go to Tools > Show Navigator. The Navigator panel will be displayed, open to the Scenes tab:
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All Navigator tabs operate the same way, regardless of which tab is chosen. Most
options, configuration and navigation to and from are identical.

This view contains a table of the scenes in the active script. Each row of the table corresponds to a scene in the script. The
highlighted row in the Navigator corresponds to the currently-selected scene in the active script. If multiple scenes are
selected in the active panel, the highlighted row corresponds to the last scene added to the selected scenes. If another
script is made active, the Navigator displays the scenes in the new active script.

Navigating to a Scene

Double-clicking a scene in the Navigator will display that scene in the active panel (see the Panels section). If the active
panel shows script pages (Page/Normal View), the scene chosen in the Navigator will be displayed at the top of the screen
and the blinking cursor will be placed at the beginning of that scene.

If the active panel is set to an Index Card view, the card of the scene chosen in the Navigator will be positioned at the top
of the screen and highlighted.

Conversely, wherever the blinking cursor is placed in a script page or whichever card is clicked on in an Index Card panel,
that scene will be highlighted in the Navigator.
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Sorting Scenes

Sort the scenes by any column in either ascending or descending order. To sort by a column: Click on the header of the
column to be sorted. The triangle indicates whether the column is currently sorted by ascending (arrow up) or descending
(arrow down) order.

Example: To group scenes by location intro (interior or exterior), click on the Intro column header. All exterior scenes (EXT)
will be displayed at the top of the list, followed by all interior scenes (INT). To reverse this order, click the Intro column
header and all the INT scenes will be displayed at the top of the list.

Adding and Removing Columns

To add a column, click the Column icon at the right of the menu bar:

A context menu will appear with column choices (“Show…”), depending on which Navigator tab is active.

The currently displayed columns will be listed; to remove a column, click the menu item.
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The Columns

The Scenes section of the Navigator contains the following columns (shown here alphabetically):

The Order column displays the numerical order each scene appears in the script, (e.g., the first scene in the script has a “1”
in the Order column, the second scene in the script has a “2” in the Order column, etc.). Note that the Order is not the same
thing as the scene number (See Scene Numbers).

The Color column displays the scene color. A color may be assigned to each scene to make scenes easier to group and
sort. See the section below on the Scenes section for how to change the scene color.

The Intro, Location and Time columns display parts of the scene heading for each scene. The Intro column displays the
scene intro (either INT or EXT), the Location column displays the name of the location and the Time column displays the
time of day.

The Length column displays the length, in pages, to the nearest 1/8th of a page, of each scene.

The Page column displays the starting page number for each scene. The Scene # column displays the scene number for
each scene, if scene numbers have been generated. See Scene Numbers for information on how to generate scene
numbers.

The Title column displays the title of each scene. The title is a short text label you can assign to a scene, in addition to the
scene heading and summary, to make it easier to identify. See the section below on the Scene Properties section for how
to enter and edit a scene title.

Filter By… The Navigator can display scenes based on search criteria entered into the Filter by… box at the top of the
panel:
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Place the blinking cursor into the Filter by… box by clicking the mouse one time in that space. Type a search parameter
such as “ext.” or “int.” (without quotes), a location, a time of day, a character name or a word from a scene summary. As
more text is entered, scenes containing the search term entered will be displayed.

Example: Type the letters “ext (without quotes) into the Filter by… box and only scenes that contain that letter
combination in the scene heading or in the scene summary will be displayed.

If more letters are entered into the search box, the search becomes more specific.

To view all scenes again, delete the search term from the Filter by… box. The Filter by… box does not search for individual
words in action or dialogue.

Scene Properties

The lower panel of the Navigator allows the user to add information about a scene that is not displayed on the script page.
This information can be helpful in organizing, structuring and tracking the many scenes that comprise a script.
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The scene’s Title: The user can, if desired, assign a short title to a scene in order to reference it quickly and easily. Click into
the Title field to enter or edit text and click anywhere outside the edit field to apply the change. The Title field is blank until
text is entered.

Examples of scene titles are “The Necktie Scene,” “The Bicycle Accident” or “Bob Meets Sue.”

The scene’s Summary: The user can, if desired, describe in greater detail what happens in a scene. This is particularly useful
at the story construction stage of the writing. The scene summary will appear in the Index Card summary view. Click into
the Summary field to enter or edit text and click anywhere outside the edit field to apply the change. The scene summary
field is blank until text is entered.

An example of a summary is:

“Bob nervously walks up to the mailbox, places the briefcase with the top-secret papers underneath it and runs.
Sue is behind a bush waiting for him. When he starts running, she calls Fred on her cell phone, tells him the drop
has been made and follows Bob from a distance.”

This is too long for a scene title and provides an accurate description of what happens in the scene. It can be used to
indicate what has already been written or what still needs to be written.

The scene’s Color: The user can, if desired, assign a color to a scene. Assigning a color to a scene or group of scenes enables
the user to organize scenes into groups or categories. They can then be sorted by color in the Navigator. The Scene View
and Index Card panels also display each scene’s color. To assign a color to a scene, right-click or Control + click in a card,
click on the color dropdown menu and select the desired color. This color will be applied to the scene immediately. If
multiple scenes are selected, the new color applies to all of the selected scenes.

Examples of how colors can be used to organize scenes are:

• All A-story scenes are red, B-story scenes are green and C-story scenes are purple;
• All park scenes are red, all restaurant scenes are green and all hotel scenes are purple;
• All Bob scenes are red, all Sue scenes are green and all Fred scenes are purple.

If multiple scenes are selected in the active Script panel, then the title and summary text boxes are unavailable. Thus, the
user cannot change the title or summary of multiple scenes at once. However, if multiple scenes are selected in the active
Script panel and all the selected scenes have the same color, then the color dropdown displays that color, which can be
changed here. On the other hand, if the selected scenes have different colors, then the Color dropdown is unavailable. If
each scene is to be assigned a different color, they will have to be selected one by one. In the Script panel, if the selection
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highlight extends across the start of a scene heading, then both the scene previous to the scene heading and the scene
that contains the scene heading are selected.

Navigator > ScriptNotes

To watch a tutorial video on ScriptNotes Navigator, click HERE (internet connection

required).

If the ScriptNotes Navigator is not open, go to Tools > Show Navigator and choose the ScriptNote tab at the top of the
window.

This view contains a table of all the ScriptNotes in the active script. If another script is made active, the Navigator displays
the ScriptNotes in the new active script.
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See Insert ScriptNote for information on creating a ScriptNote.

See Insert General Note for information on creating a General Note.

Navigating to a ScriptNote

On a script page, click the mouse cursor on a colored ScriptNote marker on the right side of the page and if the Navigator is
not currently open, it will open and display that ScriptNote.

If the Navigator is open and the ScriptNotes section has been selected, click the mouse cursor either on the ScriptNote
marker or in the scene heading to which the ScriptNote marker is attached and that ScriptNote will be displayed.
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Conversely, double-clicking a ScriptNote in the Navigator will scroll to the scene containing that ScriptNote in the active
panel. If the script panel shows script pages (Page/Normal View), the scene containing the ScriptNote will be displayed at
the top of the screen, the blinking cursor will be placed at the beginning of that scene and the scene will be highlighted. If
the active panel is set to an Index Card view, the card of the scene containing the ScriptNote will be positioned at the top
left of the screen and highlighted.

Sorting ScriptNotes

Sort the ScriptNotes by any column in either ascending or descending order, identical to sorting in the Scenes section.

The Columns
• The ScriptNotes section of the Navigator contains the following columns. Because they can be placed in any order
in the header row, they are listed here alphabetically.
• The Color column displays the ScriptNote's color. A color may be assigned to each ScriptNote type to make them
easier to group and sort.
• The Date Created column, which indicates the date on which the ScriptNote was created.
• The Date Modified column, which indicates the most recent date on which the ScriptNote was edited.
• The In Script column, which indicates whether the note is a ScriptNote attached to a particular paragraph or a
General note, which applies to the entire script. A checkmark in the In Script box means it is a ScriptNote and
specific to a particular paragraph.
• The Name column, which displays the name of the ScriptNote (if the ScriptNote has been given a name).
• The Order column displays the numerical order of each ScriptNote as it appears in the script, (e.g., the first
ScriptNote in the script has a “1” in the Order column, the second ScriptNote in the script has a “2” in the Order
column, etc.).
• The Page column, which indicates on what script page number the ScriptNote has been inserted. General notes
do not have page numbers listed in this column.
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• The Scene # column displays the number of the scene in which the ScriptNote has been inserted, if scene
numbers have been generated.
• The Type column, which indicates what kind of ScriptNote it is (if the ScriptNote has been assigned a type).

Filtering ScriptNotes

The Filter By… section at the top of the ScriptNotes Navigator displays ScriptNotes based on search criteria entered into
the Filter by… box. Type a search term such as a word written in a ScriptNote, a ScriptNote type, a ScriptNote name or a
date on which one or more ScriptNotes was created or modified. As text is entered, ScriptNotes containing the search term
will be displayed.

In this example, entering "tri" -- the first part of a character in the script named Trish -- will return all ScriptNotes that contain
this combination of letters.
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To view all ScriptNotes again, delete the search term from the Filter by… box.

ScriptNotes Properties

The lower panel of the Navigator allows the user to add information to a ScriptNote or edit existing ScriptNote text.
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ScriptNote / General Note: If the "In Script" box is checked, the note is a ScriptNote and is attached to a particular
paragraph. If the box is unchecked, it is a General note and applies to the entire document. General notes appear at the top
of the Navigator, above the ScriptNotes.

Delete: The red X on the right deletes this note from the document. This command cannot be undone.

Name: A ScriptNote may be named. Click into the Name field to enter or edit text and click anywhere outside the edit field
to apply the change. The Name field is blank until text is entered.

Examples of ScriptNote names are “Fix this immediately,” “Check with Legal on this,” and “Need alt line.”

Color: A ScriptNote may be assigned a color. To assign a color to a ScriptNote, click on the color dropdown menu and
select the color you want. This color will be applied to the ScriptNote immediately.

Examples of ScriptNote color schemes are making all Director’s Notes red, all of Sue’s Notes blue and all Dialogue Notes
green. Another way to organize ScriptNote colors might be First Revision Set notes are blue, Second Rev Set notes are pink
and Third Rev Set notes are yellow.

Type: A ScriptNote may be assigned a type by clicking the dropdown menu.

Examples of ScriptNote types are Director’s Notes, Sue’s Notes, Dialogue Notes and Camera Notes. Another way to organize
ScriptNote types might be Urgent, Important, and Pending. Still another way to organize ScriptNote types might be by
revision set.
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To create a new ScriptNote type, click the Type dropdown menu and choose New Type:

In the box that appears, enter the name of the new ScriptNote type and click OK:

Note Text

Click into this field to compose or edit a ScriptNote and click anywhere outside the edit field to apply the change. The Text
field is blank until text is entered.

Moving a ScriptNote from one place to another

1. Open the ScriptNote Navigator (if it's not already open);
2. On the script page, click into the paragraph connected to the ScriptNote to be moved;
3. Uncheck the "In Script" box;
4. On the script page, click into the paragraph to which the ScriptNote is to be attached;
5. Check the "In Script" box.

ScriptNotes added to a script in Final Draft 10 will not retain some properties when the
script is opened in Final Draft 8.
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Navigator > Characters

To watch a tutorial video on Character Navigator, click HERE (internet connection

required).

If the Characters Navigator is not open, go to Tools > Show Navigator and choose the Characters tab at the top of the
window.
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This view contains a table of all the Character notes in the active script. If another script is made active, the Navigator
displays the Character notes in the new active script.

A user can navigate to a scene and sort and arrange columns in this section the same way as in the Scene section. Unlike
the Scenes section, this section allows the user to track the scenes in which one or more of the script’s characters speaks.

The Columns

The Characters section of the Navigator contains all of the columns found in the Scenes section plus a Character column
and a Character’s Arc column.

Click the Add/Remove Column icon at the far right of the Navigator toolbar and a context menu will appear. It indicates
which characters and character arc beats are currently shown and allows the user to select additional characters and/or
characters' arc beats to be shown:

To add another character's arc beats, click Show Character (and/or Character Arc) and choose a character to track
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If desired, a column may be added for each of the characters. Character columns must be added one at a time; multiple-
selecting from this dropdown menu is not supported. When a Character (and / or Character Arc) is chosen, his or her name
(and / or his or her character arc) will appear as a column header.
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Characters

If a character has dialogue in a scene, a dialogue bubble icon will be placed in that character’s column in that scene’s row.

This can be useful in determining how many and which scenes characters appear in and how many and which scenes
combinations of characters interact with each other.

In the graphic below, Trish has dialogue in the City Street scene (the first arrow), does not appear in the Arington’s Arms
scene and does not have dialogue in the Alleyway scene (the second arrow).

This can be useful in determining how many and which scenes characters appear in and how many and which scenes
combinations of characters interact with each other.
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If the character (in this example, Dax) has been added to a scene but has no dialogue, and that character has been added
as a column in the Character section of the Navigator, the character's non-speaking presence in the scene will be denoted
by a dialogue bubble with a red X.

Character’s Arc

Content added to the Character Arc Beat box in the lower panel will be displayed in that character’s column and in that
scene’s row.

Filter By…

Displays scenes based on search criteria typed into the Filter by… box at the top of the panel. Type a search term such as
words written in Character Arc beats, character names, locations or any other terms that work in the Scenes section Filter
by…. box. As text is entered, scenes containing the search term will be displayed.

To view all Character notes again, delete the search term from the Filter by… box.

Characters Properties

The lower panel of the Navigator allows the user to add information about a character in a scene. This information can be
helpful in organizing, structuring and tracking a character’s individual story as it progresses through the script.

The Character in this Scene box displays the speaking characters in the scene selected in the upper panel.

Non-Speaking Characters

To add a non-speaking character to a scene

If a character is to be added to the scene but the character does not have dialogue, click the plus icon button at the lower
left and type in the name of the non-speaking character. When the typing is complete, click away from the text field to
commit the change. The new character (in this example, “Injured Warlock”) will then be added to the scene:
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Examples of non-speaking characters are Orderly, Receptionist, Atmosphere or Extras.

To remove a non-speaking character from a scene

Click Remove from underneath the Character in this Scene box. This box will be disabled if a character who speaks in the
scene is selected.

As with speaking characters, if a non-speaking character is created, this character and / or the character’s arc may be added
to the columns in the upper panel.

The Character Arc Beat tool

Many if not most screenplays, TV shows and stage plays can be discussed in terms of character arc — the dramatic journey
that changes a character from (for example) inexperienced to experienced, unfulfilled to fulfilled, downtrodden to
victorious.

A simple example of a character arc is:

1. Bob is unhappy at work because he feels is underpaid;

2. Bob works extra hard on an assignment;
3. Bob is praised by his boss;
4. Bob gets a raise;
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5. Bob is happy at work.

The Character Arc Beat box allows the user to attach notes to particular scenes about where the character is on his or her
dramatic journey:

1. Choose a scene from the upper panel;

2. Click into the Character Arc Beat field in the lower panel to enter or edit text;
3. Click anywhere outside the edit field to apply the change.

Using the Character Arc beats section in the Navigator can help determine the exact scenes or groups of scenes in which
the character's arc beats should occur.

The Character Arc Beat field is blank until text is entered.

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Showing / Hiding the Navigator

The Navigator will be open by default the first time Final Draft is launched. To remove it from the screen:

Choose Tools > Hide Navigator

- or -

Click on the Close border icon of the Scene Navigator window.

To display it again, choose Tools > Show Navigator.

Size and Position

To resize the Navigator, mouse-click and hold a corner or a side of the Navigator window and drag. To reposition it on the
screen, mouse-click and hold the bar at the top of the Navigator window and drag the Navigator to a new location.

If the Navigator is open when Final Draft is closed, it will be visible and have the same size and position as when the
program was closed. If the Navigator is closed when Final Draft is closed, it will also be closed the next time Final Draft is
opened. The upper and lower panels may be resized; when one panel is enlarged, the size of the other will be reduced.
Position the cursor on the line between the two panels so that the resize cursor is shown, hold down the mouse button
and drag the line up or down.
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The Navigator is comprised of four sections: Scenes, ScriptNotes, Characters and Tags. It has an upper panel that displays a
list of scenes, ScriptNotes or characters and a lower panel that displays detailed information about the item selected in the
list.

Changing the way the columns display

Choose which columns to display. By default, only certain columns are visible and each section -- Scenes, ScriptNotes,
Characters and Tags -- has a different set of menu items available. Any column except Order may be shown or hidden. To
show or hide a column in the Navigator, click the Add/Remove Column icon at the far right of the Navigator toolbar:

Each column available to display in the Navigator has a corresponding menu item. If a column is currently visible, its menu
item is checked. Select a column’s menu item to hide or show it. If you hide the column that the Navigator is currently
sorted on, the sort order will revert to the default sort order (ascending by the Order column).

To change the width of a column and the order in which the columns appear in the Navigator:

1. Hold down the left mouse button over a column boundary in the header;
2. When the mouse cursor changes to a resize cursor, drag the mouse left or right to change the width of the
column.

If a column is too narrow to display the contents of a cell, hover the cursor over the cell
and a pop-up window will appear that displays the entire note:
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The width of each column is saved as an application preference. The Navigator column widths will be as they were left at
the time this script was last saved and closed.

To rearrange columns:

1. Hold down the left mouse button on the header of a column;

2. Drag it to another location. The new location will be highlighted;
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3. Release the mouse button. The column order is saved as an application preference and will be as it was left the
last time the program was closed.

Tags Navigator
See Tagging.
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Panels
Final Draft's Panel system displays the Script panel, Index Card panel and / or Scene View individually or any two of these at
a time by splitting the screen vertically or horizontally. Some examples:

Page and Cards -- Vertical Split

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Pages and Scene View -- Vertical Split

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Pages and Cards -- Horizontal Split

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Pages and Pages -- Vertical Split

The Panels feature gives the user the flexibility to tailor the display to the way he or she wants it to work. Some examples:

• Use only the Summary Cards view to fill the screen with story beats or plot points, giving a high-altitude view
of the project that can help structure the story;
• Split the screen and with Script > Page view in both panels, display Scene 1 and Scene 100 at the same time.
This can assist in ensuring that an important conversation in Scene 1 is accurately recalled in Scene 100;
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• Have Scene View in one panel and script pages in another to easily see what scenes precede and follow the
scene that is currently being written.

Take time to experiment with the Panels system to see how it can best work for you.

Script Panel
The Script panel is the standard textual view of the script. The Script panel has three different display modes: Normal View,
Page View and Speed View. The Normal and Page views are WYSIWYG (What You See Is What You Get) displays, meaning
that the font, text layout and pagination are presented on the screen exactly as they will be printed. Speed View is
WYSIWYG except for pagination.

Script - Normal View

Choose Normal View to display the text of the script with all active components: page breaks, page numbers, dialogue
breaks, mores, continueds, headers and footers. See Script - Normal View for more information.

Script - Page View

Choose Page View to display the text of the script on realistic-looking script pages, with all active components: page
numbers, dialogue breaks, mores, continueds, headers and footers. See Script - Page View for more information.

Script - Speed View

Choose Speed View to display the text of the script as if it were a single, continuous page, which means more of the text
appears on screen. Speed View looks like Normal View but without any of the active components. See Script - Speed View
for more information.

Index Card Panel

The Index Card panel is designed to approximate a common way scripts are developed, structured and annotated. Each
card represents one scene.

A scene is defined as extending from the first letter of a scene heading to the last possible punctuation mark or letter
before the next general, scene heading or transition element.
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Cards are ordered in a left-to-right, top-to-bottom fashion. This section describes functionality that is specific to the Index
Card panel. For discussion of functionality common to both the Index Card panel and Scene View, see Scene View and
Index Card Panels.

The top line of each card contains the scene’s scene heading, scene number (if any) and page number. Cards (scenes) may
be added in both Index Cards views and the number of columns of cards viewed at any time may be changed. Index Cards
may be viewed along with the Script (see following).

Most functions and commands that are used to write or edit the script are not
available in the Index Card panel. You must be in the Script panel to access them.

Index Card Panel Display Modes

The Index Card panel has two display modes, Summary and Script, which simulate the two sides of a physical index card.
The Summary display is blank initially and available for the user to type in notes pertaining to the scene.

The Script side contains some of the script text from that scene.
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To change the display mode of an Index Card panel, go to the View menu and choose Index Cards - Script or Index Cards -
Summary.

- or -

Control + click the mouse on any card and choose Script View or Summary View from the context menu.

Summary Cards

In addition to the scene heading, scene number and page number, the Summary cards contain any notes written that
pertain to the scene.

Example: A useful Summary card might contain this text (without quotes): "Bob confronts Sue about the secret
documents." This is a concise description of the story beat or plot point conveyed in this scene. Additional notes about
what happens in the scene may also be added.

Creating a set of Summary cards with one story beat or plot point per card may be a
good way to structure a script, before you go to pages. Arranging and rearranging the cards
until your story is exactly where you want it can mean less rewriting time.

To add summary text to an Index Card

1. Click once in the summary area of an Index Card.

The cursor appears in the summary text area of the Index Card.

2. Type in any text;

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3. Click anywhere else in the panel to apply the changes to the card.

Script Cards

The Script cards display text from the scenes in the actual script -- as much of the beginning of the scene as the card can
hold.

The amount of text the card can hold depends on the size of the card, which depends on the View > Cards Across setting.
If more cards are displayed, the cards are smaller and less text is visible.

Text in Script cards cannot be edited but the scene heading may be edited.

Editing the Scene Heading

Edit the scene heading of a scene in either display mode of the Index Card panel.

To edit a scene heading in an Index Card:

1. Click the scene heading in an Index Card;

The cursor appears in the scene heading text area of the Index Card.

2. Edit the scene heading.;

3. Click anywhere else in the panel to apply the changes to the card. Any changes made to the scene heading in
an Index Card will be reflected in the actual script.

Changing Fonts and Font Size

Index Cards can use any font and font size available on your computer.

The default font for the Index Card panel is Arial 9.

Changing the font/font size of the Index Cards does not affect the font/font size of the
script.
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If you transfer your script to another computer, the font / font size might change due
to unavailability of a particular font/font size on the second computer.

To change the font and font size of Index Cards, choose Format > Font or Font Size.

The Index Cards appear in the selected font and size. The font changes for all the text in all the Index Cards in the script. The
font cannot be changed for individual index cards or ranges of text in the summary.

Printing Index Cards

The Index Card panel may be printed to actual index cards, regular paper or special card stock made by Avery and other
vendors.

To print Index Cards:

1. Choose File > Print;

2. Set the options as desired;
3. Click OK.

The standard Print dialogue appears.

4. Choose the number of copies to print, page range, etc.;

5. Click OK.

The current display mode of the Index Card panel (Summary or Script) prints.

Print Cards dialogue

The Print Cards dialogue allows the user to configure how the cards will print.
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Layout

Index Cards

Prints to index cards. Choose to print on either 3x5 or 4x6 index cards.

Index Card Paper

Prints to pre-cut perforated index card stock.

Custom

Prints to custom-size paper. When this option is chosen, the Across and Down adjustment pop-up lists become available
so the number of cards that will print on a page can be set. Since all printers are different, some experimenting and test
prints may be necessary to get the desired results.

To change the number of cards that will print on a sheet, enter or select numbers in the Across and Down pop-up lists.

Options

Selected Cards Only

If this option is selected, only the selected cards in the panel print.

Frame Cards

If this option is selected, each card prints with a black border around it.
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Print Gray Background

If this option is selected, a gray background prints behind the cards.

To print on index cards

1. Select the Index Card layout option;
2. Select “3x5” or “4x6” from the Card Size dropdown;
3. Click OK and the standard Print dialogue appears;
4. Make sure the index cards are placed in the manual feed tray of the printer. See the printer’s documentation
for instructions on using the manual feed tray to print small paper sizes;
5. Click OK/Print in the Print dialogue.

Some printers are unable to print on paper as small as 3x5 (or even 4x6) index cards.

Index Card Context Menu

Right-click or Control + click anywhere in the panel to access the Index Card panel context menu.

Summary View/Script View

Toggles between Summary View and Script View. The active view will have a check-mark next to it.

Insert New Scene

Creates a new Index Card. See Insert New Scene.

Insert Non-Speaking Character

See Insert Non-Speaking Character.

Send to Script

See Send to Script.

Scene Colors

The Index Card panel context menu contains items for changing the selected scene’s color.
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Scene View
Similar to the Index Card Panel, Scene View also gives a scene-only view of the project. Each row in Scene View contains a
scene's scene heading, the first line of action, the scene title (if one has been entered) and the first line of the scene
summary (if one has been entered).

Scene View Fields

Hide or show the scene title, summary and/or action in Scene View. Hiding one or more of the Scene View items reduces
the height of each row which allows more scenes to become visible on the screen.

To hide the Scene Title and/or the Action and/or the Summary, go to View > Hide Action / Scene Title / Summary

- or -

Right-click or Control + click and choose Hide Action / Scene Title / Summary from the context menu.
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The View > Hide Action / Scene Title / Summary menu item now changes to View > Show Action / Scene Title / Summary
and the context menu now has a Show Scene Title / Action / Summary command instead of a Hide Scene Title / Action /
Summary command.

Note: Hiding or showing Action / Scene Title / Summary text applies to all scenes; changing a color applies only to the
selected scene.

You cannot hide the scene heading in Scene View.

Editing Scene View fields

Edit the Scene Heading and Scene Title in Scene View.

To edit the Scene Heading of a scene in Scene View

1. Select the scene to be edited;
2. Click once on the Scene Heading;
3. Enter or change the text;
4. Click anywhere else in the panel to apply the changes to the scene.

To edit the Title of a scene in Scene View:

1. Click once on the Title;

2. Enter or change the text;
3. Click anywhere else in the panel to apply the changes to the scene.

You cannot edit the action row in Scene View.

When you select a scene, the editable fields display ghosted grey text that indicates
where you can type.
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Tab key

Edit the next or previous editable section in Scene View by hitting the Tab key to move to the next section or Shift + Tab to
move to the previous editable section. If changes have been made in the current editable area, when the Tab key is
pressed those changes are applied to the scene.

Scene View Context Menu

Right-click or Control-click anywhere in the panel to access the context menu. In addition to menu items for hiding or
showing Action / Scene Title / Summary text, it has:

Insert New Scene

Creates a new Scene row.

Scene Colors

Changes the selected scene’s color. The scene will retain this color in both Index Card views as well.

Printing Scene View

Like the Index Cards, Scene View may be printed.

To print Scene View:

1. Choose File > Print;

2. Choose print settings;
3. Click OK (or Cancel).

Scene View and Index Card Panels

Both the Index Card panel and Scene View share many functions that work the same way. This section describes those
functions for both types of panels.

Selecting Scenes

Select more than one scene using the mouse by holding down the Shift or Control keys when a scene is clicked on.

To select a range of scenes using the mouse

1. Click on a scene that will be either the start or the end of the range of scenes to be selected;
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2. Hold down the Shift key and click the scene to be the other end of the range of scenes to be selected.

The range of scenes between and including the two scenes clicked on are selected.

To select individual scenes or add a scene to the set of selected scenes

Hold down the Command key and click an unselected scene. The scene clicked on is added to the set of selected scenes.

To remove a scene from the set of selected scenes

Hold down the Command key and click a selected scene. The scene clicked on is removed from the set of selected scenes.

To select all scenes

The Edit > Select All command selects all the scenes in the script. All scenes may be selected with the keyboard using
Command + A.

Rearranging Scenes

Because many scenes are viewed at once, it's easy to rearrange them. Scenes can be repositioned by selecting a scene or
scenes then dragging and dropping them to a new location.

Any changes made will be reflected in the arrangement of the script.

To reposition scene(s):

1. Select the scene or scenes to be moved;

2. Hold down the mouse button and drag the selected scene(s);

An indicator appears showing where the new scenes will be dropped if the mouse button is released;

3. Release the mouse button.

The selection moves to the desired location. The other scenes shuffle to reflect the new order.

Scenes may also be rearranged scenes with the standard Cut, Copy, Delete and Paste commands available in the Edit
menu. The Delete command removes all the selected scenes. The Cut command removes the selected scenes and puts
them on the operating system's clipboard. The Copy command puts the selected scenes on the clipboard but does not
remove them from the script. The Paste command inserts the scenes on the clipboard where the blinking cursor is
positioned.
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Keyboard Navigation

Use the keyboard to navigate among the scenes in Scene View or Index Card panel just as in the Script panel for words and
characters.

If multiple scenes are selected, then the current scene is the last scene added to the selection, and the anchor scene is
the first scene selected.

If the script is in Scene View, the following key combinations that refer to selections
within rows will not apply.

Arrow Keys
The Left Arrow key selects the previous scene and the Right Arrow key selects the next scene in the sequence.

The Up Arrow key selects the scene in the same column as the current scene in the previous row. The Down Arrow key
selects the scene one row down.

The Shift + Right Arrow key combination selects the current scene and following scenes one at a time. The Shift + Left
Arrow selects the current scene and previous scenes one by one.

The Command + Up Arrow key combination selects the first scene in the view and the Command + Down Arrow key
combination selects the last scene.

If the Scroll keys mimic MS Word preference is checked (on)

The Command + Right Arrow key combination selects the last scene in the current row (the row that the current scene is
in) and the Command + Left Arrow selects the first scene in the current row.

The Shift + Up Arrow key combination selects the scene up one row, and the Shift + Down arrow selects the scene down
one row.

The Home key scrolls the panel to the start of the document and the End key scrolls the panel to the end of the document.

Home and End keys

The Command + Home or End key combination selects the first or last scene.

The Shift + Home or End key combinations selects the range of scenes from the current to the first or last scene.
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If the Scroll keys mimic MS Word preference is checked (on)

The Home key selects the first scene on the current row, and the End key selects the last scene on the current row.

Page Up and Page Down Keys

With the Scroll keys mimic MS Word preference checked, the Page Up and Page Down keys scroll the active panel up or
down one view without changing the selection.

The Shift + Page Up key combination scrolls the panel up one view, where a view is as much vertical space that is visible in
the panel and extends the selection to the scene one view up from the current scene. The Shift + Page Down key
combination scrolls the panel down one view and extends the selection to the scene one view down from the current
scene.

If the Scroll keys mimic MS Word preference is checked (on)

The Page Up key scrolls the panel up one view and selects the scene one view up from the current scene. A view in this
context is as much vertical space that is visible in the panel. The Page Down scrolls the panel down one view and selects
the scene one view down from the current scene.

Insert New Scene

This command is only enabled when the active panel is an Index Card panel or Scene View.

To insert a new scene

Select Document > Insert New Scene from the main menu or select Insert New Scene from Scene View context menu
right-click or Control + click.

The new scene is inserted after the currently selected scene. If no scene is selected, the new scene is inserted at the end of
the script.

Double-click to Go To Scene

Double-click on a scene in an Index Card panel or Scene View and the window is split, if the other panel displays a Page
view, Scene view or an Index Card view, the panel scrolls to that scene and that panel becomes active.

• If the inactive panel is Script panel, the cursor goes to the beginning of the scene and the script panel scrolls to
keep the cursor in view;
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• If the inactive panel is Scene View or an Index Card panel, the scene corresponding to the one clicked on is
selected and the panel scrolls to keep the selected scene in view.

Coloring Scenes

Assign any scene in a script a color, which makes the corresponding scene in Scene View or the Index Card panel appear in
that color. By default, a new scene has no color.

To color a scene:

1. Click on the scene in Scene View or an Index Card panel you wish to color;
2. Select Tools > Navigator and choose the Scenes section (if it not is already showing);
3. Select a color from the color chooser in the Scene Properties Inspector;

- or -

3. Right-click or Control + click on the panel and select a color from the context menu;
4. The selected scene now displays in that color.

To change the color of multiple scenes at the same time.

1. Select more than one scene in the active Scene View or Index Card panel (see Selecting Scenes, above);
2. Select Tools > Scene Properties to show the Scene Properties Inspector if it is not already showing;
3. Select a color from the color chooser in the Scene Properties Inspector.

- or -

3. Right-click or Control + click on the panel and select a color from the context menu;

- or -

3. All of the selected scenes now display the new color.

Send to Script
Copies a scene's summary text into that scene in the script. The text becomes a new action paragraph at the end of the
scene.
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To copy a scene summary into the scene in the script

1. Select the scene from which the summary is to be copied. More than one scene may be copied;
2. Right-click or Control + click on one of the cards and from the context menu choose Document > Send to
Script;

- or -

2. Go to Insert > Send to Script;

- or -

2. On the keyboard press Command + Shift + C.

The summary text for each selected scene becomes an action element after that scene’s scene heading. If there is already
content in the scene, the summary information will be added as an action element at the end of the scene.

Split (Horizontally/Vertically), Unsplit, Swap

These commands determine how different panels will be displayed and arranged. They are all parts of Final Draft’s Panels
System.

The contents of each panel are determined by the View menu commands - the three Script commands, the two Index
Card commands and the Scene command (see View Menu).

• Any single panel or combination of two panels may be displayed at once;

• The exact size and position on-screen of the panels may be changed;
• When a script is saved, the current Panels configuration is saved as well;
• When two panels are visible and one of the panels is an Index Card panel or Scene View, navigate to a scene in
the other panel by double-clicking on a scene in the Index Card panel or Scene View. In other words, when a
scene is double-clicked, the panels are synched so that the same scene is in view in both panels.

Split (Horizontally/Vertically)

Divides the script into two panels.

To Split Panels:
1. Go to View > Split Horizontally or Vertically or choose from the Split dropdown menu in the toolbar:
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Whichever View is currently onscreen (Script, Index Cards or Scene View) will now appear in two panels. For example, if
Script - Page View is onscreen, choosing View > Split Vertically would result in both panels containing script pages.

2. Select one of the panels by clicking in it; a selection box appears around the active panel;
3. Go to the View menu and choose another view for the active panel (Script, Cards or Scene view), or click at the
bottom-right of the screen to select another view (in this example, Index Cards - Summary):

The contents of the active panel will be changed to the chosen view.

Manually resize the panels by clicking and dragging the Splitter (usable when the cursor is hovered over the dividing line
between the two panels and becomes the double arrow) and the Resize Box. Adjust the panels to suit the screen and
panel configuration.

When a script is saved, the current Panel configuration will be saved as well, whether it
is a single panel or multiple panels.

Unsplit Panels

Hides one of the panels. This command is disabled if only one panel is displayed.

To hide a panel
1. Select the panel that will remain displayed;
2. Choose View > UnSplit Panels or select the Unsplit button in the toolbar.

The panel that is not selected will be hidden and the selected panel will resize to fill the screen.
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Swap Panels

Reverses the position of the displayed panels. This command is disabled if only one panel is displayed.

To change the order of the panels, choose View > Swap Panels and the panels will switch sides.

Additional Script Views and Panels Notes

Script Views in Both Panels

Whichever Script view is in one panel (Normal, Page or Speed) will also be the view in the other panel. It is not possible to
display, for example, Normal View in one panel and Page View in the other.

Script Views with Other Views

Change the Script View between Normal, Page and Speed without affecting the display of either of the Index Cards or
Scene Views.
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Tagging

To watch a tutorial video on tagging for writers, click HERE; for a tutorial video on
tagging for production, click HERE. (internet connection required).

To prepare a script for production, an Assistant Director, Unit Production Manager or other specialist goes through the
document to identify and label (“tag”) items that will be needed for shooting and post-production. This process is known
as breaking down a script.

In the past, the person breaking down the script used colored pencils to underline items on the physical page – a specific
color for (for example) props, another color for special equipment, another color for live special effects. The tagging
function in Final Draft allows the user to do this work electronically and in the Final Draft script delivered by the writer(s)
and approved by the appropriate personnel. There is no need for a separate program, a separate file or a hard copy of the
script.

Because the tagging function is completely customizable – meaning that the user can add and remove any categories he
or she wishes and can tag anything in a script as anything – there are many uses for tagging beyond breaking down a
script for production. Tagging scenes and characters in various ways may reveal patterns or rhythms in the story that the
writer can continue or change.

Some examples:

• Tagging scenes by storyline: A-Story / B-Story / C-Story

• Tagging scenes by function: preparation / action / aftermath
• Tagging scenes by emotional value: sad / happy / confused
• Tagging characters by gender: male / female / pan
• Tagging characters by race: white / black / Asian
• Tagging characters by disposition: enemy / friend / neutral

Tagging can be useful for members of a production crew as well. The director of photography can associate a camera
package or lighting design with particular scenes; the production designer can assign a certain look to a group of scenes
and another look to another group of scenes; the location manager can indicate what equipment and resources must be
available at which sites.
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Tagging an Item
1. Go to Production > Tag mode;
2. Highlight the word, phrase or paragraph to be tagged;
3. The tagging window will be displayed;
4. Choose a category from the dropdown menu;
5. The highlighted text will by default be shown as the name of the tag;
a. To tag the item as it appears on the page, for this scene only, click Tag or press Shift + Return on the
keyboard OR;
b. To change the name of the tag (for example from “The Porsche” to “Bob’s Car,”) enter a desired tag
name in the Tag As field OR;
c. To use an existing tag, choose it from the upper-right panel;
6. Choose Tag All to tag all instances of this item in the script;
7. Click OK to dismiss the tagging confirmation window.

In this example, “pouches of powder” will be tagged as a Prop in Scene 2 of Airship:

1. Go to Help > Sample Scripts and choose Production Script;

2. Untitled Airship – Production Script will open;
3. Scroll to the beginning of the script;
4. Go to Production and choose Tags Mode;
5. About a quarter of the way down the first page, highlight “pouches of powder”;
6. From the Category dropdown, double-click Props or click Props and then click Tag.
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“Pouches of powder” is now tagged as a prop in this scene. Its tagged status and category is indicated by its brown text:

If “pouches of powder” should be tagged as a prop in all scenes in the script, click Tag All and all instances of “pouches of
powder” will be tagged as a prop.

When Final Draft is not in Tags Mode, all tagged items will revert to the default script
text color (most likely black in normal mode and gray in Night mode). When Final Draft is
placed in Tags Mode again, all tagged items will again be displayed in their respective
categories’ assigned color.

If the Tags Navigator is not onscreen, go to Tools > Show Navigator and click the Tags tab.

In the Tags Navigator table, select the second scene in order to see, in the Tags in Scene with Category window at the
bottom, that “pouches of powder” is now associated with this scene. “[P]ouches of powder” is now also a script tag,
available for re-use in order to tag this piece of magic elsewhere in the script, if necessary.
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Linking a Character with Tagged Items Throughout a Script

The tagging function also enables associations to be set up so that, for example, a prop or a piece of wardrobe that is
always with or on a character will be tagged wherever that character appears.

1. Double-click a character to display the tagging window;

2. If the character is not already tagged as Cast Member, double-click Cast Member;
3. In the Tag As field, enter the name of the item to be linked to the Cast Member;
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4. Double-click the appropriate category for this item (note that this item and its category are now listed at the
bottom of this window);
5. Repeat this process if additional items are to be linked to this Cast Member;
6. If the Tags Navigator is not onscreen, go to Tools > Show Navigator and click the Tags tab;
7. In the All Tags / Tags in Scene window at the bottom right, double-click the Cast Member to be linked to
certain tags throughout the script;
8. Click the plus sign at the bottom right;
9. Check the box or boxes for the desired item(s);
10. Click OK;
11. Go to Production > Tag All Characters.

From this point forward, all scenes in which this character appears will have the assigned links in their Tags in Scene list in
the Tags Navigator.

As an example, in the sample script that ships with Final Draft, Airship, the character of Riley is almost always seen wearing a
bandanna on her head; the member of the production team responsible for wardrobe wants the bandanna indicated
whenever Riley is in a scene.

1. Go to Help > Sample Scripts > Production to open Untitled Airship – Production;
2. Go to Production > Tag all Characters;
3. Scroll to the top of Page 7 and near the top of the page…
4. …double-click “RILEY” to display the tagging window;
5. Scroll down the list of Categories until Wardrobe is displayed and select that category;
6. In the Tag As field, delete RILEY and type “bandanna” (without quotes);
7. Click Tag All;
8. A dialogue will open asking you to confirm the Tag All action; click OK.
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The Tags in Scene with Category window now indicates the bandanna as a Wardrobe item in the scene and the Tags in
Scene window indicate the bandanna and Riley as present in this scene.

Additional items can be linked to Riley in this scene by entering the item name in the Tag As field and choosing its
category. The list of tagged items linked to Riley in this scene appears at the bottom of this window. To remove a tagged
item, click the X to the right of the tag:
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To link the bandanna to Riley in all scenes:

1. If the Navigator is not onscreen, go to Tools > Show Navigator and click the Tags tab;
2. If the All Tags / Tags in Scene / Tags with Category window at the bottom right is set not for All Tags, set it to
All Tags;

3. Double-click RILEY;
4. Click the plus sign at the bottom right;
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5. Check the box for bandanna;

6. Click OK;
7. Go to Production > Tag All Characters.

From this point forward, all scenes in which Riley appears will have her bandanna in their Scene Tags list in the Tags
Navigator. Note also that Riley now has a “linked” icon next to her name:
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The Tag All Characters command may be used repeatedly as additional script-wide tags are linked to a
Cast Member or script-wide tags are linked to other Cast Members.

If there is a scene in which Riley is not supposed to have her bandanna, the bandanna tag can be removed from that scene.

1. In the Tags Navigator, click the scene to display the tags for that scene;
2. In the Categories panel, click All or Wardrobe;
3. In the Tags in Scene with Category window, click bandanna and then the minus sign. You will be prompted to
choose to remove this tag from the entire script or scene only; for the purposes of this example, choose Scene
Only.

The bandanna tag is removed from this scene but is still tagged in all other scenes.

The Tags Navigator

If the Navigator is not onscreen, go to Tools > Show Navigator and click the Tags tab.

The Tags Navigator is customizable and configurable in the same way as the other Navigators – the ability to sort columns,
reorder columns, resize columns, add and remove columns and resize the panels.

To enter Tags mode, click the Tags icon on the left side of the menu bar. To exit Tags mode, click the icon again. This is the
same as toggling Tags mode on and off under Production > Tags Mode.

The Scenes Table

The table section of the Navigator displays a list of the scenes in the script, along with several default columns with
standard information about each scene (Order, Scene #, Title, Location, Color and Page).

In addition to the catch-all Tags columns, more detailed information can be displayed when additional columns are added.
Each individual tag, category, list of tags (shown by default) and list of categories may be selected as a column in the Tags
Navigator table:
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In the following example, the main character’s Prius is tagged as a vehicle and “Prius” has been selected as a column in the
Navigator:

When a tagged item is selected as a column, its presence in a scene is indicated by a number, which is the number of times
that item appears in the scene:
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When a category is selected as a column, the tagged item from that category appears in the scene row by name:
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The Tags column is shown by default. It displays all tags associated with each scene. If there are many tags to be displayed,
the Tags column can be widened to accommodate them:
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When the categories list is selected as a column, categories to which tags have been assigned in each scene appear in the
scene row by name.

The Categories Window

The first of the three windows in the lower section of the Tags Navigator, this window displays the categories of tags
available in this script. The standard production categories from a leading scheduling program are duplicated here.
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Importing Categories from Another Script

If an already-tagged script (or template) contains a set of categories that the currently-open script should have as well, this
set of categories may be imported in order to eliminate the need to re-create them.

1. Click the left-pointing arrow next to the Categories label;

2. Click OK to continue the import (or Cancel to return to the Tags Navigator);
3. A standard Windows Open dialogue opens;
4. Navigate to the script (or template) whose categories are to be imported and double-click it (or single-click it
and click Import).

All categories from that script (or template) will overwrite all categories in the currently-open script. This cannot be
undone.
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Customizing the Categories List

The list can be customized by adding, removing and re-ordering categories.

To add a new category:

1. Click the plus sign at the bottom left of the window;

2. In the Category Name field enter the name (in this example, “Underwater Unit”);
3. Optionally choose text color, text highlight and / or text styling (bold / italic / underline) (in this example,
italicized text and cyan background);
4. Click Add.

The new category is visible at the bottom of the list.

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To remove a category, select it and click the minus sign at the bottom left of the window. A confirmation window will be
displayed that contains all of the tags that will be removed from the script if their parent category is deleted. Click Delete
to confirm the deletion or Cancel to cancel this operation.

To move a category up or down in the list, select it and click the up- or down-pointing arrow at the bottom right of the
window until it reaches the desired location.

The Tags in Scene with Category Window

This second window lists the tags present in the scene currently selected in the Tags Navigator table and in the category
selected in the Categories window to the left. For example, if in the Categories window Props is the selected category, all
props that have been tagged in the currently-selected scene will be listed in the Tags in Scene window. To display all tags
assigned to the currently-selected scene, choose All.
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For details on adding a new tag to a scene (the plus sign at the bottom left of this window), click HERE.

To remove a tag from a scene, select the tag and click the minus sign at the bottom left of the window. A confirmation
window will be displayed that offers to delete the tag from the entire script or this scene only and the option to cancel this
operation.

The All Tags / Tags in Scene / Tags with Category Window

This third window displays three lists, which are selected by clicking the dropdown arrow next to the box label:
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All Tags contains all tags in use in the currently open script.

Tags in Scene contains all tags in the scene currently selected in the Tags Navigator table above. If Tags in Scene is
selected and the Categories windows is set to display All, the lists in the two windows are identical.

Tags with Category contains all tags in the category selected in the Category window.

To remove a tag from the script, select it and click the minus sign at the bottom left of the window. A confirmation
window will be displayed that allows the user to confirm deletion of the tag from the script or to cancel the operation.

Tagging Character Attributes

Tagger can be used to display data in a graphical way. In this example, we will plot several characters’ relationship to the
main character.

We will tag characters in Airship as Enemy, Friend and Neutral:

1. Go to Help > Sample Scripts > Airship – Production;

2. Open the Tags Navigator;
3. Click the plus sign at the bottom left of the Categories window;
4. In the Category name field, type in “ENEMY” (without quotes);
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5. Click Add;
6. Click the plus sign again and add a “FRIEND” category;
7. Click the plus sign again and add a “NEUTRAL” category;
8. In the script, scroll to the middle of Page 4 and tag all instances of CHRISTINA as ENEMY;

9. Scroll to the bottom of Page 7 and tag all instances of RILEY as FRIEND;
10. Scroll to the bottom of Page 9 and tag all instances of MALCOLM as NEUTRAL.

To view the characters in their scenes by disposition:

1. Click the Column editor icon or right-click the column header row;
2. Click Show Category;
3. From the dropdown, choose ENEMY;
4. Repeat to select FRIEND and NEUTRAL.

The three columns will be displayed and indicate whether Trish has an enemy, a friend or a neutral relationship in that
scene:
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Tagging in the Navigator

Scenes can be tagged in the Tags Navigator.

To add a new tag to a scene:

1. In the Navigator’s scene table, select the scene to which the tag is to be added;
2. From the Categories window on the left, select the category of the tag that will be assigned to this scene, or
choose All;
3. In the Tag As field
a. Enter the name of the tag and click Add OR
b. Choose a tag from the list of existing tags and click Add.

In this example we will tag scenes in Airship as A Story, B Story or C Story:

1. Go to Help > Sample Scripts > Airship – Production;

2. Open the Tags Navigator;
3. Click the plus sign at the bottom left of the Tags in Scene with Category window;
4. In the Category name field, type in “STORYLINE” (without quotes);
5. Click Add;
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6. Click a scene row in the scene table;

7. Click the plus sign at the bottom left of the Tags in Scene with Category window;
8. In the Tag As field, type in “A STORY” (without quotes);
9. From the Category list, select STORYLINE;
10. Click Add;

11. Click another scene row in the scene table;

12. Click the plus sign at the bottom left of the Scene Tags window;
13. In the Tag As field, type in “B STORY” (without quotes);
14. Click Add;
15. Click another scene row in the scene table;
16. Click the plus sign at the bottom left of the Scene Tags window;
17. In the Tag As field, type in “C STORY” (without quotes)
18. Click Add.

To view the scenes by their Storyline tags:

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1. Click the Column editor icon or right-click the column header row;
2. Click Show Category;
3. From the dropdown, choose STORYLINE.

The Storyline column will be displayed and indicate whether a scene is A Story, B Story or C Story.
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The Toolbar
Display a set of icons used to issue frequently-used commands.

The default set is

• Save
• Title Page
• Feedback
• Collaboration
• Tags Mode
• Split
o Split Vertically
o Split Horizontally
o Swap Panels
o Unsplit Panels
• Views
• Script – Normal
• Script – Page
• Script – Speed
• Beat Board
• Scene View
• Index Cards – Script
• Index Cards – Summary
• Elements
• Insert Image
• Show / Hide
• Story Map
• Ruler
• ScriptNotes
• Alts
• Invisibles
• Navigator
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• Scenes
• ScriptNotes
• Characters
• Tags
• From the View menu, the Toolbar may be hidden and customized. These menu items are offered:

Hide / Show Toolbar

Displays or hides the toolbar in the current document window.

Customize Toolbar

Changes which icons appear on the toolbar and the appearance of the toolbar. See Available Toolbar Items for a list of all
available icons.

To customize the set of commands that appear on the toolbar

Go to View > Customize Toolbar. The Customize Toolbar sheet appear

1. Drag toolbar items from the toolbar into the Customize Toolbar sheet to remove commands from the toolbar;
2. Drag toolbar items one at a time to the toolbar, in any order desired, to add those commands to the toolbar.

To restore the toolbar to its default set of items

3. Choose View > Customize Toolbar to display the Customize toolbar sheet;
4. Drag the default set to the toolbar.

To edit toolbar preferences

5. Choose View > Customize Toolbar to display the Customize toolbar sheet;
6. Select an item from the Show popup menu. If Icons and Text are selected, both the icon and the caption for
each toolbar item displays on the toolbar. Icon Only and Text Only may also be selected;

- or -

6. Check Use Small size to display the toolbar items with small icons.
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Any changes you make to a toolbar on one document window apply to all document
windows of that type (Script or Text).

The toolbar for Script documents and the toolbar for Text documents have different
commands available.

Available Toolbar Items

• Views • Highlighter
• Split
• Collaboration • New Scene
• Title Page • Reformat
• Elements • Send to Script
• Insert Image • Add Alt
• Show / Hide • Dual Dialogue
• Navigator • Revert Paragraph
• Feedback • Invisibles
• Tags Mode
• Save
• Print • Styles
• Cut • Alignment
• Copy • Bookmark
• Paste • Bookmarks
• Undo • Revision Mode
• Redo • Revisions
• Find
• Find Next
• New Structure Point
• Spelling
• New Beat
• Thesaurus
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• Space • Flexible Space

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Toolbar icons not found in menus

Bookmark

The left-pointing arrow positions the cursor and displays the page on which the previous bookmark is located.

The center bookmark icon inserts a new bookmark at the current insertion point.

The right-pointing arrow positions the cursor and displays the page on which the next bookmark is located.

Revert Paragraph

Restores the default indents of a paragraph if they have been adjusted with the stops in the ruler.

Find Next

Finds the next occurrence of a searched-for word or phrase. The function is identical to the Next button in the Find
dialogue window.

Space

Inserts a hard space between toolbar icons.

Flexible Space

Inserts a space that is variable in size. As the amount of available space in the toolbar changes, the Flexible Space size
changes but never becomes smaller than the standard Space item.
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Status Bar
At the bottom left of each script window is a display of information about the script and the paragraph in which the cursor
is currently positioned.

Page X of Y

Indicates the number of the displayed page and the total page count. When this cell is double-clicked, the Go To dialogue
window is opened.

Scene number

Indicates the scene number of the paragraph in which the cursor is currently positioned. This information is not available
when the script's scenes have not been numbered. When this cell is double-clicked, the Go To dialogue window is opened.

Tab and Enter

A display that indicates which new element will be inserted when the Tab or the Return key is pressed. Note that it says
Enter but it refers to the Return key.

If the blinking cursor is not at the end of a paragraph waiting for a Return or Tab keystroke, the Status Bar will read "Ready."
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Macros

The macro name is the abbreviation displayed in the status bar at the bottom of the script window when either the
Command + [number] or Option + [number] or Option + Shift + [number] keys are pressed.

Command

Option

Option + Shift

See the Macros section for more information.

Dictation

Turns Dictation on and off. See Dictation for more information.

Night Mode

To watch a tutorial video on Night Mode, click HERE (internet connection required).

Switches between the default color scheme and Night Mode. The default color scheme displays black text or markings on
a white field and Night Mode displays white text or markings on a dark gray field.
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Night Mode is available for all script page views, the SmartType window, the Navigator, the ruler, the Beat Board and the
Story Map. See Document > Page Layout > Colors for more color options.

Zoom (scaling)

The Zoom slider allows the user to resize the page to any magnification chosen (expressed as a percentage). Click and hold
the slider and move it left to reduce the page display, right to enlarge it

- or -
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Click the number (expressed as a percentage) to display a menu of zoom sizes. Click the desired scaling and the page or
the Beat Board will resize to that scaling.

This function is only available when the document is in a script page view (Normal, Page or Speed View). The slider will not
resize a Card or Scene view.

See Zoom for more information.

Header and Footer

Every Final Draft document can contain a header which appears and is printed at the top of each page, and a footer that
appears and is printed at the bottom of each page. The header and footer can contain custom text, the page number, the
current date, scene number, special labels, the active revision or the name of the last revision on the page. The look of the
header and footer may be customized to suit the needs of the script.

Scripts usually do not have footers.

In the following, the header is used as an example; every function is also available for the footer.

To view the Header and Footer dialogue, choose Document > Header and Footer.

The Header and Footer dialogue appears, with the Header tab active:
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The header contains just the page number and the Collated Revisions field by default. If no revisions are made, the Collated
Revisions field will not appear on the script pages.

On every page in the actual script, the page number field is replaced with the appropriate page number. The other fields, if
inserted into the header, will also display page-specific information on each appropriate page in the script.

To view the footer, click the Footer tab.

The footer text area is visible and is empty by default.

Header and footer margins are set in the Margins tab of the Page Layout dialogue.

Header and Footer Content

Tab Stops

Use tab stops to align text and placeholder fields in the header. Tab stops are the only way to reliably align text.

Place all necessary tab stops in the text area before inserting text or placeholder fields.
Text or placeholder fields are anchored to the tab stops.
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Do not use the space bar to position text or placeholder fields. If it is done this way and
text or placeholder fields are added to or removed from the Header, existing text and
placeholder fields will be shifted away from their original positions.

Click on the tab marker button at the left end of the Ruler bar to toggle through the different types of tab stops that can be
set.

Left tab stop. Text under this tab stop will be aligned left-justified.

Center tab stop. Text will be centered under this tab stop.
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Right tab stop. Text under this tab stop will be aligned right-justified.

Decimal tab stop. Use this tab stop to align a column of numbers on their decimal points.

To insert a Tab stop:

1. Choose the justification (left, center, right, decimal) from the tab marker button;
2. Click once into the Ruler bar to place the Tab stop at that exact position.

To remove an unwanted Tab stop, drag it off the ruler bar.

Text in the Header and Footer

Text can be entered directly into the header and footer text areas. Text can be placed anywhere in the window and before
or after any of the special fields. To insert text, place the cursor in the editing window under the appropriate Tab stop and
type.

Any font attributes (type, style, size, etc.) may be changed by selecting the desired text and going to Format > Font.
Changing font attributes in the header or footer does not affect the font used in the script.

Text typed into the Header or Footer will appear on every page of the script.

To remove unwanted Header text, select it and press Delete on the keyboard.
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Placeholder Fields

Placeholder fields for the header and footer include: Page, Date, Scene, Label, Active Revision and Collated Revisions.

Page

Displays the current page number.

Date

Displays today’s date. The Date field will insert today’s date dynamically; if the Date field is inserted on July 4, on that day
the Header will show July 4. When the same script is opened on July 5, the Header will show July 5.

Scene

Displays the current scene number if the scenes have been numbered using the Production > Scene Numbers command.
If the scenes have not been numbered, nothing will appear in this location in the Headers on each page.

Label

Contains custom text over a series of pages. Insert a Label placeholder field where appropriate in the Header. See Insert
Label for more information.

Active Revision

Contains the name of the active revision set.

Collated Revisions

Contains the name of the revision set active when changes were last made to this page.

Example: On Monday, the writing staff was on the Pink revision set and Page 10 was edited. "Pink Revised" will appear at
the top of Page 10. On Tuesday the writing staff moved to the Yellow revision set and Page 10 was edited again. "Yellow
Revised" will now appear at the top of Page 10.

To position a placeholder field in the header or footer text area, place the cursor in the editing window under the
appropriate Tab stop and click the appropriate button.

The placeholder field appears at the cursor position. For example, this setup…
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…produces this header on Page 2:

To remove an unwanted placeholder field, click on it once to select it and press Delete on the keyboard.

All placeholder fields are available for both the header and footer.

Page Numbers on the Title Page

Title pages are a separate section of a script. They can include cast lists, character biographies, sets, locations, songs, or any
other information. Title pages are numbered separately from the body of the script and use lower case Roman numerals;
i.e., i, ii, iii, iv, etc.

Header and Footer Options

Click the Options tab in the Header and Footer dialogue and the following appears:
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Show Header

The Show Header option determines whether the header is visible.

Header on First Page

The Header on First Page option indicates whether the header is visible on the first page.

Show Footer

The Show Footer option determines whether the footer is visible.

Footer on First Page

The Footer on First Page option indicates whether the footer is used on the first page.

Starting Page number

The Starting Page Number specifies the number for the first page of a document.

Example: A project is comprised of several scripts with sequential numbering; Script 1 has pages 1-20, Script 2 has pages
21-50 and Script 3 has pages 51-70. On Scripts 2 and 3, the starting page numbers (21 and 51) would be changed
accordingly in the Header and Footer Options window.

When all changes to the Header and Footer options have been made, click OK.
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Reformatting
Most of the time there is no need to reformat text. As the user type Final Draft formats and paginates text according to
industry standards.

However, there may be times when, for example, dialogue is erroneously formatted as action and needs to be rendered as
such. This can occur when a script written in another word processor is imported into Final Draft. Final Draft's built-in
formatting logic should turn most, if not all, of the text into a correctly formatted script. However, the quality of the import
depends on how and how well the script was formatted in the first program.

There are a number of ways text may be reformatted.

• Reformatting a Single Paragraph

• Reformatting Many Paragraphs

Reformatting a Single Paragraph

To change the element of a single paragraph
1. Place the cursor in the paragraph you want to reformat. There is no need to highlight the entire paragraph;
2. Choose the desired paragraph type from the Elements dropdown menu in toolbar at the top of the screen;

- or -

2. Choose the new element for the paragraph from the Format > Change Elements To [Submenu];

- or -

2. Press Command + Option + [#] to reformat the current paragraph. The "#" in this command is the element
number and will be displayed at the bottom of the screen while the Command key is pressed. In this example,
to render this paragraph as Action, press Command + Option + 2.

In this example, "TITLE: YOUNGSTOWN, OHIO" is incorrectly rendered as a Scene Heading. While it may not look incorrect, if
this script has is its scenes numbered, this title will get a scene number when it should not. It would be better to render this
text as Action. With the cursor anywhere in the paragraph, click the down-pointing arrow next to the Element dropdown
menu and choose Shot:
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This title is now correctly listed as Action and will not get a scene number if / when the scenes are numbered.

Reformatting Many Paragraphs

To change the element type of many paragraphs
1. Choose Tools > Reformat. The Reformat dialogue appears:

The paragraph containing the cursor is selected.

2. Choose a new element for the paragraph;

- or -
2. Press the number key (shown in brackets) for the new element for the paragraph;

The paragraph is reformatted and the next paragraph in the script is automatically selected.
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3. Continue reformatting each paragraph as needed;

• Click Next to skip a paragraph without any reformatting;
• Click Previous to select the previous paragraph;
• Click Delete to delete the current paragraph;

There is no confirmation dialogue and the deletion cannot be undone.

4. When done, click Close.

If a large block of text needs to be broken up as well as reformatted, break it into many
paragraphs first by placing the cursor between what should be two separate sections and
pressing the Return key on the keyboard. The Reformat tool cannot be used to break up a large
block of text.

You cannot type in the script while the Reformat dialogue is open.
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Shortcuts & Menus

Keyboard combinations and commands that make writing easier

• Adding Paragraphs
• Context Menus
• Element Shortcuts
• Keyboard Shortcuts
• Manual Carriage Returns
• Reformatting
• SmartType
• Tab Key

Adding Paragraphs with the Return Key

When the insertion point is at the end of a paragraph, pressing the Return key inserts a new paragraph. The kind of
paragraph created depends on the kind of paragraph it follows. The default transitions are:

• Scene Heading to Action

• Action to Action
• Character to Dialogue
• Parenthetical to Dialogue
• Transition to Scene Heading
• Dialogue to Action
• General to General
• Shot to Action

These transitions are based on the most logical flow for a writer, i.e. the most frequent element after a character name is
dialogue.

To modify these transitions

Choose Format > Elements and the Elements dialogue is displayed. Select the desired element from the list on the left.

Set the shortcut via the Next Element (Enter/Return) dropdown menu:
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The reason Return doesn’t change elements after typing action is because you can
follow action with either another action, a character, a transition or a scene heading. There is
no “usual” element paragraph that follows action.

Pressing Return in a blank paragraph will bring up the Element popup list. Choose the
element desired with the mouse, the first letter of the element or the up/down arrow keys and
press Return. A new paragraph of that type will be inserted.

Context Menus
Script pages context menus

Depending on what panel is active and where the cursor is, right-click or Command-click the mouse and context menus
appear.
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Right-click or Command + click on a word that Final Draft has flagged as misspelled and spelling alternatives appear in a
list.

Right-click or Command + click on a word and choose Look Up to find the word and possible replacement in a Mac OS-
based or web-based dictionary and thesaurus.

Right-click or Command + click at the end of a character name to display a list of character extensions (cont'd, O.S., o.s., V.O.,
v.o.).

Element Shortcuts
An alternative method of adding new paragraphs is using the Command key combinations. The defaults are:

• Command + 0 adds a General paragraph

• Command + 1 adds a Scene Heading paragraph
• Command + 2 adds an Action paragraph
• Command + 3 adds a Character paragraph
• Command + 4 adds a Parenthetical paragraph
• Command + 5 adds a Dialogue paragraph
• Command + 6 adds a Transition paragraph
• Command + 7 adds a Shot paragraph
• Command + 8 adds a Cast List paragraph
• Command + 9 adds a New Act paragraph
• Command + : (colon) adds an End of Act paragraph

Similar to changing Return key shortcuts, the Command key combination may be changed in the Elements Menu via the
Shortcut key text area.

KEYBOARD COMMAND SHORTCUTS

NEW Command + N
NEW FROM TEMPLATE Command + Shift + N
OPEN Command + O
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CLOSE Command + W
SAVE Command + S
SAVE AS Command + Shift + S
SAVE AS PDF Command + Shift + P
PRINT Command + P
UNDO Command + Z
REDO Command + Shift + Z
CUT Command + X
COPY Command + C
PASTE Command + V
SELECT ALL Command + A
SELECT CURRENT SCENE Command + Shift+ A
FIND Command + F
GO TO Command + G
START DICTATION fn fn
EMOJI & SYMBOLS Command + ^ + Space
SHOW/HIDE INVISIBLES Command + J
SHOW/HIDE STORYMAP Command + Shift + M
ENTER FULL SCREEN Command + ^ + F
ELEMENTS Command + E
DUAL DIALOGUE Command + D
SMART TYPE Command + L
ADD ALT Command + Shift + .
REMOVE ALT Command + Shift + ,
NEW BEAT Command + Return
NEW STRUCTURE POINT Command +Shift + Return
INSERT BOOKMARK Command + \
INSERT SCRIPTNOTE Command + Shift +K
INSERT GENERAL NOTE Command + Shift + G
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SEND TO SCRIPT Command + Shift + C

SMARTTYPE Command + L
SPELLING Command + ,
REFORMAT Command + R
EDIT SCENE NUMBER Command + Shift + J
MARK REVISED Command + ]
CLEAR REVISED Command + [
MINIMIZE Command + M
HELP Command + ?
SCENE HEADING Command + 1
ACTION Command + 2
CHARACTER Command + 3
PARENTHETICAL Command + 4
DIALOGUE Command + 5
TRANSITION Command + 6
SHOT Command + 7
CAST LIST Command + 8

ELEMENT TAB / RETURN KEY SHORTCUTS

To Go From: To: Press:
Scene Heading Part 1 Scene Heading Part 2 TAB
Scene Heading Part 2 Scene Heading Part 3 TAB
Scene Heading Part 3 Action RETURN
Scene Heading Part 2 Action RETURN
Action Action RETURN
Action Character RETURN + TAB
Action Shot Command + 7
Action Transition Command + 6
Action Scene Heading Type int. or ext.
Character Dialogue RETURN
Character Parenthetical TAB
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Parenthetical Dialogue RETURN

Action Dialogue RETURN
Dialogue Character TAB+RETURN
Dialogue Scene Heading Command + 1
Dialogue Transition Command + 6
Dialogue Shot Command + 7

Manual Carriage Returns

To manually place a carriage return (line break or hard return)

To insert a carriage return in the middle of a paragraph in order to space it differently, press Return on the keyboard.

Pressing the Return puts a carriage return at the insertion point and breaks the line. It can be used to format special types
of paragraphs, such as poems, lyrics, etc.

Space Before is the correct way to add blank space between paragraphs in most cases.

Reformatting
Occasionally, a paragraph will be formatted as the wrong element type. The paragraph may be reformatted easily by
placing the blinking cursor anywhere in the paragraph and pressing Command + Shift + [#] -- "#" corresponds to the
number displayed for each element type in the Status bar at the bottom of the application window.

See Reformatting for more information.

INT./EXT. Creates Scene Headings

If int. or ext. is typed at the beginning of an action paragraph, it will automatically become a scene heading starting with
INT. or EXT., respectively.

Tab Key
The Tab key supplements the functions of the Return key.

• Scene Heading to Action

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• Action to Character
• Character to Transition (only when character is blank)
• Transition to Scene Heading
• Dialogue to Parenthetical
• Parenthetical to Dialogue

On the Beat Board:

• Beat or Structure Point title field to Beat or Structure Point body

• Beat or Structure Point body field to Beat or Structure Point title field

Press Tab to accept the current selection from a SmartType list and move to the next logical element.

Within a Scene Heading, the Tab key has additional functions:

From a Scene Intro (INT, EXT), pressing Tab adds a period plus a space ( . ) and moves the insertion point to the Location
section. Press Tab again to call up the Location SmartType list;

From a Location, pressing Tab adds a space-dash-space ( - ) and moves the insertion point to the time area. Press Tab again
to call up the Time SmartType list (DAY, NIGHT, etc.).

In the Index Cards - Summary view, the Tab key moves the cursor from the editable Scene Heading field to the editable
Scene Summary field to the editable Scene Heading of the next scene card.

In the Index Cards - Script view, the Tab key moves the cursor from the editable Scene Heading field to the editable Scene
Heading of the next scene card.

In the Scene View, the Tab key moves the cursor from the editable Scene Heading field to the editable Scene Title field to
the editable Scene Heading of the next scene row.

SmartType
To ease the frustration of having to repetitively type the same names and phrases, Final Draft provides an auto-complete
function called SmartType. SmartType maintains lists of all the character names, character extensions, scene intros,
locations, times and transitions in the script.
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When the cursor is positioned on a character, scene heading or transitions paragraph, SmartType auto-completes the list,
narrowing choices as text is entered. SmartType lists are included for these elements:

• Characters
• Character Extensions, such as voiceovers or subtitles
• Scene Intros, such as interior
• Locations
• Times
• Transitions

Right-Arrow for Match Completion

If a character name, character extension, location, time or transition paragraph contains the blinking cursor and text that
matches information in the appropriate list is typed, pressing the Right Arrow key will complete the match (that is, it will
put the “suggested” text into the script) and place the cursor at the end of the paragraph.

First-Letter Method of Finding the Desired Text

When at the beginning of a character name, character extension, location, time or transition, pressing the same first letter
(e.g., d-d-d) will cycle through the items in the list starting with that letter instead of adding the letter to the line and doing
a match of the combined letters.

More information on SmartType features is here:

• Entering SmartType Items in the Script

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• New SmartType Entries

• Modify SmartType Entries
• Delete SmartType Entries
• Rebuild SmartType Lists
• Reorder SmartType Lists
• Managing SmartType Lists
• SmartType Options
• Scene Intros and Times Separators

Entering SmartType Items in the Script

By default, all SmartType lists are initially active (see SmartType Options to learn how
to disable SmartType lists).

The Character SmartType List from the sample script Airship - script is used as an example here. All the functions described
are applicable to the Extensions, Locations, Times, and Transitions SmartType Lists.

The Character SmartType List for Airship - script initially consists of:
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When a letter is typed into an empty character paragraph, if any items in the Character SmartType start with that letter, the
SmartType window displays all the matching items in the list. The rest of the first matching item text appears in a light gray
color after the cursor. For example, in the character paragraph below, suppose the letter “A” is typed in:

Three entries begin with A and all are displayed. The rest of ARINGTON appears in gray, allowing the user to either accept
the SmartType choice with the Return key or continue typing to add a new character. As more letters are entered,
SmartType narrows the items in the list to contain only those that match what has been typed.

To choose ARINGTON, type "A," click that name with the mouse, tap the A key to cycle through the list, or arrow down on
the keyboard. When the correct item has been highlighted, press Return. Double-clicking on the correct item will also
insert the word and dismiss the SmartType window.

Entering New SmartType Items on the Fly

New items are added to SmartType lists automatically when they are typed into the script. In Airship - script, there are no
items in the Character SmartType list that begin with the letter N. Consequently, if the letter “N” is typed into a character
paragraph, the SmartType window does not appear. If the rest of the name “NANCY” is typed and the Return key is pressed
to create a Dialogue paragraph, SmartType automatically adds NANCY to the Character SmartType list.

More About SmartType Matching

The SmartType window appears if there is a match of the first letter typed in a character name, character extension,
location, time or transition. If the user is creating a SmartType element and that element is a subset of an item already in
the SmartType list, he or she will need to temporarily turn off, or escape from, SmartType matching by pressing the Esc key.
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For example, the Character SmartType list contains a character named “BOBBIE,” and a new character named “BOB” is
needed. Type BOB <Esc>. “BOB" will be added to the Character SmartType list.

New SmartType Entries

Although new items are automatically entered into the appropriate list as the user types in the script, they can also be
added manually in the SmartType dialogue.

To add a new item to a SmartType list:

1. Choose the list to which the new item is to be added by clicking the appropriate tab;
2. Click New.
3. A default name appears at the bottom of the list and in the text box:

4. Type the name of the new item;

5. Click OK to return to the script.

Modify SmartType Entries

To change an existing entry in the list
1. Choose the list in which the item is stored by selecting it from the dropdown menu;
2. Select the item to change;

The item’s name appears in the text box above the list.
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3. Click in the text box;

4. Edit the item;
5. Click OK to return to the script.

Editing an item in a list does not change it in the script. To change an item in the
script, use Edit > Find and replace the entries that you modified with the new text.

Deleting SmartType Entries

It is a good idea to manage SmartType lists by deleting duplicate entries. In this example, the writer has accidentally added
the name "TRISG" to the Character SmartType list when the name "TRISH" was intended.
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Now the unwanted "TRISG" has replaced "TRISH" as the first "TR" SmartType choice, which will impede the writer's flow.
"TRISG" should be removed.

Go to Document > SmartType and select the unwanted SmartType item, in this example, "TRISG." Click Delete and it will be
removed from the SmartType list. Note that there is no confirmation dialogue.

Deleting an item from a list does not remove it from the script. To delete an item from
the script, use Edit > Find and then delete the text from the script.

Rebuilding the SmartType List may accomplish the list maintenance quickly but may
remove SmartType items you want to keep for a particular reason.

Rebuild SmartType Lists

As a script is written, new character names, locations, times of day and other pieces of text will be entered that Final Draft
stores in the SmartType lists. If an error is made while typing one of these terms and then Enter is pressed, that erroneous
term will become part of a SmartType list. For example, if TRISG is accidentally typed (instead of TRISH) and Enter is pressed,
the "T" Character SmartType list will display:
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Now, inserting "TRISH" will require an additional and unwanted keystroke.

The remedy is to rebuild the SmartType list, which causes Final Draft to compare the contents of the SmartType list to what
is actually in the script. If a word or term is on a SmartType list but is not found in the body of the script, it is removed from
the SmartType list. Conversely, if a word or term is in the script but is not on a SmartType list, rebuilding the SmartType list
will add that word or term to it.

Erroneous SmartType entries can be removed manually by opening that list, selecting the item and clicking Delete but
using the Rebuild command is a quicker and more comprehensive way to ensure the accuracy of the SmartType lists.

Before creating any report from Tools > Reports, best practice is to rebuild all
SmartType lists. The reports are based on the SmartType lists and if the lists contain erroneous or
unused information, it will appear in the reports as well.

Reorder SmartType Lists

By default, SmartType lists are listed in the order in which entries are made. The list may be reordered.

To view the list in alphabetical order

Click the Alphabetize button.

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The order of the items in the SmartType dialogue is the same as they appear in the
SmartType window in the script.

To reposition an item within a SmartType list, drag and drop the item to a new position.

Managing SmartType Lists

View and modify all SmartType lists in the SmartType dialogue.

1. Choose Document > SmartType and the SmartType dialogue appears with the SmartType Character List
displayed. For example, the Character List from the sample script Airship appears as:

2. Choose a list to view or modify by selecting it from the dropdown menu.

SmartType Options
Click the Options tab in the SmartType dialogue to view SmartType options.
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By default, matching for all of the SmartType Lists is enabled.

To disable Character, Scene Heading or Transition matching

Uncheck the option for the SmartType list to be disabled.

If matching for a SmartType list is disabled and a new paragraph of that type is created, the SmartType window does not
appear. SmartType still automatically adds any new entries to the appropriate list, however.

Automatically Guess Next Character

Checking this option causes Final Draft to track the entry of character names and when it senses that two individuals are
having a conversation, alternately offers their names when a new character element is created, which is useful when a
scene contains multiple conversations between two individuals.

Tab Key Transitions to Character Extension

By default, pressing the tab key after entering a character automatically creates a parenthetical paragraph. Check this box
so that pressing tab will create a character extension instead.

Show SmartType Window

Check this option if the SmartType window should to appear when the user types.
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Alphabetize SmartType Window

Check this option if the items in the SmartType window should appear in alphabetical order.

SmartType Color

Select the text color for SmartType matches.

To change the color

1. Click the color swatch;
2. The standard Mac color palette appears. Choose a color or click Other to show the standard color picker.
3. Choose a color and click OK;
4. The new color is displayed as the color swatch.
5. When finished, click OK.

Scene Intros and Times Separators

Scene Intros and Times are special entries in their respective SmartType lists because they are subunits of the Scene
Heading element. The characters used to separate sections of the scene heading may be changed. In US film production
(and in the default Screenplay template), the defaults are a period (.) separating scene intro and location and a dash (-)
separating the location and the time.

To change the separator character

1. In the SmartType dialogue, select either the Scene Intros or Times SmartType list;
2. Type the new separator character in the Separator text box. If there should be spaces before and / or after the
character, type those in as well;
3. Click OK.
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Spelling
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Spelling
Final Draft uses the Mac operating system's spell-check and user dictionary to identify misspelled words, provide
alternatives and keep track of words the user has instructed the computer to learn.

Words added to the user's User Dictionary in other applications will not be flagged as misspelled in Final Draft and words
added to the user's User Dictionary in Final Draft will not be flagged as misspelled in other applications.

• Spell-Check
• Options
• Thesaurus Context Menu

Final Draft's ability to support languages other than English is limited to spell-checkers
for languages using Western (Latin)-based characters.

If you paste a foreign-language character into Final Draft or switch to a foreign-language font set, Final Draft may not be
able to display it properly.
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Spell-Checking
To Begin Spell-Checking

Choose Tools > Spelling. The Spelling dialogue appears and checking begins with the first misspelled word highlighted
and a list of suggestions to correct the error.

When the spell-checker encounters a misspelled or unknown word, that word is highlighted in the script and the word
appears in the Misspelled Word area in the Spelling dialogue, along with a list of possible alternatives. The first item in the
Suggestions list appears in the Change To text field. In this example, the spell-checker has found “tunel” as a misspelled
word:

To accept the suggestion "tunnel" and continue spell-checking, click “tunnel” and then Replace.

To substitute an alternate word:

1. Select a word from the Suggestions list or type another word in the Change to box. It appears in the Change
To text field;
2. Click Replace. If there may be more than one instance of the misspelled word in the script, click Replace All.

Alternately:
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Double-click a suggested word. The new word replaces the misspelled word in the script and spell-checking continues.

To instruct the spell-checker to learn a word, click Learn. The word in the Misspelled Word area is added to the computer’s
and spell-checking resumes.

To disregard the word considered misspelled and continue, click Ignore.

To disregard all instances of that word in the document. click Ignore All.

When the spell-checker reaches the end of the script, it asks if the search should continue from the beginning of the script.
If the spell-checking was started in the middle of the script, when the spell-check reaches the end of the script it may be
continued from the top of the script. Click Yes to continue.

When the entire script has been checked, a message indicates that the whole script has been checked. Click OK to close
the Spelling dialogue.

You can halt spell-checking at any time and close the Spelling dialogue by clicking the
Close button.

Spell-checking with the Contextual Menu

Access spell-checker functionality from a context menu. For example, here is some sample text with the misspelled word
“tunel”:

To access the spell-checker commands in the context menu

1. Right-click or Control + click on a misspelled word and the context menu appears:
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2. Select the correct word;

- or -

2. Select any of the alternative words;

- or -

2. Choose to have the spell-checker ignore or learn the word;

- or -

2. Make the correction manually by typing directly into the script.

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Spelling Options
Go to Tools > Spelling and click the Options tab to view spelling options:

Language popup menu

Choose a different foreign-language spell-check.

Check Capitalization

When this option is checked, the spell-checker checks for correct capitalization of words. In this example, the spell-checker
flags the word “annoyed” as incorrectly not capitalized.

Check Repeated Words

If this option is checked, the spell-checker looks for duplicate occurrences of words and flags them as repeated. In this
example, the second and erroneous "and" is flagged.
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Automatic Spell-Checking

If this option is checked, the spell-checker automatically scans the script and underlines in red any misspelled words.

Thesaurus
Find alternate word choices while writing.

To find words in the thesaurus

1. Right-click or Control + click on the word to be replaced;
2. Go to Tools > Thesaurus or choose Thesaurus from the context menu:

3. A standard Mac word lookup is displayed:

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4. Select a replacement word;

5. Copy the replacement word by clicking it and pressing Command + C or right-clicking or Control + clicking on
it and choosing Copy;
6. Close the Dictionary window;
7. Highlight the word to be replaced;
8. Paste the new word in the Final Draft page with Command + V or right-click or Control + click + Paste.

Foreign Language Spell-Checkers and Thesauri

Final Draft uses the foreign-language spell-checkers and thesauri that are built in to the Mac operating system.

The following languages are available:

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Danish Dutch English French

German Italian Norwegian Bokmål Polish

Portuguese Spanish Swedish Turkish

Final Draft's ability to support languages other than English is limited to spell-checkers
for the above languages using Western (Latin)-based characters.

If a foreign-language character is pasted into Final Draft or a foreign-language font set is used, Final Draft may or may not
be able to display it properly.

Final Draft's ability to support languages other than English is limited to spell-checkers
for languages using Western (Latin)-based characters.

If a foreign-language character is pasted into Final Draft or a foreign-language font set is used, Final Draft may or may not
be able to display it properly.
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Glossary

Some glossary entries are followed by "[FD]." This designates a term that may be used in a similar context in other
software. The definition here is referring only to the way in which Final Draft uses a particular term. Entries in ALL CAPS are
terms written into a script by the writer.

A and B Pages / Scenes

Refers to any additional pages added to a Production Script. Once a script becomes a Production Script,
page and scene numbering cannot change. To keep them consecutive and so that they will fit with older
versions of the Production Script, the letters “A,” “B,” “C” (and so on) are added to page and scene numbers
in order to keep the pages in order. For example, if two pages are added between pages 78 and 79, they are
numbered 78A and 78B.
Action
A sequence of events in a script, visuals that have their purpose in plot development, which may include
physical and psychological action; the movement of the subject within the camera field of view; an element
in Final Draft.
Activate [FD]
Allows Final Draft to be used on a specific computer without restrictions.
ANGLE ON
Used to emphasize a specific object in a shot to indicate that a different camera angle is to be made of a
previous shot.
ASCII
Acronym for American Standard Code for Interchange Exchange. An ASCII file, also called a text file, can be
read by most computer word processors.

BACK TO / BACK TO SCENE

The camera reverts to its original shot position from another.
BACKGROUND (b.g.)
Any action or object(s) which is secondary to the main action and which appears far away to the main
action, and which serves as a backdrop for that action. Usually abbreviated in lowercase letters with periods
after each letter.
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Backup Copy
To guard against total loss of important information, a duplicate copy of a computer file, usually saved in a
separate location, and placed in a safe, separate place. Making two backup copies of important data should
be a regular part of any computer use.
BEAT
In a screenplay, this term is used to indicate a pause in a character's speech or action. Also refers to actions
or incidents within scenes.
Beat Board
A field in which cards representing story point and plot milestones can be arranged in a free-form fashion.
Bookmarks [FD]
Placeholders within a Final Draft script whose placement is determined by the user.
Breakdown (Breakdown Script)
Detailed analysis of a screenplay which is used to create the Shooting Schedule. Organizes the script into
related scenes, locations, sets, characters and props. Also used for determining all the expenses for a film’s
budget.

Character
The various real or fictitious individuals who take part in a screenplay; an element in Final Draft. The very first
time a character is introduced into the screenplay, the name is capitalized. Always capitalized before
dialogue. In Final Draft, it refers to the paragraph that contains a character name.
Character Extension [FD]
Enclosed in parentheses next to the character name, it describes where the speech is coming from - off
screen, voice over, etc.
CLOSE SHOT
Camera shot that includes only the head and shoulders of a character. Always typed in capital letters.
CLOSEUP (C.U.)
Camera shot that closely emphasizes (isolates) a detail in a person, animal or object. Always typed in capital
letters and is usually abbreviated.
Color Picker
A mechanism that allows a color to be chosen, usually from a color wheel.
Continued(s)
At a Scene Break, used to indicate a scene has not been completed at the end of a page (at the page break)
and the beginning of the next page. At a dialogue break, used to indicate a character’s speech has not been
completed at the end of a page and that the speech is a continuation of one from the previous page.
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Courier Final Draft

The default font in Final Draft. It was designed to paginate consistently from computer to computer and
between Mac and Windows. Using another font, even a Courier font, is not advised.
Cursor
An on-screen pointer that follows the movements of the computer’s mouse.
CUT / CUT TO
Instantaneous transition (change) from a scene (or a shot, or another person) to another. Always typed in
capital letters.

Dialogue Breaks
When dialogue “spills” over one page onto the next because of its length and has to be split into sections.
The phrase (MORE) indicates there is additional dialogue to follow on the next page, and the phrase
(CONT’D) appears at the top of the page, indicating the dialogue is continuing from the preceding page.
DISSOLVE / DISSOLVE TO
A transition from one scene, which fades out, as another simultaneously fades in. Dissolves are also used to
indicate a lapse of time and/or of place.
DOLLY IN / DOLLY OUT
Camera movement toward or away from a subject, involving physical movement of the camera. Always
typed in capital letters.
Drag-and-Drop
Computer process of using a mouse to select and move text (a single word or entire pages) from one
location to another without having to use the commands Cut and Paste.

Elements [FD]
The types of paragraphs (styles) used in a screenplay: scene heading, action, character, character, dialogue,
transition and shot.
Exporting
The process of converting (translating) a Final Draft document so the information in it may be used in other
computer programs.
EXT.
Denotes a shot taken outdoors.
Exterior (EXT.)
A scene intro which indicates that a scene takes place, or is supposed to take place, outside. Always
abbreviated in all capital letters.
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EXTREME CLOSEUP (E.C.U.)

Camera shot that is extremely close to a subject, used to emphasize some particular detail. Usually typed
out in full in capital letters.
EXTREME LONG SHOT
Camera shot usually taken from a long distance away from the subject. Always typed out in full in capital
letters.

FADE IN / FADE OUT

Smooth, gradual transition from complete blackness to a scene (fade in); gradual transition from a scene to
complete blackness (fade out). Always typed out in full in capital letters.
FOREGROUND (f.g.)
The area of the scene (objects or action) which is closest to the camera. Usually abbreviated in lowercase
letters with periods after each letter.
FREEZE FRAME
Camera direction (which is really an optical printing, or other, effect) where a single frame is repeated over
time to give the illusion that all action has stopped.
Function Key
Special keys on a computer keyboard (labeled F1 though F12) that may have special commands assigned to
them. In Final Draft, Function Keys have built-in functions, but the user can assign different commands to
them, if desired.

Header [FD]
Text that appears at the top of a page, such as page numbers.

I/E (INT./EXT.)
Refers to shots taken in both an interior and an exterior location. For example, a police chase where we start
inside a car and the camera moves outside the window when the character leans out to fire a gun.
Importing [FD]
The process of converting (translating) information (data) from other computer programs so it can be used
as part of a Final Draft document.
Index Cards Views
These views mimic the traditional way that scripts have been developed, fleshed-out and annotated. Each
card contains one scene. Cards are ordered in a left-to-right, top-to-bottom, fashion. There are two “sides” to
every card. The Summary side initially is blank and is available for text to be entered - for development ideas,
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notes, sequence or act markers, comments, locations, blocking... anything you feel is applicable. The Script
side contains the actual text of a particular scene.
INSERT
A shot within a scene which calls attention to a specific piece of information, usually an inanimate object.
Installation [FD]
The process of loading the Final Draft program and all associated files onto a computer so that they may be
used. Different from Activation.
INT.
Denotes a shot taken indoors.
Interior (INT.)
A scene intro which indicates that a scene takes place, or is supposed to take place, indoors; a set
representing an indoor scene. Always abbreviated in all capital letters.
ISOLATE
Tight focus on an object or person.

JUMP CUT
An exaggerated acceleration of natural action achieved by removing from a scene footage that provides
continuity of action, camera position or time. For example, a shot of man starting frame left and walking
right who, in the blink of an eye, is next seen almost at frame right would be a jumpcut. He appears to have
"jumped" to the right edge.

Keystroke Shortcut
A keystroke, or combination of keys, that initiates a command or other function.

LIGHTS UP
Transition used in Stage format, denoting the beginning and discovery of a scene by the illumination of
lights onto a particular area of the stage.
Location
The actual (physical) setting for a production; a part of a scene heading which describes where the scene
takes place.
LONG SHOT
Camera shot that is taken at a considerable distance from the subject, usually containing a large number of
background objects. Always spelled out in capital letters.
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Macro [FD]
Text which can be entered with a single keystroke, usually containing words or phrases that are frequently
repeated.
MAGIC
Shorthand for "Magic Hour," the short period of time around sunset.
Margin
The amount of space left unused at the top and bottom, and right and left, of a printed page.
MATCH CUT
An edit in which physical elements or actions in the first shot greatly resemble actions or physical elements
in the next shot. One classic example of this is from Hitchcock’s "North by Northwest" in which a shot of
Cary Grant pulling Eva Marie Saint up off Mount Rushmore turns into a matching shot in which he pulls her
up into a bunk bed. Another is the match cut from the shower drain to Janet Leigh’s eye in "Psycho."
MEDIUM SHOT (MED. SHOT)
Camera shot often used to describe a shot of character approximately from the waist up.
MONTAGE
Scene heading which indicates a rapid succession of shots.
More(s)
Used to indicate that a character’s speech has not been completed at the end of a page and that the
speech is a continuation of one from the previous page. See Dialogue Break.
MOVING / MOVING SHOT
Camera shot which follows whatever is being filmed.

Narration
Off-screen commentary, which is heard over the action. Also referred to as a voice over.
NARRATION
Off-screen commentary which is heard over the action. Also referred to as a voice over.

OFFSCREEN (O.S.)
Indicates that the character speaking is not visible in the frame. Always abbreviated in all capital letters and
enclosed in parentheses. Not the same as VO or NARRATION.
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Outline
A complete story broken down into its component beats, scenes, sequences and acts before dialogue is
written.

Page Break
Where one page ends and another begins. Final Draft simulates this break in Normal View with a line.
PAN
Camera shot (from the word panorama) where the camera moves gradually from right to left or left to right,
without stopping; to slowly move to another subject or setting without cutting the action.
Parenthetical
Indicates dialogue should be delivered in a certain way; an element in Final Draft. Should be no more than a
few words.
POINT OF VIEW (P.O.V.)
Camera position that views a scene from the viewpoint of a particular character. Always abbreviated in
capital letters with periods after each letter.
Production Script
A script that includes scene numbers, camera angles, inserts and direction notes. All page numbers and
scene numbers remain unchanged, no matter if text is added to or deleted from the script (see A and B
Pages/Scenes, Revised Pages).

Reformatting [FD]
The process of changing element paragraphs from one to another.
Revised Pages
When a production script is being edited, changes are distributed to the actors and crew on “change
pages,” which are generally a different color from the original pages of the script and follow a set hierarchy
of color pertaining to the revision number.
Revision(s)
In Production Scripts, any modified or new text (revised text) needs to be designated as such via marks in
the margins (like asterisks).

Scene
A single cohesive unit of narrative, usually confined to one location at one particular time.
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Scene Breaks
When a scene “spills” over one page to another because of its length and has to be split into sections. The
phrase (CONTINUED) indicates there is more to the scene to follow on the next page, and the phrase
CONTINUED: appears at the top of the page, indicating the scene began on the preceding page(s).
Scene Continued(s)
See Scene Breaks, above.
Scene Heading
Used at the beginning of all scenes, a short description which indicates where and when the scene takes
place. Always typed in capital letters. Sometimes called a Slug Line.
Scene Intro [FD]
The part of a scene heading whether a scene takes place indoors, outdoors, etc.
Scene Number
Indicates the sequence number of a particular scene. Scene numbers are used only in Production Scripts.
Scene View
A view in which each row contains one scene.
Screenplay
A script for a feature film, that is (or could be, and hopefully will be) made into a motion picture. Generally
90 to 120 pages in length.
Script
Text of a screenplay, including dialogue and action. In a shooting script, scene numbers and sometimes
camera shots and moves are added.
ScriptNote [FD]
Text fields that contain your ideas, notes or messages about a particular paragraph in the script. These notes
can be placed anywhere.
Sequence
A group of connected scenes that moves a story forward. A feature script usually has between 7 and 10
sequences.
Shooting Schedule
A production schedule for shooting a film with the scenes from a script grouped together and ordered with
production considerations in mind.
Shooting Script
See Production Script.
Shot
The basic unit of a motion picture. A moving image of objects, persons, buildings and/or landscapes.
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Sitcom (Situation Comedy)

Usually refers to a television comedy in which the humor is derived from situations or predicaments of the
characters, rather than on incidents or gags. Also known as a "half-hour," a reference to the length of each
episode.
Slugline [FD]
See Scene Heading.
Smart Type [FD]
Provides an automatic type-ahead facility for entering a character name, location, extension, time and
transition in the script; used to avoid repetitive typing.
Spec Script
A "spec" or speculative screenplay is an uncommissioned (unpaid) project written for the open market. The
writer hopes it will be bought and produced or will serve as a calling card to get paid writing jobs.
Story Map
A tool that allows the user to lay out story beats and story milestones in a linear fashion.
SUPER (SUPERIMPOSE)
The effect of showing one image over another. Always typed in capital letters.

Text Document [FD]

This mode eliminates all screenwriting-related options and functions, so that Final Draft may be used as a
“normal” word processor.
Text File
See ASCII.
Time
The part of a scene heading which indicates the time of day.
Title Page
Includes the title, centered in the upper third of the page, the writer’s name, contact information (address,
phone), copyright and registration number (optional).
Transition
Indicates the end of a scene; an element in Final Draft. Always typed in capital letters.
Treatment
Summary of a story, integrating all its elements, detailing the plot, and providing a sense of who the
characters are, including their motivations.
TWO-SHOT
Camera shot of two people, usually from the waist up.
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VOICE OVER (V.O.)

A Character Extension in which a character’s voice is heard over a scene, as in narration, a tape-recorded
voice, or a voice heard over the phone. Always abbreviated in capital letters with periods after each letter
and enclosed in parentheses next to the Character Name, capitalized and spelled out in the script.

WIDE SHOT
See Long Shot.
WIPE
A wide variety of patterned transitions in which images seem to move (or push) other images off the screen.

XML (Extensible Markup Language)

The Extensible Markup Language is a general-purpose markup language that allows its users to define their
own elements. Its primary purpose is to facilitate the sharing of structured data across different information
systems, particularly via the Internet.

ZOOM IN / ZOOM OUT

A quick transition from a long shot to a close shot or the reverse, usually achieved by manipulating the
camera’s lens.