Visual Notetaking
Visual Notetaking
SARAH SIMPSON
VISUAL NOTETAKING
CONTENTS
1 Introduction 7
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5 Drawing 16
5.1 Shapes 16
5.2 Arrows 17
5.3 Bullets 18
5.4 Banners 18
5.5 Separators 19
5.6 Frames 20
5.7 Speech 20
6 Colours 21
7 People 22
7.1 Faces & emotions 22
7.2 Individuals 23
7.3 Simple 23
7.4 More complex 25
7.5 Groups 26
10 Visual dictionary 40
10.1 Individual ‘dictionary’ elements 40
10.2 Visual metaphors 43
11 Summary 48
1 INTRODUCTION
Welcome to this book on visual notetaking. Here I will guide you through what this is
and how to apply this method of recording discussions and observations to greatest effect.
The most important thing to say at this early stage is that YOU DO NOT NEED TO BE
ABLE TO DRAW!
I certainly can’t, but have developed my own style, methods and shortcuts, all of which
I will share with you and which will have you producing visually stunning, useful and
engaging ‘notes’ in no time.
– Chinese proverb
You can use both traditional pen and paper, or electronic approaches. My equipment
suggestions for each of these is discussed in section 3.2.
Don’t forget humans have been using drawings to communicate for thousands of years. The
earliest known drawings were found in Spain and France, which date from 30,000 – 10,000 BC.
3.2 ‘TRADITIONAL’
When I first started out, I used a spiral bound notebook (I found A5 to be best), a light
grey pencil and fine line gel pen. However, I soon added a grey chisel tip shading pen,
closely followed by a selection of coloured pens. You will no doubt find your own ‘toolkit’
that works for you, your environment and your style, but you can’t go wrong with these
to start with.
3.3 ELECTRONIC
A year or so into my visual notetaking journey I purchased a tablet and e-stylus and began
experimenting with apps and techniques. For me personally, this is now by far my preferred
way of recording visual notes, and this is discussed in greater detail below in the pros and cons.
I use an iPad 12.9” pro with apple pencil and the free paper by 53 app. Prior to this I used
adobe sketch. If you intend to go down the e-route, explore the huge range of free apps
available (I have never felt the need for paid versions) and see which one works best for you.
Mistakes need to be rubbed out (if using pencil) Electronic erasure, or un-doing is quick
Images can be photographed, uploaded and Electronic sharing is quick and integrated with
shared many other apps
Can be difficult to use in low lighting conditions. Tablets have their own in-built lighting. Great
Some people use a small battery book reading for low lighting e.g. conferences, but you need
light, that clips onto your sketch book to be mindful of disturbing others
• Square
• Triangle
• Circle
• Line
• Dot
If you can draw these, even badly, you are (more than) half way there!
4.2 PAREIODOLIA
Although you may not have heard of pareiodolia, you will almost certainly have experienced it.
Examples of this would include the Rorschach inkblot test, or seeing faces in everyday items.
5 DRAWING
Ok, so let’s start looking at all the elements you will need in order to take great visual notes.
5.1 SHAPES
We have already seen (in chapter 4.1) that everything you will need to draw when taking
visual notes, is made up of these 5 shapes; square, triangle, circle, line and dot.
5.2 ARROWS
Simple lines or block arrows.
More complex shaped, shaded or coloured arrows can convey a message without words
Converging /
Coming together
Down Up
5.3 BULLETS
5.4 BANNERS
My top tip here is to write your word(s) first and then draw your banner box around it.
If you use electronic methods of notes capture, you can experiment with ‘colour wash’
features, to create different style banners.
5.5 SEPARATORS
These can be used to distinguish between various parts of your notes. For example, different
speakers, topics or discussions.
5.6 FRAMES
Adding separators together gives you frames and more distinct areas to your map.
5.7 SPEECH
Examples of basic speech bubbles are shown below.
3D shading
creates depth
With the addition of other shapes and / or colour you can start to tell a more visual story.
6 COLOURS
Colours can convey multiple messages and meanings, without the need for additional words.
These are the colours and associated meanings that I use.
Please note, if you are going to share your visual notes, you may wish to stick to colours
with a more universal, rather than personal meaning.
7 PEOPLE
One of the things people fear drawing the most is people. In this chapter I will show you
how easy this is and how there are options that allow you to find your own style.
7.2 INDIVIDUALS
What happens when you need to look at the whole body? Below you will see methods for
drawing simple and more complex people.
7.3 SIMPLE
The four main simple people shapes are; stick, petals, star and rectangle.
This is a step-by-step guide of how to draw each. Have a go with all of them and find the
one you are most comfortable with.
7.5 GROUPS
A super quick way to draw a group of people is shown below.
360°
thinking .
360°
thinking . 360°
thinking .
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26
VISUAL NOTETAKING Lettering & fonts
8.1 TYPES
Below you will see the 10 different types of font that I use. Fonts add interest and emphasis.
Serif font have small lines attached to the end of the letter strokes. Sans serif do not have
these lines and are ‘cleaner’ in appearance.
8.5 BLOCK
8.7 BUBBLE
9.2 HORIZONTAL
9.3 VERTICAL
9.4 COLUMNS
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Problem solving
9.5 CYCLICAL
9.8 RANDOM
9.9 VENN
9.11 HIERARCHICAL
10 VISUAL DICTIONARY
In addition to; arrows, bullets, banners, frames, speech, people fonts, patterns and ordering,
you will need to use other visuals to tell a story and convey information in a quick, logical
and visual way.
The best method is to start to build up your own ‘visual dictionary’. To this end I have
provided 25 common images that I use. These will give you a really good idea as to what
is possible and how you can start to create your own images, which are tailored to your
particular environment and situation.
1 image 4-ways. All are representative of global / international, but with different levels
of complexity.
Remember, as with all your visual notes, colours and shading can be added later. The most
important thing is to capture the main ideas, points and concepts.
10.2.1 A JOURNEY
10.2.2 ICEBERG
10.2.3 MOUNTAINS X 2
10.2.4 STEPS
10.2.5 TARGET
10.2.6 JIGSAW
10.2.7 TREE
11 SUMMARY
Visual note taking describes the process of converting what you see, think and hear, into
a series of images and words. The key is to capture the main points, ideas and concepts
into a holistic image.
The benefits of using this method are many and varied, but dual coding theory would
suggest that using both visual and note taking processes, lie at the heart of its impact. The
other benefits we saw included:
The method that you use to capture your notes is down to personal preference, as there
are pros and cons of each. However, as I have stated many times, this is not about creating
works of art, but rather finding your own style and visual dictionary that works for you.