Chapter Eight Color PDF
Chapter Eight Color PDF
COLOR
63 – Pierre Bonnard
Introduction
Color is an underrated design tool. When Brand (Chapter Three):
used correctly, it can make a website sing.
When I was a beginner designer, I often Say you’re doing a site for the Vietnam
used too many colors in my designs. This Veterans Memorial in Washington DC. That’s
section will help you avoid that mistake. It a very serious subject. The tone of any war
will also help you approach your color choices memorial is respectful and serious. So your
methodically. You’ll have tangible reasons color choices should reflect that. Bright
for why you picked that dark purple or that happy colors would feel out of place, in the
candy apple green. Most importantly, all your same way that someone selling balloons near
colors will work with your website’s concept, the memorial would feel tacky.
brand, and style to tell a cohesive story. Also, respect the client’s brand guidelines. If
you’re doing a microsite for Ikea, it’s likely
In this chapter we’ll you’ll have to use their signature blue and
yellow.
discuss:
There are some instances when the site
• What influences your color choices
experience is so far removed from the brand
• B&W + One Color that you can use other colors. But before
doing this, make sure you clear it with your
• Analogous
creative director or the client.
• Complementary
Style (Chapter Ten):
• Split Complementary
Here’s where your personal tastes can have
• Triad
a voice. What style(s) are you considering
from the style section? Your color choices
What influences your should support that style. Design trends can
color choices be considered too. As you explore the color
options on the following pages, imagine what
When thinking about colors, you should keep colors might work well with the design style
in mind the following three things: you’re considering.
Concept (Chapter Two):
B & W Plus
One Color
This first style isn’t a part of color theory like the rest
of the chapter but it is a simple and effective approach
that can work well.
POSSIBLE USES:
65
Necon
http://www.necon.pl/en/
This is a portfolio site for an ad agency. Necon a full-color screenshot of a project or click
has executed dozens of projects for clients through to view the individual project page.
with various photography and art direction I think the color coral was a stylistic choice
styles in them. This is problematic because rather than a conceptual one, although it’s
showing multiple projects in full color on their hard to say without knowing the background
site could make it feel disjointed. They solved of the project.
this by using a coral color as an overlay on top
of all the images. It makes the page cohesive.
When every image has coral in it, they have
a common denominator that anchors them.
You can still hover over an image to reveal
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Analogous
Analogous colors are near each other on the color wheel.
This style works best when three or four colors are used.
Often there will be one dominant color which the other
colors defer to.
POSSIBLE USES:
• To convey a harmonious mood
• When the content of the site is friendly
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Mambo Mambo
http://mambomambo.ca
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ANALOGOUS
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ANALOGOUS
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ANALOGOUS
Complementary
Complementary colors are on the opposite sides on
the color wheel. Complementary colors should be
approached with caution on the web because they
create a lot of tension. If you have large areas of the
page with these colors, it can hinder communication.
The examples below are a few examples that work ok.
POSSIBLE USES:
73
Sonor Design
http://radium.ro/?page_id=530
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COMPLEMENTARY
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COMPLEMENTARY
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COMPLEMENTARY
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COMPLEMENTARY
Split Complementary
Split complementary colors are nice because they
combine the pleasantness of analogous colors with a bit
of spunkiness that complentary colors have.
POSSIBLE USES:
• Almost anywhere
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Spina
https://spinanyc.com
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SPLIT-COMPLEMENTARY
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SPLIT-COMPLEMENTARY
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SPLIT-COMPLEMENTARY
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SPLIT-COMPLEMENTARY
Triad
Triads use three colors, all equidistant from one another.
Triads create a more mature kind of variety of color, as
opposed to energetic split-complementary colors. If
split-complementaries are the lively 1963 ‘She Loves
You’ Beatles, Triads are the more mature 1970 - “Let it
Be” - Beatles.
POSSIBLE USES:
• To create variety without much drama
• To convey a sense of strength
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Lorenzo Verzini
http://lorenzoverzini.com
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TRIAD
TRIAD
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TRIAD