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Labview Sound and Vibration

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LabVIEW

Sound and Vibration Toolkit

User Manual

LabVIEW Sound and Vibration Toolkit User Manual

April 2004 Edition

Part Number 322194C-01
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Contents

About This Manual

Conventions ...................................................................................................................xi
Related Documentation..................................................................................................xii

Chapter 1
Introduction
Sound and Vibration Toolkit .........................................................................................1-1
Toolkit Palettes ..............................................................................................................1-2
Scaling .............................................................................................................1-3
Calibration .......................................................................................................1-3
Limit Testing ...................................................................................................1-3
Weighting ........................................................................................................1-3
Integration........................................................................................................1-4
Generation .......................................................................................................1-4
Vibration Level................................................................................................1-4
Sound Level.....................................................................................................1-4
Octave Analysis...............................................................................................1-4
Frequency Analysis .........................................................................................1-4
Transient Analysis ...........................................................................................1-5
Waterfall Display.............................................................................................1-5
Swept Sine .......................................................................................................1-5
Distortion.........................................................................................................1-5
Single-Tone .....................................................................................................1-6
Front Panel Displays ......................................................................................................1-6
Examples........................................................................................................................1-6

Chapter 2
Dynamic Signals
Acquiring and Simulating Dynamic Signals .................................................................2-1
Aliasing............................................................................................................2-3
Time Continuity...............................................................................................2-4

Chapter 3
Scaling and Calibration
Scaling to EU .................................................................................................................3-1
Performing System Calibration .....................................................................................3-3
Propagation Delay Calibration ........................................................................3-3

Chapter 4
Limit Testing Analysis
Limit Testing Overview ................................................................................................ 4-1
Using the SVT Limit Testing VI ................................................................................... 4-3

Chapter 5
Weighting Filters
Purpose of Weighting Filters......................................................................................... 5-1
Psophometric Weighting Filters...................................................................... 5-3
A-, B-, and C-Weighting Filters ....................................................... 5-3
Radiocommunications Weighting Filters ......................................... 5-5
Telecommunications Weighting Filters............................................ 5-6
Applying Weighting Filters........................................................................................... 5-6
Applying Weighting to Time-Domain Data ................................................... 5-8
Standards Compliance ................................................................................................... 5-9
A-, B-, and C-Weighting Filters...................................................................... 5-9
ANSI Standards ................................................................................ 5-9
ISO/IEC Standard ............................................................................. 5-10
Radiocommunications Weighting Filters........................................................ 5-10
Telecommunications Weighting Filters .......................................................... 5-10
Performing A-Weighted Sound Level Measurements...................... 5-11
Applying Weighting to an Octave Spectrum .................................................. 5-12
Errors Due to Uniform Corrections .................................................. 5-12
Applying Weighting to an FFT-Based Spectrum ........................................... 5-13

Chapter 6
Integration
Introduction to Integration............................................................................................. 6-1
Implementing Integration .............................................................................................. 6-3
Challenges When Integrating Vibration Data ................................................. 6-5
DC Component ................................................................................. 6-5
Transducers....................................................................................... 6-5
Implementing Integration using the Sound and Vibration Toolkit ................. 6-5
Time-Domain Integration.............................................................................................. 6-6
Single-Shot Acquisition and Integration......................................................... 6-6
Continuous Acquisition and Integration ......................................................... 6-7
Frequency-Domain Integration ..................................................................................... 6-11

LabVIEW Sound and Vibration Toolkit User Manual vi ni.com

Contents

Chapter 7
Vibration-Level Measurements
Measuring the Root Mean Square (RMS) Level ...........................................................7-2
Single-Shot Buffered Acquisition ...................................................................7-3
Continuous Signal Acquisition........................................................................7-3
Performing a Running RMS Level Measurement .........................................................7-4
Computing the Peak Level.............................................................................................7-4
Computing the Crest Factor ...........................................................................................7-5

Chapter 8
Sound-Level Measurements
Time Averaging Modes .................................................................................................8-2
Linear Averaging.............................................................................................8-3
Single-Shot Linear Averaging ..........................................................8-3
Measuring Leq Over a Longer Time Period ......................................8-4
Restart Averaging and Advanced Concepts......................................8-5
Performing a Running Leq .................................................................8-6
Exponential Averaging....................................................................................8-7
Peak Hold ........................................................................................................8-8
Considerations for Making Sound-Level Measurements ..............................................8-8

Chapter 9
Fractional-Octave Analysis
Fractional-Octave Analysis Overview...........................................................................9-2
Full-Octave Analysis in the 31.5 Hz–16 kHz Band ........................................9-3
Bandwidth and Filter Banks ..........................................................................................9-4
The Octave Filter.............................................................................................9-4
Bandedge Frequencies.....................................................................................9-5
Fractional-Octave Filters .................................................................................9-6
Filter Settling Time..........................................................................................9-7
Averaging.......................................................................................................................9-8
Linear Averaging.............................................................................................9-8
Exponential Averaging....................................................................................9-8
Equal Confidence Averaging ..........................................................................9-9
Peak-Hold Averaging ......................................................................................9-9
Resetting the Filter and Restarting the Averaging Process .............................9-9
Performing Third-Octave Analysis Outside the Audio Range ......................................9-9
ANSI and IEC Standards ...............................................................................................9-10
ANSI Standard.................................................................................................9-10
IEC Standard ...................................................................................................9-11

Nominal Frequencies ...................................................................................... 9-11

Compliance with ANSI and IEC Standards .................................................... 9-11
Displaying Results......................................................................................................... 9-12
Weighting Filters ........................................................................................................... 9-12

Chapter 10
Frequency Analysis
FFT Fundamentals......................................................................................................... 10-2
Number of Samples......................................................................................... 10-3
Frequency Resolution ..................................................................................... 10-3
Maximum Resolvable Frequency ..................................................... 10-4
Minimum Resolvable Frequency...................................................... 10-4
Number of Spectral Lines................................................................. 10-4
Relationship between Time-Domain and Frequency-Domain
Specifications and Parameters...................................................................... 10-4
Increasing Frequency Resolution .................................................................................. 10-6
Zoom FFT Analysis ........................................................................................ 10-8
Frequency Resolution of the Zoom FFT VIs.................................... 10-9
Zoom Measurement .......................................................................... 10-10
Zoom Settings................................................................................... 10-11
Subset Analysis ............................................................................................... 10-11
Using the Frequency Analysis VIs ................................................................................ 10-12
Available Measurements................................................................................. 10-12
Single-Channel Measurements ....................................................................... 10-13
Power Spectrum Measurement ......................................................... 10-14
Dual-Channel Measurements .......................................................................... 10-15
Frequency Response Function Measurement ................................... 10-15
Windowing .................................................................................................................... 10-21
Averaging Parameters ................................................................................................... 10-22
Special Considerations for Averaged Measurements ..................................... 10-23
Averaging Mode ............................................................................................. 10-23
No Averaging ................................................................................... 10-24
RMS Averaging ................................................................................ 10-24
Vector Averaging ............................................................................. 10-25
RMS versus Vector Averaging......................................................... 10-25
Peak Hold ......................................................................................... 10-27
Weighting Mode ............................................................................................. 10-27
Coherence and Coherent Output Power ........................................................................ 10-28
Extended Measurements................................................................................................ 10-28
Power in Band ................................................................................................. 10-29
Spectrum Peak Search..................................................................................... 10-29
Unit Conversion .............................................................................................. 10-30

LabVIEW Sound and Vibration Toolkit User Manual viii ni.com

Contents

Chapter 11
Transient Analysis
Transient Analysis with the Sound and Vibration Toolkit ............................................11-2
Performing an STFT versus Time .................................................................................11-2
Selecting the FFT Block Size ..........................................................................11-5
Overlapping .....................................................................................................11-6
Using the SVT STFT versus Time VI.............................................................11-8
Performing an STFT versus Rotational Speed ..............................................................11-9
Converting the Pulse Train to Rotational Speed .............................................11-9
STFT versus RPM ...........................................................................................11-10
Measuring a Shock Response Spectrum ........................................................................11-12

Chapter 12
Waterfall Display
Using the Display VIs....................................................................................................12-1
Initializing the Display ....................................................................................12-2
Sending Data to the Display ............................................................................12-2
Waterfall Display for Frequency Analysis........................................12-3
Waterfall Display for Transient Analysis .........................................12-3
Waterfall Display for Octave Spectra ...............................................12-5
Customizing the Waterfall Display View........................................................12-6
Closing the Waterfall Display .........................................................................12-6

Chapter 13
Swept-Sine Measurements
Swept Sine Overview.....................................................................................................13-3
Choosing Swept-Sine versus FFT Measurements .........................................................13-4
Taking a Swept Sine Measurement ...............................................................................13-6
Swept Sine Measurement Example ...............................................................................13-7

Chapter 14
Distortion Measurements
Variable Definitions.......................................................................................................14-1
Signal in Noise and Distortion (SINAD) .......................................................................14-3
Total Harmonic Distortion Plus Noise (THD+N)..........................................................14-5
Total Harmonic Distortion (THD) .................................................................................14-6
Intermodulation Distortion (IMD) .................................................................................14-9
Phase Linearity ..............................................................................................................14-12

Chapter 15
Single-Tone Measurements
Single-Tone Measurement Overview............................................................................ 15-1
Gain and Phase .............................................................................................................. 15-4
Crosstalk ........................................................................................................................ 15-5
Gain ............................................................................................................................... 15-6
Idle-Channel Noise........................................................................................................ 15-7
Dynamic Range ............................................................................................................. 15-7
Spurious Free Dynamic Range (SFDR) ........................................................................ 15-9

Appendix A
References

Appendix B
Technical Support and Professional Services

Glossary

Index

LabVIEW Sound and Vibration Toolkit User Manual x ni.com

About This Manual

This manual contains information about the LabVIEW Sound and

Vibration Toolkit (SVT), including brief discussions of the different
measurements you can perform, short explanations of the theory related to
those measurements, and suggestions for getting started with the toolkit.

Conventions
The following conventions appear in this manual:

[] Square brackets enclose the units of measure specified or returned by a

parameter—for example, [dB].

» The » symbol leads you through nested menu items and dialog box options
to a final action. The sequence File»Page Setup»Options directs you to
pull down the File menu, select the Page Setup item, and select Options
from the last dialog box.

This icon denotes a note, which alerts you to important information.

bold Bold text denotes items that you must select or click on in the software,
such as menu items and dialog box options. Bold text also denotes
parameter names, controls and buttons on the front panel, dialog boxes,
menu names, and palette names.

monospace bold Bold text in this font denotes the messages and responses that the computer
automatically prints to the screen. This font also emphasizes lines of code
that are different from the other examples.

italic Italic text denotes variables and cross references.

monospace Text in this font denotes text or characters that you should enter from the
keyboard, paths, directories, variables, and filenames and extensions.

Related Documentation
The following documents contain information that you might find helpful
as you read this manual:
• LabVIEW Help, available by selecting Help»VI, Function,
& How-To Help in LabVIEW
• Getting Started with LabVIEW
• LabVIEW User Manual
• LabVIEW Measurements Manual

LabVIEW Sound and Vibration Toolkit User Manual xii ni.com

Introduction
1
This chapter introduces the Sound and Vibration Toolkit, the toolkit
functions and controls palettes, and where to find examples to help you get
started.

Sound and Vibration Toolkit

The Sound and Vibration Toolkit is a collection of virtual instruments (VIs)
for LabVIEW that you can use to perform typical measurements required
by audio, acoustics, or vibration applications. Use the Sound and Vibration
Toolkit to perform the following sound and vibration measurements:
• Scaling a signal to engineering units (EU)
• Calibrating a measurement channel
• Applying weighting filters
• Integrating time-domain signals
• Performing level measurements
• Performing swept-sine measurements
• Performing single-tone measurements
• Performing limit and mask testing
• Performing fractional-octave analysis
• Performing frequency analysis
• Performing transient analysis
• Performing distortion analysis
• Displaying results

You can use the Sound and Vibration Toolkit to perform measurements on
digitized or simulated data.

Figure 1-1 illustrates the sound and vibration measurement process.

Note In Figure 1-1, the measurement operations shown on the Analysis line are not
necessarily performed simultaneously. The dashed boxes in Figure 1-1 indicate optional
measurement operations.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform Integration Weighting Filter

Conditioning

Limit Testing

Sound Level Octave Frequency Single-Tone Distortion

Measurements Analysis Analysis Measurements Measurements

Analysis
Vibration Level Extended Transient
Weighting
Measurements Measurements Analysis

Limit Testing

Waveform Waveform Waterfall Colormap /

Visualization Chart Graph
XY Graph
Display Intensity Graph

Figure 1-1. Sound and Vibration Toolkit Overview

Toolkit Palettes
Installing the Sound and Vibration Toolkit adds Sound & Vibration
palettes to both the LabVIEW Functions and Controls palettes. This
section briefly introduces the different palettes that compose the Sound
and Vibration Toolkit.

LabVIEW Sound and Vibration Toolkit User Manual 1-2 ni.com

Chapter 1 Introduction

All the high-level VIs in the Sound and Vibration Toolkit are designed to
offer measurement capabilities. The high-level VIs perform the selected
analysis and allow you to view the results with the appropriate engineering
units in standard displays, such as magnitude/phase, real/imaginary part, or
decibels on/off.

Scaling
The SVL Scale Voltage to EU VI allows you to scale the original signal to
engineering units. The SVL Scale Voltage to EU VI is part of the Sound
and Vibration Library (SVL). The SVL is a collection of VIs shared by the
Sound and Vibration Toolkit and other National Instruments (NI) toolkits.
Refer to Chapter 3, Scaling and Calibration, and to the LabVIEW Help for
more information about the SVL Scale Voltage to EU VI.

Calibration
The Calibration VIs allow you to perform an end-to-end calibration on
a selected channel and measure the propagation delay of the measurement
device. The Calibration VIs are part of the SVL. Refer to Chapter 3,
Scaling and Calibration, for information about the calibration process.
Refer to the LabVIEW Help for information about the individual
Calibration VIs.

Limit Testing
The SVT Limit Testing VI allows you to apply limit analysis to any type of
measured result produced by the Sound and Vibration Toolkit. Refer to
Chapter 4, Limit Testing Analysis, for more information about using limit
testing to analyze measurement results. Refer to the LabVIEW Help for
information about the SVT Limit Testing VI.

Weighting
The Weighting VIs allow you to apply A-, B-, or C-weighting filters on
the time-domain signal. Additionally, ITU-R 468-4 and Dolby filters are
available for radiocommunications applications, and C-message and
CCITT filters are available for telecommunications applications. Refer to
Chapter 5, Weighting Filters, for more information about applying
weighting to a signal. Refer to the LabVIEW Help for information about the
individual Weighting VIs.

Integration
The SVT Integration VI allows you to perform single or double integration
on the time-domain signal. Refer to Chapter 6, Integration, for information
about the integration process. Refer to the LabVIEW Help for information
about the SVT Integration VI.

Generation
The SVT Pink Noise Waveform VI allows you to generate a continuous
pink noise waveform. The Generation palette also contains a subpalette
linked to the standard Waveform Generation palette in LabVIEW. Refer
to the LabVIEW Help for information about the Generation VIs.

Vibration Level
The Vibration Level VIs offer level measurements typically used for
vibration measurements, including measuring the crest factor. Averaging
modes include RMS averaging, exponential averaging, and peak hold.
Refer to Chapter 7, Vibration-Level Measurements, for more information
about performing vibration level measurements. Refer to the LabVIEW
Help for information about the individual Vibration Level VIs.

Sound Level
The Sound Level VIs offer typical sound-level measurements, including
equivalent continuous averaging (Leq), exponential averaging, and peak
hold. Refer to Chapter 8, Sound-Level Measurements, for information
about performing sound-level measurements. Refer to the LabVIEW Help
for information about the individual Sound Level VIs.

Octave Analysis
The Octave Analysis VIs offer a set of tools to perform fractional-octave
analysis, including 1/1, 1/3, 1/6, 1/12, and 1/24 octave-band analysis. The
Octave Analysis VIs can accommodate any sampling frequency and any
number of fractional-octave bands. Refer to Chapter 9, Fractional-Octave
Analysis, for information about performing octave analyses. Refer to
the LabVIEW Help for information about the individual Octave
Analysis VIs.

Frequency Analysis
The Frequency Analysis VIs are a collection of frequency-analysis tools
based on the discrete Fourier transform (DFT) and the fast Fourier

LabVIEW Sound and Vibration Toolkit User Manual 1-4 ni.com

Chapter 1 Introduction

transform (FFT). The Frequency Analysis VIs also provide zoom FFT
frequency measurements and extended measurements. Refer
to Chapter 10, Frequency Analysis, for information about performing
frequency analyses. Refer to the LabVIEW Help for information about the
individual Frequency Analysis VIs.

Transient Analysis
The Transient Analysis VIs offer two techniques for obtaining information
about transient signals. Use the short-time Fourier transform (STFT) to
extract frequency information as a function of time or rotational speed. Use
the shock response spectrum (SRS) to evaluate the severity of a shock
signal. Refer to Chapter 11, Transient Analysis, for information about
performing transient analyses. Refer to the LabVIEW Help for information
about the individual Transient Analysis VIs.

Waterfall Display
The Waterfall Display VIs allow you to display the results of frequency
analyses and octave analyses as waterfall graphs. The Waterfall Display
VIs generate and manage the external window of the waterfall graph. Refer
to Chapter 12, Waterfall Display, for information about displaying analysis
results in a waterfall graph. Refer to the LabVIEW Help for information
about the individual Waterfall Display VIs.

Swept Sine
The Swept-Sine VIs allow you to characterize the frequency response of a
device under test (DUT). The swept-sine measurements include dynamic
measurements for stimulus level, response level, frequency response (gain
and phase), total harmonic distortion (THD), and individual harmonic
distortion. Refer to Chapter 13, Swept-Sine Measurements, for information
about performing swept-sine measurements. Refer to the LabVIEW Help
for information about the individual Swept-Sine VIs.

Distortion
The Distortion VIs allow you to measure the harmonic, intermodulation,
and broadband noise components due to nonlinearities in the DUT. Refer
to Chapter 14, Distortion Measurements, for information about performing
distortion analyses. Refer to the LabVIEW Help for information about the
individual Distortion VIs.

Single-Tone
The Single-Tone VIs allow you to perform single-tone measurements,
defined as a group of measurements where the excitation is a single tone.
These measurements are often used to measure the linear response,
nonlinear distortion, and noise of audio devices. Refer to Chapter 15,
Single-Tone Measurements, for information about performing single-tone
measurements. Refer to the LabVIEW Help for information about the
individual Single-Tone VIs.

Front Panel Displays

The customized graphs located on the Sound & Vibration controls palette
give you a choice for displaying results from octave and transient analyses.
Use the Octave Graph and the Multiplot Octave Graph to display results
from the Octave Analysis VIs. Use the Colormap to display results from the
Transient Analysis VIs. Refer to the Sound and Vibration Toolkit Help for
information about the individual displays.

Examples
The Sound and Vibration Toolkit includes examples to help you get started
using the toolkit. Select Help»Find Examples in LabVIEW to launch the
NI Example Finder. Select Toolkits and Modules»Sound and Vibration
in the Browse tab to view all of the available examples, or use the Search
tab to locate a specific example. The examples demonstrate the following
Sound and Vibration Toolkit capabilities:
• Display
• Frequency analysis
• Integration
• Level measurements
• Octave analysis
• Scaling
• Transient analysis
• Weighting filters
• Swept-Sine measurements
• Audio measurements
• Limit testing

LabVIEW Sound and Vibration Toolkit User Manual 1-6 ni.com

Dynamic Signals
2
This chapter discusses how to obtain data to analyze with the Sound and
Vibration Toolkit, as well as issues that can affect the quality of your data.
You can simulate data with the generation VIs located on the Generation
palette as well as with other VIs.

Refer to the LabVIEW Help for more information about acquiring and
simulating data.

Acquiring and Simulating Dynamic Signals

This section discusses obtaining data and some key issues when acquiring
or simulating dynamic signals to ensure valid measurement results. The
three techniques that allow you to obtain data are as follows:
• Acquire data with a data acquisition (DAQ) device system
• Read data from a file
• Simulate data with a generation VI or other source

Figure 2-1 illustrates how the data source, either acquired or simulated, fits
into the sound and vibration measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation
Delay

Waveform Integration Weighting Filter

Conditioning

Limit Testing

Sound Level Octave Frequency Single-Tone Distortion

Measurements Analysis Analysis Measurements Measurements
Analysis
Vibration Level Extended Transient
Weighting
Measurements Measurements Analysis

Limit Testing

Waveform Waveform Waterfall Colormap /

Visualization Chart Graph
XY Graph
Display Intensity Graph

Figure 2-1. Relationship of the Data Source to the Sound and

Vibration Measurement Process

It is important that you keep certain considerations in mind when you

obtain your data. The measurement and analysis VIs in the Sound and
Vibration Toolkit do not compensate for inaccurate data. Therefore, the test
equipment and test procedure should be calibrated to ensure accurate
results. Generally, the test equipment should have specifications at least
10 times better than those of the DUT. Use a verifiable and repeatable test
procedure to get accurate results.

LabVIEW Sound and Vibration Toolkit User Manual 2-2 ni.com

Chapter 2 Dynamic Signals

Whether you are obtaining the data from a DAQ system, reading the data
from a file, or simulating the data, aliasing and time continuity are common
issues which you should consider in your measurement analysis.

Aliasing
When a dynamic signal is discretely sampled, aliasing is the phenomenon
in which frequency components greater than the Nyquist frequency are
erroneously shifted to lower frequencies. The Nyquist frequency is
calculated with the following formula:

fNyquist = sample rate/2

When acquiring data with an NI Dynamic Signal Acquisition (DSA)

device, aliasing protection is automatic in any acquisition. The sharp
anti-aliasing filters on DSA devices track the sample rate and filter out
(attenuate) all frequencies above the Nyquist frequency.

When performing frequency measurements with an NI E Series DAQ

device, you must take steps to eliminate aliasing. These anti-aliasing steps
can include the following actions:
• Increasing the sample rate
• Applying an external lowpass filter
• Using an inherently bandlimited DUT

Simulated data also can exhibit aliasing. The signals often are generated
according to a time-domain expression and, therefore, have high-frequency
components that are aliased in the discretely sampled data. Figure 2-2
shows an example of this aliasing for a simulated square wave.

Figure 2-2. Simulated Data Aliasing

The only way to protect data from aliasing is to apply appropriate aliasing
protection before the data are generated or acquired. Aliasing occurs when
the data are generated or sampled, and it is not possible to remove aliased
components from the data without detailed knowledge of the original
signal. In general, it is not possible to distinguish between true frequency
components and aliased frequency components. Therefore, accurate
frequency measurements require adequate alias protection.

Time Continuity
When you acquire data in a continuous acquisition, you can use the t0
parameter in the waveform datatype to ensure there are no gaps between
successive blocks of waveforms returned by sequential calls to the DAQmx
Read VI or AI Read VI. When signals are generated with one of the
waveform generation VIs in the Generation palette or the Waveform
Generation palette, the t0 of the current waveform is one sample period
later than the timestamp of the last sample in the previous waveform.
Continuity is enforced in this way until the generation is reset.

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Chapter 2 Dynamic Signals

The waveform datatype is integral for testing time continuity in the Sound
and Vibration Toolkit. If you read data from a file or simulate a signal using
one of the VIs in the Signal Generation palette, wire a t0 that meets the
continuous timestamp condition to the waveform datatype connected to the
measurement analysis VIs. This action prevents unexpected resets of the
measurement analysis due to detected discontinuities in the input signal.

© National Instruments Corporation 2-5 LabVIEW Sound and Vibration Toolkit User Manual
Scaling and Calibration
3
This chapter discusses using the SVL Scale Voltage to EU VI located on
the Scaling palette to scale a signal to engineering units (EU) and using the
Calibration VIs located on the Calibration palette.

Refer to the LabVIEW Help for more information about the SVL Scale
Voltage to EU VI and the Calibration VIs.

Scaling to EU
This section discusses scaling data to the appropriate EU so you can
perform measurement analysis.

Figure 3-1 illustrates how scaling and calibration fit into the sound and
vibration measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation
Delay

Waveform Integration Weighting Filter

Conditioning

Limit Testing

Sound Level Octave Frequency Single-Tone Distortion

Measurements Analysis Analysis Measurements Measurements
Analysis
Vibration Level Extended Transient
Weighting
Measurements Measurements Analysis

Limit Testing

Waveform Waveform Waterfall Colormap /

Visualization Chart Graph
XY Graph
Display Intensity Graph

Figure 3-1. Relationship of Scaling to the Sound and Vibration Measurement Process

Typically, scaling a signal to the appropriate EU occurs before any analysis

is performed. Use the SVL Scale Voltage to EU VI to scale the signal to the
appropriate EU.

All measurement VIs in the Sound and Vibration Toolkit expect input
signals and return results with the appropriate units, such as time-domain

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Chapter 3 Scaling and Calibration

signals in the correct EU, frequency spectra in decibels with the proper
reference, phase information in degrees or radians, and so on. To handle
units properly, the high-level VIs need the signal to be scaled to the
appropriate EU.

Note If you use any method outside of the Sound and Vibration Toolkit to apply scaling
to a waveform, do not use the SVL Scale Voltage to EU VI. NI provides several tools and
methods to apply scaling to a waveform. These include, but are not limited to, NI-DAQmx
tasks or global channels created with Measurement & Automation Explorer (MAX), the
DAQ Assistant, or the DAQmx Create Virtual Channel VI.

Performing System Calibration

You typically perform system calibration with a dedicated calibrator, such
as a pistonphone for microphones or a hand-held shaker for accelerometers.
If you are calibrating a microphone, consider using the SVL Calibrate
Microphone VI. If you are calibrating an accelerometer, consider using
the SVL Calibrate Accelerometer VI. These VIs are very similar to the
general-purpose SVL Calibrate Sensor VI, but they offer the advantage of
having default values commonly found for pistonphones or hand-held
shakers. All the Calibration VIs use the characteristics of the calibrator,
such as reference calibration value and frequency, to perform the
calibration.

Propagation Delay Calibration

The Sound and Vibration Toolkit provides VIs for calibrating the
propagation delay of the measurement system. National Instruments DSA
devices like the NI PXI-4461 and NI PCI-4451 can acquire and generate
signals on the same device. The input and output channels have analog and
digital circuitry, such as anti-aliasing and anti-imaging filters, that
introduce a certain delay to the signal. The propagation delay is the number
of samples from the time a sample is first written to the output channel to
when that sample is digitized on the input channel, assuming there is no
delay from the output channel to the input channel. This delay varies by
DSA device.

There are two ways to determine the propagation delay of the DSA device.
You can refer to the documentation for the DSA device to find the
propagation delay specifications, also referred to as group delay. You also
can measure the propagation delay in samples with the SVL Measure
Propagation Delay VIs. The SVL Measure Propagation Delay VIs allow
you to measure the delay introduced in the input and output circuitry for a

specific device at the desired sample rate. Connect the DSA device output
channel directly to the input channel, as displayed in Figure 3-2, to measure
the device propagation delay.

PFI0

AI0

AI1

AO0

AO1

Figure 3-2. Measuring the Device Propagation Delay

Note Do not put a DUT in the signal path when measuring the propagation delay for the
DAQ device.

For an E or S Series DAQ device from NI, you should expect to measure a
one-sample propagation delay due to the time required for the signal to
traverse the signal path between the D/A converter (DAC) on the analog
output channel and the A/D converter (ADC) on the analog input channel.
Figure 3-3 shows the time domain data for the propagation delay
measurement of an NI PCI-6052E.

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Chapter 3 Scaling and Calibration

Figure 3-3. Propagation Delay Measurement of an NI PCI-6052E

For DSA devices, or any other device which has onboard filtering on either
the input, output, or both channels, you should expect to measure a
propagation delay consistent with the sum of the delays specified for the
onboard filters on the input and output channels. Figure 3-4 shows the
delay of a smooth pulse generated and acquired by an NI PXI-4461 with a
204.8 kHz sample rate.

Figure 3-4. NI PXI-4461 Propagation Delay with a 204.8 kHz Sample Rate

Not all DSA devices have a constant propagation delay across the entire
range of supported sample rates. For example, the NI PXI-4461
propagation delay is dependent on the output update rate. Figure 3-5 shows
the total propagation delay versus sample rate relationship for the
NI PXI-4461 from output to input as a function of the sample rate.

Figure 3-5. NI PXI-4461 Propagation Delay versus Sample Rate

As illustrated by Figures 3-3, 3-4, and 3-5, the propagation delay can vary
significantly with different sample rates and devices. To ensure
measurement accuracy in your I/O applications, determine and account for
the propagation delay of the DAQ device at the same sample rate used in
your application.

It is important to remove the effects of the delay due to the data acquisition
system for two reasons. First, there is always a delay between the generated
output signal and the acquired input on the device even when the output and
input channels are hardware synchronized. Second, the anti-imaging and
anti-aliasing filters of the device introduce additional delays. You must
account for this delay to perform accurate dynamic measurements. Use the
device propagation delay [samples] input on the examples found in the
LabVIEW program directory under \examples\Sound and
Vibration\Audio Measurements\ to remove the delay due to the DAQ
device.

The anti-imaging and anti-aliasing filters have a lowpass filter effect on the
data. This effect results in a transient response at sharp transitions in the
data. These transitions are common at the start and stop of a generation,
at a change in frequency (swept sine), and when the amplitude changes
(amplitude sweep). The swept-sine analysis and audio measurements

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Chapter 3 Scaling and Calibration

examples in the Sound and Vibration Toolkit account for this transient
behavior in the device response to achieve the highest degree of accuracy.

The propagation delay of the DUT is also an important specification in

some applications. For example, the propagation delay for the DUT is a
required input when performing audio measurements and when measuring
the frequency response using swept sine. If the DUT and the propagation
medium can successfully pass the pulse signal used by the SVL Measure
Propagation Delay VIs without excessive attenuation, then this
measurement also applies when measuring the propagation delay of the
DUT and the propagation medium. Figure 3-6 shows the wiring diagram
for this configuration.

PFI0

AI0
DUT

AI1
In Out

AO0

AO1

Figure 3-6. Measuring the DUT Propagation Delay

The DUT propagation delay is the delay of the entire system minus the
device delay. Remember to measure the device delay without the DUT
connected.

The propagation delay for an analog DUT is a constant time delay rather
than a delay of samples. Use the following equation to convert the
measured delay in samples to the equivalent delay in seconds:

delay[s] = delay[samples]/sample rate[Hz]

Note The swept sine VIs expect the DUT propagation delay measurement in seconds and
use the equation to convert the delay in seconds to samples.

LabVIEW Sound and Vibration Toolkit User Manual 3-8 ni.com

Limit Testing Analysis
4
This chapter discusses using the polymorphic SVT Limit Testing VI
located on the Limit Testing palette.

Use the SVT Limit Testing VI to perform analysis on any type of measured
result produced by the Sound and Vibration Toolkit, including the
following measurements:
• Waveform
• Spectrum
• Peak
• Octave
• Swept sine
• Scalar

Refer to the LabVIEW Help for information about the individual SVT Limit
Testing VI instances.

Limit Testing Overview

Figure 4-1 illustrates how limit testing fits into the sound and vibration
measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform Integration Weighting Filter

Conditioning

Limit Testing

Sound Level Octave Frequency Single-Tone Distortion

Measurements Analysis Analysis Measurements Measurements
Analysis
Vibration Level Extended
Weighting
Measurements Measurements

Limit Testing

Waveform Waveform
Visualization Chart Graph
XY Graph

Figure 4-1. Relationship of Limit Testing to the Sound and

Vibration Measurement Process

You can use the SVT Limit Testing VI to analyze almost any measured
result produced by the Sound and Vibration Toolkit. Refer to Table 4-1 for
examples of datatypes supported by the SVT Limit Testing VI and VIs that
generate supported datatypes.

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Chapter 4 Limit Testing Analysis

Table 4-1. Compatible Data Types for SVT Limit Testing VI

Datatype Output VIs

Waveform AI Read, DAQmx Read,
Measurement Waveform Generation,
Weighting, Integration,
Vibration Level, Sound
Level

Frequency Baseband FFT, Baseband

Spectrum Subset FFT, Zoom FFT,
Measurement Extended Measurements

XY Data ANSI and IEC Octave,

Swept Sine

Peak Measurement Distortion, Single-Tone,

Extended Measurements

Scalar Calibration, Vibration

Measurement Level, Sound Level,
ANSI and IEC Octave,
Distortion, Single-Tone,
Extended Measurements

Using the SVT Limit Testing VI

Limit testing allows you to specify an envelope around the data to define a
pass range. You can enter a scalar to the upper limit, lower limit, or both to
specify a constant ceiling and floor for the data to perform tests such as
range detection. You can enter an upper limit mask, lower limit mask, or

both to the SVT Limit Testing VI to define a pass range that varies in
shape and level based on acceptable results at any given point in the
measurement. You also can create a discontinuous mask which allows you
to perform limit testing on only a part of the results while ignoring the rest.

You must enter at least one limit, or the SVT Limit Testing VI returns an
error. You can visually display the input signal, failures, upper limit, and
lower limit by creating an indicator from the output values terminal.

The upper limit and lower limit inputs to the SVT Limit Testing VI must be
compatible with the input signal. Table 4-2 lists the criteria that must be
met for each input signal type that is compatible with the SVT Limit
Testing VI.

In Table 4-2, the following abbreviations apply:

• dt is the time spacing, in seconds, between elements
• df is the frequency spacing, in hertz, between elements
• N is the number of elements in the array
• f(i) is the ith frequency element
• S is the signal
• U is the upper mask limit
• L is the lower mask limit

Table 4-2. Criteria for Upper and Lower Limits

Input Signal Type Criteria on Input Limit Masks

Waveform Data Type (t0, dt, [signal]) dt>0
dtS =dtU =dtL
NS =NU =NL
Frequency Spectrum (f0, df, [spectrum]) f0S =f0U =f0L
dfS =dfU =dfL
NS =NU =NL
Octave Spectrum, Swept Sine Spectrum, [X]S =[X]U =[X]L
XY data ([X], [Y]) NS =NU =NL
Identified Peaks, Harmonic Components, f(i)S =f(i)U =f(i)L
Multitone Phases [(frequency, amplitude)] NS =NU =NL

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Chapter 4 Limit Testing Analysis

Limit testing covers a broad range of data testing from range detection to
discontinuous mask testing of a swept-sine frequency response spectrum.
Figures 4-2, 4-4, 4-6, and 4-8 illustrate some, but not all, of the different
ways you can use the SVT Limit Testing VI in your application.

Figure 4-2. Range Detection Performed in Engineering Units

Figure 4-2 illustrates a range-detection test. Scaled waveform data and

upper and lower limits are input to the SVT Limit Testing VI. The VI
checks that the data falls within the envelope specified by the upper and
lower limits. Figure 4-2 shows the output results for the range detection
test.

Figure 4-3. Range Detection Test on a Time-Domain Signal

Figure 4-4. Test Scalar Measurement

Figure 4-4 shows a pass/fail test on the measured THD. This test only
checks the upper limit of the measurement, therefore, only the upper limit
is wired to the VI. The upper limit should have the same units as the input
measurement. In this case both THD and the upper limit are expressed as
percentages. Figure 4-5 shows the THD test output results.

Figure 4-5. Limit Testing on THD Measurements

LabVIEW Sound and Vibration Toolkit User Manual 4-6 ni.com

Chapter 4 Limit Testing Analysis

Figure 4-6. Perform Continuous Mask Test on Power Spectrum

Figure 4-6 shows a continuous mask test on a power spectrum. Formula

nodes define both the upper and lower limits in this VI, making this a more
complex test than the one in Figure 4-4. Figure 4-7 shows the output graph
for the power spectrum continuous mask test.

Figure 4-7. Continuous Mask Test on a Power Spectrum

Figure 4-8. Discontinuous Mask Test on Swept-Sine Frequency Response

Figure 4-8 shows a discontinuous mask test on a swept-sine frequency

response. A discontinuous mask test can track and test the results at
different magnitudes and ranges, as well as stop testing at defined intervals.
For example, you might use the envelope defined by the upper and lower
limit masks in this example for a DUT such as a notch filter. Figure 4-9
shows the output graph for the discontinuous mask test.

LabVIEW Sound and Vibration Toolkit User Manual 4-8 ni.com

Chapter 4 Limit Testing Analysis

Figure 4-9. Discontinuous Mask Test on a Swept-Sine Frequency Response

© National Instruments Corporation 4-9 LabVIEW Sound and Vibration Toolkit User Manual
Weighting Filters
5
This chapter discusses using weighting filters in sound and vibration
analysis, including describing the purpose of weighting filters, the types of
weighting filters, and applying weighting to time-domain data, FFT-based
spectra, and octave spectra.

The following Sound and Vibration Toolkit palettes contain weighting

filter VIs:
• Weighting
• Octave Analysis»Extended Measurements
• Frequency Analysis»Extended Measurements

Refer to the LabVIEW Help for information about individual weighting

filter VIs.

Purpose of Weighting Filters

In many applications involving acoustic measurements, the final sensor is
the human ear. In other words, acoustic measurements typically attempt to
describe the subjective perception of a sound by the human ear. Because
instrumentation devices are usually built to provide a linear response and
the ear is a nonlinear sensor, special filters, known as psophometric
weighting filters, are used to account for these nonlinearities. A typical
microphone frequency response is shown in Figure 5-1 and serves as a
good example of the linear response of a sensor.

Figure 5-1. Frequency Response of a Typical Instrumentation-Grade Microphone

The frequency response of this microphone is designed to be as flat as

possible in the frequency range of 10 Hz to 10 kHz. Compare this frequency
response with the equal loudness curves shown in Figure 5-2.

Equal Loudness (phons)

120

100

80
Intensity (dB)

0
10 100 1000 10,000
Frequency (Hz)

Figure 5-2. Equal Loudness Curves

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Chapter 5 Weighting Filters

Loudness is a subjective indicator of the perceived noise level expressed in

phons. The loudness level in phons is the sound pressure level in decibels
of a 1 kHz tone having the same perceived loudness as the tone being
evaluated. Thus, a 1 kHz tone with a loudness level of 30 phons is equally
as loud as a 1 kHz tone with a sound pressure level of 30 dB referenced to
20 µPa. However, a signal frequency of 100 Hz requires a sound pressure
level of 44 dB referenced to 20 µPa to provide the same loudness level.

Psophometric Weighting Filters

This section discusses the psophometric weighting filters available in the
Sound and Vibration Toolkit.

A-, B-, and C-Weighting Filters

A-, B-, and C-weighting filters are designed for the following uses:
• A-weighting is a highpass filter designed to simulate perception of the
loudness of low-level tones. A-weighting progressively de-emphasizes
frequencies below 500 Hz.
• B-weighting simulates perception of the loudness of medium-level
tones. B-weighting is used infrequently.
• C-weighting removes sounds outside the audio range of 20 Hz to
20 kHz and simulates perception of the loudness of high-level tones.

The frequency responses of these filters are standardized according to the

ANSI S1.4 standard. Figure 5-3 shows the relative attenuation defined for
A-, B-, and C-weighting filters.

Figure 5-3. Relative Attenuation of A-, B-, and C-Weighting Filters

Note Each of these filters has a relative attenuation of 0 dB at 1,000 Hz.

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Chapter 5 Weighting Filters

Radiocommunications Weighting Filters

ITU-R 468-4 and Dolby weighting filters are bandpass filters used to
emphasize the response to the types of impulsive noise that often couple
into audio cables. Typically, these filters are used to measure audio
frequency noise in broadcasting, sound-recording systems, and sound
program circuits.

The frequency response of the ITU-R 468-4 filter is standardized by ITU-R

Recommendation 468-4. Figure 5-4 shows the relative attenuation defined
for the ITU-R 468-4 and Dolby weighting filters.

Figure 5-4. Relative Attenuation of Radiocommunications Weighting Filters

Telecommunications Weighting Filters

CCITT and C-message weighting filters are bandpass filters used to
measure audio-frequency noise on telephone circuits. The CCITT (ITU-T)
filter is used for international telephone circuits. The C-message filter is
typically used for North American telephone circuits.

The frequency response of the CCITT and C-message weighting filters are
specified in the ITU-T O.41 standard and Bell System Technical Reference
41009, respectively. Figure 5-5 shows the relative attenuation defined for
the CCITT and C-message weighting filters.

Figure 5-5. Relative Attenuation of Telecommunications Weighting Filters

Applying Weighting Filters

Use the Sound and Vibration Toolkit to apply weighting on time-domain
signals, on FFT-based spectra, or on fractional-octave spectra. Figure 5-6
illustrates how applying weighting fits into the sound and vibration
measurement process.

LabVIEW Sound and Vibration Toolkit User Manual 5-6 ni.com

Chapter 5 Weighting Filters

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Progagation Delay

Waveform Weighting Filter

Conditioning

Sound Level Single-Tone Frequency Octave Distortion Transient

Analysis Measurements Measurements Analysis Analysis Measurements Analysis

Weighting Weighting

Limit Testing

Waveform Waveform Waterfall Colormap /

Visualization Chart Graph
XY Graph
Display Intensity Graph

Figure 5-6. Relationship of Weighting to the Sound and Vibration

Measurement Process

Traditionally, weighting filters are built using analog components. If you

use an external weighting filter, use the weighting filter parameter in the
channel info control of the SVL Scale Voltage to EU VI to ensure proper
display of the selected units. Also, the weighting VIs use the channel info
parameter to report an error if the application attempts to apply additional
weighting to a previously weighted signal.

Note The weighting filter parameter in the SVL Scale Voltage to EU VI channel info
control assigns the correct units to the waveform, but it does not cause the VI to perform
any filtering.

Refer to Chapter 3, Scaling and Calibration, for information about scaling

a signal.

Applying Weighting to Time-Domain Data

This section discusses the two different approaches to applying weighting
in the time domain offered in the SVT, as well as how each approach
complies with the appropriate standards. This section also discusses how to
perform A-weighted sound level measurements, and the importance of
selecting an appropriate sampling frequency when using the arbitrary
sample rate approach to time-domain weighting.

Use the Weighting VIs on the Weighting palette to apply weighting to

time-domain signals. These VIs use pre-designed filters to apply the
desired psophometric weighting. The predesigned filter nature means they
only support a finite set of sample rates. Table 5-1 lists the specific
supported sample rates.

For A, B, or C-weighting, you can use the VIs on the Weighting (Arbitrary
Rate) palette to apply weighting for sample rates not listed in Table 5-1.

Table 5-1. Supported Psophometric Filter Rates

Supported Filters
Sample Rates A, B, C-weighting ITU-R 468-4/Dolby CCITT/C-message
4 kHz to 20 kHz Yes — Yes
4 kHz, 8 kHz, 10 kHz,
11.025 kHz, 12.8 kHz,
20 kHz to 1 MHz Yes Yes Yes
20 kHz, 22.05 kHz,
25.6 kHz, 40 kHz,
44.1 kHz, 48 kHz, 50 kHz,
51.2 kHz, 80 kHz, 96 kHz,
100 kHz, 102.4 kHz,
192 kHz, 200 kHz,
204.8 kHz, 500 kHz, 1 MHz

LabVIEW Sound and Vibration Toolkit User Manual 5-8 ni.com

Chapter 5 Weighting Filters

NI recommends using the fixed-rate weighting filter VIs if the VIs support
the desired sample rate. These VIs offer two advantages over the arbitrary
rate VIs: compliance with the appropriate standards over the entire
frequency range and slightly faster execution due to precomputed filter
coefficients.

Note The filter design algorithms used by the fixed and arbitrary rate weighting
approaches are different. Using a fixed-rate weighting filter with a supported frequency or
using the equivalent arbitrary rate filter at the same sample rate achieve different results.
Each implementation offers compliance with the appropriate standard over the frequency
range specified in the Standards Compliance section.

Standards Compliance
This section discusses the standards to which the various weighting filter
VIs comply.

A-, B-, and C-Weighting Filters

Use the SVT A, B, C Weighting Filter (Fixed Rates) VI or the SVT
Weighting Filter VI to apply an A-, B-, or C-weighting filter to
time-domain signals.

ANSI Standards
When combined with any DSA device, the weighting filter used by the
SVT A, B, C Weighting Filter (Fixed Rates) VI or designed by the SVT
Weighting Filter VI complies with the following standards:
• ANSI S1.4-1983
• ANSI S1.42-2001

The SVT Weighting Filter VI accommodates any sample rate greater than
4 kHz and designs the filter coefficients to target the attenuation curves
defined by the ANSI standards. Given the selected sampling frequency,
compliance with a particular filter type, either Type 1 or Type 0, is ensured
up to a specific frequency. This frequency is the maximum frequency
within tolerances. Use the SVT Max Frequency Within Tolerances [ANSI]
VI located on the Weighting (Arbitrary Rate) palette to determine the
maximum frequency within tolerances.

The SVT A, B, C Weighting Filter (Fixed Rates) VI supports the sample

rates listed in Table 5-1. For all supported sample rates the VI achieves
Type 0 compliance to the Nyquist frequency.

ISO/IEC Standard
Use the SVT A, B, or C Weighting Filter (Fixed Rates) VI or the SVT
Weighting Filter VI to apply an A-, B-, or C-weighting filter to
time-domain signals. When combined with any DSA device, the weighting
filter used by the SVT A, B, or C Weighting Filter (Fixed Rates) VI or
designed by the SVT Weighting Filter VI complies with the IEC
61672-1:2002 standard.

The SVT Weighting Filter VI accommodates any sample rate greater than
4 kHz and designs the filter coefficients to target the attenuation curves
defined by the IEC standards. Given the selected sampling frequency,
compliance with a particular filter type, either Class 2 or Class 1, is ensured
up to a specific frequency. This frequency is the maximum frequency
within tolerances. Use the SVT Max Frequency Within Tolerances [IEC]
VI to determine the maximum frequency within tolerances.

The SVT A, B, C Weighting Filter (Fixed Rates) VI supports the sample

rates listed in Table 5-1. For all supported sample rates the VI achieves
Class 1 compliance to the Nyquist frequency.

Radiocommunications Weighting Filters

When combined with any DSA device, the weighting filter used by the
SVT Radiocommunications Weighting Filter (Fixed Rates) VI complies
with the ITU-R 468-4 standard.

The SVT Radiocommunications Weighting Filter (Fixed Rates) VI

accommodates the sample rates listed in Table 5-1. For all supported
sample rates, the VI achieves compliance to the Nyquist frequency.

Telecommunications Weighting Filters

When combined with any DSA device, the weighting filter used by the
SVT Telecommunications Weighting Filter (Fixed Rates) VI complies
with the following standard and reference:
• ITU-T O.41
• Bell System Technical Reference 41009

The SVT Telecommunications Weighting Filter (Fixed Rates) VI supports

the sample rates listed in Table 5-1. For all supported sample rates, the VI
achieves compliance to the Nyquist frequency.

LabVIEW Sound and Vibration Toolkit User Manual 5-10 ni.com

Chapter 5 Weighting Filters

Performing A-Weighted Sound Level Measurements

The block diagram in Figure 5-7 shows a VI that uses weighting filters to
perform an A-weighted sound level measurement with a slow time constant
(LAS) on a simulated signal. The application applies weighting to the
time-domain signal with the SVT A, B, C Weighting Filter (Fixed
Rates) VI because the signal is simulated with a sample rate supported for
A-weighting, as shown in Table 5-1.

Figure 5-7. A-Weighting of a Simulated Time-Domain Signal Block Diagram

Time-domain data is simulated and scaled before being sent to the SVT A,
B, C Weighting Filter (Fixed Rates) VI. The weighted signal is sent to the
Sound Level Measurement VI.

Figure 5-8 shows the time-domain input and output waveforms when
a 250 Hz sine wave is sent to the SVT A, B, C Weighting Filter (Fixed
Rates) VI using the A-weighting filter.

Figure 5-8. A-Weighting Response in the Time Domain

There is a phase difference between the input and output signals because a
filter applies the time-domain weighting. The transient behavior at the
beginning of the filtered waveform corresponds to the filter settling time.

Applying Weighting to an Octave Spectrum

When performance, such as CPU usage, is an issue, applying weighting
in the frequency domain can improve the efficiency of the measurement
process. The block diagram in Figure 5-9 uses the SVT Weighting Filter
(octave) VI located on the Octave Analysis»Extended Measurements
palette to apply weighting to a third-octave spectrum. The weighting
method illustrated in Figure 5-9 requires less processing time than applying
weighting in the time domain and subsequently computing the third-octave
spectrum.

Figure 5-9. Applying Weighting to a Third-Octave Spectrum

Errors Due to Uniform Corrections

When applying weighting to a fractional-octave spectrum, remember that
attenuation of the weighting filter is defined by a continuous frequency
response function. When mathematically weighting a spectrum consisting
of data from a fractional-octave spectrum, the correction values applied for
the weighting are equal to the theoretical values at the center frequency of
the fractional-octave band. The application of the correction values creates
an essentially rectangular filter that does not have a continuous response.
The filter applies the same correction to all energy within each
fractional-octave band. Applying the correction values to a signal
containing a pure tone near one of the fractional-octave filter edges might
introduce a measurement error. The error is usually negligible unless an
A-weighting filter is used at frequencies below 500 Hz. At frequencies
below 500 Hz, the slope of the A-weighting curve is steep. Figure 5-10
shows how the slope of the A-weighting curve can contribute to potential
measurement errors at low frequencies.

LabVIEW Sound and Vibration Toolkit User Manual 5-12 ni.com

Chapter 5 Weighting Filters

0
Potential
Measurement
Error A-Weighted
Filter
–20 Response
Proportional
Bandwidth
Filter
Correction
–40

Level (dB) –60

31.5 63 125 250 500 1k 2k 4k 8k
Frequency (Hz)

Figure 5-10. Potential Measurement Error for A-Weighting at Low Frequency

Note The same type of measurement error in Figure 5-10 can occur when applying
weighting to FFT-based spectra. However, the error is almost always negligible as long as
the frequency resolution of the spectrum is reasonable. For example, the error is negligible
with a frequency resolution of 10 Hz or finer.

Applying Weighting to an FFT-Based Spectrum

The most efficient way to compute a frequency-weighted spectrum is to
apply the weighting in the frequency domain, especially when you need to
compare the power spectrum of a signal with the power spectrum of the
same signal after applying a weighting filter. You can use the SVT
Weighting Filter (frequency) VI located on the Frequency
Analysis»Extended Measurements palette to apply weighting in the
frequency domain.

Figure 5-11 shows a weighting filter in a frequency measurement.

Figure 5-11. Applying Frequency Weighting to a Power Spectrum

Figure 5-12 shows a different implementation based on applying the

weighting filter on the time-domain signal and then computing the power
spectrum.

Figure 5-12. Applying Weighting before Computing the Power Spectrum

In Figure 5-11, a single power spectrum is computed. In Figure 5-12,

the power spectrum is computed twice, leading to more CPU usage and
increased processing time. By applying the weighting filter in the
frequency domain, as in Figure 5-11, you can decrease CPU usage and
processing time.

LabVIEW Sound and Vibration Toolkit User Manual 5-14 ni.com

Integration
6
This chapter discusses the integration process, including basic theory and
implementation in the time and frequency domains.

The Sound and Vibration Toolkit contains the following integration VIs:
• SVT Integration VI located on the Integration palette for time-domain
integration
• SVT Integration (frequency) VI located on the Frequency
Analysis»Extended Measurements palette for frequency-domain
integration

Refer to the LabVIEW Help for information about the integration VIs.

Introduction to Integration
The conversion between acceleration, velocity, and displacement is based
on one of the fundamental laws in Newtonian physics, represented by the
following equations:

. d
x = ----- ( x )
dt

2
.. d . d
x = -----  x = ------2- ( x )
dt dt

Velocity is the first derivative of displacement with respect to time.

Acceleration is the first derivative of velocity and the second derivative of
displacement with respect to time. Therefore, given acceleration, perform a
single integration with respect to time to compute the velocity or perform a
double integration with respect to time to compute the displacement.

When representing the acceleration of a point by a simple sinusoid, the

velocity and the displacement of the point are well known and represented
by the following equations:

a = A sin (ω t )

A A π
v = – ---- cos (ω t ) = ---- sin ω t – ---  (6-1)
ω ω  2

A A
d = – ------ sin (ω t ) = -----2- sin (ω t – π ) (6-2)
2
ω ω

Note Initial condition is arbitrarily set to zero in Equations 6-1 and 6-2.

The amplitude of the velocity is inversely proportional to the frequency of

vibration. The amplitude of the displacement is inversely proportional to
the square of the frequency of vibration. Furthermore, the phase of the
velocity lags the acceleration by 90°. The phase of the displacement lags
the acceleration by 180°. Figure 6-1 illustrates the relationship between
acceleration, velocity, and displacement.

Figure 6-1. Integration of a 0.5 Hz Sine Wave

LabVIEW Sound and Vibration Toolkit User Manual 6-2 ni.com

Chapter 6 Integration

The integration of a sinusoid is known in closed form. Integration of an

arbitrary waveform typically requires a numerical approach. You can use
several numerical integration schemes to evaluate an integral in the time
domain.

In the frequency domain, you can define any arbitrary band-limited

waveform as a sum of sinusoids. Because the amplitude and phase
relationships are known for sinusoids, you can carry out the integration
in the frequency domain, as in Figures 6-9 and 6-10.

Implementing Integration
If you need to perform measurements on velocity or displacement data
when you have only acquired acceleration or velocity data, respectively,
integrate the measured signal to yield the desired data. You can perform
integration either in the time domain as a form of signal conditioning or
in the frequency domain as a stage of analysis. When performed in the
frequency domain, integration is one of the extended measurements for
frequency analysis.

Figure 6-2 illustrates how integration fits into the sound and vibration
measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform
Integration
Conditioning

Vibration Level Frequency Transient

Analysis Measurements Analysis Analysis

Integration

Extended
Measurements

Limit Testing

Waveform Waveform Waterfall Colormap /

Visualization Chart Graph Display Intensity Graph

Figure 6-2. Relationship of Integration to the Sound and Vibration

Measurement Process

LabVIEW Sound and Vibration Toolkit User Manual 6-4 ni.com

Chapter 6 Integration

Challenges When Integrating Vibration Data

Converting acceleration data to velocity or displacement data presents
a pair of unique challenges. Measured signals typically contain some
unwanted DC components. Refer to the DC Component section for
information on this issue. The second challenge is the fact that many
transducers, especially vibration transducers, have lower-frequency limits.
A transducer cannot accurately measure frequency components below the
lower-frequency limit of the transducer. Refer to the Transducers section
for information on this issue.

DC Component
Even though a DC component in the measured signal might be valid, the
presence of a DC component indicates that the DUT has a net acceleration
along the axis of the transducer. For a typical vibration measurement, the
DUT is mounted or suspended in the test setup. The net acceleration of the
DUT is zero. Therefore, any DC component in the measured acceleration
is an artifact and should be ignored.

Transducers
Most acceleration and velocity transducers are not designed to accurately
measure frequency components close to DC. Closeness to DC is relative
and depends on the specific transducer. A typical accelerometer can
accurately measure components down to about 10 Hz. A typical velocity
probe can accurately measure components down to 2–3 Hz. Inaccurately
measured low-frequency vibrations can dominate the response when the
signal is integrated because integration attenuates low-frequency
components less than high-frequency components.

Implementing Integration using the Sound and Vibration Toolkit

Both the SVT Integration VI and the SVT Integration (frequency) VI
address the challenges of converting acceleration data to velocity or
displacement data.

Time-Domain Integration
This section presents examples of and discussion about time-domain
integration.

Single-Shot Acquisition and Integration

The following example shows how you can use integration to convert
acceleration data to displacement data in a single-shot acquisition and
integration. In this example, the acquired waveform is sampled at 51.2 kHz
and is double integrated. Figure 6-3 shows the block diagram for the VI.

Figure 6-3. Block Diagram for Single-Shot Acquisition and Integration

Because the integration is implemented with filters, there is a transient

response associated with integration while the filters settle. You should take
care to avoid the transient region when making further measurements.
Figure 6-4 shows the results of a single-shot acquisition and integration
of a 38 Hz sine wave. You can see the transient response in the first 200 ms
of the integrated signal.

LabVIEW Sound and Vibration Toolkit User Manual 6-6 ni.com

Chapter 6 Integration

Figure 6-4. Transient Response in Single-Shot Acquisition and Integration

Continuous Acquisition and Integration

The more common case for time-domain integration occurs with
continuous acquisition. Figure 6-5 shows the block diagram for a VI
designed for continuous acquisition and integration.

Figure 6-5. Continuous Acquisition and Integration

In this example, the highpass cut-off frequency used for the integration is
10 Hz. Additionally, the integration is explicitly reset in the first iteration
of the VI and performed continuously thereafter. In this example, this
additional wiring is optional because the SVT Integration VI automatically
resets the first time it is called and runs continuously thereafter.

If you use the block diagram in Figure 6-5 in a larger application that
requires starting and stopping the data acquisition process more than once,
NI suggests setting the reset filter control to TRUE for the first iteration of
the While Loop. Setting the reset filter control to TRUE causes the filter to
reset every time the data acquisition process starts. Set the reset filter
control to FALSE for subsequent iterations of the While Loop.

Figure 6-6 shows the results of the continuous acquisition and integration
of the same 38 Hz sinusoid used in the single-shot acquisition and
integration example.

Figure 6-6. Settled Response of Continuous Acquisition and Integration

As in single-shot acquisition and integration, continuous acquisition and

integration has an initial transient response. Take care to avoid making
additional measurements until the response of the filters settles. Once the
filters settle, you can use the integrated signals for additional analysis.

LabVIEW Sound and Vibration Toolkit User Manual 6-8 ni.com

Chapter 6 Integration

Figure 6-7 shows the frequency response for time-domain single

integration. Figure 6-8 shows the frequency response for time-domain
double integration.

Figure 6-7. Frequency Response for Single Integration

Figure 6-8. Frequency Response for Double Integration

In Figure 6-7, you can see the characteristic 20 dB per decade roll-off of the
magnitude response of the single integration. In Figure 6-8, you can see
the characteristic 40 dB per decade roll-off of the magnitude response of
the double integration.

Upper and lower frequency limits exist for which you can obtain a specified
degree of accuracy in the magnitude response. For example, sampling at
a rate of 51.2 kHz, the magnitude response of the integrator is accurate
to within 1 dB from 1.17 Hz to 9.2 kHz for single integration and from
1.14 Hz to 6.6 kHz for double integration. The accuracy ranges change
with the sampling frequency and the highpass cut-off frequency.
The attenuation of the single integration filter at 9.2 kHz is –95 dB.

LabVIEW Sound and Vibration Toolkit User Manual 6-10 ni.com

Chapter 6 Integration

The attenuation of the double integration filter at 6.6 kHz is –185 dB.
Accuracy at high frequencies usually is not an issue.

Frequency-Domain Integration
You can use the following strategies to obtain the spectrum of an integrated
signal:
• Perform the integration in the time domain before computing the
spectrum.
• Compute the spectrum before performing the integration in the
frequency domain.

The following example demonstrates the implementation of the strategies

used to obtain the spectrum of an integrated signal. Figure 6-9 shows the
block diagram for the example VI.

Figure 6-9. Integration in the Time Domain and in the Frequency Domain

The highpass cutoff frequency parameter of the SVT Integration VI is

wired with a constant of 10 Hz. The SVT Integration (frequency) VI does
not have a highpass cutoff frequency parameter. Instead, the SVT
Integration (frequency) VI sets the DC component of the integrated signal
to zero if the spectrum scale is linear or to negative infinity (–Inf) if the
spectrum scale is in decibels.

Figure 6-10 shows the results of integrating in the time and frequency
domains.

Figure 6-10. Power Spectra of the Integrated Signal

The power spectrum is computed after the time-domain integration filters

settle. The frequency-domain integration scales the spectrum at each
frequency line. No settling time is necessary for the frequency-domain
integration because integration filters are not involved in the
frequency-domain integration.

Perform frequency-domain integration in the following situations to

maximize performance:
• When the integrated signal is not needed in the time domain
• When spectral measurements are made

LabVIEW Sound and Vibration Toolkit User Manual 6-12 ni.com

Vibration-Level Measurements
7
This chapter briefly discusses the analysis concepts associated with
performing vibration-level measurements and how you can use the
Vibration Level VIs located on the Vibration Level palette to perform
vibration-level measurements.

Refer to the LabVIEW Help for information about individual vibration

level VIs.

Figure 7-1 illustrates how vibration-level measurement fits into the sound
and vibration measurement process.

© National Instruments Corporation 7-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 7 Vibration-Level Measurements

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform
Integration
Conditioning

Vibration Level
Analysis Measurements

Limit Testing

Waveform Waveform
Visualization Chart Graph

Figure 7-1. Relationship of Vibration-Level Measurements to the Sound and Vibration

Measurement Process

Measuring the Root Mean Square (RMS) Level

A basic requirement of vibration measurements is measuring the level of
the signal returned by an accelerometer. The level of the accelerometer
signal generally is expressed in root-mean-square acceleration (grms).

LabVIEW Sound and Vibration Toolkit User Manual 7-2 ni.com

Chapter 7 Vibration-Level Measurements

Single-Shot Buffered Acquisition

The block diagram in Figure 7-2 illustrates a VI designed to perform a
single-shot acquisition and compute the RMS levels.

Figure 7-2. Single-Shot Buffered Acquisition and RMS Level VI

The sampling frequency is 10 kS/s. A buffer containing 1 s of data is

returned by the read VI.

Continuous Signal Acquisition

You can use the block diagram in Figure 7-2 with a While Loop to
continuously acquire signals from an accelerometer and display the
vibration level in a chart. The block diagram in Figure 7-3 illustrates how
to measure the RMS value once every 100 ms and display the results in a
strip chart. In this example, the RMS value is computed based on the last
100 ms of acquired data.

Figure 7-3. Continuous Data Acquisition and RMS Level VI

© National Instruments Corporation 7-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 7 Vibration-Level Measurements

Note Set the restart averaging control on the SVT RMS Level VI to TRUE. Otherwise,
the SVT RMS Level VI accumulates intermediate results to compute the RMS vibration
level over the entire data acquisition instead of just over the last block of data.

Performing a Running RMS Level Measurement

The SVT Running RMS Level VI returns the RMS value computed over
the last N seconds, which is the integration time. The block diagram in
Figure 7-4 illustrates an application using the SVT Running RMS Level
VI. The sampling frequency is 10 kS/s. The read VI reads 1,000 samples at
a time.

Figure 7-4. Running RMS VI

Computing the Peak Level

Use the SVT Peak Level VI to compute the peak level of a signal. In
peak-hold averaging, the largest measured level value of all previous values
is computed and returned until a new value exceeds the current maximum.
The new value becomes the new maximum value and is the value returned
until a new value exceeds it. Refer to Chapter 8, Sound-Level
Measurements, for more information about peak-hold averaging.

LabVIEW Sound and Vibration Toolkit User Manual 7-4 ni.com

Chapter 7 Vibration-Level Measurements

Computing the Crest Factor

The crest factor is the ratio of the peak value over the RMS value of a given
signal and indicates the shape of the waveform. The crest factor is defined
by the following equation:

V pk
F c = ---------
-
V rms

where
Fc is the crest factor.
Vpk is the peak value of the signal.
Vrms is the RMS value of the signal.

The block diagram in Figure 7-5 illustrates an application using the

SVT Crest Factor VI. Along with the crest factors, the SVT Crest Factor VI
also returns the peak and RMS levels.

Figure 7-5. Crest Factor VI

© National Instruments Corporation 7-5 LabVIEW Sound and Vibration Toolkit User Manual
Sound-Level Measurements
8
This chapter discusses some of the analysis concepts associated with
performing sound-level measurements and how you can use the Sound
Level VIs located on the Sound Level palette to perform sound-level
measurements. You can combine different sound-level measurements and
use them simultaneously to provide flexibility with acoustic measurements.

Refer to the LabVIEW Help for information about individual Sound

Level VIs.

Figure 8-1 illustrates how sound-level measurement fits into the sound and
vibration measurement process.

© National Instruments Corporation 8-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 8 Sound-Level Measurements

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform
Weighting Filter
Conditioning

Sound Level
Analysis Measurements

Limit Testing

Waveform Waveform
Visualization Chart Graph

Figure 8-1. Relationship of Sound-level Measurements to the Sound and

Vibration Measurement Process

Time Averaging Modes

The Sound Level VIs offer the following time-averaging modes:
• Linear, which is equivalent continuous sound level (Leq)
• Exponential
• Peak hold

LabVIEW Sound and Vibration Toolkit User Manual 8-2 ni.com

Chapter 8 Sound-Level Measurements

Linear Averaging
You compute the Leq by integrating the square of the signal over a
fixed-time interval and dividing by the time interval. When you select
linear averaging, the Sound Level VIs return a single value. The value
returned represents the continuous decibel level that would have produced
the same sound energy in the same time T as the actual noise history. To
obtain intermediate results, you must split a long time record into several
smaller records. Linear averaging is represented by the following equation.

T
1  P rms
2

∫
L eq = 10log10 ---  --------------
T  P2 
0 0
- dt

where
P0 is the reference pressure of 20 µPa for acoustics.

Single-Shot Linear Averaging

Figure 8-2 illustrates an example of linear averaging on a single-shot
acquisition.

Figure 8-2. Single-Shot Leq VI

The single-shot acquisition is configured with the following parameters:

• Sampling frequency fs = 51,200 samples per second (S/s).
• Buffer size = 51,200 samples, which is one second of data at the
specified sampling frequency.

© National Instruments Corporation 8-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 8 Sound-Level Measurements

Figure 8-3 displays the resulting Leq measurement and the instantaneous
sound pressure level.

Figure 8-3. Leq and Instantaneous Sound Pressure Level versus Time

Measuring Leq Over a Longer Time Period

You might need to compute the Leq over a longer period of time. For
example, you might need to measure the Leq over one hour in the entire
audio range of 20 Hz–20 kHz. To measure the Leq in this case, select a
sampling frequency that allows you to perform measurements up to
20 kHz. According to the Shannon Sampling Theorem, the minimum
sampling frequency is 40 kS/s, twice the 20 kHz maximum frequency of
interest. Depending on the hardware you use, you might have additional
considerations, such as an anti-aliasing filter, when selecting the sampling
frequency. Traditionally when working with data acquisition devices with
aliasing protection, a sampling frequency of 51.2 kS/s is used to perform
measurements up to 20 kHz.

For one hour of data with a sampling frequency of 51.2 kS/s, you need to
acquire more than 184 million samples, as calculated by the following
equation:

 60 minutes  60
--------------------------
seconds  51,200
--------------------------
samples-
------------------------------------ 184,320,000 samples
= --------------------------------------------------
 hour   minute   second  hour

LabVIEW Sound and Vibration Toolkit User Manual 8-4 ni.com

Chapter 8 Sound-Level Measurements

The memory required to accumulate such a large number of samples might

prohibit you from accumulating the number of samples required for your
analysis. An alternate method is to process small chunks of data, keep track
of the intermediate results, and integrate the measurement over time. You
can use the Sound and Vibration Toolkit to perform this alternate method
of Leq measurement. Figure 8-4 shows the block diagram for a VI designed
to compute the Leq for a one-hour period.

Figure 8-4. One Hour Leq VI

The VI in Figure 8-4 performs an Leq over one second and repeats the
operation 3,600 times using a For Loop. The last result returned by the
SVT Leq Sound Level VI is the Leq over the one-hour period.

In order for the SVT Leq Sound Level VI to accumulate the intermediate
results, set the restart averaging control to FALSE or leave the control
unwired. You can make the intermediate results available by using the
auto-indexing capability of the For Loop. Refer to the LabVIEW Help for
information about auto-indexing.

Instead of performing an Leq over one second and repeating the operation
3,600 times, you can perform the measurement over two seconds and repeat
it 1,800 times, or perform the measurement over four seconds and repeat it
900 times, and so forth.

Restart Averaging and Advanced Concepts

Some applications require you to perform Leq measurements continuously,
using a specific integration time. For example, you may need to measure
a reverberation time that requires the application to return an Leq
measurement every 50 ms for 10 seconds. You can use a For Loop and its
auto-indexing capabilities to perform a continuous Leq measurement, as
illustrated in Figure 8-5.

© National Instruments Corporation 8-5 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 8 Sound-Level Measurements

Figure 8-5. Block Diagram for Reverberation VI

Because you divide the 10 s measurement period into 50 ms blocks, you

need 200 iterations (10 s/50 ms) of the For Loop. To continuously measure
the Leq, set the restart averaging control to TRUE. When the restart
averaging control is set to TRUE, the SVT Leq Sound Level VI does not
accumulate intermediate results but restarts the averaging process with
each iteration of the For Loop. Figure 8-6 shows the results of performing
a reverberation time measurement for 10 s.

Figure 8-6. 10-Second Reverberation Time Measurement

Performing a Running Leq

Use the SVT Running Leq VI to perform a running Leq over a specified
period of time, which is the integration time. The result returned by the
SVT Running Leq VI is the Leq computed over the last N seconds. A new
running Leq value is returned each time you call the SVT Running Leq
Sound Level VI.

LabVIEW Sound and Vibration Toolkit User Manual 8-6 ni.com

Chapter 8 Sound-Level Measurements

Exponential Averaging
Exponential averaging is a continuous averaging process that weights
current and past data differently. The amount of weight given to past data
as compared to current data depends on the exponential time constant.
In exponential averaging, the averaging process continues indefinitely.

The exponential averaging mode supports the following time constants:

• Slow uses a time constant of 1,000 ms. Slow averaging is useful for
tracking the sound pressure levels of signals with sound pressure levels
that vary slowly.
• Fast uses a time constant of 125 ms. Fast averaging is useful for
tracking the sound pressure of signals with sound pressure levels that
vary quickly.
• Impulse uses a time constant of 35 ms if the signal is rising and
1,500 ms if the signal is falling. Impulse averaging is useful for
tracking sudden increases in the sound pressure level and recording
the increases so that you have a record of the changes.
• Custom allows you to specify a time constant suitable for your
particular application.

Use the following sound-level measurement VIs for exponential time

averaging:
• SVT Exp Avg Sound Level VI
• SVT Decimated Exp Avg Sound Level VI

Refer to the LabVIEW Help for information about the SVT Exp Avg Sound
Level VI and the SVT Decimated Exp Avg Sound Level VI.

Figure 8-7 illustrates a block diagram for a VI that performs an exponential

averaged measurement using the SVT Exp Avg Sound Level VI with a
Slow time constant. Use the restart averaging control to reset the
averaging.

© National Instruments Corporation 8-7 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 8 Sound-Level Measurements

Figure 8-7. Exponential Averaging with Slow Time Constant VI

Peak Hold
In peak-hold averaging, the largest measured sound pressure level value of
all previous values is computed and returned until a new value exceeds the
current maximum. The new value becomes the new maximum value and
is the value returned until a new value exceeds it. Peak hold actually is
not a true form of averaging because successive measurements are not
mathematically averaged. However, as with other averaging processes,
peak-hold averaging combines the results of several measurements into one
final measurement. As with exponential averaging, the averaging process
continues indefinitely. The formula for peak averaging is defined by the
following equation.

y [ k ] = max ( y [ k – 1 ], x [ k ] )
where
x[k] is the new measurement.
y[k] is the new average.
y[k – 1] is the previous average.

Considerations for Making Sound-Level Measurements

The selection of a sampling frequency depends on the highest frequency
of interest in the signal and whether you plan to use weighting filters.
You can use A-, B-, and C-weighting filters in conjunction with
sound-level measurements. Refer to Chapter 5, Weighting Filters, for
information about weighting filters.

You can perform several types of sound-level measurements on the same

channel to compare different results.

LabVIEW Sound and Vibration Toolkit User Manual 8-8 ni.com

Fractional-Octave Analysis
9
This chapter discusses fractional-octave analysis, including
fractional-octave analysis theory, averaging modes supported by the
Octave Analysis VIs, settling time, and ANSI and IEC standards.

Use the Octave Analysis VIs located on the Octave Analysis palette to
perform the following analyses:
• Full-octave
• Third-octave
• Fractional-octave, including 1/1, 1/3, 1/6, 1/12, and 1/24 octave

The Octave Analysis VIs can accommodate any sampling frequency and
any number of fractional-octave bands.

Refer to the LabVIEW Help for information about the individual Octave
Analysis VIs.

Figure 9-1 illustrates the relationship of fractional-octave analysis to the

sound and vibration measurement process.

© National Instruments Corporation 9-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform
Weighting Filter
Conditioning

Octave
Analysis Analysis

Weighting

Limit Testing

Waterfall Colormap /
Visualization XY Graph
Display Intensity Graph

Figure 9-1. Relationship of Fractional-Octave Analysis to the Sound and

Vibration Process

Fractional-Octave Analysis Overview

Fractional-octave analysis is a widely used technique for analyzing audio
and acoustical signals. Fractional-octave analyses, especially 1/3 and
1/12 octave, exhibit characteristics analogous to the response of the human
ear. Fractional-octave analysis is also required by many industry standards,
such as ANSI and IEC.

LabVIEW Sound and Vibration Toolkit User Manual 9-2 ni.com

Chapter 9 Fractional-Octave Analysis

The following steps summarize fractional-octave measurement.

1. Send a time domain signal through a bank of N bandpass filters.
2. Compute the instantaneous square value for the outputs of the N filters.
3. Average the instantaneous square values according to a selected
averaging mode.
4. Display the averaged values in a bar graph.

The number of filters to apply, as well as their passband, is determined by

the type of fractional-octave measurement you are making, 1/1 through
1/24 octave. The filters used are known as constant Q filters. Refer to the
Bandedge Frequencies section of this chapter for more information about
constant Q filters.

Full-Octave Analysis in the 31.5 Hz–16 kHz Band

The following example is a simple illustration of full-octave analysis. In
this example, an input signal acquired by a microphone is sent through
10 bandpass filters centered at the frequencies listed in Figure 9-2.

Figure 9-2. Full-Octave Center Frequencies

© National Instruments Corporation 9-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

The power in each band is computed and displayed in a bar graph with a
log scale for the x-axis. Figure 9-3 shows this bar graph.

Figure 9-3. Full-Octave Spectrum

Bandwidth and Filter Banks

Fractional-octave analysis depends primarily on filters. This section briefly
discusses filter design in relationship to fractional-octave analysis.

The Octave Filter

An octave is defined as the interval between two frequencies, one of which
is twice the other. For example, frequencies of 250 Hz and 500 Hz are one
octave apart, as are frequencies of 1 kHz and 2 kHz. Figure 9-4 shows an
octave filter, a filter whose passband covers one octave.

LabVIEW Sound and Vibration Toolkit User Manual 9-4 ni.com

Chapter 9 Fractional-Octave Analysis

A 1 Octave

F
f/4 f/2 f 2f 4f

1 Octave

Figure 9-4. Octave Filter

Just as a tuning fork provides a 440 Hz reference frequency for musicians,

a reference frequency is needed to fully define octave filters.
Instrumentation equipment typically uses a 1 kHz reference frequency.

Bandedge Frequencies
The quality constant Q is defined as the ratio of the bandwidth over the
center frequency of the filter. Q remains constant across all octave bands
for octave filters. For example, an octave filter with a center frequency of
1,000 Hz leads to the following bandedge frequencies:

f 1 = 1,000
------------- = 707 Hz
2

f 2 = ( 1,000 ) ( 2 ) = 1,414 Hz

BW = f 2 – f 1 = 707 Hz

707
Q = ------------- = 0.707
1,000

where
f1 and f2 are bandedge frequencies.
BW is the bandwidth.
Q is the quality constant.

© National Instruments Corporation 9-5 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

An octave filter with a center frequency of 8,000 Hz leads to the following

bandedge frequencies:

8,000
f 1 = ------------- = 5,657 Hz
2

f 2 = ( 8,000 ) ( 2 ) = 11,314 Hz

BW = f 2 – f 1 = 5,657 Hz

5,657
Q = ------------- = 0.707
8,000

where
f1 and f2 are bandedge frequencies.
BW is the bandwidth.
Q is the quality constant.

The results obtained from calculating the bandedge frequencies indicate the
following bandwidth characteristics:
• The bandwidth of the octave filters is narrow if the center frequency
is low.
• The bandwidth of the octave filters is wider when the center frequency
is higher.

Because of the bandwidth characteristics, fractional-octave analysis uses a

logarithmic frequency scale to compute and display octave spectra.

Fractional-Octave Filters
Octave filter resolution is limited, being that there are only 11 octaves in
the 16 Hz–16 kHz range. To overcome the limited resolution of octave
filters, you can use other filters known as fractional-octave filters. Rather
than covering one octave with a single filter, N filters are applied per octave
in order to improve resolution. Of the fractional-octave filters, the
third-octave (1/3) filter is widely used for fractional-octave analysis.
Figure 9-5 shows the 1/3 octave response at frequencies of 500 Hz, 630 Hz,
and 800 Hz.

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Chapter 9 Fractional-Octave Analysis

Figure 9-5. Response of 1/3 Octave Filters

Fractional-octave analysis is a CPU-intensive operation. Increasing the

number of filters applied to a signal increases the demands placed on
the CPU and can result in increased computation time.

Filter Settling Time

When starting or resetting the filtering operation of the fractional-octave
filters, a certain time is required before the measurements are valid.
This time is called the settling time and is related to the bandwidth of any
particular filter. The lowest frequency band has the smallest bandwidth and
defines the settling time required before you can consider the complete
fractional-octave measurement valid. In the Sound and Vibration Toolkit,
settling time is defined as five divided by the bandwidth of the filter used
for the lowest frequency band. The filter settled indicator returns TRUE as
soon as all the filters are settled.

© National Instruments Corporation 9-7 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

Averaging
The Octave Analysis VIs support the following averaging types:
• Linear averaging
• Exponential averaging
• Equal confidence averaging
• Peak-hold averaging

Linear Averaging
Linear averaging is computed by integrating the square of the filtered
signal over a fixed time interval and dividing by the time interval. Refer to
Chapter 8, Sound-Level Measurements, for more information about linear
averaging.

Figure 9-6 illustrates the block diagram for a VI performing 1/3 octave
analysis in the 20Hz–20kHz range using fast exponential averaging.

Figure 9-6. 1/3 Octave Analysis with Fast Exponential Averaging VI

Note In order to use exponential averaging, you must connect the exp avg settings
parameter to a control or constant. Refer to the LabVIEW Help for information about the
exp avg settings control.

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Chapter 9 Fractional-Octave Analysis

Refer to Chapter 8, Sound-Level Measurements, for more information

about exponential averaging.

Equal Confidence Averaging

Equal confidence averaging is exponential averaging with a specific time
constant set for each individual band. Each time constant is set so that the
standard deviation of the band power measurement equals the confidence
value in decibels specified by the equal confidence level [dB] control.

Peak-Hold Averaging
In peak-hold averaging, the largest measured level value of all previous
values is returned for each band until a new value exceeds the current
maximum. The new value becomes the new maximum value and is the
value returned until a new value exceeds it. Refer to Chapter 8,
Sound-Level Measurements, for more information about peak-hold
averaging.

Resetting the Filter and Restarting the Averaging Process

The Octave Analysis VIs reset the filter the first time the VI executes. You
can use the reset filter control to programmatically reset the filter. After the
filter is reset, a transient response occurs while the filter settles.

You can use the restart averaging control to restart the averaging process
without resetting the filter. Restarting the averaging without resetting the
filter avoids the transient phase associated with the settling of the filter.

Refer to the Filter Settling Time section for information about filter settling
time.

Performing Third-Octave Analysis Outside the

Audio Range
You might need to perform third-octave analysis on signals outside of the
20 Hz–20 kHz range. For example, you might need to evaluate human
exposure to whole body vibration with potential signals of interest in
the 0.5 Hz–80 Hz range. To perform third-octave analysis outside the
20 Hz–20 kHz range, use either the SVT Fractional-octave Analysis
[ANSI] VI or the SVT Fractional-octave Analysis [IEC] VI and select a
bandwidth equal to 1/3 octave, as illustrated in Figure 9-7.

© National Instruments Corporation 9-9 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

Figure 9-7. Performing 1/3 Octave Analysis Outside Standard Bands

The fractional-octave analysis VIs accept numeric values for the

low-frequency and high-frequency limits and enable the measurement of
signals outside the 20 Hz–20 kHz range.

ANSI and IEC Standards

This section discusses the ANSI and IEC standards regarding midband
frequencies, the nominal frequencies returned by the Octave Analysis VIs,
and compliance with ANSI and IEC standards by the Octave Analysis VIs.

Note The ANSI and IEC Octave Analysis VIs use the base 2 system for midband
frequencies instead of the base 10 system. Using the base 2 system means that the ratio of
two midband frequencies is a fractional power of 2 instead of a fractional power of 10.

ANSI Standard
According to the ANSI S1.11-1986 standard, the midband, or center,
frequency of the bandpass filter is defined by the following equation.

ib
f i = 1000 ⋅ 2

where
f i is the center frequency of the ith band-pass filter expressed in hertz.
i is an integer when i = 0 , f 0 = 1 kHz, which is the reference
frequency for the audio range.
b is the bandwidth designator and equals 1 for octave, 1/3 for
1/3 octave, 1/6 for 1/6 octave, 1/12 for 1/12 octave, and 1/24
for 1/24 octave.

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Chapter 9 Fractional-Octave Analysis

IEC Standard
According to the IEC 1260:1995 standard, the midband frequency,
or center, frequency of the bandpass filter is defined by the following
equations.

ib
f i = 1000 ⋅ 2 for 1/N octave filters when N is odd

(------------------
i + 1 )b-
2
f i = 1000 ⋅ 2 for 1/N octave filters when N is even

Nominal Frequencies
The exact midband frequencies are used to design the filters for
fractional-octave analysis. However, all the Octave Analysis VIs return
the nominal midband frequencies, also called the preferred frequencies.
In the case of octave and 1/3 octave analyses, the nominal frequencies are
calculated in accordance with the ANSI and IEC standards. In the case of
1/6, 1/12, and 1/24 octave analyses, the nominal frequencies are calculated
in accordance with the Annex A (informative) of the IEC 1260:1995
standard.

Compliance with ANSI and IEC Standards

When combined with any National Instruments DSA device, the
appropriate microphone, and proper signal conditioning, the filters
produced by the Octave Analysis VIs comply with the following standards:
• ANSI S1.11-1986: Specification for octave-band and
fractional-octave-band analog and digital filters, Order 3, Type 1-D,
optional range
• IEC 1260 (1995 - 07): Electroacoustics - Octave-band and
fractional-octave-band filters, Class 1

In the case of the ANSI standard, the default order of the bandpass filter
is 3, which leads to a Type 1-D filter.

© National Instruments Corporation 9-11 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 9 Fractional-Octave Analysis

For octave filters, choose a sampling frequency at least three times the exact
center frequency of the highest frequency band. For fractional-octave
filters, choose a sampling frequency at least 2.5 times the exact center
frequency of the highest frequency band.

Displaying Results
The Octave Analysis VIs produce a cluster containing center frequencies
and band power. The Sound & Vibration controls palette contains two
graphs designed to display octave results, the Octave Graph and the
Multiplot Octave Graph. Refer to the Sound and Vibration Toolkit Help for
information about the Octave Graph and the Multiplot Octave Graph.

You can connect the cluster containing the center frequencies and band
power directly to an XY graph. However, you must modify the XY graph
in order to display octave results.

To modify an XY graph to display octave results, complete the following

steps:
1. Right-click the XY graph.
2. Select X Scale»Mapping»Logarithmic from the shortcut menu.
3. Right-click the Plot Legend.
4. Select Bar Plots and the style for the bar graph from the shortcut
menu.
5. Right-click the Plot Legend.
6. Select Fill Base Line»-Infinity from the shortcut menu.
7. Right-click the Plot Legend.
8. Select Interpolation and the style with no line connecting the points.

Weighting Filters
Use the SVT Weighting Filter (octave) VI to apply A-, B-, or C-weighting
filters to a previously computed octave spectrum or spectra. Refer to the
LabVIEW Help for more information about the SVT Weighting Filter
(octave) VI. Refer to Chapter 5, Weighting Filters, for more information
about weighting filters.

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Frequency Analysis
10
This chapter discusses methods used by the Frequency Analysis VIs
located on the Frequency Analysis palette for windowing, averaging,
and performing frequency-domain measurements.

Refer to the Sound and Vibration Toolkit Help for information about
individual Frequency Analysis VIs.

The Frequency Analysis VIs offer various frequency measurements

based on the discrete Fourier transform (DFT). Refer to the LabVIEW
Measurements Manual for information about the DFT and Fast Fourier
Transform (FFT) sizes.

Note For simplicity, the remainder of this document uses the term FFT to denote both the
FFT and the DFT.

Figure 10-1 illustrates the relationship of frequency analysis to the sound

and vibration measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform Integration Weighting Filter

Conditioning

Frequency
Analysis Analysis

Extended
Measurements

Limit Testing

Waveform Waterfall Colormap /

Visualization Graph Display Intensity Graph

Figure 10-1. Relationship of Frequency Analysis to the Sound and Vibration

Measurement Process

FFT Fundamentals
The FFT resolves the time waveform into its sinusoidal components. The
FFT takes a block of time-domain data and returns the frequency spectrum
of that data. The FFT is a digital implementation of the Fourier transform.
Thus, the FFT does not yield a continuous spectrum. Instead, the FFT
returns a discrete spectrum where the frequency content of the waveform
is resolved into a finite number of frequency lines, or bins.

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Chapter 10 Frequency Analysis

Number of Samples
The computed spectrum is completely determined by the sampled time
waveform input to the FFT. If an arbitrary signal is sampled at a rate equal
to fs over an acquisition time T, N samples are acquired. Compute T with
the following equation:

N
T = ----
fs

where
T is the acquisition time.
N is the number of samples acquired.
fs is the sampling frequency.

Compute N with the following equation:

N = T ⋅ fs

where
N is the number of samples acquired.
T is the acquisition time.
fs is the sampling frequency.

Frequency Resolution
Because of the properties of the FFT, the spectrum computed from the
sampled signal has a frequency resolution df. Calculate the frequency
resolution with the following equation:

f
df = --1- = ----s
T N

where
df is the frequency resolution.
T is the acquisition time.
fs is the sampling frequency.
N is the number of samples.

Note The frequency resolution is determined solely by the acquisition time.

The frequency resolution improves as the acquisition time increases.

Maximum Resolvable Frequency

The sampling rate of the time waveform determines the maximum
resolvable frequency. According to the Shannon Sampling Theorem,
the maximum resolvable frequency must be half the sampling frequency.
To calculate the maximum resolvable frequency use the following
equation:

f
f max = f Nyquist = ---s
2

where
fmax is the maximum resolvable frequency.
fNyquist is the Nyquist frequency.
fs is the sampling frequency.

Minimum Resolvable Frequency

The minimum resolvable frequency is 0 (DC). The term baseband analysis
is often used to describe analysis from 0 to fNyquist.

Number of Spectral Lines

The number of lines in the spectrum is half the number of samples, N,
in the waveform.

Directly specify the number of lines in the spectrum for the Zoom FFT VIs
in the Sound and Vibration Toolkit. Specify the number of data samples to
control the number of spectral lines for the Baseband FFT and
the Baseband Subset VIs.

Relationship between Time-Domain and Frequency-Domain

Specifications and Parameters
Table 10-1 summarizes the relationship of time-domain specifications to
frequency-domain parameters.

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Chapter 10 Frequency Analysis

Table 10-1. Time-Domain Specifications to Frequency-Domain Parameters

Frequency Domain
fNyquist fmax # lines df
fs f 1 f
Time N ---s fs ⋅ Eb Eb ⋅ N --- = ----s
2 T N
Domain T

where
fs is the sampling frequency.
Eb is the effective bandwidth.
N is the number of samples acquired.
T is the acquisition time.

Use the information in Table 10-2 if you prefer to specify the spectrum
parameters and determine the required data-acquisition parameters from
these specifications.

Table 10-2. Frequency-Domain Specifications to Time-Domain Parameters

Time Domain
fs N T
fmax f max # lines 1- = #---------------
lines
Frequency # lines --------- --------------- ----
Eb Eb df f max
Domain df

where
fmax is the maximum resolvable frequency.
Eb is the effective bandwidth.
# lines is the number of lines in the spectrum.
df is the frequency resolution.

In Tables 10-1 and 10-2, Eb is the ratio of the alias-free bandwidth to

1-
the sampling frequency. In traditional instruments, Eb is typically ---------
2.56
.
However, the alias-free bandwidth depends on the hardware used to acquire
the dynamic signal. Eb can have a maximum value of 0.5. This maximum
value corresponds to a perfect anti-aliasing filter. For example, if
1,024 samples are input to the FFT algorithm, the computed spectrum has
512 non-DC spectral lines. The computed spectrum has a total of 513 lines

including the DC component. Acquire these same 1,024 samples on an

1
instrument with a standard ---------
2.56
- effective bandwidth, then use the equation
in Table 10-1 to find the expected number of alias-free lines in the
computed spectrum. Complete the necessary calculations with the
following equations:

# lines = E b ⋅ N

1
# lines = ---------- ⋅ 1,024 = 400 lines
2.56

Eb is entirely a hardware property. However, mathematically, you can use

the FFT to compute the frequency spectrum up to the Nyquist frequency.
Remember to account for the presence or absence of an anti-aliasing filter
when performing frequency analysis. The Frequency Analysis VIs
compute every spectral line, alias-free or not. Use the frequency range to
limit the analysis to the alias-free region of the spectrum with FFT subset
and zoom FFT measurements. Use the SVT Get Spectrum Subset VI to
limit the analysis to the alias-free region of the spectrum with baseband
FFT measurements.

Note Table 10-1 shows that the sampling frequency and the block size acquired during
each cycle of a continuous acquisition completely determine the frequency-domain
parameters in baseband FFT analysis. However, many stand-alone instruments are
operated by specifying the frequency range of interest and the number of lines in the FFT.
Table 10-2 shows how a stand-alone instrument uses the frequency range of interest and
the number of lines in the FFT to determine an appropriate sampling frequency and block
size.

Increasing Frequency Resolution

Increasing the frequency resolution helps you distinguish two individual
tones that are close together. For example, if you analyze a signal that
contains two tones at 1,000 Hz and 1,100 Hz, use a sampling frequency of
10,000 Hz. Acquire data for 10 ms and the frequency resolution is 100 Hz.
Figure 10-2 shows the results of this analysis. In this particular case, you
cannot distinguish one tone from the other.

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Chapter 10 Frequency Analysis

Figure 10-2. Power Spectrum Obtained with an Acquisition Time of 10 ms

Increase the acquisition time to 1 s to achieve a frequency resolution of

1 Hz. Figure 10-3 shows the results obtained with a 1 s acquisition time.
You can distinguish the individual tones with the increased acquisition
time.

Figure 10-3. Power Spectrum Obtained with an Acquisition Time of 1 s

The following strategies achieve a finer frequency resolution:

• Decrease the sampling frequency, fs. Decreasing fs usually is not
practical because decreasing fs reduces the frequency range.
• Increase the number of samples, N. Increasing N yields an increased
number of lines over the original frequency range.

Implement the decreased fs strategy with zoom FFT analysis. Use baseband
FFT and FFT-subset analyses to implement the increased N strategy.
Baseband FFT analysis and FFT-subset analysis both achieve the same
frequency resolution. However, FFT subset analysis only computes a
narrow subset of the spectrum.

Refer to the Zoom FFT Analysis section and the Subset Analysis section
for examples that demonstrate the importance of frequency resolution in
frequency analysis. The examples illustrate how to achieve a finer
frequency resolution with the frequency analysis tools in the Sound and
Vibration Toolkit.

Zoom FFT Analysis

In some applications, you need to obtain the spectral information with very
fine frequency resolution over a limited portion of the baseband span. In
other words, you must zoom in on a spectral region to observe the details
of that spectral region. Use the zoom FFT to obtain spectral information
over a limited portion of the baseband span and with greater resolution. Just
as in baseband analysis, the acquisition time determines the frequency
resolution of the computed spectrum. The number of samples used in the
transform determines the number of lines computed in the spectrum.

Zoom FFT analysis achieves a finer frequency resolution than the baseband
FFT. The Zoom FFT VI acquires multiple blocks of data and downsamples
to simulate a lower sampling frequency. The block size is decoupled from
the achievable frequency resolution because the Zoom FFT VI accumulates
the decimated data until you acquire the required number of points.
Because the transform operates on a decimated set of data, you only need
to compute a relatively small spectrum. The data is accumulated, so do not
think of the acquisition time as the time required to acquire one block of
samples. Instead, the acquisition time is the time required to accumulate the
required set of decimated samples.

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Chapter 10 Frequency Analysis

The Zoom FFT VIs complete the following steps to process the
sampled data:
1. Modulate the acquired data to center the analysis band at 0 frequency.
2. Filter the modulated data in the time domain to isolate the analysis
band and prevent aliasing when the data is resampled at a lower
sampling frequency.
3. Decimate the filtered data to reduce the effective sampling frequency.
4. Accumulate the decimated data until sufficient samples are available to
compute the spectrum.
5. Use the Discrete Zak Transform (DZT) to efficiently compute the
desired spectral lines.
6. Demodulate, or shift, the computed spectrum.

Frequency Resolution of the Zoom FFT VIs

Use the Zoom FFT VIs to compute the spectrum of a signal over a narrow
frequency range with an arbitrarily fine frequency resolution. To get an
approximation of the frequency resolution seen with the Zoom FFT VIs,
use the following formula:

stop frequency – start frequency

frequency resolution ≈ -----------------------------------------------------------------------------
number of lines

Note The exact frequency resolution is returned as df in the spectrum computed by the
Zoom FFT VIs.

Zoom Measurement
The following example demonstrates a zoom measurement of the power
spectrum.

Acquire a sine wave at 1,390 Hz with an National Instruments DSA device

and the VI displayed in Figure 10-4.

Figure 10-4. Performing a Zoom Power Spectrum Measurement

Acquire the signal at 51.2 kHz. The VI reads the data in blocks of
2,048 samples. Compute the frequency resolution of this measurement
using baseband analysis with the following equation:

51,200 Hz- = 25 Hz
------------------------
2,048

Use the SVT Zoom Power Spectrum VI located on the Zoom FFT palette
to analyze a narrow band with a much finer frequency resolution.
Figure 10-5 shows the result of limiting the measurement to the frequency
band between 1 kHz and 2 kHz and computing 400 lines. Derive the
frequency resolution of the computed spectrum with the following
equation:

2,000 – 1,000 Hz = 2.5 Hz

-----------------------------------------
400 lines

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Chapter 10 Frequency Analysis

Figure 10-5. Zoom Power Spectrum Measurement Results

Zoom Settings
Figure 10-6 shows the zoom settings control used to acquire the zoom
measurement results displayed in Figure 10-5. Use this control to specify
the frequency range, window, number of lines, and percent overlap used in
the zoom analysis. Refer to the LabVIEW Help for information about the
zoom settings control.

Figure 10-6. Zoom Settings Control

Subset Analysis
The Baseband Subset VIs located on the Baseband Subset palette allow you
to compute a subset of the baseband FFT measurement. Subset analysis
uses the DZT to compute a subset of the baseband FFT. The frequency
resolution for spectral measurements computed with the Baseband Subset
VIs equals the frequency resolution for measurements made with the

Baseband FFT VIs. The acquisition time determines the frequency

resolution. The only way to achieve a finer frequency resolution is to
increase the length of the time record. In the case of baseband or subset
analysis, a longer time record implies a larger block size.

The Baseband Subset VIs algorithm computes only the desired spectral
lines. The only programming difference between the Baseband Subset VIs
and the Baseband FFT VIs is the additional parameter frequency range.
The frequency range parameter specifies which spectral lines the
Baseband Subset VI computes. The computed spectral lines are always
inclusive of the start frequency and the stop frequency.

Note Setting the start frequency to 0 Hz and the stop frequency to fmax yields the same
spectrum as the corresponding Baseband FFT VI. If you set the stop frequency to –1, the
baseband subset VIs return the Nyquist frequency as the highest frequency in the computed
spectrum.

The following consideration can help you decide when to use the Baseband
Subset VIs instead of the Baseband FFT VIs:
• The required block size yields an acceptable frequency resolution.
• The analysis of a narrow subset of the baseband span requires better
processing performance than the Baseband FFT VI can provide.

Using the Frequency Analysis VIs

This section provides specific information about using the Frequency
Analysis VIs in your measurements.

Available Measurements
The following Frequency Analysis palettes offer the same basic
measurements but designed for specific measurement needs:
• Baseband FFT
• Baseband Subset
• Zoom FFT

For example, each of the three palettes contains a VI for measuring the
power spectrum. The SVT Power Spectrum VI located on the Baseband
FFT palette computes the power spectrum of the input signal. The SVT
Power Spectrum Subset VI located on the Baseband Subset palette
computes a subset of the power spectrum of the input signal. The SVT
Zoom Power Spectrum VI located on the Zoom FFT palette computes a

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Chapter 10 Frequency Analysis

zoom power spectrum of the input signal. Refer to the LabVIEW Help for
a complete listing of the Frequency Analysis VIs and information about
each VI.

The Baseband FFT, Baseband Subset, and Zoom FFT VIs all share the
same basic relationships between the input signal and the computed
spectrum. For the baseband and subset analyses, you can obtain a tighter
frequency resolution only by increasing the block size. Increasing the block
size results in an FFT computed with more lines. Zoom analysis internally
reduces the sampling frequency by decimating the data. In baseband FFT,
baseband subset, and zoom FFT analyses, the frequency resolution is the
inverse of the measurement duration.

Single-Channel Measurements
You can perform the following single-channel measurements with the
Frequency Analysis VIs:
• Power spectrum computes the power present within each spectral bin.
All phase information is lost in the computation. This measurement is
a useful tool for examining the various frequency components in a
signal.
• Power spectral density computes the power present within each bin
normalized by the bin width. All phase information is lost in the
computation. This measurement is a useful tool for examining the
noise floor in a signal or the power in a specific frequency range.
Normalizing the power spectrum by the bin width decouples the result
of this measurement from the block size N.
• FFT spectrum computes either the magnitude and phase or the real and
imaginary parts of the spectrum of the input signal. Phase information
is retained depending on the selected averaging mode. This
measurement is most often used by more advanced measurements that
require magnitude and phase information.

Power Spectrum Measurement

Use the Frequency Analysis VIs to perform a single-shot or continuous
acquisition, as illustrated by the block diagrams in Figures 10-7 and 10-8.

Figure 10-7. Single-Shot Acquisition

Figure 10-8. Continuous Acquisition

Note In this example, the output of the read VI is an array of waveforms. You can wire the
output array from the read VI directly to the SVL Scale Voltage to EU VI. If the read VI
output array contains only a single waveform, use the instance of the polymorphic read VI
that returns only a single channel before wiring the waveform to the SVL Scale Voltage to
EU VI.

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Chapter 10 Frequency Analysis

Dual-Channel Measurements
Dual-channel measurements differ from single-channel measurements
because the output spectrum of the dual-channel measurements is
dependent on the relationship between two input channels. Typically,
the input signals are a stimulus and a response. Some form of broadband
excitation usually is required to obtain accurate results. Broadband signals
include noise, chirps, multi-tone signals, impulses, as well as others.

Use the Frequency Analysis VIs to make the following dual-channel

measurements:
• Frequency response computes the transfer function of the response
to the stimulus. Use the frequency response as a general tool to
characterize the dynamic response of a system. The coherence often
is used to validate the frequency response results. The coherence
quantifies the portion of the response that is linearly dependent on,
or coherent with, the stimulus. The coherence ranges from 0 to 1.
• Cross spectrum computes the cross spectrum of the two inputs. Use the
cross spectrum in some advanced analyses. Dynamic data often is
stored in terms of cross spectra. Use the cross spectra to compute other
useful measurements, such as frequency-response functions.
• Coherent output power computes the portion of the response power
that is coherent with the stimulus.

You can view most dual-channel measurement results as magnitude

and phase or as real and imaginary parts. Use the view parameter of
the Frequency Analysis VIs returning magnitude and phase to specify
the following viewing options:
• Whether the magnitude is expressed in decibels
• Whether the phase is unwrapped
• Whether the phase is returned in degrees or radians

Refer to the LabVIEW Help for more information about the view parameter.

Frequency Response Function Measurement

Frequency response measurements compare a stimulus signal and a
response signal in order to compute the frequency response function (FRF)
of the DUT. The FRF represents the ratio of output-to-input in the
frequency domain and fully characterizes linear, time-invariant systems.

Performing FRF measurements requires a signal source. Several stimulus

signals are valid sources. The stimulus signals usually are broadband
signals such as white noise, pink noise, impulses, or chirp signals.
Broadband signals ensure that all the frequencies are excited during
acquisition.

The following example illustrates FRF measurement. In this example, an

NI PXI-4461 DSA device is used to generate the stimulus signal. The
stimulus signal is white noise. The DUT is a notch filter centered at 1 kHz.
Figure 10-9 illustrates the connection scheme used in this example.

PFI0

AI0

AI1
DUT

AO0
In Out

AO1

Figure 10-9. Connection Scheme for FRF Measurement with an NI 4461 Device

The DSA device converts the stimulus signal from digital to analog. Analog
output channel 0, AO0, sends the stimulus signal to the DUT. Analog input
channel 0, AI0, receives the stimulus signal. Analog input channel 1, AI1,
receives the response of the DUT.

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Chapter 10 Frequency Analysis

Figure 10-10 shows the block diagram of the VI used to perform the FRF
measurement.

Figure 10-10. FRF Block Diagram

The AO physical channel control is set to Dev1/ao0. The AI physical

channels control is set to Dev1/ai0:1. The sampling frequency (fs) is
51,200 Hz and is the same for the output and input channels. This sampling
frequency means the measurement is performed in the audio domain. The
buffers are automatically configured by NI-DAQmx.

The While Loop in Figure 10-10 controls both the generation and the
acquisition of the signal. For each iteration of the While Loop, the Uniform
White Noise Waveform VI generates a white-noise signal. The white-noise
signal is sent to the DUT on analog output channel 0, AO0 in Figure 10-9.
Analog input channel 0, AI0 in Figure 10-9, acquires the same number of
samples as the buffer that is generated. Simultaneously, analog input
channel 1, AI1 Figure 10-9, acquires the response signal from the DUT.
Figure 10-11 shows the measured time-domain stimulus and response
signals.

Figure 10-11. Time-Domain Stimulus and Response Signals

It is difficult to interpret the time-domain signals in Figure 10-11. Looking

at the results in the frequency domain provides more insight into the DUT
dynamic response.

Effect of Averaging and Frequency Resolution on FRF Results

Understanding the effects averaging and frequency resolution have on FRF
measurement results is important when performing FRF measurements.
The following examples illustrate the effects averaging and frequency
resolution have on FRF measurement results.

Both examples use the VI illustrated in Figure 10-10 with a sampling

frequency of 51,200 Hz and a block size of 1,024 samples. Audio or
acoustical applications commonly use this sampling frequency. The
51,200 Hz sampling frequency and the 1,024 sample buffer size permit
400 alias-free spectral lines up to 20 kHz.

Note The SVT Frequency Response [Mag-Phase] VI uses the stimulus and response
signals from the DUT to compute the FRF. In the following examples, only the magnitude
of the frequency response function is displayed.

FRF without Averaging

Figure 10-12 shows the frequency response of the notch filter measured
without averaging.

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Chapter 10 Frequency Analysis

Figure 10-12. Frequency Response without Averaging

FRF with Averaging

You can use averaging to improve the FRF measurement. Figure 10-13
shows the frequency response obtained by applying RMS averaging over
100 measurements.

Figure 10-13. Frequency Response with Averaging

Using averaging improves the results as compared to the results obtained

with no averaging.

Refer to the Averaging Parameters section for more information about

averaging and frequency analysis.

Improving Frequency Resolution by Increasing the Number

of Samples
At a constant sampling rate, the number of samples used to process the FFT
determines the frequency resolution of any FFT-based measurement.
For example, assume that the filter used in the averaged FRF example is
meant to provide attenuation better than 50 dB at the notch frequency. The
notch frequency is 1 kHz in this example. The averaged measurement
shown in Figure 10-13 only indicates an attenuation slightly better than
40 dB at 1 kHz. The 1,024 samples and the 51,200 Hz sampling frequency
lead to a 20 ms block of data and a frequency resolution of 50 Hz. However,
the filter has a very narrow stopband. A better frequency resolution is
needed to perform a more accurate measurement in the region of the notch.

If the processing buffer is increased to 4,096 samples and the sampling

frequency is kept at 51,200 Hz, the frequency resolution becomes 12.5 Hz.
Figure 10-14 displays the averaged measurement obtained with the new
block size.

Figure 10-14. Frequency Response with 4,096 Samples

Increasing the frequency resolution results in a more accurate measurement

of the attenuation of the filter around its notch frequency.

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Chapter 10 Frequency Analysis

Windowing
Periodicity is one of the basic assumptions made in FFT-based frequency
analysis. The FFT algorithm implicitly assumes that every block of
acquired data indefinitely repeats in both positive and negative time.
Windowing is one method of ensuring periodicity.

Windowing multiplies the time-domain data by a window function before

the FFT is performed. Window functions typically have a value of zero at
the start and end of the measurement period. Figure 10-15 shows how a
signal that is not the same at the start and end of the measurement period
appears not to be periodic and how this same signal becomes periodic when
multiplied by a window function.

Figure 10-15. Effect of Windowing on Periodicity

The windows supported by the Sound and Vibration Toolkit and their
equivalent noise bandwidths (ENBW) are listed in Table 10-3. ENBW is
a property of the window applied to the signal.

Table 10-3. Supported Time-Domain Windows

Window ENBW
None 1
Hanning 1.50
Hamming 1.36
Blackman-Harris 1.71
Exact Blackman 1.69
Blackman 1.73
Flat Top 3.77
4 Term Blackman-Harris 2.00
7 Term Blackman-Harris 2.63
Low Sidelobe 2.22
Force-Exponential N/A

Typically, a window with a lower ENBW is used to resolve peak

frequencies. A window with a higher ENBW is used to resolve peak
amplitudes. The Force-Exponential window is used for shock and impulse
testing where the response of the signal being tested does not decay to zero
in the measurement period.

Note The Force-Exponential window is only supported for dual-channel measurements

made with the Baseband FFT and Baseband Subset VIs.

Averaging Parameters
Each of the Frequency Analysis VIs supports averaging. The averaging
parameters control in Figure 10-16 defines how the averaged spectrum is
computed. averaging mode, weighting mode, number of averages, and
linear mode each control a particular feature of the averaging process.

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Chapter 10 Frequency Analysis

Figure 10-16. Averaging Parameters Control

Refer to the LabVIEW Help for more information about the averaging
parameters control and for information about number of averages and
linear mode.

Special Considerations for Averaged Measurements

When performing averaged frequency measurements, place the Frequency
Analysis VI in a For Loop or a While Loop and wire a new block of time
data to the VI. The Frequency Analysis VIs return the averaged results
based on all the data sent since the first call to the VI or since the averaging
process was restarted.

Keep in mind the following conditions when performing averaged

measurements with the Baseband FFT and Baseband Subset VIs:
• You can use either contiguous or overlapping blocks of time data.
• The number of samples in each block of time data determines the FFT
block size.
• The averaging automatically restarts if the size of the block of time
data changes.

Averaging Mode
You can choose from the following averaging modes when performing
frequency analysis with the Frequency Analysis VIs:
• No averaging
• RMS averaging
• Vector averaging
• Peak hold

Note Not all of the Frequency Analysis VIs support all of the averaging modes listed
above. Refer to the LabVIEW Help for information about the averaging modes supported
by a specific VI.

No Averaging
No averaging is the default setting and does not apply any averaging to
the measurement. You can use the No averaging setting for quick
computations or when the signal-to-noise ratio is high.

RMS Averaging
RMS averaging reduces signal fluctuations but not the noise floor. The
noise floor is not reduced because RMS averaging averages the power
of the signal. Because RMS averaging averages the power of the signal,
averaged RMS quantities of single-channel measurements have zero phase.
RMS averaging for dual-channel measurements preserves important phase
information.

RMS averaged measurements are computed according to the following

equations:

FFT spectrum 〈 X∗ ⋅ X 〉

power spectrum 〈 X∗ ⋅ X 〉

cross spectrum 〈 X∗ ⋅ Y 〉

frequency response 〈 X∗ ⋅ Y 〉-
H1 = --------------------
〈 X∗ ⋅ X 〉
〈 Y∗ ⋅ Y 〉
H2 = ---------------------
〈 Y∗ ⋅ X 〉
( H1 + H2 )
H3 = --------------------------
2

where
X is the complex FFT of the stimulus signal x.
Y is the complex FFT of the response signal y.
X∗ is the complex conjugate of X.
Y∗ is the complex conjugate of Y.
〈 X 〉 is the average of X, real and imaginary parts being averaged
separately.

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Chapter 10 Frequency Analysis

Vector Averaging
Vector averaging, also called coherent averaging or time synchronous
averaging, reduces the amount of noise in synchronous signals. Vector
averaging computes the average of complex quantities directly. The real
and imaginary parts are averaged separately, which preserves phase
information. However, for single-channel measurements, using vector
averaging without a triggered acquisition can cause strong spectral
components to be eliminated in the averaged spectrum.

Vector averaged measurements are computed according to the following

equations:

FFT spectrum 〈X 〉

power spectrum 〈 X∗ 〉 ⋅ 〈 X 〉

cross spectrum 〈 X∗ 〉 ⋅ 〈 Y 〉
〈 X 〉-
frequency response ---------- ( H1 = H2 = H3 )
〈Y 〉

where
X is the complex FFT of the stimulus signal x.
Y is the complex FFT of the response signal y.
〈 X 〉 is the average of X, real and imaginary parts being averaged
separately.
〈 Y 〉 is the average of Y, real and imaginary parts being averaged
separately.

RMS versus Vector Averaging

Figure 10-17 compares the effect of RMS averaging and vector averaging
on a typical signal. The input signal is a two-tone signal. The dominant tone
is a 10 kHz sine wave with an amplitude of 1 Vp. The smaller component
is a 15 kHz sine wave with an amplitude of 0.01 Vp. In addition to the tones,
noise is present in the signal. The signal is sampled at 51.2 kHz in blocks
of 1,000 samples. A Hanning window is applied to reduce leakage. The VI
completes 100 averages.

Figure 10-17. Effect of Averaging Mode on Averaged Spectrum

No Averaging only identifies the dominant tone.

RMS Averaging does not reduce the noise floor. However, RMS averaging
does smooth the noise out enough to unmask the tone at 15 kHz.

Vector Averaging, Untriggered Acquisition underestimates the energy

present at 10 kHz. Also, the tone at 15 kHz is indistinguishable from the
noise.

Vector averaging, Triggered Acquisition with triggered acquisition

accurately computes the energy of the tones, reduces the noise floor by
20 dB, and reveals the tone at 15 kHz. The 20 dB reduction in the noise
floor corresponds to a factor of 10, or 100 , where 100 is the number of
averages completed.

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Chapter 10 Frequency Analysis

Peak Hold
Peak hold is performed at each individual frequency line and retains the
RMS peak levels of the averaged quantities from one FFT record to the next
record. Peak-hold averaging is most useful when configuring a
measurement system or when applying limit or upper limit testing to a
frequency spectrum.

Peak-hold averaged measurements are computed according to the

following equations:

FFT spectrum MAX X∗ ⋅ X

power spectrum MAX ( X∗ ⋅ X )

where
X is the complex FFT of the stimulus signal x.
X∗ is the complex conjugate of X.

Weighting Mode
Linear weighting weights each individual spectrum by the same amount in
the averaged spectrum. Linear weighting is most often used for analysis.

Exponential weighting weights the most recent spectrum more than

previous spectra. Weighting the most recent spectrum more than previous
spectra makes the averaged spectrum more responsive to changes in the
input signal. This responsiveness makes exponential weighting ideal for the
configuration phase of a measurement. Exponential weighting also is
useful for monitoring applications because the averaged spectrum responds
to a singular event. A linearly averaged spectrum might not respond
noticeably to a singular event, especially with a large number of averages.

Weighting is applied according to the following equation:

N–1 1
Y i = ------------- Y i – 1 + ---- X i ,
N N

where
X i is the result of the analysis performed on the ith block.
Y i is the result of the averaging process from X 1 to X i .
N = i for linear weighting.
N is a constant for exponential weighting with N = 1 for i = 1.

Coherence and Coherent Output Power

Coherence and coherent output power (COP) only support RMS averaging
and are computed according to the following equations.

2
Coherence
2 〈 X∗ ⋅ Y 〉
γ = ------------------------------------------
-
〈 X ⋅ X 〉 〈 Y∗ ⋅ Y 〉
∗
2
Coherent output COP = γ 〈 Y∗ ⋅ Y 〉
power

Extended Measurements
You can use the VIs located on the Frequency Analysis»Extended
Measurements palette to perform the following measurements:
• Limit testing
• Frequency-domain weighting
• Spectrum peak search
• Power in band
• Units conversion
• Frequency-domain integration

Refer to Chapter 4, Limit Testing Analysis, for information about limit

testing.

Refer to Chapter 5, Weighting Filters, for information about weighting.

Refer to Chapter 6, Integration, for information about frequency-domain

integration.

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Chapter 10 Frequency Analysis

Refer to the LabVIEW Help for information about the individual Extended
Measurements VIs.

Power in Band
The SVT Power in Band VI measures the total power within the specified
frequency range. Table 10-4 shows the equations for computing power in
band based on the type of input spectrum.

Table 10-4. Power in Band Equations Based on Input Type

Type of Input Spectrum Equation for Power in Band

Power Spectrum (PS) stop frequency

∑ PS
start frequency
--------------------------------
ENBW

Power Spectral Density (PSD)

 stop frequency 
  ⋅ df
 ∑ PSD
 start frequency



Magnitude Spectrum (MS)

stop frequency

∑
start frequency
( MS )
2

-----------------------------------------
ENBW

where
ENBW is the equivalent noise bandwidth.
df is the frequency resolution of the measurement.

Spectrum Peak Search

The SVT Spectrum Peak Search VI operates on magnitude and power
spectra. The VI estimates the frequency and amplitude of the tones that
satisfy the search criteria specified in the peak search settings input
parameter. For the VI to identify a tone, the spectrum must exceed the
specified threshold. Specify the threshold in the same units as the input
spectrum.

The SVT Spectrum Peak Search VI uses an algorithm to estimate the actual
frequency and amplitude of each tone that meets the search criteria. The
algorithm also estimates the frequency and amplitude of tones that are not
exactly periodic within the measurement window. The ability to identify
nonperiodic tones that are not exactly on-bin allows you to use a smaller
block size, therefore a smaller FFT, and still accurately identify tones
present within the spectrum.

Unit Conversion
The SVT Unit Conversion VI operates on complex, magnitude, and power
spectra. You can use the VI to convert the complex spectra produced by
distortion and single-tone measurements to a magnitude or power spectrum
more suitable for display on a waveform graph. You also can use the
conversion utility to switch between magnitude and power spectra, switch
between linear and logarithmic scaling, change the decibel reference for the
spectrum, and change the peak units.

Note You cannot use the SVT Unit Conversion VI to scale the data to engineering units
or change the spectrum physical units. Use MAX, the DAQ Assistant, or the SVL Scale
Voltage to EU VI to scale your data to the proper engineering units.

When using the SVT Unit Conversion VI, input the desired scaling
parameters as they should apply to the converted spectrum parameter.
You do not need to perform units conversions on the decibel reference. The
decibel reference always has the same units as the converted spectrum. For
example, if you have a magnitude spectrum in Vrms, you can convert this to
a power spectrum in decibels referenced to 10 Vpk by specifying the
desired scaling parameters shown in Table 10-5.

Table 10-5. Desired Scaling Parameters

desired scaling
linear/decibels dB
decibel reference (0: no change) 10
power/magnitude power
view peak

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Transient Analysis
11
This chapter discusses performing transient analysis with the Transient
Analysis VIs located on the Transient Analysis palette.

Refer to the LabVIEW Help for information about individual Transient

Analysis VIs.

Figure 11-1 illustrates the relationship of transient analysis to the sound

and vibration measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform
Integration Weighting Filter
Conditioning

Transient
Analysis Analysis

Waterfall Colormap /
Visualization Display Intensity Graph
XY Graph

Figure 11-1. Relationship of Transient Analysis to the Sound and

Vibration Measurement Process

Transient Analysis with the Sound and Vibration Toolkit

Transient analysis is the analysis of nonstationary signals. The Transient
Analysis VIs offer two different techniques for extracting information
about transient signals. Use the STFT for signals in which the frequency
content changes relatively slowly with time. Use the shock response
spectrum (SRS) for shock signals.

You can use the STFT VIs to extract frequency information as a function of
time directly from the signal of interest. Additionally, in the case of a
rotating machine where a tachometer signal is simultaneously acquired
with the signal of interest, the STFT VIs can extract frequency information
as a function of the rotational speed.

The results generated by the STFT are typically displayed on a waterfall

display or on a colormap. The STFT VIs return the information needed to
properly scale the axes of the displays. You can pass the information
directly to a Waterfall Display VI. Use property nodes for the colormap
display. Refer to Chapter 12, Waterfall Display, for more information
about the waterfall display. Refer to the LabVIEW Help for information
about the colormap display and property nodes.

You can use the SVT Shock Response Spectrum VI to evaluate the severity
of a shock signal. The results generated by the SRS are typically displayed
on an XY graph.

Note Other LabVIEW toolkits are available that provide additional transient analysis
capabilities. The Order Analysis Toolkit is designed for rotating machinery analysis and
monitoring. The Signal Processing Toolkit has tools, such as wavelets and joint
time-frequency analysis (JTFA), for the analysis of fast transients.

Performing an STFT versus Time

The STFT available in the Sound and Vibration Toolkit can compute
multiple Fourier transforms on the time-domain signal with or without
overlapping.

For example, analyze a waveform containing 10 s of data acquired at

51.2 kS/s. The signal is a chirp signal with the following attributes:
• Start frequency = 10 Hz
• End frequency = 10,000 Hz

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Chapter 11 Transient Analysis

Figure 11-2 shows the signal corresponding to the first 200 ms of the
waveform.

Figure 11-2. Chirp Signal

Figure 11-3 shows the result of applying a baseband FFT on the entire
waveform.

Figure 11-3. Baseband FFT on a Chirp Signal

Note No window is applied on the signal.

The spectrum is flat from 10 Hz to 10 kHz. Only noise is measured at

frequencies above 10 kHz. Unfortunately, this measurement does not
provide any information about how the frequency content of the signal
changes with time. However, the STFT can reveal useful information about
the time dependence of the frequency content.

Instead of computing a single FFT on the whole data set, you can divide the
data set into smaller blocks and compute FFTs on these smaller data blocks.
For example, divide the signal into 100 ms blocks and perform an FFT on
each of the blocks with the SVT STFT versus Time VI.

Subdivide the time-domain signal by configuring the time segment control

displayed in Figure 11-4.

Figure 11-4. Time Segment Control

Leave from [s] and to [s] each equal to –1.00 to ensure that all of the signal
is used in the STFT computation. In this particular example, the –1.00
setting in both from [s] and to [s] is equivalent to setting from [s] to 0 and
to [s] to 10.

Create a 100 ms time increment by setting time increment to 100.00 and

time increment units (%) to ms. The 100 ms time increment causes the
SVT STFT versus Time VI to compute one FFT every 100 ms. Setting time
increment is independent from selecting the FFT block size.

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Chapter 11 Transient Analysis

Selecting the FFT Block Size

In addition to the time segment, you can adjust the FFT block size.
For example, analyze a chirp signal having the following attributes:
• Start frequency = 10 Hz
• End frequency = 10,000 Hz

The measurement is performed using the following settings:

• Acquisition time = 10 s
• Sampling frequency = 51.2 kS/s
• FFT block size = 1,024 samples, or 512 lines (400 alias-free lines)
• Time increment= 100 ms

Based on the sampling frequency of 51,200 Hz, a 1,024 sample FFT

requires a 20 ms block of data, leading to a frequency resolution of 50 Hz.

Because the time increment is 100 ms and a 1,024 sample FFT only
requires a 20 ms block, only one block out of five is used for computation.
Figure 11-5 shows the result obtained with a 1,024 sample FFT.

Figure 11-5. STFT Using a 1,024 Sample Block Size

If you select an FFT Block size of 4,096 samples, or 1,600 alias-free lines,
the resolution improves, as illustrated in Figure 11-6. However, the
increased resolution comes with the expense of extra processing.

Figure 11-6. STFT Using a 4,096 Sample Block Size

Overlapping
Overlapping is a method that uses a percentage of the previous data block
to compute the FFT of the current data block. When combined with
windowing, overlapping maximizes the use of the entire data set. If no
overlapping is used, the part of the signal close to the window edges
becomes greatly attenuated. The attenuation of the signal near the window
edges could result in the loss of information in the region near the
window edges.

Note Set the desired overlapping rate by specifying % in the time increment units (%)
in the time increment control. Refer to Figure 11-4 for the location of this control. No
overlapping, or 0%, corresponds to a time increment of 100%. An overlapping of 75%
corresponds to a time increment of 25%. An overlapping of 50% corresponds to a time
increment of 50%, and so forth. The advantage of using the time increment control is that
you can specify values greater than 100%. For example, a time increment of 200%
corresponds to computing an FFT on every other block of data.

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Chapter 11 Transient Analysis

Figure 11-7 and Figure 11-8 illustrate the overlapping process. Figure 11-7
shows a 50% overlap.

Figure 11-7. 50% Overlap

Figure 11-8 shows the resulting subdivisions when you use a 50% overlap
and a Hamming window.

Figure 11-8. Subdivisions of the Time-Domain Waveform

Using the SVT STFT versus Time VI

The following example illustrates how to use the SVT STFT versus Time
VI. Figure 11-9 shows the block diagram.

Figure 11-9. Use of the SVT STFT versus Time VI

The example in Figure 11-9 acquires 10 s of data at a sample rate of

51.2 kHz. After scaling, the signal is sent to the SVT STFT versus Time VI.
The result is displayed on the intensity graph in Figure 11-10.

Figure 11-10. STFT versus Time Graph

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Chapter 11 Transient Analysis

Note Use the X Scale and Y Scale offset and multiplier properties to properly scale the
axes of the intensity graph. In this example, the X Scale range is 0 to 10 s. The Y Scale
range is 0 to 25,600 Hz. 25,600 Hz is the Nyquist frequency. You can adjust the Z Scale so
that only the relevant part of the signal is displayed. In other words, you can hide noise in
the displayed signal by increasing the minimum limit of the z-axis. Refer to the LabVIEW
Help for information about the offset and multiplier properties for graph controls.

Performing an STFT versus Rotational Speed

Analyzing the frequency content as a function of the rotational speed is
helpful when dealing with measurements on rotating machinery. Use the
SVT STFT versus RPM (analog) VI to analyze the frequency content as a
function of the rotational speed.

Converting the Pulse Train to Rotational Speed

Use the SVT Convert to RPM (analog) VI to convert a pulse train acquired
by a tachometer or encoder to the rotational speed expressed in rotations
per minute (RPM).

Note For simplicity, the remainder of this chapter uses the term tachometer to denote both
a tachometer and an encoder.

In this example, an accelerometer is mounted at the test location for an

engine run-up. A tachometer is used to measure the speed of the shaft and
returns one pulse per revolution as a transistor-transistor logic (TTL)
signal. Use the tach info control to specify the characteristics of the pulses
generated by the tachometer. Figure 11-11 shows the settings for the tach
info control. Refer to the LabVIEW Help for more information about the
tach info control.

Figure 11-11. Tach Info Control

Figure 11-12 shows a simulated tachometer signal.

Figure 11-12. Tachometer Signal

You can use the SVT Convert to RPM (analog) VI to measure the rotational
speed in RPM as a function of time. Figure 11-13 shows the result obtained
with the SVT Convert to RPM (analog) VI and a simulated tachometer
signal.

Figure 11-13. Result from SVT Convert to RPM (analog) VI

STFT versus RPM

You also can display the STFT of an input signal as a function of the
rotational speed based on the tachometer signal. Two input signals are
needed, the signal of interest and the signal from the tachometer. Again,

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Chapter 11 Transient Analysis

an engine run-up serves as a good example of computing an STFT as a

function of the rotational speed.

During an engine run-up, the sound pressure close to the engine is

measured with a microphone. Figure 11-14 shows the signal acquired by
the microphone.

Figure 11-14. Microphone Signal Obtained during Engine Run-Up

The signal from the tachometer is also acquired. The measured tachometer
signal is converted to RPM with the SVT Convert to RPM (analog) VI.
Figure 11-15 shows the rotational speed as a function of time as computed
by the SVT Convert to RPM (analog) VI.

Figure 11-15. Rotational Speed as a Function of Time during Engine Run-Up

Using the SVT STFT versus RPM (analog) VI allows you to measure the
frequency content of the signal as a function of the rotational speed of the
engine. Figure 11-16 displays the results obtained with the SVT STFT
versus RPM (analog) VI on an intensity graph.

Figure 11-16. Intensity Graph of Sound Pressure Level for an Engine Run-Up

Measuring a Shock Response Spectrum

Obtain the SRS by applying the acquired shock pulse to a series of single
degree of freedom (SDOF) systems. Plot the system maximum response as
resonance frequency of the system.

An SDOF mechanical system consists of the following components:

• Mass, whose value is represented with the variable m
• Spring, whose stiffness is represented with the variable k
• Damper, whose damping coefficient is represented with the variable c

The resonance frequency, fN, and the critical damping factor, ζ, characterize
a SDOF system, where:

1 k
f N = ------ ---
-
2π m

c
ζ = --------------
2 km

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Chapter 11 Transient Analysis

For light damping where ζ is less than or equal to 0.05, the peak value of
the frequency response occurs in the immediate vicinity of fN and is given
by the following equation, where Q is the resonant gain:

1
Q = ------
2ζ

Figure 11-17 illustrates the response of a SDOF system to a half-sine pulse

with a 10 g acceleration amplitude and 10 ms duration. The top graph
shows the time-domain acceleration. The middle graph is the SDOF system
response with a 50 Hz resonance frequency. The bottom graph is the SDOF
system response with a 150 Hz resonance frequency. In both cases,
ζ is 0.05.

Figure 11-17. SDOF System Response to a Half-Sine Shock

Use the signals shown in Figure 11-17 to construct the SRS. For example,
the maximax, the absolute maximum response of the calculated shock
response signal over the entire signal duration, uses the absolute maximum
system response as a function of the system natural frequency.
Figure 11-18 illustrates the maximax SRS for the same half-sine pulse.

Note Each computed SRS is specific to the pulse used to perform the measurement.

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Chapter 11 Transient Analysis

Figure 11-18. Half-Sine Pulse SRS (Maximax)

You can use other types of shock spectra depending on the application.
These spectra include the initial shock response from the system response
over the pulse duration or from the residual shock spectrum from the
system response after the pulse. You can use the positive maximum, the
negative maximum, or the absolute maximum response signal value.

The Sound and Vibration Toolkit uses the Smallwood algorithm to compute
the SRS. The SVT Shock Response Spectrum VI also offers the ability to
preprocess the time-domain signal to improve SRS results. You can remove
any DC component or apply a lowpass filter with a selectable cut-off
frequency.

The SVT Shock Response Spectrum VI can compute the SRS from the
absolute acceleration response or from the relative displacement response.
Use the model control on the SVT Shock Response Spectrum VI to select
the appropriate response.

Figure 11-19 shows how to use the SVT Shock Response Spectrum VI.
The example in Figure 11-19 acquires 1,000 samples of data from an
accelerometer during a shock. The shock signal triggers the acquisition.
The program stores 100 samples before the trigger to properly capture the
entire shock signal.

Figure 11-19. Using the SVT Shock Response Spectrum VI

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Chapter 11 Transient Analysis

Figure 11-20 displays the acquired time-domain signal and the computed
SRS.

Figure 11-20. Acquired SRS (Maximax)

© National Instruments Corporation 11-17 LabVIEW Sound and Vibration Toolkit User Manual
Waterfall Display
12
This chapter discusses using the Waterfall Display VIs located on the
Waterfall Display palette.

Refer to the LabVIEW Help for information about the individual Waterfall
Display VIs.

Using the Display VIs

Waterfall display is a visualization technique that permits the visual
representation of various analyses of nonstationary signals, such as
machine run-up, coast down, transients, as well as others.

Use the Waterfall Display VIs to display FFT spectra from frequency
analysis or transient analysis and octave spectra from octave analysis in
waterfall graphs. Refer to Front Panel Displays in the LabVIEW Help for
more information about displaying octave results.

Specific Waterfall Display VIs display the results of frequency analysis and
octave analysis in a waterfall graph. The waterfall display opens in an
external window called the Waterfall window.

Complete the following basic steps to display results on a waterfall graph:

1. Initialize the display.
2. Send data to the display.
3. Close the waterfall display.

Figure 12-1 shows the Waterfall window.

Figure 12-1. Waterfall Display for Frequency Analysis

Initializing the Display

Use the SVL Initialize Waterfall Display VI to create a reference to a
waterfall display. If you are displaying octave spectra, use the SVT
Initialize Waterfall Display for Octave VI. Both of the initializing VIs also
enable you to define graph properties, including the window title, the
bounds of the external window, and the colors used in the waterfall display.
Refer to the LabVIEW Help for information about specifying the graph
properties.

Sending Data to the Display

The Waterfall window does not open until it receives data sent to it.
Use the SVL Send Data to Waterfall VI to send data to a waterfall display.
Use the SVT Send Data to Waterfall for Octave VI to send octave data to a
waterfall display.

The SVL Send Data to Waterfall VI is polymorphic and accepts an array of

spectra, such as that returned by a power spectrum, a 2D array, or a
short-time Fourier transform (STFT).

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Chapter 12 Waterfall Display

Waterfall Display for Frequency Analysis

The following example shows how to accumulate 20 spectra and display
them in a waterfall graph. Figure 12-2 shows the block diagram for the VI.

Figure 12-2. Waterfall Display for Frequency Analysis VI Block Diagram

Twenty data blocks of 1,024 samples are acquired. The power spectrum is
computed on each block. The auto-indexing capability of the For Loop is
used to build an array of 20 spectra. The array or spectra is sent to the
waterfall display. Refer to the LabVIEW Help for information about
auto-indexing.

Waterfall Display for Transient Analysis

This example illustrates how to use the waterfall display in conjunction
with the Transient Analysis VIs. Figure 12-3 shows the block diagram for
the example VI.

Figure 12-3. STFT VI Block Diagram

The data are scaled and sent to the SVT STFT versus Time VI. The SVT
STFT versus Time VI returns a 2D array. You can use the results in the 2D
array in an intensity graph or connect the 2D array directly to the SVL Send
Data to Waterfall VI. Figure 12-3 shows the 2D array connected directly to
the Waterfall VI. The While Loop keeps the waterfall display open until the
Stop control is set to TRUE.

Note Connect f0 and delta f and y0 and delta y on the SVL Send Data to Waterfall VI to
ensure the graph shows the proper scales.

Figure 12-4 shows the result obtained with the STFT VI illustrated in
Figure 12-3.

Figure 12-4. STFT Waterfall Display

Refer to Chapter 11, Transient Analysis, for information about transient

analysis. Refer to the LabVIEW Help for information about the Transient
Analysis VIs.

LabVIEW Sound and Vibration Toolkit User Manual 12-4 ni.com

Chapter 12 Waterfall Display

Waterfall Display for Octave Spectra

To display octave spectra in a waterfall display, use the SVT Initialize
Waterfall Display for Octave and SVT Send Data to Waterfall for
Octave VIs. Figure 12-5 shows the block diagram for a VI displaying
octave spectra in a waterfall display.

Figure 12-5. Block Diagram for VI Displaying Octave Spectra

Figure 12-6 shows the waterfall display created by the VI in Figure 12-5.

Figure 12-6. Waterfall Display for Octave Spectra Analysis

Customizing the Waterfall Display View

Use the controls in Figure 12-7 to customize the view of your waterfall
display.

3 4 8

1 9

2 5 6 7

1 Change vertical perspective 4 Restore view 7 Autoscale y (min/max)

2 Change horizontal perspective 5 Autoscale z (max only) 8 Autoscale all (x, y, and z)
3 Store current view 6 Autoscale x (min/max) 9 Set transparency on/off

Figure 12-7. Waterfall Graph Controls

You can use the Change vertical perspective and Change horizontal
perspective sliders to change the perspective of the display. You can store
and recall any view at a later time and turn transparency on or off. You also
can autoscale each axis independently or all three axes simultaneously.

Autoscaling the z-axis differs from autoscaling the x and y axes.

Autoscaling the z-axis affects only the maximum value of the z-axis.
You must select the minimum value of the z-axis separately because the
minimum value of the z-axis defines the baseline of the waterfall graph.
You can set the minimum value of the z-axis by double-clicking the z-axis
or by specifying the minimum value when you send data to the waterfall
display.

Closing the Waterfall Display

The SVL Close Waterfall Display VI in Figures 12-2, 12-3, and 12-5,
closes the reference to the waterfall graph and the Waterfall window.

LabVIEW Sound and Vibration Toolkit User Manual 12-6 ni.com

Swept-Sine Measurements
13
This chapter discusses using the Swept-Sine VIs located on the Swept Sine
palette.

Refer to the LabVIEW Help for information about the individual

Swept-Sine VIs.

The swept-sine measurements include dynamic measurements for stimulus

level, response level, frequency response (gain and phase), THD, and
individual harmonic distortion.

Figure 13-1 illustrates the application flow used when performing

measurements with swept sine.

© National Instruments Corporation 13-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

Initialize

Calibrate
Sensor
Configure
Measure
Propagation Delay

Start

Generate
and Acquire

Process Data

Level Measurement Frequency

Response THD and
(Excitation &
(Gain & Phase) Individual Harmonics
Response)

Graph
Measurements

No
Measurements
Done?

Yes

Figure 13-1. Swept-Sine Measurement Flowchart

LabVIEW Sound and Vibration Toolkit User Manual 13-2 ni.com

Chapter 13 Swept-Sine Measurements

Swept Sine Overview

Swept sine is a technique for characterizing the frequency response of the
DUT. Two techniques are commonly used in swept-sine measurements.
The first technique slowly sweeps through a range of frequencies in a
manner similar to a chirp. Figure 13-2 shows an example of the excitation
signal for this form of swept-sine measurement.

The second technique steps through a range of frequencies. Figure 13-3

shows an example of the excitation signal for this form of swept-sine
measurement. The swept sine implemented in the Sound and Vibration
Toolkit generates an excitation signal that steps through a range of test
frequencies, similar to the signal in Figure 13-3. Both techniques can yield
similar results. However, they require very different measurement analysis
processes.

Figure 13-2. Sweeping Swept Sine Example

Figure 13-3. Stepping Swept Sine Example

© National Instruments Corporation 13-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

Swept-sine frequency-response measurements compare a response signal

to the stimulus tone in order to compute the FRF of the DUT. The
magnitude of the FRF is equivalent to gain and represents the ratio of the
output level to the input level for each test frequency. The phase of the FRF
is equivalent to the phase lag introduced by the DUT for each test
frequency.

Swept-sine measurements require a signal source. The stimulus signal is

always a single tone that excites the DUT at the test frequency. Since the
stimulus is a single tone, swept-sine analysis can measure the harmonic
distortion while simultaneously measuring the linear response.

Choosing Swept-Sine versus FFT Measurements

The frequency response of the DUT is a useful tool. The Sound and
Vibration Toolkit provides two distinct techniques to measure the
frequency response. The swept-sine technique performs single-tone
measurements at each test frequency. The FFT-based technique measures
the response over the entire acquisition bandwidth. Table 13-1 lists the
basic differences between swept-sine and FFT-based techniques for
measuring frequency response.

Table 13-1. Swept Sine and FFT Differences

Swept-Sine Frequency FFT-based Frequency

Response Response
Single-tone excitation Broadband excitation
Can measure harmonics Cannot measure harmonics
Arbitrary test frequencies Linearly spaced frequency
resolution
Longer test time for many test
frequencies
Better dynamic range possibility

Swept-sine measurements offer superior dynamic range over FFT-based

measurements because you can optimize the signal level and input ranges
at each test frequency. FFT-based techniques must specify a signal level and
input ranges appropriate for the maximum broadband response.

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Chapter 13 Swept-Sine Measurements

Figure 13-4 shows the simulated frequency response function for a four
DOF system. The peak at 17.6 Hz has a magnitude roughly 1,000 times
larger than the peak at 5.8 Hz. To use an FFT-based technique, use
broadband excitation to excite the entire frequency range of interest to
measure the frequency response. This situation forces you to set the input
range so that the overall response does not overload the DUT or the
acquisition device. Therefore, when you measure the response at 5.8 Hz,
you lose 60 dB of measurement dynamic range. The swept-sine technique
allows you to tailor the excitation amplitude to the specific test frequency,
preserving the full measurement dynamic range.

Figure 13-4. Swept-Sine and FFT Measurements

FFT-based measurements are limited to a linear-spaced frequency

resolution determined by the sample rate and the block size. Refer to
Chapter 10, Frequency Analysis, for more information on FFT-based
measurements. When the response changes rapidly, this frequency
resolution may not yield enough information about the dynamic response.
Also, a linear resolution may yield an excessive amount of information in
frequency regions where the dynamic response is relatively constant.
Swept-sine analysis has the ability to test arbitrary frequency resolutions
that are linear, logarithmic, or adapted to the dynamic response of the DUT.
When the frequency resolution is adapted to the DUT dynamic response,
you can test more frequencies in regions where the dynamic response is of
interest to your application and less where it is not.

The main benefit of swept-sine analysis is the ability to measure harmonic

distortion simultaneously with linear response. FFT-based analysis offers a
speed advantage for broadband measurements with many test frequencies.

© National Instruments Corporation 13-5 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

Taking a Swept Sine Measurement

Use the SVT Initialize Swept Sine VI to create a new swept-sine task for
the designated device, source channel settings, and acquisition channel
settings. Swept sine in the Sound and Vibration Toolkit only supports
measurements on a single device with output and input capabilities.

Use the Configure Swept Sine VIs in the Configure Swept Sine palette to
configure the scaling, test frequencies, averaging, delays, and other
measurement settings. These configuration VIs allow control over basic
and advanced measurement parameters. The order in which you place the
configuration VIs is important, as it allows you to customize a swept-sine
measurement. For example, you can easily generate 100 logarithmically
spaced test frequencies in the audio range, then apply inverse A-weighted
scaling to the excitation level by adding code similar to that in Figure 13-5
into your swept-sine application.

Figure 13-5. Customizing a Swept Sine Measurement

You can use the swept-sine configuration VIs to customize your swept-sine
application. For example, to speed up a swept-sine measurement, reduce
the settling or integration time specified by the SVT Set Swept Sine
Averaging VI. You also can configure the device integrated electronic
piezoelectric (IEPE) excitation with the SVT Set Swept Sine Coupling and
IEPE Excitation (DAQmx) VI. You also can reduce the block duration
input to SVT Set Swept Sine Block Duration VI.

Note The minimum block duration is limited by the capabilities of the computer
processing the measurement. A very small block duration can result in a loss of continuous
processing, causing the swept-sine measurement to stop and return an error.

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Chapter 13 Swept-Sine Measurements

Use the SVT Start Swept Sine VI to begin the generation and acquisition.
Initially, the VI fills the device output buffer with zeros before writing the
first test frequency excitation.

The SVT Swept Sine Engine VI continually acquires data and processes it
to remove samples acquired during delays, transitions, and settling periods.
The SVT Swept Sine Engine VI performs measurement analysis on
samples acquired during integration periods. The SVT Swept Sine Engine
VI updates the excitation to excite the DUT at the next test frequency after
it integrates sufficient data at the current test frequency.

Note The transition to the next excitation tone, both frequency and amplitude, always
occurs at a zero crossing to minimize transients introduced to the DUT.

Use the Read Swept Sine Measurements VIs in the Read Swept Sine
Measurements palette to read the raw measurements, scale the
measurements, and perform additional conversions to display and report
the data in the desired format.

Use the SVT Close Swept Sine VI to stop the generation and acquisition,
and clear the swept-sine task.

Swept Sine Measurement Example

This example of a swept-sine application measures the frequency response
and harmonic distortion of a notch filter. In this example an NI PXI-4461
generates the excitation signal and acquires the stimulus and response
signals.

Figure 13-6 illustrates the connection scheme used in this example to

measure the dynamic response of the DUT using a swept-sine
measurement. The acquired stimulus signal on analog input channel 0, AI0,
is the generated excitation signal from analog output channel 0, AO0.

© National Instruments Corporation 13-7 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

PFI0

AI0

AI1
DUT

AO0
In Out

AO1

Figure 13-6. Swept-Sine Measurement Connection Diagram

The NI PXI-4461 converts the desired stimulus signal from digital data to
an analog signal and outputs that signal on AO0. The excitation signal is
connected to both the stimulus input channel AI0 and the input terminal of
the DUT. The response signal is connected from the output terminal of the
DUT to the response input channel AI1.

The DUT for this example is a notch filter centered at 1 kHz.

Figure 13-7 shows the block diagram of the example SVXMPL_Swept

Sine FRF DAQmx VI, which ships with the Sound and Vibration Toolkit.

LabVIEW Sound and Vibration Toolkit User Manual 13-8 ni.com

Chapter 13 Swept-Sine Measurements

Figure 13-7. Block Diagram of SVXMPL_Swept Sine FRF DAQmx VI

© National Instruments Corporation 13-9 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

Table 13-2 documents the actions performed by the VIs in Figure 13-7.
Some steps are required and must be done for the VI to function correctly.
The optional steps allow you to customize your measurement.

Table 13-2. Swept Sine Measurement Steps

Step Number Description Optional or Required

1 Initialize a swept-sine measurement by specifying the Required
hardware device and channel settings.
2 Specify the scaling that will be applied to the acquired Optional
stimulus and response data.
3 Configure the source by specifying the test Required
frequencies, amplitude, and whether or not the sweep
automatically restarts after completion.
4 Set the settling and integration parameters to allow Required
sufficient time for the DUT to settle before the
measurement is performed at the new test frequency
and sufficient integration time to achieve the desired
level of accuracy.
5 Set the block duration input terminal for the Optional
measurement to be small enough to give a reasonable
test time and large enough so it does not put the test
computer at risk of being unable to continuously
generate and read the signals. The smaller the block
size, the faster the swept sine can transition from one
test frequency to the next.
6 Explicitly set the sample rate for the measurement. Optional
The rate is automatically selected if this VI is not
used. The same rate is used for input and output
channels.
7 Specify the propagation time terminal input specific Optional
to the DAQ device being used for the measurement.
You can measure the device propagation time using
the SVL Measure Propagation Delay VI. Refer to
Chapter 3, Scaling and Calibration, for more
information.

LabVIEW Sound and Vibration Toolkit User Manual 13-10 ni.com

Chapter 13 Swept-Sine Measurements

Table 13-2. Swept Sine Measurement Steps (Continued)

Step Number Description Optional or Required

8 Configure the harmonic distortion measurement by Required if performing
specifying the maximum harmonic to use in the distortion measurements
computation of the THD. Only those harmonics
specified in the harmonics to visualize array return
individual harmonic components.
9 Start the swept sine to perform the hardware Required
configuration and start the output and input tasks.
Channel synchronization is performed internally in
this VI.
10 Generate the excitation and acquire the stimulus and Required
response data at each test frequency.
11 Convert the raw data to the specified format in order Required
to display and report measurement results.
12 Stop the swept-sine measurement and clear the output Required
and input tasks to release the device.

The While Loop in Figure 13-7 controls the synchronized generation and
acquisition. Display controls and measurement indicators are updated
inside the While Loop. This loop allows for the monitoring of intermediate
results.

Many of the steps in Table 13-2 are configuration steps. Through the Sound
and Vibration Toolkit swept-sine configuration VIs, you can specify
numerous configuration parameters to achieve fine control of the
swept-sine measurement parameters. For many applications two or three
configuration VIs are sufficient.

It is important to allow for the propagation delay of the DAQ or DSA

device. This delay is specific to the device used to perform the
measurement. To determine the device propagation delay, refer to the
device documentation or measure the delay with the SVL Measure
Propagation Delay VI. Refer to Chapter 3, Scaling and Calibration, for
more information about the SVL Measure Propagation Delay VI.

Figures 13-8 to 13-11 display measurement results obtained with the

SVXMPL_Swept Sine FRF DAQmx VI example program. Figure 13-8
shows the time-domain stimulus and response signals for the 138.49 Hz

© National Instruments Corporation 13-11 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

test frequency. From the time-domain data, you can see that the notch filter
has attenuated the signal and introduced a phase shift.

Figure 13-8. Time Domain Results

Figure 13-9 shows the magnitude and phase responses of the notch filter at
all the test frequencies in the magnitude and phase spectra in the Bode plot.

Figure 13-9. Magnitude and Phase Response of a 1 kHz Notch Filter

LabVIEW Sound and Vibration Toolkit User Manual 13-12 ni.com

Chapter 13 Swept-Sine Measurements

In addition to measuring the frequency response, this example

simultaneously measures the harmonic distortion at each test frequency.
Figure 13-10 shows the graph of THD versus frequency.

Figure 13-10. THD versus Frequency

You expect to see a peak in the THD at the notch frequency. The peak
occurs because the fundamental frequency is attenuated at the notch
frequency. However, the graph indicates that this measurement has failed to
accurately identify the power in the harmonic distortion components. For
the example in Figure 13-10, the number of integration cycles is two.
More integration cycles must be specified to perform accurate harmonic
distortion measurements. If you change the number of integration cycles to
10 and rerun the example, you obtain the THD versus frequency results
displayed in Figure 13-11.

© National Instruments Corporation 13-13 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 13 Swept-Sine Measurements

Figure 13-11. THD versus Frequency Results

Now, with a sufficient number of integration cycles specified, you can see
the characteristic peak in the THD at the center frequency of the notch filter.

LabVIEW Sound and Vibration Toolkit User Manual 13-14 ni.com

Distortion Measurements
14
This chapter discusses using the Distortion VIs located on the Distortion
palette.

Refer to the LabVIEW Help for information about the individual

Distortion VIs.

Variable Definitions
In the equations in this chapter, the variables are defined as:

F is the fundamental tone root-mean-square (RMS) level

K is the maximum harmonic in the measurement bandwidth

Hi is the ith harmonic RMS level, where i is an integer <2..K>

N is the noise RMS level

∑P Harmonics = ( H 2 ) 2 + ( H 3 ) 2 + ... + ( H K ) 2

∑P ∑P
2
Harmonics + Noise = ( H 2 ) 2 + ( H 3 ) 2 + ... + ( H K ) 2 + ( N )

∑P Total = ( F ) 2 + ( H 2 ) 2 + ... + ( H K ) 2 + ( N ) 2

© National Instruments Corporation 14-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

Figure 14-1 shows where distortion analysis fits into the sound and
vibration measurement process.

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform Integration Weighting Filter

Conditioning

Distortion
Analysis Measurements

Extended
Measurements

Limit Testing

Waveform Waveform
Visualization Chart
XY Graph
Graph

Figure 14-1. Relationship of Distortion Analysis to the Sound and Vibration

Measurement Process

LabVIEW Sound and Vibration Toolkit User Manual 14-2 ni.com

Chapter 14 Distortion Measurements

Signal in Noise and Distortion (SINAD)

This section provides more detail on the SVT SINAD VI.

SINAD is defined by the following equation:

∑
P Total
SINAD = -----------------------------------------------------------
∑
P Harmonics + ∑ P Noise

The SVT SINAD VI identifies the fundamental tone and effectively

removes the fundamental tone from the input signal to measure the power
in the harmonics and noise. The VI automatically identifies the tone with
the highest amplitude as the fundamental tone unless you wire a value to
the expected fundamental frequency [Hz] terminal.

You can input a frequency range to refine the measurement. The measured
power in the total signal is distributed across the entire measurement
bandwidth as a result of the noise in the measured signal. You can limit the
measurement to a particular frequency range, exclude low frequency noise,
or exclude high frequency noise by selecting an appropriate frequency
range. For example, if you want to specifically exclude DC energy from the
measurement, you should set the start frequency to at least 8(df), where df
is the frequency resolution of the FFT used by the SVT SINAD VI. If there
are frequency components of interest below 8(df) that are not DC, reduce
df by increasing the measurement duration. Use the following equation to
determine the relationship between df and the measurement duration,
where T is the measurement duration:

1
df = ---
T

The example illustrated in Figures 14-2 and 14-3 shows how you can
effectively remove DC energy from the measurement and still measure
SINAD with low-frequency test signals.

© National Instruments Corporation 14-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

Figure 14-2. Removing DC Voltage from Low-Frequency SINAD Measurement

The VI in Figure 14-2 is a modified version of the SVXMPL_One Shot

Gain and Distortion (Traditional DAQ) audio example VI in the Sound and
Vibration Toolkit. Figure 14-2 uses the same single-tone excitation signal
and finite acquisition used in the example VI. However, the SVT SINAD
VI replaces SVT Gain and SVT THD and Harmonic Components VIs the
used in the example. The added frequency range control allows you to
control the bandwidth of the SINAD measurement.

You can use the VI in Figure 14-2 to measure the SINAD for the left
channel of a device like a two-channel audio equalizer. In this example, the
left channel level settings are set to 0 dB for all available octave bands. The
measurement result displayed in Figure 14-3 has a 1 s integration time that
results in a frequency resolution of 1 Hz. The start and stop frequencies are
set to 20 Hz and 20 kHz, respectively. The tone frequency used in the test
is 400 Hz. With these settings, the SINAD measurement includes the entire
audio band and prevents DC energy from giving an inaccurately low result.

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Chapter 14 Distortion Measurements

Figure 14-3. Front Panel of SINAD Measurement VI

The reported SINAD for the left channel of the audio equalizer is
SINAD=73.4 dB, 20 Hz–20 kHz, test amplitude 2 Vpk, test frequency
400 Hz, and unity gain.

Total Harmonic Distortion Plus Noise (THD+N)

You can define THD+N with the following equation:

∑
P Harmonics + ∑ P Noise
THD+N = ----------------------------------------------------------- (14-1)
∑
P Total

Alternatively, other sources define THD+N with the following equation:

∑
P Harmonics + ∑ P Noise
THD+N = ----------------------------------------------------------- (14-2)
F

© National Instruments Corporation 14-5 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

When the fundamental tone dominates the signal, these two definitions
are equivalent. The Sound and Vibration Toolkit uses the definition in
Equation 14-1. In this equation the power in the harmonic components
and noise is divided by the total signal power to compute the THD+N.

Note that when we use the definition in Equation 14-1, the THD+N is the
inverse of the SINAD. When these measurements are expressed in decibels,
the THD+N is the negative of the SINAD.

The Sound and Vibration Toolkit THD+N function identifies the

fundamental tone and effectively removes the fundamental tone from
the input signal to measure the power in the harmonics and noise. The
VI automatically identifies the tone with the highest amplitude as the
fundamental tone unless you wire a value to the expected fundamental
frequency [Hz] terminal.

Input a frequency range to refine the measurement. The measured power in

the total signal is distributed across the entire measurement bandwidth as a
result of the noise in the measured signal. You can limit the measurement
to a particular frequency range, exclude low frequency noise, or exclude
high frequency noise by selecting an appropriate frequency range. For
example, if you want to specifically exclude DC energy from the
measurement, you should set the start frequency to 8(df). If there are
frequency components of interest below 8(df) that are not DC, reduce df
by increasing the measurement duration.

Total Harmonic Distortion (THD)

This section provides more information on total harmonic distortion
(THD). THD is the level of undesired harmonics present in an audio signal,
usually expressed in decibels. The following formula calculates THD:

∑
P Harmonics
THD = ------------------------------
F

The SVT THD and Harmonic Components VI identifies the fundamental

tone and effectively removes the tone from the input signal before
identifying harmonics in the signal. Removing the tone before identifying
harmonics allows accurate measurement of the signal amplitude in the
midst of the harmonics. The VI automatically identifies the tone with the
highest amplitude as the fundamental tone unless you wire a value to the
expected fundamental frequency [Hz] terminal.

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Chapter 14 Distortion Measurements

THD only includes the energy in the harmonics and does not include the
energy in the broadband noise. Therefore, the measured THD is less than
the measured THD+N for the same input signal.

The SVT THD and Harmonic Components VI allows you to specify the
maximum harmonic used to compute the THD. You can wire –1 to this
input to include all the harmonics up to the Nyquist frequency. If the
maximum harmonic input to the VI is greater than the Nyquist frequency,
the function uses all the harmonics up to the Nyquist frequency and returns
a warning with code 1947. This warning indicates a coerced maximum
harmonic.

You can view any of the measured harmonics by specifying the desired
harmonics as an array to the harmonics to visualize terminal. If you wire
a single-element array with a –1 in the first element to this terminal, all the
measured harmonics will be output to the harmonic components terminal.

Figure 14-5 and Table 14-1 show the magnitude spectrum, measured gain,
THD+N, and THD of the left channel of the same two-channel audio
equalizer used for the example in Figure 14-3.

The VI in Figure 14-4 uses the SVXMPL_One Shot Gain and Distortion
example VI modified by the addition of the SVT THD+N VI. In the
measurement analysis section of this VI, the audio measurements are
applied sequentially to the same channel. The Scale to EU VI scales the
time-domain data to engineering units. The Gain VI computes the complex
spectrum and measures the gain. The SVT THD+N VI then uses the
spectrum to compute the THD+N. The SVT THD and Harmonic
Components VI uses the same spectrum to compute the THD, and the Unit
Conversion VI converts the complex spectrum to a magnitude spectrum for
display.

In this way you can perform several audio measurements sequentially

to take advantage of the polymorphic VIs found in the Distortion and
Single-Tone Measurements palettes. These VIs accept a waveform or
a complex spectrum, and their polymorphic features allow multiple
measurement analysis VIs to act sequentially on the data without
recomputing any additional FFTs.

© National Instruments Corporation 14-7 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

Figure 14-4. Distortion Test VI

Figure 14-5 displays the distortion test measured magnitude spectrum.

The fundamental frequency of 1,000 Hz is clearly visible followed by
harmonics in multiples of 1,000. Refer to Table 14-1 for more information.

Figure 14-5. Distortion Test Measured Magnitude Spectrum

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Chapter 14 Distortion Measurements

Table 14-1 lists the distortion test measurement results.

Table 14-1. Distortion Test Measurement Results

Variable Result
Fundamental Frequency 1,000.00 Hz
Fundamental Amplitude 1.82 Vpk
gain –0.80 dB
THD+N –71.69 dB
THD –76.16 dB
h2 0.000021 Vpk
h3 0.000120 Vpk
h4 0.000040 Vpk
h5 0.000059 Vpk

Figure 14-5 illustrates that the measured THD is lower than the THD+N
over the same bandwidth of 20 Hz to 20 kHz. This relationship always
holds true because the THD+N measurement includes the energy in the
harmonics as well as the energy in the noise.

Intermodulation Distortion (IMD)

Intermodulation Distortion (IMD) is another measure of distortion due to
nonlinearity in the DUT. IMD measurements use a dual-tone test signal
composed of a low-frequency tone at f1 and a high-frequency tone at f2.
When a dual-tone signal is input to a nonlinear device, the device output
will contain intermodulation components of f1 and f2 given by m(f2) ± n(f1)
where m and n are integers.

IMD is often used to measure the distortion of the DUT near the
high-frequency limit of the DUT or the measurement system. You also
can arrange the test so that many IMD components occur within the
measurement bandwidth.

The IMD measurement is dictated by the IMD standard used for the
measurement. There are several standard configurations for IMD
measurements, and these configurations use one of two types of IMD
test signals.

© National Instruments Corporation 14-9 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

In the first type of IMD test signal, with a low-frequency modulation tone
and a high-frequency carrier tone, the intermodulation components appear
as side bands around the high-frequency carrier tone.

The Figure 14-6 shows the side bands around the 8 kHz carrier tone, as
computed by the following equation:

f2 ± n • f1

Figure 14-6. IMD Test Signal with High-Frequency Carrier Tone Sidebands

In the second type of IMD test signal, with two closely spaced tones
near the high-frequency limit of the measurement bandwidth, the
intermodulation components appear at multiples of the difference
frequency calculated by the following equation:

m • ( f2 – f1 )

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Chapter 14 Distortion Measurements

Figure 14-7 shows a typical IMD test spectrum. The intermodulation

components are found at multiples of 1,000 Hz, the difference frequency
between the twin 11 kHz and 12 kHz tones.

Figure 14-7. IMD Components as Multiples of the Difference Frequency

IMD measurements are defined by several standards. Each of these

standards have particular advantages and disadvantages when trying to
reveal distortion. The standards, associated test signals, and typical use
cases are listed in Table 14-2.

Table 14-2. IMD Standards and Typical Applications

Test Signal
IMD Standard (f1, f2, ratio) Typical Applications
SMPTE/DIN (60, 7000, 4) Excite low-frequency
(250, 8000, 4) distortion mechanisms
others (such as thermal distortion
in power amplifiers)
Disk recording and film
ITU-R (CCIF) (11000, 12000, 1) ADC and DAC
(14000, 15000, 1) Slope-induced distortion
(19000, 20000, 1)
others

© National Instruments Corporation 14-11 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

The frequencies f1 and f2 are the frequencies, in hertz, of the low- and
high-frequency tones, respectively. The ratio is the ratio of the amplitude
of the low-frequency tone to the amplitude of the high-frequency tone.

Do not expect to get the same measured IMD when performing the
measurement with different standards. It is important that you specify
the test signal used to perform the measurement when you report IMD
measurement results.

Phase Linearity
Phase linearity is one way to measure the amount of group delay distortion
introduced by the DUT. The phase linearity measurement uses a multitone
signal to measure the relative delay of each component through the DUT.
The multitone test signal should be constructed with zero relative phase
between the individual frequency components. In addition, the signal
should be constructed with evenly spaced frequency components given by
the following equation:

fi = i • f

This test signal has a high crest factor. It is important that you construct the
multitone signal with frequency components appropriate for the DUT. In
general, f should be low enough to measure the group delay introduced by
the DUT, as calculated by the following equation:

1
group delay ≤ ---
f

The phase linearity is defined as the maximum deviation from a straight

line of the plot of the phase versus frequency. This measurement is
performed in steps. First, the multitone signal is generated, passed through
the DUT, and acquired on the input channel. The phase of each tone in the
multitone signal is measured and plotted versus frequency to yield a graph
similar to the one in Figure 14-8.

LabVIEW Sound and Vibration Toolkit User Manual 14-12 ni.com

Chapter 14 Distortion Measurements

Figure 14-8. Phase Linearity Graph

The SVT Phase Linearity VI returns the group delay. The group delay is the
slope of the best linear fit to the plot of phase versus frequency. Next, the
VI computes the difference between the measured phase and the best linear
fit. You can plot this difference against frequency to show the deviation of
the measured phase from the best fit line. Figure 14-9 shows this plot.

Figure 14-9. Deviation of the Measured Phase

© National Instruments Corporation 14-13 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 14 Distortion Measurements

The maximum absolute value of the phase deviation is the value returned
as the phase linearity. In this case the maximum phase deviation value is
0.215°. Phase linearity measurements are always dependent on the
bandwidth of the measurement. To completely report the result, specify that
the phase linearity is 0.215° with a 20 kHz bandwidth, 1 Vpk test amplitude,
and unity gain set for the DUT.

LabVIEW Sound and Vibration Toolkit User Manual 14-14 ni.com

Single-Tone Measurements
15
This chapter discusses using the Single-tone Measurement VIs located on
the Single-tone Measurements palette.

Refer to the LabVIEW Help for information about the individual

single-tone measurement VIs.

Single-Tone Measurement Overview

Single-tone measurements are defined as a group of measurements where
the excitation is a single tone. These measurements are often used to
measure the linear response, nonlinear distortion, and noise of audio
devices. These measurements fall into two broad categories, single-channel
and dual-channel measurements.

Examples of dual-channel measurements include measurements of gain,

phase, and crosstalk. Dual-channel measurements require that the
excitation signal be connected to one of the input channels, as illustrated in
Figure 15-1.

© National Instruments Corporation 15-1 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 15 Single-Tone Measurements

PFI0

AI0

AI1
DUT

AO0
In Out

AO1

Figure 15-1. Dual-Channel Measurement

Typically, you know the frequency and amplitude of the excitation signal.
The real advantage of connecting the excitation signal to one of the input
channels is the ability to measure the relative phase between the stimulus
and response signals. In a two-channel measurement configuration the
input channel connected to the excitation signal is the stimulus channel,
and the input channel connected to the output of the DUT is the response
channel.

Examples of single-channel measurements are measurements of gain,

idle-channel noise, dynamic range, and spurious-free dynamic range.
Single-channel measurements do not require that the excitation signal
be connected to an input channel of the acquisition device. Figure 15-2
illustrates the connection scheme for single-channel measurements.

LabVIEW Sound and Vibration Toolkit User Manual 15-2 ni.com

Chapter 15 Single-Tone Measurements

PFI0

AI0
DUT

AI1
In Out

AO0

AO1

Figure 15-2. Single-Channel Measurement

Figure 15-3 illustrates where single-tone measurements fit into the sound
and vibration measurement process.

© National Instruments Corporation 15-3 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 15 Single-Tone Measurements

DSA Device
DAQ Device
Data Source WAV File
DAT Recorder
Simulation

Calibration
Calibrate
Sensor
Scale Voltage to
Scaling Engineering Units
Measure
Propagation Delay

Waveform Integration Weighting Filter

Conditioning

Single-Tone
Analysis Measurements

Extended
Measurements

Limit Testing

Waveform Waveform
Visualization Chart
XY Graph
Graph

Figure 15-3. Relationship of Single-Tone Measurements to the Sound and

Vibration Measurement Process

Gain and Phase

The SVT Gain and Phase VI measures the amplification and phase lag
between the stimulus channel and the response channel at the test
frequency. The SVT Gain and Phase VI identifies the detected tone
amplitude and phase on the stimulus channel. The stimulus tone amplitude
and phase are treated as references when specifying the response channel
tone relative amplitude and relative phase. The SVT Gain and Phase VI

LabVIEW Sound and Vibration Toolkit User Manual 15-4 ni.com

Chapter 15 Single-Tone Measurements

searches for a response channel tone at the same frequency as the stimulus
tone. The SVT Gain and Phase VI is a dual-channel measurement which
requires you to wire both stimulus and response signals. A single-channel
measurement reads only the response signal.

You have the option of generating the excitation signal from the acquisition
device, a separate output device, or an external source since the stimulus
and response measurements are acquired. If you are using a DSA device,
NI recommends you perform a dual-channel versus a single-channel
measurement when possible. Performing a dual-channel measurement
takes full advantage of the excellent interchannel gain mismatch and
simultaneous sampling of the analog input channels. Refer to the DSA
device specifications for more information. For example, in single-channel
mode the measurement uncertainty when using an NI PXI-4461 is 0.1 dB,
in dual-channel mode the measurement uncertainty is typically 0.01 dB.

Crosstalk
The SVT Crosstalk VI measures the amplification and phase lag between
the reference channel and the idle response channel at the test frequency.
The SVT Crosstalk VI identifies the detected tone amplitude and phase on
the stimulus channel. The stimulus tone amplitude and phase are treated as
references when specifying the idle response channel tone relative
amplitude and relative phase. The SVT Crosstalk VI searches for an idle
response tone at the same frequency as the stimulus tone.

The measurement analysis is equivalent to that performed for a gain and

phase measurement. The difference between these two measurements is
that the gain and phase measurement is applied on the active response
channel, while the crosstalk measurement is applied to the idle response
channel. Figure 15-4 illustrates this difference.

Figure 15-4. Difference between Gain and Phase Measurement and

Crosstalk Measurement

© National Instruments Corporation 15-5 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 15 Single-Tone Measurements

Gain
The SVT Gain VI measures the amplification between the amplitude of the
identified tone in the input signal and the reference amplitude. The VI
automatically identifies the tone with the highest amplitude as the
fundamental tone, unless you wire a value to the expected fundamental
frequency [Hz] terminal. You must connect the amplitude of the excitation
tone to the amplitude input terminal regardless of whether you use the
output of the acquisition device or an external source. Figure 15-5 shows
the required connection.

1 Amplitude Connection

Figure 15-5. Connecting the Amplitude of the Excitation Tone to the Amplitude Input

The accuracy of this measurement is dependent on the absolute amplitude

accuracies of the output channel and the input channel. When generating
and acquiring the signal with an NI PXI-4461, the expected measurement
uncertainty is less than 0.3 dB.

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Chapter 15 Single-Tone Measurements

Idle-Channel Noise
The SVT Idle Channel Noise VI measures the total power within the
specified frequency range. For practical purposes, the SVT Idle Channel
Noise VI is a power-in-band measurement that can operate on waveform
data or the complex spectrum output by the other audio measurements. You
can measure idle-channel noise with the input channel to the DUT floating,
terminated, or excited with a zero amplitude signal.

Unlike gain, phase, and crosstalk measurements, idle-channel noise is a

broadband measurement. A broadband measurement is one in which the
fundamental frequency is expected to be zero. Use the frequency range
control to limit the bandwidth of the measurement. To exclude DC power,
set the start frequency to 8(df), where df is the frequency resolution of the
spectrum. Increase the start frequency in the frequency range control to
exclude additional low-frequency components from the measurement. You
can enter the default values of -1 for the start frequency and –1 for the
stop frequency to perform the measurement over the entire acquisition
bandwidth.

Dynamic Range
A dynamic range measurement quantifies the distortion and noise found in
the DUT output when a low-level signal is provided. Typically, the
dynamic range is measured with the amplitude of the excitation signal set
to –60 dB FS, where FS is the DUT input channel full-scale amplitude.

The connection scheme for a dynamic range measurement follows that of

the single-channel measurement in Figure 15-2.

Configure the measurement by specifying the measurement settings in the

SVXMPL_Settled Dynamic Range (DAQmx) VI. It is important to allow
for the propagation delay of the DAQ or DSA device. This delay is specific
to the device used to perform the measurement. To determine the device
propagation delay, refer to the device documentation or measure the delay
with the SVL Measure Propagation Delay VI. Refer to Chapter 3, Scaling
and Calibration, for more information about the SVL Measure Propagation
Delay VI.

The SVXMPL_Settled Dynamic Range (DAQmx) VI performs a

continuous generation and acquisition. The measurement continues until
the measured dynamic range is settled according to the tolerances specified
under the Settling Parameters tab. For the left channel of this DUT,

© National Instruments Corporation 15-7 LabVIEW Sound and Vibration Toolkit User Manual
Chapter 15 Single-Tone Measurements

a two-channel audio equalizer, a typical measurement configuration results

in a dynamic range of 83 dB FS, 20 Hz–20 kHz, test amplitude –60 dB FS,
test frequency 1.0 kHz, and unity gain.

Figure 15-6 shows the final measured spectrum for the dynamic range
measurement.

Figure 15-6. Measured Spectrum from Dynamic Range Test

LabVIEW Sound and Vibration Toolkit User Manual 15-8 ni.com

Chapter 15 Single-Tone Measurements

Spurious Free Dynamic Range (SFDR)

An SFDR measurement quantifies the lowest level peaks identifiable as
actual components of the signal instead of DUT artifacts. Typically, the
SFDR is measured with the amplitude of the excitation signal set to
0 dB FS or –1 dB FS. The measured SFDR is then the difference in
amplitude, in decibels, between the excitation tone and the largest spur.
Figure 15-7 shows the SFDR test spectrum on the left channel of the
two-channel audio equalizer.

Figure 15-7. SFDR Test Spectrum

© National Instruments Corporation 15-9 LabVIEW Sound and Vibration Toolkit User Manual
References
A
This appendix lists the reference material used for the Sound and Vibration
Toolkit for LabVIEW. Refer to the following documents for more
information about the theory implemented in this toolkit.

American National Standards Institute. 1983. Specification for Sound Level

Meters. ANSI S1.4-1983. Washington: American National Standards
Institute.

———. 1986a. Design Response of Weighting Networks for Acoustical

Measurements. ANSI S1.42-2001. Washington: American National
Standards Institute.

———. 1986b. Specification for Octave-Band and Fractional

Octave-Band Analog and Digital Filters. ANSI S1.11-1986. New York:
Acoustical Society of America.

Crocker, Malcolm J. 1998. Handbook of Acoustics. New York: John Wiley

& Sons, Inc.

Hassall, J. R., and K. Zaveri. 1988. Acoustic Noise Measurements. Nærum,

Denmark: Brüel & Kjær.

International Electrotechnical Commission. 1975. Preferred Frequencies

for Measurements. International Standard IEC 266, 1st ed. 1975-07-15.
Geneva, Switzerland: International Electrotechnical Commission.

———. 2002. Electroacoustics - Sound Level Meters. International

Standard IEC 61672, 1st ed, 2002-05. Geneva, Switzerland: International
Electrotechnical Commission.

———. 1995. Octave-Band and Fractional Octave-Band Filters.

International Standard IEC 1260, 1st ed. 1995-07. Geneva, Switzerland:
International Electrotechnical Commission.

Randall, R.B. 1987. Frequency Analysis. Nærum, Denmark: Brüel & Kjær.

———. 1986. Measurement of Audio-Frequency Noise Voltage Level in

Sound Broadcasting. ITU-R Recommendation 468-4.

———. 1995. Psophometer for Use on Telephone-Type Circuits. ITU-T

Recommendation O.41, Revised, 1993-1996. Telecommunication
Standardization Sector of the International Telecommunication Union.

Smallwood, D. 1980. An Improved Recursive Formula for Calculating

Shock Response Spectra. 51st Shock and Vibration Bulletin.

LabVIEW Sound and Vibration Toolkit User Manual A-2 ni.com

Technical Support and
B
Professional Services
Visit the following sections of the National Instruments Web site at
ni.com for technical support and professional services:
• Support—Online technical support resources at ni.com/support
include the following:
– Self-Help Resources—For immediate answers and solutions,
visit the award-winning National Instruments Web site for
software drivers and updates, a searchable KnowledgeBase,
product manuals, step-by-step troubleshooting wizards, thousands
of example programs, tutorials, application notes, instrument
drivers, and so on.
– Free Technical Support—All registered users receive free Basic
Service, which includes access to hundreds of Application
Engineers worldwide in the NI Developer Exchange at
ni.com/exchange. National Instruments Application Engineers
make sure every question receives an answer.
• Training and Certification—Visit ni.com/training for
self-paced training, eLearning virtual classrooms, interactive CDs,
and Certification program information. You also can register for
instructor-led, hands-on courses at locations around the world.
• System Integration—If you have time constraints, limited in-house
technical resources, or other project challenges, NI Alliance Program
members can help. To learn more, call your local NI office or visit
ni.com/alliance.

If you searched ni.com and could not find the answers you need, contact
your local office or NI corporate headquarters. Phone numbers for our
worldwide offices are listed at the front of this manual. You also can visit
the Worldwide Offices section of ni.com/niglobal to access the branch
office Web sites, which provide up-to-date contact information, support
phone numbers, email addresses, and current events.

Numbers/Symbols
2D Two-dimensional.

3D Three-dimensional.

µPa Micro-Pascal. See also Pa.

A
acceleration The rate of change of velocity.

accelerometer A sensor mounted on a structure to measure the acceleration at a particular

location in one or multiple directions.

aliasing Aliasing is a phenomenon whereby an analog signal of frequency greater

than half the sampling frequency (Nyquist frequency) appears, after
sampling, at a frequency less than half the sampling frequency.
See also anti-aliasing filter.

ANSI American National Standards Institute.

anti-aliasing filter To avoid aliasing, analog lowpass filters are used before A/D conversion to
filter out the frequencies greater than half the sampling frequency. Since
they are used to prevent aliasing, these analog lowpass filters are known as
anti-aliasing filters. See also Nyquist frequency.

B
bandedge frequency The upper and lower cutoff frequencies of an ideal bandpass filter.

bandpass filter A filter with a single transmission band extending from a lower bandedge
frequency greater than zero to a finite upper bandedge frequency.

baseband analysis The range of frequencies extending from 0 Hz (DC) to a maximum

frequency, often the Nyquist frequency.

C
calibrator A controlled source generating a known level of excitation used to calibrate
a sensor.

coherence Gives a measure of the degree of linear dependence between two signals,
as a function of frequency.

coherent output The coherent output power spectrum gives a measure of what part of the
power spectrum (output) power spectrum is fully coherent with the input signal.

colormap A method of displaying 3-dimensional data on a 2-dimensional plot using

color to indicate the value in the third dimension.

constant Q filter The type of filters used in fractional-octave measurements.

COP Coherent output power.

crest factor The ratio of the peak value of a signal to its RMS value. For a sine wave,
the crest factor is 1.414. For a square wave, the crest factor is 1.

cross power The cross power spectrum of two signals has an amplitude that is the
spectrum product of the two amplitudes, and a phase that is the difference of the two
phases.

cut-off frequency The frequency at which the filter attenuates the input 3 dB, or half of its
original power.

D
DAQ Data acquisition.

dB Decibels. A logarithmic unit for measuring ratios of levels. If the levels are
specified in terms of power, then 1 dB = 10*log10 (P/Pr) where P is the
measured power and Pr is the reference power. If the levels are specified in
terms of amplitude, then 1 dB = 20*log10(A/Ar) where A is the measured
amplitude and Ar is the reference amplitude.

Distortion The production of signal components not in the original signal due to
non-linearities in the system or transmission path.

DFT Discrete Fourier Transform—determines the amplitude and phase of

frequency components present in a time-domain digital signal.

LabVIEW Sound and Vibration Toolkit User Manual G-2 ni.com

Glossary

DSA Dynamic signal acquisition.

DUT Device under test.

Dynamic range The ratio of the largest signal level a circuit can handle to the smallest
signal level it can handle (usually taken to be the noise level), normally
expressed in decibels.

DZT Discrete Zak Transform.

E
ENBW Equivalent noise bandwidth of the time-domain window applied to the
signal in order to perform frequency analysis.

engineering Term of data measurement, such as Pa, m/s2, g, and so on.

unit (EU)

equal confidence Special exponential averaging mode used for fractional-octave analysis.
For equal confidence the time constant for each band is set individually
so that the relative confidence in the measurement is equal across all the
bands. There is a 68% probability that the results will be within ± the
specified confidence level of the true mean value.

equivalent continuous The energy average level of a signal over a given time interval.
level (Leq)

EU See engineering unit (EU).

exponential Time-averaging technique that gives recent data more importance than
averaging older data.

F
Fast Exponential averaging using a time constant of 125 ms.

FFT Fast Fourier Transform—an efficient and fast method for calculating the
Discrete Fourier Transform. The Fast Fourier Transform determines the
amplitude and phase of frequency components present in a time domain
digital signal.

FFT block size The number of samples used to compute an FFT.

FFT lines The number of FFT lines is related to the FFT block size. Theoretically the
number of lines is half of the block size, but it is practically reduced to 80%
of that value due to the anti-aliasing filter. For example, a 400 line FFT is
based on a block size of 1,024 points.

filter bank A group of filters.

filtering A type of signal conditioning that allows you to modify the frequency
content of a signal.

fractional-octave The interval between two frequencies, one of which is a fractional power of
two of the other.

frequency response Represents the ratio of output-to-input in the frequency domain, and fully
function characterizes linear, time-invariant systems.

FRF Frequency response function. See frequency response function.

fundamental The frequency of the dominant (highest amplitude) tone in the signal. For
frequency harmonic analysis the fundamental frequency is the greatest common
divisor of the harmonic frequencies.

G
g Unit for measuring acceleration. One g = 9.81 m/s2, the acceleration due to
gravity at the surface of the Earth.

gain The amplification or attenuation of a signal.

H
H1 The frequency response function computed as the ratio of the cross
spectrum to the input autospectrum: Gxy/Gxx. This technique gives the
best performance in the presence of noise for measuring anti-resonances,
where the signal to noise ratio tends to be poor. For measurement of
resonances, the frequency response function H2, gives a better estimate.
In a noise free environment, both techniques give the same result. Since
both measurements are based on the same data set, the choice of technique
can be made after the data acquisition is completed.

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Glossary

H2 The frequency response function computed as the ratio of the output

autospectrum to the backwards cross spectrum: Gyy/Gyx. This technique
gives the best performance in the presence of noise for measuring
resonances, where the signal to noise ratio tends to be best. For
measurement of anti-resonances, the frequency response function H1,
gives a better estimate. In a noise free environment, both techniques give
the same result. Since both measurements are based on the same data set,
the choice of technique can be made after the data acquisition is completed.

H3 The frequency response function computed as an average of H1 and H2.

Harmonic A signal whose frequencies are integer multiples of the input signal.

Harmonic distortion A form of distortion in analog circuits that generates harmonics. It is

calculated as the ratio of the level of a single harmonic to the level of the
original signal.

Hz Hertz. Cycles per second.

I
IEC International Electrotechnical Commission.

IEPE Integrated Electronic Piezoelectric.

IMD See intermodulation distortion.

Impulse Exponential averaging using a time constant of 35 ms if the signal level is

rising and 1,500 ms if the signal level is falling.

intensity graph A method of displaying three dimensions of data on a 2D plot with the use
of color to indicate the value in the third dimension.

intermodulation The distortion that arises as the result of the modulation between two or
distortion more signals.

L
Leq See equivalent continuous level (Leq).

linear averaging Time-averaging technique that weights all data in the average equally.

M
MAX Measurement & Automation Explorer.

maximax The absolute maximum of the calculated shock response signal over the
entire signal duration.

microphone Sensor used to convert sound pressure variations into an electrical signal,
usually when the acoustic medium is air.

midband frequency The center frequency of a bandpass filter, defined as the geometric mean of
the bandedge frequencies.

ms Millisecond.

N
noise Any unwanted signal. Noise can be generated by internal sources such as
semiconductors, resistors, and capacitors, or from external sources such
as the AC power line, motors, generators, thunderstorms, and radio
transmitters.

nominal frequency Rounded midband frequency for the designation of a particular

fractional-octave filter. This term is used by the IEC standards, but nominal
frequencies are identical to the preferred frequencies defined in the ANSI
standards.

nonstationary signal Signal whose frequency content changes within a captured frame.

Nyquist frequency Half the sampling frequency. Any analog frequency component above
the Nyquist frequency will, after sampling, be converted (aliased) to a
frequency below the Nyquist frequency. See also aliasing and anti-aliasing
filter.

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Glossary

O
octave Refers to the interval between two frequencies, one of which is twice the
other. For example, frequencies of 250 Hz and 500 Hz are one octave apart,
as are frequencies of 1 kHz and 2 kHz.

order Harmonic of the rotational speed of rotating machinery. As an example, in

the case of the shaft rotating at 6000 rpm, the first order component occurs
at a frequency of 100 Hz (6000/60), whereas the third order component
would occur at a frequency of 300 Hz.

overlapping A method that uses a portion of the previous data block to compute the FFT
of the current data block.

P
Pa Pascal. International unit of pressure.

peak hold Peak detection process retaining the maximum value of a signal.

periodicity One of the basic assumptions made in FFT-based frequency analysis.

phon The unit of loudness on a scale corresponding to the decibel scale of sound
pressure level with the number of phons of a given sound being equal to the
decibels of a pure 1 kHz sine tone judged by the average listener to be equal
in loudness to the given sound.

pink noise Noise for which the spectral energy per octave or any fractional-octave
band is independent of the band. The spectrum looks flat on an octave or
fractional-octave band display.

pistonphone Microphone calibrator generating a known sound pressure level, typically

at a certain reference frequency.

preferred frequency Rounded midband frequency for the designation of a particular

fractional-octave filter. This term is used by the ANSI standards, but
preferred frequencies are identical to the nominal frequencies defined in
the IEC standards.

pregain Any gain applied to a signal by an external device (amplifier, preamplifier,

signal conditioning, and so on) before the data acquisition device.

PSD Power spectral density.

R
reference sound A reference pressure of 20E-6 Pa. This reference pressure was
pressure conventionally chosen to correspond to the quietest sound at 1,000 Hz
that the human ear can detect.

reverberation time T60[s]. At a point in an enclosure and for a stated frequency or frequency
band, the time required for the pressure level to decrease by 60 dB after the
source has been stopped.

RMS Root Mean Square.

RMS averaging RMS averaging is used to average the power of a signal. RMS averaging
reduces fluctuations.

rpm Revolutions per minute.

S
s Seconds.

S/s Samples/second.

sampling frequency The rate at which a continuous waveform is digitized.

SDOF Single degree of freedom.

sensor A device that converts a physical stimulus (such as force, sound, pressure,
motion) into a corresponding electrical signal.

settling time The amount of time required for a signal to reach its final value within
specified limits.

SFDR See spurious free dynamic range.

Shannon Sampling States that to properly sample a signal, the signal must not contain
Theorem frequencies above the Nyquist frequency.

shock response spectrum A processing method which evaluates the severity of a shock signal.

signal in noise and The ratio of the input signal to the sum of noise and harmonics.
distortion

SINAD See signal in noise and distortion.

LabVIEW Sound and Vibration Toolkit User Manual G-8 ni.com

Glossary

single-shot acquisition An acquisition that runs only one time.

slow Exponential averaging using a time constant of 1,000 ms.

sound level meter A device used to measure sound pressure levels. Sound level meters usually
consist of a microphone, a preamplifier, a set of standardized frequency
weighting filters, standardized exponential time weighting circuits, a
logarithmic amplitude detector, and a display in decibels.

sound pressure level In decibels, 20 times the base 10 logarithm of the ratio of the sound
pressure, in a stated frequency band, to the reference sound pressure.

spectral leakage A phenomenon whereby the measured spectral energy appears to leak from
one frequency into other frequencies. It occurs when a sampled waveform
does not contain an integral number of cycles over the time period during
which it was sampled. The technique used to reduce spectral leakage is to
multiply the time-domain waveform by a window function. See also
windowing.

spurious free The dynamic range from full-scale deflection to the highest spurious signal
dynamic range in the frequency domain.

SRS See shock response spectrum.

STFT Short-Time Fourier Transform.

SVL Sound and Vibration Library. SVL is a collection of VIs shared by the
Sound and Vibration Toolkit and other NI Toolkits.

SVT Sound and Vibration Toolkit.

T
tach See tachometer.

tachometer Device used to measure the rotational speed of a rotating part.

THD See total harmonic distortion.

THD+N See total harmonic distortion plus noise.

total harmonic The ratio, in decibels, of the sum of noise and harmonics to the input signal.
distortion plus noise

third-octave Ratio between two frequencies, equal to 21/3.

time constant A standardized time constant used in exponential time weighting for
acoustical analysis. The standard time constants are Slow = 1,000 ms,
Fast = 125 ms, and Impulse = 35 ms while the signal level is increasing
or 1500 ms while the signal level is decreasing.

total harmonic The ratio of the sum of harmonics to the fundamental tone.
distortion

transducer See sensor.

transient A very short-duration signal. Normally only occurs once, or very

infrequently.

TTL Transition-transistor logic—a typical medium speed digital technology.

Nominal TTL logic levels are 0 and 5 V.

V
V Volts.

vector averaging Computes the average of complex quantities directly, that is, the real and
imaginary parts are averaged separately. Vector averaging eliminates noise
from synchronous signals and usually requires a trigger.

velocity A vector quantity whose magnitude is a body's speed and whose direction
is the body's direction of motion.

W
waterfall A 3-dimensional plot displaying the amplitude of spectral components as a
function of both time and frequency. The frequency spectrum is displayed
as a curve for each specified time instant. Several such curves (for different
time instants) are displayed simultaneously.

weighting filter Filter used to reproduce the varying sensitivity of the human ear to sound
at different frequencies. Originally, A-weighting was intended to represent
the varying sensitivity of the ear to sound pressure levels ranging between
40 and 60 dB ref 20 µPa. Subsequently, B-weighting and C-weighting were
developed to represent the varying sensitivity of the ear over higher sound
pressure level ranges.

LabVIEW Sound and Vibration Toolkit User Manual G-10 ni.com

Glossary

white noise Noise that has the same power spectral density at all frequencies. As an
example, the average power of white noise in a 100 Hz bandwidth between
300 Hz and 400 Hz, is the same as the average power of white noise in the
100 Hz bandwidth between 10,000 Hz and 10,100 Hz.

window function A smooth waveform that generally has zero value at the edges.
See also windowing.

windowing Technique used to reduce spectral leakage by multiplying the time-domain

waveform by a window function. The process of windowing reduces the
amplitudes of discontinuities at the edges of a waveform, thereby reducing
spectral leakage. If the waveform contains an integral number of cycles,
there is no spectral leakage. See also spectral leakage.

A averaging parameters control

frequency analysis, use in, 10-22
acceleration
A-weighting filters, 5-3
relationship to displacement, 6-1
applied to sound level measurements, 5-11
relationship to velocity, 6-1
representation of acceleration for a point by
a simple sinusoid, 6-2 B
aliasing, 2-3
bandedge frequencies, 9-5
amplitude
B-weighting filters, 5-3
displacement, 6-2
velocity, 6-2
ANSI standards, 5-9, 9-10 C
ANSI S1.11-1986, 9-10, 9-11
calibration, 3-1
ANSI S1.4, 5-4
system, 3-3
ANSI S1.4-1983, 5-9, 5-10
Calibration palette, 1-3, 3-1
ANSI S1.42-1986, 5-9
channel info control
base 2 system, use in, 9-10
weighting filters, use with, 5-7
anti-aliasing, 2-3
coherence, 10-28
applying weighting filters
equation for, 10-28
errors due to uniform corrections, 5-12
coherent output power, 10-28
to an FFT-based spectrum, 5-13
equation for, 10-28
to an octave spectrum, 5-12
Colormap, 1-6
to sound level measurements, 5-11
continuous mask test, 4-7
to time-domain data, 5-8
controls
audio measurements
averaging mode, 10-22
See distortion measurements
averaging parameters
See single-tone measurements
frequency analysis, use in, 10-22
averaged measurements, special considerations
channel info
for, 10-23
weighting filters, use with, 5-7
averaging
equal confidence level [dB], 9-9
See equal confidence averaging
filter settled, 9-7
See exponential averaging
frequency range, 10-12
See linear averaging
highpass cutoff frequency, 6-11
See no averaging
linear mode, 10-22
See peak hold averaging
number of averages, 10-22
See RMS averaging
reset filter, 9-9
See vector averaging
averaging mode control, 10-22

restart averaging documentation

fractional-octave analysis, use in, 9-9 conventions used in this manual, xi
linear averaging, use in, 8-5, 8-6 NI resources, B-1
vibration level measurements, related documentation, xii
use in, 7-4 double integration, 6-1
tach info, 11-9 computing displacement, 6-1
time increment frequency response (figure), 6-10
overlapping, use in, 11-6 drivers (NI resources), B-1
time segment, 11-4 dual-channel measurements, 15-1
view, 10-15 dynamic range, 15-7
weighting filter, 5-7 DZT, 10-11
zoom settings, 10-11
conventions used in the manual, xi
converting E
acceleration to displacement, 6-1 equal confidence averaging, 9-9
acceleration to velocity, 6-1 equal confidence level [dB] control, 9-9
velocity to displacement, 6-1 equivalent continuous sound level. See linear
crest factor, 7-5 averaging
equation for, 7-5 examples
crosstalk, 15-5 FRF, 10-15
C-weighting filters, 5-3 with averaging, 10-19
without averaging, 10-18
full octave, 9-3
D integration
DC component continuous acquisition, 6-7
integration, relationship to, 6-5 frequency domain, 6-11
DFT, 10-1 single-shot, 6-6
See also FFT simple linear averaging, 8-3
diagnostic tools (NI resources), B-1 Sound and Vibration Toolset, 1-6
discontinuous mask test, 4-8 transient analysis
discrete Fourier transform, 10-1 STFT versus time, 11-2
See also FFT SVT STFT versus Time VI, 11-8
Discrete Zak Transform, 10-11 waterfall display
displacement frequency analysis, 12-3
amplitude of, 6-2 octave spectra, 12-5
computing by double integration, 6-1 transient analysis, 12-3
phase of, 6-2 zoom analysis, 10-10
distortion measurements, 14-1 examples (NI resources), B-1
Distortion palette, 1-5 exponential averaging, 8-7
in fractional-octave analysis, 9-8
time constants, 8-7

LabVIEW Sound and Vibration Toolkit User Manual I-2 ni.com

Index

F uses of, 5-3

using Channel Info control, 5-7
FFT
fractional-octave analysis, 9-1
See also frequency analysis
ANSI standards, 9-10
effective bandwidth, 10-5
averaging types, 9-8
frequency resolution, 10-3
See also equal confidence averaging
improving, 10-6
See also exponential averaging
maximum resolved frequency, 10-4
See also linear averaging
minimum resolved frequency, 10-4
See also peak hold averaging
number of spectral lines, 10-4
bandedge frequencies, 9-5
fundamentals of, 10-2
displaying results, 9-12
number of samples, 10-3
filter design for, 9-4
importance of, 10-20
fractional-octave filter, 9-6
periodicity, 10-21
octave filter, 9-4
Shannon Sampling Theorem, 10-4
full octave example, 9-3
subset analysis, 10-11
IEC standards, 9-10
criteria for use, 10-12
nominal frequencies, 9-11
Discrete Zak Transform, 10-11
outside audio range, 9-9
viewing results, methods of, 10-15
resetting filters, 9-9
zoom analysis, 10-8
restarting the averaging process, 9-9
controls, 10-11
selecting a sampling frequency, 9-12
example, 10-10
settling time, 9-7
settings, 10-11
steps of, 9-3
steps in, 10-9
types of analyses, 9-1
VIs, 10-9
frequency analysis
filter delay, 3-3
averaged measurements, special
filter settled indicator, 9-7
considerations for, 10-23
filters
coherence, 10-28
ANSI S1.4 standard, 5-4
equation for, 10-28
ANSI Standards, 5-9
coherent output power, 10-28
applying, 5-6
equation for, 10-28
A-weighting, 5-3
examples, waterfall display, 12-3
applying to sound level
exponential weighting, 10-27
measurements, 5-11
extended measurements, 10-28
B-weighting, 5-3
measurements, types of, 10-28
C-weighting, 5-3
power in band, 10-29
design for fractional-octave analysis, 9-4
frequency resolution, increasing, 10-6
fractional-octave, 9-6
FRF
fractional-octave analysis, use in, 9-12
averaging, effect of on results, 10-18
octave, 9-4
example, 10-15
Type 1-D, 9-11
example with averaging, 10-19

example without averaging, 10-18 G

frequency resolution, effect of on
gain, 15-6
results, 10-18
Generation palette, 1-4
linear weighting in, 10-27
graph properties
measurements, 10-12
defining for waterfall display, 12-2
dual-channel, 10-15
multiplier, 11-9
single-channel, 10-13
offset, 11-9
peak hold averaging, 10-27
group delay, 14-13
required inputs
averaging mode, 10-23
averaging parameters, 10-22 H
weighting mode, 10-27 harmonic distortion, 14-5
RMS averaging, 10-24 help, technical support, B-1
Shannon sampling theorem, 10-4 highpass cutoff frequency control, 6-11
subset analysis, 10-11
criteria for use, 10-12
Discrete Zak Transform, 10-11 I
vector averaging, 10-25 idle-channel noise, 15-7
weighting equation, 10-27 IEC standards, 9-10
windowing, 10-21 base 2 system, use in, 9-10
supported windows (table), 10-22 IEC 1260 (1995 - 07), 9-11
Frequency Analysis palette, 1-4, 10-1 IEC 1260:1995, 9-11
Extended Measurements palette, 5-1, 6-1 IEPE, 13-6
frequency domain IMD, 14-9
integration in, 6-11 instrument drivers (NI resources), B-1
strategies for, 6-11 integrated electronic piezoelectric, 13-6
frequency range control, 10-12 integration, 6-1
FRF, 10-15 challenges, 6-5
averaging, effect of on results, 10-18 DC component, 6-5
example, 10-15 double integration, 6-1
with averaging, 10-19 double, frequency response (figure), 6-10
without averaging, 10-18 example
frequency resolution, effect of on continuous acquisition, 6-7
results, 10-18 single-shot, 6-6
front panel displays, 1-6 frequency domain, 6-11
Colormap, 1-6 example, 6-11
Multiplot Octave Graph, 1-6 maximizing performance, 6-12
Octave Graph, 1-6 implementing, 6-3

LabVIEW Sound and Vibration Toolkit User Manual I-4 ni.com

Index

performing multiple spectral maximax, 11-14

measurements, 6-12 measurements
single integration, 6-1 audio, 14-7
single, frequency response (figure), 6-9 available, 1-1
theory of, 6-1 crest factor, 7-5
time domain, 6-6 crosstalk, 15-5
transducers, 6-5 dual-channel, 15-1
transient response dynamic range, 15-7
continuous acquisition, 6-8 examples, 1-6
single-shot acquisition, 6-6 fractional-octave analysis, 9-1
Integration palette, 1-4, 6-1 frequency analysis, 10-1
intermodulation distortion, 14-9 idle-channel noise, 15-7
peak detection, 7-4
power in band, 10-29
K power-in-band, 15-7
KnowledgeBase, B-1 propagation delay, 3-3
RMS level, 7-2
root mean square level, 7-2
L
SFDR, 15-9
Leq. See linear averaging
shock response spectrum, 11-12
limit testing datatypes, 4-3 single-channel, 15-1
Limit Testing palette, 1-3, 4-1 sound level, 8-1
limits criteria, 4-4
special considerations for, 8-8
linear averaging, 8-3 time averaging modes, 8-2
equation for, 8-3 spurious free dynamic range, 15-9
in fractional-octave analysis, 9-8
swept sine, 13-1
measuring over an extended time transient analysis, 11-1
period, 8-4
vibration level
performing continuously, 8-5
crest factor, 7-5
running, 8-6
peak detection, 7-4
linear mode control, 10-22
Multiplot Octave Graph, 1-6
loudness, definition of, 5-3
low-frequency vibrations
integration, attenuation by, 6-5 N
NI support and services, B-1
M no averaging, 10-24
noise, 14-3, 14-5
mask criteria, 4-4
nominal frequencies, 9-11
mask test
number of averages control, 10-22
continuous, 4-7
discontinuous, 4-8

O linearity, 14-12
velocity, 6-2
Octave Analysis palette, 1-4, 9-1
phons, 5-3
Extended Measurements palette, 5-1
power in band, 10-29
octave analysis. See fractional-octave analysis
equations for, 10-29
Octave Graph, 1-6
power-in-band measurement, 15-7
overlapping, 11-6
programming examples (NI resources), B-1
time increment control, use in, 11-6
propagation delay, 3-3

P
R
palettes
related documentation, xii
Calibration, 1-3
reset filter control, 9-9
Distortion, 1-5
restart averaging control
Frequency Analysis, 1-4, 10-1
fractional-octave analysis, use in, 9-9
Extended Measurements, 6-1
linear averaging, use in, 8-5, 8-6
front panel display, 1-6
vibration level measurements, use in, 7-4
Generation, 1-4
RMS averaging, 10-24
Integration, 1-4, 6-1
RMS level, 7-2
Limit Testing, 1-3, 4-1
continuous signal acquisition, 7-3
Octave Analysis, 1-4, 9-1
running, 7-4
Scaling, 1-3
single-shot buffered acquisition, 7-3
Single-Tone, 1-6
root mean square. See RMS level
Single-tone Measurements, 15-1
Sound & Vibration, 1-2
Sound Level, 1-4, 8-1 S
Swept Sine, 1-5, 13-1
sampling frequency
Transient Analysis, 1-5, 11-1
for octave filters, 9-12
Vibration Level, 1-4, 7-1
selection of, making sound level
Waterfall Display, 1-5, 12-1
measurements, 8-8
Weighting, 1-3
scaling, 3-1
peak averaging. See peak hold averaging
signals to engineering units, 3-1
peak detection, 7-4
Scaling palette, 1-3, 3-1
peak hold averaging, 8-8
separation. See crosstalk
equation for, 8-8
settling time, 9-7
fractional-octave analysis, use in, 9-9
SFDR, 15-9
frequency analysis, use in, 10-27
Shannon Sampling Theorem, 10-4
periodicity, 10-21
shock response spectrum, 11-2
phase
signal in noise and distortion, 14-3
displacement, 6-2
lag, 15-4

LabVIEW Sound and Vibration Toolkit User Manual I-6 ni.com

Index

signals SVL Send Data to Waterfall VI, 12-2

acquiring, 2-1 SVT Convert to RPM (analog) VI, 11-9, 11-10
dynamic, 2-1 SVT Crest Factor VI, 7-5
simulating, 2-1 SVT Crosstalk VI, 15-5
simulating signals, 2-1 SVT Decimated Exp Avg Sound Level VI, 8-7
SINAD, 14-3 SVT Exp Avg Sound Level VI, 8-7
single integration, 6-1 SVT Frequency Response
computing velocity, 6-1 [Mag-Phase] VI, 10-18
frequency response (figure), 6-9 SVT Gain and Phase VI, 15-4
single-channel measurements, 15-1 SVT Idle Channel Noise VI, 15-7
single-tone measurements, 15-1 SVT Integration (frequency) VI, 6-1, 6-11
Single-tone Measurements palette, 15-1 SVT Integration VI, 6-1
Single-Tone palette, 1-6 frequency domain, use in, 6-11
software (NI resources), B-1 SVT Leq Sound Level VI, 8-6
sound and vibration analysis (figure), 1-2 SVT Limit Testing VI, 1-3, 4-1
sound level measurement SVT Power in Band VI, 10-29
special considerations for making, 8-8 SVT RMS Level VI, 7-4
multiple measurements on the same SVT Running Leq VI, 8-6
channel, 8-8 SVT Running RMS Level VI, 7-4
selecting a sampling frequency, 8-8 SVT Send Data to Waterfall for
time averaging modes, 8-2 Octave VI, 12-2
Sound Level palette, 1-4, 8-1 SVT Shock Response Spectrum VI, 11-2
spurious free dynamic range, 15-9 SVT STFT versus RPM (analog) VI, 11-9
SRS, 11-2 SVT STFT versus Time VI, 11-8
STFT SVT Weighting Filter (frequency) VI, 5-13
as function of rotational speed, SVT Weighting Filter (octave) VI, 5-12
11-9, 11-10 SVT Zoom Power Spectrum VI, 10-10
versus time, 11-8 Swept Sine palette, 1-5
subset analysis, 10-11 swept-sine measurements, 13-1
criteria for use, 10-12 Swept-Sine palette, 13-1
Discrete Zak Transform, 10-11
support, technical, B-1
SVL Calibrate Accelerometer VI, 3-3 T
SVL Calibrate Microphone VI, 3-3 tach info control, 11-9
SVL Calibrate Sensor VI, 3-3 technical support, B-1
SVL Close Waterfall Display VI, 12-6 THD, 14-6
SVL Initialize Waterfall Display for THD+N, 14-5
Octave VI, 12-2 time averaging modes, 8-2
SVL Initialize Waterfall Display VI, 12-2 See also exponential averaging
SVL Measure Propagation Delay VI, 3-3, 15-7 See also linear averaging
SVL Scale Voltage to EU VI, 3-1, 3-2 See also peak hold averaging

time constants amplitude of, 6-2

Custom, 8-7 computing by single integration, 6-1
Fast, 8-7 phase of, 6-2
Impulse, 8-7 relationship to displacement, 6-1
in exponential averaging, 8-7 Vibration Level palette, 1-4, 7-1
slow, 8-7 view control, 10-15
time increment control VIs
overlapping, use in, 11-6 Limit Testing, 1-3
time segment control, 11-4 SVL Calibrate Accelerometer, 3-3
total harmonic distortion, 14-6 SVL Calibrate Microphone, 3-3
total harmonic distortion plus noise, 14-5 SVL Calibrate Sensor, 3-3
training and certification (NI resources), B-1 SVL Measure Propagation Delay, 15-7
transient analysis, 11-1 SVL Propagation Delay, 3-3
converting pulse train to rotational SVL Scale Voltage to EU, 3-1, 3-2
speed, 11-9 SVT Close Waterfall Display, 12-6
definition, 11-2 SVT Convert to RPM (analog), 11-9,
displaying results, 11-2 11-10
example SVT Crest Factor, 7-5
STFT versus time, 11-2 SVT Crosstalk, 15-5
SVT STFT versus Time VI, 11-8 SVT Decimated Exp Avg Sound
waterfall display, 12-3 Level, 8-7
overlapping, 11-6 SVT Exp Avg Sound Level, 8-7
selecting FFT block size, 11-5 SVT Frequency Response
shock response spectrum, use in, 1-5 [Mag-Phase], 10-18
short-time Fourier transform, use in, 1-5 SVT Gain and Phase, 15-4
STFT as function of rotational SVT Idle Channel Noise, 15-7
speed, 11-10 SVT Initialize Waterfall Display, 12-2
STFT versus rotational speed, 11-9 SVT Initialize Waterfall Display for
STFT versus RPM, 11-10 Octave, 12-2
Transient Analysis palette, 1-5, 11-1 SVT Integration, 6-1
transient response frequency domain, use in, 6-11
integration SVT Integration (frequency), 6-1, 6-11
continuous acquisition, 6-8 SVT Leq Sound Level, 8-6
single-shot acquisition, 6-6 SVT Limit Testing, 4-1
troubleshooting (NI resources), B-1 SVT Power in Band, 10-29
Type 1-D filter, 9-11 SVT Running Leq, 8-6
SVT Running RMS Level, 7-4
SVT Send Data to Waterfall, 12-2
V SVT Send Data to Waterfall for
vector averaging, 10-25 Octave, 12-2
velocity SVT Shock Response Spectrum, 11-2

LabVIEW Sound and Vibration Toolkit User Manual I-8 ni.com

Index

SVT STFT versus RPM (analog), 11-9 applying to time-domain data, 5-8
SVT STFT versus Time, 11-8 errors due to uniform corrections, 5-12
SVT Weighting Filter (frequency), 5-13 fractional-octave analysis, use in, 9-12
SVT Weighting Filter (octave), 5-12 purpose of, 5-1
SVT Zoom Power Spectrum, 10-10 weighting filter control, 5-7
weighting filters
See filters
W See weighting
waterfall display, 12-1 weighting mode control, 10-22
autoscaling z-axis, 12-6 Weighting palette, 1-3, 5-1
closing, 12-6 windowing, 10-21
customizing view, 12-6 periodicity, 10-21
defining graph properties, 12-2 supported windows (table), 10-22
definition of, 12-1
example
frequency analysis, 12-3 Z
octave spectra, 12-5 zoom FFT analysis, 10-8
transient analysis, 12-3 controls, 10-11
initializing, 12-2 example, 10-10
procedure for creating display, 12-1 frequency resolution, equation for, 10-9
sending data to, 12-2 settings, 10-11
waterfall window, 12-1 steps in, 10-9
Waterfall Display palette, 1-5, 12-1 VIs, 10-9
Web resources, B-1
weighting
applying to an octave spectrum, 5-12
applying to FFT-based spectrum, 5-13