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Shot List

The document provides a shot list for a film sequence with 31 shots. It describes each shot type (close-up, long shot, etc.) and the reasoning for each shot. Shots at the beginning use close-ups to set the scene and build tension without revealing identities. Later shots use long and tracking shots to show surroundings, movement, and character interactions. Over-the-shoulder shots add realism. Extreme close-ups draw focus to key objects to create questions. The sequence ends with a title card to transition smoothly from the last shot.

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Ellia
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© © All Rights Reserved
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Download as DOCX, PDF, TXT or read online on Scribd
57 views

Shot List

The document provides a shot list for a film sequence with 31 shots. It describes each shot type (close-up, long shot, etc.) and the reasoning for each shot. Shots at the beginning use close-ups to set the scene and build tension without revealing identities. Later shots use long and tracking shots to show surroundings, movement, and character interactions. Over-the-shoulder shots add realism. Extreme close-ups draw focus to key objects to create questions. The sequence ends with a title card to transition smoothly from the last shot.

Uploaded by

Ellia
Copyright
© © All Rights Reserved
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Shot Number

Shot Type

Close-up/Medium close-up

Point-of-view/Close-up

Extreme close-up

Blank/N/A

Long shot

Reasoning

Having close-ups at the sta


the scene that are not of th
character hides their ident
and creates tension and
questioning amongst the
audience. The close-up of t
match and board used allo
the audience to see it in de
and have hints and
foreshadowing as to the
narrative.
The close-up of the match
board used allows the aud
to see it in detail and have
hints and foreshadowing a
the narrative. Also, it being
from their point-of-view as
the realism and makes it fe
as if the audience are in th
shoes.
Having the extreme closepart of their face still conce
the identity of the characte
but also suggest that they
be the one in power due to
fact they finish the scene/b
out the candle. This leaves
audience with enigmas and
wonder.
We have left this shot
blank/black to add tension
mystery straight from the
of the opening sequence. W
felt this leaves the audienc
question what is going to
happen further.
The long shot allows the
audience to see the
surroundings and establish
what the setting is. In addi
this also allows them to vie
the other character fully,
without showing the face.

Over-the-shoulder

The over-the-shoulder add


realism, the feeling of bein
watched and as if they are
antagonist at that moment
time.

Long shot

Long shot

Tracking shot

The long shot allows the


audience to see the
surroundings and establish
what the setting is. They c
also see what the girl is do
and her actions clearly and
fully.
The long shot allows the
audience to see the
surroundings and establish
what the setting is.They ca
also see what the girl is do
and her actions clearly and
fully.
The tracking shot shows th
pace and connotes the
panic/rush. It also creates
realism and tension/suspen

10

Extreme close-up/close-up

The use of extreme closeups/close-ups shows the ke


object in detail and creates
questions about it and wha
may be happening.

11

Extreme close-up/close-up

The use of extreme closeups/close-ups shows the ke


object in detail and creates
questions about it and wha
may be happening.

12

Extreme close-up/close-up

The use of extreme closeups/close-ups shows the ke


object in detail and creates
questions about it and wha
may be happening.

13

Point-of-view/Over-the-shoulder

Again, the point-of-view/Oadds to the realism and all


you to see things from the
view and the choice she ha
make.

14

Tracking shot

The tracking marks the pu


and creates tension as to
whether she will escape.

15

Close-up

The close-up of the shoes s


that the antagonist is near
that she is in danger and
creates a build-up.

16

Medium shot/Long shot

This shows the antagonists


views and allows you to se
the subjects, the environm
and how they interact with

17

Long shot

The long shot shows the gi


running and see her whole
movement and actions. Th
also allows the ribbon to b
followed.

18

Tracking shot

This allows you to see the


antagonist is not visible,
creating the idea she must
safe.

19

Point-of-view/Cantered angled

The angle connotes the ch


and disorientation of what
happening and for the
character. It also shows the
point-of-view.

20

Mid shot/Close-up

This connotes the eerie an


odd character personality.
also shows clearly what is
being picked up.

21

Tracking shot/Long shot

This shows the protagonist


and in detail. It allows you
see her struggle and quest
is this holds her back.

22

Mid shot

This allows the audience to


the protagonist fully and
clearly and watch how she
reacts and acts.

23

Over-the-shoulder

This makes it seem as if th


audience are from the
antagonists view and could
cause a jump scare by the
sudden appearance of the
antagonist.

24

Close-up

The close-up shows the gir


emotions and expression a
she is caught and shows it
detail.

25

Blank/N/A

We have left this shot


blank/black to add tension
mystery. We felt this leave
audience questioning what
going to happen further.

26

Mid-shot

The mid shot shows the


character and the poster a
gives a clue as to who this
current character is.

27

Close-up

This close-up allows the


audience to read the poste
and see it in more detail.

28

Close-up

This movement builds tens


and ideas about what coul
happen further. It also show
the action carried out by th
character and emphasises
key object being discarded

29

Close-up/At slight angle

This will allow the moveme


the camera to be swift and
help with the next transitio

30

Close-up/Arc shot

Again, this allows the audie


to see in more detail the o
and will allow with the
transition to the next fram
be smooth.

31

Title

This will be a shot of the ti


will transition in from the la
shot to keep continuity and
as a slight graphic match f
the poster title to our film

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