Unit 5. Unit 8 Primer: Fda Graphic Design
Unit 5. Unit 8 Primer: Fda Graphic Design
During Unit 5 you were given an overview of six areas of the contemporary creative industries; 6 Platforms designed specically to allow you the opportunity to acknowledge the major components of your chosen discipline and to discuss how these experiences relate to personal practice. This process was designed to help you to develop a proposal for your Personal Research Project (500 words). This proposal should identify a platform specic focus and include a rationale, objectives, methodology, possible outcomes and a preliminary timetable. In order to effectively complete this proposal an overview of Unit 8 can be found below. *N.B. Please note this is a primer and not the actual brief!
13/01/12
Unit 8
The Competition Brief and particularly Personal Research Project is your opportunity to build upon any debates, topics, interests and observations which you made during Unit 5, including specic areas of interest, individual skill sets, areas for improvement and possible routes for future employment. This project is primarily a research project and should be the pinnacle of what you have learnt on the FdA culminating in an impressive body of work relevant to future professional practice or academic study. You must identify and complete a comprehensive Personal Research Project (PRP) which should demonstrate a depth of investigation which is exploratory and extensive. Any project should t in with the FdA ethos of relating to and existing within the real world experience. These investigations should inform 2 practical outcomes that must each be completed with separate amounts of research, planning, development methodologies and outcomes.
3. Initial research
What is initial research? This is the most important part of the creative process and one that is often misunderstood. Looking at and reading books is very important, as is using the web in the right way, however this is secondary research. Primary research is far more important; this includes speaking to people, conducting interviews, drawing on location, taking your own photographs, visiting locations and nding appropriate reference. Your response to these experiences rst hand informs and manifests original ideas/ language.
6. Further research
It is important that your research is ongoing. At this point of the project research should be more specic to your outcomes, if you need to get into printmaking, when are time slots available? What
papers are good for embossing? Where can you get your artwork printed locally? Does your work need to be bound? How long will it take me to design what I am proposing? What is the production time? Do I need to learn software to achieve my outcomes? These questions should include looking at materials, printing and production techniques, placement, promotion and costing. In a commercial context these questions will need to be addressed at an earlier stage of the project as they will have a direct inuence on your quote/ costing. This only serves to reinforce the need for ongoing research/ investigation.
9. Production
Based on roughs and proposals begin the production of your nal piece. The hard work has been done and you should now have a precise image of what the nal outcome will look like. Following the completion of your work, it is helpful to take a step away and return with a critical eye, how can your work be improved? You do not have to rely on your own judgement, a fresh pair of eyes can give you an unbiased viewpoint (this may be your intended target audience). Spelling should be looked at and there will always be typographic errors. Documents MUST ALWAYS be proof read before going to print. This will save you time and money in the long run.