Kristopher L. Cannon CV
Kristopher L. Cannon CV
CANNON
Department of Communication Georgia State University 25 Park Place NE, Suite 816 Atlanta, GA 30303 www.kristophercannon.com
Education
PH.D.
GEORGIA STATE UNIVERSITY, ATLANTA, ABD, ANTICIPATED COMPLETION JULY 2013. Department of Communication Moving Image Studies Program Dissertation: Oblique Optics: Visions of Otherness in the Image and its Queer Children. Committee: Alessandra Raengo (advisor), Jennifer Barker, Ted Friedman, Angelo Restivo, and Steven Shaviro NORTHERN ILLINOIS UNIVERSITY, DEKALB, 2007 Department of Communication; LGBT Studies Certicate Capstone: Lurking on MySpace: Conceptualizing Lurking on a Continuum of Relational Intrusion Behavior. Committee: Robert Alan Brookey (advisor), Kelly Happe, and Betty LaFrance UNIVERSITY OF UTAH, SALT LAKE CITY, 2005 Gender Studies Program Thesis: The Marginalization of the queer Queer. Advisor: Kathryn Bond Stockton University of Tampere, Finland, 2004 Womens Studies Program Department of Social Sciences.
M.A.
B.S.
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Robert Alan Brookey & Kristopher L. Cannon (2010). Sex Lives in Second Life," in Gail Dines and Jean M. Humez (Eds.), Gender, Race, and Class in Media: A Text-Reader, Third Edition, Thousand Oaks: Sage Publications, pp. 571-582. REVIEWS & ENTRIES Kristopher L. Cannon (2010). Chrysanthi Nigianni and Merl Storr (2009) Deleuze and Queer Theory [Book Review]. Deleuze Studies, 4, pp. 432-436. Kristopher L. Cannon (2008). Kathryn Bond Stockton. Encyclopedia Entry in John Hawley (Ed.) LGBTQ America Today, Westport: Greenwood Press. ONLINE PUBLICATIONS Kristopher L. Cannon (2012, Jan. 16) "Technological#Failure." in What are these Technological Things?, In Media Res, available at: http://mediacommons.futureofthebook.org/imr/2012/01/15/ technologicalfailure Kristopher L. Cannon (2011, Feb. 01) "Hedwig Leaves Her Stain on the Shortbus." in The Films of John Cameron Mitchell, In Media Res, available at: http://mediacommons.futureofthebook.org/imr/ 2011/02/01/hedwig-leaves-her-stain-shortbus
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(2006, Oct). Monstrous Inscriptions: Discussing Synecdoche in the Film Monster. A paper presented at the Midwest Popular Culture Association conference, Indianapolis, IN. (2006, Oct). The Monstrosity of Michael JacksonShifting from Black Male Rapist to White Female Diva. A paper presented at the Midwest Popular Culture Association conference, Indianapolis, IN. (2005, Jun). Creating a Human Rights Exhibit: The Human Rights Experience at the University of Utah, 1850-2004. A project presented at the National Conference on Race and Ethnicity, New York, NY. (2003, Apr). Disneys Hidden Queer AgendaMulan as an Effeminate Gay Male. A paper presented at the Utah Folklore Conference, Salt Lake City, UT.
Research Specializations
DISSERTATION My dissertation, titled Oblique Optics: Visions of Otherness in the Image and its Queer Children, engages with the intersection between media, technology, and media art through research that explores how bodily forms function as mediating gures to reveal the queerness of images and visual culture. Studies about the strangeness of visuality (how visuality moves strangely, mediates strangeness, or is debased
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by strangeness) have received little scholarly attention and I my analysis explores the possibility for images to touch upon, inuence, and/or contaminate each other. The range of artifacts I explore include images of sonograms and ultrasound technologies, the lm The Body Beautiful (Onwurah, 1991), online social network proles, Michael Jackson, the lm Air Doll (Hirokazu, 2009), digital computer interfaces, and glitch art. My dissertation considers how the sideways sight of the Queer Child provides crossdisciplinary approaches to visuality. The Queer Child offers insight about how we might torque our disciplined approaches to visuality, is a guide for others to perceive indeterminable and transformative movements within the realm of visuality and, ultimately, initiates a path to understand how our perceptions of visuality and (digital) media shift when seen queerly. RESEARCH AREAS (New) Media Studies, Visual Culture Studies, Film Studies, Queer Theory, Critical/Cultural Theory, Technology Studies, Sexuality & Gender Studies, Object Oriented Ontology, Thing Theory, Phenomenology. PH.D. COURSEWORK Spr 2009 Cinema and the Senses (COMM 8980, Special Topics) Seminar on Gilles Deleuzes Cinema 1 & Cinema 2 (COMM 8980) Television Studies (COMM 8980) Fall 2008 New Directions in Cultural Studies (COMM 8980) Queer Theory (ENGL 9050, Topics in Contemporary Theory) Race and Visual Culture: Race as Visual Language of Social Relations (COMM 8980) Sum 2008 Game Studies (COMM 8980) Lacan, Hitchcock, Lynch (ENGL 9050, Topics in Contemporary Theory) Spr 2008 Comparative Studies in Emerging Media (COMM 8770) Film Theory (COMM 8980) Media Historiography (COMM 8420) Fall 2007 Critical Visual Culture Theory (COMM 8980) Communication Pedagogy (COMM 8035) Style & Narrative Analysis: Modernism and its Vernaculars. (COMM 8160)
Teaching Experience
GEORGIA STATE UNIVERSITY 2013 Film Theory and Criticism (FILM4750)* Advanced course for Film Studies majors. This course offers a survey of lm theories for advanced Film Studies majors and incorporates intensive writing through close-textual analysis of lm and media. 2011 Film Aesthetics and Analysis (FILM1010)* Introductory course for Film Studies majors. This course emphasizes intensive writing instruction and introduces students to methodologies like close-textual analysis.
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2010
Film Aesthetics and Analysis (FILM1010)* Gender (Trouble) in Film (FILM4765, Gender and Film)* I designed this course to function as a survey of feminist lm theory and criticism, which moves into contemporary theories and studies of gender and sexuality in lm. This course explores how gender operates within normative frameworks, becoming troubled by images/performances of non-normative gender and sexuality, and how gender goes awry in lm when it is recongured in relation to post-human object-oriented philosophies. New Media Studies (Film4780, Special Topics)* I designed this special topics course to introduce lm studies students to a range of topics within new media studies. This course aimed to clarify distinctions between "new" media in relation to "old" media within historical and theoretical frameworks. The course was divided by theoretical topics, including digital aesthetics, constructions of cyborgs or post-humans, "mediations" of technology, and virtual realities. Transnational Queer Cinemas (Film 4180, International Cinemas)* I designed this course to consider how international cinema or world cinema would change if categories for national cinemas or national boundaries were to shift toward malleable trans/national models and conceptualizations. I foregrounded queer theories and methodologies as one pathway destabilize the connection between international cinema and national context. My aim was to facilitate unxed models to approach trans/ national cinemas, peoples and places, whereby our continual re-orientation might allow us to understand (non-US) lm differently. Film Aesthetics and Analysis (FILM1010)* Gender (Trouble) in Film (FILM4765, Gender and Film)* Film Aesthetics and Analysis (FILM1010)* History of Motion Pictures (FILM2700) History of Motion Pictures (FILM2700)
NORTHERN ILLINOIS UNIVERSITY 2006 Introduction to Communication (COMS 100)* Rhetoric and the Media (COMS 230) 2005 Introduction to Communication (COMS 100)*
* Instructor of Record
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IN MEDIA RES 2010 - curr. Editorial Board, Theme Week Curator/Coordinator Solicit, review, and accept/reject curator proposals for theme weeks. Organize, conrm and administer the curations/posts for the theme week. What are these Technological Things? (January 16-20, 2012) "The Gender/Queerness of Lady Gaga." (August 2-6, 2010) "Technological Object Orientations." (January 10-14, 2010) Theme Week Administrator Organize, conrm and administer the curations/posts for the theme week. "Steven Shaviro's Post-Cinematic Affect." (August 29-September 2, 2011)
RENDERING THE VISIBLE CONFERENCE, ATLANTA, GA 2011 Co-organizer, Rendering the Visible Conference Moving Image Studies Program, Georgia State University This two day conference included a screening with Phil Solomon, two keynote speakers and conference participants from four continents. Organizational responsibilities included: venue planning, paper solicitation, panel organization, and all conference printing and web-design. AFFILIATIONS 2006 - curr. Member, Midwest Popular Culture Association 2007 - 2008 Member, National Communication Association 2009 - curr. Member, Society for Cinema and Media Studies CONTINUING EDUCATION AND ENGAGEMENT 2011 Two-day colloquium with Ernesto Laclau, Department of Communication, Georgia State University. 2010 National Science Foundation Communication Ethics and the Responsible Conduct of Research, Georgia State University. 2010 Object Oriented Ontology Symposium, The School of Literature, Communication and Culture, Georgia Institute of Technology. 2010 Respondent & Participant, Two-day book manuscript workshop for/with Dudley Andrew, Moving Image Studies Program, Department of Communication, Georgia State University. 2003 Stop the Hate: Hate Crimes Prevention & Instruction, University of Utah. 2002 United Leadership Conference, University of Utah. 2002 I-LEAD, Bloomington, Indiana. 2002 National Youth Advocacy Annual Summit, Washington D.C. 2002 Leadershape, University of Utah.
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References
Dr. Alessandra Raengo (Dissertation Advisor) E-Mail: [email protected] Address: Department of Communication, Georgia State University 25 Park Place NE Atlanta, GA 30303 Dr. Jennifer Barker E-Mail: [email protected] Address: Department of Communication, Georgia State University 25 Park Place NE Atlanta, GA 30303 Dr. Angelo Restivo (Graduate Program Director) E-Mail: [email protected] Address: Department of Communication, Georgia State University 25 Park Place NE Atlanta, GA 30303 Dr. David Cheshier (Department Chair) E-Mail: [email protected] Address: Department of Communication, Georgia State University 25 Park Place NE Atlanta, GA 30303
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