String diplomas repertoire list

1 January 2011 31 December 2015

STRING DIPLOMAS
2011-2015

Contents
Page LCM Publications ................................................................................... Overview of LCM Diploma Structure ...................................................... 2 3 4 5 7 7

Violin
DipLCM in Performance ......................................................................... ALCM in Performance ............................................................................ LLCM in Performance ............................................................................ FLCM in Performance ............................................................................

Viola
DipLCM in Performance ......................................................................... 8 ALCM in Performance ............................................................................ 9 LLCM in Performance ............................................................................ 10 FLCM in Performance ............................................................................ 11

Cello
DipLCM in Performance ......................................................................... ALCM in Performance ............................................................................ LLCM in Performance ............................................................................ FLCM in Performance ............................................................................ 12 13 15 15 16 17 19 19

Double Bass
DipLCM in Performance ......................................................................... ALCM in Performance ............................................................................ LLCM in Performance ............................................................................ FLCM in Performance ............................................................................

IMPORTANT INFORMATION:
This repertoire list should be read in conjunction with the Music Performance and Teaching Diplomas Syllabus, 2011-2015. Copies are available free of charge from LCM Examinations (tel: 020 8231 2364) or from local representatives, or on uwl.ac.uk/lcmexams. Candidates should ensure that they have checked the full requirements for the examination in the above syllabus. Please note that this repertoire list does NOT contain full details of all examination components. This repertoire list is valid from 1 January 2011 until 31 December 2015.

LCM Examinations
Director of Examinations
John Howard BA PhD

Chief Examiner in Music

Philip Aldred BEd FLCM

University of West London LCM Examinations St Marys Road Ealing London W5 5RF tel: +44 (0)20 8231 2364 fax: +44 (0)20 8231 2433 email: [email protected] uwl.ac.uk/lcmexams

Copyright 2011 by the University of West London, LCM Examinations

LCM Publications
The following LCM Publications are relevant to this syllabus: Specimen Diploma Sight Reading Tests for Violin (LL11671) LCM Aural Handbook (LL205) Specimen Aural Tests (LL189)

LCM Publications are distributed by Music Exchange (tel: 0161 946 9301; email: [email protected]). A complete list of titles may be found on their website www.music-exchange.co.uk

Grateful thanks are due to Ann Griggs, the principal syllabus compiler.

Grade 5 Theory

DipLCM in Performance 1. Performance 2. Viva voce 3. Sight reading DipMusLCM Theoretical Diploma

DipLCM in Teaching 1. Teaching 2. Presentation & demonstration and performance 3. Discussion

ALCM in Performance (Standard, Option 1) 1. Technical work 2. Performance 3. Viva voce 4. Sight reading 5. Aural tests

ALCM in Performance (Recital, Option 1) 1. Performance 2. Essay 3. Viva voce

ALCM in Performance (Standard, Option 2) 1. Technical work 2. Performance 3. one other component (choice of Viva/SR/Aural)

ALCM in Performance (Recital, Option 2) 1. Performance 2. Viva voce

ALCM in Teaching 1. Teaching 2. Essay 3. Presentation & demonstration and performance 4. Discussion

LLCM in Performance (Standard) 1. Performance two of: 2. Programme notes 3. Sight reading 4. Viva voce

LLCM in Performance (Recital) 1. Performance 2. Programme notes

LLCM in Teaching 1. Teaching 2. Dissertation 3. Presentation & demonstration 4. Discussion

FLCM in Performance 1. Performance 2. Programme notes

Violin: DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. Partita for Solo Violin No. 2 in D minor, BWV 1004: 3rd AND 4th movts. (Brenreiter) Partita for Solo Violin No. 3 in E, BWV 1006: 2nd AND 3rd movts. (Brenreiter) Sonata in E minor, BWV1023 (complete) from Bach 2 Sonatas for Violin and Continuo (Wiener Urtext) BARBER Concerto, Op. 14: 1st movt. (G. Schirmer/Music Sales) BARTOK Rumanian Dances, complete (Universal/MDS) BEETHOVEN Sonata in F, Op. 24 (Spring): 1st movt. from Beethoven Sonatas for Violin and Piano Vol. 1 (Henle) BEETHOVEN Sonata in A, Op. 12, No. 2: 1st movt. from Beethoven Sonatas for Violin and Piano Vol. 1 (Henle) BEETHOVEN Sonata in C minor, Op. 30: No. 2, 1st movt. from Beethoven Sonatas for Violin and Piano Vol. 2 (Henle) BLOCH Simchas Torah, No. 3 from Baal Shem Suite (Carl Fischer) BRAHMS Sonata Movement (Scherzo) in C minor (Breitkopf & Hartel) BRIDGE Moto Perpetuo (Stainer & Bell) BRITTEN Lullaby from Suite Op. 6 (Boosey & Hawkes) BRUCH Concerto in G min, Op. 26: 2nd movt. (Henle) CHEN YI Fisherman's Song (Theodore Presser/MDS) DE FALLA, arr. Kochanski Ritual Fire Dance from Music for the Violin (Chester/Music Sales) DELIUS Sonata No. 3: 3rd movt. (Boosey & Hawkes) FAURE Romance in B flat, Op. 28 (Hamelle/UMP) GROSS Habanera Serenade from Australian Violin Music (Currency) HAYDN Concerto in C, Hob VIIa/I: 1st movt. (Henle) KREISLER Variations on a Theme of Corelli in the Style of Tartini (Schott/MDS) KREIN Gypsy Carnival (Bosworth) LALO Symphonie Espagnole, Op. 21: 2nd movt. (Peters) MAXWELL DAVIES Dances from The Two Fiddlers (complete) (Boosey & Hawkes) MOZART Sonata in C, K296: 1st movt. (Henle) MOZART Concerto No. 3 in G, K216L: 1st movt (Barenreiter) MOZART Sonata in F, K376: 1st movt. from Sonatas for Piano and Violin, Vol. 2 (Henle) PROKOFIEV Nos. 2, 3, 4 from 5 Melodies, Op. 35a (Boosey & Hawkes Special order: M060020742) RAVEL Piece en Forme de Habanera, trans Catherine (Leduc/UMP) SCHULZE, T. Tango Apasionado (Doblinger/Schott) SCHUMANN Sonata No. 3 in A minor WO 27, 1st movt. (Schott/MDS) SHOSTAKOVICH Three Fantastic Dances, Op. 5 (complete) (Boosey & Hawkes) SMETANA From My Native Country, Nos. 1 AND 2 (Peters) STRAVINSKY, arr. Dushkin Chanson Russe (Russian Maiden's Song from Mavra) (Boosey & Hawkes) SZYMANOWSKI, arr. Kochanski Chant de Roxanne (from King Roger) (Universal/MDS) TARTINI Sonata in G minor Didone abbandonata: Op. 1 No. 10: 1st AND 2nd movts. (Schott/MDS) TCHAIKOVSKY Serenade Melancolique, Op. 26 (Simrock/Boosey & Hawkes) TELEMANN Any one complete Fantasia from Fantasias for Violin without Bass (Brenreiter) BACH, J. S. BACH, J. S. BACH, J. S.

Violin: ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform EITHER two technical studies OR scales and arpeggios: EITHER: Technical Studies Any TWO of the following: KREUTZER MAZAS RODE Nos. 35, 36, 37, 42 from 42 Studies Nos. 46, 54, 55, 56, 57 from Brilliant Studies, Op. 36, Book 2 Nos. 1, 2, 4, 8 from 24 Caprices (Stainer & Bell) (Stainer & Bell 7607B) (Kalmus)

OR: Scales and Arpeggios (from memory) 1. All major and minor (both forms) scales, to be played: (i) separate bows, even notes (ii) slurred, 1 octave to a bow, the rhythmic pattern being quaver, two semiquavers, four semiquavers Range: 3 octaves. Chromatic scales starting on G, G#, A, Bb, B and C, to be played slurred, 1 octave to a bow. Range: 3 octaves. Double stopped scales: (a) in 3rds; C major and C minor (either form, candidates choice) (b) in 6ths; F major and F minor (either form, candidates choice) (c) in octaves; G major and G minor (either form, candidates choice) To be played in even notes: (i) separate bows (ii) slurred, two to a bow Range: 2 octaves. 4. Artificial harmonics: G major and A minor (either form, candidates choice), to be played in separate bows with notes of even length, each scale starting in first position on the G string. Range: 1 octave. Arpeggios: All major and minor common chords (root position only), to be played in even notes: (i) separate bows (ii) slurred, 9 notes to a bow Range: 3 octaves. Dominant 7ths in the keys of C, C#, D, Eb, E, F, F# and G, resolving on the tonic, to be played in even notes: (i) separate bows (ii) slurred, 12 notes to a bow Range: 3 octaves. Diminished 7ths starting on any G, G#, A, Bb, B, C, C# and D, to be played in even notes: (i) separate bows (ii) slurred, 12 notes to a bow. Range: 3 octaves.
5

2. 3.

5.

6.

7.

Performance
Sonata for Solo Violin No. 1 in G minor, BWV 1001: 3rd movt., Siciliana AND 4th movt., Presto (Brenreiter) BACH, J. S. Partita for Solo Violin No. 1 in B minor: 7th movt., Tempo di Borea AND 8th movt., Double (Brenreiter) BACH, J. S. Sonata for Solo Violin No. 3 in C, BWV 1005: 3rd AND 4th movts, Largo AND Allegro Assai (Brenreiter) BACH, J. S. Concerto No. 2 in E major, BWV 1042 (Brenreiter) BARTK Rhapsody No. 1 (complete) (Boosey & Hawkes) BARTK Rhapsody No. 2 (Boosey & Hawkes) BARTK Romanian Folk Dances (Universal Edition/MDS) BEETHOVEN Sonata in D, Op. 12 No.1 from Beethoven Sonatas for Violin and Piano Vol. 1 (Henle) BEETHOVEN Sonata in E flat, Op. 12 No. 3 from Beethoven Sonatas for Violin and Piano Vol. 1 (Henle) BEETHOVEN Sonata in A minor, Op. 23 from Beethoven Sonatas for Violin and Piano Vol. 1 (Henle) BEETHOVEN Sonata in A, Op. 30 No. 1 from Beethoven Sonatas for Violin and Piano Vol. 2 (Henle) BERKELEY Introduction and Allegro for Solo Violin, Op. 24 (Chester/Music Sales) BERKELEY Sonatina: 1st movt. (Chester/Music Sales) BRAHMS Sonata in G, Op. 78: any two movts. (Wiener Urtext/MDS) BRAHMS Sonata in A, Op. 100: any two movts. (Wiener Urtext/MDS) BRUCH Concerto No. 1 in G minor, Op. 26: 1st movt. (Peters) CONUS Concerto (Carl Fischer CF03478) DEBUSSY Sonata in G minor (Henle) DELIUS Legende in E flat (Forsyth) ELGAR Sonata in E minor, Op. 82: 2nd AND 3rd movts. (Novello/Music Sales) FRANCK Sonata in A: 3rd AND 4th movts. (Henle) GRIEG Sonata No. 2 in G, Op. 13: 2nd AND 3rd movts. (Peters) HAYES Opera (Stainer & Bell) IRELAND Sonata No. 2 in A minor (Boosey & Hawkes) KHACHATURIAN Concerto in D minor: 1st movt. (Boosey & Hawkes) MENDELSSOHN Concerto in E minor: 1st movt. (Peters) MOZART Sonata in B flat, K454: 1st AND 2nd movts. (Henle) MOZART Violin Concerto No. 3 in G: any movt. (G. Schirmer/Music Sales) PROKOFIEV 5 Melodies, Op. 35a (Boosey & Hawkes Special order: M060020742) PROKOFIEV Sonata, Op.115 (Peters) RODRIGO Concierto de Estio: 1st AND 2nd movts. (Ediciones Joaquin Rodrigo/UMP) SAINT-SANS Introduction and Rondo Capriccioso (Peters) SARASATE Zigunerweisen, Op. 20 No. 1 (IMC) SCHUBERT Sonata Duo in A, Op. 162 D574 (Barenreiter) SEIBER Concert Piece (Schott/MDS) SHOSTAKOVICH Concerto No. 1 in A minor, Op. 77: 1st movt. (Boosey & Hawkes) STRAVINSKY Elegy for Solo Violin (Schott) VAUGHAN WILLIAMS Sonata in A minor, 3rd movt, Tema con Variazioni (OUP archive/Allegro) WIENIAWSKI Legende, Op. 17 (Schott/MDS)
BACH, J. S.

Violin: LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. Four Caprices for Violin (Polskie Wysawnictwo Muzyczne SA) Partita for Solo Violin No. 2 in D minor, BWV 1004 (Brenreiter) Partita Solo Violin No. 3 in E, BWV 1006: 1st movt., Adagio AND 2nd movt., Fuga: Allegro (Brenreiter) BARTK Concerto No. 2 in B minor, 1st movt. (Boosey & Hawkes/MDS) BARTK Sonata for Unaccompanied Violin (Boosey & Hawkes) BEETHOVEN Concerto in D, Op. 61, 1st movt., with cadenza (Henle) BEETHOVEN Sonata in A, Op. 47 Kreutzer, two contrasting movts from Beethoven Sonatas for Violin and Piano Vol. 2 (Henle) BERG Concerto: 1st OR 2nd movt. (Universal) BRAHMS Concerto in D, Op. 77: 1st movt. with cadenza by Joachim (IMC) BRUCH Concerto No. 1 in G minor: Op. 26, 3rd movt. (Peters) COPLAND Hoe-Down (Boosey & Hawkes) DVOK Concerto in A minor, Op. 53: 1st movt. (Brenreiter) ELGAR Concerto in B minor, Op. 61: 1st movt. (Novello/Music Sales) FAUR Sonata (IMP) FRANCK Sonata in A: 1st AND 2nd movts. (Henle 293/MDS) HENZE Serenade (Schott/MDS) HONEGGER Solo Sonata (UMP) KREISLER Recitativo and Scherzo-Caprice (Schott/MDS) LUTOSLAWSKI Subito (Chester/Music Sales) MATTHEWS, D. Montana Taylors Blues (Faber) MENDELSSOHN Concerto in E minor, Op. 64: 2nd AND 3rd movts. (Peters) MOZART Concerto No. 5 in A, K 219: any two movts with cadenza if appropriate (Brenreiter) PAGANINI 24 Capricci, Op. 1 (Henle) PENDERECKI Cadenza for Solo Violin (Schott ED7649/MDS) PENDERECKI Three Miniatures (Maecenas) PROKOFIEV Concerto No. 2 in G minor, Op. 63: 1st movt. (Boosey & Hawkes/MDS) RAVEL Tzigane, Rhapsodie de Concert (Durand) SAINT-SANS Concerto No. 3 in B minor, Op. 61: any TWO movts. (Durand/UMP) SARASATE Romanza Andaluza, No. 3 from Spanish Dances, Op 22, Book 2 (Simrock/MDS) SCHUBERT Duo in A, Op.162 (D574) (Peters) SIBELIUS Concerto in D minor, Op. 47: 1st movt. (Peters) TAKEMITSU From Far Beyond Chrysanthemums and November Fog (Schott/MDS) TARTINI Sonata in G minor (The Devils Trill) (Peters) TCHAIKOVSKY Concerto in D, Op. 35: 1st movt OR 2nd AND 3rd movts. (Peters) VAUGHAN WILLIAMS The Lark Ascending (OUP) WALTON Concerto: 1st movt. (OUP) WIENIAWSKI Polonaise Brillante in A, Op. 21 (IMC2628/MDS) WIENIAWSKI Scherzo-Tarantella in G minor, Op. 16 (IMC) BACEWICZ BACH, J. S. BACH, J. S.

Violin: FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
7

Viola: DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. Concerto for Viola and Chamber Orchestra: 3rd movt. (Allegro vivace) (Faber) Sonata: 2nd AND 3rd movts. (Lengnick/Faber) Viola da Gamba Sonata No. 2 in D, BWV 1028: any three movts. (Brenreiter) Viola da Gamba Sonata No. 3 in G minor, BWV 1029: any three movts. (Brenreiter) BACH, J. S., arr. Forbes Cello Suite No. 1 in G, BWV 1007: 2nd movt., Allemande, 4th movt., Sarabande AND 7th movt., Gigue from The Solo Cello Suites for Viola (Chester/Music Sales) BACH, J. S., arr. Forbes Cello Suite No. 3 in C, BWV 1009: 3rd movt., Courante AND 4th movt., Sarabande from The Solo Cello Suites for Viola (Chester/Music Sales) BAX Legend (Chappell/Studio Music) BEETHOVEN Variations on Mozart's 'Bei Mnnern' from 'The Magic Flute' (Peters) BERKELEY Sonata in D minor, Op. 22: 1st movt. (Chester/Music Sales) BLOCH Suite for Viola and Piano: 1st movt. (G. Schirmer/Music Sales) BOCCHERINI Largo AND Allegro alla Militaire from Sonata No. 3 in G (IMC) BRAHMS Sonata in Eb, Op. 120 No. 2 (any TWO movts.) (Wiener Urtext/MDS) BRAHMS Sonata No. 1 in F minor, Op. 120: 2nd movt, Andante un poco Adagio (Wiener Urtext/MDS) BRITTEN Lachrymae, Op. 48 (Boosey & Hawkes/MDS) BRUCH, arr. de Smet Kol Nidrei, Op. 47 (Peters) DITTERSDORF Sonata in E flat (complete) (IMP) FAUR, arr. Arnold Fantasie (Viola World/Music Sales) FRANCK Sonata, 3rd movt. (Breitkopf) HINDEMITH Kammermusik No. 5, Op. 36 No. 4: 1st movt. (Schott/MDS) HUMMEL Fantasy on Don Giovanni (Kunzelmann) JACOB Concerto No. 2 in G: 1st AND 2nd movts. (Simrock) JACOB Variations for Solo Viola (Breitkopf & Hrtel) LLOYD WEBBER, W. Sonatina (Stainer & Bell) MACONCHY Five Sketches for Solo Viola (at least TWO movts.) (Chester/Music Sales) MILHAUD La Californienne AND The Wisconsonian from Quatre Visages, Op. 238 (Heugel/UMP) MOZART Theme with variations from Divertimento in D K334, ed. Szaleski (Polskie Wysawnictwo Muzyczne SA) REGER Suite No. 1 in G minor: 1st movt. (Peters) RICHARDSON Rhapsody (Comus) SCHUBERT, arr. Wrochem Sonata in A minor (Arpeggione), D821: 1st movt. (Brenreiter) SCHUMANN Adagio and Allegro Op. 70 (Peters) STAMITZ, C. Concerto in B flat: 1st movt. (with cadenza) (Schott/MDS) VAUGHAN WILLIAMS Galop from Suite for Viola and Orchestra (Piano) (OUP) VIVALDI Concerto in G for Viola damore, RV 392 (complete) (Kalmus/Maecenas Europe) ARNOLD ARNOLD BACH, J. S. BACH, J. S.

Viola: ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform EITHER two technical studies OR scales and arpeggios: EITHER: Technical Studies Any TWO to be selected from the following: KREUTZER MAZAS Nos. 30, 31, 32, 33 from 42 Studies for Viola Nos. 45, 46, 50, 53 from Brilliant Studies, Op. 36, Book 2 (G. Schirmer/Music Sales) (G. Schirmer/Music Sales)

OR: Scales and Arpeggios (from memory) 1. All major and minor (both forms) scales. To be played: (i) separate bows, even notes (ii) slurred, 1 octave to a bow, the rhythmic pattern being quaver, two semiquavers, four semiquavers Ranges: requirements starting on C, C#/Db, D, D#/Eb, E, F - 3 octaves; requirements starting on F#/Gb, G, G#/Ab, A, Bb, B - 2 octaves. Chromatic scales starting on C and D, to be played slurred, 1 octave to a bow. Range: 3 octaves. Double stopped scales: (a) in 3rds: Eb and F majors (b) in 6ths: Ab and Bb majors (c) in octaves: C major and C minor (either form, candidates choice) To be played in even notes: (i) separate bows (ii) slurred, two to a bow Range: 2 octaves. 4. 5. Artificial harmonics: C major, to be played separate bows, notes of even length. Range: 1 octave. Arpeggios: all major and minor common chords, root position only, to be played in even notes: (i) separate bows (ii) slurred: ascent - one bow, descent - one bow Ranges: requirements starting on C, C#/Db, D, D#/Eb, E, F - 3 octaves; requirements starting on F#/Gb, G, G#/Ab, A, Bb, B - 2 octaves. Dominant 7ths in the keys of F, F#, G, Ab and A, resolving on the tonic, to be played in even notes: (i) separate bows (ii) slurred, 1 octave to a bow Range: 3 octaves. Diminished 7ths starting on C. C#, D, Eb and E, to be played in even notes: (i) separate bows (ii) slurred, 1 octave to a bow Range: 3 octaves.

2. 3.

6.

7.

Performance
BACH, J. S. Cello Suite No. 2 in D minor, BWV 1008: 1st movt., Prelude AND 2nd movt., Allemande OR 4th movt., Sarabande AND 7th movt., Gigue from The Solo Cello Suites for Viola (Chester/Music Sales)
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Cello Suite No. 4 in E flat, BWV 1010, 4th movt., Sarabande AND 5th and 6th movts., Bourree I & II from The Solo Cello Suites for Viola (Chester/Music Sales) BACH, J. S. Cello Suite No. 5 in C minor, BWV 1011, 4th movt., Sarabande AND 5th and 6th movts., Gavotte I & II from The Solo Cello Suites for Viola (Chester/Music Sales) BANTOCK Sonata: 2nd movt. (Chester/Music Sales) BARTK Concerto: 1st movt (ed. Serly) (Boosey & Hawkes/MDS) BERKELEY Sonata in D minor, Op. 22 (complete) (Chester/Music Sales Special order) BLISS Sonata, 1933 (complete) (OUP archive/Allegro) BLOCH Suite Hebraique (G. Schirmer/Music Sales) BRAHMS Sonata in F minor, Op. 120 No. 1 (complete) (Wiener Urtext/MDS) BRAHMS Sonata in E flat, Op. 120, No. 2 (complete) (Wiener Urtext/MDS) BREVAL Sonata (Enoch/UMP) BRIDGE Allegro Appassionato from Two Pieces for Viola (Stainer & Bell) BRITTEN Elegy for Solo Viola (Faber) HINDEMITH Trauermusik (Schott/MDS) HINDEMITH Sonata Op. 25, No. 1 JACOB Concerto No. 1 in C minor: 1st AND 2nd movts. (Simrock/MDS) JACOB Concerto No. 2 in G: 1st movt. (Simrock/MDS) MILHAUD Sonata No. 2, Op. 244: any 2 movts. (Heugel/UMP) RAWSTHORNE Sonata: 1st movt. (OUP archive/Allegro) REGER 3 Suites for Solo Viola, Op. 131d, any two contrasting movts from one Suite (Peters) RIVIER Concertino: 1st AND 2nd movts. (Salabert/UMP) RUBBRA Concerto in A, Op. 75: 1st movt. (Lengnick/Faber) RUBINSTEIN Sonata in F minor Op 49: 1st movt. (Amadeus) SCHUMANN Marchenbilder Op. 113 (Peters) SHOSTAKOVICH Sonata Op. 147: 1st AND 2nd movts. (Boosey & Hawkes/MDS) STAMITZ, C. Concerto in D Op. 1: 1st movt. (Peters) STRAVINSKY Elegy for Viola (Schott) VAUGHAN WILLIAMS Suite for Viola: Group 3 (complete) (OUP) WALTON Concerto: any two movts. (OUP) WEBER Theme and Variations in C (Kunzelmann/Peters)

BACH, J. S.

Viola: LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. ARNOLD BACH, J. S. BACH, J. S. BARTK BLISS BRAHMS BRAHMS GLINKA HENZE HINDEMITH HINDEMITH HINDEMITH Concerto (complete) (Faber) Cello Suite No. 3 in C, BWV 1009 (complete) from The Solo Cello Suites for Viola (Chester/Music Sales) Cello Suite No. 6 in G, BWV 1012 (complete) from The Solo Cello Suites for Viola (Chester/Music Sales) Concerto (complete) (Boosey & Hawkes) Sonata (OUP Archive/Allegro Music) Sonata in F minor, Op. 120 No. 1 (complete) (Wiener Urtext/MDS) Sonata in E flat, Op. 120 No. 2 (complete) (Wiener Urtext/MDS) Sonata in D minor (complete) (Musica Rara/Breitkopf & Hartel) Serenade for Solo Viola (Schott) Sonata in F, Op. 11 No. 4 (complete) (Schott/MDS) Sonata for Solo Viola, Op. 31 No. 4 (complete) (Schott/MDS) Der Schwanendreher: 1st movt. (Schott/MDS)
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HOFFMEISTER JACOB MACONCHY MILHAUD MILHAUD PAGANINI PENDERECKI REGER RUBBRA SEIBER SHOSTAKOVICH STAMITZ, C. WALTON

Concerto in B flat: 1st movt. with cadenza (Schott/MDS) Concerto No. 2 in G (complete) (Simrock/MDS) 5 Sketches for Solo Viola (complete) (Chester/Music Sales Special Order) Sonata No. 1 Op. 240 (complete) (Heugel/UMP) Sonata No. 2 Op. 244 (complete) (Heugel/UMP) La Campanella (Schott) Cadenza for Solo Viola (Schott/MDS) Suite No. 1 in G minor from 3 Suites for Solo Viola, Op. 131d (complete) (Peters) Concerto in A Op. 75: 1st movt. (Lengnick/Elkin) Elegy (Schott/MDS) Sonata Op. 147: 1st AND 2nd movts. (Boosey & Hawkes/MDS) Concerto in D, Op 1, 1st movt. (Peters) Concerto: any two movts. (OUP)

Viola: FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

11

Cello: DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. ALBENIZ, arr. Marechal Tango from Espaa Suite (Eschig/UMP) ARUTIUNIAN Impromptu (Zen-On/MDS) BACH, J. S. Suite No. 3 in C, BWV 1009: 3rd, movt., Courante, 4th movt., Sarabande AND 7th movt., Gigue from Six Cello Suites (Brenreiter) BACH, J. S. Suite No. 4 in E flat, BWV 1010: 1st movt, Prelude from Six Cello Suites (Brenreiter) BACH, J. S. Sonata No. 3 in G minor, BWV 1029 (complete) (Brenreiter) BEETHOVEN 7 Variations on Mozarts Bei Mannern from The Magic Flute from Variationen (Peters EP748B) BEETHOVEN Sonata No. 3 in A Op. 69, 1st movt, Allegro ma non tanto (Henle) BLOCH Prayer (Fischer) BOURGEOIS Nos. 1, 2, 5, 6 from Fantasy Pieces (BrassWind) BRAHMS Sonata No. 2 in F, Op. 99: 1st movt. (Wiener Urtext/MDS) BRAHMS Sonatensatz (Scherzo) Op. post. (IMC3295) BREVAL Sonata No. 5 in G: 1st movt, Brillante (Schott/MDS) BRIDGE Sonata: 1st movt. (Boosey & Hawkes) BRUCH Swedish Dance No. 3 from Four Pieces Op. 70 (Simrock/MDS) CHOPIN Sonata in G minor, Op. 65: 1st movt. (Henle) CHOPIN Polonaise Brilliante in C Op. 3 (ed. Grutzmacher) (Peters) CHOPIN Nocturne in E flat from Chopin for Cello and Piano 1: Famous Transcriptions (Polskie Wysawnictwo Muzyczne SA) CHOPIN Waltz in C# minor from Chopin for Cello and Piano 1: Famous Transcriptions (Polskie Wysawnictwo Muzyczne SA) DEBUSSY Serenade AND Finale from Sonata in D minor (Henle) DE FALLA, arr. Piatigorsky Ritual Fire Dance (from El Amor Brujo) (Chester/Music Sales) DELIUS Sonata from Works for Cello and Piano (complete) (Boosey & Hawkes) DVOK Rondo in G minor Op. 94 (Henle) ELGAR Sospiri Op. 70 (Breitkopf) FAURE Elegie Op. 24 from An Anthology of Selected Pieces (Peters) HINDEMITH A Frog He Went a-Courting, Variations (Schott/MDS) KREISLER Liebslied OR Liebesfreud (Schott/MDS) MUFFAT, arr. Cassado Arioso (Universal/MDS) POPPER Serenade No. 2 from Selected Pieces Op. 54 (Universal/MDS) RACHMANINOV Danse Orientale Op. 2 (Boosey & Hawkes) RAMEAU Gavotte from Classical Pieces of the 17th and 18th Century (Schott/MDS) SCHUMANN Adagio and Allegro Op. 70 (Peters) SIBELIUS Malinconia Op. 20 (Breitkopf) WEBER Adagio and Rondo (IMC)

12

Cello: ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Scales and Arpeggios (from memory) 1. All major and minor (both forms) scales. To be played: (i) separate bows, even notes (ii) slurred, 1 octave to a bow, the rhythmic pattern being quaver, two semiquavers, four semiquavers Range: 3 octaves. Chromatic scales starting on C, C#, D, Eb, E, F, F# and G To be played slurred, 1 octave to a bow. Range: 3 octaves. Double stopped scales: (a) in 3rds; E major and A flat major (b) in 6ths; C major and E flat major (c) in octaves; G major and B flat major To be played with even notes: (i) separate bows (ii) slurred, two to a bow Range 2 octaves. 4. Arpeggios: all major and minor common chords in root position only, to be played with even notes: (i) separate bows (ii) slurred, 9 notes to a bow Range: 3 octaves. Dominant 7ths: in the keys of F, F#, G, Ab, A, Bb, B and C, resolving on the tonic. To be played with even notes: (i) separate bows (ii) slurred, 1 octave to a bow Range: 3 octaves. Diminished 7ths: starting on C, C#, D, Eb, E, F, F# and G To be played with even notes: (i) separate bows (ii) slurred, 1 octave to a bow Range: 3 octaves.

2.

3.

5.

6.

Performance
Any three contrasting movts from ONE of the Six Cello Suites BWV 1007-1012 (Brenreiter) BARBER Sonata Op 6, 2nd AND 3rd movts. (G. Schirmer/Music Sales) BARTK (trans. Silva) Romanian Folk Dances (complete) (Universal Edition/MDS) BEETHOVEN 12 Variations on Judas Maccabeus, WoO 45 (Any reliable edition) BLOCH, arr. Schuster Nigun, Improvisation from Baal Shem Suite (Carl Fischer)
13

BACH, J. S.

BOCCHERINI Sonata No. 6 in A major, Adagio AND Allegro (IMC) BRAHMS Sonata in E minor, Op. 38: 1st movt. (Wiener Urtext) BRIDGE Scherzo (Faber) BRUCH Kol Nidrei, Op. 47 (IMC) DEBUSSY Sonata (selection to include 1st movt.) (Henle) DE FALLA (trans. Marechal) Suite Populaire Espagnole. (UMP) DVOK Rondo in G minor, Op. 94 (Henle) ELGAR Cello Concerto in E minor Op. 85: 1st movt. (Novello/Music Sales) FAUR Sonata No. 2 in G minor Op. 117: 1st movt. (Durand/UMP) FRANCK (trans. Delsart) Sonata in A major: 2nd or 3rd movt. (IMC) FRANCOEUR Sonata in E: 1st AND 2nd movts. (Schott/MDS) GRANADOS, arr. Caroudo Intermezzo from Goyescas (G. Schirmer/Music Sales) GRIEG Sonata in A minor Op. 36: 1st movt. (Peters) HAYDN Concerto in C, Hob.VIIb/1: 1st movt. (Henle) HINDEMITH Sonata Op. 25 No. 3 for Solo Cello: 1st AND 3rd movts. (Schott/MDS) IRELAND Sonata in G minor: 1st movt. (Stainer & Bell) LEIGHTON Elegy (Lengnick/Faber) MARTIN Variations on a Theme of Rossini (Boosey & Hawkes) MENDELSSOHN Sonata in D major Op. 58: 1st movt. (Henle) PROKOFIEV Sonata in C major, Op. 119:1st movt. (Boosey & Hawkes) RACHMANINOV Sonata in G minor, Op. 19: 4th movt. (Boosey & Hawkes) SAINT-SANS Concerto No. 1 in A minor Op. 33, 1st movt. (Durand/UMP) SHOSTAKOVICH Sonata in D minor Op. 40: 1st movt. (Boosey & Hawkes) VIVALDI Concerto in G minor, RV 417 (complete) (IMP) WALTON Passacaglia for Unaccompanied Cello (OUP archive/Allegro)

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Cello: LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. BACH, J. S. Any three movts from Suite No. 4 in E flat, BWV 1010 (Brenreiter) BACH, J. S. Any three movts from Suite No. 6 in D, BWV 1012 (Brenreiter) BACH, J. S. Sonata No. 2 in D, BWV 1038 (Brenreiter) BARTK Rhapsody No. 1 (Boosey & Hawkes) BEETHOVEN Sonata in A, Op. 69 from Sonatas for Piano and Violoncello (complete) (Henle) BEETHOVEN Sonata in D, Op. 102 No. 2 from Sonatas for Piano and Violoncello (complete) (Henle) BLOCH Schelomo (G. Schirmer/Music Sales) BOCCHERINI Concerto in B flat: 1st movt. (Peters) BOCCHERINI Sonata No. 2 in C (complete) (IMC) BRAHMS Sonata in E minor, Op. 38 (complete) (Wiener Urtext/MDS) BRAHMS Sonata in F, Op. 99 (Wiener Urtext/MDS) BRIDGE Scherzo and Melodie (Faber) BRITTEN Sonata in C, Op. 65: last movt. (Boosey & Hawkes) CAPORALE Sonata in D minor (complete) (Schott/MDS) CHOPIN Sonata in G minor (Peters) DANZI Variations on a Theme from Mozart's Don Giovanni (Breitkopf & Hartel) DAVIDOV At the Fountain, Op. 20 No. 2 (IMP/MDS) DEBUSSY Sonata in D minor (complete) (Henle) DVOK Concerto in B minor, Op. 104: 2nd movt. (Peters) DVOK Waldesruhe (Silent Woods), Op. 68 No. 5 (IMC) ELGAR Concerto in E minor, Op. 85: 1st AND 2nd movts. (Novello/Music Sales) FAUR Papillon, Op. 77 (IMC) FRESCOBALDI, arr. Cassado Toccata (Universal/MDS) HAYDN Concerto in C Hob VIIb/1: 3rd movt. (IMC) HENZE Serenade (1949) for Solo Cello: any five movts. (Schott/MDS) KABALEVSKY Concerto No. 1 in G minor, Op. 49: 1st movt. (Peters) KHACHATURIAN Concerto (1946): 1st movt. (Boosey & Hawkes) LALO Concerto in D minor: 3rd movt. (Peters) MARTIN Variations on a Slovakian Theme (Brenreiter) McCABE Partita for Unaccompanied Cello (Novello/Music Sales) PAGANINI Moto Perpetuo (IMC) PROKOFIEV Sonata in C, Op. 119 (Boosey & Hawkes) RACHMANINOV Sonata in G minor, Op. 19: 1st AND 2nd movts. (Boosey & Hawkes) SAINT-SANS Sonata in C minor (IMC) SCHUMANN Concerto in A minor, Op. 129: 1st movt. (Breitkopf & Hartel) TCHAIKOVSKY Pezzo Capriccioso, Op. 62 (IMC) WALTON Concerto, 1st movt. (OUP)

Cello: FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

15

Double Bass: DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. ANDRIESSEN Elegy (Boosey & Hawkes) BACH, J. S. (trans. Sterling) Any two movts. from Solo Suites for Double Bass (Peters) BARB Ni-Or (UMP) BERIO Psy, for Solo Double Bass (Universal Edition/MDS) BERKELEY Introduction and Allegro, Op. 80 (Yorke/Spartan Press) BOTTESINI Concerto No. 1 in one movt. (IMC2101) CIMADOR Concerto in G, 1st AND 2nd movts. (Yorke/Spartan Press) DITTERSDORF Concerto No. 2 in D: 2nd movt. (with cadenza) (Yorke/Spartan Press) DRAGONETTI Andante AND Rondo (complete) (Doblinger/MDS) DRAGONETTI Solo in E minor (Yorke/Spartan Press) ECCLES Sonata in G minor, 3rd AND 4th movts (IMC1712) FAUR, arr. Zimmerman Aprs un Rve, Op. 7 No. 1 (IMP) FAUR, arr. Zimmerman Sicilienne, Op. 78 (IMP) GAJDOS Solo No. 6 from Selected Works for Bass (Theodore Presser/MDS) GIPPS The Ox and the Ass (Recital Music/Spartan Press) GUETTLER Variations on Greensleeves from Unaccompanied Solos Vol. 1 (Yorke/Spartan Press) HAUTA-AHO Pieni Elegia (Recital Music/Spartan Press) HOFFMEISTER Concerto No 1: 2nd movt. (Henle) HONEGGER Prlude (Leduc AL28979/UMP) KEYPER Romance AND Rondo (Yorke/Spartan Press) KUCHYNKA Humoreska a la Mazurka for Solo Double Bass (Recital Music/Spartan Press) LORENZITI Gavotte, The Elephant and the Fly (Bartholomew BMP003) MARCELLO Sonata in E minor, Op. 2 No. 2 (complete) (IMC) MASSENET, arr. Drew Mditation from Thas (Belwin/Maecenas Europe) OSBORNE Aria and Choros Brasileiros (complete) (Recital Music/Spartan Press) SPERGER Adagio in A (Deutscher Verlag DVfm8109) TELEMANN, arr. Sankey Sonata in A minor: 3rd AND 4th movts. (IMC2308) VAN GOENS Scherzo Op. 12 No. 2 from Solo Album for Double Bass (Belwin 51151)

16

Double Bass: ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Scales and Arpeggios (from memory) 1. All major and minor (both forms) scales; to be played: (i) separate bows, even notes (ii) slurred, 1 octave to a bow, the rhythmic pattern being quaver, two semiquavers, four semiquavers Range: E and F - 3 octaves; all other keys - 2 octaves Chromatic scales starting on E, F, F#, G, G# and A, to be played slurred, 1 octave to a bow. Range: E and F - 3 octaves; remainder - 2 octaves Arpeggios: all major and minor common chords, in root position only, to be played in even notes: (i) separate bows (ii) slurred, 3 notes to a bow Range: E and F - 3 octaves; remainder - 2 octaves Dominant 7ths: in the keys of A, Bb, B, C, Db, D, Eb and E, resolving on the tonic, to be played in even notes: (i) separate bows (ii) slurred, 4 notes to a bow Range: A and B flat - 3 octaves; remainder - 2 octaves Diminished 7ths: starting on E, F, F#, G and A, to be played in even notes: (i) separate bows (ii) slurred, 4 notes to a bow Range: E and F - 3 octaves; remainder - 2 octaves.

2. 3.

4.

5.

Performance
BACH, J. S. (trans. Sterling) Prelude AND any other 2 movts. from ANY ONE of the Solo Suites for Double Bass (Peters) BOTTESINI Bolero from Yorke Complete Bottesini, Vol. 1 (Yorke/Spartan Press) BOTTESINI Gavotta from Yorke Complete Bottesini, Vol. 1 (Yorke/Spartan Press) BOTTESINI Concerto No. 2 in B minor: 1st AND 2nd movts. (Breitkopf) BOTTESINI Elegia in D (Recital Music/Spartan Press) BOTTESINI Tarantella in A minor (IMC) BOURGEOIS Romance, Op. 64 (Yorke/Spartan Press) BRUCH Kol Nidrei, Op. 47 (IMC) CERNY Nocturno e Intermezzo. (Recital Music/Spartan Press) DILLMAN Introduction and Allegro (Hofmeister) DITTERSDORF Concerto No. 2 in D major: 1st movt. from Concertos for Double Bass & Orchestra (Yorke/Spartan Press) ECCLES, arr. Zimmermann Sonata in G minor (complete) (IMC1712) ELLIS Sonata for Solo Double Bass, Op. 42 (complete) (Yorke/Spartan Press) GAJDOS Zingaresca (Recital Music/Spartan Press) GIOVANNI Sonata in F (complete) (Yorke/Spartan Press)
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HERTL HINDEMITH JACOBS KODALY KOUSSEVITSKY KOUSSEVITZKY KOUSSEVITSKY PICHL RIDOUT SALZEDO

Sonata: 2nd movt., Andantino (Barenreiter) Sonata (Schott/MDS) A Little Concerto: 1st movt. (Yorke/Spartan Press) Epigrams (Editio Musica Budapest) Andante Op. 1 No. 1 AND Valse Miniature Op. 1 No. 2 (Forberg/Peters) Chanson Triste Op. 2 AND Humoresque Op. 4 (Forberg/Peters) Concerto Op. 3: 2nd movt., Andante (Forberg/Peters) Concerto in D major: 1st movt. (Hofmeister/Music Sales Special Order) Concerto: 2nd movt, Giocoso (Yorke/Spartan Press) Rhapsody (Recital Music/Spartan Press)

18

Double Bass: LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire. BACH, J. S. Suite No. 2 in D major, 3rd AND 4th movts. (IMC) BEETHOVEN Romance, Op. 50 (IMC) BENSTEAD Four Episodes (any selection to include Nos. 2 AND 3) (Yorke/Spartan Press) BOTTESINI Allegretto Capriccioso. (Yorke/Spartan Press)) BOTTESINI Concerto No. 2 in B minor (complete) (Breitkopf) BOTTESINI Fantasia la Sonnambula (McTier) BOTTESINI Fantasia Lucia di Lammermoor (Yorke/Spartan Press) DRAGONETTI Concerto in A major (Leduc/UMP) FRANAIX Concerto: first 2 movts. (Schott/MDS) FRYBA Suite in Olden Style, any 3 movts. (Weinberger/Faber) GAJDOS Capriccio in D minor (Recital Music/Spartan Press) GLIRE Prelude, Op. 32: No. 1 and Scherzo (IMC) HANDEL Concerto in G minor (Belwin) HAUTA-AHO Kadenza (Jasemusiiki) HENZE Serenade (Schott/MDS) HOFFMEISTER Concerto No. 2 in D major (Hofmeister) LANCEN Nos. 1 AND 3 from Croquis (Yorke/Spartan Press) LEACH Suite for Unaccompanied Double Bass (Yorke/Spartan Press) MACONCHY Four Improvisations (Recital Music/Spartan Press) MISEK Sonata No. 1 in A, Op. 5 (complete) (Hofmeister/Music Sales Special order) MISEK Sonata No. 2 in E minor (complete) (Hofmeister/Music sales) RABBATH Two Miniatures (Liben) RAISIGL Suite No. 1 for Solo Double Bass (complete) (Recital Music/Spartan Press) REINER Sonata (Recital Music/Spartan Press) SERVENTI Largo et Scherzando (Leduc/UMP) VALLS Suite Andaluza (Hofmeister) VIVALDI (trans. Zimmermann) Any one Of The Six Cello Sonatas, Rv 40-1, 43, 45-7 (IMC) ZBINDEN Homage a J. S. Bach Op. 44 (Breitkopf EB6554)

Double Bass: FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

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June 2011
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