Flute Tone Buliding
Flute Tone Buliding
by Matt Spencer
Largo
4U U
∑
U U
∑
&4 w #w #w w
*Continue to
lowest note
The Idea of the fermata on both notes
(and not the rest) is so that the breath is
spread out evenly between both notes.
It builds the tone on each note
chromatically to the lowest C *(or B depending
on the flute's footjoint).
The notes should be played to sound
strong and dark to weaker and mellow.
To get a stronga nd dark sound a
flautist must "frown" while playing.
To get a weaker and mellow tone a flautist
must "losen" the embrochure on the flute.