Publisher

Steven K. Dowd
Contributing Writers
Latosa Escrima
Sandra D. Sabatini
Erick Empasis
Guy T.C. Jones
Jeff Finder
Andy Zavalla
David Battaglia
Jerome Barber

Contents
From the Publishers Desk
Rene Latosas: The Escrima Concepts
Interview with Grandmaster Richard Bustillo
Interview with Master Wilson R. Ceniza
Filipino Martial Arts in the Work Place
International Arnis de Leon Federation
High Blocks: Cross and Umbrella
Building Blocks
Silent No Longer
StickArt.com
BMAS - Art Within Your Art
Guro Grande George Brewster
Cultural Awareness - mandirigma.org
FMA Past Events
FMA Future Events
Filipino Martial Arts Digest is published and distributed
by:
FMAdigest
1297 Eider Circle
Fallon, Nevada 89406
Visit us on the World Wide Web: www.fmadigest.com
The FMAdigest is published quarterly. Each issue features practitioners of martial arts and
other internal arts of the Philippines. Other features include historical, theoretical and technical
articles; reflections, Filipino martial arts, healing arts and other related subjects.
The ideas and opinions expressed in this digest are those of the authors or instructors being
interviewed and are not necessarily the views of the publisher or editor.
We solicit comments and/or suggestions. Articles are also welcome.
The authors and publisher of this digest are not responsible for any injury, which may result
from following the instructions contained in the digest. Before embarking on any of the physical
activates described in the digest, the reader should consult his or her physician for advice
regarding their individual suitability for performing such activity.

From the Publishers Desk

Kumusta
Well Volume 3 No. 3 is here and what an issue. Got a couple interviews, one with
Grandmaster Richard Bustillo of the IBM Academy, another with Master Wilson Ceniza
Teovel Balintawak Self Defense Club. Both of these Filipino martial arts practitioners
are professionals and offer a great deal to students.
Grandmaster Rene Latosa lets us know about Latosa Escrima, and is scheduled to
be at the 4th Annual WFMAA Expo & Laban Laro August 4 - 6, 2006.
Are you going to be at the Buffalo Summit? Dr. Barber noted for his events brings
an event that you will not want to miss. Read about the past and then what is coming up.
Grandmaster and Founder Anding de Leon, lets us know about himself and the
International Arnis de Leon Federation IADLF.
Michael Gubat shows that the Filipino martial arts, is very good in the work place.
And Guro Andy Zavalla gives some thought in the building blocks of the Filipino martial
arts. Stickman brings you something from Serrada Escrima and if you have not visited
StickArts.com recommended that you check them out.
Mandirigma.org brings some cultural awareness that is deep and thought
provoking to say the least, excellent!
On a sad note Guro George Brewster passed away. However his spirit will live on
and the Boston Arnis Club will continue to bring his teachings to others.
Got to say what did we miss, if you did not go to the events that are posted in the
FMA Past Events, then if they come around again you do not want to miss them if they
come around again.
Some great FMA Future Events coming up. If you are in the area or can travel, do
not miss them!
Maraming Salamat Po

Rene Latosas
The Escrima Concepts
Latosa Escrima
There are many systems within the Filipino Martial Arts
and each one is distinctive in its own way. A Filipino martial
artist should be verse enough to tell you exactly why their system
is unique. Escrima as taught by Rene Latosa is unique because it
revolves around five basic concept (Power, Balance, Focus,
Speed (timing and distance) and transition), the box alignment,
forward and reverse directional energy triangles and the figure
eight offensiveness. These are all unique training approaches
developed and designed by Latosa to maximize effectiveness and
retain ability by the students.
Rene Latosa has had plenty of influences especially during his 30 plus years
training and teaching the Filipino martial arts. His instructors reads like of book of
Whos Who, with the likes of Angel Cabales, Maximo Sarmiento, Dentoy Revilar, Leo
Giron, his Uncle Pedro and his father Juan Latosa. It was not until he was training for
several years in the Serrada System that he found out the true skills of his Father, the hard
way. Little did he know that the famous story about the Filipino Escrimador fighting a
death match with a Japanese Bo master on the ship from the Philippines to the USA was
his own Father.
At the age of twenty-three while serving with the US Air Force, Latosa is the
person who introduced the Filipino martial arts to England and then to all of Europe.
This was not an easy task. His method of introduction was demonstrating and convincing
skeptics at various martial art schools throughout London. Many of the traditional
martial artists never heard or wanted to know about this unknown art especially from a
twenty-three year old. As word spread, various martial arts magazines started publishing
articles on the Latosa in the United Kingdom and then throughout the rest of Europe.
Latosa began teaching for the European Wing Tsun Organization, headquartered in
Germany for over 20 years. Today, he still travels at least two times a year to Europe and
constantly throughout the US for seminars in the EBMAS Organization in association
with Emin Boztepe, a world recognized martial artist.
The Latosas Escrima five basic concepts are used to
test the techniques taught to determine whether they are
effective and structurally sound.
Balance: Balance is the overriding concept in this
system. It is a prerequisite to the proper functioning of
all the others. Nothing can be accomplished reliably if
you are off-balance--in the martial arts.
Power: The student trains his/her body to apply
devastating power through any weapon without the
need for excessive acceleration distance. Through

proper body mechanics, one can achieve an extremely high level of e.g. striking power
with a stick, even when the strike begins only a few inches away from the target. There is
no need to "swing" the stick in order to hit hard. As a result, you gain economy of
motion, which allows you to strike immediately from any position without loss of time in
wind-up. It also allows extremely fast successive strikes, as the stick does not need to
withdraw far in order to accelerate again. Short power, as it is generated from the body
itself and thus does not depend on the motion characteristics of the particular weapon,
may be applied through any object or mobile body part. In self-defense, and in life, it
allows one to act immediately, from wherever one is at the moment, without preparation,
instantly and effectively. Zoning or zone hitting, which is ensuring that your strike goes
through the intended target and not beyond so as to maintain safe positioning and control
of the weapon, is an element of short power.
(Offensive) Focus: A Latosa Escrimador is always focused on the goal, not the obstacles
in the way. Visual and physical focus should be centered on the target of your attack, not
on the weapons of the enemy. The student is trained to direct 100% of his/her energy
toward the target, leaving extraneous issues to effective peripheral awareness. The goal is
always to conquer the enemy's command center, rather than to chase after his troops. In
this way, the Escrimador is offensive in defense. The "So What" theory, in which the
Escrimador symbolically says "So What?" to the blocks and feints of the enemy while
simply pressing forward with his/her own attack, is an element of offensive focus.
Speed (timing and distance): Useful speed does not stem primarily from how fast one
can move one's limbs, but from how precisely one can sense the proper time to initiate an
action and how accurately one can judge the distance the action must cover. Relatively
slow, economical movements executed with perfect timing and distancing will defeat
extremely fast, wide movements executed at the wrong time and at the wrong distance.
Likewise, in life, acting efficiently at the right time and place is far better than acting
excessively at the wrong moment. The Latosa Escrima student is trained to read the
subtlest movements, tensions, and attitudes of a potential enemy's body so as to be one
step ahead of the enemy's intentions and timing. This is a critical element of speed.
Transition (to any weapon/situation): Latosa Escrima teaches a very small, simple
repertoire of movement concepts and strategy that applies to any weapon in any situation.
This allows the Escrimador to react flexibly and efficiently to any self-defense situation,
without confusion or technical thought. This ability to spontaneously adapt to
circumstances is useful also in realms other than self-defense.
Attitude: The student learns to channel distracting and debilitating emotions such as fear
and rage into a performance-enhancing mental attitude conducive to overcoming the most
dangerous situations. (This attitude may sometimes outwardly resemble anger, but it is in
fact deeper and far more constructive.) In the process, the student learns to deal with and
to a great extent control the physiological effects of stress, prevent panic, maintain mental
clarity under pressure, and generally work through bad situations. Additionally, the selfconfidence fostered by realistic training permeates all areas of life. Explosiveness is an
element of every one of the main concepts, and refers to the ability to transition instantly

and effortlessly from a state of stillness to movement or from one type of movement to
another type of movement. This ability is very much affected by mental attitude.
Note: These are only brief and superficial explanations of the Latosa Escrima concepts. It
would take more than a lifetime of training to truly understand them in full.

As the attack hand is

already nullified, the
straight right shoots in.

As the opponent leaves an

opening, the body surges forward
to add the full body low kick.

Low kick to add to the

offensive forwardness.

All of the concepts are interdependent and interrelated, with aspects of each
enhancing the domains of the others. Intellectual understanding and physical mastery of
them will most likely lead to success in self-defense and all areas of life.
As for the training itself, a beginning student will spend most of his/her time
learning how his/her own body moves. There are no strictly prescribed positions or
movements in Latosa Escrima. The instructor works with the student to help the student
find out how his/her own body can best express the Latosa Escrima concepts. This
generally begins with learning how to produce short power with a stick held in one hand,
and to maintain balance in stillness and in movement in all directions while doing so.
With this journey begun, the student learns to apply short power to the enemy with focus
and speed. In order to avoid getting hit by the enemy while doing so, the student learns
concepts of movement relationship through the Box System and Five Strike System,
which teach the student about off lining and interference striking, among other things.
Attitude is cultivated beginning with the very first solo drills, and progresses at a higher
pace once partner exercises begin within the first couple classes. From here, the student
advances to apply the developed movements and concepts to all weapons, all ranges and
scenarios of combat, all levels of force, and all self-defense situations. At the highest
levels, it all comes back to training the mind and body to express the concepts, as
perfectly as the span of one's lifetime will allow.
The five concepts as described above is not the complete Latosa Escrima system.
The narrative above was just to provide an idea of the five concepts. The system requires
the use of the box alignment, forward and reverse directional energy triangles and the
figure eight offensiveness all working in unison to make it complete. A martial artist
should be able to tell you what each move does, the meaning of the movement, various
applications and what makes them unique from everyone else.
Grandmaster Rene Latosa
PO Box 651
Windsor, CA. 95492
[707] 575-1114
Website

Grandmaster Richard S. Bustillo

By Sandra D. Sabatini
It is with great honor in May of 2005 I had the
opportunity to interview Grandmaster Richard S. Bustillo.
Grandmaster Bustillo has a tremendous amount of knowledge in
the Filipino Martial Arts and has spent many hours training and
studying with some of the world most renowned and most
secretive/reclusive Masters and Grandmasters of the Filipino
Martial Arts. Some at which are unfortunately not with us today.
With so many Filipino Martial Arts Systems popping up all over
the place now a days, one would be curious to see the true
traditional Filipino Martial Arts of days gone by in todays mix
martial arts schools. In this exclusive interview Grandmaster
Bustillo will share with the FMAdigest reader his experiences in
the Filipino Martial Arts, his views about the Filipino Martial
Arts, and his fondest memories about his mentors and teachers
over the years.
SDS: I would like to ask you some questions about your history in the Filipino Martial
Arts and just how much has it influenced your development as a martial artist, and as a
teacher.
SDS: A lot of people in the Martial Arts know about your student/teacher relationship
with Bruce Lee and Jeet Kune Do, could you tell us when and how you where introduced
to the Filipino Martial Arts?
RSB: It was at the Lee Jun Fan Gung Fu Institute in China Town of Los Angeles that
started my Filipino martial arts interest. Dan Inosanto and I were practicing with Bruce
Lee when Mr. Inosanto asked me if I knew anything about the Filipino martial arts of
Kali or Eskrima or Arnis. I told Mr. Inosanto that I have seen Ben Largusa demonstrate
Eskrima at Ed Parker's International Karate Tournament in 1964.
At that time I was only interested in the striking arts of kicking and punching, and
not the Filipino arts. My first learning experience with the Filipino Arts was at a private
weekend session with Angel Cabales. It was Dan's mom Mary Inosanto who arranged
our first private session with Angel Cabales in Stockton, CA. After this encounter Mr.
Inosanto and I used to drive 8 hours from Los
Angeles to Stockton, California every other weekend
to learn Eskrima.
My interest in the Filipino martial arts grew
above and beyond my expectations. During my
vacation in my Hawaii home, I ask my father and
uncle if they knew anyone who knows anything about
the Filipino martial arts. They would refer me to Tata
Duran, who referred me to Bralio Pedoy, who
referred by to Raymond Tobosa, who referred by to
Floro Villabrille. All these referrals mushroom to
many Eskrimadors living in Hawaii. I invited Mr.

Inosanto to Hawaii to train with these masters, and he invited me to Northern California
to train with Angles Cabales, Leo Giron, Max Sarmento, Dentoy Revilar, Gilbert Tenio,
Sam Tendencia, Pedro Apilado, and Juan Lacoste to name a few.
SDS: Could you tell our readers what kind of background that Sijo Bruce Lee actually
had in the Filipino Martial Arts?
RSB: Sijo Bruce Lee had no formal Filipino Martial Arts experience that I know of. It
was Dan Inosanto who showed and taught Sijo Lee some Filipino techniques and training
drills. However, Sijo Lee understood the Wing Chun Kung Fu double sword and he was a
skilled practitioner of the real fighting world.
SDS: You where featured in the book "Filipino Martial Arts by Dan Inosanto published
by Know Now Publications. As his friend and training partner did you go along with
Guro Dan for the interviews within his book?
RSB: What where your memories about shooting the photos for the book? I was very
happy that Dan Inosanto wrote his book "Filipino Martial Arts". At that time there were
no Filipino martial art books readily available for the martial arts practitioner. Dan wrote
this book for several reasons. He wanted to pay his respects to our teachers for teaching
us their style and system of the Filipino Martial Arts. Second, Dan want the other
Masters, who we couldn't locate or research, to come out and reveal their Filipino Martial
Art skill, system or style.
SDS: Speaking about your relationship with Guru Dan Inosanto, you where really
instrumental with growing the IMB Academy into the world-renowned Mecca of martial
arts instruction it is today. Could you tell us how you became an instructor under Guru
Dan?
RSB: When Bruce Lee closed his Lee Jun Fan Gung Fu Institute in 1970 and moved to
Hong Kong. Mr. Inosanto and I became training partners in his back yard gym. In the
1973 Bruce Lee died. Dan Inosanto devastated and didnt care to practice martial arts.
He mourned Bruce Lees death for a long time. Months later Dan said to me, "Richard,
lets open a commercial martial art school together. If you were my partner we could
continue our research on the Filipino martial arts and promote the martial arts of the
Philippines. More important, we could share our Bruce Lee experiences with others." I
had mixed emotions when Dan told me that he wouldnt pick anyone else but me to be
his partner. In 1978 Mr. Inosanto promoted me to senior instructor (Sigung) in Jun Fan
Jeet Kune Do. Together we have achieved over a dozen different Filipino Martial Arts
styles, systems and methods.
SDS: What Masters or Grandmaster has influenced you the most in your development in
the Filipino Martial Arts?
RSB: Every Filipino Martial Arts teacher that I have studied with has influenced me in
one-way or another. Every one offered a piece for my whole Filipino Martial Arts
training. It is very hard to say which is the most influential. A year after Bruce Lee's
death Dan Inosanto and I named our school the Filipino Kali Academy in 1974, to
promote the martial arts of the Philippines. It was also the start of preserving and
promoting the teachings of Villabrille/Largusa Kali, Angel Cabale's Serrada Eskrima,

Leo Girons Largo Mano Arnis, Braulio Pedoys Derobio Eskrima, Max Sarmento,
Dentoy Revilar, Gilbert Tenio, Jack Santos, Sam Tendencia, Ray Tobosa, Feliciano
Maxcinete, Telesporo Subingsubing, Pedro Apilado, Juan Lacoste, GM Cacoy Canete,
Diony Canete, Ben Lema and many few others that escape my mind.
SDS: What are your fondest memories you have learning from these Masters or
Grandmasters?
RSB: I have many fond memories of my Filipino martial art teachers. One master in
particular was Feliciano Maxcinete. When Mr. Inosanto and I located Maxcinete in
Delano, California, I introduce Dan Inosanto and myself. I told him that we were
referred to him by his old friend Floro Villabrille in Hawaii, who said that you could help
us in our research on the Filipino martial arts. I explain that we were studying eskrima
with different instructors and that we were researching the Filipino martial arts of Kali,
Eskrima and Arnis. The very old school martial artist Maxicinete asks us if we had
challenged our Eskrima instructors. When I answered with No! He said, "How do you
know how good you are." Maxicinete started walking away from us and he said to
follow him. We followed him outside the building where some young Filipinos were
sitting and talking. Maxicine ask if we had any eskrima sticks. Dan opened the trunk of
his car and took out some eskrima sticks. Thinking that Maxicinete was going to show
or teach us his Eskrima style, the young Filipinos were talking in Tagalog (a Filipino
language). Dan whispered to me that the young Filipinos were taking bets on the young
man (me) or the old man (Maxicinete). Dan said that they were speaking in Tagalog and
taken bets on who would win this fight. I had a stick in my hand and Maxicinete had a
stick. Maxicinete told us that he wanted to see what we knew about Eskrima. He told me
to hit him. I didnt trust this old man. He had his stick in his right hand and in a right
natural fighting stance. My first thoughts were that I was going to learn Eskrima the hard
way. My second thoughts were that he thinks that we came up to challenge him and he
wants to fight. So! I turn to Dan and explain that this is what we know about Eskrima
and started to perform a Sumbrada (a counter for counter drill) with Dan. Maxicinete
then relaxed a little and showed us some of his techniques. His style of Eskrima was
similar to what we learned from Pedro Apilado. A style of
passing or evading a strike and countering with multiple striking
combinations. Feliciano Maxicinete was a very interesting
Eskrimador. His old school or old fashion, and tough fighting
spirit were the true way of learning the Filipino martial arts. It
was an honor and pleasure to meet a caliber of Feliciano
Maxicinete.
SDS: Is there any other Filipino Martial Arts Style, or System
you would like to learn or have an interest in today?
RSB: There are many more different styles or systems of the
Filipino Martial Arts that I haven't seen or studied. I want to
learn as much as I can on all Filipino martial arts. The more I
learn the less I know.
SDS: What style or system of Filipino Martial Arts do you

currently teach at the IMB Academy in Torrance, Ca.?

RSB: The different styles or system of the Filipino Martial Arts that I teach at the IMB
Academy are one - the IMB way. I, however, always pay my respects to my teachers and
to the style or system I'm teaching by saying that this technique, drill or method is from
this instructor who have taught to me.
SDS: As an influential Grandmaster of Doce Pares where do you see the direction of the
unification of the Filipino martial arts?
RSB: At the present time I don't see a unification of the Filipino Martial Arts. Martial
arts and Religion are similar in this respect. Each have many different practices and a
very few opportunities for unification. Hence the Holy Wars and the Greed & Ego that
prevents unification. Besides, it would be boring if there were unification. We need
respectful challenges, excitements and competition.
SDS: Do you envision a day where all schools of Filipino martial arts can come together
in a united brotherhood just as other organizations have for karate, kung fu, etc.?
RSB: Inconceivable and highly unlikely that all schools will come together. The day
may come however, when all schools come together, when we have another Chief Lapu
Lapu, or King Kamehameha, or a Bruce Lee. Presently, there are few schools uniting in
organizations for competitions.
SDS: Do you finally see in Movies, etc the credit that Filipino martial arts is finally
getting from the martial arts community?
RSB: Eventually, the Filipino martial arts will receive more credits in the Movie industry
than it is accustom to. As more of our art is exposed the more the credits will come.
Exposure is success.
SDS: As a person whom gives Seminar all over the world what is your consensus about
how the Filipino martial arts are received around the world?
RSB: I have conducted seminars in five continents. In my travels the Filipino martial
arts are very well received. In every country or big city that I have worked, I have found
that people and martial artists alike understand the basic need to be educated and be
aware of weaponry for self-defense. To defense against a weapon, you must be a
weapon's practitioner.
SDS: What would you say is your best technique your favor in the Doce Pares System?
RSB: In my Cacoy Doce Pares System, my favor technique is a secret. However, the
twirling method or striking techniques of Cacoy Doce Pares is very hard to beat. After
you check this out, it's a matter of honesty. You will know that this is the best.
SDS: Have you ever thought about writing a book about your own experiences in the
Filipino Martial Arts?
RSB: My autobiography should be completed by the end of 2005. My experiences on
the Filipino Martial Arts will follow. Thank you for asking.

SDS: Where do you see yourself in the next few years in your own personal development
in the Filipino martial arts?
RSB: I dont know what the future holds for me. In the Filipino martial arts as well as
Jun Fan Jeet Kune Do, change is the rule rather than the exception. I do know that at the
present time I will give back to the Filipino martial arts community what it gave me in
the past. It remains empty unless I put in more than I take out. I will continue to share
my Filipino martial arts experience with others who find it beneficial.
SDS: Could you tell our readers, do you offer any Filipino Martial Arts instructional
Videos or DVDs? How could our reader contact you to get additional information about
your videos?
RSB: I have one video on the basic Filipino Eskrima.
Others are in the making. Interested individuals may
contact the IMB Academy at (310) 787-8793 or email
[email protected] and visit the IMB Academy
Website at www.imbacademy.com.
In my opinion Grandmaster Bustillo is a treasure
trove of Filipino Martial Arts History and Teaching Skills.
Any FMAdigest reader lucky enough to train with this
Legend at his international renowned school IMB Academy in Torrance, California
should really seek him out for quality instruction. ~ Guro Sandra D. Sabatini
Guro Sandra D. Sabatini is a martial arts
school owner from Louisville, Kentucky. She
currently makes her home in Springfield,
Massachusetts, where she teaches Filipino Martial
Arts at Quantum Martial Arts Cross Training
Centers, Inc.

Interview with Master Wilson R. Ceniza

Teovel Balintawak Self Defense Club
By Erick Empasis
Master Wilson Rodinas Ceniza was born on November 7, 1958
in Casu-on, Moncayo, Compostela Valley Province formerly Province
of Davao where the family has been living since its birth. He is the
second child of the ten children of Quintin Dablo Ceniza and Maria
Carreon Rodinas and was educated at the University of Mindanao,
Tagum City also in Davao Province.
After graduating in the Bachelor of Arts degree he immediately applied for a job
in the locality but didnt find one to earn a living. Desperate of the situation, he migrated
to Cebu in 1986 to find an opportunity for a good employment and earned a higher

salary. But circumstances were so unkind that he failed again until he landed working for
a minimal job temporarily as freight handler in a factory just for only to survive.
In the following year he studied the Teovel Balintawak selfdefense art under the
tutelage of Grandmaster Teofilo Vilbar Roma upon the invitation and urgings of his new
friends Santiago M. Cabahug and Jose C. Villamor. He accepted the invitation to learn
the art of self-defense for the purpose at first was only for security reason to protect him
from any possible attacks of some bad personalities in the area
where he stays, as he was only a stranger in the place.
But more than just learning of the basic lessons, he was
also given the advance lessons and eventually he finishes also the
Masters degree of the Teovels Balintawak Self-defense Art. In the
end he found himself teaching of the art. That is by the
encouragement of his teacher who trusted him so well.
Finally he gained many friends that have helped him
contrive of his career. He is happily married to the former Rosario
Fernandez Espina on June 4, 1990 with whom God blessed them
with six children, five boys and a girl. He is presently employed at
the Asian College of Technology while at the same time serving as
one of the Assistant Chief Instructors of the Chapter Club located
in Barangay (Barrio) Basak, Mandaue City, Cebu, Philippines.
This is an interview with Master Wilson R. Ceniza
one of the Assistant Chief Instructors of the Teovel Balintawak
Self-Defense Club, Inc. in Basak, Mandaue City.
Question: What is Teovel Balintawak Self-Defense Club, Inc.?
Master Ceniza: Teovel Balintawak Self-Defense Club, Inc. is
a branch club organization established by our Grandmaster
Teofilo V. Roma in Basak, Mandaue City, Cebu, Philippines. It
is one among the twelve chapter clubs of the Teovels
Balintawak Arnis group founded by the late Grandmaster Teofilo A. Velez in 1982 after
his separation from the group of Atty. Villasins Balintawak Original. The main purpose
was to promote and propagate the Teovel Balintawak style an innovative form of selfdefense from the original Balintawak.
Question: How does your martial art come into existence?
Master Ceniza: Our martial art was originated from the great Grandmaster Venancio
(Anciong) Bacon. He invented the combat art of fighting in 1950 and he named it as the
Cuentada system. But his followers called it as the Balintawak style befitting in its
location where the formal training was first held at the Balintawak St. in downtown Cebu
City. Attorney Jose Villasin one of his students invited his very close friend Teofilo A.
Velez to also learn with him and to Anciong Bacon with this new martial art. After
learning of the art, Velez introduces some innovations of techniques especially in the
method of teaching in 1969. Villasin who was impressed by this new development
adopted the new method and together they join forces to teach the innovative system of
the Balintawak self-defense art but the honor was only credited to him. However, Mr.

Velez did not mind it out of respect and loyalty to his teacher, as they are very close with
each other. He was just being contented with that arrangement until a misunderstanding
broke out so much so with the verbal tussle between their sons John Villasin and Eddie
Velez. They parted ways and Mr. Velez established new organization, which they called
the Teovels Balintawak Arnis Group. The acronym TEOVEL was taken from the
founders name Teofilo for TEO and his surname Velez for VEL. The new organization
was subdivided into twelve different chapter clubs and assigned them to his twelve most
trusted Master Instructors. Teofilo V. Roma one of the twelve most trusted Master
Instructors established his chapter club assignment in Basak, Mandaue City.
Question: Does your martial art always use a stick to be your weapon all the time when
you engaged in a fight?
Master Ceniza: No, not all the time, but in the training we required students to learned
first of the arnis or eskrima prior to learning of the bare hand combat. We uses a stick that
measures twenty-eight inches of length and one inch diameter on the base going up with
a three-fourth in diameter on top. This is only a foundation of their learning process,
however it is only an extension of the arm, so that without it one can easily be more
accurate in defense-offense technique with an empty hand combat moving on to deliver
blows and parries.
Question: Is Teovel Balintawak better than karate, judo or any other martial art?
Master Ceniza: Any other types of martial art could claim to be better than the other and
we are one of those. Nevertheless, if you only try and learned the Teovel Balintawak selfdefense system, you will discover that the art is more sophisticated. That is upon by
experience of our Grandmaster Teofilo V. Roma who has gone through learning different
types of martial arts like Kung Fu, Muay Thai, Karatedo, Aikido, Jiujitsu, Doce Pares
arnis and several others where he found out the big difference of the Balintawak style
when he compared it to the other because of its unconventionality and he tested it in an
actual fights in several occasions with so many other martial artist of different fighting
style and to some bad personalities in many places he had gone through.
Question: Is it more preferable for women to learn in your style rather than to learn other
style? Why?
Master Ceniza: The Teovel Balintawak for us is the ultimate art of self-defense because
it has the complete line of defense techniques and very complicated offenses that can be
very applicable to all types of attacks from all types of attackers in any given situations.
We also accept women to be a member and encourage them to learn our self-defense art.
Question: Does your martial art take longer time to master and apply it whenever needed
than to any other martial arts?
Master Ceniza: There were three levels of learning in our martial arts. First is the basic
degree level where you will be trained in the fundamentals of arnis/eskrima followed by
the advance degree training where you will learned forms, figures, drills and tactics of
moving in and moving out and lastly the masters degree training where you will learned
the Cuentada defense moves and strategies in countering and penetrating opponents
defenses. In the basic degree training it would take one hundred eighty-eight hours or

more to finish. However there were gifted students, a past learner that can easily absorbed
and finish the lessons earlier than the time allotted and can easily apply it when needed
although finishing only the basic degree training. But still we encourage them to take the
advance level and eventually the masters degree to complete their knowledge of the art.
Question: You have mentioned earlier that your martial art is the ultimate art of selfdefense. How does it become and why? Does it mean for you to say all other martial art
is inferior?
Master Ceniza: Any other martial arts can claim to be the ultimate art for themselves
and they are entitled to that, like for example the Brazilian Ju Jet Su of the Gracie
brothers in Brazil because in many challenged fights and tournaments competitions they
always emerged victorious. However our martial art was designed only for self-defense
and part of our defense is to stay away from trouble but we have to face to defend if we
can no longer find any other possible way to avoid the aggressor. Challenged fights and
tournament competitions for us cannot be considered self-defense because you desire to
do it to gain honor and prestige. In competitions you agree to follow certain rules and
regulations of the fights, such that the winner is determined by and to be declared
according to its higher score on points or on technical knockouts of the opponents. In
self-defense for us, we did not desire to engage in a fight but have to face the aggressors
when provoked and you cannot follow certain rules and regulations on how to defend
yourself especially when you and your love ones dear life was in eminent danger and
threatened very seriously. It is then that you have to apply any unconventional tactics you
know how in order to stop the enemy from its diabolical intentions. The Teovel
Balintawak offer some lessons of techniques that can help students understand on how to
defend any types of the attacks from any types of an attackers regardless of its sizes, may
it be a behemoth or a ferocious wild animals in any given situations even amidst of the
darkest nights. Christian values were also to be taught as part of our self-defense training.
Question: In learning of your self-defense art, is it an advantage for a person to have
other martial art background or not?
Master Ceniza: In learning of our self-defense system everyone has to start in the same
level from the basic degree training weather you have or do not have martial arts
background would not matter, because you will explore something new which would be
different from what you had experienced. Martial art needs to have discipline and your
experience with regards to discipline might be of use but our teaching do not necessarily
require to have other martial arts background because one can easily learn and acquire the
skill with us, as we have the best professionally trained instructor you can be trusted on in
guiding you and you can be a well-behaved personality and would be a highly skilled
person for as long as you are willing to cooperate with the teaching instructions. Teovel
Balintawak inculcates Christian values (self-discipline, self-control, respect others and
preserve lives even to the most hardened criminals and most of all fear in God is included
in our teaching). Right attitude and willingness to learn is your great advantage.
Question: What would be the requirements if we decided to learn your kind of selfdefense art?

Master Ceniza: First of all is that you must have to be a member in our organization,
because we do not accept trainees or students for a fee. We only trained and teach anyone
who are willing to be one among our members in the organization and to be a member,
one have to fill-up an application form to be provided by us. Attached in the application
form is your oath of office to be notarized by our Grandmaster then submit it to the
General Headquarters of the Teovel Balintawak Self-defense Club, Inc. located in Basak,
Mandaue City, Cebu, Philippines. There is also a membership fee and a one-month
advance payment of the monthly contributions to be complied with and you can start the
training with us anytime most convenient to you.
Question: Is there any age limit for membership and gender acceptability?
Master Ceniza: The age limit is twelve years old up and beyond for as long as he or she
is able to comply with the requirements weather a male or a female, we are open to
anybody. Our organizations objective is to promote and propagate our martial art style
and we recruited members from all walks of life for as long as he/she can spare time for
our activities. We are well organized and our instructors were very gentle and very
professional in handling beginners treating you like a brother or a sister to them. For the
aged members, training with us would regain for him or maintain youthful vigor and
vitality and for the younger once would develop strength, discipline and self-confidence.
Question: Do all members must wear a kimono just like in the karate once they were
inside the training venue and render courtesy among with its other through vowing upon
arrival during sessions?
Master Ceniza: We have our own implementing guidelines to follow. All members must
wear the unisex prescribed uniform a white t-shirt printed with the name of our martial
art style and a black jogging pants with a red-white lace on the side. We also practice the
vowing system as a sign of respect, courtesy and discipline to every member and we
threat one another as brothers and sisters and the Grandmaster as our father.
Question: Does your organization-conducted tournament or send entry to any
competitions?
Master Ceniza: We have a plan to organize a tournament but exclusively within our
chapter club organization only although as of now, we still yet to iron out policy and
guidelines. But in matters of participating or sending entry on the tournament conducted
or organized by other martial art style, we strongly advise our members not to participate
(although they have freedom to do so as they wish), as we could hardly follow rules of
the tournament not of our own because our style is very unconventional and it was
intended only for self-defense and not of winning to gain prestige but of winning only to
preserve lives. However in matters of propagation and promotion of the art we encourage
our members to work hard for it.
Question: In matters of propagation and promotion, I agree with you because I have
notice there is Balintawak Groups aside from your own, publishing their names and their
styles in the internet and in some martial arts magazines. What can you say about them?
Master Ceniza: Balintawak Style has been divided into several groups and to name a
few major groups, we have the group of the late Grandmaster Timor Maranga,

Grandmaster Arnulfo Mongcal and the late Grandmaster Jose Villasin. Grandmaster
Villasins group were also divided into several other groups such as the group of
Grandmaster Dom Lopez of Victoria, Canada and the group of the late Grandmaster
Teofilo A. Velez in Cebu city aside from the group of his son Grandmaster John Villasin
also in Cebu City. Grandmaster Teofilo A. Velez Group were also divided into twelve
different Chapter Club organizations and assigned them to each one of his disciples.
Among these disciples who were given the assignments were Teofilo V. Roma, Pacito
(Chito) P. Velez, Ramon (monie) Velez, Eddie Velez, Bobby Taboada, Nicomedes
Elizar, Wennie de la Rosa, Nonato (Nene) Gaabucayan, Tonying Patalinghug, Bobby
Elizar, Joe Cavan and Romeo de la Rosa. There were also some other groups forming of
their own and carrying the name of the Balintawak, and we also recognized them as one
among us like the group of Bobby Tabimina in Legaspi Village, Makati Metro Manila
area, Henry Jayme of the Visayan Martial Arts in Pardo, Cebu city and the group of
Sammy Buot in Phoenix, Arizona, U.S.A. However, there were still some other groups
carrying the name of the Balintawak, but destroying the name of our great Grandmaster
who labored much in the propagation of his craft invention. These persons were twisting
the facts of history aside from robbing the name of the Balintawak for selfaggrandizement, dishonored and insulted our great Grandmaster Venancio (Anciong)
Bacon. Nevertheless, this would only gain some positive effects, because the more they
talk too much in the Internet or published themselves in some international martial arts
magazines, the more you can obviously detect their ill motives and falsehood. I dont
have any qualms about their malevolence, because I still believed that our browsers are
intelligent enough to scrutinize their story.
Question: Is there any difference of your Teovel Balintawak Style to compare among
with the other Balintawak self-defense systems?
Master Ceniza: We have the same root because our origin is only one and that is from
the great Grandmaster Venancio (Anciong) Bacon. However the seeds have to grow not
only in terms of its sizes but also in terms of its forms and figures. The followers of the
great Grandmaster Anciong Bacon have made some innovations and modifications within
their respective groups including our own and that is evolution of our self-defense art.
The system was spontaneously evolving until this very moment because we cannot cease
to grow. Our martial arts have the same ingredients but differ only in flavors and
seasonings. The Teovel Balintawak Self-Defense Club, Inc. in
Mandaue City has adopted the grouping system of instruction
introduced by the late Grandmaster Teofilo A. Velez; and Teofilo V.
Roma adds some refinements. He also drafted new Policy Guidelines
and promulgated the grading and ranking system. The latest
development was the promulgation of the masters degree training
courses for all serving Junior Instructors to further enhance their
knowledge of our self-defense art.
Question: Have you ever been tested your craft (had engaged into
brawl or had actual fights with any other martial artist of different
style)?
Master Ceniza: As I have said earlier we definitely had to stay away

from trouble and that is what I have really been trying to do. Fortunately, until this very
moment I do not have any serious tussle with anybody. However, as a Barangay Tanod
(Barrio watchman) for eight long years I have gone through responding some trouble
alarms in the neighborhood. I have also gone through with a friendly game-fight
demonstration of our self-defense art with about six other different martial artist of
different style in different occasions. The attacks represent the questions of what ifs
and they delivered it at various ranges and from various angles and situation, randomly
fake and hit to destruct my defense form. But I have the answer to every move of the
attacker and I think I can also do the same thing in reality because I practiced my craft
almost everyday through a routine sparring with my senior students and to my
Grandmaster.
End of Interview
Learn more about the Teovel Balintawak Self-Defense Club, Inc.
Visit their website [Click Here]
Erickson Empasis is an avid fan of the Teovel Balintawak Self-Defense art. He is
now a graduating student of the Bachelor of Science in computer Science at the Asian
College of Technology working for his thesis about our martial arts and of his project in
web designing.

Filipino Martial Arts in the Work Place

At the Manila office of Accenture, a global
management consulting, technology services and
outsourcing company with offices in 48 countries, there
is a project manager who is very much a student of
Arnis. During workdays (and nights), Michael Angelo
L. Gubat devotes himself in delivering technology
solutions by being involved in the planning and
execution of software development effort. His industry
of specialization is
telecommunications and he is
known among his peers as a
mainframe guro. However,
come weekends, Michael
leaves his computer and train
with one of the highestGuro Michael "Mike" Gubat
ranking masters of Modern
Arnis, Master Cris Vasquez.
Commencing his training at the age of thirteen in Tae
Kwon Do and continuing until 1982 where he obtained his
black belt, Michael had a feeling of being incomplete within.
So he searched for a martial art which would not only keep him

physically fit, and confident in his abilities to defend himself if needed, but would bring
inner peace.
In 1998 he attended a seminar in which Master Cris Vasquez was presenting the
art of Modern Arnis. Master Vasquez demonstrated several techniques of self-defense
using the baston, an umbrella, and even simple items such as a water bottle, which he
demonstrated, could become a weapon for self-defense.
Michael found that it was amazing in the way Master
Vasquez demonstrated the techniques of Modern Arnis and not
just as a martial art using a standard weapon as the baston, but
with any item that one carries around with them in the day-to-day
routine of their life. This fascinated him that in his own culture
was such an art that was unlimited in its abilities to adapt to
situations and items of common everyday usage for self-defense.
However, it would be another three years until Michael
would be able to start his training in arnis. But once commencing
his training he found that arnis would also compliment his
abilities in Tae Kwon Do. Michaels personal feelings once he
had commenced his training in arnis was that he truly wished he
could of found the art when he was thirteen years old, his own
cultural art, instead of Tae Kwon Do. For now he has found his
own cultural heritage and was learning a most unique and supreme fight art in Modern
Arnis.
When asking Michael Gubat how arnis has helped him in his daily life, Michael
states, that it has brought him to a higher awareness within himself and it has made him
more attuned to his environment, more focus not only to his daily life but his goals for the
future. Arnis is not just a stick fighting art, the system if learned and studied is also a
lesson in various evaluations and adaptabilities within ones self and toward life. Arnis is
also the ability to coordinate the mind, the body, and the heart to build within an inner
peace and strength.
Michael Gubat also promotes the idea to his office mates to study the art of arnis,
not only for the cultural aspect, but explains the benefits in how the art brings focus and
can make one concentrate, in the challenges which arise in business and also in the daily
aspects and challenges.

Grandmaster & Founder Anding de Leon

of
International Arnis de Leon Federation - IADLF
By Guy T.C. Jones
For nearly 30 years, Grandmaster Anding de Leon has
been practicing and teaching Modern Arnis under the late
Professor Remy Presas, founder of Modern Arnis. Grandmaster
Anding began his commitment to Modern Arnis as a child in
the Philippines, and continued as an adult here in the United States. Grandmaster Anding
spent many years as the Texas State Representative of the International Modern Arnis
Federation and assisted the late Professor Presas at his seminars.

Grandmaster Menandro Garcia de Leon, known

to his friends as Anding, was born on February 2, 1960
in Sampaloc, Manila, Philippines. Anding first began
training in the martial arts at the age of 13 during his
high school. He began learning Modern Arnis during
his P.E. class at school and later attended advanced
training at the national headquarters of Modern Arnis at
the Nayong Pilipino, Philippines (National Arnis
Association of the Philippines) in the1970s and
continued learning Okinawan Karate-Judo at the same
time outside the school system. Anding soon realized
the effectiveness of Arnis, and began attending advanced classes more seriously with the
late Professor Remy Presas, the founder of Modern Arnis, at the national headquarters of
Modern Arnis in addition to his training during P.E. Although Anding was training hard
learning Arnis, he still kept his commitment to Okinawan Karate-Judo and earned his
Black Belt before devoting all of his time to the art he
truly loved.
By the age of 15, Grandmaster Anding earned
his Black Belt in Modern Arnis and began teaching
Arnis formally for the first time. Due to his active
participation, superb skills and dedication to the art,
he was nominated among others to teach at two
military training camps (Camp Emilio Aguinaldo and
Camp Crame, Manila, Philippines) and two college
campuses (San Sebastian and San Beda college,
Manila, Philippines). During the interlude between
finishing high school and starting college, Anding (16
at the time), began teaching numerous Neighborhood Crime Watch groups and Police
Officers in his Philippine homeland prior to coming to United States.
In August of 1980, Grandmaster Anding left the Philippines and moved to Lorain,
Ohio before finally moving to Dallas, Texas in February of 1981. In 1984, Anding began
teaching Arnis for the first time since leaving his homeland. He starting out by teaching
a few select students but soon found more and more students seeking his training. Anding
began teaching regularly scheduled classes and private lessons at other martial arts
schools.
As one of the late Professors original students Grandmaster Anding is a certified
and authorized instructor of Modern Arnis holding a 4th degree black belt and was the
Southwestern U.S. regional director of the International Modern Arnis Federation
(I.M.A.F.).
Grandmaster Andings respect and loyalty to the late Professor Presas and the art
has kept him motivated to continue to support and promote Modern Arnis over the many
years. With the loss of the great Professor Presas, Modern Arnis has moved in a different
direction, which created an opportunity for Grandmaster Anding to realize a new dream.
Grandmaster Anding decided to draw upon his vast training and experience in the
Filipino martial arts and created his own system, which will revive the traditional
efficiency of movement and fluidity that sets the Filipino arts apart from the rest of the

world. Speed and hand-eye coordination are key aspects in the Filipino arts being that
bladed weapons are widely used in all their systems. Grandmaster Anding has also
incorporated many techniques lost to American martial artist due to the fact that a lot of
Filipino arts are taught in a seminar setting and the more detailed techniques are only
taught in a school setting.
While Grandmaster Anding will always
support Modern Arnis, the freedom to explore his
own theories of Arnis is now a reality.
Grandmaster Anding has named his art Arnis de
Leon and has created the International Arnis de
Leon Federation IADLF. Modern Arnis serves
as the systems base and Grandmaster Anding has
ingeniously modified techniques to reflect his
own unique skills and theory. The system
emphasizes fluidity of motion and proper use of
technique to overcome physical strength.
Grandmaster Anding stresses the "Dance of Pain",
grappling flow (traditionally called - Buno), transitioning easily from one technique to
the next in a continuous string of joint locks and chokes, all while moving at full speed.
The creation of Arnis de Leon was decided upon for several reasons. Arnis was
first referred to as Arnis de Mano, or harness of the hand. Borrowing from our
founders name, the system has now become Arnis de Leon. Leon is Spanish for
Lion, and the lion is known for its fighting prowess and for being the king of the
jungle.
Grandmaster Andings goal is to promote FMA in the U.S. and around the world.
Grandmaster Anding is seeking and training State representatives to help him spread the
most revered art of Arnis de Leon.
The IADLF will be the sole governing body over Arnis de Leon. Grandmaster
Andings goal is to continue spreading the art of his homeland through his schools in the
Dallas area as well as through seminars and demonstrations.
Grandmaster Anding's numerous years of teaching experience includes military
training camps, colleges, police officers, and neighborhood crime watch groups in his
Philippine homeland; as well as countless martial arts schools in the local area.
International Arnis de Leon Federation (IADLF)
Contact Information
Grandmaster / E-Mail: Anding de Leon
Director of IADLF / E-Mail: T.C. Jones
Webmaster / E-Mail: Adrian de Leon

Garland Martial Arts Center

2510 Crosslands
Garland, Texas 75040
(214) 797-6202

Cedar Hill Martial Arts Center

310 E. Parkerville Rd.
Cedar Hill, Texas 75104
(972) 293-2504

High Blocks: Cross and Umbrella

escrima.blogspot.com
Tuesday, January 31, 2006
With permission from Jeff Finder
In Serrada we do our high blocks differently than many other styles. Our weapon
is generally 18-24 inches, shorter than the typical 28 escrima stick but similar to many
bolos, machetes, krisses, etc. The length we choose should be proportionate to the reach
from our armpit to our wrist, allowing the weapon to be concealed under an arm. This
shorter length also brings the balance point closer to the hand so the weapon has a natural
feeling of balance, not tip-heavy. This allows us to more easily control the angle of the
weapon. With a long stick, for instance, rising blocks such as the umbrella or cross block
are often done with the hand leading the motion and the tip of the weapon pointed
downwards in a classic wing position. In Serrada, however, we keep the tip of the
weapon up.
Sticks give us two things, extension and leverage. By raising the tip we project
our weapon in front of the motion to get to our point of contact faster. For example, if we
have to raise our hand all the way to the top of our head to protect it, that may mean
moving it 2 feet or further. However, if our weapon is angled upwards, we might only
have to move 18 inches. Reducing the distance we have to travel in effect makes us 25%
faster!
The generic FMA logo of a triangle inside a circle is an
actual physical map to help analyze structure of movement. In
this case, visualize the upward angle of the triangle as the angle
of the stick.
Another way to figure this out is to hold the stick so it
touches your shoulder and your head. This is the critical line,
because what is below the stick is protected by it, whereas
anything above it is an open target.
A common mistake is to bring the hands up in front of
the face then opening them up too early. I call this a windshield wiper because it
sweeps the stick across the face, rather than framing the head. It wont be effective
against a powerful blow and even if it does deflect it could result in dragging the
opponents weapon across your face.
In every technique I emphasize three aspects weapon, check hand, body
angle/positioning. One of our tricks is to let the opponent come in, thereby making him
commit to his attack. We move our body so the intended target is not where he is aiming,
but we bring our defense to that point to make our interception. The opponent feels
contact where he expects it, but it isnt what he had hoped to hit. Thus against a high
strike we slightly lower our center. By moving out of the target zone we decrease the
odds of getting hit, at the same time allowing us to move our hands an even shorter
distance to cover up against the attack. This increases our apparent speed yet again,
though in fact we are not moving any faster. It just seems that way because the distances
and angles are tighter.

One tip, particularly on an umbrella, is to listen to the impact. If the sticks chatter,
the tip was down, resulting in multiple taps. If the sound is clear and crisp, the tip was up,
driving through the opponents strike. A cross block is quieter, since its a trap door,
allowing the opponent to fall through his intended point of contact. Advanced players
may not seem to raise their hands as much in the cross block, but thats because, as Angel
Cabales used to say, they know how to make shortcuts work. First, however, its
important to learn the safest and most secure way to use these techniques; getting hit is a
mistake!
For the umbrella, it is imperative to drive upward into the attack, clearing the
head. Our footwork generates force through the papeet, a quick drop with the lead foot to
ground us and create an upward shock wave at the moment of impact.
Notice in the following photos how I play "peek-a-boo" under my hands. Note the
triangular structure of the arms and stick, and that I'm not leaving my head exposed to the
incoming angle (slight variation between the two below on that basis). Also notice that
my knees are bent, lowering my center for stability and moving the target zone. Though
my weight is shifted forward, my hips are balanced.
Finally, check how my front foot is aligned on my opponent's centerline, utilizing
the male triangle. The rear foot is aligned with the line of force of the incoming blow, a
difference you can see between angle #1 and angle #2. The last two photos show how
similarly I set up for both the cross and umbrella on angle #2, though I do tend to squeeze
my thighs a bit tighter together on the latter to make the counter more explosive.

Against angle #1

Against angle #2

Another view of the cross

block vs. angle #2

www.stickman-escrima.com
Specializing in modern H-Impact
sticks and staffs since 1986!
This was from an umbrella
against angle #2

Building Blocks
Guro Andy Zavalla
Filipino Combat Arts of Melbourne
I remember when my daughter got
her first set of LEGOS. It was a pretty
basic set and it took her a while to learn
how to click them together. As time went
on, and she was proficient with the
operation of the blocks, she asked me to
help her make the picture on the box. She started copying the picture, getting frustrated
when she couldnt do it and tearing the blocks down and starting all over until she finally
got it. She played with it everyday for two weeks. She eventually got bored with it and
didnt play with it for a while. Several months later she found the toy at the bottom of her
toy box and pulled it out. But this time something was different. Instead of copying the
picture on the box she started making her own creations. A chair and table, a car, a house,
etc. Her creativity was growing with each piece that she made. Her cousin, who is close
to the same age, came over one day and, like all kids, they started fighting over the toy.
We went out and bought her an identical set of LEGOS. I then had them each make
whatever they wanted using the same set. Can you guess what happened? They both
made totally unique creative sculptures using the same blocks. Even when I had them
make the same object, they were different. And the great part was that they were both
right.
So what does this have to do with Filipino Martial Arts you might ask?
Everything. When we first begin a martial art we learn the details of form and structure
by copying an instructor or senior and by repetitive drills. As years go o n and we get
more proficient we start to develop our own identity and personality that is governed by
our physical abilities, personal opinions and experiences. We no longer are bound to a
strict set of rules. We no longer have to make the picture on the box, but are free to

construct or own destiny in our martial arts held in check by the laws and principles of
the basics.
The beautiful thing with LEGOS is that you can buy different sets and they all
click together. you can buy a Spaceship Set and combine it with a Castle Set. With the
additional blocks unique combinations can be made that would not be available with
either set on its own. The same can be said with the FMA. You can learn from somebody
in Arnis and learn from somebody in Karate. Some concepts will be the same and some
may contrast. It is part of your growth in the art to go through the process of comparing,
combining, discarding and modifying what works for you. The reason why this works in
an FMA structure is the concept of flowing. The same way my daughter learned that the
little round nubs on the top of the LEGOS fit on the bottom of another block, the flow in
Arnis teaches how to connect the techniques. You are in fact not only learning
techniques, but also a method of building that transcends the techniques.
Well, my daughter is older now and has since moved on to more advanced LEGO
sets in the 5-6 year old age range. The pieces are smaller and some of the shapes are more
complex, but the fundamentals of how to connect them remain the same.

[321] 693-1349 - Email

Silent No Longer
By David Battaglia

David Battaglia and Professor Presas

1985

The following is a lost piece of Filipino

Martial Arts (FMA) history in Buffalo, NY. In
1982 Don Zanghi officially brought Modern
Arnis to Western New York (WNY). Craig
Patricola helped Don financially. Aside from
Don, Craig was the first basic level instructor
certified by Professor Remy Armador Presas
(Professor). Professor had established the
International Modern Arnis Federation
(IMAF). To the best of my knowledge this was
the official start of FMA in Western New
York.
I joined Dons school in 1983. He
asked me to be his day instructor. I was
required to learn Modern Arnis. In 1984 I
became certified as a basic level instructor. In
1985 I earned my first-degree black belt in
Dons Kenpo/Arnis system. Kris Rocky

Paswik witnessed this. At the time he was one of Professors top students and an
instructor. Dons curriculum was approved and signed by Professor. By January 1986 I
was managing Dons city school. In December of 1986 an unfortunate turn of events
happened. Don closed both of his schools. Before Don closed his schools he produced
five black belts. Only two black belts stayed true to his curriculum, Dr. Jerome Barber
and myself. We continued to develop Dons curriculum and ourselves.
Dr. Barber hosted Professors summer camps for seven years in a row. In 1991 I
became certified as an advanced instructor through the IMAF. By that time Modern Arnis
had all but died out in the city and its northern suburbs. There were a couple of
instructors teaching on a small scale. However, they did not stick with their attempts at
spreading the FMA for very long. By 1991 I founded Amerasian Defensive Arts. I
realized I was the only one consistently teaching FMA in the city and the northern
suburbs. As I strove to continue developing my school and myself that fact got put on the
back burner. It wasnt until recently that I realized the FMA had come full circle in
Buffalo. Now a full time school I have students from the city and surrounding suburbs. In
2004 two of my students had a workout in the city and filmed it. Old memories came
flooding back to me when they brought the copy of their training session in for me to see.
Back in the days of Don city park and back yard workouts were common. I
realized the same thing that happened in the 1980s started happening again in the 1990s
to present. The sounds of the FMA had returned to the city. The sticks are silent no
longer.
No matter what their style I would like to thank all of the guros and students who
are doing their best to spread quality FMA in Buffalo. I thank the late Professor Presas
and Don Zanghi for providing an opportunity for me to become involved in the FMA. I
thank Dr. Barber for hosting Professors local summer camps (not an easy task). Paul
Vunak has positively influenced me via his seminars and instructional tapes, Paul
Frederick-a long time friend, student and training partner and Guro Jun DeLeon of
Toronto, Canada via some private training sessions and open seminars. They have all
helped me aspire to a higher level in the Filipino Martial Arts.

Dr. Barber, Don Zanghi, Professor Presas, Un-named, Un-named, David Battaglia 1990

Beginnings of Filipino Martial Arts in Buffalo 1982 - 1987

The above lineage tree depicts the guros personally trained by Guro Don and
Professor Presas. Professor Presas directly certified all individuals named above.
Based on my direct involvement Guro Don first to spread the Filipino martial arts
in Buffalo. The rest of us followed his lead.

StickArts.com
Have you ever been talking to someone about your martial arts style and they say,
What style? or been asked the question, How practical could a style that uses a stick
be? If you take Karate, Judo, Aikido, or Tae Kwan Do, most people know or have heard
of your style. Most likely you also found a school very easily using the local yellow
pages or newspaper. Well stick artists are not that lucky; we usually have to hunt for a
school that truly teaches the art or drive fifty-plus miles to find a certified instructor.
Then once you begin your training you have to explain to all your friends what
the heck Arnis, Kali, Escrima, Doce Pares (and many more!) are. But the more you get
into your training you realize it is all worth it. Whether you are a seasoned martial artist
or a beginner, you will learn a lot from the stick arts: the art within your art, weapon
disarms, and you can have a great time while working out with some awesome people.
It is time for the world to know more about our love of the stick arts. It is time for
StickArts.com; a site dedicated to the proliferation of all stick arts styles from around the
world.
What is StickArts.com? StickArts.com was first conceived as two friends and
dedicated martial artists sat around discussing the struggles in the stick arts communities.
Questions like, How do I let people know my school teaches a stick art?, How do I let
people know about my seminars and how do I find out about others?, Where can I go

for news and articles concerning the stick arts?, and Why cant I just go to one place
for all that info? seem to be questions we both have encountered or thought ourselves.
We knew the hardest struggle would be creating a site that is neutral, with no favoritism
to certain styles, instructors, or organizations. That is why we are counting on the stick
arts community for feedback, suggestions, and submissions for the website. Our ultimate
goal is to have this website be result of the entire stick arts community and their hard
work.
Frank Shekosky
Co-founder, Promoter
Email
My initial training began in Kempo Karate. I then
remember seeing my instructor riding his motorcycle and
he was carrying sticks in a backpack that he had strapped to
his back. At first I thought that they were tennis racquets!
As I looked closer, I noticed that they were just plain old
sticks! "Why would he carry around sticks", I wondered?
Soon after, I heard him talking to another student about
some art called modern arnis that he was practicing. At first, looking at the sticks, I
thought that it looked pretty plain and thought it couldn't be a very exciting art. After all,
how much could you really do with a stick! My instructor seemed so impressed with the
sticks that I decided to give it a try. I started taking private lessons and I soon became
absolutely hooked! The modern arnis helped fill gaps that I felt that I had in my previous
training, I found that my hand coordination improved; everything I could do with a stick
could be applied empty hand, and most of all it was fun! I soon went to a Modern Arnis
Summer training camp and met Grandmaster Remy Presas. Meeting him improved my
life in a number of ways. My martial arts training started to grow by leaps and bounds, I
met lots of fantastic people, and I found new inspiration in my training. For several years
I traveled extensively going to countless seminars and camps, mostly in Arnis, and have
worked with thousands of students. I am happy and feel privileged to have been a friend
and personal student of the late Grandmaster Presas for nearly 15 years. We now host our
own Arnis seminars and camps open to all. It is my hope that this site will serve as a
bridge for all martial artists to come together, share information and insights, rise above
the differences and work together as different branches from the same family.
Wayne Macke
Co-founder, Webmaster
Email
I have been involved in the martial arts since 1989. I
have been involved in all aspects of the martial arts; student,
instructor, studio manager, seminar promoter, tournament
coordinator, school marketing and private instruction. While
my base art is Kenpo Karate, I have trained in other various
arts. I currently hold the rank of 3rd Degree Black Belt. As
part of my Kenpo training, I learned various stick disarms,
attacks and forms. In 1999 I joined Cromwell Martial Arts,

where I met Frank Shekosky and started to learn the stick art known as Modern Arnis. I
do not consider myself anything more than a beginner stick artist, but enjoy the
community. Because of my background in marketing and web development I decided
that a site like StickArts.com would be a great addition to the stick art community and
would help others find out more about the stick arts. Frank always commented how
friendly the community was, but experienced it first-hand at my first seminar. Everyone
was so quick to help and motivate, without ever making me feel awkward. While Kenpo
will always be my first love, I realize the stick arts can teach me so much. This
StickArts.com website is dedicated to all those who strive to learn more and realize that
we can learn so much from others!

Buffalo Martial Arts Summit: An Art Within Your Art Event

By Jerome Barber, Ed. D.
The Buffalo Martial Arts Summit is the 14th summer martial arts camp or
symposium that I have sponsored and hosted since 1986 and it is by far the most exciting
as well as informative. I have worked with each of the presenters at this event at least
once over the past 20 years and I wanted to get all of these people together on a single
program for quite some time. This is also the 1st time that I have held a program offcampus. All of the previous events were held at 1 of the 3 campuses of Erie Community
College; however as I began planning for this event last summer, I knew that I needed a
larger, more luxurious venue to showcase the talented people whom I was inviting as
instructors. It was time to move off-campus and really open up this program. The Adams
Mark Hotel gave me all of the things that I wanted in a single setting: lodging, dining and
a performance venue, plus I had a downtown site, close to the Taste of Buffalo, the
largest outdoor food festival in the USA, within walking distance from the hotel.
My goal for the BMAS is to present an unbeatable opportunity for ALL of our
participants instructors and students to meet one another, work together,
talk/dialogue, develop new friendships and establish new networks of information and
support. In effect, I want to share my contacts with one another and let them develop their
own sets of contacts. I see it as a win-win situation. We are connecting East Coast with
Mid-west and West Coast people through this program. We have karate, gung fu, aikido,
arnis, kenpo, ju-jitsu and eskrima instructors presenting on this program. The BMAS is
really is an open-to-all event and I am very proud of the fact that everyone I asked agreed
to participate without any hesitancy. This really is a beautiful example of martial arts
brotherhood and mutual respect for one another.
The Buffalo Martial Arts Summit features a self-defense format with all of the
teachers on the instructional team committed to the martial or fighting side of the arts.
These teachers do not focus on the sporting aspects of the arts. Tournament style martial
arts is certainly a legitimate area of interest and I am most certainly not opposed to
winning trophies, having won some myself; however self-defense is my first love in
terms of martial arts training and I have brought together some excellent people who
work in this area.
The Buffalo Martial Arts Summit will be held at the Adams Mark Hotel in
Downtown Buffalo, NY, on Saturday, July 8 & Sunday, July 9, 2006. The Summit will

be open to all martial artists. The Summit will feature a cross-training approach to the
arts and the sessions will be taught by highly experienced Master level teachers:
Master Roger Agbulos
Punong Guro Tom Bolden
Sensei John Borter
Sifu Daniel Donzella
Punong Guro Steven K. Dowd
Sensei Rudy Duncan
Dr. Stanford McNeil
Sensei Steven J. Pearlman
Master Sultan Uddin

Lameco Eskrima
American Modern Arnis
Modern Ju-Jitsu
Liu Seong Combat Arts
Arnis Balite
Karazenpo Shaolin Kempo
Kifaru Jitsu
Genri Ryu Life Protection Arts
International Serrada Eskrima

The seminars will focus on exploration, discovery, cooperation, networking,

friendship, and team building. Saturday will feature 5 training time brackets of 60 to 75
minutes apiece with dual presentations simultaneously occurring in separate rooms. The
Sunday program will consist of 4 training time brackets with two or three instructors
working in a side-by-side comparative seminar, showing different responses to some
common assault scenarios.
As for myself, my background in the martial arts is through Sifu Don Zanghi, who
taught a blended Kenpo-Arnis program at his Fighting Back Institute in Buffalo NY.
When I began training with Sifu Zanghi we were a Tracy System Kenpo school. Sifu
Zanghi went to train with Professor Remy Presas at a 2 week Modern Arnis Training
Camp in 1982. He came back a changed man. He began integrating the Tracy Kenpo with
Modern Arnis. We had a nearly prefect blending of empty hand with weapons selfdefense training. By 1985 when I received my black belt form Sifu Zanghi, the art was
listed as Kenpo-Arnis and my belt rank was listed as Shodan-Lakan Isa, a 1st degree
black belt, in each art. Ive continued my training in both arts. My new Tracy Kenpo
instructor was Sensei Ernie McPeek and I went to as well as hosted numerous seminars
and camps conducted Professor Presas. I would eventually earn 3rd degree Black Belts
from each instructor and then went on to earn 6th degree black belts from Shihan Ernie
McPeek (Kenpo Goshin-jitsu) and Punong Guro Tom Bolden (American Modern Arnis).
I developed and wrote the curriculum for the Erie Community College Self
Defense Program. I first wrote the curriculum in 1985 with revisions in 1986, which I
presented to the South Campus Physical Education department Curriculum Committee
for their review and approval. I was granted permission to teach PE 200 SD I Basic
Kenpo-Arnis for Self Defense, in September 1987 and then PE 201 SD II Modern
Arnis-Pancipanci Eskrima for Self Defense, in January 1988. The PE Department, then
granted me permission to teach PE 220 SD III Modern Arnis Paradigm Escrima in
the fall semester of 1988 and PE 221 SD IV Advanced Kenpo-Arnis for Self Defense
in the spring semester 1989. In May of 1989, the department granted my courses
permanent curriculum status. That status was greatly aided by the fact that my entire
curriculum was reviewed by and earned the approval of Professor Remy Presas in April
1989. Professors review of the entire curriculum took over 4 hours to complete. He had
me go through every exercise, drill, anyo (form or kata) and technique in the curriculum.
It was the best testing procedure that I have ever gone through because I was being tested

on my own ideas and presentations. The ECC curriculum has ultimately earned the
recognition and approval of Grandmaster Al Tracy and Punong Guro Tom Bolden. They
both gave their approval in 1992.
The approval of these three men is quite significant because I am teaching the
ONLY college-based academic credit bearing courses in the USA or Canada for Modern
Arnis and Tracy System Kenpo. My Kenpo-Arnis Self Defense Program is unique in
American Colleges and has been one of the reasons that I was asked to become a member
of the World Head of family Sokeship Council in 2004. The ECC program has run for 38
consecutive semesters or 19 years as a credit-bearing program. I am quite proud of that
accomplishment and very grateful to the PE Department members for the initial
confidence that they had in my curriculum proposal.
My intention right from the beginning was to teach the Kenpo-Arnis blend that I
had learned from sifu Zanghi. I also wanted to follow up on his ideas and techniques
while integrating as much new material as possible from other arts. I loved working
through the process of making the art for myself as Professor Presas had always told us
we should at seminars and camps. I already had the art within your art concept
ingrained in my training through Sifu Zanghi, now I wanted to build on it and open new
doors for my own students. That is why I have hosted seminars, camps, symposiums and
summits throughout my teaching career at ECC.
The 14 summer programs are the top end events, but the seminars during the
academic school years have been vital to our over-all success at the college. We have had
instructors such as Roberto Torres, Tom Bolden, Ernie McPeek, Remy Presas, Bobby
Taboada, Daniel Donzella, Kevin Seaman, Mike Haley, Abon Baet, Eric Joseph, Ric
Jornales, Hoch Hockheim, Tom Barnhart and Eddie Lastra. The variety of martial arts
styles and the consistently high instructional standards have always given my students
new insights into the arts in general and reinforced certain principles regard motion,
evasion and striking that I have taught them. The ECC program has been built around the
principles of quality instruction, small student to teacher ratio, and learning through
mentoring, self-discovery and continuous personal growth. My martial arts philosophy
has no room for cloning and the art must be adjusted to fit the individuals body,
strengths, weaknesses and mentality.
I closely followed the philosophical principles fostered by my instructors and
mentors, Don Zanghi, Remy Presas, Ernie McPeek, Billy Bryant, Tom Bolden, Roberto
Torres, Daniel Donzella, Abon Baet and Eddie Lastra. They all encouraged exploration,
discovery, idea reformulations of drills and techniques. All of men were curious, quickwitted and adventurous. They were never content to rely solely of the past experiences of
others and foster tradition over innovation. Because of each of these people, the ECC Self
Defense Program has grown and through it I have been able to produce some excellent
students who are now teaching martial arts with their own flair and enthusiasm. None of
my students, who went on to become my training partners are standing in my shadow.
They are their own individuals with strong confident personalities. Tim Kashino,
Richard Curren, Paul Martin, Kenny Q., Debra Moore, Keith Roosa, Buddy Antonio and
Tony Illardo are making thing happen in their own individual ways. It doesnt get much
better than that from my perspective.

Outside Position: Double palm block off body shift.

Step-through Heel-hand Strike with trap.

There are a number of people who differ in opinion from me in terms of an

approach to the art (Modern Arnis) and a philosophy with regard to teaching. I am
amused by these differences because I do not have a need to be superior to my students.
As they grow and improve so do I. From time to time a student will bring up a new idea
or approach to a technique. Like any good blues or jazz player, when I come across a
good idea, I acknowledge it, take it as my own, re-work it, make it fit me and then use it.
I dont treat Modern Arnis as a static, traditional, fixed in place art that can only be taught
as the late grand master taught it. Modern Arnis is a dynamic, fluid, flexible and
adaptable martial art that grows through each person who studies and uses it. It is a standalone art yet it is also highly Integra table and can become the art within your art as
Professor was teaching it during the early years that I was learning it through Sifu Zanghi
and Professor. The art within your art approach and adapting Modern Arnis to fit
yourself made Modern Arnis, for me, the best thing to come along since homemade hotbuttered-bread fresh out of the oven. I
love my Tracy Kenpo! I love my Modern
Arnis! And I am head over heels in love
with the Zanghi method of blending
Kenpo-Arnis! I am thrilled to be able to
take, ideas from Al Tracy, Remy Presas,
Don Zanghi, Ernie McPeek, Billy Brant
and Tom Bolden, blend them into an ever
tightening spiral of knowledge that allows
me to express myself as myself and not a
clone of any one of them. Those people
who have a single minded, one method fit
Leg trap with rearward forearm strike
all approach to Modern Arnis are missing
the real joy and essence of what Professor was actually teaching. But rather than fight
with them I simply go about my business and teach the art, as I believe it should be
taught.

The BMAS is an excellent example

of what I believe. I celebrate those
differences and try to learn from them. I also
look for and find similarities that allow me
to learn more about what others are doing as
well as gain some added insights into what I
am already doing. Professor Presas knew
that the art within your art concept was a
dual highway for learning. It didnt matter
which direction you were traveling, from
Modern Arnis to Kenpo, Aikido Shotokan,
Inside Double Sinawali Counter-strike
Kajukenbo, Tiger Claw Kung Fu, Jiu-jitsu
or in the reverse direction, there are a great deal of similarities. If one is seeking an indepth understanding of their mother-art sometimes those insights will come through
their understanding of another art, hence the art within your art concept as espoused by
Professor Presas.
I have found new, different and very interesting people in my journeys through
the martial arts world. My Kenpo-Arnis blend has been greatly enriched by the ideas and
contributions that have come to me through other arts and the people who shared the
information with me over these years.
I have benefited from attending and participating in events such as the World
Martial Arts Hall of Fame, Gathering of Eagles, Modern Arnis Symposium, Saratoga
Martial Arts Festival, Straight from the Sources Festival and the Modern Arnis Tipunan.
Now I am once again in a position to give something back to my martial arts brothers and
sisters through the Buffalo Martial Arts Summit.

Friends - Tom Bolden, Jerome Barber,

Duwad Muhammad, 2002, Horizon Martial
Arts Academy

Gathering of Eagles 2001

Joe Rebelo, Tom Bolden, Jerome Barber,
Duwad Muhammad

Jerome Barber, James Ibrao,

Alan Abad and Tom Bolden

Without a doubt, I am looking forward to meeting some old friends and former
students at the BMAS; however the real joy of these events is in meeting new people,
sharing new ideas and concepts, finding out about one another and the arts that we
practice. There is in my opinion still more to see and learn from others. The Buffalo
Martial Arts Summit is open to everyone who is inquisitive, thoughtful, and receptive to
new ideas. It is a place where cloning is not an option and everyone is welcomed to make
a contribution, however large or small. Im looking forward to seeing everyone.
For more information about the BMAS event costs, meals and/or the hotel
accommodations, please contact me via e-mail: [email protected].

Buffalo Martial Arts Summit

July 8 - 9, 2006
Adams Mark Hotel
120 Church St.
Buffalo, NY 14202
Flyer
Jerome Barber, Ed. D.
Professor Erie Community College, Orchard Park, NY
Principal Instructor Independent Escrima-Kenpo-Arnis Assoc Associates

Guro Grande George Brewster

May 8, 1924 - March 21, 2006
Quote from Guro George Brewster - The training must go on!
Quote from Guro Peter Freedman - And so it will!
Guro Grande George Brewster grew up on
Hammond Street in Boston Massachusetts where he
attended and graduated Sherwin Elementary School and
English High School.
He served in the United States Army in 1943
(World War Two) he participated in four major
campaigns, Normandy, Northern France, Rhineland,
and Central Europe. He also was part of the unit that
helped to blow up the gas tanks at the Battle of the
Bulge so the German panzer tanks could not refuel. He
helped to shut down the German concentration camps.
He helped to build bridges to help Pattons tanks cross over.
Guro George Brewster started Martial arts in early 1950. He was a practitioner of
Judo and Karate. He started out with Okinawan Goju Ryu Karate with Geo Gonis and
then Goju Kai Karate where he achieved the rank of Master. Guro George Brewster was
introduced Arnis in 1975 by Amante P. Marinas who taught him Arnis Lanada. He also
studied Arnis Lanada from Porferio S. Lanada founder of Arnis Demano Federation.
Guro George Brewster founded the Boston Arnis Club.
Guro Brewster also started training with Guro Rey Galang of Bakbakan
International from Lodi New Jersey. It was here that he added to his knowledge the art of
Kali Ilustrisimo. Guro Brewster also knew the great late Angel Cabales Serrada Escrima
Master, who he spoke to over the phone.
Guro Brewster had J.C. Cabiero travel from California to teach Angel Cabales
Serrada System, to his students. He also had Guro Felix Valencia visit to teach the
Lameco Escrima system to his students. He has Peter Freedman Sensei / Guro his senior
student who also teaches Ketsugo Jujutsu for close quarters empty hand as well.
Guro Grande George Brewster was laid to rest on March 30, 2006, with family
and many friends in attendance.
If any body wants to train with the Boston Arnis Club, they can contact Guro
Peter Freedman who will be carrying on Guro Grande George Brewster's Legacy of
Arnis, which will now be called - Brewster Arnis. Every thing will be taught as Guro
George Brewster had taught and passed his art to others.

Fred Lorman - Guro Grande George Brewster - Guro Peter Freedman - Ryan Birmingham

Boston Arnis Club

PO Box 171
Weare, New Hampshire 03281
(603) 529-3564
Email
Website - The website will be updated soon with facts and information on the Boston
Arnis Club.

mandirigma.org
Philippine Cosmogony
By Cheryl Samson
When looking at Philippine cosmogony it is important to understand the meaning
of the term cosmogony. In James C. Livingstons book, Anatomy of the Sacred: An
Introduction to Religion, he defines cosmogony as an account of the emergence or
creation of world order (223). Another term that can be substituted for cosmogony is
creation myth. David and Margaret Leeming in their book, A Dictionary of Creation
Myths, define creation myths as a cosmogony narrative that describes the original
ordering of the universe. The word cosmogony derives from the Greek words kosmos,
meaning order, and genesis, meaning birth (?). Livingston also states that cosmogony is

intimately tied to basic concerns about the natural and social order, the status of gods, and
humankind, and human action (223). Philippine cosmogony not only describes the
natural and social order that exists in the Philippines, but also portrays the perception and
status of a God/several gods and humankind. In understanding Philippine creation myths,
one can better understand the religion and behavior of the Philippine people.
According to history, the Philippines has had a mixture of people and outside
influences. Geologists believe that land bridges used to connect from the Philippine
Archipelago through Borneo, Sumatra, Malaya, and Java. According to one of the texts,
later came the Chinese, Hindus, Arab-Persians, Malays, Spaniards (1521) and other
Europeans. Lastly came the Americans (Goquingco, 13). Along with many ethnic
influences came religious influences. Prior to foreign invasion, Filipinos were very
animistic in their beliefs. Through the arrival of the Arab-Persians, the religion of Islam
was introduced to the south of the archipelago, also known as Mindanao. It was not until
the arrival of the Spaniards and other Europeans that Christianity was finally introduced.
The six major groupings within the Philippines can be classified as: major
Christian groups, minor Christian groups, Muslim (Moro) groups, principal Pagan or
Traditionalist Groups, and Multiple-Belief-Holding Groups (such as partiallyChristianized pagan groups) (Goquingco, 23). In some areas of the Philippines, some
groups can belong to two or more religions, like on the island of Palawan. The
residents of that island are partially Christianized, while in other sites they are completely
Islamized.
One of these partly-Christianized Pagan groups is the Ifugaos. The Ifugaos are
classified as a part of the BIBAK Groups of the Luzon Highlanders, the northern part of
the Philippines. They reside in the mountains and BIBAK stand for the six principle
groups: the Bontoc, the Ifugao, the Benguet (Ibaloi), the Apayao (Isneg), and the
Kalingga. They practice a highly-developed form of agriculture and are famous for the
Banaue Rice Terraces, one of the Seven Wonders of the World. The majority of this
group remains non-Christian, and they successfully resisted Spanish conquest, thus
enabling them to preserve a culture that is at least two thousand years old. They believe
in a Supreme Being, although their prayers are chiefly directed to their ancestral spirits
(Goquingco, 63).
The Ifugaos are also known as Inhabitants of the Earth. They are thought to
have migrated from South China or northern Indochina around 800 B.C., bringing
traditions such as the pig as a domestic and ceremonial animal. The Ifugaos specifically
are polytheists; they believe in deities of the Skyworld, the Underworld, the East, the
West, and many other lesser deities such as the sun, moon, thunder, earthquake, etc.
They also practice the worship of ancestors and offer rice and sacrifice animals. They
believe that they are direct descendants of the Skyworld deities and hold much
importance to traditional customs. They are a monogamous group and practice chastity.
The Ifugaos believe in a creation myth similar to that of Adam and Eve found in
Genesis within the Christian Bible. Instead of God, their god is named Mak-no-ngan,
Adams name is substituted as Uvigan, and Eves name is substituted as Bugan. Similar
to the epic in Genesis, they are tempted to eat fruit from a tree, but there is no mention of
a snake. Both eat the fruit from the tree and are punished. The differences between the
Christian and the Ifugao myths are that Uvigan dies and Bugan is left to take care of their
children. Their children became evil and Mak-no-ngan starves them by causing the rice

plants to wither and die. In an effort to feed her children, Bugan squeezes her breasts and
two streams of milk hit the ground. With this milk she is able to feed her children
temporarily. After it ran out, in desperation she squeezes her breasts harder until blood
hits the ground. Upon Bugans sacrifice, Mak-no-ngan takes pity and grows the rice once
again, this time providing white rice from Bugans milk, and red rice from Bugans
blood.
This creation story shows the importance of the land, especially the rice terraces,
within Ifugao culture. The similarity to the epic in Genesis may have stemmed from the
Christian influence of the lowlanders. The Ifugao creation story also demonstrates the
importance of human sacrifice, family, and discipline.
Aside from the Highlanders of Luzon, the Philippines has other pagan,
traditionalist, or indigenous-belief-holding groups such as the Negritos and the
Mangyans. The Negritos or Aetas are a fast-vanishing people seen as the aborigines of
the Philippines, its first inhabitants; they are believed to have come from a forest home
in the sunken land of Sunda and now occupy remote areas, such as foothills, mountains,
and forests, all over the Philippines. Negritos offer prayers to the rainbow and believe in
a mythical beast with a horses head. This beast is said to dwell in the trees and is called
Balendik. They believe in spirits and gods, principally Tolandian, who punishes
adultery; Kilat, who makes thunder; and Balandang, who herds pigs and deer. [Some]
believe that the earthworms and the monkeys are informer-messengers of Tolandian; they
therefore eat the monkeys as an insurance against betrayal by the informers (Goquingco,
84).
The Mangyans are found on the island of Mindoro, southwest of Luzon, and are
highly influenced by the Chinese culture. The earliest documents describe the local chiefs
trading with Chinese merchants and the neighboring islands. Within their community
they have mediums who are supposed to possess the power to drive away evil spirits.
Within other communities they believe that illness is caused by the visit of a devil of the
forest, a dead relative, or a guardian angel.
According to the Mangyans and the Negritos, there was a vast sea formed by a
huge ocean. King Manaul, a character within their creation myth, is said to have declared
himself the enemy of the earth and sky. In response to his boldness, the liquid element
scattered water into space, while the sky sent out its winds. They tried to punish him, but
King Manaul always managed to escape. Finally, King Manaul begged for light, and
instantly a multitude of fireflies appeared. He also desired counselors, and as a result of
this request, all kinds of birds showed up at his side. As a result of gluttony, he began to
eat the birds, while the birds began to eat the fireflies. Insulted at the birds actions, King
Manaul punished his owls forcing them to stay awake during the night, which explains
their double-sized eyes. This is so that in the future they might see better and not eat his
fireflies. The king of the air, angry at King Manauls actions, vomited up lightning,
thunderbolts, and whirlwinds. He asked aid from King Captan of the sea, to help punish
King Manaul. He sent huge rocks and stones to crush Manaul from the sky, but King
Manaul still managed to avoid them. As a result of these stones, and the anger between
Manaul and Captan, the earth found its beginning.
This creation myth shows the sacredness and importance of nature within the
Negrito and Mangyan communities. There is large representation of animals mentioned

in the myth, which may represent their respect towards animals and their involvement
within nature.
In the Southern part of the Philippines, mostly on the island of Mindanao, there is
a prominent Islamic presence. The early Spaniards named them Moros similar to the
Moors (followers of Islam) within Spain. Morolandia is a land of beauty, adventure,
romance; of sultanates, rajahs, and princesses; of imams (holy men) and of austere fasts;
of gaiety and of a history of fierce fighting against colonial invaders (Goquingco, 155).
The Muslims are considered one of the most highly-civilized groups within the
Philippines. The history of Islam is thought to have arrived in Sulu and Mindanao
through a missionary, in about the year 1380. Another individual who is believed to
introduce the Islam religion was a Muslim prince, Sarip Kabungsuwan from Johore, who
was said to have converted all the people of Mindanao, and other portions of the
Philippines, to Islam. Muslim communities were the most culturally and politically
advanced in the Philippines at the time of the Spaniards arrival (Goquingco, 155). Dean
Cesar Majul credits their resistance stating, It was Islam that institutionalized their
loyalty to their sultansanctioned their attempts to resist alien rule, and gave a religious
character to their patriotism (Goquingco, 156). Despising their kindred, who were
colonized through Spanish rule, the Muslims increased their commitment towards their
religion of the Prophet and to save their lands. Today, the Muslim or Moro peoples
constitute the largest single non-Christian group within the Philippines. Many Muslims
are deeply religious and continue to celebrate their many holidays. They are also lovers
of gentle things such as beauty and art, as well as proud of their cultural heritage which is
notably rich, especially in literature (Goquingco, 157).
One major Muslim group within the Philippines, are the Maranoas, who live near
Lake Lanao, in Lanao del Sur. The Maranao is a dedicated Muslim, attached to tradition.
Many cultural traits that the Maranaos have today are similar to those of the people of
South China (Goquingco, 182). Some examples of this may be the pageantry that goes
on within a Maranao wedding, the beating of gongs to celebrate feasts, and the wearing
of white apparel as a sign of mourning the dead.
According to the Maranao creation myth, the world was created by a great Being,
bearing no name. The world, as well as the earth, is divided into seven layers. Different
kinds of beings inhabit each layer of the earth. We humans inhabit the top layer, the
second layer, by dwarves, and the third layer, found under the sea or lake is inhabited by
nymphs. The sky also consists of seven layers. The seventh layer is considered heaven,
which is divided into seven layers more. Angels are believed to inhabit each layer of the
sky. They possess wings that enable them to fly, and do not need food for survival.
Heaven is found on the seventh layer of the sky, where good peoples spirits go after they
die. People who barely made it are thought to be found in the lowermost layer, the
bottom of heaven. In heaven there is a tree-of-life. On each leaf of this tree, the name of
every person living on earth is written. When the leaf ripens or dries and falls, it is
believed that the person whose name the leaf carries also dies. The soul of every person
is found in tightly-covered jars kept in one section of heaven (Eugenio, Philippine Folk
Literature: The Myths, 90). This particular section of heaven is guarded closely by a
monster, Walo, with a thousand eyes.
A close examination on the Maranao creation myth shows a continual repetition
and great emphasis on the number seven. Seven, often a religious number, must be a

sacred number within their culture. There are no deities that exist in the creation myth of
the Maranaos in comparison to the traditionalist or pagan groups within the
Philippines. A lengthy portion on the description of heaven, death, and souls, shows the
importance of the afterlife within Maranao culture.
The last major groupings within the Philippines are that of the major and minor
Christian groups. Christianity was brought to the Philippines at the arrival of the Spanish
and European occupation. It is prominent among the plains and lowlands of Luzon and
Visayas, both the northern and middle region of the Philippines. Prior to the arrival of the
Spanish, and spread of Christianity, the people that inhabited these areas believed in the
afterlife. Some worshipped the Supreme Being and Creator whose name was Bathala
among the Tagalogs, Laon among the Visayans, and Boni among the Ilocanos. They also
believed in spirits and deities, ranging from a god of agriculture to a god of war. Others
believed in Allah and in Mohammed, His prophet. Hindu images were also present in the
Philippines from Indian influence, which can also serves as an explanation to the
presence of Sanskrit within the Tagalog dialect. The goals that the Spaniards brought into
the Philippines also included their responsibility to bring Christianity to all the heathen
people of the world (Goquingco, 191). In order to do so successfully, she had to
interfere with the very life-including the social, political, and religious aspects-of the
people she came in contact with, so as to impose on them her cultureGod, gold, and
glorysums up the aims of Spanish colonization-andGod comes first (Goquingco,
191). Christianity was a religious and political tool to successfully subjugate the people
as well as an effective attempt to wipe out previous pagan or Muslim beliefs. But this
attempt was not always successful and in many cases, led to the mixture of Christianity
and animistic beliefs, creating a different form of Christianity. Three main groups that
have immigrated into the United States are the Tagalogs, the Ilocanos, and the Visayans.
According to the Tagalogs, the world began with no land, but only the sea and the
sky and between them a hawk. The hawk, which grew tired of flying around, tried to stir
up the sea so it could throw its waters against the sky. The sky, in order to restrain the
sea, showered upon it many islands until it could no longer rise, so instead it ran back and
forth. At the same time, the land breeze and sea breeze were married and had a child, the
bamboo. One day when the bamboo was floating it struck the feet of the hawk that was
on the beach. The hawk angry at this situation pecked the bamboo, and out of it came the
first man and first woman, Malakas, which means strong, and Maganda, which means
beautiful. The earthquake called on all the birds and fish to see what should be done
and they all agreed upon marriage. The couple then married and bore many different
races of people. One day, after growing tired of all the children, the father seized a stick
and began to beat them. Frightened, the children fled in different directions, seeking
hidden rooms in the house-some hiding within the walls, some ran outside, some hid in
the fireplace, and the rest fled to the sea. It is believed that those who hid in the rooms of
the house later became the chiefs of the islands; and those who concealed themselves in
the walls became slaves. Those who ran outside were free men; and those who hid in the
fireplace became Negroes; while those who fled to the sea were gone many years, and
when their children returned they were the white people.
This myth shows the dependence of Tagalogs on the resource of the bamboo.
Since the Tagalog-speaking region is very diverse, it shows the explanation for different
races present within that area. There are no references to prophets or deities and instead

the sky, the sea, and land are mentioned and personified, showing the Tagalogs respect
for nature and the world.
According to the Ilocano creation myth, there were two giant cyclopean beings,
named Angalo and Aran. They lived before the creation of the sky, the sea, the land, and
mankind. Angalo created the world at the command of the supreme god, who is unknown
in the epic. In the beginning the earth was entirely plan and lacked the seas, the
mountains, the hills, and the valleys. Angalo dug the earth with his fingers, and with the
earth he extracted, the present mountains and hills. He urinated into big and deep holes,
which became the present oceans and seas. He spat and his sputum became the first man
and woman (Eugenia, Philippine Folk Literature: The Myths, 69). Then he put up the
sky, the sun, the moon, and arranged the stars. Some people believe that Angalo and Aran
came from a land in the west, while others say they came from a land inhabited by giants
near the South Pole. According to one story, Angalo and Aran, while wandering about
the earth, came upon an enormous treasure of pearls in the Sulu Sea. Quarreling over the
pearls, when they were in the Visayan Islands they shook the earth to its foundations. The
land broke up into many parts, as a result of their quarrel, and this explains the great
number of islands in the Visayan region of the Philippines.
Although the Ilocanos were also among the major Christianized groups within the
Philippines they are still able to retell their version of the creation story, through the use
of their own Adam and Eve. Ironically, their mention of cyclopean beings shows the
richness of their knowledge and culture with a reference to Greek or Roman mythology.
Their mention of a Supreme God incorporates the presence of animistic beliefs and their
story not only explains the origin of human beings, the sky and the stars, but also the
arrangement of the Visayan islands within the Philippines.
The many versions of creation myths within the Philippines show the rich
diversity within Philippine culture. Creation myths and cosmogony help provide the
individual with explanations to the different beliefs and practices of Philippine people.
With the distinctive religious groups ranging from Christian, Islamic, and pagan rituals
and influences, you produce a different array of the world, humankinds, and even
sometimes the Philippines existence. Philippine creation myths serve the purpose in
better understanding the rich culture within the Philippine archipelago and its inhabitants.
Bibliography:
Eugenio, Damien L. Philippine Folk Literature: An Anthology. Diliman, Quezon City:
Folklore Studies Program and U.P. Folklorists, Inc., 1982: 23-25 and 30-31.
Eugenio, Damiana L. Philippine Folk Literature: The Myths. Diliman, Quezon City:
University of the Philippine Press, 1993: 63, 69, 79-80, 89-90, 98-101.
Goquingco, Leonor Orosa. The Dances of the Emerald Isles. Quezon City, Metro
Manila: Ben-Lor Publishers, 1980: 13, 23, 62-63, 69-73, 85-86, 89-95, 119, 152-3, 155-9,
181-2, 187-8, 191.
Leeming, David and Margaret. Maybe Babies. Through beliefs about religion. A
Dictionary of Creation Myths. 1996.
Livingston, James C. Anatomy of the Sacred: An Introduction to Religion. Upper
Saddle River, New Jersey: Prentice-Hall, Inc., 1998: 223.

Cheryl Samson is the new online editor for mandirigma.org with experience in writing
research articles and interviews. She is a graduate of the University of California, Irvine
and will be receiving her Masters from UCLA this June in Social Welfare. She has been a
performing artist for Sining Ginto (Golden Arts) a traditional Philippine dance troupe.
Cheryl has worked actively for many years in various non profit agencies in the Los
Angeles Filipino and Asian American communities as a volunteer and Program
Administrator. She began her Eskrima training in Kapisanang Mandirigma's community
"Kali Klub" program with SIPA (Search to Involve Pilipino Americans), FilAmArts (The
Association For The Advancement Of Filipino-American Culture) and PWC (Pilipino
Workers Center). Currently she is training in the Lameco Eskrima S.O.G.1. method
(Backyard LAMECO) under the guidance of Guro Hospecio "Bud" Balani, Guro Arnold
Noche and Guro Arturo "Dino" Flores who are also the mandirigma.org advisors. For
more information go to www.mandirigma.org, a research organization dedicated to
cultural awareness.

FMA Past Events

The Philippines
First-Ever International Mixed Martial Arts Seminar
February 10, 11 and 12, 2006
By Gloria R. Caete
The first ever Mixed Martial Arts Seminar held in Cebu City, Philippines last
February 10, 11 and 12, 2006 at the JY Square Discovery Mall Activity Center - Lahug,
was a Huge success!
Thanks to the strong support given by all the members of Filipino Eskrima
Grandmaster Ciriaco Cacoy Caete who provided the much-needed workforce, which
led to the success of the event.
One of the organizers, Cacoys grandson, Mr. Chuck Anthony Caete said that
despite the fact that the preparation time for such big event was only for a few months,
still the outcome was surprisingly beyond their expectations. The young Caete, himself
a trusted instructor of the Cacoy Doce Pares World Federation, is the son of Cacoys late
son, Master Edgar Caete.
Weeks before the scheduled date, amidst the apprehensions, ruffled nerves and
confusion, everything just started to fall into place, thus, the holding of this much awaited and much - publicized seminar started on-schedule and went on smoothly until
the last day. Even though the weather was not so cooperative during the entire duration of
the seminar still the heavy downpours didn't dampen the spirit and enthusiasm of those
who came in droves, doubly excited about the prospect of learning the ropes of those
popular systems of self - defense directly from the martial arts gurus themselves.
Personnel from the Cebu City Police Office (CCPO), some members of the print
and broadcast media (TV and radio), local and foreign martial arts practitioners,
enthusiasts, neophytes and even Master
Eskrimadors from the U.S. and Australia
with their respective students in tow,
participated in the seminar which totaled
more than 60.
Morning and afternoon sessions
were scheduled in 3 day where great
martial arts experts such as: Grandmaster
Richard Bustillo, Director of the
International Martial Arts and Boxing
(IMB) Academy, based in California
U.S.A.; OSensei Phil Porter, Founder of the U.S. Martial Arts Association and
recognized as the Father of American Judo; to get with the initiator of the event,
Grandmaster Ciriaco "Cacoy" Caete, President of the Cacoy Doce Pares Federation
based in Cebu City, converge and shared their talents and skills.
Bustillo, a former partner of the late martial arts icon Bruce Lee, remarkably
shared his expertise in Jeet Kune Do, the action star's system of self-defense.

Porter as agile as ever as he handled the Judo sessions while Cebu's very own
Cacoy, showed his famous forms in Eskrima, Pangamot and Eskrido, which he
personally developed and founded.
Cacoy, a 7 time recipient of Hall of Fame awards, in the Philippines and abroad,
initiated the holding of the seminar, which was financially supported but the Cebu City
government under the able leadership of its Mayor, Tomas Osmea, who personally
awarded the Certificate to the participants during the closing program of said seminar.
Aside from Osmea, City Councilor Raul "Yayoy" Alcoseba, the city council's
Vice-chairman on Games, Amusements, and Professional Sports Committee;
Businessman Joseph Yu, owner of the JY Square Discovery Mall (venue of the seminar
which was used for free.); Mc Donald's-Lahug and other friends of Cacoy, also gave their
moral and financial support, which really helped make the event a resounding success.
Doce Pares Master Vince Palumbo, proprietor and Chief Instructor of his own
school, the International Combative Martial Arts Academy in Adelaide, Australia, which
teaches the Cacoy Doce Pares System of Eskrima and Self-defense, led the Australian
delegation.
Several Doce Pares Masters from the US also came and participated in the 3-day
seminar. They are: Masters Florencio Cautiverio Jr, Master Wally Estropia, Master Guy
Kinanahan and Master Anthony Kleeman, who came with some of their students all the
way from America.
On the 3rd day of the seminar, several participants were already asking about the
schedule of the next Mixed Martial Arts seminar because, according to them, they wanted
to learn more of the techniques of the different self-defense disciplines included in the
seminar.
Many of them are hoping that this would be a yearly activity in Cebu City.
When is the next Mixed Martial Arts Seminar? Well, both Porter and Bustillo
have signified their willingness to become part again of the next seminar. In fact, before
they left Cebu City, we were already starting to plan for the next seminar.

www.docepares.com

www.cacoydocepares.com

Balintawak Legacy Seminar Philadelphia, Pa.

February 11, 2006
Grandmaster Ising Atillo and his successor, Professor Max Pallen put on quite an
event in Philadelphia this past February. Promoted as a tag team format, that is a
rotation of classes by both Grandmasters the student (50 in all) were amazed and
perplexed by the curriculum.
Held at the Philadelphia airport Ramada Inn, 4,000 sq. feet was ample space for
all participants. Some of the notable attendees were Grandmaster Dennis Tosten of the
Amerikick Association, Master Marty Manuel, Sifu Tom Bolden as well as Guru Irv Gill.
The sessions were spirited and overlapped to the extent that on instructor picked up
where the other left off. Michael Bates led a 20 min Presas style jujitsu session as well.
The entire seminar was filmed and is available in a rough-cut DVD format.
Although Professor Pallen has been here a dozen times in the last 4 years, this was
the first appearance by Grandmaster Atillo. During his stay for the week, Grandmaster
Atillo conducted a private seminar with longtime Remy Presas student Joe Breidenstein
in Ardmore, PA. for 27 students. His 3 hr training session was warmly received and plans
were made for a return visit in July 06.
Private sessions were also held at Martial Arts America in Media, PA the home of
Michael T. Bates, another long time Presas student and now under the umbrella of
Professor Pallen.
Following a long and intensive day on Saturday, 20 people were invited to the
home of Michael and Karen bates for a fund-raising dinner for Professor Pallens training
temple in the P.I. A donation of $200 was made at the conclusion of the evening.

Grandmaster Ising Atillo - Website

Professor Max Pallen - Website
Micheal T. Bates - Website

2006 US National Stickfighting Championships

February 17 - 19, 2006
Four Points Sheraton Milwaukee Airport
4747 South Howell Avenue
The National Championships were a great
success, after three days of exciting competition;
competitors from all over the US enjoyed a memorable
banquet, fine food and friends.
Over the three days of the competition, there were
203 total competitors, who participated in over 400
individual events. Competitors included students from
over 24 different Martial Arts schools. Despite the winter storm, things went very
smoothly. We once again thank everyone who contributed their time and effort to make
this event a success.
WEKAF USA would like to officially congratulate those who, through hard work
and continued effort, have qualified for the US National Stickfighting Team.

Men's Team Fighting Division Place Holders

1st Place - Four Winds Martial Arts from Wisconsin
2nd Place - Tae Kali Do from California
3rd Place - Kick Connection from Maryland

Division BD02 - Junior Boys *12 years Double Stick Middleweight (Finals)
C.J. Patalinghug (Red) - 1st Place - Alex
Lickers-Lawson (Black) - 2nd Place

Division JG01 - Girls *6-7 years (Finals)

Mariah Misko (Black) - 1st place defeated Katherine Schwerman (Red) - 2nd place
Note: Referee for this bout was Grandmaster Bong Jornales

Visit the WEKAF Website Click Here

Mata Sa Bagyo Knife Clinic / with Roseville / Sacramento Affiliates
Hosted by - Guro Carlito Bonjoc Jr.
18 February 2006
Stockton, Ca
Present were Guro Jojo Soriben, Guro
Joe Gastello, Master George Mangana, Guru
Sombat Soboun, Guru Carlos Aquilar, Sensei
Bee Landrum, Guro David Lee, Mr. Serg
Kagno, Mr. Bob Miller, along with 16 affiliate
students.
Guro Carlito taught basic and combative
theories, drills and applications using Cadiz
Lapu-Lapu, Talawan and Serrada Escrima knife
concepts. This unique blend of systems was
combined to allow a complete approach to
knife combat by covering all ranges of fighting.
Talawan - for long range
Serrada - for medium
Cadiz Lapu-Lapu for close range.
This event was exclusive to MSB members; But Guro Carlito will teach the
aspects conveyed here during his seminar tours to be conducted this year.

The following is a brief overview of these

styles and what they are:
First the Talawan System - Talawan means
afraid and is a running style - a hit run style if
you must, taught to Guro Carlito by Master Roy
Onor. This, style was developed to be used for
multiple opponents using strategy and creative
footwork in order not to get in between two
opponents.
Serrada - is a medium to close style developed
and taught to Guro Carlito by Grandmaster Angel
Cabales.
Cadiz Lapu-Lapu - is a close range style taught
to Guro Carlito by his father Grandmaster Carlito
Bonjoc Sr. Cadiz Lapu-Lapu. This style includes
many locks, joint manipulations, throws it also
includes guntings and multiple strikes to nerves
and vital areas.
Many of the students attending were very
impressed with Guro Carlitos skills and in fact
many stated that they " have never seen anyone
move that way before!"
If you have further interest in learning
more about Mata Sa Bagyo and Guro Carlito please visit our website or just give us a
call. Guro Carlito is available for seminars, classes and appearances worldwide.
Contact Guro Bonjoc at Email Click Here or Phone (209) 992-0832
Website - Click Here
Bee Landrum has been practicing martial arts for many years and is the owner and Chief
Instructor for:
BeeSafe Martial Arts
(Inside Fitness180)
120 Church St.
Roseville, CA. 95678
Website - Click Here
Email - Click Here

Khalid Khan Serrada Workshop

February 25, 2006
By Jeff Finder
Photos By Antonio Elago
The weekend of 25 February,
Master Khalid Khan did a seminar in
Oakland at Kenny Pitts School on
Lakeshore Blvd., sponsored through the
auspices of Professor James Hundon who
teaches an innovative program there
which combines Escrima with Wally
Jays Small Circle Jujitsu and other arts.
In some ways this event reminded
me of the White Tiger seminar Angel
Cabales did in Oakland back in 1967.
James Hundon, a Jujitsu/Eskrima
Both events were well attended by
practitioner
and instructor of his own school
students from the school, lending an air of
friendly camaraderie to the proceedings. Also reminiscent was attendance by some of the
more senior instructors in this art, bringing together several generations of practitioners.
I was invited by Master Khan to
assist in his class, and as it opened there
were also half a dozen second generation
instructors under Khalid. The treat for me
was when early into the program two of
our seniors from Stockton showed up.
Ronnie Saturno and Carlito Bonjoc
are two of my role models in Serrada. Ive
known Carlito since my earliest training in
this art back in 1985, and his skills and
Carlito Bonjoc and Jeff Finder
knowledge never cease to amaze me.
Ronnie is someone Ive had the privilege to meet far too infrequently, and his style and
movement impressed me once again, reminding me how explosive and deadly this art can
be. Both these men are articulate, intelligent teachers, and I got to feel like a beginner in
the art once more as I let myself soak in what they have to offer.
What amazed me after I got home was
realizing the cumulative experience there was
of Angels students in that room today.
Ronnie has at least 27 years in Serrada,
Carlito about 25. I have 20 years myself with
Khalid just a couple of years behind. All
together we represented nearly 90 years of
training in Serrada. Time spent like this
matures the basic skills, nurturing each
person through experience.
Serrada Guro Antonio Elago, - on Left
It was just as nice to see the younger

generation of instructors starting to step up and show what they can do; Khalids top
assistants have some nice skills. There is a lot of talent in this art, and its good to see it
spreading. Today there was no politics, just the art itself, enjoyed for its own sake. I could
feel Angel smiling in that room.

Pitts' Martial Arts Academy

3298 Lakeshore Avenue, Suite A
(Between I-580 and Trestle Glen)
Oakland, CA. 94610
(510) 836-4929
Email
Website

The Universal Institute of Self Defense

3298 Lakeshore Ave
Oakland, CA. 94610
415-756-8635
Email
Website

Interested in a seminar by Master Khalid Khan Click Here

IMAFP
Conducts its First Modern Arnis
Goodwill Tournament in Saudi Arabia
By Jay de Leon
The Middle East
Chapter of the International
Modern Arnis Federation of the
Philippines (IMAFP) recently
concluded its first Modern
Arnis tournament in Riyadh,
Saudi Arabia. Sponsored and
presided over by Master
Godofredo Fajardo, IMAFP
Commissioner for the Middle
East, the well-attended tourney

was held at the facilities of Riyadh International School (RIS) on March 3, 2006.
It was a highly successful and well-attended event. Several martial arts club
fielded more than sixty competitors, representing many nationalities including
Americans. The following major martial arts groups, coming mostly from Jeddah,
Dammam and Riyadh, competed in the tournament:
Lapunti de Abanico
Jetkido Arnis
Jeetkunedo Arnis
Counter-Force Arnis
Panthers Martial Arts Federation (PMAF)
Filipino Fighting Arts International, Kingdom of Saudi Arabia (FFAI-KSA)
The following are the results of the competition.
Forms (Anyo) Competition
Champion, Adults Gil Cabual
1st Place Hassan Yahya, Lapunti
2nd Place Abdulah Aljahany and Nathan Walker, FFAI
Champion, Children Munin , PMAF

Mano-Mano Competition
Champion Alexis Mauri P. Galye, Jetkido

51 52 Category
Champion -Herry Jiapno, Jetkido
1st Place -Mohamad Motairi, Jeetkunedo
2nd Place - Jessi Barrion, Lapunti

53 54 Category
Champion Lito Padios, Lapunti
1st Place Larry Velasco, Jeetkunedo
2nd Place Arnold Mercado, CounterForce and
Adul Hadi, FFAI

55 56 Category
Champion Dexter Faeldo, PMAF
1st Place Abrogar Emy, PMAF
2nd Place Amado Mistos, PMAF
3rd Place Al Houti, FFAI

57 58 Category
Champion Rodolfo Templo, Jetkido
1st Place Nathan Walker, FFAI
2nd Place Japer Albwardi FFAI

59 510 Category
Champion - Glen Imaun, Jetkido
1st Place Musa Hindi, Jetkido

2nd Place Hassan Yayah, Lapunti and Salman Almotairi, FFAI

511 62 Category
Champion Fahad Alrauf, Jeetkunedo
1st Place Justo Villarobin, Jetkido
2nd Place Jerry McDonald, FFAI
Team Championships

Champion Jetkido Arnis Club

1st Place Filipino Fighting Arts Intl (FFAI)
2nd Place Arnis Lapunti de Abanico

Best Referee - Mr. Antonio, Jr., PMAF

Best Leadership Instructor Award - Mohammed Issa Al Issa, FFAI

Master Godofredo Fajardo praised all the participating clubs and competitors for
the spirited and high-level competition, and thanked IMAF-KSA President guro Ghazzi
Al-Turaifi as well as other organizers and volunteers of the event. Already, plans are
being formulated for next years event.
Find out further information visit Filipino Fighting Arts International - Click Here

Angel Cabales Commemoration

Seminars/Banquet
March 4, 2006
Langley's Karate School
5255 Elkhorn Blvd
Sacramento, California
Grandmaster Anthony Davis
As the journey began so does it end
By Michael Schwarz
As I cross the time lines of Pacific Mountain to
Central time, I contemplated some of the significant events of my recent journey. The

comments that follow are my humble thoughts on the historical events that I was able to
witness and participate in.
This was an event, which if for only one day, unified Cabales Serrada Escrimas
old and new guards. In experiencing this event, it gave me great pride and satisfaction
regarding the foundations and the endless possible futures for all concerned.
Anthony Davis, Vincent Cabales Sr., Vincent Cabales Jr., Darren Tibon, Jeff
Finder, Master Arquillo, Bob Langley, Wade Williams, Carlito Bonjoc, Jerry Preciado,
Ron Saturno and myself were in attendance to name a few, as well as dignitaries from the
Iron Dragon Kosho Ryu Kempo system. Special guests Gelmar and Mary Gel Cabales as
well as their mother were in attendance.
On this day the late Grandmaster Angel Cabales was awarded the Lifetime
Achievement Award, given spiritually by Grandmaster Davis and the World Serrada
Escrima Federation.
On hand to accept the award in behalf of their father was Gelmar Cabales and his
older sister Marigel, along with their mother Maritess Cabales. Standing by their side in
witness of the acceptance of the award was Honorary special guest Vincent Cabales Sr.
and his son Vincent Cabales Jr.

The award acknowledges Grandmaster Angel Cabales as the primary person

responsible for the emergence of the Filipino martial arts in America, and also, that he
has officially been recognized as the Father of Escrima in America.
Just a note; Grandmaster Angel Cables opened the first official Filipino martial
arts academy in 1966 in Stockton, California. Some of his first students include; Max
Sarmiento, Leo Giron, Dentoy Revillar, Mike Inay, Jimmy Tacosa, Al Conception, Rene
Latosa, JC Cabiero, Kathy Lee, Art Miraflor, Abel Miraflor, Leo T. Fong, Dan Inosanto,
Richard Bustillo, Ted Lucaylucay and numerous others.
For a moment, before continuing, let us think about the Late Grandmaster Angel
Cabales in loving memory.
In these recent, trying times within the Serrada Escrima community, we all found
our own way back to the light on March 3, 2006. On this date in history the many
teachers who guide their students to the truth of Cabales Serrada Escrima came together
as one for all to see.
The smiles, conversation and handshakes, took us all thru a day on which Angel
Cabales spirit was with us all and smiling upon us all.

The Angels Disciples Demonstration

Team, led by Master Darren Tibon, performed
for the 1st half of the celebration. The
demonstration opened with a bang. The tight
synchronous and smooth flow of technique and
material was 2nd to none. It is evident the
impact of Cabales Serrada Escrima upon Master
Darren Tibon, in observing the crispness of
movement displayed. This put me in mind of
my own time spent on a demonstration team
with Master Chuck Cadell, another of Angel
Cabales graduate students. After the
demonstration began the seminar portion of the
Punong Guro Mike Schwarz
day.
and Master Jeff Finder
Mid afternoon came time for the
commemorations to begin. A significant award, representing long time support for the
Cabales Legacy, was given to Master Darren Tibon. Master Tibon has been teaching the
art and giving support to the family since Angel Cabales death.
The finale banquet; was enjoyed
by all who attended. This additionally
gave old friends an opportunity to catch
up on recent events. It also provided those
of us coming to the art and family within
the recent 20+ yrs and an opportunity to
meet and touch sticks with the legends
of Cabales Serrada Escrima.
Everyone appreciated that we were
there to celebrate the life and art of Angel
Cabales. This event was to honor Angel
Cabales. The bridges that were
Punong Guro Mike Schwarz
constructed this day extend from
and Master Darren Tibon
Stockton, Ca. to Sacramento, Ca. and
beyond to the Midwest and abroad.
Outlining the significant events of the day is a difficult task indeed. Only difficult
in that each of us in attendance; has their own significant moments.
On a personal note, a truly unique opportunity and perspective was made
available to myself in particular. I had the unique chance to meet and discuss views with
Marigel and Maritess Cabales.
Personally, I can only convey a small portion of their depth and warmth as
individuals. I was honored by the sharing of emotion and ambitions for the legacy of
Cabales Serrada Escrima. In particular, I am able to carry the warmth Marigel Cabales
shared with me in a hug she took time to give me upon her departure. I can only hope to
do justice of the Cabales expression by furthering Cabales Serrada Escrima in memory
of Angel Cabales.

For further information about World Serrada Escrima Federation, events, products,
training, classes, and seminars. Contact: Grandmaster Davis - Click Here.
Punong Guro Michael Schwarz is the WSEF/MAI Midwest Director and WMAU
Midwest Director. You can contact him at (217) 851-9327 - Email - Website

Modern Arnis Seminar in Russia

Ekaterinburg, Russia
March 18 & 19, 2006
All the participants of seminar have been
waiting for it for a long time for this the 2nd Modern
Arnis seminar. And they had very good memory from
previous seminar with Datu Dieter Knuttel.
On the 17th of March, 21 students were
examined for first students degrees. These students had
spent a lot of time to prepare for this examination. For
most of them it was the 1st examination in their life.
And it also was the only examination of Modern Arnis
in Russia. Every one of them passed the examination,
and where happy on Saturday, when they received their
first diploma.
There were many more people in this seminar,
than in the previous one. For the organizer Alexander
Pisarkin, one of the main things is the fact, that the
seminar had visiting representatives from Moscow and
Nizhniy Novgorod representing the Federations of
Martial Arts. From Moscow it was a 29-hour train ride
and from Nizhniy Novgorod a 20-hour train ride (one
way each), to get to this seminar.

Program of the seminar was very interesting for everybody, even for people who don't
practice the Filipino martial arts. Here are the sessions:
Day 1
Lesson 1: Different variants of footwork. Variants of Sinawali and how we can to apply
these techniques in a fight.
Lesson 2: Classical Arnis Various variants of blocks and strikes. Banda y Banda,
Rompida and Figure 8 combinations of these movements. Ranges of fighting martial arts.
Lesson 3: A variant of disarms with a stick, a flexible weapon, a knife, a pen and empty
hands.
Lesson 4: Self-defense against grabs & strikes near the wall in close range.
Day 2
Lesson 5: Tapi-Tapi.
Lesson 6: Modern Arnis self-defense concepts and Filipino empty hands fighting:
Techniques against jab-Cross.
Lesson 7: Knife Disarms.
All the participants were in admiration of Dieters
demonstration of his mastership and physical abilities:
high speed of moving, strength and power. Dieter again
showed his charm, good sense of humor, and his talent for
teaching.
Alexander Pisarkin stated that he was happy to
collaborate with Datu Dieter, as an organizer and
Chairman of JKD. I want to thanks you for your help and
support in developing Modern Arnis in Russia.
Some comments from participants of the seminar:
Maxim, has studied Modern Arnis for 6 month - before training in Modern Arnis
I studied TaeKwonDo for 7 years and have had some experience in the fighting arts. The
seminar rendered on me a deep impression. Datu Dieter very carefully explained the
training material and it helped the understanding and speed for development. Alive
dialogue with the Master wakens the students to even a greater desire to study and
improve their techniques. I hope, that Datu Dieter will visit our country again and share
with us his experience.
Anton, has studied Modern Arnis 6 months - was very glad to take part in the
second Modern Arnis seminar. It was very pleasant to get acquainted with the Master and
to see his faultless techniques. At a seminar I have received a lot of new information and
have seen new Modern Arnis techniques, which I have not seen before. The Master is a
very pleasant and polite person. I think, that I have spent my time, which is benefiting for
myself, and I hope that this seminar was not the last in my life.
Konstantin, a yellow belt in Modern Arnis - first of all I have a pleasant
sensation within of a positive and of self-harmony after the seminar. Datu Dieter
explained and showed all techniques in detail and was very clear, paying special attention
to students on each important point. I shall take part in the following seminar with a big
interest.

Marina, the girlfriend of the Konstantin Datu Dieter, you are a great person. It
is paradoxical, in teaching the fighting arts and you preach peace. You create harmony of
dialogue between different cultures, the people and countries. You are a great person and
you deserve admiration.
Sergey - Before my acquaintance with Modern Arnis, I studied Kenpo Karate for
some years. I started to practice Modern Arnis one month ago. At a seminar I have seen
real Modern Arnis. I have found out that it is a many-sided fighting system. Using of
different weapons, empty hands fighting - all I admire very much. And at last, I have seen
the real Modern Arnis Master and I have understood for myself, to what I should aspire
in studying the art of Modern Arnis.
Michael, the President of Martial Arts Federation, Moscow - (The message from
a forum of this Federation): Many thanks for Sverdlovsk Regional Jeet Kune Do
Federation and for its president Alexander Pisarkin, for organizing the Modern
Arnis seminar. And to Master Dieter Knuttel for his knowledge, which he has so
generously shared with us.

Datu Dieter Knuettel

Germany
Email
Website

Laban Baston Eskrima Club

Senior Master Dan Anderson (Modern Arnis)
21 March 2006
Dan began by introducing himself and giving a little of his background in martial
arts and Modern Arnis. We moved swiftly into the material. Dan covered disarms to
strikes 1 - 5 in depth, with the final disarms to strikes 6 - 12 briefly shown. While most of
the disarming displayed were familiar, Dan helped improved them and make them all
more efficient thanks to the nuances he introduced. I think all of my guys (some with
years of experience, some with weeks!) enjoyed what was taught, especially Nick
Goodwin, who thanks to years of Yoga practice, is somewhat more flexible than your
average person!
Dan was able to deal with Nick by explaining how the "Flow" within the Filipino
martial arts is used to deal with the unexpected! Dan showed us a few counters to the
disarming techniques he had demonstrated. Then showed us how to counter the counters!
He did say he has studied countering counters, and as I have just got my hands on
a CD-ROM with five of his Modern Arnis books on it I may already have this study
available to me. If not, I think I see another book coming!

Get the Distance Right

Get the Distance Wrong

We moved onto empty hand locks, and again for anyone with some experience
the locks were familiar. And again, Dan helped improve all of them, by demonstrating
how the correct use of posture (yours and your opponents) can be utilized to the best
effect. Here Nicks flexibility was nullified by a rather vicious maneuver, which is a
continuation of one of my favorite moves.
The evening ending with a question and & answer session, with Dan proudly
giving us his Bruce Lee story. Out of all of the people who met, trained and worked with
Bruce Lee, Dan Anderson, Senior Master of Modern Arnis, is the only living soul who
didn't teach Bruce Lee anything !!!!
I intend to get Dan
back next time he is in the
UK, hopefully for a full
days training. I would like
to extend my thanks to Iain
Abernethey who arranged
the workshop and got Dan
to the venue.
Dealing with flexibility, (Bal Rahman, Nick Goodwin)

Bill Lowery at Dan Anderson right

Iain Abernethey on Dan Anderson left.

The Laban Baston Eskrima Club

Mr. Bill S. Lowery
Newcastle upon Tyne
Tyne & Wear - NE7 7ZF
[0798] 558-2159
Email
Website

IMAFP HK
March 2006
Guro Abner Anievas was asked and has accepted a post as
Technical Adviser in Filipino Martial Art for the two of the largest
Japanese Martial Arts groups in Hong Kong. One of them is the
Black Panther Hong Kong and the other is Aikido Filipino Group.
Most of their members are Filipino and they wanted to add Arnis in
their curriculum.
The Master of the Black Panther and Director of WOMA
Hong Kong chapter has already started to attend Guro Abner Anievas
classes.

The Philippine Consulate in Hong Kong has recognized the IMAF HK as the
official group to promote Filipino Martial Arts in the Hong Kong region.
IMAFP-HK
Email
Website

East Coast Tidewater Challenge

Hampton, Virginia
April 1, 2006
14 members participated and
brought back 27 trophies, including
10 first places and Grand Champion.
A special congratulation goes
out to the daughter of Guro William
Kossmann and Lakan Bini Alicia
Kossman whose daughter Cassandra
(10 years old), for her outstanding
achievement in competing with all
the other 1st place winners up to 16
years old to win Grand Champion.
- Cassandra Kossmann (age 10) - Grand Champion - over all under belts up to 16yrs
old, 1st place forms, 1st place musical forms Brown/Black Belt Division.
- Marlou Villaluna (age 10) 2nd place weapons/4th place forms White/Yellow Belt
Division.
- Julian Gullet (age 8) - 2nd place forms, 5th place weapons: White/Yellow Belt Division.
- Brianna Pinero (age 9) - 1st place forms, 3rd place sparring Green/Blue Belt Division.
- Omar Perdomo (age 9) - 3rd place forms, 5th place fighting: Green/Blue Belt Division.
- Natalia Perdomo (age 7) - 1st place forms: White/Yellow Belt Division.
- Jordan Blazek-Guinan (age 7) - 2nd place sparring, 2nd place forms: White/Yellow Belt
Division.
- Juan Ramirez - 1st place forms, 2nd place sparring, 2nd place self-defense, 4th place
weapons: Adult Brown Belt Division.
- William Kossmann (Head Instructor) - 1st place forms, 2nd place self-defense: Adult
Black Belt Division.
- Laura Keeter - 1st place forms, 1st place sparring, 1st place self-defense: Adult White/
Yellow Belt Division.
- Jimmy Restrepo - 1st place sparring, 2nd place forms, 1st place self-defense: Adult
White/Yellow Belt Division.
- Brandon Sugg (age 9) - 3rd place forms: White/Yellow Belt.
- Marino Santos (Adult) - 2nd place forms, 3rd place weapons: Adult Brown Belt
Division.
Kuntaw Palace
122 S. Goldsboro St.
Wilson, North Carolina 27893
(252) 206-7900
Email
www.kuntawmartialarts.com

IMAFP - HK
and
Black Panther Consolidated Martial Arts (HK)
Joint Training Session
April 05, 2006
Quarry Bay Park Hong Kong SAR

A 15-minute demonstration turns into half-day seminar and the other half of the
day was sharing great Filipino food and laughter.
The Senior Master of Black Panther Hong Kong Chapter invited Guro Abner Anievas to
a Birthday party. After sharing some time with the instructors, they asked for a
demonstration of the Filipino martial art of Modern Arnis. Fortunately, one of Guro
Anievas senior student Likha Rene Sorezo was present. And with his assistance the
demonstration was very explosive as it should be for a Filipino Martial Arts.
Guro Abner Anievas demonstrated single stick, disarming, takedowns and Mano Y
Mano.
At the end of the demonstration, Black Panther students and instructors
approached Guro Anievas about training classes and schedules. Therefore, Guro Anievas
quick response was, why dont we do a full day seminar so that instead watching you can
experience it with me and my students.
Therefore, the day of April 05, 2006, was set. With the cooperation of the Black
Panther Secretary Alma Paed, the venue was organized, certificates, participants and of
course food.
On the 6th of April Senior Master Joseph Bautista of Black Panther, Engr.
Alfredo Vinca and a reporter from SUN Magazine was present. Start the training; we
bow and commenced. With my two senior students leading the way, Likah Allen and
Likha Rene we precede demonstrating techniques and the rest of IMAFP Hong Kong
members supervised the participant.
During the course of the Seminar everyone worked on: Solo Baston vs Doblada Baston ,
Cinco Teros Redonda, Cinco Teros Abanico, Mano De Trangka and Mano Y Mano.
After 3.5 hours of enjoyable training Guro Anievas then ask everyone to seat in
circle and to discuss the difference between martial arts and self-defense. Therefore, Guro
Anievas first question was Whats the difference between Martial Arts and SelfDefense? As he expected no one really knewso to cut the story short for approximately

30 minutes he explained and gave various examples. It was upon the conclusion of the
explanation and examples that all had a clear understanding of self-defense.
Then Certificates were handed out and as Filipino Tradition, all shard a
good lunch with many Filipino dishes.
IMAFP-HK
Email
Website

Nevada Recreation & Park Society

Program Excellence Award
2006
Punong Guro Steven Dowd received the Nevada Recreation and Park Society
Program Excellence Award for 2006 for his programs throughout Churchill County.
Punong Guro Dowd has been teaching the Filipino martial arts for the Park and
Recreation for five years. His programs include, Pee Wee martial arts (5 8 years old),
Intermediate martial arts (8 12 years old), Womens Self Awareness and Self Defense
(15 years old and older), and Senior Self Defense and Awareness (55 years old and
older).

Thursday Pee Wee Class learning Kuntaw

www.churchillcounty.org

Vicky and Punong Guro Steven Dowd

Jim Moore [Director] and Jorge Guerrero [Recreation Supervisor]

FMA Future Events

Seminars
2nd Annual Eye of the Hurrican Gathering of the Warriors
July 1 & 2, 2006
8:00am 5:00pm
Burbank Campground
Blackalds, Alberta, Canada
Kali Academy of Martial Arts Inc.
Contact: Guro Sonny Padilla
1 [403] 343-3350 - Email

2006 Garimot Arnis Summer Retreat

July 7 - 9, 2006
N. Park, Avenue
Hollywood, Florida
Call: 954-432-4433 or 305-788-4403
Email
Website

Buffalo Martial Arts Summit

July 8 - 9, 2006
Adams Mark Hotel
120 Church St.
Buffalo, NY 14202
Master Roger Agbulos - Lameco Eskrima
Punong Guro Tom Bolden - American Modern Arnis
Sensei John Borter - Modern Ju-Jitsu
Sifu Daniel Donzella - Liu Seong Combat Arts
Punong Guro Steven K. Dowd - Arnis Balite
Shihan Rudy Duncan - Karazenpo Shaolin Kempo
Dr. Stanford McNeil - Kifaru Jitsu
Sensei Steven J. Pearlman - Genri Ryu Life Protection Arts
Master Sultan Uddin - International Serrada Eskrima Association
Special Guest Instructor: Sensei James Franklin - Suenaka Ha Aikidao
Flyer
Email

Richard Bustillo Escrima Seminar

July 8 & 9, 2006
Modern Fighting Concepts Academy
Victorian Plaza, 307 W.H.P.
Absecon, NJ
Email

3rd FMA Festival 2006

July 11 - 21, 2006
Clark Field, Angeles City, Pampanga & Manila
Fontana Leisure Park
Angeles City, Pampanga
Philippines
Flyer
Email
Website
Website
Website
3 BIG events will be held in the Philippines:
1. The Professor Remy A. Presas Memorial Camp on 11-14 July 2006.
2. The 3rd FMA Festival on 17-20 July 2006.
3. The GALA Night and Lapu-Lapu Award, on 21 July 2006.

Balintawak
Legacy East Coast Camp
July 13 - 16, 2006
KAMP karate
3443 B- Bethlehem Pike
Souderton, Pennsylvania
Email
Email
Website

Rapid Arnis Seminar in Essex

July 22 & 23, 2006
Palmers Sports & Fitness Centre
Chadwell Road
Grays, Essex RM17 5TD
Email
Website

4th Annual WFMAA Expo & Laban

Laro
August 4 - 6, 2006
Palace Station Hotel & Casino
Las Vegas, Nevada USA
Flyer
Registration
Email
Website

Balintawak
Legacy West Coast Summer Camp
August 11 - 13, 2006
Pallens Martial arts
13730 Doolittle Dr.
San Leandro, Ca.
Email

Counter Point
Mataas na Guro Zach Whitson
August 18 - 19, 2006
American Kenpo Karate San Antonio
5440 Babcock RD.
Suite 125
San Antonio, Texas 78240
210-699-3686
Website
Website
Flyer

Garimot Arnis Seminar Europe

(Germany, Switzerland and France)
August 25 to September 2, 2006)
Germany: Emdem, Leer, Beliefeld
Contact: Sensei Jen Fricke - Email
Sascha Herzle - Email

Summer Camp
August 26 & 27, 2006
9:00am 5:00pm
Burbank Campgound
Kali Academy of Martial Arts Inc.
Contact: Guro Sonny Padilla

1 [403] 343-3350 - Email

Theme: Empty Hands Mano Y Mano.

Water & Steel 2006 Training Camp

August 31 - September 4, 2006
**Five Days of Extensive Training**
Featuring
Datu Kelly S. Worden
Jim Keating
Bob Anderson
Contact: Datu Kelly S. Worden
Email
Website

Tipunan sa Los Angeles 2006

(Gathering in Los Angeles 2006)
September 16, 2006
Contact Info: Jay de Leon
951-834-3386
Email
Website
Website
Hosted by:
International Modern Arnis Federation of the Philippines (IMAFP)
Tipunan International
Scheduled Instructors:
Christopher Ricketts Bakbakan
Bruce Ricketts Bakbakan
Roger Agbulos Lameco
John Jacobo Bakbakan
Bram Frank Modern Arnis
Ramon Rubia San Miguel Eskrima
Jay de Leon Modern Arnis

Suanico Knife Seminar

September 24, 2006
11:00 TO 4:00pm
Vancouver Kali Group
Sirotas Alchymy
160 - 5640 HollBridge Way
Richmond, B.C.
Contact: Guro Louie Lindo or Master Michael Sirota
1 [604] 244-884

International Martial Arts Festival 2006

October 5 - 19, 2006
Bacolod City, Philippines
Email
Website
An International Exposition showcasing the prominent Martial Arts of the world
on the island of Negros City of Bacolod, Philippines. "The Kali Country."
Also included an optional seminar camp in the Filipino Martial Art of Kali and
Indigenous Knife Tactics.

Balintawak
Legacy East Coast Camp
October 6 - 8, 2006
KAMP karate
3443 B- Bethlehem Pike
Souderton, Pennsylvania
Email
Email
Website

Level I and Level II Seminar

October 14 & 15, 2006
9:00am - 5:00pm
Kali Combative Group
Westside Tae Kwon Do
3740 Glenway Rd.
WestBank, British Columbia
Contact: Mr. Michael Smith - 1 [250] 768-8868 - Email

Garimot Arnis Seminar and Fundraising

November 11 & 12, 2006
West Palm Beach, Florida
Contact: Guro Victor "Hagibis" Rivera
Email
Website
Website

World Kali Congress

November 15 - 25, 2006
Sydney Opera House
Sydney, Australia
Email

Tournaments

2006 WEKAF World Championships

July 2nd - 9th, 2006
Walt Disney World Swan & Dolphin Resort
Orlando, Florida
Flyer
Website

4th Annual WFMAA Laban Laro

August 6, 2006
Palace Station Hotel & Casino
Las Vegas, Nevada USA
Flyer
Registration
Rules
Email
Website

Message to Filipinos
Filipino-Americans
and Friends of the Philippines
Are you suffering from donor fatigue? Do you feel that it is hopeless to send
help to the Philippines because it is beyond help, or that your donation will have no
impact anyway? Have you always wanted to give back to the Philippines, but did not
know how, or did not trust the organizations you talked to?
We offer honest, viable and immediate solutions.
We are the Wellness Development Foundation, Inc., (WDFI) a non-profit,
charitable organization formed under the provisions of Article 501(c) 3 of the Internal
Revenue Code. We endorse, support or fund poverty alleviation projects, medical
programs and educational programs in the Philippines. Poverty-alleviation projects
include Gawad-Kalinga projects, cooperatives and community livelihood projects.
Medical programs include medical missions, mobile clinics, family planning and holistic
healing and care. Educational programs include free textbooks and school supplies for
elementary schoolchildren, as well as training in entrepreneurship and community
livelihood, marketing and financial strategies for cooperatives and the like.

The problems facing the Philippines are overwhelming, but with your help, in the
true spirit of bayanihan, we will help alleviate poverty, root out graft and corruption in
the government, and combat criminality and other ills plaguing our nation.
Mabuhay ang Pilipinas at ang Pilipino! Maraming salamat po.
JAY DE LEON
CEO and Founder
Mail your tax-deductible donation to:

Wellness Development Foundation, Inc. or WDFI

40485 Murrieta Hot Springs Road, #358
Murrieta, CA 92563
951-894-1452

IMB Academy
22109 S. Vermont Ave.
Torrance, CA 90502
www.imbacademy.com
With over ten thousand square feet of floor space, the IMB Academy is one of the
largest and most complete martial art schools in the South Bay area. Our classes are
conducted in the main training room on a high quality matted floor. Our facility also
offers a fully equipped weight room and an open workout room with a boxing ring, speed
and heavy bags, allowing students to train independently from their scheduled class
times.
For over thirty years, the International Martial Arts & Boxing Academy has
played an important role in the personal growth and professional development of
thousands of students locally, nationally, and internationally.
(Long range) Weaponry self-defense from the Filipino Martial Arts,
featuring single and double stick coordination drills that provide a better
awareness towards the various angles of offense, defense, and counters.
(Middle range) The development of an individual's personal weapons,
emphasizing punch, kick, elbow, knee coordination and evasive body
movements for an effective defense.
(Close range) We are extremely fortunate to offer the expertise of the
R.C.J. Machado Jiu-Jitsu to our program. Their highly effective art of
ground grappling includes a wide variety of position and submission
training methods, which strengthen an individual's ability to defend
themselves from the ground.
(Self discovery range) The philosophies, concepts and training methods
of Bruce Lee's Jeet Kune Do, increasing an individual's awareness
through the understanding of their own personal abilities and
limitations.

Richard Bustillo possesses a wealth of knowledge and a very unique and motivating
teaching style. Credited as being one of the major contributors to revive the Filipino
Martial art of Kali/Eskrima/Arnis, Bustillo is recognized by the Council of Grandmasters
of the Philippines as Ninth degree Black Belt (Grandmaster) in Doce Pares Eskrima.
However, he is best known for his training under Bruce Lee and Jun Fan Jeet Kune Do.
Contact: Phone: (310) 787-8793, Fax: (310) 787-8795, E-mail: [email protected]

Training Trip to Southeast Asia

Fall 2007
Philippines and Indonesia
Martial Arts Research Institute

Grandmaster Jerson "Nene" Tortal (seated)

of Dekiti Tirsia Sirradas with the visiting
American instructors.

Train and learn authentic arts

with the grandmasters. Experience the
culture in the Philippines. Travel to
Negros OCC, and train with
Grandmaster Jerson Nene Tortel of
Dekiti Tirsia Siradas Kali and with
Grandmasters Abraham and Sabas
Gubaton of Oido de Caburata Arnis.
In Indonesia Travel to city of
Jakarta in West Java, stay at IPSI (Ikatan
Pencak Silat Indonesia), a Pencak Silat
school regulated by the Indonesian
Government. Train with Grandmaster
Guru Edward Lebe of Baringin Sakti
Pencak Silat.

For more Information Contact: Michael and May Williams

Mailing Address
5 Samos Circle
Middleton, MA 01949
Physical Address
53 Mason Street
Suite 201
Salem, MA 01970
Email
Website
(978) 745-2555 / (978) 777-0586
Fax Number: (978) 745-2585

Philippines 2005, U.S. group visits with Ifugao tribe (Head Hunter
Tribe) members all over 100 years old

IPSI (Ikatan Pencak Silat Indonesia)

Pekiti Tirsia Kali and San Miguel Eskrima

Comparison of Espada y Daga Techniques
A seminar-quality 2-DVD set that compares the
espada y daga techniques of
Pekiti Tirsia Kali and San Miguel Eskrima. We
show how the respective
techniques of each art are defined by the weapons
that each one favors with
respect to tactics, range, and body mechanics.
Cost is $40.00 and includes shipping and
handling. Please contact us for international
shipping. We accept checks, money orders, and
PayPal.
Website Ordering - Click Here
Information and Questions:
Click Here or Click Here

Rapid Journal

FMA Circle

El-Juramentado

Maharlika-Enterprizes

Filipino Martial Arts Digest

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Man, Woman, and School of the year in the Filipino Martial Arts
"2006"
Help nominate your choice for the Filipino Martial Arts Digest Man, Woman, and School
of the Year. - Click Here
Eligibility: The nomination is open to persons trained, or training in the Filipino Martial
Arts. Void where prohibited by law.
How to enter: The FMA Digest Recognition Award of the Year nomination begins on
the 1st of January and ends on the 17th of August. One nomination for each category is
allowed for nominators. To enter, fully complete the Official Entry Form below.
Selection of Man, Woman and School of the Year: On or about the 17th of August, a
Man, Woman and School of the Year will be selected by a majority of eligible ballots
received.
List of winners: Winners will be notified by telephone, or email and a Speical Issue will
be published with the Winners as the featured articles.
Winners Recognition: Winners or one of the nominators of the winner agrees to provide
some kind of person information and a photo of the Man, Woman, or School that is to be
recognized. This for the purpose of publication in the FMA Digest. If refused then the
next person in order of recognition will be contacted and recognized for that year.
In General: Participants agree to be bound by these official rules, which are final. By
entering, participants agree and acknowledge that FMA Digest can use winner's names
(participants) and photos without additional compensations, except where prohibited by
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Changes: Rules are subject to change, if for any legal reasons.