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Extended Dominants Theory

The document discusses secondary dominant chords and extended dominants. It shows examples of secondary dominants leading to diatonic chords, such as Imaj7 V7/II IImin7 V7 Imaj7. It then explains that an extended dominant is a non-diatonic secondary dominant, such as Imaj7 V7/V V7 Imaj7. It also lists the major and minor chords for the key of Eb.

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Sam Incze
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88 views

Extended Dominants Theory

The document discusses secondary dominant chords and extended dominants. It shows examples of secondary dominants leading to diatonic chords, such as Imaj7 V7/II IImin7 V7 Imaj7. It then explains that an extended dominant is a non-diatonic secondary dominant, such as Imaj7 V7/V V7 Imaj7. It also lists the major and minor chords for the key of Eb.

Uploaded by

Sam Incze
Copyright
© © All Rights Reserved
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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EXTENDED DOMINANT

Secondary Dominant Rule:


o When a diatonic chord is reached (after a string of dominants) label it
and the chord before it
Imaj7
V7/II
IImin7
V7
Imaj7

C: |
C
|
B7
| E7 | A7 | Dmin7 | G7 | Cmaj7 |
|______|
Imaj7 V7/V V7 Imaj7
C: Cmaj7 B7 E7 A7 D7

G7 Cmaj7

An extended dominant is a non-diatonic secondary dominant


Imaj7 V7/V V7 Imaj7

C: |Cmaj7| D7 | G7 |Cmaj7||
Imaj7 V7/V
Imaj7
-----------
C: |Cmaj7| D7 |Dmin7 G7| Cmaj7||
|____|
Imaj7

VImin7

V7/V

IImin7

V7

Imaj7

Eb: Ebmaj7 | D7
Ebmaj7
||

G7

| Cmin7

MI

Eb Maj7
Fmin7
Gmin7
Abmaj7
Bb7
Cmin7
D half dim7

F7

Fmin7

|______|

Eb Maj Chords:
-

----------------------
|

Bb7

|_______|

Ebmin Chords:
- Eb Min7
- F half dim7
- Gb Maj7
- Ab Min7
- Bb Min7
- C Maj7
- D7

ANALYSIS OF CHORDS (Slash Chords)


C: C/E = I/3 (I Which Chord, 3 Bass note relating to the chord, not the scale) [I
Chord with 3 in the Bass)
C/F# = I/#4
C/Bb = I/b7
Fmin7/C = IVmin7/5

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