The Great Gig Book Full

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The Great Gig Book Full

simple fake book

Uploaded by

Michael Johnson

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, re 106 “a no 358 626 aa 357 aS 086 062 203 oe 21 208 0654 wz as nz 247 403 556 558, 554 4 039 4a 482 es 306 ot 619 402 4a 456 003 659 465 «7 10s 361 362 355 410 17 me 155 a 552 ou 551 658 40 063 a + After Youve Cone (©) An Marie (Cm) ‘+ Ain't Misbehavin’ (C) 1 Aint She Sweet (C) Aitegan (AD) ALDI La (6) + Alexanders Ragtime Band (F) + Alice in Wonderland (©) + AIT Ask of You (0b) + Al My Tomorrows. (Eb) SAI OF Me (©) + AL OF You (EB) ‘All Or Nothing At All (C) “+ All The Things You Are. (Ab) +All The Way (F) Neg Cat © + Almost Like Being In Love (Bb) + Alone Together (Om) + Arght, Otay, You Win (Eb) satay + Always In My Heart (Bb) + Amapola (8b) + Amor (©) ova € Care (6) + Angel Eyes (Cm) + Anniversary Song (Em) «+ Anniversary Waltz (C) Ambropology (Bb) ‘+ Anything Goes (Q) April in Paris (©) ‘rmando’s Rhumba. (Cm) «Around The Wadd. ©) + Arrivederci Roma (G) ‘Arta Alinu (Om) 1 As Time Goes By (Eb) Au Privave Auld Lang Syme_(F) + Autumn in New York. (F) + Autumn Leaves (Em) tAavaion B + Baby Face (©) + Basin Sweet Blues (C) + Baubles, Banghs ard ends. (Ab) * Beautiful Love (F) Bebop (eb) + Because of You (Eb) * Beer Bare! Polka (©) + Begin The Beguine () Bemie's Tune (Om) + Besame Macho (Om) Bessie’salues (@D) + Between The Devil and the (F) = Bewitened (©) 351 635 339 355 660 508 694 059 060 02 659 101 13s sas, S75 658 6589 149 a4 o12 836 354 535 244 483 464 013 22 139 103 353 656 302 312 136 132 568 309 691 032 356 233 128 601 228 565 357 466 601 248 485 492 —_—< K (BLUE) Alphabetical Index Bailey (F) Billie's Bounce () Bie Bare Bum (8b) + Birth OF The Blues (©) Bittersweet. (C) + Black Orpheus (Am) Blue Bosia (Cm) + Blue Gardenia (C) + Blue Hawaii (Bb) Blue in Green (8b) ive Monk (Bb) + Blue Moon (Eb) + Blue skies (F) + Blue Tange (©) Blue Trane (Cm) + Blue Velvet (Bb) Blues For Alice (F) “Blues im The Night (Bb) Bluesette (6b) * Body And Soul (0b) Bolivia Bourbon Street Parade (Ab) + Brazil (Ab) ‘+ Breeze And |, The (®) ‘tidal Chorus (Bb) Bunny Hop (F) ‘+ But Beutful (G) = But Not For Me_ (Eb) + Button Up Your Overcoat (C) + Bye Bye Blackbird () = Bye Bye Blues (C) Byrdiike + © + Cabaret (Eb) Call Me (60) + Call Me Iresponsible (AB) + Canadian Sunset (@b) Caravan (Fm) * Cast Your Fate to The Wind. (F) + Cecilia (© Ceora (At) + Chances Are (G) Charleston, The (Bb) ‘+ Chatanooga Choo Choo (C) = Cheek to Cheek (O Chelsea Bridge (Db) Cherokee (6b) + Chery Pink and Apple (Eb) * Chicago Chicken Dance (©) Child 1s Born, A (Bb) * Choo Choo Ch’Boogie (F) * Christmas Song (5) * Christmas Time is Here (F) 489 432 082 aa 226 W7 022 a3 643 219 o78 131 62 466 138 126 451 567 358 os 308 102 409 27 ost 509 oa 53 er 202 a on 245 023 201 033, a 158 542 157 63 os 146 oz. 049) 027 050 123 147 404 673 os Cis, Cio, Bambina (©) + Cielo Lindo (88) Clarinet Potka (© + Cove To Yow} Core Back To Somento (Cm) + Come Fy With Me (©) * Come Rain or Come Shine (F) ome Sunday (8) Con Alma () Confirmation (F) + Crazy Rhythm) + Cry Me A River {Cm} + cwe © ° Dashoud Ce) + Daddys Lite Git (©) * Dancing In The Dark (&) + Dancing On The Ceting + Danny Boy Landondery Ai) (C) + Dansero + Darktown Strters Bal (©) + Darn That Dream (G) + DayBy Day + Days OF Wine And Roses (Py + Dear Heat (P) + Desty Beloved (©) + Deep Purple (0 + Desafinado. (P) Dig Ab) + Dindi (©) Ojango Fm) + Do Nothing Tl You Hear (F) + Do You Know What t Means (C) Dolphin Dance (Eb) + Dart Be That Way (ED) + Dont Blame Me (C) + Dont Get Around Much (©) + Dont Goto Svangers (88) + Dente Misundertand + Dont Take Your Love From Me (©) Denna Lee (Ab) + Dent Worry “Bout Me (AB) doy + Dean © * Dream A Lite Dream (6) € att saturn ‘East of The Sun (6) + Easy Uving Easy Street_(ED) stay To lone @ + Ebb Tide (©) + Edelweiss (Bt) isa (@b) + Emibraceabie You ©403 076 or 658 9 090 185 06s 008 Bo “7 409 a 20 aor 098 51s 305 no 352 nz 107 209 053 048 an 069 690 20 566 69 246 492 692 18 504 02 306 070 614 657 $01 29 327 182 02s 461 sie 224 02s oss ans 229 553 a2 61 696 635 + Emily ( ‘End of a Love Afar. The (F) Epistrophy_ (C#) Equinox (Cm) + esate + Evergreen (©) + Everybody Loves Somebody (F) + Everything Happens to Me (BD) + everytime We Say Goodbye (Eb) + Exactly Ute You (©) € Falling Grace (AB) + Falling in Love Again (6) ing In Love With Love (Bb) + Fascinating Rhythm) + Fascination (©) + Feelings (Em) + Felicidade (Cm) Fine And Dandy (F) + Fine Romance, A (C) 1 Five Foot Two (C) + Ramings ‘Fly Me To The Moon (C) + Foggy Day. A (®) + Fools Rush in (C) “For All We Know (F) + For Sentimental Reasons (F) + For You, For Me, forevermore ¢F) Forest Flower (C) Four (&) + Frenesi_ (Ab) Friends (©) ‘From This Moment On (Ab) + Frosty the Snowman (C) « Gaviots (Cr) 1 Gee Baby, Ain't | Good to + Gentle Rain (Am) + Georgia + Cet Me to the Church on (©) * Ghost OF A Chance (C) Giant steps (8) Gingerbread Boy (Bb) * Gir From Ipanema. (F) = Give Me The Simple Life (Eb) Give My Regards To Broadway (Bb) * Glory of Love, The (G) + Gog Bless The Chiid (Eb) Godtather Theme (Cm) += Going Out Of My Head (8b) * Gone With The Wind ) In The Mood. (Ab) + In The Stil of the Night ‘te The Wee Small Hours (C) In Your Own Sweet Way (Bb) indiana © Infant Eyes (Eb) ‘Invitation (Cm) trish Washerwoman (6) ‘sett Bamantic. (Eb) Isotope (C) + Ie All Depends On You (©) + it Could Happen To You (P) it Don't Mean a Thing (8b) ead To Be You (Ab) + ht Might As Well Be Spring (©) ‘fe Never Entered My Mind (F) ws A Raggy Walz (G) I's Alight With Me (F) ts Delovely + tes Only a Paper Moon (©) + Wes You Or No One (6) 1s Been a Long, Long Time () 1 shee © ‘= falousie (6b) = am Samba (b) Jeanine (Ab) Jersey Bounce (C) ‘Jingle Bells (C) = Finglebell Rock (C) Joshua (Om) ley Spring (677 ue 688 — Manteca (8b) 567+ NeverOn Sunday (ED) 204 + just Friends (©) 443 Mara Elena (©) O71 + Nevertheless (8b) 109 + Just n Time (66) 539+ Mas Que Nada 304 + New York, New York. (F) 230+ just One Of Those Things (F) 074 + Masquerade it Over. The. (ED) 637 Nias Dream (bm) 144+ Just Squeeze Me (F) 486 Mayim Mayim (Cm) 133+ Nice N’ Easy) K 152, + Mean To Me (F) 4+ Nice Work # You ean Get tt ©) 608 Kids are Prety People (F) 503+ Meditation (© 211+ Night And Day (€b) 614 Killer Joe © 087 + Memory (©) 677 Night Dreamer (6) 576 + Ks Of Fire (Om) 148 Memphis in June (C) 1628 Night Has 1000 Eyes, The (G) t 540 Menina Flor (€b) 631 Night in Tunesa, A (€) 132, + LOWE Love (F) 596 Mery, Mercy, Mercy (Bb) 082 + Night We Called A Day, (©) 577 La Cumparsta. (Cm) 406 Merry Widow Waltz () 942 + Nightingale Sang in Berk. Sq. (&B) 577 La Paoma © 464 Mexican Hat Dance (F) 145. = No Moon At All (Om) 458 + LaVieen Rose (©) 359° Midnight In Moscow (C) 514+ NoMore Blues (Chega De ¢f) 308 + Lady Be Good (G) 057.» Midnight Sun (©) 655 Naws The Time (®) 633 Lady Bird 628 Milestones (Old) (Bb) ° 209 + Ladys A Tramp, The (©) 456 Misiou (Gm) 507 Grande Amor (am) 602 Lament 002 = Misty é) 4430 Sole Mio) (066 + Last Night When We Were (CG) 626. Moanin’ (Fm) 142+ Oh You Crazy Moon (G) 311 Late Late Show, The (F) 627 Moments Notice (&) 082 + O14 Cape Cod (F) O18 + re © 187+ Moments To Remember (AE) 28 + Old Devil Moon (F) 627 tary Bid (@) 029 + Mona Usa) 041 + Old Folks (Eb) 490 + Lett Snow (F) 934 + Mood indigo (Ab) 625 leo (aby 151 Lets Do tt (85) 052 + Moon Over Miami (©) 304 + On A Gea Day (©) 122+ Lets Fallin Love (©) 401 « Moon fiver (©) 125. + Ona Siow Boat To China (Bt) 150+ Lets Get Away From it A (EB) 104 = Macnglow (6) 305 + On The Steet Where You Live (©) 688 Liberated Brother (Gm) 162 + Moonlight Becomes You (F) 303+ On The Sunny Side OF The (©) 433 Liechtensteiner Polka (®) 016 + Mocniight In Vermont (Eb) 504 + Once Loved () S10 * Like A Lover (© ‘901 Moonlight Serenade (F) 017, +-Once In Awhile (Eb) 111+ Like Someone in Love (Bb) 353 “+ More (©) 303 sone €) 160+ uit Darin’ (Eb) 113+ Moret See You, The (&b) 056 + One For My Baby (tb) 468 + Limbo Rock (© 22+ Moce Than You Know (C) 056 + One More For The Road. (Eo) 364+ Limehouse Blues (Ab) S68 Moming (Bom) 505 + OneNote Samba (Bb) 508 title Boat © 130, Moten Swing (Ab) 519 © Only Trust Your Heart 687 Ute Sunflower (Om) 248 + Mountin Greenery (©) 216 Opus One (©) 221+ Long Ago And Far away (F) 127+ Me.tudey 46) $30 Ornithology (©) 511 * Look Of tove (Om) 658 Me. Sins (O, 205 + Our Day Will Come (@) ‘S17 Look tthe Sky 352 Muskrat Ramble (Bb) 201 + OurLove ls Here To Say () 237 + Lot Of Living To Do, A (O) 236 + My Baby ust Cares For Me (©) 309 + Oot Nowhere (@) 235 + Love For Sale (8b) 156 + My Blue Heaven (&b) 017 + Over The Rainbow (€5) 085 Love Story (Gm) 41S + My Buddy) ° 145+ Love Walked In. (Eb) 412+ My Favorite Things (em) 150. + Paper Dal 165+ Lovely To Look At (A) 026 + My Foolish Hear (8b) 055 + Party's Over, The (Eb) 413 + Lover © ‘904 + My Funny Valentine (Cm) 602 Passion Flower (@) 243+ Lover, Come Back To Me. (AB) 694 My Little Suede Shoes () 802 fence 88) 043, Lover Man (Or) 444 My Love Forgive Me (©) 141+ Peg" My Hear. (Bb) 687 Lucky Southem (0) 858 My Melancholy Baby (f) 207 + Pennies From Heaven (C) 522 Lajon Om) 043 + My O'd Flame’ (G) 217 Pernayhania 65000 (©) 118 Lullaby of Birdland (Fm) 011+ My One And Only Love (©) 453, —Pennsyhania Poika (F) 606+ Lush Lite (0b) 880+ My Qun True Love Tard) ©) 693, Pensativa (Cb) M 107+ My Romance (©) 058» Penthouse Serenade (C) 208 + Mac The knife (©) 016 + My Ship (F) 067 + People (0) 452 MacNamaras Band (®) aT + Myway 218 Perdido (6b) 408 Mademoisele de Pars (0) 452° My Wild Irish Rose (8b) 355. + Perfiain “© 143+ Make Someone Happy ¢F) N 660 Perhaps (© 110 Makin’ Whoopee (2) 3 Mis Gm) 079 Pieces of Dreams (F) 447 Mala Fermena (8b) 082+ Nancy With The Laughing (F) 405 Figatte © 208 Mare 626 Narais (Em) 159. + Please Don't taxk About Me (Eb) S18 Man And A Woman, A (©) BAY + Nearness Of You. The 554 + Poinciana (©) 126 + Manhattan 520+ Never let Me Go (Dt) 007 Pobia Dots & Macnbeams ‘eon 007 629 as 639 501 368 23 5 489 ees on 186 695 os 488 636 o7s 029 + Poor Buttery (Ab) + Peaeait of jenny, A + Prelude to a Kiss (©) Pretty World (G) + Puttin’ On The Ritz (Fm) a * Quando, Quando (8b) ‘Quasimedo (Eb) (Que Sera, Ser (Eb) > Quet Nights (Corcovade) (©) Quintessence R * Raindrops 6) Recado Bossa Nova Recordame (An) * Red Roses (for A Blue Lady) (C) ‘+ Red Sails In The Sunset. (G) Relaxin’ at Camarillo (Bb) Robbin's Nest (© + Rock-A-Bye Your Baby (C) Rose Room (Ab) + Rosetta Round Midnight (Ebm) + Rudolph (C) Russian Dance (C) s = SWondertud 5) Sabor A Mi (Eb) ‘Sak Peanuts ‘Samba de Orfeu. (C) San Francisco (©) + Santa Claus is Coming + Satin Doll (©) Scarborough Fait (Om) = Scotch & Seda (Eb) Scrapple From The Apple Search For Peace + Second Time Around, The (C) + Secret Love (E2) * Send in the Clowns (Ab) + Sentimental Journey (C) * September In The Rain (Eb) += September song (©) Serenity (Eb) Serpent’ s Tooth (Bb) Seven Steps To Heaven (F) + Shadow Of Your Smile () + Sheik of Araby, The (Bb) “+ Shiny Stockings (AB) Sidewinder (Eb) + Siver Bells © Silver's Serenade (Em) Simone (F) + Sing (Bb) Site Sadie (6) + Skylark (Eb) + Sleigh Ride () Smatter (278) + Smile + Smoke Gets n Your Eyes (5) si 307 639 1326 537 630 655 164 660 046. 237 401 026 678 095 208 402 694 685 231 ves 032 93 163 690 551 555 os 657 04s 049 354 687 us 465, 23 035 612 27 120 659 164 587 29 465 616 613 096 065 146 008 077 455 310 146 351 325 ne + So Many Stars () + So Nice (Summer Samba) (F) So What (Om) 1+ So What's New (©) + Softy As in A Moming (Om) Solar (Cm) Solid (Bb) + Some Enchanted Evening (©) Some Other Blues (F) + Some Other Time (C) * Somebody Loves Me (C) + Someday My Prince Will (F) + Someone To Watch Over Me (Eb) Sometime Ago (F) + Somenhere + Somewhere Beyond the Sea (Eb) + Somewhere My Love (C) Song For My Father (Fr) Song For Srayhom (Eb) + Song is You, The (C) + Song Sung Blue) Sophisticated Lady (A) Soul Eyes. (Eb) + Sound of Music, The ¢F) Spain (0) + Spanish Eyes (C) * Speak Low (F) ‘Speak No Evil (Cm) ‘Speedball (©) + Spring Can Really Hang You (C) * Spring is Here (Ab) + St Louis Blues (C) St Thomas (C) = Star Eyes (6) ‘Star Spangled Banner (Bb) + Stardust (©) > Stars Fell On Alabama (C) ‘= Stella By Starighh (@b) Stolen Moments (Cm) Stompin’ At The Savoy (®) ‘Stormy Weather (Ab) ‘Straight No Chaser (F) + Stranger in Paradise (F) * Stranger on the Shore (F) ‘Seangers In the Night (F) ‘String OF Pears (Gb) Stripper, The (F) Strollin’ (Ob) Sugar (Cm) * Summer Knows, The (F) + Summer Place, (Bb) + Summee Wind (Eb) “= Summertime (Am) += Sunday Kind Of ove (F) + Suncise, Sunset (Gm) + Surrey With The Fringe. The (C) ++ Sweet and Lovely (G) + Sweet Georgia Brown (G) Sweet Gypsy Rose (C) + Sweet Lorraine (6) 31 64 242 206 442 ses M3 140 003, 410 655 121 ra ons 470 327 154 540 625 24 202 242 139 020 127 075, os, 037 238 232 187 073 638 467 128 538 325 360 o2t 101 one 067 361 238 43 239 362 508. o72 635 605 218 ose. 033, on 407 456 ‘Swinging Shepherd Blues (C) T Take Five (Cm) Take The *A° Train (©) + Tangerine (® Tarantella (Am) + Tea For Two. (Ab) ‘Teach Me Tonight (©) ‘Tender Trap, The (AB) s Tenderiy (Eb) = Tennessee Waltz (C) Tenor Madness. (Bb) ‘+ Thanks For The Memory (F) ‘That Old Black Magic (@b) ‘That Old Feeling (@) = That's Ai bY + That's Amore Thats Entertainment (6b) = That's Ute (©) ‘Theis Tears ‘Theme, The (8b) “+ Theres No Greater Love (8b) ‘There Will Never Be Another _(&) * Theretie Some Changes (Bb) ‘Theres A Small Hotel (©) * These Foolish Things (Eb) ‘They Can't Take That Away (EE) 1 They Sat It’s Wonderful ‘Things Aln’t What They Used (F) 1 Things We Did Lat Summer, (G) Think On Me (0) ‘+ This Cant Be Love (AB) ‘This Could Be The Stan (©) 1 This Guys In Love (Eb) This AIL Ask “This tt New (Cm) + Those Were The Days (Am) ‘+ These Litle Words (©) Tico Tico (Am) = Tie A Yellow Ribbon (Eb) Tiger Rag (Bb) + Till There Was You (€b) “Time After Time (Bb) “Time For Love, A (8b) ‘Time On My Hands. (®) “Tin Roof Blues (Bb) + Toe Close For Comfort. (C) “Too Fat Polka (C) + Too Marvelous For Words (G) ‘Toot Toot Tootsie (C) = Triste (Bb) + Try A Little Tendemess (Eb) Tune Up (0) Turn Out The Stars Tuxedo junction (Bb) welts of Never (0) ‘+ Twight Time (C) + Two For The Road (C) ‘Two Hearts In 3/4 Time (C) Teena aem me UEU_ HEEB SE RSE BSE BSE SEB 2"= 220 405 005 368 a4 os os 009 407 406 656 o7 442 26 os 076 502 696 502 382 oss 22 008 ont 137 463 631 674 os ons ons 24 061 3 sre as on 039 451 7 os 050 3 182 2 407 ous 612 307 4386 063 1 030 676 490 a9 120 v + undecided (©) + Under Paris Skies (Fm) + Unforgettable Up A Lary River (F) Up lumped Spring (8b) v Valse Hot (Ab) Very Early ( + Very Thought Of You, The (Ab) Vienna Lite (8b) + Vienna, My City Of Dreams (F) Vierd Blues (8b) + Violets For Your Furs (F) Volare (8b) w + Walkin’ My Baby Back Home (Eb) Waltz For Debby (F) Warm Valley (Eb) + Watch What Happens. (Eb) Watermelon Man’ (F) + wave (0) + Way Down Yonder In New (@) + Way We Were, The (A) + Way You Look Tonight, The (Eb) 1 Well Be Together Again (C) + Weve Only ust Begun (F) + Weaver of Dreams, A (©) Wedding March (Om) ‘Well You Needn't. F) West Coast Blues (Bb) + What A Difference A Day (F) ‘= What Are You Doing the Rest (Am) + What | Did For Love (©) + What Is This Thing Called _(C) “+ What Kind of Fool Am 1 (C) ‘+ What Now My Love What Was (©) ‘= Whatit 100? (Eb) + What's New (©) + When | Fall in Love (P) + When Irish Eyes Are Smiling (C) + When Lights Are Low (F) + When Sunny Gets Bue + When You Wish Upon A Star (C) + When You're Smiling (Bb) + When Your Lover Has Gone (Ab) + where Do You Start_(E5) Whereis Your Heart (Eb) + Where or When (Eb) Whisper Not (Cm) * Whispering (Eb) + White Cheiamas (©) ‘Who Can I Tum To (EB) + Will You Stil Be Mine (AB) + Willow Weep For Me (G) Windows (8b) + Winter Wondertand (Eb) Witch Hunt (Cm) + Witcheratt @ 156 244 406 27 eis 245 404 32 si 362 nz 234 556 240 095 046. 023 106 108 12s 123 141 183 124 059) 538 + With A Song In My Hear. (Eb) + without a Song (Eb) ‘+ Wonderful Copenhagen (©) Woodchopper' Ball (C) “+ Work Song_ (Fm) + Wrap Your Troubles (C) + Wunderbar (6) Y Yardbid Suite (©) + Yelow Days (F) 1+ Yes Sir, Thats My Baby (Eb) + Yesterdays (Om) + You and the Night and the (Eb) + You Selong To My Heart (Eb) + You De Something To Me (Eb) + You Dorit know Me (©) * You Don't Know What Love is (Fm) + You Go To My Wead (©) You Know | Care (Bb) “You Made Me Love You (©) + You Make Me Feel So Young (8b) + You Stepped Out of a Dream (C) 1+ You'd Be So Nice to Come {C) + You're Getting to be a Habit. <7) = Youre My Thal (Fm) + You're Nobody Til Somebody (F) + Youve Changed (€b) * Yours (0) z062 038 039 on 003 047 963, 059 060 o12 013 032 022 078 os ost 023 033 056 04g 027 050 076 065 008 042 083 03 068 002 070 025 02s oss 070 060 080 010 962 6 020 040 064 037 034 oor ors o10 44 053 039 028 THE GREAT GIG BOOK (BLUE) —— Style Index BALLADS [AI My Tomorrows (2) ‘AI OF You (Eb) ‘Al The Way @) ‘angel Eyes (Crm) ‘april tn Paris (C) 13 Time Goes By (2) ‘Astumn In New York (©) Bewitched (C) Bie Gardenia (2) ive Hawai (8) Bie Velvet () Body And Soul (Ob) ut Beau (@) Chances Are () ome Sunday (80) (Cry Me A River (Crm) Dam That Dear (G) Deep Purple (F) Don't Blame Me (C) Dont Cote Strangers (Bb) Dem (0 ty Amar (©) fat of The Sun (©) easy Living @ Easy Street (Eb) Eenbraceable You (F) End of a Love Affair. The (F) Everything Happens to (8b) Eventime We Say (2) Flamingo © fools Rus in (C) For All We Know (F) For Sentimental Reasons (F) For You, For Me, (F) Georgia (F) ‘Ghost OFA Chance (©) {God Ble The Child EB) ‘Good Moming Heartache (F) Goodnight Sweetheart. (©) Gorse Hang My Tears (©) Harbor Lights (&) Heather on The Hill, The (F) ‘Here's That Rainy Day (F) How Deep ts The Ocean (6) How Lang Has This Bean (©) "cant Get Stated (©) | Concentrate on You (Eb) 1 Cover The Waterfront (6) 1 Fal in Love Too eal @b) 1 Got kt Bad (6) "Lett My Heart In San (8) 1 Only Have Eyes For You (©) 1 Remember You (©) 1 Should Care (©) | Wal Wat fr You (Om) 1 wish You Love (F) tim Getting Sentimental) 087 002 029 082 016 001 o2z 026 oss 043 on 080 ons 082 on on 042 sz ont wy 086 056 07 055 058 067 079 007 on 078 035 061 013 03) 07 07 os 07s 023 046 026 tim Glad There is You (F) {tm in The Moed For Love (©) lve Grown Accustomed (Eb) Ht Ever (Would Leave (Bb) IM Wind (Bb) Im A Sentimental Mood (F) In My Solitude (€b) In The Stil of the Night (F) Isn't te Romantic (2) te Might As Well Be (6) te Newer Entered My Mind (F) Las Night When We (C) wun () Lover Man (Om) ‘Masquerade is Over. The (Eb) Midnight Sun (C) Misty (Eb) ‘Mona Lisa (F) Mood Indigo (Ab) ‘Moon Over Miami (C) Moonlight In Vermont (Eb) Moonlight Serenade (F) ‘More Than You Know (C) ‘My Foolish Heart (BO) My Funny Valentine (Cr) My Melancholy Baby (Eb) My Old Flame (C) ‘My One And Only Love (C) My Own True Love (Tara) (F) My ship (®) Nancy With The Nearness Of You, The (F) Nevertheless. (Bb) Night We Called tA (C) Nightingale Sang in (Eb) ld Cape Cod (F) Old Folks (eb) ‘Once in white (8) ‘One For My Baby (Eb) ‘One More For The Road (E2) ‘Over The Rainbow (Eb) Parry's Over, The (Eb) Penthouse Serenade (C) People (©) Pieces of Dreams (F) oka Dots & Moonbeams (F) Poor Buttrtly. (Ab) Portrait of Jenny, A (®) Prelude to a Kiss (C) Red Sails In The Sunset (G) ‘Scotch & Soda (ED) Second Time around, The (©) September In The Rain (Eb) ‘September Song (C) Skylark (Eb) Smile (F) ‘Smoke Gets In Your Eyes (Eb) Some Other Time (C) Sorneone To Watch Over (Eb) 032 4s 049, 006 035, 065 077 003 068. ons 020 075 037 073 on 067 072 033 on 005 072 076 008, os ov 061 on 02 050 048 063 030 046 023 059 086 094 092 098 08s 087 097 093 095 094 096 388, oss 089 091 08s 089 095 Sophisticated Lady (Ab) Spring Can Really Hang (C) Spring is Here (Ab) Stardust (C) Stella By Staright (68) ‘Summer Place, A (Bb) ‘Summertime (mn) Sunday Kind Of Love (F) Tenderly (Eb) Thanks For The Memory (F) That's all (Bb) These Foolish Things (€b) They Sat I's Wondertul (F) Things We Did Last (©) This Is All| Ask TH There Was You (6) Time On My Hands Try A Litle Tenderness (Eb) Twilight Time (C) ‘Two For The Road (C) Unforgettable () Very Thought Of You, The (Ab) Violets For Your Furs () Warm Valley (EE) Well Be Together Again (©) ‘What A Difference A Day ‘What Are You Doing the (Am) What Kind of Foot Am ! (C) What's New (©) ‘When Sunny Gets Bive (F) When You Wish Upon A () Where or When (Eb) Who Can !Tum To (&) Willow Weep For Me (6) You Dont Know What (Fm) You Go To My Head (C) Youve Changed (Eb) NEWER BALLADS AIL Atk of You (Ob) (Cast Your Fate to The (F) Close To You (Eb) Evergreen (©) Feelings (Em) Love Story (Gm) Memory (C) My Way © Send in the Clowns. (AB) Somewhere () Stranger on the Shore (F) Summer Knows, The (F) Time For Love, A (BE) Twelth of Never (D) Way We Were, The (A) Weve Only ust Begun (F) What | Did For Love (C) When | Fall in Love You Don't Know Me (C) Z F J i I q J a106 no nz 105 1st ass 101 135 105 49 103 136 132 7 131 18 126 102 ne 158 157 146 123 147 ns 107 148 152 7 "4 138 133 129 6 1 139 168 158 na ns 161 116 134 135, 108, 133 37 10 102 124 161 109 6 132 151 12 130 m 160 145 16s EASY SWING her You've Gone (C) ‘Art Misbehavin’ (C) ‘Alone Together (Om) ‘Autumn Leaves (Em) Beautiful Love Because of You (Eb) Blue Moon (Eb) Blue Room ) Gone wien The Wind (EB) Green Dolphin Sueet (©) Have You Met Mis Jones ( How High The Moon (6) 1Get a Rik Ou OF You (2) Utove You (® FW Remember Apa () Beginning To See (O) tm Old Fashioned (P Ie Got The Word on 2 (8) SNe Gat You Under My (ED) tn The Mood (AB) Invitation (Cm) Could Happen To You Ie Dont Mean a Thing (88) Wes You Or None Jerey Bounce (©) Just Fendt) Just One Of Those Things (2) Lay Tarp, The (©) Long Ago And Fat Away Lot OF Living To Do, A) love For Sale (Bb) Let, Come Back To Me (Ab) Mac The Knife (©) Mountain Greene’y (©) My Baby Ju Cares For () Night And Day (E) Old Dest Moon Opus One (CG) (Our Day Wil Come (6) ur Love I Here To Suy (9) Pennies Fam Heaven ( PennsyWvania 65000 (©)8 2 m 246 as 23 27 23 23 27 29 22 26 202 242 238 232 238 239 ne 220 Re 221 24 28 27 245 234 240 302 306 302 309 305 306 327 301 327 301 3 328 307 308 31 304 305 303 303 310 328 326 310 325 37 325 304 307 Perdido @b) Red Roses (lor A Blue (C) Wonderful (Eb) San Francisco (C) Secret Love (€b) Shiny Stockings (Ab) Somebody Loves Me (C) Somewhere Beyond the (Eb) Song is You, The (C) Stars Fell On Alabama (C) Stompin’ At The Savy (F) String Of Pears (Eb) ‘Take The "A" Train (©) Tangerine “There ls No Greater Love (Bb) ‘There Will Never Be (Eb) ‘There'l Be Some Changes (8b) ‘This Can't Be Love (Ab) ‘This Could Be The Stat (C) ‘Too Close For Common. (C) “Too Marvelous For Words () ‘Tuxedo Junction (86) Undecided () ‘Walkin’ My Baby Back (Eb) Way You Look Tonight, (Eb) ‘What Is This Thing (©) without a Seng (Eb) Woodchopper’ Ball (©) Wrap Your Troubles (C) You and the Night and (Eb) You Do Something To Me (Eb) SOCIETY/MISC. Alley cat (©) doyhing Goes Cabaret (ED) Cecilia (© Fine and Dandy (®) Get Me tothe Church on (©) Give My Regards To (8) Hello Dolly (88) Hooray For Hllywood (F) 1 Got Rhythm (Bb) 1 Like The tikes OF You (E>) It Al Depends On You (C) tes Aight With Me-(F) Its Delovely Lady Be Good (6) Late Late show, The (F) Mave (©) ‘New York, New York (F (On The Steet Where You (©) (On The Sunny Side OF (O) One (&) Puttin’ On The Rs (Fm) Rosetta (© So Whats New (©) Suey With The Fringe. (6) Sweet Gypsy Rose (C) That's Enterainment (6) Tie A Yellow Ribbon (ED) nen You'e Smiling (BB) whispering () 356 359 361 362 364 352 362 as a3 403 402 10. a 409 403 409 m 401 a2 a6 an a3 408 406 401 as a2 408 408 a4 401 402 a0 DIXIE Ain't She Sweet (©) ‘Alexanders Ragtime Band (F) avalon Baby Face (C) Basin Street Bives (C) Bil Bailey Birth Of The Blues (©) Bourbon Street Parade (Ab) Bye Bye Bes (C) CCharieston, The (8b) Chicago Darktown Strutters Ball (C) Five Foot Two (C) Honeysuckle Rose (7) ve Found A New Baby (2) Indiana €) ada (F) Limehouse Blues (Ab) Midnight In Moscow (C) Muskrat Ramble (Bb) Rock-A-Bye Your Baby (©) Sheik of Araby, The (Bb) St Louis Blues (G) ‘Sweet Georgia Brown (C) ‘Tiger Rag (BD) Tin Roof Blues (68) Toot Toot Tootsie (C) Up A Lary River (F) Way Down Yonder ln (C) Yes Sit, That My Baby (Eb) Gravy Waltz () WALTZ ‘Alice in Wénderland (©) Always ‘Around The World (C? Baubles, angles and (AD) Bluesette (8b) Dear Heat (F) Edelwelss (Bb) Emily (© Falling in Love Again (€) Falling in Love With (8b) Fascination (C) Greensleeves (Om) Hello Young Lovers (Eb) Could Have Danced All (C) Take omance (®) Lover (© Mademoiselle de Paris (0) Merry Widow Waltz (F) ‘Moon River (C) My Buddy (©) My Favorite Things (Em) Pigalle (©) Que Sera, era (Eb) Scarborough Fair (Om) Someday My Prince Will (F) Somewhere My Love (G) Tennessee Waltz (C) 407 405 44 407 406 ats 407 406 404 at 432 432 461 432 34 433 433 433 443 “an rs ag an 461 a“ 443 483 442 470 442 431 432 432 482 4st 456 455, 456 456 455 456 462 462 465 463 464 466 “Two Hearts In 3/4 Time (C) Under Pais ties (rm) Up lumped Spring (8) Vienna Life (Bb) Vienna, My City Of (F) watt 1 Do? (E) Where is Your Heart (@b) Wonderful Copenhagen (C) ‘Wunderbar (C) POLKAS Beer Barrel Potka (©) Clarinet Pola (C) Happy Wanderer, The (Bb) Hawaiian Wedsing Song (C) Helena Polka (Fy Hoop-Dee-Doo (eb) Lechtensteiner Fotka () Pennsylvania Polka (F) “Too Fat Polka (C) ITALIAN ‘An Marie (Cm) Di La (Bb) ‘Anema E Core (G) ‘Artivederci Roma (6) Cito, Ciao, Bambina (C) ‘Come Back To Sorrento (Cm) GGodtather There (Cm) Mala Fermena (Bb) Maria Elena (©) My Love Forgive Me (C) (© Sole Mio (E) Tarantella (Am) Thats Amore Volare (Bb) iRISH Danny Boy (Londondemy (C) lish Washerwoman (G) MacNamaras Band (F) My Wild Irish Rose (Bb) When ish Eyes Are (C) Jewish ‘Anus Alinw (Om) Hava Nagiiah () Mayle Mayin (Cm) Misirou (Gr) Sunrise, Sunset (Gm) Taena MISC-SPECIAL, ‘Anniversary Song (Em) ‘Anniversary Waltz (C) ‘Auld Lang Syne) Bridal Chorus (Bb) Bunny Hop ¢F) Chicken Dance (©)469 466 469 463 464 468 468 464 467 465 465 “67 463 485 492 492 486 485 491 491 490 “7 487 409 485 486 490 508 S12 509 313 su 519 sis 504 or 316 506 520 510 505 sn 317 322 318 503 520 sie 07 504 505 319 506 503 317 522 01 318 Cielito. Undo (80) Daddy's Litle Gi (C) ‘Guantaramara (0) Hail To The Chief (©) Hokey Pokey (8) La Vie en Rose (©) Limbo Rock (F) Mexican Hat Dance (F) Russian Dance (G) Star Spangled Banner (Bb) Stripper, The () Those Were The Days (Am) Wedding March (Om) CHRISTMAS (Christmas Song (Eb) Christmas Time is Here (F) Frosty the Snowman (C) Have Yourself a Mery (©) Be Home For (C) Jingle Bells (G) Jinglebell Rock () Lett Snow Rudolph (C) Santa Claus is Coming Silver Bells (C) Sleigh Ride () nite Christmas (C) Winter Wonderland (Eb) -BOSSA NOVA Black Orpheus (Am) Call Me (8b) Detatinado (F) Dindi (©) Don't Misunderstand (F) Enate Felicidade (Cm) Gentle Rain. (Am) Git From Ipanema (F) Going Out OF My Head (8b) How Insensitive (Om) IFYou Never Come To Me (Eb) Uke & Lover (©) Little Boat (C) Look Of Love (Om) Look to the Sky Lujon (Om) Man And A Woman, A (C) Meditation (©) Never Let Me Go (Ob) No More ues (Chega De (F) © Grande Amor (Am) Once | Loved (F) ‘OneNote Sambs (Bb) Only Trust Your Heart Pretty World (C) Quiet nights (©) Recado Bossa Nova Sabor A Mi (Eb) ‘Shadow Of Your Smile (G) SoMany Stars (C) 507 540 508 502 502 sz siz 539 535 337 337 539 540 536 536 538 556 358 554 582 3st 353 353 555 Ss4 357 551 355 357 356 358 565 567 566 367 575 578 576 7 77 568 568 602 601 601 So Nice (Summer Samba) () “Theirs Tears Triste (6b) Watch What Happens (EB) Wave (0) Where Do You Star (Eb) Yellow Days (F) SAMBA Bim Bam Bum (Bb) razil_ (A) Go To Rio (8b) Jazz Samba (Eb) Mas Que Nada Menina Flor (Eb) ‘Quando, Quando (8b) ‘Samba de Orfeu (©) Tico Tico (Am) RHUMBA ‘Abways In My Heart (8b) ‘Amapola (Bb) ‘Amor (C) Begin The Beguine (C) Besse Mucho (Dm) Green Eyes (Eb) Mere (@) Perfidia (C) Poinciana (G) Softly AS In A Morning (Om) Spanish tyes (G) Speak Low (F) Strangers In the Night (F) You Belong To My Heart (Eb) Yours (0) ‘CHA CHA ‘Chem Pink and Apple (Eb) Donsero (F) Frenest_ (a8) Never On Sunday () Tea ForTwo (Ab) TANGO Blue Tango (0) Ialousie (6) Kiss OF Fie (Om) La Cumparsia (Cm) Paloma (©) ‘OTHER LATIN Caravan (Frm) Morning (Bbm) 1AZZ BALLAD Blue in Green (8b) ‘Chelvea Bridge (Ob) Child ts Born, A (Bb) 607 608 608 607 608 602 606 603 602 602 605 603 601 693 60s 604 ou en 63 67 613 nn 614 612 616 3 614 as 612 61s 26 25 632 ou 630 635 633 69 24 4 633 628 626 637 631 25 630 628 627 353 625 69 639 630 es 6s 61 632 Django (Fm) Remember Cltford (F) H¥You Could See Me Now (Eb) Infant Eyes (Eb) Kids Are Pretty People (F) Lament Lush Lite (Db) Naima (Fm) Passion Flower (6) Peace Bb) Quintessence (F) Round Midnight (Eom) Search For Peace Soul Eyes (€b) Tum Out The Stas You know | Care (8b) IAZZ EASY Bemie's Tune (Om) Dolphin Dance (5) Dory (6b) Falling Grace (Ab) Haunted Ballroom (F) In Your Own Sweet Way (8b) Killer Joe (©) Stolen Moments (Cm) Stroll’ (Ob) Sugar (Cm) Take Five (Cm) Things Ain't What They (F) Whisper Not (Cm) Work Song (Fm) 9 (AB) ‘Anthropology (6b) Daahoud (Eb) Dig (Ab) Four (&) Groovin’ High (Eb) Ha Nelson (©) Impressions (Om) Jeanine (Ab) Jeshua (Om) Jey Spring Lady Bird (©) Milestones (Old) (8b) Narais (Em) Nica’s Dream (Bb) Night in Tunesia, A (Eb) leo (8) Ornithology (6) Quasimodo. (Eb) Robbin's Nest (Q) Serapple From The Apple (F) Serpent’ s Tooth (6b) Seven Steps To Heaven (F) So What (Om) Solar (Cm) Theme, The (8b) Tune Up (0) Well You Needa't (F) Yardbird Suite (©)24 636 “a 643 642 6a ois oat at 626 627 8 629 66 a 638 629 659 658 635 660 659 658 659 656 658 657 655 658 655 660 656 655 660 657 659 655 656 on 676 674 on 07 677 678 os 673 675 67 678 676 IAZZ MED/UP Bebop (Eb) Bolivia (@) Con Aima (€) Confirmation (F) Donna Lee (Ab) Epistrophy (C#) Giant Steps (@) ‘Mean You Lazy Bird (6) Moanin’ (Fm) Moments Notice (E>) [Night Has 1000 Eyes, The (C) Salt Peanuts (F) Serenity (Eb) ‘Smatter (278) Speak No Evil (Cm) ‘This is New (Cm) ‘Wheh Hunt (Cm) AZZ BLUES ‘Au Privave Bessie's Blues (Eb) Bilie's Bounce (F) Beversweet (C) Blue Monk (Bb) Blue Trane (Cm) Blues For Alice () Byrdlike (P Equinox (Cm) Gingerbread Boy (6b) lwotape (©) Me. Sims (©) ows The Time (F) Perhaps (©) Relaxin’ at Camarillo (8b) Solid (6b) Some Other Blues (F) Speedbatt (C) Straight No Chaser (6) Tenor Madness (8b) Vierd Blues (Bb) 1AZZ WALTZ sa (eb) How My Heart Sings (C) Its A Raggy Waltz (G) joy Night Dreamer (G) Simone (6) Sometime Ago (F) alse Hot (AD) Very tary ( Wate For Debby (F) West Coast Blues (8b) What was (C) Windows (80) s0zz JATIN 689 694 1 690 69 692 1 686 688 687 687 3 68s 685 os 687 686 695 695 696 ‘Armando’s Rhumba (Cr) Blue Bossa (Cm) Ceora (AB) Forest Flower (C) Friends (C) Gaviota (Cm) Gregory Is Here (6b) Told You So (F) Liberated Brother (Gm) Little Sunflower (Ore) Lucey Southem (0) Manceca (Bb) ‘My Ute Suede Shoes (&b) Pensativa (Gb) Recotdame (Am) ‘Siver's Serenade (Em) Song For My Fates (Fc) ‘Song For Strayhorn (Eb) ‘spain (0) ‘St Thomas (C) Think On Me (0) Groove Merchant (8b) Mercy, Mercy, Mercy (BB) Sidewinder (Ee) Sistet Sadie (C) Watermelon Man (®)I LEFT MY HEART IN SAN FRANCISCO 1 (Tony Bennett) Cross/Cory 54 C7 FT) D-7 G7 C-7—FT_—sOBPAT, “75 D9 G-7_—CT ‘The lov-li-ness of Par-is is some-how sad-ly gay. The glo-ry that was Rome was of another F? E65 GTS ob FIC D7 G7 cl F day. Tvebeen ter bly a-lone and for -got-ien in Man-hat-ten, I'm go-ing home to my city by the bay. A Bb EbaMlD-7 Dbo7 C7 G7 |"C- C-@7 C-7 FT setTempo I left my heart. jin San Fran- cis-co,— high bn a hill. itcalls to My love waits there in San Fran- cisco. a= bove the BbA7B°7 C-7 F7 [Bhba7 B-75 479-7 Che? = D-7_-D7 me To be where little cab-le cars_—— climb half-way to the stars, the morning G-7 Db? C7 C-7 BeT C7 F7 *C-7 FT F/Eb A-7D fog may chill the air, I don't care. My love waits “ blue. and win-dy sea D7 Cle+7 D- G7 C7G-7C7 ca F7 Bb When I come home to you SanFran-cis-co your gold-en sun will shine on me. MOONLIGHT SERENADE Glenn Miller 1939, A Fé G7 c7 ct oF = a = a— Ab? FE A-THED D7 GF G D- GG@ G BI c7 ce “F D7#G-7C7/*F F7 Bb Bb E-7 Al, Fe ons - “ - < Avs Dm B57 BTS, ETAT D7 G2, C™ neue eoWalkmy way, and a thou-sand vi - o-lins be-gin to play, or itmightbe the sound of your hel-Io, that On my own;would| wander thru this wonderland a-lone, nev-erknowing my rightfootfrom my lefi, my Bay C7 F-7 ‘B79 ' G-7 C9 Bb79 F7 3 2 MISTY ol Gamer/Johany Burke 1954 Al shar Bb? ET ‘Aber Ab? pb Lookat "me, Im as helpless as a kitten up a tree, aka feellike1'm clinging to cloud; 1 cant un- der-stand, I get mis-ty just hold - ing your hand Walk my mus - ic I hea, I get mis-ty the mo- ment youre hat from my glove, I get_mis-ty and too much in _—_love. _. Bieber 2b Abe Eb . B., ear. You cansay that you're leading me on, bt its just what I want you to do. Abé Av D7 C7 EZ, G-75 C79 F-7 BbT Di end End Don't you notticehow help-less-ly I'm lost, that's why I'mfol-lowing you. On my GEORGIA Hoagy Carmichael/Stuart Gorrell 1930 the whole day through, just an old sweet song keeps a song of you, comes as sweet and clear as no peace I find, just an old sweet song. keeps C7 A-7 Ab7T G-7 c+7 [2 G7 F6 Geor- gia on my mind (Geor- gia on my mind) 2. moon - light through the pines. 3.Geor - gia. on my — mind. B D7 G7 D-7 Bb7 D-7 G7 D-7 G7 Oth-er arms reach out tome, oth-er eyes smile tender- ly, D7 G7 D-7 E7 AT D7 G7 cm still in peace - ful dreams I see the road leads back to i F z i f F E-75 Av D-7) D-7C G7B Bb-6 FAT D7 : E F I 5 L E IAS TIME GOES BY 3 Herman Hupfield 1931 (Casablanca) (as? G-7_C7) Al F-7 BT F-25, Bb7 B F-7 Ffo7 EWG C-7 You must re-member this, a kiss is still a kiss, a sigh is still a sigh the when two lov-ers woo, they still say “I love you", on that you can re - ly No still the same old story, a fight for love and glory, a case of do or die, the Fe? O F7 Bb79 [* Bb7 Bb6 Ee? [* Bb Be/F Fie? EG FT fun. da-ment-al things ap - ply as time goes by. And by. rmat- ter what the f- ture bringsas time goes by. world will always welcome Ab G-75 Cw FT A-75 D9 C-/G AbIG> Moonlight andlove songs nev er out of date, hearsfull of passion, jeal-ous-y and hate; Wonran needs man and FT BY E* —F-7 BY ocaca?G-1 C7 F-7BbI3 BF Tran must have his mat, hat no one ean de = my. Its Towers, as time goes. TENDERLY Ommansnats Walter Gross Jack Lawrence 1946 ba? Ab7a Eb7 The eve - ning breeze ‘caressed the = wees ten - der - Wy. The shore was Kissed by sea and mist ten > der = I. Ab7 F-9 Ab-6 Eba7 ‘The wem-bling wees em- braced _ the T can't for - get. how two. hearts cr [fF Bh F-7!5 Then you and. «T= came wan der-ing by, and lost in a sigh were Your 2 Fs BHT The shore was op- ened wide Fo FHT G7_c# F7 9 side, you took my lips, “youtookimy love so tender = ly.4 MY FUNNY VALENTINE Rodgers /Hart 1957 c- Cae c-7 c-6 AbST AbIG = F-7 F-/Eb My fun-ny val-en-tine, sweet com-ic val-en-tine, you make me smile with my p75 Gm Ce cu C7 c-6 hear,____ Your looks are laugh - a - ble, un - pho- to - graph - a- ble, Abs7 AUG F-7— F-/Eb Ab-6_Bb7? Eba7 F7 G-7 F-7 Is your fi - gure less than greek, is your Bba7 F7 G-7 F-7 Bba7 G7 C- Bh A7 Aba? D-75 G79 yet youre my fav-'rite work of ant mouth a ‘lit-Ue weak, when you - pen it to speak, are you sman?____But c- c-47 C7 C-6 AbAT D-75 G7 dont change a hair for me, not if you care for me, stay fun-ny val - en-tine C-7 BS Bb-7 A7 — AbAT F-7 Bb79 Eb stay,______ each day is val - en - tine’s ay. SUMMERTIME G. Gershwin/DuBose Heyward 1935 A-6 B-6 A-6 B-6 A-6 B-6 A-6 B-6 D- F 7 ‘Summer - time. and the liv-in' is ea - sy fish are jump - in ‘One of these © mom- in’s you goin'to rise up sing- it then you'll spreadyour wings D- Ee E7 FT E7 A-6 B-6 A-6 B-6 and the cotton is high Your dad y's rich and__your mammy’s good and you'll take to the sky. But till that mom - in’ there's. a no- thin’ can A-6 B-6 A- D7 cIG AT D7 D7 A- look - harm you. so hush lit- de ba - by dont. = you with dad = dy and mammy — stand-in) by.EMBRACEABLE YOU lea /George Gershon 2 Aq D7 F7 £7 A-7 G6 Bbe7 Em- brace me, my sweet em- brace - a- ble you.—___ Em- brace me, 1 love all the ma-ny charms a- bout you,—__ a bove all We pm [Ge av Ge si Ble- em cerns py you ir-replace - a-ble you———____ Just one look at you, my heart grew T want my B- B-7A G#75 G-6 FR-7, B79 E-7— AT D7 BT oA-7 ab7u fou and you a - lone bring out the gyp - sy in me. cé FS B79 E- tip - sy in me. *G7_ AT Bb-6 G7B E-«7) ams —a-bout you.___ Don't be a naugh-ty ba-by, come to pa-pa, come to E7 A? GD EW ans Dw G6 pa- pa do. My sweet em- brace - a- ble you. UNFORGETTABLE Gordon Irving 1951 (Wat Cole) G_ G6 G7 G6, CHS FHC Ca? -C6.-— Unefor- get-ta-ble,— that's what you are.__ Un- for- get-ta- ble, tho! near so Ufo: get Hebe in ev-'ty way. ‘And for e-vet-more— that's how you'll F7 Bb7 CBT E-7 AL 7B Co ATCHY FAT far___—_Like asongof love that clings to me, how the thoughtof you does things to me, stay, cl D9 ES D9 AbT 2 RT F-6 nev-er be-fore hhas some-one been more. That's why darling, its in-ere - di-ble, cer BW BT ag D7 D7 G7 C6 (A-7D7) that some- one soun-for-get - ta-ble, thinks that I am un-for- get - ta-ble 100.6 STARDUST Hoagy Carmichael 1929 Cc F9 E7 cS SSS = ‘And now the purple dusk of wi-light time, steals. a- cross the meadows of ‘my You wan-dered down the lane and far a- way. Leav-ing me a song that will not D- E- A- {*B7 High up in the sky the lit-Ue stars climb. Love is now the star-dust of yes-ter- day, 2 GT cé Ct al - ways re mind-ing me that were a - part the mus- ic of the years gone by. Some-times 1 Be - F6 F-6 Bb7 won-der why I spend the lone- ly night dreaming of a song. The side a gar- den wall when stars are bright, you are in my ams. The Cc D7 £E7 Awe D *D- D-7YAb Ane a- gain with you. ‘When our me-lo-dy haunismy reer - ie, and 1 am once night-en-gale tells his fai- ry tale of par-a~ dise, where ros - es G7 G G7 G c D7 Eb? CE love was new— and each kiss an in spi= ra = tion ___ but A7 D9 AZ D9 G7 D2 G7 G@ oi that was longa- go, now my con- so-la - tion is im the star dust of a song Be 2 D- F6 F-6 Cc E-BA- C/G grew. Tho’ = Ts dreamin. vain, —____ in my — beat it will re ~ BUF} F7 E7 Ebi3 Dy AT _D-7 G7 c my __star- dust mel- o- dy. main, the mem-o-ry of love's re- frain.SEPTEMBER SONG Kurt Well 1998 7 cs Ay CDT ETAT ee a =~ ae = ss | oe Tt -< —* Oh it's a long, Jong time, fromMay to Dec -_em- ber, but the days grow the au-tumn wea - ther, tums the leaves to flame, one hasn't got Andthese few —_pre- cious days, I'll spendwith you, these _pre- cious D7 fh D-75 car 2 p75 G79 G79 Glut Ca? * sho when youreachSep- tember Whenthe autumn “ time for the wait- ing _, ¢ Gmtcs Bl ro x _-FbT x F6 iS == — i Se © = 7 game. Ohthe daysdwindledown,____ to a prec-iousfew___—Sep- tem ber, o7 CAIG 06a! Coda @ D7ust D7 D-7h5 Dba? C6 Nov- em ber, andthesefew days I'll spend with you. POLKA DOTS AND MOONBEAMS ‘Van Heusen /Burke 1940 Dz FA7 D-7_ G7 c7 BT a7 A coumtry dance was be-ing held in a gar- den, T felt a bump and heard an The mus-ic stated and was I the per-plexed one, held. my breaihand said “may Now in a cot-tage built of Ji- lacs and laughter I know the mean-ing of the G-7 E7 AT D-7 By F___Bb AcT ART “oh, beg your pardon,” sud-den- ly 1 saw Pol-ks Dots and Moon - beams T' have ‘the next one?” In my fright-ened arms Pol-ka Dots and Moon - beams words “ev - er af - ter,” and I'll al - ways see Po- ka Dots and Moon - beams G1 c7 c7 F6 ET A-Ab7G-7G)7 2 G=7 o ne all a-round a pug- nosed dream. sparkled on a pug-nosed dream.” There were when I kissmy pug-nosed dream. AAT Be B-7 E7 AAT FEZ, B-7_—E7 ques-tions in the eyes of oth-er dan-cers as we float-ed ov-er the floor. ‘There were AAT Be B-7 E7 AT D7 G7 c7 DG. a 2nd Encing ques- tions but my heart knew all the ans-wers, and perhaps a few things more8 EVERYTIME WE SAY GOODBYE Cole Porter 1944 EbA7 F-7 G-7__—Aba7 G-7 C79 F-7 Bb Ebs7 G7 Ev - ‘ry time we say goodbye, 1 die a ‘lit-de, ——ev- "ry time When you're near there's such an air of spring a- bout it, T can hear Ba? E7 Bb-7 “ab-7 pb9 EWG Gbe7 F-7 Bb7 79 we say good - bye, IT worder = why a lit-tle, why the gods a- bove me who 2 lark somewhere be gin to Bb-7 Bb, aba AbT Die GTC Ge, iBT w = must be inthe know, think so little of _me, they al - low you to go b Teas B79 | Aba7 bo. Gbe7 F+7 Bb7 Bb-7 Bb7 Aba7 BIG sing about it, There's no love song fin-er, but how strange the change from Ab7,___Db9 Bs? C79 +7 Bb Tut BUT BMG ‘© — ma-jor to mi-nor, ev “ry-time_____ we say good - bye. WE'LL BE TOGETHER AGAIN Fisher/laine 1945 cé aby D-? G7 A- AL, p7i No tears, 0 fears, re -member there's always to - mor - row, so Your kiss, your smile, are.=—=mem-"ries_ T'll trea-sure for - ev - er, 30 Some day, some way, we ~—both have a _iife- time be - fore us, for BHT, BY Abs7 D-75 All, |"Grast G7 | *C6 Fe what if we have to part we'll be to-geth-er a- gain. Your ga wy think-ing with your heart part- ing is not good - bye, Ab7 5, G79 C-6 ALT. G+7 C6 ‘Times when I know you'll be — lone- some, times when I know you'll be sad, Al, G7 brn FT D=75 Ab7 Gras! G9 don't Jet temp-ta- tion sur - round you, don't let the blues make you bad. Some DG. a1 2nd En (Fre)THE VERY THOUGHT OF YOU 9 Ray Noble 1934 ET ‘Aba? Eb? Aba? E}7 Ab OBb7 The verry thought of you.. and I for- get to do. the litte or - din- ar- y Themere i- dea of you, the long-ing here for you. You'll nev-er know how slow the Bo7T_ AWC, F-9 Bb Bb-7 Eb7 G-75 C7. FRYE things that ev-'ry-one ought to do. moments go'till Im near to you. I see your face in ev- "Ty flower: your eyes in stars a- *D-15 GP C-7 F-9 BO BRT 57 Tm liv-ing in a kind of day-dream, I'm hap-py as a king, and fool-ish tho’ it may seem, to me that's ev-'ty- thing. The mere i - F7 Ae % D-78 pbar Bb-7 c-7 EW bove Its just the thought of you, the ve-ry thought of you, my love. I’M IN THE MOOD FOR LOVE Jimmy McHugh/Fields 1935 c_, AT D7 G7 D-7_,—, G7 c7 oC Tm in the mood for fave, sim ply be - cause youre near me. Hea- ven is in. your eyes, bright a the stars were © un - der If there's a cloud “a - bove, if it should rain we'll let it E? Eo? D7 G7_oD7 G7 * C Gia ]*C Fanny, but when youre near me, Tm in the mood for love. love. Ob, is i an - y won - der, Tm in the mood for But for w- night for - get it Tm in the mood for BI p-7 G7 C B-Sa79 D-75 cw c Why stop to think of | wheth =e, this lit tle dream might fade. FETS Bre E-7 Av D7 D-7s Gn Weve put our heans to - geth - er, now we ar one, Im nk a- fraid Dc al2rcendnatine)10 HERE'S THAT RAINY DAY Johnny Burke /Jimmy Van Heusen 1949 G DR BY EM Bbs7 -—3—, Aba7 A-7 D7 p79 May-be- I should have saved those left _ov- er dreams, fun-ny but here's that rain-y Where is that wor out wish tha I threw a- side, af-ter it brought my lov-er D-7 G7 |"'¢-7 F7ust F9 ‘BbAT Eba7 Gar day Here's. that = rain- yay they told. sme - bout, and ‘I near? —_____ AT D9 c7™ B47 E9 A-7 piel* car Jaughed at the thought that it might tum out this way—___ Fun- ny how DUC B7E7 AB A-ID D7 D7 G6 Tove be-comes a cold rain-y day, funny that rain-y day is here I REMEMBER YOU Johnny Mercer 1942 G6 CHTSFH7? G6 D7 G7 a7 C7 F7,. I remember you, -_you'te the one who made my dreams come ue, a few kiss-es a- 1 remember you, youre the one who ‘said “I love you too", I do, did- n't you B-7 Bb7 |*A-7 D7 2D-7 G7 Bhar FT B? EAT g0.—__ I re-mem-ber 00 a dis - tant bell, know’ FR? BT EA? E-7 Az D4? A-?_-D7_—«G6 When my life is F7 and stars that fell like rain out of the blue. CHTSFE7 G6 car B75 B79 AT c-6 : through and the an- gels ask me 1 re- call the thrill of them Ge? E-7 CHS C-6 B-7 Bb = a-7_-D7_—sGS then 1 shall tell them Tre - mem - ber you, all, —BDEbhLEbhinBbEBaAhkhB BBB EBR EB ERER EBB e eeMY ONE AND ONLY LOVE 11 Wood /Melin 1953 D-7 G7 .Gi2, AT? Fa7__,__. AY car Ad Ye- ry thought of you makes my heat sing like an April breeze onthe The sha-dows fall andspread their mis - ty charms, in the hush of light —_whileyou're Sa BE: Ss = ‘You fill my ea ger heart with such _de- sire, ev-'ry_—kiss you give, sets. my ET Alas! A? D-7 G7 EIGt AT? D7? p27 G7 wings of Spring, and you ap- pear in all your splen-dor— my ove and ot-ly in my arms, I feel your lips so warm and tender, my one and on-ly soul cafe T give my self im sweet sur = ren-deq_—— mp7 Ble chs, Fs Bm “E-7A7D-1G7_ |? C6 rove. The touch_— of your hand is like heaven ED} ED». CHT love Ee ce Ch FHTS B79 ES oS hea - venthatI've nev-er known. The blush on yourcheeks when ev - er I speak Dt, AM GT! G7 cuca = D7 G7 C6 + tells me that you are my own, my one and on-ly love. THE NEARNESS OF YOU Al Hoagy Carmichael/Washington 1937 Fa7 C7 F7 Bba7 Bbo7 Tes not the " pale moon that ex - cites me, that thrills and gx cites me, oh It is- n't your sweet con- ver - sa - tion, that brings this sen - sa - tion, oh I need no ‘soft’ lights to en - chant me, — if you'll ~on-ly grant me — the AT Dm G7 CL, OAT Al GT Clad F Ie is-n't it’s just the near-ness of you. whenyou'rein my it's Just the near-ness of to holdyou ev-er so c7 F&7 Flu: C-7 BT Bba7 E79 A-7 D7 you. arms, and Ifeel you so close to me, all my wild - est dreams come G-7 DPC Ta Cho arcoag? A-PSEDT! D9 | Gust G9 G-7 C7 F6 Clu! F6 — Ss tue [need no tight, and to feel in the night the near-ness of you.WHAT'S NEW? Burke/Haggart 1938 Bb7 Bb? Abs? pe7is G7 How is theworld treating you? You have-n't cllanged a How did that TO-mance come through? ‘We have-n’t met since Par-don my ask- ing what's new Gfcourseyou could n't G78 D-7 G79 co RG-7cn™ bit, fove-ly ase = vet, I must ad- mit What's new? “ What's new? then, gee but it’s nice w see you a-gain know, I have-n't changed, I love you so. Bi Fé Eb? —s— ab7 pba7 G75 c7s Prob - a- bly I'm bor- ine you but see - ing you is F- Ab7/Eb Dbs7 cP Fe B7 p-75 G7 grand and you were sweet to of-fer your hand I un der - stand, DC.a'Faw BODY AND SOUL ‘Hetman/Sour/Eyton/John Green 1930 A BY Bb EL? D9 Db6 G7 F-7 Eo? My heart is sad and Jone - Jy, for you 4.1. sigh, for you dear on id my days in Jong and Won-d'ring why it’s ‘me you're wrong- My life a wreck you're mak - ing. you know I'm yours for just the tak Eb-7 = BD) c-7s 79 Bh7 Bh Ps [* pb BI 2 phat HE rs + - Ss = =s Why haven't oe seen it? Tm all for you, Bo-dy and Soul. tell you “I. mean it Fe a Ya gd 79 str Tea. ae D E7 DFt G7, C7 FR7B-7 E77 A7_ DAT? I can't believe it, it's hard to con-ceive it, that you'd tum a- way ro- mance" D7 G7 E7 Ebo7 D7 G7 C7 B7BT pcatne ‘Are you pre-tend-ing, it looks like the end-ing, un - less T could have one more chance to prove deat, z eeBOER EERBERE SE SB RES SBS SS SE SB SS 13 Johny Burke/ Jimmy Van Heusen CHISFIS Bt CaT BUT BEAUTIFUL G6 cm B75 E79 A-7 fe is funny or it's sad, or it's quiet or it's mad, its a good thing or its Love is tear-ful ot its gay, i's a prob-lem or its play. Its a _heart-ache ith - er B-75 E79 AT E-YB C-47) CH-185 DL DIC B-7 E7 bad, but beau - ti- ful! way but beau ti- ful. ‘At D7 G6 BI Beau-ti-ful to take ~~ chance _and And Tm think - ing if you were mine Td E- E-@) E7 a7 would- at mind at Ac? Ab7 fall E-7 F7 G6 Bb7 1 if you fall you ?A-7 BT and Tm think- ing nev-er let you go, and that would be but beau-ti-ful I know SCOTCH AND SODA Dave Guard 1959 Al aber pbs BM G77 Scotch ‘nso - da, fad in your eye, baby do I feel high, oh me oh Dry mar-ti > ti jig- ger of gin. Oh what a spell you've got_me in, ob All All T need is one of your smiles, sun-shine of your eyes oh me oh my BHT @|‘Bh7 By a7 J? 57 Bh? BT BHT my— do I feel high_______ high. ‘Aba7 EB F- Bb7 Ea? Peo- ple dont be - lieve me, they say that Tm just brag - gin’ But F9 c-7 F9 C7 F-7 Bb7 I could feel the way I do and still be on the wag - ono MO % Ga c7 Fv Bb? ab? Eb ba-by I feel high high-er than a kite could fly. Give me lov- ing14 WHAT ARE YOU DOING THE REST OF YOUR LIFE Legrande/Bergman 1969 [A a- A-IGE A-/G A-/FE = 4 —— SS = — o J T What are you do-ing the rest of your life? ———— North 2nd South and East and All the ‘sea-sonsand the times of your days all the nick - les and the ‘Those tom-mor-rowswait - ing deep in your eyes in. a world of_—_love you Fa7 E7 West I have only f Jet the rea sons Tl a - wa- ken all “be - gin and end with it may wake a kiss or see your face in ev-'ry kind of light, in AMT AMT pb79 night. And when you stand be- fore the can dles G7 crs FA7 one to bear the @ — Elnt E F9 B wo. Th all of my life, D-7 = quest for your fife, one re and the —thymes_ of your days wha's a - sleep in your eyes, that you spend it all with me—__ All the seasons and the © me—___ I want 10 B) ns ET AAT B-715 E7 fields of dawn and for-ests of the Gba7 ‘on the cake, Oh let me be the = lent wish you make. Those {mi""or - rows wait - ing 765 Summer, Win- ter, Spring and Fav FT ATE B-7 E7 A- Fallof mylife, all Tev-er will re - call in my life, is all my life with .you—___I ONLY HAVE EYES FOR YOU 15 Warren/Dublin 1934 D-7_G#, Den Al, Qs D-7 AW D-7 G7, Are the ' stars out to-night? I don't care if it's clou-dy or bright, cause I moon may be high, but ‘I cant see a thing in the sky, cause I here so am [, may- be _mill-ions of people go by, —but_ they FE Bo AT__Eb-TAb7 Als EBT car D-7Df-7|'E-7_ F13 eo 2. on-ly have eyes for. you dea__The for you. fon- ly have eyes_— all dis ap - pear—— from B,., G7 Fo? ~~ E-7 A-7_ G-7_ C7 F-6 Bb7 E-7 A-7 or on a crowd-ed a-ve - nue D-7'5 G79 T dont know if Tm in a gar- den, Eb-7 Ab7 oc.acoe® pha a7 D7 2: ‘You are view. and I on-ly have eyes—— for you. THAT’S ALL ‘Alan Brandt/Bob Haymes 1952 [Al_pbaz cz D-7 —C-7 F7_ BbaT Bb T can * on-ly give you love that lasts for- ev-er, end the promise, near each time you I can _on-ly._five you couruy walks in spring-tine, and \a\ Yana t hold vthea eaves be gin If you're won-d'ring what I'm ask-ing in re- tum dear," you'llbe glad to know that my de-mands are D7 G7 E-2S Eb7 D2 G7a C7 G7 and the on - ly hear 1 own, for you and you a- lone that's all, that’s and a love whose bum- ing light will warm the Win-tet night, that’s all, that’s say is me “that” you s'- dore for ‘sow’ and ev er- more, thats all, that's Fm [2 phe <7 b7 7 CTS -7 b7 BI F7 Bi Bar cm Fe? BY = = Ss = SSS or 7 = ¢ Tecan © aff. There are those, Yam sure, who have told you, they would give you theworldfor a G7 c7 Fa DBL G-7 c7 Fld F706 a/Fine oy. All I have are these arms to en- fold you and a love time can nev-er des- troy, If you're16 MY SHIP Xurt Wetl/iea Gershwin 1941 [A] FS p79 G9 = Clas! C7. FS p79 G7 cn My ship has sails that are made of silk, the decks are trimmed with gold, and of My ship's a-glow with a mil-lion pearls, and rub- ies fill each bin. The T do not care if that day ar-rives, that dream need nev - er be, —if_ the D-7 G7 G-7 C7 |@D-7 G-7C79F6 FOE D7!) @ G-9 E-75 ATs jam and spicethere’s a par- a- dise in the hold. ‘sun sits high in a sapphire sky when my ship I sing does- n’t My ship comes in, Tan wait the years till it ap-pears, one fine day one spring. © But the pearls and such, they Ay D7 A*7D7 GlaudG9 Clas! Coy cad G-7_E-T5A79 D-7__C7 ‘won't mean much if there’s miss-ing just one thing. 1 al-so bring my own tue love to FA7FH7G-7C7 F489 BTM BAD Eb7eustb7 A-7 AbT Dba7 C79 FG me, If the ship Isingdocsn't al-sobringmy own tue love to me. Suessdorf/Blackburn 1939 MOONLIGHT IN VERMONT a ns _Eb6 C-7 F-7 Bb7 Bb6 c-7 pb F7 Bb7 |'*B> F-E7, = = SS SS == -nies ina steam falling leaves, 2 sy ca-Hore, Moonlight in Ver moot. I- cy fin-ger waves ski trails on a moun-tain- side, snow- light in Ver mont Ev'-ning sum-mer breeze, warb- ling of a mea-dow lark, Moonlight inVer = AZ, D7 Ge, E7_, AcT, abr Gar a ‘Te-le- graph ca- bles, they sing down the high-way and tra-vel each bend in the Bb7 : b7 Aba7 , Fr Bb-7 . ATM abr Bb? Peo-ple who meet in this ro-man-tic set-ting are so hyp-no-tized by the love - o oe F7 E7 Eb6 ‘mont. ou and I and moon - light’ in Ver- mont I I I 1 I f B G-IC_ C7 G-7C C7 G7 Bhé FAT B-75E7 A-7 D7 | | J17 OVER THE RAINBOW jpsccia arienstiarburg 1998 Eb C-7_ (G7 Eb7 Abs? D7 = G-7_—C79— +77. Some - where, ov-er the rain-bow, way up high, there’s a Some - where ov-er the rain-bow, skies are Du andthe ‘Some - where ov-er the rain-bow, blue - birds fl birds fly Bba7 c7 F7 F-7 Bb7 ["Eb6 —-F+7 Bb72 |? EG Jand that “I heard of once in a Wul- la - by. ue. Some- dreams that you dare to dream really do come fre B] ote Tam bom, why en oh why cant IP Eb FZ b7, EDS Ee? F-7 BOT Where F-7 Bb+7 day I'll wish upon a star and wake up where the clouds are far be- hind — me. Eba7. A-75 D7 G-7 Gbe7 trou-bles meltlike le-mon drops, a - way a-bove the chim-ney tops,that's where you'll find me. a F7 Bb Es raptancxony Eb If hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can't I? ONCE IN AWHILE Green/Eéwards 1919 Eb Eb Eb6 G-7 co G7 C9 2 EDT, Once in a- while will you uy to give one lit - de thought me? Once in a while, will you dream of ‘the © moments T| shared with you? T know that “Til be con tented with yes - ter - day's mem-0 - 1 Ft c? F7 _Bb “G-7_C7_F-7 Bb7,PEb6 Ab-7 Eb6 D7 2 Though some-one else may be near - er your heart {_______._ In Mor sens be- foe ‘we two Uae Saga ~ ie, Pe Sere vera Foe . Gar E7, A DT Ga Bl, ATs love's smol - der - ing em - ber, one spark may re - main, i€ G7 ET, ayo GB cn F-7 Bb7 DG alznd End love still can re = member, the spark may bum 2 - gain.18 LAURA D. Raskin 1945 Ac? D7 —— GH (c9) G6 (C9) G7 foot - steps those eyes La - re is the face in the mis - ty _ light, Lan - ra—— on the train that is passing through, Bhat Bb7 Eba7 c79 — Fel (Bb13) F6 (Bb13))-F-7 ‘The Iough— that floats on a — sum-mer night, that you hear down the hall how fam-il - iar they seem. “75 D7 D7 (Ga? B-7 E79 2B that you can never quite re - call. ‘And you see She gave 65719) (a-7) (o7) (ab7 ) D-75 G7 C47 D-7 E-7 A-75 D719 G7sus* Gl, Cé your ver - y first kiss to you, that was Laura, but she’s on-ly a dream__—___ WHAT A DIFFERENCE A DAY MADE Grever/Adams 1934 s— 7G? C75 >, F47 BAA? ab, ‘What a diff-'rence a‘ day made— twen-ty-four lit-e ho - urs, brought the sun and the What a diff-'rence a day makes, there's a rain-bow be- fore me skies. a- bove can't be G7 c7 VF E-7 Aleut A+7 flow - ers, where thereused to be rain My yes-ter-day was blue dear, to-day I'm part of stor = my—— since that mo-ment of D- D-7 Glut G7 Coast you dear my lone-ly rights are through dear since you said you were mine. C-7 FT B-715 BL-6 FT -——s— find ro-mance on your when you What a diff-'rence a “bliss, that thrilling kiss. It 7hemven A-7 Aber —., G7 c7 F6 me - nu, what a diff-'rence a day made, and the difrence is youDARN THAT DREAM 19 ‘Van Heusen/De Lang? 1939 chs B-75 EW Bb-7 Eb? A-7 Ban? E7 Gar Dam that dream I dseam each night, you say you love me and you hold me tight, Dam your lips and dam your eyes, they lift me high a-bove the moon- lit skies. Dam ‘that dream and bless it too, with -out that dream I nev - er would have you. AT Cy B-7 Bho7 fh AT Ab7a «G6 «D7 bot when I a-wake youre out of sight, oh, © dam that dream, Then IT tum- ble out © of par - a - dise oh But it haunts me and_ it won't come tue, oh zATAuGs Br Es C7 F-7 By G7 FH Fre dam that dream. Dam that one-tack mind of mine, it cant’ un-der-stand that F-7 Bbw? Bb6C-7— ATS DTG-7—A-7 D7 BY p7 you don't care. Just to change the mood I'm in, Td welcome anice old night - mare. 1. al nd Ed (Fe) SKYLARK Hoagy Carmichael/J. Mercer 1941 Al Bm FT? G7 ‘AbAT EbaTB) ATM Aba7 By Won't you tell. mewheremy where my heancan goa but my heart is nding E79 Bb Sky - lark,———have you an-y-thing to say to me? Sky - lark, fhave you seen a val-ley green with spring. Sky - lark——— I don't know if you can find these things, ca F7 F-7__,__, Bb Eb love can bel Ib thee a ttacdow in the mist_ where tomeone's waiting to be kised# Jour- ney - ing. ov-er the sha-dows and the con. the wings, so if you see them an- y : 2 Bb ‘Bb+7 Bb6 EBT. Aba7 AS BY By — ‘ain, to a blos-somed covered lane? And in yur Jone-ly flight _havern't you heard the music Aba? AbT G-75 c7 F- Db. Bb-7 Bb+7 Ab6 in the night, won-der-ful mus-ic, faint ay a will-‘o- the-wisp, cra-zy as a loon, Gar G6. AL_D7 G Bhhowadt B Bb-7 Bb7ax Bb , ae oe. a SSS a SS sad as agyp - sy seren - ad-ing the moon Ob, where, won't you lead me there?I CAN’T GET STARTED Ira Gershwin /Vernon Duke 1935 (B-7 E7 Bb-7 Bb7 A-7 D7Ab-7Db7) car A-7 D9 G9 E7 A-RYE D7 Giant @ ==. —— SS SSI round the world in a plane, I've set-tled re-vo- lu- tions in Spain, the North Pole golf course I'm un-der par, and all the movieswant me to star, I've got a In nine-teen twen- ty nine I sold shor, in En-gland I'm present - ed at court, butyou've got ca7 AT D-9 G7 2C Gla C Fa7 SS === = z SSS —————— = = I have chart - ed, but can'tget start - ed with you. ‘A-round the you, You're so. su» hhouse, a show-place,but I get no place with E-7 A7 E-7 A7 Ds9 GI3 Ff-7 E7 D-7 Gi D7 G7 preme, ly-rics I write of you, scheme just for the sight of you, dream both day and night of you, E-7 A9 DiutD79G uit pc. aco C47 BOT A+7 D-9 —_G7as* G7 C6 and what good does itdoinnine-teen me down-heart-ed'cause I cantt get start - ed with you. 7 THESE FOOLISH THINGS sirchey/tinh 1888 Eb Cc F-7 Bb? Eb c7 ‘A. cig- a- rete that bears a _lip-stick’s tra-ces, an air-line tick-et 10 10 - ‘A tink-ling pia- no in the next a part-ment, those stumbling words that told you ‘The winds of March that make my heart a dan-cer, ate ~ le-phone that rings but Fo By Bb EHS Abs? CLs — |" Fy SS SS EF ———— == o 7 —— — t oe man- tic pla- ces, and sul) my heart has wings, these fool-ish things re-mind me of. what my heartmeant, a fir-ground’s painted) wings, these foolish who's 10_ans- wer, F7 BY? po plz, eb D7 |B) g- Es as D7 G- you. things f@-mind me of you. You came, you saw, __-youconquered c7 Bba7—G-7 C7 F7 G7 cn F-1_ Bb7 me, when you did that to me, T_—knew some-how this had to be. © "0 @ Bh? Bo, Ab G7, Fo Bb, Eb yh, how the ghost of you clings, these fool-ish things fe- mind me of you.21 D-75 Ba7 C47. C6 D-75 AbT G3 ca BIC C APRIL IN PARIS vernon puke/tiarburg 1932 chest nuts in blos~ som,—__________hol-i- day tab-les Ac pril in Par- is, car G-8) G-7 Gb7m FS E47 F476 B-75 E79 under the trees ‘A-pril in Par-is_______ this isa feebing AT AG FETS Bw E#7 E7 E-75 ATG no one can ev- er re prise —__ FH-75Fo7 C/E ET D7 Db? C6 AT BTS EDS 1 never knew the charm of spring, nev-er met it face to face. I nev- er knew my A> ACG FADS 79 E47 G7 D-5,_ BaTCaT C6 heart could sing, nev - er missed a warm em- brace; ‘till A+ pril in Par- is E-75 Bb7M Als. ETM DB cH? D-75 G79. C$ —I— whom can I wm to,__________ what have you done to my _heart?. TILL THERE WAS YOU sere vn 1980 Al Eb E°7 FT Ab-G6 =Db7 Eb Ge There were bells onthe hill, but I nev-er heard them ring. There were birds in the sky, but I nev-er saw them wing-ing, no { There was love all a- round, but I never heard it sing-ing, no I F-7 pb79 ‘E> Ee? F-7 BbT* ‘Ab BbA7 all ‘till there was you.__ ‘Therewere you ‘And there was mus-ic and Eb6 B7C7 FT F7 Bb7 Bh7 oc onsen AT a there were won-der-ful ros-es, they tell me, in sweet fra-grant mea-dows of dawn and dew. There was aE BEES ESE SE HEHEHE ESB SESE SS22 MORE THAN YOU KNOW iose/zuscusyoumans 1929 vere C= A-75 B47 c- A-TS Abr G78 Wheth-er you are here or yonder, wheth-er you are false or tue, E - ven though your friends for - sake you, fe - ven though you don’t suc- ceed, Bb-7 Eb7 Aba? G79 D-7 Ab7I G78[) C- A-7 D-7 pause whether you re-mainor wan-der, I'm grow-ing fonder of you. break you need. wouldn't “1 arp take you, giveyouthe Gt. SIA ce G+, G-9 C7 Far E-7A™® D-1_ F-7,_ BbT ‘More than you "know, mote than you know, man of my heart I love you so, late- ly I Wheth-er you're right, whether you's wrong, man of my heart I'll sing a - long, you need me Oh how T'd cry, oh how Td cry, if you got tired and said good - bye, more than I'd . D-9 Abr D-9G G79 E-7A™p-7 G7, 2 B-7 AT? Wheth - er you're “ so, more than you'll show, more than you'd Ee fon FRETS B79 = E-7 find, you're on my mind, more than you know. D-7 G7 C6 F9 C6 FE-7I5 B78 ev-er know. Lov- ing you the way that I do, there's noth-ing I can do a- bom ev-er know. ATS D7 Ga? E-7 Alast AT DJusD7 D-9 GTust__G+7 ~* Loving may be all you can give, but hon-ey I can't live with~ out it. on bow fem" COME SUNDAY Due Engen 1948 Al F7 B70 F7 D+ G9 c-9 Lord dear Lord above, God Al -might-y, God of lov please Jook down and FO Bhs Ebeypb Bbe7 pbs [Blp7 phy 7 7 so ; see my peo Fe ehrough Fie I be-lievethat God put sun and moon up in the co F7 C7 F? D9 G7 C9 FY) yc ute sky I don't mind the gray skies, ‘cause they're just clouds pass-ing by. ee oe le le en nh hnYOU GO TO MY HEAD on .ce/coots 1998 23 Al pbs) G-7)aAb7~—oDb7 Ghar C-75— B75 BbTake z ‘You * go to my head and you lin- ger like as haunt-ing re- frain, and I find you spin-ning You go to my head like a sip of + bur-gun-dy brew, andthe ve - ry You go to my head, with a smile that makes my tem-pra-tuce rise, like a summer with a © Bar C7 Fea] A7 BAT ce7s Betis Bra ‘round in my brain, like the bub-bles in a glass of cham-pagne. You The men-tion of you, like the kick-er in a ju-lep or two. thou- sand Ju- lys, you in- tox - i- catemy BI Ab6 Ae Ebay G-7 C7 thrill of the thought that you might give a thought to my plea casts a spell o-ver me. Still 7 7 67. 2 bra 781 Aw, DI, BT, BM, A, ANG GFE say to my-self “get a hold of your-self, cant you see that it nev-er can be.” ‘You © Baz C-7 BRT Bb7e bar Ab-6 Db7 —Eba7, G-7D soul with your eyes. Though Tm certain that this heart of mine has-n't_a ghost of a C7 A-75 D7 G-7C7 F-7 Bb7 Gba7GbT B-7 Ev Eb6 oo 8B " —. chance in this cra-zy ro- mance, you go to my head, you goto my head, Al DON’T BLAME ME Flelds/McHugh 1932 C6 B75 Ane D-75 G7 C6 D-75_, G7 Dont blame me for falling in Jove with you. Tim un ~ det your spell but Cant "you. see, when you do the things you do. if Si on Eat Be Biame Jour i, “as” shea as ‘a ‘Hee 22y be! and blame “ail” your charms thet E-2i5 AT D-7 G+ C6°G7 [2D-7 G7 ce [B] F Fw how I cr 7 Y me. r it Sok yk me don't blame I cant help it melt in my arms but E7 AT D7 D-7 D-75_ G79 if that dog- gone moon 2-bove makes me need some-one like you to love.24 WHEN SUNNY GETS BLUE Fisher /Segal 1056 A Gl, c Bb7 Bb Fa7 G7 When Sun- ny gets blue, her eyes get gray and cloudy, then the rain be- gins to When Sun-ny gets blue, she breathes a sigh of | sad-ness, Tike the wind shat stirs the But mem-'ries still fade, and pret - ty dreams will rise up, where her other dream fell A-7 D7 B-75 Bb? BT AT Ab? Db? ® fall Pit - ter, patter, pit- ter, patter, love is gone so what can mat- ter, ‘ures. Wind that sets the tee to sway-ing, like some vi - o - lins a- play-ing, through. Hur- ry ew love, hur-ry here to kiss a - way each lone~ly tear, and c7 Bh [* At D7 2 BT AT no sweet lov = er man comes to call When dies wierd and haunting mel - o : [B) par E-7 FET B Ev, A™® par Peo-ple used to love to hear her laugh, see her smile, that's how she got her name. D7 G7 a7 Av FA7 D- G7 G-7.C7 Since that sad affair, she's lost her smile, changed her style, some-how’ she’s not the same. But oy Chet tla? Gh G7 a Lae X goon hold her near when Sun-ny gets blue hold her near when Sun-ny gets blue IN A SENTIMENTAL MOOD Duke Euington 1935 D-__D-4) D7? D-6 G-4) G7 Gy 7 m D7 G-7 Gham fFa7 Fa7Ab7 2 (Bl pvr Bb7 Eb7 AbT phar Bb, EBT AbT © =F Dba7 Bb-7 ERT Ab7 qi C7 peamaecrnGOOD MORNING HEARTACHE 25 Higginbotham /Drake/Fisher 1945, F G-7 C7 = Good morming heartache you old gloom-y sight Good mom ing heartache, tho’ we Wish I'd for- get you, but you're here to stay—— _It_ seemed I met you when my Good morming heartache, here we go a-gain——— Good _mom- ing heartache, you're the ATS BT p7s G7 Bb-6 AT abr & said good-bye last night. 1 tumed and tossed wn- til it seemed you had gone, love went a way. Now ev- ‘ty- day I stan by say ing to you ‘one who knew me wher ‘Might as well get used to you hang- ing a- round, Ee ' G7 C7 F C9 2 G7 C7 cm F6 but here you are with the dawn. Good morn-ing heart-ache, what's new?. At D- A+ D47 G-6 D-7 G7 47 C7 ‘Stop haunting me -now,—__ can’t shake you = how. Just leave me a- lone I've ALT @7 C7 FT pc. acoas % G4 Gham F6 {got those mon day blues, straight thru sunday blues. Good marm-ing heartache sit down, GOD BLESS THE CHILD ‘Herzog Jr/Billie Holiday 1941 Eba7 Eb7 Abe EbA7 Eb7 Aba7 Bb7 Eb7 Bh7 Eb7 ‘Them that's _got_ shall get, them that’s not shall lose, so the Bi ble said,and it still is news. ‘Yes the strong "ts more, while the weak ones fade,emy ets don’tev-er — makethe: a Rich re - Tae dons give, crust of bread and Sach, yor can ielp your-self, but don't take each, Abst Ab-6 G7 cn F-7_ Bb7 Bb Fe Ma-mamayhave, _pa- pamayhive, but God-bless the child that's got his own, that’s got his own. 'R-7 Bb7 |? D-75G7!9 C- cen C7 cs G-7 Yes. the Mon-ey, you got lots of friends crowd-in’ ‘round the D-75 G7 ce cen 0-7 C6 G7 c7 F-75 Bie (Ca Fine door When you're gone and spend-in’ ends, they don’t come no more. Rich re-26 MY FOOLISH HEART Young/Washington 1950 Bhat Eba7 D7 G7 C7 C-1Bb Att AT The night’ i like a lovely tune, be - ware my ffool-ish heart. How Her lips are. much too close to mine, be - ware my fool-ish heart, but D-7 _p7s G7 Db7 C-7 c-75 FT white the ev- er com stant moon, take care my _ fool - ish heat, There's should our eag-er lips com - bine then ‘Bba7 F7 Bb7t9 A-75 D798 BHT line be-tween love and fas-ci- na- tion that’s hard to see on an ev-en- ing such as this, for they G7 7s. G-7 C2 C7 GH C7 FT both give the very samesen - sa - tion when you're lost in the magic of a kiss. Her 20-7 ph A-75 79 G7 pT Ab7 det the fi - re stan. For this time it is- n't fas-ci - ma- tion, or a ‘Bbs7 Bbe7 Ab? G7 G-7 _G7 C13 C+7 Flat F7)9 Bba7 ‘dream that will fade and fall a - part, it's. Jove, thistime it’s love, my fool - ish heant____. SOMEONE TO WATCH OVER ME ‘George/Ira Gershwin 1926 Eb ATS Ae BYG Ge G-IF OES? There's a some-body I'm long-ing to see, I hope that he, turns out to be, Tm 3 lit tle lamb who's lost_in the wood, I know T could, al-ways be good, Won't you tell him please to put on some speed, fol-low my lead, Oh how I need, 2—b Ab Bb By B) Ab AbAbeab FYA_ Bb/Ab|"G+7_ C9 F+7 Bb9 F7 Fae some-one who'll watch ov-er me. me. to one who'll watch ov-er some-one 0 watch ov-er me. Al-though he may not be the AT EWBb G7B C-7 A-75 D7 G7? co F9 Bb79 ‘DC. aland Ena Fine) man some girls think of as hand-some, to my heart he carries the key.IMAGINATION ——assiascyousersos & 4 —o7 «F-7_—«&Bb7 Bbs7 DAD G-75 C7 A EDA? > na-tiom is- fun-ay, it makes a cloud-y day sun - ny, 1- ma-gi T.macgi - naction is) crazy, your whole per~ spec- tive gets ha - zy, Io magi - na-tion is- sil- ly, you go_a= round wil- ly = nil-- lye ————— F- cH OF7 G7 C7 F-7 Bb7 makes a bee think of hon-ey, just as I think of you T- ma-gi starts you ask- ing a dai- sy what to do, for ex-am- ple, I go a~ round wanting [epbar py? p7 [Bhbsr 7 Ay D7 G7 Have you ev-er felt a gea-tle touch and then a kiss and E-75 ATS D-7 G2 C-7 E25, Bblaxt — Bb7 Dice cose what to do? then, and then find it’s. on-ly your i -ma-gi- ma-tion a - gain? @h well, —_I- ma- gi- ® 7 bt, G7 DbmC7 F-9 B7tl_ Bblaé BT BMS go a-round wanting you and yet I can't i-ma-ginethat you want me too EASY LIVING Robin/Granger 1937 A FAl_,—_Fho7_G-7 Gte7 AT FT BbAT B7 Liv- ing for you easy liv-ing. I's ¢a-sy to live, whenyou'rein love Tinev- ef re- gret_ the years 'mgiv-ing, they're ea-sy to give, whenyou'rein loveand I'm F423; D-7 G-7 c7 + A-7 D7 G-7 C7 \?F BHT B+7 Ab7 T'm so in love, there’s nothing 3 life but | you______ ye For hap-py to do” what - ev- er-I for Dbs7 Bb-7 Bb-7_». AbT “F-7 BRT ATI Ab7 ee a m= ——- Sa SS] you may-be a fool but it’s fun people say you rule me With Db? Bb-7, Bb/Ab G75 C7 C/Bb A-75__ D7 G7 C7 0. at Fine # & ——= SS = SS —— v“one wave of your hand, dar-ling i's grand, they just don’t un- der- stand. ‘Repeat 1st verse28 I'M GETTING SENTIMENTAL OVER YOU sassman 1933 F9 E9 9 Dt G7 C7 Fa7 C79 |/*G7 C7 CIE 1 was just a notherwho laughedstro-mance, I said it was net for me meant to be a ‘Thenyoumadeyouren- tranceand rightata glance I knew this was % F —s— B-5 E7 A-75 (Bb7H) | D7 G7 e =e * ts SS SSS SSS SS Nev- er thoughtT'd fall— but now hear you cal Tm Bet tin’ sen - te ‘Things you say and do,_— just thrill me through and through____‘I'm_get- tin‘ sen- ti Won't you please be kind_— and just make up your mind that you'll besweet and 'G-7_ C7 F c7 PG-7 CIB F Bb F_ EV [B] ml ov er you men-tal_ ov - er you A- : FETS B79 E7 I thought I was hap - -py, - I - could live without love, 7 E7 ~ Al p79 G77 DE aloe now I must ad - mit, -love - is all T'm think’- ing of @ C7 F ® D7 G7 G7 cH F gentle, be gentlewithme—_____ “Be cause I'msen --ti -men-tal -ov --er you. EARLY AUTUMN ‘Woody Herman /Ralph Burns 1949 A cu ADABDB B7 Bba7 AT Aba7 “Ca7 BY D-9 Ab A Bb B 2(CA7 Aba7Bbs7 C47 COTE Bbo7 G7 Es c-7 F9 AlBb BD p47 D7 C9 B7!9 Bb7 ASTAb7I9GI3 DG. alFine a a ae en en a nn on on oo Cevenmy Matus SMOKE GETS IN YOUR EYES 29 Jerome Kern/Habach 1933, Al BE6 G-7_ Gh? F-7 Bbi3 E> BH Ab AST ry asked me how a true love was true? 1 of course re~ Fey Sid some. day yout tr who love are blind, when your hean’s on, Nov. laughing friends” de tears- I can-not hide, so I smile and bat) Bb 7 F7 G-7 C7 F-7 Bb7 [2 Eb6 G7 plied.something here in ~ fire, you must Te - a. - lize,-smoke gets-in your eee say, when a. lovelylame dies, smoke gets in your 7 Gt ICH C7 jide,- can- not-be de - nied. - eyes. vid Ba7 ch? FY? So Ichaffed them and I gay-ly laughed, to thinktheywould doubt my love. ‘Bay GH7 F7 Bey BBG OCTOF-7_—s BL DS. al nd Eng ‘Yet to-day my love has flown a- way, I am with - out- my - love. MONA LISA Livingston Bvans 1949 Mo-na ——_Li- sa, Mo- na Li-sa men have named you, you're so like the lady withthe mystic Do you smileto tempt a lowerMo-na —-Li- sa, or is this yourway to hide a broken \G-IF C1 G-7 c7 = os smile. Is it only ‘causeyou'relone- ly they have blamed you, for that Mona Lisastrangeness inyour F FP G-7¢13 fe Be F c7 smile? Do you heart? Man-y dreamshavebeen brought to your doorstep,they just lie there,andthey F F7_ Bb Bod FIC cq F die there, are youwarm are you real Mo-na Li-sa, or just a coldand lone-ly, love-ly work of art?30 . WILLOW WEEP FOR ME Ct Verse D9 G13 co F7 Ob Lord, why did you send the datkness to me? Are the sha-dows for - ever to Bb #9 cH F6 C7 «BT be? Where's the light I’m long- ing wo see? Oh E9 AT D9 Gs i 3 love, ‘vce we met by the old wil- low tree, now you'vegone and left nothing 1 c7 F9 D+7 G6 AT D7 me, noth - ing but a sweetmem - 0 - 1y. ob gle co G C7) Gs Gh AT BT os ae a 3 Wil- low weep for me, wil-low weep for me, ‘bendyoubranches green a long thestream Gone my Jov-er’s dream, Jove-ly sum-mer dream, gone and left me here to weep my tears weep-ing wil-low tree, weep in sym-pa- thy, bend yourbranch-es down a long theground GB Db? C7eu* co cs Abs =— —— that runs to sea. Lis- ten to my plea, listen wil-low and weepfor me. in- to the stream. Sad as I can be, hear me wil-low and weep for and cov - er me. When the sha-dows fall, bend oh wil-low and weepfor me. G47 C9 fi. GID+ G Dr7IBIC- Abo G7 _,_ 7 i "Fe me. Whisper to the wind and saythatlovehas sinned, to C7 F7 Bb7 Bb7 Ab7 . G7 c- Abo leave my heat’ a- break-ing and mak-ing a moan. Mur - mur to thenight, ry G- G? C7 F7 BbT Eb7 bz A-7 Ab7 = s— _DS.alFine hide her star= ry light, s0 none will find me sigh-ing and ery ing a - one. OhISN’T IT ROMANTIC Rodgers /Hart 1932 31 Bb? Eb6 C- F-7 Bb7 Bba7 Be F-7 Bb7 Is-n't it fo- — man-tic, mus-ic in the night, a dream that can be heard. Is - n't it ro~ sent it fo- maitic, —mere-ly to be young on such night a8 this? Is - nt it ro- EG F7 ‘BT Bba7 G-75. C79 [RT c7 man - tc. mom-ing sha-dows write the old - est_mag - ic word, I man - Ev- ‘ry note that's sung is like a lov- ers Kiss, D-75 Gl c- G7 Bb7—b7 Aba7C7_—sF- D-75 G7 hear the breezes playing in the tees a= bove, while all the word issay-ing C-F9A7M BIT 2 F F-VE> D-75 G™® c- C-mBb youweremeant for love. Is - n't it ro - Sweet symbols in the moor-light, do you mean that C-6/A Ab-6 G7 G7 F-7_ BT EB AbG OB Twill fall in love per chance? Is n't it ro- man - tic? ___ FOR SENTIMENTAL REASONS _watson/pest 1945 F D7? G7 CL D-7 G-7 c7 for sen-ti-men- tal rea ~ sons, and you a-lone were meant for me, c7 iF D7 hhope you do be- please give your lov-ing G-7 C79 |? F G-7GP F/A love you, I love you. D-7_G9 bean" 7 pan —__ 1 lieve me T'll_ give you hear "tome, aad Say Wel nev - ee Tve giv- en you my heart 7 c7 F Ar G-7 c7 F D7 — o think of you ev- ‘ry mom - ing, dream of you ev- ‘ry night, Bas Aw D-7 G9 c7 cH daring, Ym nev- er lone - ly when - ev-er youre in sight, OG S/Fne32 CHANCES ARE ‘Stillman Allen 1957 C6 G+7 Caz F7 G B-7_ Elnt E7 Chances are, ‘cause 1 wear a sil+ly grin, the mo-mentyou come in- to view, Just because my com = po-sure sottofsslips, the mo-ment that yourlips meet mine, AIC [Dts D7 G D-7 G+7 = D7 G BT chan-ces are you think that I'm in ove with you———— Just be- heart's your val-en - tine. chances are you think my D7 G+? C7 A-75 p79 G- E-75 ‘In theme-gic of moonlight, when I sigh"hold me close dear”, chan-ces are you believe thestars that Alaé AT | BS D9 Gia G+7 C6 Gt7, CAL F9 fil the skies are in my eyes. Guess you feel you'll always be theoneand omly one for me, and Gao c7m B-9 E7 A- G/B C6"A/Cf D7 G G+7 De (eam) o if you think youcould___-__well, chan-ces se yourchan-ces sre av’fly good Chances DiatD7 B-75 B78 Ad DiasD7 G6 are aw'fy good, the chan-ces are your chan-ces are aw'fly good. SOPHISTICATED LADY Dule Ellington/Mills/Parish 1933 a Bh7 b7 7 E7 Bb7 AbA7 Ab7 G7 Gb7 F7 phy Bb ft abe ZAbaT p71 C75 FW A-75 Fine Gar Ev A-7 D7 B-75 B79 = A-2, 7 Gar E7 A-7 D7 G47 BS? C-7— BLT. 1S ETO D.C. and Ena Fie) am aaa aaa acacia aReeewewe EE SEER BERBER BEEBE EBB OeTWILIGHT TIME Ree remade 33 BT G E- 35 Hea-verrly shades of nightare falring, it's twi-light time, out of the mist yourvoice is calhing, Deep-er-ing sha-dows ga-thersplender, as day is done, _ fin-gers of nightwill soon surrender, Deep in the dark your kiss willthrillme, like days of old,” lighting thespark of lovethatfllsme, G7 Cc c- G E7 it's twi- light time. When purple col - ored cur-tains mark the end of day, I the set - ting sun. I count the moments, dar- ling, till you're here with me, to- with dreams un- told. © Each day I pray for ev-'ning just to be with you, to- A-7 D7 2a7 D7 GcG TAS you, my dear, at twi-light time. ge-ther, at fast at twi-light time. B7 E- Cc E- Cc E- Here, in the af-ter- glow of day, we keep our ren-de-vous be-neaih the blue. A7 DZ Cc Here, in the sweet and same old way, I fall in love a-gain as I did. then. DON’T GO TO STRANGERS kent/sason/Bvans 1954 A car F9 CAT B+7 —2— E-75 79 Build your dreams to stars a-bove, But when you need some-one tue to love, Play with fire till your fin gers bum, and when there’s no place for you to tum, Make your mark for your friends to see ‘but when you need more than com- pa-ny, D-7,_F-6 Glas! G7 E-7 A7D-7G7 |*G7ust G7 C6 GlastC6 = = = = = = —— =H toe Se don’tgo to strangers, dar-ling come to me—__» ‘dar-ling cometo me. For when Bor, 3c Gre o FAT Bb9 Far you hear a call to fol-low your heart, you'll fol-low your heart I know. Te AT pb AT D9 Disust D9 Gust G9 — —3— — DG sland End all for I'm an old hand and I'l un-der- stand you go. SoI GOT IT BAD Duke Ellington 1941 Gar c7 B-7 E-7) ATus AT? A-7 F7 £7 B74" D7 iev-er teats me sweet and gen-tle the way he should, ‘I got it bad and that ain't My poor heart is sen = ti-men-tal not made of — wood, He don't jove me like 1 lovehim, no- bo- dy could, E-7A-7 D7 2G6 = pb7tit car G ‘ood. 00d. But when the week - end’s 0- ver and c-6 F7 Ga FT Opes FA) B77. A+? DT mon-day rolls a- round, I end up like I start out just cry-in’ my bean’ out Like a lovely weeping willow, lost in the wood, I got it bad and that ain't good. ‘And the wings I tell mu pillow, no woman should, I got it bad and that ain't good. ‘Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can’t live without him. ‘Lord above me make him love me, the way he should, I got it bad and that ain't good. MOOD INDIGO Duke mits 1991 Al ‘Bba7 c7 F FH Bba7 Bba7 c7 You aint been blue, No, 10, to. You aint been blue, Gb7 F7 Bb BY Eb6 AbT ‘till you've had that mood jin-di-go. That feel-in’ that goes steal-in'_down tomy shoes, while Bba7 c7 FT F+7 Bb ‘Bba7 G7 I sit and sigh “Go long ‘bhoes". Al- ways get that cL C7 F7 Bb F7_ Bb G7c mood in-di-go, since my “Ba™y said good- byes In the ev- ‘ning when lightsare low, G7 FT Bb BI EDT Tm solonesome I could cry. ‘Cause there's no-bo-dy who cares.a-bout me, Tim just a soul who's Ab7 Bbs7 G7 CL C7 F7— Bb blu-erthan blue can be. When I’ get that moodin-di-go, ‘1 could Tame down and die.STELLA BY STARLIGHT 35 Victor Young/Ned Washington \944, E-75 4719 C-7 F7 F-7— Bb7i9 Eb6 ADT The song ‘a ro-bin sings, through years of endless springs—— the Bb6 E-7'5 A719 D-7 ‘Bb-7 ET FAT E-75 47 A-715 p79 mut-mur ofa brook at ev-en-tide_—_that ripples by a nook where two lov-ers hide—— A G78 C7 a, ADT Bba7 great symepho-nic theme, that's Stel-la by star-light and not a dream_—__ My E-75 79 D-75 G79 cs FT9 Bba7 heart ad to a- gre, she's ev'ry = thing on earth to me PRELUDE TO A KISS Duke Ehington 138 B7 E47 CHL Fas B7 GHT = Ge7 re apre-lude toa kiss. Though its just a sim-ple meko-dy, with noth-ing fan-cy, | FR? Ft BAT CHT FETS B70 Ba? 79 D-7D}-7E-7E570 De slangend ny noth-ing much, you could tim it to a sym-pho-ny, "a Shubert ume with a Gersh-win touch, Ob!HOW LONG HAS THIS BEEN GOING ON? George/ira Gershwin 1827 Ag Ghe7 D7must Dg D7 G7 c7 F9 sal-ty tears, where have you been allthese years? T could cry. Therevere chills up my spine and some thrills I can'tde - fine Kiss me once, thenonce more what a dunce I was be - fore Be A-7 Dp? G7 siftc7 Bb? D7 G47 GB lit-tle wow tell me now how Listen sweet I re - peat how what a break Moaven’s_sake—__ how C7 B7 D7 G6 G7 Ca £7 Jong has this been go-ing on? 2 cr FT CAT FT Fine Oh feel that Icouldmelt—_—in-to Hea-ven I'm CH7SFI7 B- E-6 B-7 Bb7 long has thisbeen going on’. Cal CH-75FY7 B- _E-6 D.C. al 2nd End (Fine) Id. butled. I knowhow Col wm-bus felte - finding amoth - er wor #2) could cry, salay tears, where have I been all these years? Listen you, tell me do, how long has this been going on” ‘Whata kick! how I buzz, Boy, you click as no one does, hear me sweet, I repeat how long has this been going on? ‘Dear when in your armsi creep, that divine rendevous,don't wake me ifm asleep, let me dream that i's tue. Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long has this been goil IN MY SOLITUDE Ellington/DeLange /Mils 1934 Bb] F-6 = G-7_ C-7___F+7 (F7 20dX) Bb7ust Bb7 In my sol - i - tude you haunt___— me, with Te - ver- ies Inmy sol - i - mud you taunt me, with — mem- or - ies Inmy sol-i-tude——_____ Tm pray__——= img, - Dear Lord a-bove Bb7must Bb7 BAT i ay Fa Ba of daysgone by_——__Inmy fee 1 sitinmy chair, I'm filledwithdes pairshere’s that nev-er die. sendback my love. By/Bb Bb7 Bb? Eb? AbAT ‘Ao7 ByBb = Gbe7?_—sF-7 Bb7 no onecould beso sad. Withgloom ev-"ry-where, 1 sitand I stare, I know that I'llsoon go mad. Inmy (DC. al 2nd End (Fine)THINGS WE DID LAST SUMMER, THE 37 ‘Sammy Cahn, 1946 A a eT Ad Db? mS Styne The boat rides wewouldtake, the moonlight on the lake, the way wedancedandhummedour fav- ‘ite The mid-way and the fun, the kew-pie dollswe won, the bell you rang to prove that you were The leaves be- gan to fade,like pro-mis-es wemadehow could a love thatseemed so right go B-75 E79) A-7 D7 @&B-7 E-7 A-7 D7 G GRA-7D7 -mem-ber - all -win-ter song, the things we did last sum-mer, Ill re long. The D7 G7 Da G7 D7 G7 G mem-ber all win-ter long. © The ear-ly moming hike, the rent-ed dou- ble bike, the Cc G+7 Cc Ev AT ET AT Jun-ches that we used to pack, we nev-er could ex-plain, that sud-den sum-mer rain, the D7 G@ D7 peace @B-7 E7 Gha-7 D7 G looks we got when we got back. The summer, [Ire member all winter long. I FALL IN LOVE TOO EASILY eas FT Bb7 EAT, C7 p-75 G7 c cB 1 fallin love too eas-i- ly, 1 fall in love too fast. D-79Ab Gm ¢ C-1Bb A= D7 —p-75._ G79 — 1 fall in love too ter-ri-bly hard, for love to e-ver last. C7 ATS p79 G7 cé c7 F an) ‘Myheartshould be well schooled, ‘causel’vebeen fooled in the past. Andstill I F-7 Bb7 G1, c7 F-7_,__ Bb79 6 fall in Tove too cas-i- ly, 1 fall in love too fast.38 ALL OF YOU cae Per i864 AD6 Eba7 F-75 Bb79 Ab6 ‘pba7 Hlovethe looks of -you, the ‘dure = of you, the sweet «of you, the gain complete con- trol of, you, © and han - dle F-7S Bb7I9 Eb/G = Gbe7 F7 Bb7 ba7 Bb/D G-79Db C7 Pure of you, the eyes, the arms, the mouth of you, the East,West, North and the c7 Bb7 ? Bba7 G7 AbA7 F-7 South of you. Yd love to ev-en the heart and soul of you. So love at least, a A75 = p79 G7 cn F- C7 F+7 Bb7 Bb small percent of me, do, for I love all of you. IN THE STILL OF THE NIGHT F Bb F © pbs G7 Cole Porter 1937 Th the stil of the night I gaze frommy win - dow, at the moon in it's In the sul of the night whilethe world Is im c7 F Ab7 G-7 c7 |2pb9 B7 Ay FRETS flight, my thoughts all stray to you.——_____ slum - ber . the times without B-7 7 A- Ab G-7C7,F Ft Bb G7 Cc? fF ‘number, dar-lingwhen Tsay to you. Do. you. love _me. as I love you? sAre you my life to be, my dream come Bh6 Eb7 BD) FIC Be? Be7 Bb7 A-75 D9 G- true?___ or willthis dream of mine fade out of sight, like the moon, grow - ing corBb FIA Abo? G7 c7 F dim on the rim of the hill, in the chill, still ofthe night?39 I WISH YOU LOVE ‘Frenet/Beach (French) 1946 p79 Al G7 cz. G7 C7 Fa? BPS A-7 _Abe7 I wish you — biue-birds in the spring, to give your heart’ a song to sing, and then a And in Ju- ly a tem-o - ntade, tocool you in some leaf-y glade, I wishyou I wish you shel - ter fromthe storm, a co- zy fire 0 keepyou warm, but most of F6 Fe, Ci. F7 "C7 3 kiss, but more than this, I wish you love. ‘And in Ju- wealth, I wish you love. health and more than all, when snowflakes _,_Blpw oes FOC? GT, My ach-ing heart and Ia - gree, thatyouand I could nev-er be, so with my best, my verry a7, 5—Pescae @ C7 > F6 best, I set you free. I wishyou fall wish you love. ANGEL EYES Matt Dennis/Brent 1946 Al or D7 G7 c+ Abs G79.C-7 C-7Bb A-75 DJ G7 Try to think that love’s not a-round—__stil_it's un-com- fore bly near ‘An-gel eyes that old dev- ill sent _ they glow un-bear- a bly bright Pardon me, but’ “T gots min the facts un-com-mow-ly clea. c7 D79G79 C- Abs CI1G Ab7 G79 91 C- AbIGTEC- MoH Beans gui int oo, ground be cute my a0-gl eyes sine bez say my love's mis spent, mis- spent with sn-gel eyes tonight Goleta find who's now number’ one and’ why ‘my. at-gel eyes ain't here—— Bi Bh9 Eb79 AbA7 — C-7 F7}9 Bb-9 B79 abag A-9 D719 drink up all you peo - ple————_or-der an-y-thing you see____ Have fun you happy G47 G6/D Cf-7 FAT D- Gn Babs G7 cs i Di al Con peo~ple, the drink and the laugh’s on me.. ‘seuse mewhile I dis-ap- pear.40 I CONCENTRATE ON YOU cote Foe 880 Epa? Abra Beo 5, Ch? FI BO ‘Whenev-er skies look grey to me, Whenfornine cries “nay, nay” to me, andtroublebe- gins to brew, and people de- clare “you're through" ch? FY “F-7 Bb7 Eb9 BT qo when ev-er the win ter winds be-come to strong, T con-cen- Bb7 ES Ab6 2ab-7 Db Gheust _G> trate op = you—__________ when ev-er the blues be-come my on-ly Eb7 FT Bb7 gbe 6Ab6 EDS AbA7 song, Tcon-cen- trate on you—________ On your simile 50 Ab? Db7 Ghust GhA7 B-7 F7 BbT Ea? sweet, 50 ten - der when at first’ «= mykiss. you de~ cline ___ B7 AbaT AbT Db7,_GhaustGha7_Bb-7 C7 on the light im your eyes when you sur- ren - der and once a- gtin our FT Bba7 Bb7 Eb6 Abi G7 arms in-ter - twine —_____ ‘And so when wise men say to me, Cir GU B-7 Bbyaut Ab, G7 CTeust C79 EbUD> that love's young dream nev-ercomes tve,_______ to prove that cH F-9 Flat F9 B77! Bb? Bb ev = en wisemen can be wrong, I comcen- trateon you.41 POOR BUTTERFLY cotenstiuna i916 Db C7 B7 Bb Bb-7 Eb79 AbaT ADG Poor but-ter- fly ‘neath the blos-soms wait - ing, poor but ter - The moon and = I know that she is faith - ful, Tm sure he G7 CHT 1C-7 F7 Bb7 the hours CiBTa ‘The fho-ments pass in-to hours, Bb? fy, for she loved him $0. come to me bye and Es F- F7 Bb? DI pass in-to years, and as she smilesthru hertears, she mur-murs low, The moon and 2 FS Bb-7 Bb-75 Absst Ab Db7# bye. But if he don't come back, then I nev-er sigh or cry, C7 BLT Eb79 Abe 1 just mus’. Poor but ter = fl OLD FOLKS Robison /Hill 1988 D-75, G7 C-7 B-7 Bb7 A7 = AbaT Db7 G7 C7 Ev-'ry-one knows him as old folks, like the sea-sons he’llcome andhe'll go, just as leav-ing his spoon in his cof- fee, pots bis = nap-kin up un-der his chin ‘and that quite un-der-stand a- bout old folks, did he fight for the blue or the grey? ‘For he’s, F-7 Bb7 EbA7 . cn : C7 F7 F+7 Bb7 2 —e La free as a bird and as good as his word, that's why ev- 'ry- bo- dy loves him so. Al-ways yel-low cob pipe. it's so mel- low it's ripe, but) so dip-lo-ma-tic and so dem-o- cra tc, = Fa pps LB) ears Bh7 BT AbAT you need-n't be. a-shamed of im. ‘we al-ways let him have his way. pb7tn Bb? EDT AbAT pe C7, FT F-7 EDT In the ev-"ning af-ter sup-per, what stor-ies he would tell, Don't Dc. sland End. how he Id the speechat Get-tys-burg for Lin-coln that 48¥ I know that one sowell.42 A NIGHTINGALE SANG IN BERKELEY SQUARE Sherwin/Maschitz 1940 Eb? = C-7 G-7__Bb7 Bb7 —_aba7,_D-75, G7 C- ALS ‘That cer-tainnight, the night we met, therewas mag-ic a-broad in the air, there were IT may be right I may be wrong, but I'm perfectly will-ing to swear, that ‘The streets of town were paved with stars, it was such a ro-man-tic affair, and Bhyph F-7— BhAVG «ART DTT. C-7—s FT BAT BAT C7 an-gels din- ing at the Ritz, and a night-in- gale sang in Ber-k'ley square. when you med and smiled at me = & as we kissed and said good-night, a p-7 BT 24-715 D719 GAT Bb? E-7 D7 OB-7 AT I ‘The moon that lin-gered o-ver Lon-don town, poor puz-zled moon, he A-7_D7 Ga7 EZ A7 D7 BT ET F-7 Bb7 wore a frown, how could be know we two were so in love, the whole darn worldseemedup- side down. FLAMINGO Grouya/Anderson 1941 Fa D-7_G-7 c7 F7 Bb ikea flame in the sky ER nds in your to - pi-cal hue, of pas-sion un ~ when the sun meets the sea Ty thre Eek ts my FAT D7 G-7 C7 |? F6 is- land to my loy-er near — by.—_-——— Fla - tue. dy ing and "t) love that is ver F47 B7t Bb-7 Eb AbsT BY C7 FnS Bb? that I__hear be-low ‘werepestEA7 G-7C7 The wind sings asong toyou a5 you g0, Eb G7 C7 awe % G7 a song cy the mur-mur-ing palms Fla : and has-ten to me. lasix PAT WB RAT G-7 aby G-9 C79 Gham FSMY OLD FLAME 43 Costow/Johnston 1934 G&7 F9 B-75 E79 A-7 1S D7 Gg co Fo a A My Old Flame, I can't. eventhink of his name. Butit’s _fur-nynowandthen,how my My Old Flame my new lov - ersseemso tame. For I haven’'tmet a gent so mag- My Old Flame, can't. even think of his name, but I'll nev-er be thesame un- til ADM C7 FT Bhar B93 «= 4-707 Bb o thoughts go flash-ing back a-gain to my old flame flame. Svemet so man-y whohad ni - fi- cent or el-e-gant as my old flame. I dis-co-verwhat be-came of my old flame. Aw D7? AbT G47 Cast C7 Fist 1 FO ea es = == t= = fas-ci-na-ting ways, a fas-ci-na-tin’ gaze in their eyes. ‘Some who tookme up to the skies, D7 G7 EZ AT D7 oat ATD+7 G6 AT but their at-tempts at love were on-ly im-i- tations of My Old Flame. LOVER MAN Davis/Ramirez/Sherman 1941 G7 c7 Gy C7 G7 D-7 G7 D7 1 don't know why, but I'm feeling so sad I long to try something I've nev- er had The night is cold and I'm so all a- lone, we my 00 te 7 I'd give my soul just to call you my own. Some day we'll meet and you'll dry all my tears, then whisper sweet lit- tle things in my ears———— E79 BOT Bb] Eb7_ G-7_ C7 |" Fav A7 Nev-er had no kiss-in’ ob, what I've been miss~in’ Lower Man oh where can you be? Got a moon a-bove me, but no one to love Hog-gin’ and a kiss-in’,’ oh what 1 beeg miss-in’, A7 D7 *Fa7 Bb? At Aan Gat B7 A:T Ax, 2: wt G- _ Gan G7 C1, Fa ph ETS Ame T've heard it said thatthe thrill of ro-mance can be like a hea-ven-ly dream. T got bed with a prayer that you'll make love to me, strange as it seems, OM44 BLUE VELVET raed Bb — Fle _.—____ Bb She wore blue———__vel-vet, blu-er than vel = vet was the night, She wore blue ve-ver, bluser than vel = vet_ were her eyes, Blue—— velvet, but in my heart there'll always be, BbaT G79 C-7_ FT 2C-7 7 soft er than sat - in was the light from the stars She wore sighs, love was warm - er than May her tender re- cious and warm, a mem-o Fd Bb Eb : EDT By ‘ours. —_—_________ Ours, a love I held tight-ly, feeling the rap- ture Bb7 Eb + EDT D7, C7 FT nc cose grow, like a flame bum-ing _bright-ly, ‘but when she left, gone was the glow of 97 FTF Bio Bb FI8 Bbs ry throughthe years and I stillcanseeblue velvet through my tears. I SHOULD CARE Can /Stordahl/Weston 1943 Al a7 E-75 Gust E-7 A9 D-7 Gini, 1 should care, T should go around weep-ing. 1 should care, T should care, T should fet it up = ‘set me, I should care, D-7 3, F7 BY ce7_,, | B-75E7 — G-7,__ C7 1 should go with-out sleeping. Strange-ly e-nough I sleep well, “cept for a dream or bur "it just doesn't ‘get me. Myst Tort ind oP of Fa? B, ET AT Az, D9 Dz,_, G9 > — a s+ == + two, ‘but then T count my sheep well, fun-ny hw sheep can lull you to sleep. So E7 A-7 D7 D-7 G7 ce some-one as love-ly as you, but_~‘I should care ©=— and I_— do.SPRING CAN REALLY HANG YOU UP THE MOST 45 Al Landesman/Welf 1955 car Bba7 car Bbar CALA D7 G7 2 AT = x ——e SSS SS SSS 55555 1.Spring this year has got me feel__. ing _ like a horse that nev-er left the ‘Morn = ing's kiss, wakes trees and flo wers, and to them I'd like to drink a 2 Spring is here, there's mo mis-tak—=. ing, r0-binsbuid- ing nests from coast_ 10 Cale lege boys ‘are writ-ing son——= nets, in. the tender _pas- sion they're en- E-7 ‘AT BETS F7 E-7 AT D7 7 1 lie fo my room sar ing x othe cal > ing, ast 1 walk inthe park jt tL the one = Ty) ous, coast, my heart ties to sing so they won't hear it break - ing, groseed, but Tim on ‘the shelf with lam year's Eas - ter bom - net, D-7 Glut GT Cc Bay lt D7 G7 car o Spring canreal-ly hang you up the mast Spring can real ly hang you up the most. G-71C car G-7C cal GHC car G-7C a7 All af ter-noonthose birds twit-ter_ twit, T_—know the tune,“this is love, this is it” Love camemy way I hoped it would last, we had our day, nowthat's all’ in the past C7 FAT CT F7 FET, BY E47, Ad D7 2. Heard it = fore and I know score and I've - cid-edtha Spring is a bore. Spring came a-long, “a sea-son of song, full of sweet prom-ise but some-thing went wrong. GAT Fa7 C47 Bba7 Az A-7 D-7 G7 E-7 AT? Live seemed sure a - round the New Yeas, now it's. A-pril, love is just 3 ghost, Doc - tors once pro scribed a won - ic, sul=pha_ and mo las-ses was the dose, FY-7'5 F7 E7 AT D7 D-7 G7 E-7 A79 Spring ar-rived on time, an-ly what became of you dear?, Spring can real-f] hig you up the most, did n't help a bin’ my con D-7 Glut G7___C_Bbal) Bb? G7 Ab7 D7 ‘Spring canreakly hang you up the most. ion mast be chron- ic, Spring can reably hang you up the E-7A7 D-7 — CA7 D-7 (Car B-?5 = Bb7A-7 D7wst D7 most. All alone, the par-ty’s o- ver, old man Win-ter was 2 grac-ious host, but when D-7 Bb7 E-2 AT D7 D7 a7 you keep pray-ing for snow to hide the clo- ver, Spring can real-ly hang you up the most.46 YOU DON’T KNOW WHAT LOVE IS jez. 101 FT pis cm Fe c7s Dba? G-75 Al ‘You “don't know what love is, un _il_you've leamed the mean-ing of the blues, un- You don't now how lips hurt, un il you've kissed and had to pay the cost, © un- ‘You don't know how heart's burn, for love that can- not live yet nev-er dies, un- G78 cr F+6 —Ab7 [t Dba7 G5 cm til you've loved a love you've had to fest, you don't know what love is. You til you've flipped your heart” and you were ost, you til you've faced each dawn with sleep-less eyes, you 2Dba7 C7 B-6 [Blpey By aba Bh? Ebfad don't know what love is. Do you know how a lost heart fears the thought of rem- in- ‘Aba7 D7 G7 car Ds CH ocaawens is-mg, and how lips that taste of tears lose their taste for kiss- ing? You SOME OTHER TIME Bernstein/Comdon/Green 1944 car Glos CAT GTuust car Glut Where has the time all gone 10, have - n't’ done half the ‘This day was just a tok - en, too ma - ny words are There's so much more em- brac - ing still tobe done but G7 D/FE F-6 E-7) 9 A7uus4, D-7? E-7) FA?) GTsust C47 GTeust ———— things we want to, Oh Qh Well, we'll catch up some oth-er time. still un = spo - ken time is rac - ing “Ca? Glut |*Ca7 Bb-7Eb7 ‘AbsT—EbTust —ADAT- Bhs aba? ——gi9 > Fine F A a Just when the fun is stay - ing comes the time for AbST at Aba7 G+7 C47 E-7 A-7 Eb7 Dust D7, Ga oe wtine u pan - ing, but let's be glad for what we've had and what's to come. z aaa aaa aaaAUTUMN IN NEW YORK 47 ‘Vernon Duke 1934 Bb6 C7. CH Fa?) «G7 a7 78 = = = —— 7 as 7 ‘Av-tumn in New York, why does it seemso in - vit - ing? Au-tumn in New York, the gleam-ing rooftops at sun - down. G7 A? Bb6 c7 ATs p79 ‘Au-tumn in New York, it spells the thrill of first night - ing. ‘Au-tumn in New York, it lifts you upwhen you're run down. G-7 Bh7 BT AbaT Bh7 —-C-7_D-75. G79 Glit- ter - ing crowds and shim-mer-ing clouds in cam of steel, they're Jad-ed rou-es and gay di-vor-cees who lunch at the Riz, _—_willl C7 ATS) -p-7_ G78 car G7 cH ‘mak- ing me feel _—_____— at home —_—_______ Irs well you that “isi Vine™ This G27 A-7 BMG c7 C+7 Fat G-7 ‘A-7 D7Db7 Au-tumn in New ‘York, what brings the promise of new love, Au-tumn in New York tans-forms the slumsin - to May - fair, C7 D7 Bes FR Be BhvAb G-75 (C79 Autumn in New York is of-ten mingled with pain. Autumn in New York, you'llneed no castles in Spain—_____ F-7 cH F- Ab7_—s Dba ADT ‘pba7 Ghar Dreamers with emp-ty hands, may sigh for ex - ot- ic lands, is ‘Lov-ers that bless the dork on ‘benches: in Cen-tral Park ‘greet G7 A-7 Bb6 * ens F ‘au-tumn in New York, it’s good to live it a gain, ‘Au-tumn in New York, it’s good to live it a gain.A-75 D798 G-7 A-75 D7 G-7 c7 Gh BS fore, and loved be - fore, but who knows = where «= or_=—wheen. FOR ALL WE KNOW Coots /Lewis 1934 F G9 c7 ——, G-7 C7 Fa7 D7 For all we know we may nev-er meet a- gai be - fore you go makethis For —all__-we — know, this may on-ly be a dream we come we go, like a G7? c7 FIA @ Abe G7 ‘mo-ment sweet @= gain We won't say good - night un - til ¢he last ip-ple on a steam so. love. me to 5 E75 A709 D-D-4) = -p-7G7_ «G7 c? Gk @ parsEw + min- ute, TM hold out my and and my heart will be in it For night, t0- AL, 7 Dat DT G-7_ c7 F6 48 WHERE OR WHEN Rodgers/Hart 1897 F F6 Fa? Bb BUA Tt seems we stood and talked like this be - fore, we looked at each other in the ‘The clothes you're wear-ing are the clothes you wore, the smile you are smiling you were BUG BF Bb BA G-7 Clw* Fa? [*G-7 C79 ]*B-7 At same way then, but I can’t re-member where of == when. smil - ing then but I can't re-member where or when. D7 G7 E7 AT D-7 G7 ‘Some things that hap-pened for the first time,___- seem to be — hap-pen-ing a- G7D cm F F6 E-75 A7 D-7 F7_— Bba7 gain—___ ‘And so it seems that we have met be - fore, and laughed be- 7 => ‘mor-row was made for some, to -mor- row may nev-er come for all we know aaa aaa aaaEAST OF THE SUN 49 ‘Brooks Bowman 1934 c7 Bt Ey Ay Gaz we'll build a dream- house of Fe75,__B7 E-7 and west of the moon, East of the sun. c7 FT At a: D7 love dear __ Near to the sun in the day, near to the moon at night, we'll AL ETAT AT, D? Gat, c7 liv-ing on love and pale moon-light. Just you and L—— for - A Gt, FT live in alove-ly way dear, B-7 E7 love will not die, we'll_—_keep it that way, ev-er and a day, AT FR7S B7 OE-7 AT AZ, A-75 D7 ‘up among the stars we'll find, a har-mo-ny of life to a love-ly tune, east of the sun and west of the B-7 E7 Bh BT AT, D7 G ‘moon,—- dear, east of the sun and west of the ‘moon... SPRING IS HERE Rodgers Hart 1938 Abo7 Ab6 Abe? __3__, Ab6 c-75 E79 Spring is here, why doesn't my heart danc-- ing? Spring is Spring y y ge 8 pring. is here, why does-m't the light’ me? Spang is, Bh7 C-74Gb__,_ F7> BLT Gis AAT AWG FAT FED here, why _ isn’t the waltzen- tranc - ing? No de- sire, no am- bi - ton here, why does-n’t the night in- vite me? May-be it's be - cause no- bo - dy * Dhar cH F-6 B-7 E7 BT #7 Jeads me, maybe its be - cause no-bo-dy needs me. *B-7 E7 Be? #7 C-7—F+7 BY? BT AMS loves me, Spring is here, 1 hear.50 EASY STREET ‘an gones 1941 Al pba Cc? FT Bb7 BT Ab-7 Bb7 Ea-sy sueet——_ ‘I'd love to liveon —_ea-sy street No- bo - dy works. on Life is sweet for folks wholiveon easy street_—— no week- ly _pay- ments Ea-sy street-— Ym tell- in’ ev-"ry - one I meet_— if T could live on BbAT c7 OF BH? * Bba7 FT F- Bb7 easy steel—— just sit a-round all day Gust sit and play the hors - es) you must meet— ‘that make your hair tum Ea- sy street I wouldn't. want no 2pbs7 Bb-T EBT AbAT Db ADT ‘When op- por- tun- i-ty comes knock- in’,you just keep on with your rockin’, ‘cause you BRT oBb7 AAT APT Db, grey.. Bar know your for-tune’s made__— and if the sun makes you per-spire, there's a man that you can hire to plant C7 FW F7 BHT @ B7 BHT B pb? Bb ‘D.C. al Code tues, £0 you can have shade on I would-n't want no job to - day, so please go way. WHEN YOU WISH UPON A STAR Harline/Washington 1940 c AT D-7 G7 c Cc CE Ebo7 When you wish up - on 3 star, makes no diff-‘rence who you are. An ~~ thing your If yourhean is in yourdream, no re- quest. is. too. ex-treme, when you wish up- Lika “a bolt out of ‘the blue,” fate steps in and sees you thru, when you wish up - E-7 A? zc D-7_ G7 C6 G7 D7 Gast heart de-sires will comet you es Fae is kind, oo 4 sar as dreamers on a star your dream comes true. D-7_G7 cA? D7 D-75 G78 she brings to those who love, the sweet ful -fill- ment of their secret long - ing. a ee... EeTHE SECOND TIME AROUND 51 Van Heusen/ Cahn 1945 GToust Cay FB) E-7_— Bo D-7 G7 car Love is love-li-ex the se-cond time a- round——— just as. won-der- ful with Love's more comf’-ta-ble the se-cond time you fall like a__friend-ly home the AT D7 B75 E79 AT G7 cr both feet on the ground It’s that se - cond time you hear your love song second time you call_— | Who can say what led us to this FAT D7 F/C A-7 D7 G7 sung. makes you think perhaps, that love like youth is wast-ed on the young. Love's more RAT Bb DS D7 GT Eat BbI3 mir-a-cle we found? There are those who'll bet love comes but once and yet, AT AT D7 G7eus4 Cc "pm oh so glad we met the second time a = rome DEEP PURPLE De Rose/Parish 1934 F FRe7 G7 c7 When the deep pur-ple falls, ov - ef sleep-y gar-den walls, and the In the still of the night, once 3 - gain I'll hold you tight, though you're Fa7 A-75 D7 Cf Fe? DFE G7 vars be- gin to flick - er inthe sky, through the mist of a gone, your love lives on when moonlight beams and as_—slong as my Bb-6 AT * Abs7 G7 C7 CH mem-0- ry, you wan- der back to mae, breath - ing my name with a heart will beat, lov - er we'll F FR G77 |? abe7 G7 CTnus* C+7 F sigh — Tn the always meet, here in my deep pur-ple_dreams___52 OLD CAPE COD Rothrock 1956 B Bb? _Eb7 Ab pbs Hf you're fond of sand dunes and salt-y air, quaint lit-tle vil-lag-es here and there, If you like the taste of a — lob-ster stew, served by a win-dow withan o-cean view, If you spend an evening, you'll want to stay, _watch-ing the moon-light on Cape Cod. bay, % Er 2Rb Bh-7 Eb7 Ab Bb? Eba? ic: “FT Bb you're sure to fall in love with old Cage Cod Cod——— Wind-ing roads that seem to Eb Ee F7 Bb79 Eb Eb7 OAD © EbBb C7 beck-on you, miles of green be-neath the skies of blue, church bells chim-ing on a Sun-day mom re- 7 Bbias BT poco? F7 BOT Eb FT mind you of the town where you were bom. old Cape Cod. MOON OVER MIAMI Burke/Lestie 1935 Al a7 Gat, cIG G Ab o 3 Moon mii, shine on my love and me, so we can Moon mi, shine on as we be - gin, a dream or ‘Moon i, you know we're wait- ing for a lit = te c Bp? ['G AT stroll be- side the roll of the roll - ing sea in, two that may come tue when the tide comes, ove, ait de kiss, on Miss = a= i's shore. B- E- B ——_Bb7 D_,_ FZ, B- OF Hark to the song of the — smil-ing trou - ba- dours, hhark to the throb-bing gui - ts, B- E- B- ,_G-/Bb DA, BY, AT D7 Dal Fine stars. hear how the waves of-fer thun-der-ous applause af- ver each song to the53 Michel Legrand/Gimbel 1965 G-7 C7 I WILL WAIT FOR YOU D-7 D7 G-7 If it takes for -ev-er I will wait for you, for a _—thou- sand An-y- where you wan-der, an-y - where you go, ev- "ry - day re it takes for -ev- er I will wait for you, for a —thou- sand G-7 c7 Fast F E-75 AT D-7 D7 sum-mers Twill wait for you, “Til you're back be - side me, ‘til I'm member how I love you ‘so, in your heart be lieve what in my sum-mers I will wait for you, ‘Til you're here be - side me, ‘til I'm G7 E-75A79 = -p-7 E-75 479 D. hold-ing you, ‘til I hear you sigh here in’ ty arms. Any The heat’ I Know that for - ev-er-more Till wait for you. touching you, and for - ev-er-more —shar-ing your love. Bba7 G7 Dz Bba7 clock will tick sway the hours one by one and then the time will come when all the wait-ing's done. The E-75 Av B-75Bb7 Alms! AT 00.aFne time when you re- tum and find me here and run straight to my wait- ing arms. If it FOOLS RUSH IN Bloom /Mercer 1940 D-7 G7 car CH Be D7 AT Fools rush in where an~ gels fear to tread and so I come to you, my love, Fools rush in where wise men nev-er go but wise men nev-er fall’ in love, D7 GZ CAT AT D7 B-75 E7 A- A-@A-7 my heart a-bove my head though I see the danger then if there's a 30 how are they to ‘ D9 A-7 p7 D-7 G7 A7/|2Bb7 AT D-7 F-6 cIG AT D-7 G7 c I felt my life. be-gin, so op-en Up your heart, and let this fool rush in.54 IT MIGHT AS WELL BE SPRING Rodgers /Hammerstein 1945 G ce G D+7 Tmas restless asa wil-low in a wind-storm, T'm as jump-y as a puppet on a J am star-ry eyed andvague-ly dis-con - tented, like a night-in-gale with-out a song to mas bu-sy a a spi-der spinning daydreams, I'm as gid-dy as a ba-by on a D-7 c7® GB pl |"A-7 D7 B-7 EM A-TANON C47 DIC string, I'd say that I hadspring fever, but I know it is-m't Spring. I am sing, Ob —whyshould | havespring —fev-er, when it swing, 1 2a-7 D7 G G7 Cc Az D7 Da G7 G7 is- n't even Spring? keep wish-ing Iwere somewhere else walk- ing down @ strange new Cc’ EB? AT AWG FEMS B79 E7 AT Dns! D7 street, hear-ing words that I have nev-er heard from a girl I've yet to meet. I'm as ® c B7 E- Ac? D7 B7 E79 = A7 have-n’t seen a crocus or a rose-bud, or a ro-bin on the wing, but I feel so gay in a AD D7 G E7 CHS C-6 GB E7 A-7 D™® G i meFan-cho-ly way, that it might aswell be Spring, It might well be Spring. i DREAM Jobnny Mercer 1944 5 Cc FI? BT C6 E-7 a Dream.— when you're feel - in’ blue, dream that’s the thing to do Dream— when the day is thm dream____and_they might come tue Ane D7 F7 Bb car SAT D7 “Just “watch the smoke rings rise in the air you'll find your share things nev-er are as bad as_they seem—— D-7 G7 2E79 A-T—-D-7 G7 C6 of mem - 0- ries there So so dream— dream dream erence crcccaccacacacaaaaaaaaacaaaaaaaaaaaaaaaaacaaaaaaaaacaasaaasacsaaaaacaTHE PARTY'S OVER 55 Styne/Comdon 1956 ED F-7 Bb7 BE F-7 Bb7 The par-w's 0 - ver, it's time to call it a day, they've burst your The par-ty’s o- ver the can- dle flick-er and dim, you danced and EP AbED ED ‘Bb7 Eb7 Ab6 & 2 + — + = = ta — x —— = T TT ‘pret - ty bal-loon and ta- ken the moon a- way It’s time © wind up dreamed thru the night, it seemed to be right just Ab-6 Eb D-7 G7 C7 F7 BT the mas-quer- ade, just make your mind up, the pi-per must be paid. The par-ty’s 2Bb-7 BY Ab F-7 Bb7 G-75 C7 be- ing with him. Now you must wake-up, all dreams must end take off your F-7 Bb7 #ba7 C7 Fa Bb? Bb o — make-up, the Party's. o- ver it's all o-ver—__my_— friend GOODNIGHT SWEETHEART Ray Noble/Rudy Vallee 1931 Cc B Cc B Cc BC FC C D-7 G7 Good - night sweet - heart, tl = we = meet. tom - mor- row, good - night Good - night sweet - heart though I'm not be - side you, good - night G G7 Go G@ G A> A-4) D-7 G7 AT A-6 sweet - heart, sleep will ba - nish sor = OW, tears and pan - ing may sweeet - heart still my love will * guide you, D7 GT CAT AT Da G7 wa make us for-lom, but with the dawi— a new day is born So I'll say dreams en - A-®) A-7 D7 Ebe7 E-7 A7__D-7 GI Cc fold you, in each one I'll fold you, ——goodnight sweet-hear, good - night.56 Harold Arien/J. Mercer 1943, ONE FOR MY BABY Ebs7 Bb-7 Eba7 Bb7eus¢ BbA7 BD-7 | 'Eb7aus4Bb7, It's quar- ter to three, there's no-one in the place ex-cept you and me,. $0 So, set ‘emup Joe I've _—got_a little story you oughta know. * Ebi Eb? AbAT ba aba7 Dg Eba7 BID We're drink-in’ my friend to. the end_ of a brief ep - i- sode__ pbc G+7 cn F-7G-7 Ab6 BbTust Eb6 A-75 D7 1 ‘Well, Gaz D7 GlatDTat make it one for my ba-by and one more for the road. GAL D-7 G47 Dias got the rou-tine,__ so. drop an-oth - er nick- el in the ma-chine_____ Tm that's how it goes, and Joe, I know you're get-ting anx-ious to close, 0 GAZ D7 Gar Dia GAT. D-7 Glnst G7 feel- in’ so bad I wish you'd make the mus- ic dream-y and sad Could thanks for the cheer, I hope you did- n't mind my bend- ing your ear—___ This car Bba7 Ca7 F9 G7 GA7Ft F7 E79 tell you a Jo but you've got to be true to yourcode-—_______ make it torch that I've found must be drowned or it soon might ex-plode-——______ make it BY Ev!9 AT B7 C6 Diut® G6 D-7 G7 [C] 2 fo my bee by dome moe forthe oa You'd Cust C7 C7sast c7 Bt E7 A7D%a;* G6 G7 nev- er know it, but buddy I'm akind of poreCaMO—I've got a lot-ta things to say, and Clust C7 Clnust c7 G7 A7 BW D+7 when I'm gloom-y you sim= ply got- ta lis-ten to me, un - til it's talked a - way. Well, @ B+ BT EM AT AT D9 Gs road, that Jong, Jong road.MIDNIGHT SUN 57 Burke/Hampton/Mercer 1947 c ca c-6 Your lips were like a red and mu-by — chal-ice, warm- er than the T can't ex-plain the sil The flame of it’ may dw summer night__— ver rain that found me, or was that a moonlight veil? dle to an em-ber, and the starsfor - get to shine Fri B Bba7 the clouds were pal - ace ising to a The mus - ie round me, or was that 2 and we may see the mea-dow in Dec - em- ber, ic-y white and Bb-6 Eb7#0 AbD snow - y beight, each sar its own m-mo-m bo-r- night - in - gale? And then your arms mi - rac - u - lous-ly ery = stal - ine, bat oh my dar- ling al ways TU re- AbaT AbR-6 Devin a - lis, sud = den - ly you held me tight found me, sud - den - ly the sky tuned pale I could see the 1 could see the and we = saw the mem - ber when your lips were close = to mine, iz D7 gs CAT EAT E27 Al p47 E7 a7 Was there such a night? it's a thrill I still don quite be - lieve, bat Dav D-7 Gi E-7 67 p-7 pe 2. Fe af-ter you were gone, where was still some star-dust_on my sleeve58 PENTHOUSE SERENADE ee Cs, so, D7, Just pic-ture a penthouse way up in the sky, with hing- es on chim-neys for From all of wo-ci - € - ty we'll say a- oof, and live in pro- pi - € - y In our lit- tle penthouse, we'll al - ways con-trive to keep love and ro~ mance for Gt. Dz G7 D2 Go? Ol ce ae a y=». stars 10 go by, a sweet slice of hhea-ven for just you and 1, when wee a - there on the roof, two heaven-ly her- mits we will be in uth when e+ ver a-live, in view of the Hud-son just 0 - ver the drive, when Cc aAz D7 An D-7G+ G Jone. From we're = a= done, We'll see life’s mad pat - tem, Cc E7 Ar Ay D7 as we view Man - hat - tan, then we can thank = our duck - y stars, G7 D-7 G7 peace = CBT c that we're living as we are, In MY MELANCHOLY BABY Burnett/Norton 1911 E> F- Fh G- Bb?) BA] D7 DIS C7 Fe F7 C7 Come to me my mel-an-chol-y ba - by, cud-dle up and don't be Ev- ‘ry cloud must have a silver lin - ing, wait un - til the sun shines Bb7 Bb7 F7 Bb7 c F7 Fe F7 all your fears sare fool - ish fan-cy, may be, z F-7 F7 Bb? Bb7 Ab AT you know dear that I'm in love with you.“ Smile my hon-ey dear, while I Eb/Bb phy C7 Fv Bbyaust Bb7 Eb kiss tear, or else -I shall be —mel-an-chol- y Ca a on on i nn on nt nn ee a of Oo lO as way each reYOU’VE CHANGED 59 Fisher/Carey 1942 EbA7 AaTS D+7 Db G75 cH You've changed, that sparkle in your eye is gone, your smile is just a care-less You've changed, your kiss-es now are so bla- se, youre bored with me in ev- ‘ty You've changed, youre not the angel I once knew, no need to tell me that we're O [Bs Bho Bb F9 C7 F-7 Bh yawn, you're break-ing my heart, you've chan, ‘way, I I through, its Bo BO Bh7 BT AbAT can’t un-der- stand, you've changed__________ You've for- got- ten the words “I love you”, G7 ‘BbAT Bb7 Bb7 ADAT Ab-7—-Db7 each mem-o-ry that we shared. You ig- nore ev-'ry star a-bove you, ‘I can't G2. Gh F-7 Bh Toc aco BI BO Bb6 re a-lize you ev-er cared. You've all ov-er now, you've changed. BLUE GARDENIA Russell/Lee 1953 Aq D7 GaT CH75 FAT Fa7 B-7 E7 Blue Gar - den-ia, now I'm a- lone with you, and Tam al- 30 blue, you, Gar -den-ia, once I was near her heart, after the tear-drops start AT D7_.. 'Ga7 B79 ‘A-7D79 G she has tossed us a - side. And like | hide? I lived for an ho-ur, what more can I where are teardrops to CHTFI7 Ba? GH7 ch? FY B7) OB) By a7 AT Ds tell, love bloomed like a flow - er, then the pe-tals fell. Blue Gar - den-ia, Ga7 Cc B-75 E79 A-7 Dist Ab7 G6 thrown by a pass-ing breeze, but pressed in my book of mem-o - ries.60 BLUE HAWAU Ee ee Bb Bb? BD Eb Bb Ab GH7 c7 % 2 Night and you and blue Ha- wa - ii, the night is hea-ven- ly Love - ly you and blue Ha- wa - with all this love- li- ness, Dreams come true in blue Ha- wa - ii, and mine could all come true “c-7 FT G7 2 C7 F7 Bb B}/Bb BbBHT C-7 FIR Be, and you are hea-ven to. me—__ there should be love. Eb EB By Bb Bb? c7 Come with me——— while the moon is on the sea___—— the night is young C-7 FT oc.wcone @ C-7 F7 Bb Ebb Bb and so are we.—__ this mag-ic night of nights with you. HARBOR LIGHTS Kennedy 1987 Bb7 F-7 Bb? Er Eb I saw the har = bor lights, they only told me we were part - ing, I watched the har - bor lights, how could 1 help if tears were start - ing? Now I know lone - ly _ nights, for all the while my hean is whis - p'ring, Fa + Bb7 B same old har - bor lights that once brought you to me, Iwatchedthe Good-bye to em der nights some other har bor lights B zp SSO™~*~*é«~SS * Bb ab AbT DIT be- side the sil - v' sea. T Jonged to hold near and kiss you just once will steal your love from me el * me youn EP C7 F7 Bb7 sal 2nd End ne) more, but you were on the ship and I was on the shore. Now I know ZtEenRBRnBnnannnBitinBhtinBhEBEhBhEhEhiBsBaka iBaE SPP RSE SESS SET SEB SESE SSS WHAT KIND OF FOOL AM I? 61 Bricusse/Newiey 1961 Giust G7 CAT Fa? E-7 Alust D-7 GPeust ET fat kind of fool am 12 Who nev-er fell in love Bscems that Y'm the only Ane D-7 G7 car AT D7 — 7. one tha T have teen think-ing of What kind of man is thisy=—~ An emp-ry shell, — A7 D7 B77 E-7 AT D7 GTrust G7 fat kind of ¥ alone - ly cell, in which an emp-ty heart must dwell What kind of ca7 AT? D-7 Girust C47 lips are these? TH tied with ev - “ty kiss whis-pered emp- ty words of clown am 1? What do I know of life? Why can't I cast. a way the GB Bba7 A™® AVG FETS F7 ‘ove that left me a - lone like this why can‘t I fall in love? like oth - er mask of play and live my life? Why can't I fallin love, il I don't CE Eb? D7 D7 Gast G79 c people can, and may-be then I'll know what kind of fool I am _— give a damn RED SAILS IN THE SUNSET ‘Williams 1935 G D-7 G7 Ca7 A-TD7 Ger, F2-.— GA7GP7A-7_ Ghe7, sea, ‘oh car-ry my loved one day I've been blue, red sails in the sun~ set, Red sails in the sun - set way out on the He sailed at the dawocing, ‘all A7 O21, |G D+} C Fl; G AT Dinh G G7 home safe-ly to me Swift wings you must borrow make straight for the shore, Ym woscing you Cc ¥y,. G7 az D7 oc. weve we = mar- ry to - mor - row and he goes sail- img no more. es62 ALL MY TOMORROWS ‘Van Heusen/Cahn 1959 (4-755. esx ) AT cs GB Bbo7 To-day I maynot have a thing at all, ex cept for just a dream or two, but Right now it may not seem like spring at all, we'e drift-ing and the laughs are few, but ‘As long as I've got arms that cling at all, it's you that I'll be cling-ing to, and FHT B-7 EW A? D79 &|'B-75 E7 AT Tve got lots of plans for to- mor-row and all my to- mor-rows belong to you. Right Tve got rainbows planned for to-mor-row, snd all my to- mor-rows be - long to all the dreams I dream, beg, OF borrow, on some bright to-mor-row they'll all come *D-7G7C cz FL E-7 crs c-4n you. No one knows bet-ter than I, that love keeps pass-ing me by, that's. fate. GB EF Av D7 Bak £7 AT D7 peace But with you here at my side, I'll soon be tum-ing the tide, just wait. As eerie one E79 05 7 G me, and all my bright to- mor- rows belong to you. HOW DEEP IS THE OCEAN? Inving Bertin 1932 Cc Cc-B C-4Bb A-75 G-7 . A-75 D7 ° How much do 1 love you? Tiltell you 0 lie, how deep isthe 0- cean, How far would 1 ta- vel 10 be where you are? How far is the jour-ney, G7 F7 Bb? [*Bb7 Bh7 Bb? ADT B-7 Ab7 how Mgh is the sky? How mamy times @ day, do I think of you? fromhere to asta? BS G+? BT sOFT Bb7 G79 |*Bb7 Bb? G-75 C79 How many ros - es, are sprinkled with dew?. And if 1 ev-er lost you, F7 —2——, Ab? Db7 EbyBb a C7 FO FT Bb7, B how much would I cry? How deep is the 0- cean, how high is the sky? feWHO CAN I TURN TO? 63 eae F-7 Bb7 Bb6 ca “ Who can I mm 0, when no - body needs me? My may - be to- mor- row. TH find what 'm af - ter, ru Bat F-7 G7 Aba? Bb-7 ET heart wants 10 know and so I must go where des - ti- ny leads me—_ With throw off my sor- row, beg, steal or bor-row, my share of laughter. With ‘abaT Ae7 D719 G7 c7 F7 D-715 no-one be-side me I'll 2aba7 goon my way and D-75G79 no star to guide me and c7 BT G7 F7 af-ter the day the darkcness will find me And you I could Jeam to, c-9 F7_Ffe7 EWG Ghe7 F-7 Bb7 Eb6 but = who can Lum to if you tm a- way? you on a new day. BEWITCHED Rodgers /Hart 1941 c Che? D-7 DRT CHE. E+ F6__ F-6 Tm wild a- gain, be - guiled a- gain, a sim-per- ing, whim-per- ing child a- gain, be- rl sing to him, each spring to him,’ and Jong for the day when T'll cling to him, Could-n't sleep, would- n't sleep, when love came and told me I should- n't sleep, be- [D7 Am D7 *GyD C7 Fal E-7 AT CE 07. G7 witched, both-ered and be - wild-ered am = 1 wild-ered am L. Dz A; D7 G7 ‘Lost my heast but what of it? He is cold I a- gree he can laugh but I D7 G7 E+? Ebe7 D-7 Gocco D-7 G7 C love it, al- though the laugh’s on = sme, I'l wild-ered am |= L_____64 ALL THE WAY Van Heusen/Cabn 1987 Faz E-25 AT» D-7 G9 When some-bo-dy loves you, it's no good un-less they love you, all the way. When some-bo-éy needs you, it’s no good un-less she needs you all the way. c7 BI Die7 CiE FAT C-7 F7 Hap - py to be near you, when you need some-one to cheer you, all the way. Through the good and lean years and for all the in be-tween years, come what may. Bba7 c7 G-7 E-75 ATS 'D-7 G7? Cl F7 Tall - er than the tall - est tree is, that's ow it’s got to feel, Who knows where the road will lead us, on - ly fool would Bba7 C7 AT De? __D-VC__BL7_BY7 |*D- B-7BI7 deep-er than the deep blue sea is, that’s how deep it goes if it's _real. say, But FAT AGL D79 —-B-715 C9/Bb A-75)79G-7 C79 F if you let me love you, it’s for sure I'm gon-na love you all the: «= way, all the = way. I COVER THE WATERFRONT John Green/Heyman 1933 AT Dm G a7. B-7 Bb? A-7 I cov-er the wat-er- front I'm watch-ing the sea, will the one I love be T cov-er the wat-er- front in search of my love, and I'm cov-ered by a I cov-er the wat-er- front I'm watch-ing the sea, for the one I love must Fr Dias D7 "GAT B-75 E79 |*G Dat G com - ing back to me?- bove.__ star - less sky a . me [B] come tack © AT D7 G_,—, B- BY AT, D7 G_., Gé Here am L__ hop-ing and long-ing—— Ob, how I yeam, B7 E77, FT B_, £7 Al, D7 DIE al onder (Fe) where are you? Are you for-get-ting, do you re-mem-ber, will you re- tum?ev-‘ry-thing hap - pens to me.. At c7 ev-"ry-thing hap - pens to me. F7 Bb7I9 ‘BpAT Fu BoD, Bba7 E77 AT! Daz pair, but now I just can't fool this head that thinks for me, Tve C-7 FT 06 cosh C-7 F79 Bhs — = —<—— _—— mortgaged all my castles in the ai. Ive ety thing hap - pens to me—_ G7 cl A SUMMER PLACE Max Steiner/Discant 1959 Bb G-71C-7Bast Bb G-7 C-7 Flu! BbA7 — C-7 FZ, Bba7 C-7 EZ ‘There’s a sum-mer place where it may rain or storm, yet I'm safe and warm, for with - in thatsum-mer place your arms reach out to me | and my heart is free from all of a sum-mer place is that it's* a - ny- where when two peo - ple share ll their Bb G-7C-7F7 Bb G-7C-7 F7. &G-7 BYE Bb C-7__BH/D G-7_ C-7 6 care, or it knows Tare no “Gloomy skies when seen thru the eyes of ie all their dreams, all their ® BOF Fist C7 F9 Bb D.. a1 Code Tho who are blessed with love, love. EVERYTHING HAPPENS TO ME 65 Matt Dennis /Adair 1941 Al ca FT D-7 Kon FT I makea date for golf and you can bet your life it rains, I ty to give a par-ty and the I never miss a thing, I've had the mea-sles and the mumps, and eV-'ry time I play an ace, my Tve te-le-graphed and phoned, 1 sent an air- mai) spe-cial too, your ans- wet was good-bye, and therewas _D-s G7 C7 AbT D7 3—_p7 o cc SS = SS guy up-stairs com- plains, I guess I'll go thm life just catch-in’ colds and miss- in’ trains, parener always trumps, I guess I'm just a fool who nev-er looks be-fore be jumps, ev-en post-age due, I fell in love just once and then it had to be with you, *o-7 F7 Bb G7 20-7 F7 Bb first my heart tought you could break this jinx for me, that love would tam the tick tw end des-66 LAST NIGHT WHEN WE WERE YOUNG ‘Aslen/Harburg 1937 Gar c7™m BT ELs, GA A? BT CD PL. Last night when we were young, lovewas a star, 2 Song un -sung.-_Lifewas so To - day the world is- old, you flew a - way and time grew cold, whereis that G6 Ghe7 A-75 D7 ['B-7 Bho A-7 AT [2.G47 Gio? A-7 D7 new, "so real so bright, acgesa - go - last night star that seemed so bright, «so agesa- = = = > =e : B-75 E79 Bh7 =A9 = A799 B47 BbTI9. A 7H9 —— go last night? To vhink that Spring had de - pended - on mere-ly this, alook a kiss. To D-«7) D7... B-715 E-75 AWS, BH D9 ALTA think that some-thing so splen-did could slip a - way in onelit-tle daybreak. So G47 A-7 Bb? = B-7_—sBT B-75 E7 F9 E7 E79 2 now, let's re-mi -nisce - and re-col lect - the sighes and- the- kisses, the arms that EMA 7 Bb? A? D7 G clung when we were young last night. ILL WIND ‘Asien ‘Koehler 1994 Bb6 A-75 D79 p-7G7 B-7 Ab7 D-7G7_ C-75 =F79 ~~ BE G79 Blow, ill wind, blow a way, let _merest to - day;you're blow-in’ me no good, no ill wind, go a way, —skiesa oh so gray a - round my neighbor hood no 2Bb6 A79 D7 E7 Fo7 DF GToust ‘C-7F7 ‘good. good. You're only misleading the sunshine I’mneed-in’, _ain’tthat ashame? G3 D7 E7 Fe7 D/Ft G7 Dev C-75 79 love's toblame. Dice tetvene It's sohardtokeepup with troublestheycreepup from om of no - where,whenPEOPLE Jule Styne/Merzil 1963 67 caT GTust G7 C47 Glut s—, GTmust_CA7 Peo- ple, peo-ple who need people are the luck- i-est peo-ple__ in the Lov-ers__ are ver-y spe-cial people they're the _luck-i-est peo- plein the Ae A-TS p79 We're children need- ing other chil- dren___and yet_let- ting our grown-up G47 ACH C-6 GB BbT A-7 D7 D-7 G7 pride hide all the need in - side,-act- ing more like chil-dren than children. 2G-7_¢C7 F GF F- CE G-7 C7 F world___ With one person-____ one _ver-y spe-cial per-son___a feeling deep in your soul— GIF CIE FR75 CIG. AT D7 ~~ G7. ‘says you were half, now you're whole— No more hun- gerand thirst, but first, be a person who needs Cc c7 F F- Glas D-7G7must C peo-ple-—— people who need people are the luck-i-est peo-ple in the world____ TIME ON MY HANDS vineent Youmans/Adamson 1930 Fv B-75 | E7 G7 G-ns 3 2 Time on my hands you in my ams——— —nothing bat love— in ‘Then if you fall once and for all Tl see my dreams come ‘c7? G-7.c7_|* DZ, p79 G7 ‘AT view. te Mo- ments to spare for some- one you care G7_c?_ Fal, D-7_ G7 G77 Fay, for, one love affair for = two With time on my hands D#Zs Gus, G7 C7 F6 and you in my ams and love in my heart, all for you.68 I'M GLAD THERE IS YOU Maidera/J Dorsey 1945 G-7 FA7 In this world of or-di-na-ry people In this world —— wherema-ny, many extra-ordina-ry people. play ‘at love-— and hard- ly an-y stay at love ri c7 ; F47 ab7 G-7 C7 FA? A> abe? G7 "rm glad there is you. a In this world__— of ov-errated _plea-sures__ T’'m glad there is , 15 - c7 FA7 Av DL G-7—C7_F7_—éiBAT = ee == === SS al t of un-derrated trea- sures,_____ I'm glad there is you. T'll live t0 love I'll love to Be? #7 FA7 E-75 A#7)—-D-7 G7 G7 c7 livewith you be -side me=—thisrole so BS p79 new, I'l muddle thriwith you to guide G-7 -F/A__Bbs7 C79 F6 z you. more than ev- er, Tm glad there is you. THANKS FOR THE MEMORY Rainger/Robin 1937 Fe? CIG __, _F/A G-7 C7 Fo C+7 F6 Thanks forthe memo-ry, of ‘Thanks forthe memo-ry, of rain- y af ter-noons,_— ‘Thanks forthe mem-o-ry, of can- dle- light and wine cas-tles on the Rhine, the sun-bums at the shore Bbo7 FHT E-75 G-7 Par the- non and moments on the Hud-son Riv-er Line, how lovely it was. mot - or tips and bum- ing lips and bum ing toast and prunes, might have been a head- ache but you nev- gr were a bore,” so Ab Bb-7 Eb7 Ab p79 CIG AT Ma-ny’sthe time that we feast-ed and _ma-ny's the time that we fast-ed, ob, well it was swell while it D7 G7? G7 C7 pew G7 C7 F lasted, we did have fun and no harm done. And thank you so much.I'VE GROWN ACCUSTOMED TO HER FACE 69g Loewe Larner 1886 B Abs G-7_C-7 F-7 BT F-7_ Bb —_ SSS SS ea aS => ‘Y've grownac eus- tomed to her face she almost makes the day be-gin,_— T'vegrownac- T've grownac cus- tomed to her face she almost makes the day be-gin_— Ive got-ten AbG Ao7 Eb/Bb c7 Ab6 -Ge7 F7 BT ———> & SS == SSS —— = + #7 cus-tomed to the tune she whis-tlesnight and noon,her smilesher frowns,her ups, her downsare sec-ond used to hearhersay,"Good morting” ev- 'ry day, her joys, her woesher highs, her lows are sec-ond EB Abs G7 C7 Fa By) OF? Bb? na-ture to me now,—— like breath-ing out and breath- ing in,—— I was se- na-ture t0 me now,—— like breath-ing out and breath- ing in,___- Tm ve-ry Abe AeT EWBb OC+7 FZ Be CHT ee SSS tot = renely in- de pemdentand content before we met, sure-ly I could always be that way a-gainand yetI've grownac- ‘Grate ful she'sawo-manand so easy to for- getrath-er likea habit one can al-waysbreakand yer.T've grownac- A-7S Ab-7 G-7 cn F7 — Bblyst B cus-tomed to her looks, ac - cus~ tomed to her voice, ac -cus-temed to her- face. cus-tomed to the trace, of something in the air, ac -cus-temed to her- face. FOR YOU, FOR ME, FOREVERMORE George/tra Gershwin 1948 F6 A-7 Abo7 G-7 c7 TE6 A-7 Abo7G-7 For you for me, for ev-er-more——_ it's. bound to be for ev- er-more, Tm yours, you're mine, and in our hearts____— the c7 c7 F7 C-7 F798 Bb D7 G7 it's plain to see, we found By find-ing each other, the love we wail- ed EoTast BST Fa? D7? Db7 FT Bba7 c+ 2C-7 for. G7 I'm hap - py end - ing starts, ___ what a love-ly world this FA? D+? G7 G7 CTax* C7_—*F6 c7 world will be, with a world of love in store, for you, for me, for ev-er more.70 GUESS I'LL HANG MY TEARS OUT TO DRY Jule Styne/Cahn 1944 E-7 Eb7 Dz G7 car FA7 B-7Bb74A 7Ab7# ‘When I want rain I get sun-ny wea-ther, I'm just as blue as the sky, - Friendsask me out I tellthemI'm bu- sy, must get_ a mew al - i- bi, Some-body said just for- get a-bout her, gave that treat-ment a try, G2 cm BY @ AT DI D7 Glut [*C Gilat sincelove is gone, can't pull my-self to - gether, guess T'll hang my tears out to diy— T stay at home, and ask my-self where is she, strange ly e- nough, *c Ble-+ c7 G7 c7 FA7 Bb7 F6 = Dry lit-tle teardrops, my lit-tle teardrops, hang- ing on a sting of dreams. Al E-7 AT DZ Ab7 Gait, G7. E-7 Fy In-te mem- ‘ties, my lit-tle mem- ries, re - mind her of our cra-zy schemes. C -CA7B A-7 C/G. FH-75B7 E-7 B-7 Dz GTeust Cc = then one day she passed me right by. Oh well, I guess I'll hang my tears out to diy—_—— GHOST OF A CHANCE | veecor young/washington 1951 car G+7 E-75 AT F7 Bb 1 need your ‘love so bad - ly, I love you oh so mad - ly, but 1 thought “at last I'd found you, but oth - er loves sur - round you, But what's the good of scheming, I Inow I must be dreaming, for *E-7 A7™® D-7 2 Gt pl, G7 Cc F CaM T don't stand a ghost of a chance with you, 1 you. ys, Git, car If you'd sur- ren der just for a un - der kiss or two, FREZS_,. B7_, E7 AT D7 G7 you might dis- cov- er that I'm the lov-er meant for you, and I'd be tue. But D.C. ant Ena Fe)Ht Ee ee ee ee eee ee TWO FOR THE ROAD 71 ‘Mancini/Bricusse 1967 c7 FETS By E7 EMD Ca? 1 If you'refeeting —fan-cy freé— come wander thru the world with me, and an- y-place we Insure mer-time the sun will shine in win- er we'll drink summer wine, and ev'ry- day that fr A7 A/G DF AcVG G47 E-7 =) chance to be will be our —ren-dez-vous-— two for the road. we'll tra-vel down the you are mine will be a love ly day AICHE D-7 D-C GB E-75 79 years, col- lecting pre-cious mem - 0 - ries se- lectsing sou- ven - irs and. living D-75 G79 C47 c7 2 GIF E- E-/D CHS C-6 life thewaywe please In summertime the Aslongas —lovestillwearsa smile, I GB car B77 By A-7 D9 G know that we'll be two for the road, and that's a Jong, long while. NEVERTHELESS Ruby Kalmar 1931 Bb Dbo7. FIC F9 D-75 G7 ‘May-be I'm right and may-be I'm wrong, and may-be I'm weak, and may-be I'm strong, but May- be I'll win, and may-beT'll lose, and may-be I'm in for _cry-ing the blues, ‘May-be I'll live 2 life of re- gret, and may-be I'll give much more than I get, ca G7 C7 F7 Bb G7 =6C-7F9 |*C7 F7_—iBb nev-er-the-less, I'm in love for you. love with you. Bb7 F7 Bb7 BAT Some- how, I know at aglance, the ter-ri-ble chan - ces I'm tak - _ing, G-7 c7 G7 c7 F7 eae fine at the start, then left’ with a heart — that is break - = - ing.72 VIOLETS FOR YOUR FURS.) stat-pennis/acair 1041 G-7 CL, Fa7 BT 57 A-7 | D7 I bought you vi-o-lets for your furs and it was spring for a-while, re - mem-ber? T bought you vi-o-leis for your furs, and there was blue in the win-try sky. ci, FAT Bba7 A-7 p7 'G-7 T bought you vi-o-lets for your furs, and there was A- pril in Dec - em-ber, The ‘You pinned the vi-o-lets to your furs and gave a lift to the crowds pass-ing c7 Fa? G-7 G7 F6 c7 snow drift-ed down on the flow-ers and melt-ed where it lay, the snow Jooked like dew on the Fer G7 G7 piv J?G-7__ Bhar BT FAT a-7is blos-soms as on asum-mer's day. by. You smiledat meso sweetly, since thenonethoughtoc- D7 Bp-7,C+7 F6 G7 C22, F6 curs, that we fell in love com-plete-ly, the day that Iboughtyou vi-o-lets for your furs. TRY A LITTLE TENDERNESS connany/woods 1992 ba7 c7 F7 Bb7 2 D+ pie C9 ‘She may be wea-ry, wo-men do get weary wear-ing that same shab-Dy dress You know she's wait-ing, just an - ti ei-pa-ting things she may nev - er pos- sess. You won't 1e- gret it, wo-men dona for get it, love is their whole hap- pi - ness. C7 Bb7 G7!9C79F-7 Bb79)*Eb — Bb-7 Eb7 F-7 F7 And when she's wea-ry, uy a lit-tle tender - ness. ness I's While she’s with-out them, ty a lit-tle tender - Is all so ea-sy, ty a lit-te tender - Aba D-75 G78 C7 G-75 7s not just sen ti men tal, she tas her grief and cart, = and a F7 G75 C79 FL F7 Bb7 a Dc.a a word that’s soft and gen- cleo makes it easier 0 bear sé... EeeTHIS IS ALL I ASK 73 Gordon Jenkins 1958 verse F6 Ffe7 G7 c7 G7? ¢c7 Fe? F6 As I ap-proach the prime of my life, I find I have the time of my life, FATA Abe? G7 FRe7 G-7 Bb-7_ B37 leam-ing to en - joy at my lei-sure all the sim-ple plea- sures, and so I hap-pi-ly con- AB BO A-7s p79 D-7 G7 pb c7s F6 D7!9 cede, this is all i ask, this is all 1 need. cers G7? C7__,__ F6 Fa7 ATS. D7 G7 C79 Beau- ti- ful girls, walk a lit-tle slow-er when you walk by Wan- der- ing rainbows leave a bit of col-or for my — heart to Fé G2, Fa? D-7 G7 Gte7 "FATA me. Lin ger-ing sun- sets, stay a lit-de long-er with the lone - ly own, Stars in the sky make my — wish come true be-fore the night has B-75 B79 A A“) AT D7 sea. Chil- dren ev - ‘ty - where, when you shoot at bad men, shoot at me, A-7 D#7 G7 ch D7 ~=G7 c7 take me. to that strange, en-chanted land. grown- ups sel-dom un-der- Bb6 B-75 E79 s ’: = a play as Jong as there's a Coat F6eyes don’t shine like they used to. shine, andthe © thrill’ is, words don't. mean what they used to.,«=—S mean, they were once in- look the ~=—»same,__ youre «a Sint’ —=—sthe=— same, but my heart says G7 _c7 F7 F-7 BIT B OB gone when your ° lips meet —_mine, spired, now they're just rou - tine, “no, no you're not the ~=— same’ , Tm a frid the mas-que - rade is F7 and so is love. ov - er Bb7 ‘Your love, and so is love 1 F-7 Bb7 G7 Cc?) BT Bb7 Eps? guess I'll have to play Pag - liac- ci and get my-self a clown’s dis - guise, and AAT p79 G47 G7 C7_ FZ, B7m BY 5 5 wicca Yam to laugh like Pag - liac- ci with = tears___—s in’ my_— eyes. You ® Bb? AbD Ds G-7 C79. 7 BbTust Be rade is ov - er, and so is love, and so is love. 74 THE MASQUERADE IS OVER Wrubel, Magidson 1938 Nore Bb BAT G75 c7 F7 Bb7ast BT My blue ho - ri - zon is tum - ing ‘gray, and G7 C79 Db BbTeus4 B79 my ‘dreams are drift - ing a : way. ‘Your ‘Your ‘You sa B G7 _, c7 BH? BT Ab D7THEY SAY IT’S WONDERFUL 75 Irving Berlin 1946 G7 G-75 c7 AT Abo7 G-75 ‘They say that —falling in love is won-der-ful_____ It's won- der- ful ‘And with the moon a - bove, i's won-der-ful____ it's won - der-ful— p> =[2cn F7 rer) FAT AT vo so they say—————__ so they tell me—______ I BbAT Bb-6 F/A AT AbT G7 A-IG can't re- call who. said it, 1 know I nev-er read it, { on ly know they F9 E7 A-7 D7 AbT DIT G+7 G-75 cn tell me that love is grand, and ‘the thing that’s known as ro-mance is Av B9 D9 D7 G7 G7 C7 F6 won-der-ful, wonderful in ev-‘ty way so they say. SMILE Chaplin /Turner 1954 F FA7 Smile, tho’ your heart is ach - ing, smile. ~~ ven tho’ it's break- ing, Light up your face with glad- ness, hide ev- ‘ry trace. of sad ness, Av Abe7 G7 pn G7 when there are clouds in the — sky, you'll get —_by. If you smile though your al - tho’ a tear may be © - ver so near. That's the time you. must Bb-7 + BS F6 fear and sor- row, smile. © ands may - be to- mor-row, you'll see. the keep on try - ing, smile, what's the use of cry - ing, you'll find that D+7 G7 ons 2079 F thru you'll just smile. sun come shin- ing for you. life is still worth - while, if76 THE END OF A LOVE AFFAIR sarars nesang 1950 Al G7 C2, Fav F-7 Bel, BT laugh a lit-tle too much, and my drink a lit-tle too much, and the ‘Dba7 walk a lit-de too fas, = and ‘I drive a lit-e too fast, and I'm 1 I So 1 So I talk a litte too much, and So I smoke a lit-tle too much, and Bp7 Ab7 “FD-7 Clust eck-less it’s tue, but what else can you do at the end of a love affair? So voice is too loud when I'm out in a crowd, so that people are apt to tunes I re-quest are not always the best, but the ones wherethe trumpets *F lp-7 G7 D7 G77 G7 stare. Do they know, do they care, that it’s on-ly that I'm —Ione-ly and low as can D7 «G7 caT AT D7 D-7 G7 G-7C7 be? And the smile on my face is-n't really a smile at al|_______. So I 9 or Ff Bba7 BO FA7 = blare. So I go at a mad-den-ing pace, and 11 pre - tend that it’s tak-ing her Abo7 G7 c7 G7 c7 F6 place. But what else can you do at the end of a love af - fair. WARM VALLEY Duke Ellington 1943 BT Ee? F-7 Bblat = G7 c7 F-7 Db7 - Be “Be BIT Be7 Bb? BST Bs Ab, C7, ony Ab6 Dbs7_ F-7 B7 Bo E* F-7 Bb7, on = aaa SSS ci inaouaepntneaiweweeweuttwgwtewaewwtaeg8ga#et'8&!§«@88 &@A SUNDAY KIND OF LOVE 77 Louts Prima/B.Belle 1946 F6 A-7 Abo7 G-7 cn F6 pw T want a Sun- day kind of love 2 love to last past Sat - ur- day night, \ want a Tove that’s on thesquare___—__can’tseemto find some - bo - dy to care, My armsneed —some-one to en fold, _to _keepmewarm when Monday'sare cold, G7 Bb-6__7 AT p79 G- qc . T’d like to know it’s more than love at first sight I want a Sun- day kind of love T'm on a lone- ly road that leads me_no- where a love for all my life to have and to hold__—— [F6 D7 G-7 G7 6 GpAD F6 C7 F7 ‘Fine I want a — I do my Sun- day dreaming and Bb6 C-7 F9— -Bb6 Ab7HIG! D7 F719 cz all my Sun-day scheming ev- "ry min-ute,ev- 'ry hour, of ev'ry day. I'm hop-ingto discover a G9 D7 co Feo7 GT c7 cer - tain kind of lov-er, who will show me the way? My = arms need SEPTEMBER IN THE RAIN Warren /Dublin 1987 B Ab7 G7 7 F7 F-7E> Db BT BHT The leaves of browncame tumblingdown, re - member? in Sep- tember____in the ‘The sun went out just like a dy- ing ember _thatSep - Though spring is here, to me it’s, still Sep - temrber___ _thatSep - BT B77 Bb? C7 ['F-7 Bb7 2B rain—___ ‘The To ev-'ry word of love I heard you AbAT Db? C-7 F7 C7 FT F7 BIT whis-per_—— the _rain- drops seemed to play a sweet re - fran Though78 PORTRAIT OF JENNIE Robinson/Burdge 1048 oo, FD? DIT C7 Fel, Be = «BO o A portrait of — Jen-nie, more lovely to see-_______ than a The por-trait of Jen-nie________ is. etched on my _hear,___where her the por-trait of | Jen-nie, 1 nev- er will par for there G2,_CI8,__, AX? D9 _G-7 m9, |*A-7 D7 mas - ter-piece, how-ev-er fa-mous it be. ‘The portraitof fea - tureshave been G-7_ C7 F6 #9 F6 B-7,_E7 AAT, CHT D-7 Gi — sketched from the star.___— Ah the co-lor and beau- ty of line and the glow of her CS&_,—, F7_ E-7 A79 D-7 Abo G9 G79 G7 cw (26 pico spi- rit divine all cast_ «in. Heaven's. © own_— de - sign. With the por-trat of % an pa G7, — 2 Clu C7 F6 is - n't an-y por-trait of Jen-nie, ex - cept in my heart. CRY ME A RIVER arthur Hamiton 1988 ey c- b/C C6 C7 FT Bb7 EAT -D-7 -G7 Now you say you're _lone-ly— you cry the whole night thru, well you can Now— you say you're sorry, for be-ing so un - true well you can Now you say you love me, well just to prove you do, come on and G75, C79 Flat FO bs G7 |? D7 B7 BbTeus4 iagagEgegegtww ww o Fine cry me a riv-er, cry me a riv-er, I cried a fiver ov-er you. i G- = A-2S pm G- Act D79 ‘You drove me, near-ly drove me outof myhead, while you hewershed atear,____ G A-75__ 79 G D-7 G7 OG.alFine i remember? I rememberall that you said; told melovewastoo plebi-an, toldme youwere thru with me and i a Lammas aaaPIECES OF DREAMS 79 Michel Legrande/Bergman 1970 F6 G7 A7 D-7 G7 GWE CiE c7 Lit- te boy losC=—____ in searchof Lit- we boy found——__—you go a- Lit-e boy false______imsearchof lit- tle boy tue—______will yau be Fa7 G7 AT B-75 c7 Chie? ATICH won- der-ing, wan der- ing, stum- bl- ing, tum-bl-ing, round, round, ev-er done tra- vel- ing, always un - rav-el- ing you, you? “SET A-7 Flat 9 fe aS x G = When will you find what’son the tip of your mind?______ Boat FA G-7 C7 AT D7 G7 c7 Whyare you blind. toall you ev- er were, nev-er were, realy are, nearly are? BYD G-74Db C7 B-75 FIC D7 running a - way couldlead you fur-ther a - stray, and as for FIC CTust C9 Flast C-7 BI BbsT BLT BT fish- ing in streams_——___for pieces of dreams, those Fay D7 G7 c7 F6 G-7 A-7 D-7 pie-ces will nev-er fit, what is the sense of it? don’t let your G7 GUE CM C7. = —— = SS ——= F Z + lit- tle sheep roam——— it’s timecome blow your hom, meet the mom, At B75 cr crs Fe Bb FO look and see, can you be far from home.80 THE HEATHER ON THE HILL tecee/temer1017 Al rs G7 C7 F6 Cw FT 3 ‘The mist of May is in the gloam- in’, and all thecloudsare hold-in’ still ‘The morm-in’ dew is blink-in’ yon - der, there's la~ zy mus- ic in the rill ‘That when the mist is in the gloam - in’ and all thecloudsare holé-in’ still Bba7 "F6 C7 Bbs7 Bo? c7s A7 D7 G-7 DIA FIC so take my handand Te's go roam-in’ thru the hea-ther on the hill and all I want to do is wan-der if you're mot there I won't go roam-in’ G7 BT Ab? Db7 | 26 Bb-7 B7 hill. Theremay be oth-erdays as richand rare, theremay be oth-ersprings as full and AbAT D-7 G7 CA? Cf7 D7 G7 Cust C7 Beal Cone fair, butthey won’t be thesame they'llcomeand go, for this I know. D-7 ~~ G-79Db FIC ___D-7_ G7 C7 F6 hil, the heather onthe. bill MY OWN TRUE LOVE (TARA’S THEME) Steiner/David 1941 F G7 C7 G7 C7 Fast F FA Bb ly own true love, my own true love, at_last I've found you, No lips but yours, no arms but yours, will ev- er lead ‘me And by your “kiss, you've shown true love, T’'m yours for - ev = er, FA BP G7 C7 2— G-7C7 F my own tue love. titra hea-ven's doors. J roamed the earth my own aue love. AT © G7 Ay Ga ci ) in search Of this, Tknew Ka know you, know you by your kiss cr aaa caaeaaaaaaaaaaaaaae aaa aaa aaaIF EVER I WOULD LEAVE YOU sl Loewe/Lerner 1960 C7 F7 Bba7 —S—— —== a a SF If ev-er Y would leave you it would-n’t be in But if I'd ev-er leave yout could- n't be in if ev-er I would leave you how could it be in __o7 C7 FT e SSS = = z ——= SSS = ¢ see - ing you in sum - me, I nev - er would tow Td leave in au - tumn I nev - er will imow - ing few in spring I'm be - witched by you Bb7 E71 Your air sueaked with sun - light your lips red as flame — Tve seen how you. spar - Kle_ when fall nips the = air_— Bu it ra &-& and I amst be there. Abd could T D Dt Gar E7 AT ps? D6 Jeave you ran- ning = mer-ri-ly thr the = snow2__ om 8 FRO B E7Al7_ D6 FT ag.e!Cua win- ty evening when you catch the fire’s glow. o as Bb6 co F9 2—— os sum - mer, winter or fall____— no, mev-er coulc I leave you C7 F798 BbS Ba? Bb682 NANCY WITH THE LAUGHING FACE ‘Van Heusen /Phil Silvers 1944 G7 c7 G7 c7 Fa7 G7 Ie 4 don't see her each day I miss her, Gee, what a thrill a ‘She takes the winter andmakes it sum ~- mer, summer could take I swear to goodness you cant re - sist her, sorry for you ~ A-7 Abe? G7 pe G-7_ E-5 A7 |" D7 G7 ee —— === SS 7 Se SS o time 1 kiss her. Believe me S've got a case on [Nan- cy with the laughing face les-sons from her. Pic-ture a _ tomboy in lace, that’s has no sis-ter. No one could ev- er replace my G7 p7 20-7 Bb-7 BT F6 At? D-7 AAT, She takes the Nan-cy with the laugh-ing face. ‘° Do you ev-er hear mis- sion bells ring- D-7 Ad? D-7 At D7 G7 CL — — ere Se — = ing? _well,she'll give you the ve - ry same glow. When she Fa7 D7 G7 A D-7 G7 G7 C7 pt speaks you would think it was sing - ing, justto hear her say “Hel - lo” I swear 10 D.C. a nc En no) THE NIGHT WE CALLED IT A DAY Matt Dennis/Tom Adair 1942 ATS D79 GAT FEMS, BTS, E7 cps —s— There was a moon out in space, but a cloud drift-ed ov-er its face, you T heard the song of the spheres like a The moon went down, stars were gone, —_but the ears, “1 dawn, there Gaz Dy 7 Ga7 G7 OB, Bho, BT BIT AT Abin o kissed me and went on your way, the night we called'it a day. 1 heard the hhad- n't the heart left to pray, day. oe

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