106 43 no 358 626 aa 387 a3 086 02 203 038 2a 204 064 302 as ne 247 403 556 558, 554 “44 039 42 462 es 306 o2t 69 402 4a 456 cos 659 465 ow 10s 361 302 355 410 17 6 155 a 382 ou 381 658 240 063 A + After Youve Gone {C) Ap Marie (Cm) + Aiot Misbehavin’ (©) + Aint She Sweet (©) Aitegan. (Ab) AM Di La (6) + Alexanders Ragtime Band (F) + Alice ia Wonderland (©) + AIT Ask of You (0b) Al My Tomorows (Eb) SAIL OF Me (©) + AI Of You (Eb) ‘All Or Nothing At All (C) ‘All The Things You Are (AB) +All The Way Alley Cat (©) + Almost Like Being In Love (Bb) * Alone Together (Om) + Aight, Otay, You Win (Eb) + Always 1 Always in My Heart (Bb) ‘+ Amapola (8b) + Amor (©) Anema E Core (G) + Angel Eyes (Cm) + Anniversary Song (Em) + Anniversary Waltz (C) ‘Anthropology (6b) + Anything Goes (C) April in Pacis (C) Armando’s Rhumba. (Cm) + Around The World (C) + Arrivederci Roma. (G) ‘Arta Alinu (Om) + As Time Goes By (E>) Au Privave (6) ‘Auld Lang Syne (®) + Autumn in New York (F) * Autumn Leaves (Em) Avalon ©) B + Baby Face (©) + Basin Sueet Blues (©) * Baubles, Bangles and Beads (Ab) + Beautiful Love Bebop (Eb) + Because of You (Eb) + Beer Bare Polka (C) + Begin The Beguine (C) Bemie's Tune (Om) + Besame Mucho (Om) sie's Blues (€b) jetween The Devil and the Bewitched (©) 032 356 233 128 601 565 357 466 601 248 485 492 + Bill Batley () ille's Bounce (F) Bim Bam Bum (Bb) “Birth OF The Blues (C) Bittersweet (C) + Black Orpheus (Am) Je Bossa (Cm) Blue Gardenia () Blue Hawai (Bb) lve In Green (8b) ue Monk (Bb) + Blue Moon (Eb) + Blue Room (F) ue Skies (F) + Blue Tango (0) Blue Trane (Cr) ue Velvet. (Bb) Blues For Alice (F) “Blues in The Night (8b) Blueserte (6b) + Body And Soul (Ob) Bolivia (G) Bourbon Street Parade. (Ab) + Brazil (Ab) * Breeze And |, The (F) Bridal Chorus (8b) Bunny Hop * But Beautiful (6) * But Not For Me. (Eb) ‘+ Button Up Your Overcoat (6) + Bye Bye Blackbird (®) + Bye Bye Blues. (C) Byrdlike (A) c ‘= Cabaret (eb) + Call Me (ab) * Call Me tresponsible (AB) + Conadian Sunset. (Bb) Caravan (Fm) + Cast Your Fate to The Wind (F) + Cecilia © Ceora (Ab) * Chances Are (G) Charleston, The (6b) + Chattanooga Choo Choo (C) * Cheek to Cheek (©) Chelsea Bridge (0b) Cherokee (8b) * Cherry Pink and Apple (Eb) * Chicago Chicken Dance () Child 1s Bom, A (@b) + Choo Choo Ch’Boogie (F) + Christmas Song. (Eb) * Christmas Time is Here (F) 469 432 092 aa 226 7 022 643 643 29 78 131 632 466 138 126 451 367 358 or. 205 102 409 227 051 509 64 313 607 202 ne on 245 023 201 033 an 158 az 157 63 054 146 028 027 050 123 147 404 3 00s K (BLUE) Alphabetical Index Ciao, Ciao, Bambina (c) * Cielito Lindo (80) Clarinet Polke (C) * Close To You (Ee) ‘Come Back To Sorento. (Cm) + Come Fly With Me (©) * Come Rain or Come Shine (F) ‘Come Sunday (Bb) Con Alma Confirmation (F) ‘Crazy Rhythm (F) + Cry Me A River (Crm) + cute (©) . Dashoud (E>) + Daddy's tle Git) * Dancing in The Dark (E>) + Dancing On The Ceiing (F) + Danny Boy (Londonderry At) “(C) + Dansero (F) ‘+ Darktown Strutters Ball (C) + Damn That Dream (G) + Day By Day (A) + Days Of Wine And Roses (F) + Dear Hear (F) Dearly Beloved (©) + Deep Purple (F) * Desafinado (F) Dig (ab) = Dingi (C) Django Frm) * Do Nothing Tit You Hear (F) ‘+ Do You Know What it Means (C) Dolphin Dance (Eb) * Don't Be That Way (Eb) ‘Don't Blame Me (C) + Don't Get Around Much (©) ‘Dont Go to Svangers (8b) + Dont Misunderstand (F) * Don't Take Your Love From Me (©) Donna Lee (Ab) + Don't Worry ‘Bout Me (AB) Dory (6b) + Dram (©) ‘+ Dream A Little Dream (G) e Early Autumn (©) ‘+ East of The Sun (G) + Easy Uving + Easy Sueet (ED) + Easy To Love (G) + Ebb Tide () + Edelweiss (Bb) Elsa (Eb) + Embraceabie You (F)403 076 oan 658 519 090 185 065 008 230 67 409 an 20 401 098 315 305 ng 382 nz 107 209 053 048 2 069 690 220 566 69 246 492 692 18 504 02 306 070 ou 657 $01 29 327 182 02s 461 516 224 02s 08s as 229 553 412 61 636 635 + Emily (© ‘End of a Love Alsi. The (F) Epistrophy (CA) Equinox (Cm) + esate + Evergreen (©) + Everybody Loves Somebody. (F) «+ Everything Happens to Me (Bb) + Everytime We Say Goodbye (Eb) + Exactly Ute You (©) € Falling Grace (AB) + Falling in Love Again (&b) ‘Falling In Love With Love (Bb) * Fascinating Rhythm (F) ‘Fascination (©) + Feelings (Em) + Felicidade (Cm) Fine And Dandy (F) + Fine Romance, A (C) 1 Five Foot Two (©) ‘+ Flamingo (F) + Fly Me To The Moon (C) + Foggy Day, A (®) * Fools Rush in (C) ‘For All We Know (F) + For Sentimental Reasons (F) * For You, For Me, Forevermore (F) Forest Flower (C) Four (Eb) + Frenesi (Ab) Friends () ‘+ From This Moment On (Ab) * Frosty the Snowman (C) cs Gaviota (Cm) ‘Gee Baby, Ain't Good to (Cm) + Gentle Rain (Am) + Georgia (F) + Get Me to the Church on (G) * Ghost OF A Chance (C) ant Steps (8) Gingerbread Boy (8b) + Git From Ipanema) + Give Me The Simple Life @b) Give My Regards To Broadway (Bb) + Glory of Love, The (G) + God Bless The Child (Eb) Godtather Theme (Cm) + Going Out Of My Head (Bb) * Gone With The Wind () + Good Moming Heartache (F) * Goodnight Sweetheart (C) Gravy Wake (©) + Green Dolphin Street (C) + Green Eyes. (Eb) * Greensleeves. (Om) Gregory is Here (Bb) Groove Merchant. (Bb) Groovin’ High (Eb) 469 070 463 63 432 060 ur a3 455 203 461 4 080 432 301 a6 10. 138 464 353 a4 327 133 082 212 506 036 676 020 128 ne 064 142 139 037 27 166 337 034 301 158 na 001 ns 3 161 207 or ors 604 010. 188 44 6 686 + Gusnaramare (©) + Guess Pl Hang My Tears Out (©) 4 Hail To The Chiet (©) Half Nelson (©) Happy Wanderer, The (8b) + Harbor Ugh) Harem Noctume (Om) Haunted Bakoom ( Hava Nagitah (F) + Have You Met Mis Jones (6) + Have Yours a Mery Xmat (©) + Hawaiian Wedding Song (©) + Hear And Soul (F) ‘Heather on The Hil The Helena Poa (© + Hello Dolly (88) + Helo Young Lovers (€2) 4 Here's That Rainy Day (F) + Hey There (>) Hokey Pokey (6b) + Honeysuckle Rose + Hoop-Dee-Doo (Es) Hoon For Hotwood () + How About You (@) ‘+ How Deep is The Ocean) + How High The Moon (©) + How Insensitive (Or) + How Long Has This Been (©) How My Hear Sings (©) v +1 Cant Get Staned (©) +1.Can' Give You Anything (Ab) ‘1 Concentrate on You (Eb) #1 Could Have Danced All (C) #1.Could Write a Book (©) +1 Cover The Waterfront (C) ‘1 Didnt Know What Time ft (G) +1 Don't Know Why (6b) +1 Fall in Love Too Easily (Eb) Get A Kick Out OF You (2) +1 Get Along Without You (Bb) 11Go To Rio (Bb) Got tt Bad (6) #1. Got Rhythm (Bb) 1 Hadn't Anyone Til You ‘I Hear a Rhapsody (Eb) Left My Heart in San (8b) +1 Let A Song Go Out Of My (Ee) +1 Like The Likes Of You (Eb) +1 Love Paris (C) st hove You IMean You +1 Only Have Eyes For You (©) 1 Remember Citford (F) + Remember You (6) #1 Say A Uitte Prayer For You (C) #1 Snould Care (©) * 1 Thought About You (Eb) Told You So.) 053 039, 134 435 155 108 222 a 223 028 068 153 223 359 137 210 225 069 608 358 578 337 2a 207 49 491 640 4 ‘= LW Wait For You (Om) ‘+1 Wish You Love @) 1 Won't Dance (©) 1+ 11 Be Home For Christmas (C) 1+ M11 Be Seeing You (Eb) +18 Get By © #1 Remember April (C) +111 Take Romance (F) +m Beginning To See The (©) + tm Getting Sentimental (F) + fm Glad There is You (F) ‘Tim Gonna Sit Right Down (C) + fm In The Mood For Love (C) + tm Old Fashioned (F) {Ve Found A New Baby (0) ‘+ Tve Got My Love to Keep Me) + Ive Got The Werld on a (Eb) * Ive Got You Under My Skin. (Eb) + Ie Grown Accustomed to (Eb) ‘+H Ever | Would Leave You (Bb) You Could See Me Now (Eb) + You Never Come To Me. (€b) = Wind (Bb) ‘+ Imagination (Eb) Impressions (Om) In/A Mellow Tone (Ab) In A Sentimental Mood (F) ‘In My Solitude (Eb) In The Mood (Ab) + In The Stil of the Night @) ‘+ In The Wee Smali Hours (C) |n Your Own Sweet Way (Bb) indiana Infant Eyes. (Eb) + Invitation (Cm) Irish Washerwoman (G) ‘slut tt Romantic. (€b) Isotope (C) I Al Depends On You (C) * It Could Happen To You (F) ‘It Don't Mean a Thing (6b) ‘It Had To Be You (Ab) ft Might As Well Be Spring (G) It Never Entered My Mind (F) les A Raggy Waltz (C) ‘ss Alright With Me # ts Delovely + ts Only a Paper Moon (©) + tts You Or No One (F) ‘es Been Long, Long Time () 1 2 sJalousie (6b) «Jazz Samba (€b) Jeanine (AD) Jersey Bounce (C) single Bells (G) finglebelt Rock (C) Joshua (Om) oy Springon 208 109 230 608 61s 576 132 377 377 463 308 63 209 602 066 a0 os 627 490 1st wz 150 688 433 sio m 160 468 364 sos 67 221 sn S17 237 235 as 14s 165, a3 m3 os 67 $22 ne 606 208 482 408 143, no 441 308 sis 126 ew + Just Friends (6) + lust in Time (6b) + lust One OF Those Things (F) Just Squeeze Me (F) K Kids Are Prety People (F) Killer joe (Q) + Kis OF Fie Om) t + LOVE Love © 12 Cumpansta. (Cm) 1a Paioma (©) + Vie en Rose (© + Lady 8 Good (@) Lady Bird + Lady A Tramp, The (©) Lament @) + Last Night When We Were () + Late, Late Show, The ©) ‘bu © tary Bid (6) + Lett Snow + Lets Do it (8b) + Lets Fal in Love (©) + Let’ Get Away From It A () Liberated Brother (Gm) Lechtenstener Pola (F + Lite A Lover (©) + Like Someone In Love (Bb) + Lit Dati (ED) + Limb Rock®) * Limehouse Blues (A) title Boat © Little Suntower (Om) + Long Ago And Far Away (F) + Look OF tove (Om) Look tothe Sy + Lot OF tivng To Do, A) + Love For Sie (8b) Love story (Gm) + Love Walked In (Eb) + Lovely To Look At + Lover (© * Lover, ome Back To Me_ (Ab) + Lover Man (Om) Lucky southern (0) Lujon (Om) Lullaby of Birdland (Fm) + Lush Lite 08) “ + Mac The Knife (C) MacNamara's Band) Mademoiselle de Paris (0) + Make Someone Happy (F) “+ Makin’ Whoopee (P) Mala Femmena (8b) Mame (C) Man And A Woman, A (C) + Manhattan (F) 6s 443 538 074 456 152 503 087 148 540 696 406 464 359 07 628 456 002 626 a7 187 029 0 02 401 104 162 016 01 353 ns 022 568 130 248 12? 658 359 236 as 412 026 004 694 “a 058 043 on 080 107 o16 097 452 603 082 626 on 520 Manteca (8b) Maria Elena. (C) + Mas Que Nad + Masquerade is Over. The (Eb) Mayim Mayim (Cm) + Mean To Me (F) + Meditation (©) + Memory (C) Memphis in June (C) Menina Flor (€0) Mery, Mercy, Mercy. (Bb) Merry Widow Waltz. () Mexican Hat Dance (F) Midnight in Moscow (C) + Midnight Sun (C) Milestones (Old) (Bb) Misirlou (Gm) + Misty (€) Moanin’ (Fm) Moments Notice (Eb) + Moments To Remember (Ab) ‘+ Mona Lisa (F) + Mood Indigo (Ab) + Moon Over Miami (G) ‘+ Moon River (C) + Moongiow (G) * Moonlight Becomes You (F) ‘+ Moonlight In Vermont. (Eb) Moonlight Serenade (F) ‘+ More (©) ‘+ Mote | See You, The (Eb) ‘+ More Than You Know (C) Moming (Bb) Moten Swing (Ab) ‘Mountain Greenery (©) + Mr. Lucky (6) Mr. Sims. (©) Mustrat Ramble (Bt) + My Baby Just Cares For Me. (G) ‘My Blue Heaven (E>) + My Buddy (6) + My Favorite Things (Em) “+ My Foolish Heat (Bb) * My Funny Valentine (Cm) My Ute Suede Shoes (Eb) My Love Forgive Me (C) My Melancholy Baby (€b) ‘+ My Old Flame’ (C) ‘+ My One And Only Love (©) ‘+ My Own True Love (Tara) (F) ‘+ My Romance (C) = My Ship @ My Way © My Wild Wish Rose (@b) N Naima. (Fm) + Nancy With The Laughing (F) Nargis (Em) + Neamess Of You, The (F) + Never Let Me Go (Db) + Never On Sunday (€0) + Nevertheless (8b) “+ New York, New York (F) 'Nica's ream (Bbm) “Nice ‘N' Easy (Eb) 1 Nice Work You can Get tt (6) * Night And Day (€b) Night Dreamer” (G) Night Has 1000 Eyes, The (C) Night in Tunesia, A (Eb) + Night We Called it A Day, (C) + Nightingale Sang in Berk. Sq, (Eb) ‘+ No Moon At All (Om) = No More Biues (Chega De (F) Now's The Time (F) ° © Grande Amor (Am) © Sole Mio (E>) + Oh You Crazy Moon (C) + Old Cape Cod (F) + Old Devil Moon + Old Fors (eb) leo (Bb) + On A Cleat Day (6) + On 8 Slow Boat To China (8) + On The Street Where You Live (C) * On The Sunny Side OF The (C) + Once I Loved (6) Once In Awhile (Eb) + One (Eb) ‘+ One For My Baby (Eb) 1 One More For The Road. (Eb) + OneNote Samba: (6b) * Only Trust Your Heart, ‘Opus One (C) Ornithology (6) + Our Day Will Come (G) * Our Love s Here To Stay () + Out Of Nowhere (G) + Over The Rainbow (Eb) a + Paper Doll (F) + Party's Over, The (Eb) sion Flower (C) Peace 8b) + Peg ‘0’ My Heart (Bb) * Pennies From Heaven (C) Pennsylvania 65000 (C) Pennsylvania Polka () Pensativa (Cb) + Penthouse Serenade (C) eople (C) Perdido (8b) + Perfidia (C) Pethaps (O) + Pieces of Dreams (®) Pigalle (©) + Prete Don't taxk About Me (Eb) + Poinciana (6) + Polka Dots & Moonbeams (F) eeont o7s 03s 506 310 536 628 408 503 605 186 317 685 24 961 656 627 363 130 328 603 437 467 am 522 642 536 246 487 103 as 03 353 601 0s 2s 093 9 077 07 629 625, a9 501 363 23 695 489 ees 67 186 695 ons 488 636 ons 078 + Poor Buttery (Ab) Portrait of Jenny, A ¢F) Prelude toa Kis (C) Pretty World (6) + Puttin’ On The Ritz (Fm) a + Quando, Quando (8b) ‘Quasimede (Eb) (Que Sera, Sera (Eb) + Quiet Nights (Corcovado) (C) Quintessence ® ‘= Raindrops. (F) Recado Bossa Nova Recordame (Am) + Red Roses (for A Blue Lady) (C) + Red Sais ln The Sunset (G) Relaxin’ at Camarillo (Bb) Rodbin’s Nest (C) + Rock-A-Bye Your Baby (C) Rote Room (Ab) Rosetta @) Round Midnight (Eom) + Rudolph (©) Russian Dance (G) s = SWonderful @b) Sabor A Mi (Eb) Sah Peanuts Samba de Orfeu (©) San Francisco (Q) + Santa Ciaus is Coming * Satin Doll (©) Scarborough Fait (Om) + Scotch & Soda (Eb) Scrapple From The Apple (F) ‘Search For Peace + Second Time Around, The (C) + Secret Love (Eb) + Send in the Clowns (Ab) * Sentimental Journey (C) + September In The Rain (Eb) + September Song () Serenity. (Ee) Serpent’ s Tooth (Bb) Seven Steps To Heaven (P) + Shadow Of Your Smile (C) * Sheik of Araby, The (Bb) + Shiny Stockings (AB) Sidewinder (Eb) + Siver Bells () Silver's Serenade (Em) Simone () + Sing (8b) Sister Sadie (6) + Skylark (Eb) * Sleigh Ride (6) Smatter (278) + Smile + Smoke Gets n Your Eyes (Eb) 518 507 639 326 357 630 655 164 046 237 401 026 678 402 694 685 231 185 032 93 612 27 120 659 164 094 387 ne 465 a6 613 065 146 077 455 310 146 as 325 ns + So Many Stars (©) + So Nice Summer Samba). (F) So What (Om) + So Whats New (©) + Softly As In A Morning (Om) Solar (Cm) Solid (6b) + Some Enchanted Evening (C) Some Other Blues (F) + Some Other Time (©) ‘+ Somebody Loves Me (G) 1 Someday My Prince Wilf) + Someone To Watch Over Me (Eb) Sometime Ago (F) + Somewhere () ‘+ Somewhere Beyond the Sea (Eb) ‘+ Somewhere My Love (C) Song For My Father (Fm) ‘Song For Stayhom (Eb) + Song is You, The (C) * Song Sung Blue (F) Sophisticated Lady (Ab) Soul Eyes (Eb) + Sound of Music, The (F) Spain ©) + Spanish Eyes (@) * Speak Low (@) Speak No Evil (Cm) Speedball (C) * Spring Can Really Hang You (©) * Spring is Here (Ab) + St Louis Blues (@) St Thomas (©) Star Eyes (Eb) ‘Star Spangled Banner (Bb) Stardust (©) + Stars Fell On Alabama (C) + Stella By Staright (8b) Stolen Moments (Cm) Stompin’ At The Savoy (P + Stormy Weather (AB) Straight No Chaser) + Stranger in Parade (®) ‘= Svanger on the Shore (F) Strangers In the Night (F) Sting OF Peas €b) Stripper, The (F) Strollin’ (Ob) Sugar (Cm) + Sumner Knows, The ¢F) + Summer Place, A (Bb) ‘Summer Wind (Eb) + Summertime (Am) + Sundoy Kind Of Love (F) + Sunrise, Sunset (Gm) + Surrey With The Fringe. The () + Sweet and Lovely (C) + Sweet Georgia Brown (G) Sweet Gypsy Rose (C) + Sweet Lorraine (C) oa 242 206 4a 565 M3 140 003 410 655 068 121 135 ons 470 327 154 540 625 214 202 242 139 020 127 o7s 615 037, 686 238 232 187 073, 638 467 128 538 325 360 o2t 101 8s 067 361 238 433 239 362 o72 635 605 218 8s 033 on 407 456 ‘Swinging Shepherd Blues (C) 1 Take Five (Cm) Take The “A° Tain (©) ‘+ Tangerine Tarantella (Am) + Tea For Two. (Ab) + Teach Me Tonight (©) ‘sTenderTrap, The (AB) ‘= Tenderty (Eb) ‘Tennessee Waltz (C) ‘Tenor Madness (Bb) © Thanks For The Memory (6) ‘+ That Old Black Magic (@b) ‘That Old Feeling (Eb) = That's All @b) + That's Amore (© That's Entertainment (8b) ‘+ Thats Le (©) ‘Theis Tears Theme, The (8b) + There Is No Greater Love (Bb) + There Will Never Be Another (Eb) ‘ Therel Be Some Changes (Bb) + Theres A Small Hotel (©) = These Foolish Things (E2) + They Can't Take That Away (Eb) 1 They Sat t's Wonderful) Things Ain't What They Used (F) ‘+ Things We Did Last Summer, (G) Think On Me (0) + This Can't Be Love (AB) + This Could Be The Start (©) ‘This Guys tn Love (Eb) This is All Ask This is New (Cm) + Those Were The Days (Am) + Toree Little Words () * Tico Tico (am) ‘Tie A Yellow Ribbon (Eb) Tiger Rag (Bb) There Was You (Eb) + Time after Time (BD) + Time For Love, A (Bb) ‘Time On My Hands. (®) Tin Roof Blues (Bb) ‘Too Close For Comfor. (C) Too Fat Polka (C) + Too Marvelous For Words (C) * Toot Toot Tootsie (C) = Triste (Bb) + Try A Uitte Tendemess (Eb) Tune Up (0) “Turn Out The Stars ‘Tuxedo Junction (Bb) Twelth of Never (0) ‘+ Twilight Time (C) ‘Two For The Read (C) ‘+ Two Hearts In 3/4 Time (©) Teena = 2: RL EL ERS ELSES SESE SES 2 2 |20 405 005 364 aa os os 009 407 406 656 on 442 236 os 076 soz 696 502 382 08s 221 008 091 437 463 61 om os ov os 24 ost “3 os as on 089 4st "7 os 080 304 162 su 407 4s oz 307 486 063 12 030 676 490 a9 120 v + Undecided (©) “+ Under Pars Skies (Fm) + Unforgettable (F) Up A Lazy River (F) Up lumped Spring (8b) v Valse Hot (Ab) Very Early ( + Very Thought Of You, The (AB) Vienna Lie (8b) + Vienna, My City Of Dreams (F) Vierd Blues (8b) + Violets For Your Furs.) Volare (8b) w + Walkin’ My Baby Back Home (Eb) Walz For Debby (F) Warm Valley (Eb) ‘Watch What Happens (Eb) Watermelon Man’ (®) ‘+ Wave (0) + Way Down Yonder in New (G) + Way We Were, The (A) “+ Way You Look Tonight, The (Eb) + Well Be Together Again (C) ‘+ Weve Only ust Begun (®) + Weaver of Dreams, A (©) Wedding March (Om) Well You Neean't West Coast Blues (Bb) + What A Difference A Day (F) ‘+ What Are You Doing the Rest. (Am) + What | Did For Love () + What Is This Thing Called (C) “+ What Kind of Fool Am (C) “+ What Now My Love (®) What Was (©) ‘+ Whattl 1 D9? (&b) + What's New (©) ‘+ When | Fall in Love (F) + When ish Eyes Are Smiling (C) + When Lights Are Low () + When Sunny Gets Ble (F) ‘= When You Wish Upon a Star (©) * When You'e Smiling (Bb) + When Your Lover Has Gone (AD) ‘= Where Do You Start (Eb) Where is Your Heart (Eb) + Where or When (Eb) Whisper Not (Cm) + Whispering (Eb) + White Christmas. (C) + Who Can {Tum To (Eb) + Will You Sui Be Mine (Ab) + Willow Weep For Me (G) Windows (Bb) + Winter Wondertand (tb) Witeh Hunt (Cm) + Witcheratt ® 156 244 406 247 eis 245 404 632 512 362 12 2M 356 240 095 046 023 604 106 108 128 123 ai 153 124 059 558 “= With A Song in My Heart (Eb) ‘Without a Song (Eb) + Wondertu! Copenhagen (C) Woodchepper's Bal (C) + Work Song_ (Fm) + Wrap Your Troubles (C) + Wunderbar (C) Y Yardbird Suite (©) + Yellow Days. (F) + Yes Sie, That's My Baby (Eb) + Yesterdays (Om) + You and the Night and the (Eb) + You Belong To My Heart (Eb) + You Do Something To Me (Eb) + You Dont Know Me (C) + You Don't Know What Love Is (Fm) + YouGo To My Head (C) You Know! Care (Bb) + You Made Me Love You (©) + You Make Me Fee! So Young (8b) + You Stepped Out of a Dream (©) + You'd Be So Nice to Coe (C) + Youre Getting to be a Habit (F) + Youre My Theil (Fm) + Youre Nobody Til Somebody (®) ‘Youve Changed (Eb) + Yous: (0) Zz062 038 064 039 on 003 047 063 059 060 012 013 032 022 078 os 0st 023 033 056 028 04g 027 050 00s 076 065 008 42 053 03> 069 02 070 025 02s oss 070 060 080 o10 962 036 020 040 064 037 034 0 ois o10 044 053 039 028 THE GREAT GIG BOOK (BLUE) — Style Index BALLADS A My Tomorrows (€) ‘at OF You Gb) ‘i The Way Angel Syes (Crm) ford i Pans (©) 25 Time Goes By CE) ‘Aur a ew York) Bewitched (O) Bue Gardenia (©) Blue Hawa (6b) Blue Velvet (82) Body And Soul (Ob) ut Benttu (6) Chances are ©) Come Suny (Bb) Cay Me A iver (Cm) ‘Dam That Dean (6) Deep Purple () Don't Blame Me (C) Dont Goto Swanger (Bb) orem (6) fry atm (©) fast of Tre Sun (©) fay ving Easy Set (2) Embraceabe You ©) End of a Love Aa The (@) Eventhing Happens to (8) Everytime We Say (Eb) Famings Fools Rush In (C) For All We Know (F For SemimentalReatons () For You, ForMe, (F) Georg Chest OFA Chance (©) ee Bess The Child (Eb) Good Moming Heartache (6) Goodnight Sweetheart (C) Guess Hang My Tears (©) Harbor ight (ED) Heather on The Hil, The Here's That Rainy Day (F) How Deep s The Ocean () How tong Has This Been (G) I Conv Get Started (©) 1 Concentrate on You (Eb) 1 Cover The Wateront (2) {Fallin Love Too Easy (E>) 1 Got Bad (©) Le My Hear In San (86) 1 Only Have byes For You (©) ! Remember You (©) 1 Should Care (©) | Wa Wait For You (Om) 1 wish You Love () to Getting Sentimental (F 068 068 8 066 027 024 036 038 031 054 083 066 oe 043 07 057 002 029 on 052 016 001 022 026 004 ose 043 on 080 oe 082 on on 042 052 017 056 056 017 oss ose 087 078 007 oa o78 035 061 013 ost 077 007 os 07s 029 046 026 tim Glad There & You (F) ‘im In The Mood For Love (C) ve Grown Accustomed (Eb) HW Ever | Would Leave (Bb) IM Wind (Bb) Imagination (Eb) In A Sentimental Mood (F) In My Solitude (&b) In The Stil of the Night (F) Isnt tt Romantic (ED) ft Might As Well Be (G) IR Never Entered My Mind (F) Last Night When We (C) ura (©) Lover Man (Om) Masquerade is Over. The (Eb) Midnight Sun (C) Misty €) ‘Mona Lisa (F) Mood Indigo (Ab) ‘Moon Over Miami (G) Moonlight In Vermont (Eb) Moonlight Serenade (F) ‘More Than You Know (©) My Foolish Heart (Bb) My Funny Valentine (Cm) My Melancholy Baby (Eb) My Old Flame (C) ‘My One And Only Love (©) My Own True Love (Tara) ¢F) My Ship (F) Nancy With The _() Nearness Of You, The (F) Nevertheless. (Bt) Night We Called tA (C) Nightingale Sang in (Eb) ld Cape Cod (F) Old Folks (eb) Once In Awhile (Eb) ‘One For My Baby (Eb) ‘One Mote For The Road (Eb) ‘Over The Rainbow (Eb) Party's Over, The (€b) Penthouse Serenade (C) People (C) Pieces of Dreams 7) Polka Dots & Moonbeam: (F) Poor Buttery (Ab) Portrait of Jenny, A (F) Prelude to a Kiss (C) Red Sails In The Sunset (G) ‘Scotch & Soda (Eb) Second Time Around, The (C) September In The Rain (€b) September Song (C) Skylark €b) Smile (F) ‘Smoke Gets In Your Eyes (Eb) Some Other Time (C) Someone To Watch Over (Eb) 032 049 006 035, 065, 077 003, 068. os 020 07s 037 073 021 067 072 033 on 005 072 076 os ov 081 oz 024 080 048 063 030 046 023 059, 086 094 092 090 098 8s 087 097 093, 095 096 ose ose 089 091 08s 089 095 Sophisticated Lady (Ab) Spring Can Really Hang () Spring is Here (Ab) Stardust (C) Stella By Startight (86) ‘Surnmer Place, A (8b) Summertime (Am) Sunday Kind OF Love (F) Tenderly (Eb) ‘Thanks For The Memory (®) That's all (@b) ‘These Foolish Things (Eb) ‘They Sat I's Wonderful (F) Things We Did Last (C) This Is AIL Ask Til There Was You (Eb) Time On My Hands.) Try A Litle Tenderness (Eb) Twilight Time (G) ‘Two For The Road (C) Unforgettable () Very Thought OF You, The (AB) Violets For Your Furs) Warm Valley. (Eb) Well Be Together Again (©) What A Diflerence A Day ‘What Are You Doing the (Am) What Kind of Fool Am 1 (C) What's New (©) ‘When Sunny Gets Blue (F) When You Wish Upon A (©) Where or When (Eb) Who Can {Tum To (&b) Willow Weep For Me (C) You Dont know What (Fm) You Go To My Head (C) Youve Changed (Eb) (NEWER BALLADS All| Ask of You (Ob) Cast Your Fate to The (F) lose To You (Eb) Evergreen (©) Feelings (Em) Love Story (Gm) ‘Memery (C) My Way ©) Send in the Clowns (AB) Somewhere () Swanger on the Shore (F) Summer Knows, The (F) Time For Love, A (Bb) Twelth of Never (D) Way We Were, The (A) Weve Only ust Begun (F) What 1 Did For Love () When 1 Fall in Love You Don't Know Me (C) 3106 v0 nz 108 157 ass 01 135 105 143 103 136 132 128 17 131 138 126 102 ne 158 137 146 123 “7 ns 107 148 12 “7 4 138 133 123 ne 12 139 166 158 na us 161 16 134 155, 108 153 37 130 102 4 161 109 132 EASY SWING After Youve Gone (©) Ain't Misbehavin’ (C) Alone Together (Om) ‘Autumn Leaves (Em) util Love (F) Because of You (Eb) Biue Moon (Eb) ‘lve Room (F) Blue Skies () Blues in The Night (Bb) Bye Bye Blackbicd (F) Call Me iresponsible (Ab) Canacian Sunset (Bb) Cheek to Cheek (©) ome Rain or Come (F) cute (©) Dancing In The Dark (Eb) Dancing On The Ceiling (®) Days Of Wine And Roses. (F) o You Know What It (©) Don't Take Your Love (©) Don't Worry “Bout Me (Ab) Dream A Lite Dream () Easy To Love (@) Ebb Tide () Fine Romance, A (©) Fy Me To The Moon (C) Gee Baby, Ain't | Good (Cm) Glory of Love, The (C) Harlem Noctume (Om) Heart And Soul Hey There (Eb) How About You (G) I Can't Give You (Ab) | Could Write a Book (C) | Didn't Know What (C) {Don't Know Why (8b) | Get Along Without You (Bb) I Hadn't Anyone Til You (F) | Hear a Rhapsody (Eb) | Let A Song Go Out OF (Eb) | Love Paris (©) | Thought About You (Eb) Won't Dance () 1 Be Seeing You (eb) M1 Get By (©) tm Gonna Sit Right (©) Fe Got My Love to Keep (F) In-A Melow Tone (Ab) IR ad To Be You (AB) {5 Only a Paper Moon (C) fs Been a Long, Long (®) Just ln Time (Bb) dust Squeeze Me (F) LOVE tove Lets Do it (Bb) Lets Fallin Love (©) Lets Get Away From (Eb) Uke Someone In Love (BB) LU Darlin’ (oy Love Walked tn (Eb) Lovely To Look At (F) ne 143 no 126 152 148 108 162 na 130 wy? 156 107 133 m 14s 12 104 125 109 150 ut 130 103 129 164 163 ns 120 164 144 46 ns a ns 140 121 135 154 139 127 128 101 Ww us "7 162 wz 120 156 nz 106 108 ws 13 at 153 126 ws 188 187 Lullaby of Birdland (Fm) ‘Make Someone Happy (F) Makie' Whoopee (®) Manhatan (®) Mean To Me (®) Memphis in June (C) Moonglow (G) Moonlight Becomes You () ‘More See You, The (Eb) Moten Swing (AB) Me, tueky (G) My Blue Heaven (Eb) My Romance () Nice ’N' Easy (Eb) Nice Work if You can Get (6) No Moon At all (Om) (Oh You Crazy Moon (G) (On A Cleae Day () (On a Slow Boat To China (@b) Out OF Nowhere (G) Paper Doll (F) Peg ‘0’ My Heart (Bb) Rose Room (Ab) Satin Doll (C) Sentimental Journey (C) Some Enchanted Evening (C) Sound of Music, The (F) Star Eyes (Eb) Stormy Weather (Ab) Stranger in Paradise (F) Summer Wind (Eo) ‘Sweet and Levely (C) Sweet Loraine (©) Swinging Shepherd Blues (C) Teach Me Tonight (C) Tender Trap, The (Ab) That Old Black Magic (Eb) That Old Feeling (Eb) That's Lite (C) ‘There's A Small Hotel (C) ‘They Can‘t Take That (ED) Three Little Words (C) Time After Time (Bb) Weaver of Dreams, A (C) What Now My Love (F) When Lights Are Low (®) When Your Lover Hat (Ab) Will You Stil Be Mine (Ab) Witcheratt. (6) With A Song in My Heart (Eb) Yesterdays (Om) ‘You Mace Me Love You (C) You Make Me Fee! So (8b) You Stepped Outot a (©) ‘You'd Be So Nice to (C) You're Getting to bea (A) You're My Thrill (Fm) You're Nobody Til (7) NEWEREASY Everybody Loves) | Say A Lite Prayer For () ‘Moments To Remember (Ab) 186 186 185 187 203 2a 204 25 247 240 244 22 233 228 248 226 219 205 27 202 245 201 230 220 209 246 239 224 228 203 22 227 207 22 229 223 210 225 216 224 206 210 222 27 204 230 209 221 237 235 243 208 248 236 mm 228 216 20s 201 207 27 Rainarops (©) Sing (8b) Song Sung Bive ¢®) This Guy’ in Love (6) (MEDIUM/UP SWING All Of Me (©) Al Or Nothing At All (C) All The Things You Are. (Ab) ‘Almost Uke Being in (8b) Alright, Okay, You Win (Eb) Between The Devil and (F) Breeze And |, The (F) But Not For Me (Eb) Chattancogs Choo Choo (C) Cherokee (Bb) ‘Choo Choo Ch’Boogie (#) Come Fly With Me () Crazy Rhythm (F) Day By Day () Dearly Beloved (©) Do Nothing Til You (6 Don't Be That Way (E0) Dorit Get Around Much (C) fxactly Uke You (©) Fascinating Rhythm () Foggy Day, A (F) From This Moment On (AB) Give Me The Simple Lie (Eb) Gone With The Wind (Eb) Green Dolphin Street (C) Have You Met Mis Jones (F) How High The Moon (6) Get A Kick Out OF You (Eb) I hove You © 1 Remember April (C) ‘tm Beginning To See (C) ‘tm Old Fashioned (F) ve Got The World on a (Eb) "ve Got You Under My (Eb) In The Mood (Ab) Invitation (Cr) Could Happen To You (2) Don’t Mean a Thing (68) Ws You Or No One () Jersey Bounce (C) lust Friends (G) lust One Of Those Things (F) Lady Is A Tramp, The (©) long Ago And Far Away (F) Lot OF Living To Do, A (C) Love For Sale (Bb) over, Come Back To Me (Ab) Mac The Knife (C) Mountain Greenery (©) My Baby just Cares For (G) Night And Day (5) ld Devil Moon ) Opus One (@) ‘Our Day Wil Come (6) (Our Love Is Here To Stay (F) Pennies From Heaven (C) Pennsylvania 6-5000 (6)a8 24 m 246 2s 23 237 208 231 23 27 29 a2 206 24 202 a2 238 232 238 239 28 220 26 2a 24 2s 247 245 234 240 302 306 302 308 305 306 327 301 327 301 an 309 328 307 308 an 304 305 303 303 310 328 326 310 325 327 325 304 307 Perdido (Bt) Red Roses (or A Blue (C) SWondertul (£6) San Francisco (©) Secret Love (Eb) Shiny Stockings (Ab) Somebody Loves Me (C) Somewhere Beyond the (Eb) Song is You, The (C) ‘Stars Fell On Alabama (C) Stompin’ At The Savey (F) Swing Of Pears (E>) ‘Take The "A" Train (C) Tangerine ‘There ls No Greater Love (Bb) There Will Never Be (ED) ‘There Be Some Changes (8b) This Can't Be Love (AD) ‘This Could Be The Start (C) ‘Too Close For Comfort (C) ‘Too Marvelous For Words (C) Tuxedo Junction (8b) Undecided (©) Walkin’ My Baby Back (€b) Way You Look Tonight, (EE) What is This Thing (C) ‘without a Song (Eb) Woodchoppers Ball (C) Wrap Your Troubles (C) You and the Night and (Eb) You Do Something To Me (Eb) SOCIETY/MISC. ‘Alley Cat (©) Anything Goes (©) Cabaret (€2) Cecilia © Fine And Dandy (F) Get Me to the Church on (6) Give My Regards To (8b) Hello Dolly (Bb) Hooray For Holywood (F) 1Got Rhythm (Bb) 1 Uke The Ukes OF You (Eb) It Al Depends On You (C) its Alright With Me (F) Wes Delovely Lady Be Good (6) Late, Late Show, The (F) Mme (©) New York, New York (F) ‘On The Street Where You (C) (On The Sunny Side Of (C) One (Eb) Puttin’ On The Ritz (Frm) Rosetta (F) So What's New (C) Surrey With The Fringe. (G) Sweet Gypry Rove (C) ‘That's Entertainment (Bb) Tie A Yellow Ribbon (Eb) When You're Smiling (Bb) Whispering (&) 358 387 361 362 355 351 355 354 353 356 357 358 352 353 359 356 358 364 359 359 363 363 354 351 361 364 382 362 as DIXIE Aint She Sweet (©) ‘Nexanders Ragtime Band (P) avaton ® Baby Face (©) Basin Street Blues (©) Bailey Binh Of The Blves (©) Bourbon Steet Parade (Ab) ye Bye Bues (C) Chaseston, The (@b) Chicago © Darktown Strters Ball (C) Five Foot Two (©) Honeysucie Rose ©) ve Found A New Baby (0) Indiana ads @ Umenouse sives (Ab) Midnight In Moscow (©) ‘Musizat Ramble (86) Rock-A‘Bye Your Baby (©) Shek of Araby, The (BE) St Louis Blues (©) Sweet Georgia Brown (©) Tiger Rag (Bb) Tin Roof Blues (80) Toot Toot Tootsie (©) Up A Lary River () Way Down Yonder in (©) Yes Sit, That's My Baby (ED) Gravy Water WALTZ Alice in Wénderland (©) Always ‘Around The World (C) Baubles, Bangles and (Ab) Bluesette (8b) Dear Heart Edelweiss (Bb) Emily (© Falling In Love Again (€b) Falling ln Love With (8b) Fascination (©) Greensleeves (Om) Hello Young Lovers (Eb) 1 Could Have Danced All (C) Ti Take Romance (F) Lover (© Mademoiselle de Paris (0) Merry Widow Waltz (®) Moon River (C) My Buddy (6) My Favorite Things (Em) Pigalle (C) ‘Que Sera, Sera. (EB) Scarborough Fair (Om) Someday My Prince Will (F) Somewhere My Love (G) Tennessee Waltz (C) 407 405 a4 407 406 a5 407 406 404 a 432 432 461 432 434 43 433 43 483 an 4M 442 a4 aa 461 a “3 43 442 470 4s) 482 482 452 431 456 455 456 456 455 456 462 462 465 463 464 466 Two Hearts In 3/4 Time (©) Under Paris Skies (rm) Up lumped Spring (Bb) Vienna Life (Bb) Vienna, My City Of What! 1 Do? (E5) Where is Your Heart) ‘Wonderful Copenhagen (C) ‘Wunderbar (6) POLKAS eer Bare Pola (©) Clarinet Potka (C) Happy Wanderer, The (Bb) Havalian Wedding Song (© Helena Poa Hoop-Dee-Doo (&) Liechtensteines Polka) Pennayivania Polka (F) “oo Fat olka (C) ITALIAN ‘Ah Marie (Cm) AiDi Le (Bb) ‘Anema € Core (6) ‘Arivederci Roma (C) Cito, Ciao, Bambina (©) ‘Come Back To Sorrento (Cm) Godfather Theme (Cm) Mala Fermena (Bb) Maria Elena (©) My Love Forgive Me (©) (0 Sole Mio (EB) Tarantella (Am) Thats Amore (F) Volare (8b) IRISH Danny Boy (Londondeny (C) lish Washerwoman (C) MacNamara's Band) My Wild trish Rose (Bb) ‘When Wish Eyes Are (C) JEWISH ‘Arts Alinw (Om) Hava Nagilah () Mayim Mayim (Cm) Misirlou (Gm) Sunrise, Sunset (Gm) Tae ®) MISC-SPECIAL Anniversary Song (Em) Anniversary Waltz (C) ‘Auld Lang Syne (F) Bridal Chorus (8b) Bunny Hop Chicken Dance (©)469 466 469 4683 468 468 468 464 467 465 465 487 463 485 492 492 486 485 491 491 490 a7 487 489 485 486 490 508 si 509 313 sn 519 315 504 01 316 506 520 510 505 sn 317 sz 318 503 520 sie 07 504 505 519 506 503 37 S22 501 sis Cielito Lindo (6) Daddy's Litle Gia (C) ‘Gusntaramara (0) Hail To The Chief (©) Hokey Pokey (8) La Vie en Rose (©) Limbo Rock (F) Mexican Hat Dance (F) Russian Dance (C) Star Spangled Banner (@b) Stripper, The Those Were The Days (Am) Wedding March (Om) CHRISTMAS Christmas Song (Eb) ‘Civitas Time is Here (F) Frosty the Snowman (C) Have Yoursel a Mery (©) Be Home For (C) Jingle Bells (6) Jinglebell Rock (C) Let lt Snow Rudolph (C) Santa Claus is Coming Sliver Bells (©) Sleigh Ride () White Christmas (C) Winter Wonderiand (Eb) -BOSSANOVA Black Orpheus (Am) Call Me (8b) Detatinado (F) Dingi (©) Don't Misundertand () nate Felicidade (Cm Gentle Rain. (Am) Girl From Ipanema () Going Out OF My Head (Bb) How Insensitive (Om) You Never Come To Me (Eb) Uke A Lover (© Little Boat (C) Look Of Love (Om) Look to the Sky Lujon (Om) Man And A Woman, A (C) Meditation (C) Never Let Me Go (Ob) No More Blues (Chega De (F) © Grande Amor (Am) Once t Loved (F) (OneNote Sambs (Bb) Only Trust Your Heat Pretty World (G) Quiet Nights (©) Recado Bossa Nova Sabor A Mi (Eb) Shadow OF Your Smile (C) So Many Stars (C) 07 540 508 502 502 sz 512 539 535 337 337 539 540 536 536 538 556 358 554 582 3st 353 553 355 554 357 581 555 387 356 358 565 567 566 567 575 578 576 o7 377 568 568 602 601 601 So Nice (Summer Samba) (F) Theirs Teas Triste (Bb) Watch What Happens (€b) wave (0) Where Do You Star (Eb) Yellow Days SAMBA Bim Bam Bum (8b) razil (AB) 1Go To Rio (8b) Jazz Samba (€b) ‘Mas Que Nada Menina Flor (Eb) ‘Quando, Quando (8b) Samba de Orfeu (C) Tico Tico (Am) RHUMBA ‘Abways In My Heart (Bb) ‘Amapola (8) Amor (©) Begin The Beguine (C) Besame Mucho (Om) Green Eyes (Eb) More (©) Perfidia (C) Poincians (G) Softly AS In A Morning (Om) Spanish Eyes (C) Speak Low (F) Strangers In the Night (F) You Belong To My Heart (Eb) Yours (0) CHA CHA ‘Chery Pink and Apple (Eb) Dansero (F) Frenesi_ (Ab) Never On Sunday (@2) Tea For Two (AB) TANGO lve Tango (0) Ialousie (6) Kiss OF Fie (Om) La Cumparsia (Cm) La Paloma (©) ‘OTHER LATIN Caravan (Fm) Morning (Boe) 1AZZ_ BALLAD Blue in Green (Bb) Chelsea Bridge (Ot) Child 1s Born, A (Bb) 607 604 608 607 608 602 606 603 602 602 605 603 601 693 605 604 ou 6 63 67 613 6 ous 62 616 613 614 6s 612 61s 26 625 632 620 635 633 69 24 64 633 628 626 637 631 2s 620 628 627 353 625 639 639 630 625 as 6 632 Dango (Fm) Remember Cllford (F) You Could See Me Now (Eb) Infant Eyes (ED) Kids Are Pretty People (F) Lament) Lush Lite (0b) Naima (Fm) Passion Flower (6) Peace Bb) Quintessence (F) Round Midnight (Eom) Search For Peace Soul Eyes (€) Turn Out The Stas You know | Care (Bb) IAZZ EASY Bemie's Tune (Om) Dolphin Dance (Eb) Boxy (6b) Falling Grace (Ab) Haunted Ballroom (F) In Your Own Sweet Way (@b) Kiler Joe () Stolen Moments (Cm) Stroll’ (Ob) Sugar (Cm) Take Five (Cm) Things Ain't What They (FD Whisper Not (Cm) Work Song (Fm) Aitegan (AD) ‘Anthropology (Bb) Daahoud (Eb) Dig (aby Four (&) Groovin’ High (Eb) Halt Nelson (©) Impressions (Om) Jeanine (Ab) Joshua (Om) Jey Spring Lady Bird (©) Milestones (O16) (80) Narais (&) ‘Nias Dream (Bbm) Night in Tunesia, A (Eb) leo (8b) Ornithology (6) Quasimodo (Eb) Robbia's Nest (Q) Serapple From The Apple (F) Serpent’ s Tooth (60) Seven Steps To Heaven (F) So What (Om) Solar (Cm) Theme, The (8b) Tune Up (0) Well You Needat (F) Yardbird Suite (C)24 636 3 643 642 oan 61s oat a7 626 627 68 642 629 636 a9 638 659 658 635 660 659 658 659 656 658 687 655 658 655 660 656 655 660 687 659 655 656 ors 676 64 7 “7 677 678 675 673 675 674 678 676 JAZZ MED/UP Bebop () Bolivia (6) on Alma (@) Confirmation () Donna Lee (A) Epistrophy (C#) Giant Steps (@) 'Mean You lary Bird (G) Moanin’ (Fm) ‘Moment’: Notice (Eb) ‘Night Has 1000 Eyes, The (C) Sal Peanuts (F) Serenity (Eb) ‘smatter (278) Speak No Evil (Cm) This is New (Cm) Witch Hunt (Cm) 1AZZ BLUES ‘Au Privave Besse’s Blues (Eb) Bilie's Bounce (F) Bittersweet (C) Blue Monk (86) Blue Trane (Cm) Jes For Alice () Byralike Equinox (Cm) Gingerbread Boy (8b) sotope (€) Me, Sims (©) Now's The Time (F) Perhaps (C) Relaxin’ at Camarillo (Bb) Solid (8b) Some Other Blues (F) Speedball (©) Swaight No Chaser (F) Tenor Madnest (Bb) Vierd Blues (Bb) 1AZZ WALTZ tha (eb) How My Heart Sings (C) Ws A Raggy Waltz (C) Jus Night Dreamer (G) Simone (F) Sometime Ago () Valse Hot (AD) Very Eaty ( Wate For Debby (®) West Coast Blues (Bb) What Was (C) Windows (Bb) 1AZZ_LATIN 689 694 1 689 692 61 686 eee 687 687 638 694 693 68s 694 685 690 687 696 696 695 695 ‘Armando's Rhumbs (Cr) Be Bossa (Cm) Ceora (ab) Forest Flower (C) Friends (©) Gaviots (Cm) Gregory ts Here (8b) "Told You So Liberated Brother (Gm) Lite Sunfiower (Om) Ludy Souther (0) Manteca (8) My tle Suede Shoes (Eb) Pensativa (Gb) Recordame (Am) Siver's Serenade (én) ‘Song For My Father (Fr) Song Fr Stayhom (Eb) Spain (©) St Thomas (©) Think On Me (0) Groove Merchant (6b) Mere, Mery, Mery (Bb) Sidewinder (€8) Sister Sadie (C) Watermelon Man (F)1 I LEFT MY HEART IN SAN FRANCISCO (Tony Bennett) Cross/Cory 54 C7 FT) D-7? G7 C-7 FT Bb? A-75 D798 G7 CT The lov-li-ness of Par-is is some-how sad-ly gay. The glo-ry that was Rome was of another F7 Bb-6 c-75 G15 Gb FIC D7 G-7_ C7. F day. Tve been ter- tly aclone and for -got-ten in Man-hatten, Im go-inghome to my ei-ty by the bay Set Tempo Al Bb EbAMD-7 bo? c-7 G79 | *C- C-67) C-7 FT 55 == S= F cad j 1 teft my \ bear. in San Fran- cis-c nigh'On 3 hil iteals t0 My love waits there in San Fran cisco a bove the Bh7Be7_c-7_F7 [Bhbar E-75 a7 D-7 ck? p-7_ D7 me. To be where lit-tle cab-le cars. G-7 Db7 C7 C-7 BeT climb half-way to the stars, F7 *C-7 #7 the moring. F/E> A-7)D C7 fog may chill the air, T don't care. My love waits “ blue and win-dy sea D7 [Ger D- G7 C7G-1C7 C7 F7_ Bb When I come home to you San Fran-cis-co your gold-en sun will shine on me. MOONLIGHT SERENADE Glenn Miller 1939 [Al Fs _, Abo7 G7 c7 sa F FE a ACTED s— D7 GF G D- G-G@ G- B c7 ct "F D7G-7C7|*F FT Bb Bb Foe ATS Dm B75? Bas ET ATS Di Ga ce 2. FneBa? C7 4, FT Bb G7 Co F-7 Bis cant un- der-stand, I get mis-ty just hold - ing your hand. Walk my mus - ic I hea, I get mis-ty the mo- ment youve hat from my glove, I get__mis-ty and too much in love pb Abs Bb Bb7 Baber eas ‘You cansay that you're leading me on, but its just what I want you to do. - ~ 15 C79 RA Ab6 Aq D7 «C-7 EL, G-75 C79 F-7 Bb? — De. amare Don't you noticehow help-less-ly Tm lost, that's why Imfol-lowing you. On my 2 MISTY ee Al pher Bb7 BM Aba? ADT De ° Lookat "me, Im as helpless as a kittenup 2 wee, akaT feellike 1m clinging to acloud; 1 Muty sajand a Ueetid ol clunbepioe os or knigabs te’ sxctof poate fa een eae eae ae eee GEORGIA Hoagy Carmichael/Stuart Gorrell 1990 A] F E-75 AI D-7) D-71C G7B Bb6 Fa7 D7 Geor- gia, Geor- gia the whole day through, just an old sweet song_keeps Geor- gia, Geor- gia, a song of. you, comes as sweet and clear as Geor- gia Geor- gia, no peace I find, just an old. sweet song. keeps F6 C7 A-7 AbT G-7 c+ 2 G7 c7 Ga 3.Geor - gia. on my mind, B} p-7 G77 D-7 BbT D-7 G7 D-7 G7 Oth-er ans reach out to me, other eyes smile ten der- ly, D7 G7 D-7 Ev AT p7s G-7 C7 © De wander Fee still in peace - ful dreams I see the road leads back to you. Gow-ga cn my mind Garg oe my mint) 2m0m- tpn Orme oe poe ——————————eEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEO0OeAS TIME GOES BY 3 Herman Hupfeld 1931 (Casablanca) (ab? G-7_C7) Al F-7 BIT F-2S, BT OB F-7 Fte7 EWG C-7 You must re-member this, a kiss i still a kiss, a sigh is stl a sigh the when two lov-ers woo, they still say “I love you", on that you can te ly: No ‘still the same old story, a fight for love and glory, a case of do or die; he F7 Fe? BA7 Bb79 [* Bba7 BS Eo? [@ED BEF Fe? BAG fun da-ment- al things ap - ply as time goes by And by. mat- ter what the fu ture brings as time goes by. sedi al-ways_ welcome Ab G-7'5 cm F-7. AT D798 C-1G AbIG> Moon-light andlovesongs nev - er out of date, heartsfull of pass- ion, jeal-ous- y and hate; woman needs man and F7 BY E* —F+7 BMocucaG-7 C7 F-7BH3__ Bb Iman must have his mae, hat no one can de = ay. ts bres, me gm Wy TENDERLY meet Walter Gross /Jack Lawrence 1946 Bsa abn EMT The eve ning breeze cca essed the trees ten = der = ty —___ The shore was Kissed by “sea and mist ten > der > Wy Ab? F-9 Ab-6 Eba7 ——— ‘The wem- bling trees embraced the breeze «ten - der = T can't for - get how two hears met breath - less - ‘Wy Be7 C-7 F7 Then you and «1 came Wan - dering by, and Bb7 lost in a sigh were Bo = C-7 The shore was G7 cH wide and closed me in- FT F-7 you took my lips, “you Took my love so ten- der ~ ly.MY FUNNY VALENTINE Rodgers /Hart 1997 Cc Coa Cay c-6 Aba? AIG F-7_ F-/BD My fun-ny val-en-tine, sweet com-ic val-en-tine, you make me smile with my D-75 G7 Cc c-4n C7 c-6 hea. Your looks are laugh- a- ble, un - pho- to - graph - a- bie, Aba7 AbIG = F-7 ~~ F-/Eb —Ab-6—BD7I9 Bb? Fv G-7 F7 yet youre my fav-'rite work of ant Is your fi - gure less than greek, is your Eba7 F7 G-7 F+7 Ebr G7 C- Bh A7 Aba? D-75 G79 mouth a it- de weak, when you o - pen it to speak, are you sman?____But c- con) C7 c-6 Aba7 p-75 G7 dont change a hair for me, not if you care for me, stay fun-ny val - en-tine C-7 BS Bb-7 A7 = AbAT FU Bb7i9 Eb stay, ____ each day is val - en - tine’s day. SUMMERTIME G. Gershwin/DuBose Heyward 1935 A-6 B-6 A-6 B-6 A-6 B-6 A-6 B-6 D- F 7 Summer - * time. and the liv-in’ is ea - sy-— fish are jump - in’ One of these © mom- in's you goin'to rise up sing-in,____ then you'll spreadyour wings D- Ee E7 F7 E7 A-6 B-6 A-6 B-6 and the cotton is high Your dad- dy’s rich and your mam-my's good and you'll ake to the sky. Bot will that mom = in’ there's a no- thin’ can A-6 B-6 A- D7 cIG AT D7 D7 A- look - so hush lit- de ba = by — dont you cry. harm you with dad - dy and mam- my stand-in’ by.EMBRACEABLE YOU Bbo7 AT D7 F7 E7 G6 Em-brice me, my sweet em- brace - a- ble you T love all the ma- ny charms a- bout you. 4p D™® ["Ge a7 GB Bi [BlE- E-7D you ir-re- place - a-ble you—__ Just one look at T want my B-VA__GtT5 G-6 FR-7,— B79 E-7 AT D7 tip - sy in me __You and you a - lone bring out the gyp - 267 a7 Bbr-6 GBI ce FHS Bye Be 5 lea/ George Gershwsn 1830 AT Em- brace me, a- bove all ces Fyn ‘you, my heart grew Bb?) A-7 ab7 sy in me. E-@7 ams a-bout you, ____ Don't be a — maugh-ty ba-by, come to pa-pa, come to E7 AT G/D E79 15 p79 G6 pa- pa do. My sweet em- brace - a- ble you. UNFORGETTABLE Gordon Irving 1951 (at Col) GG G47 G6, CRS FID C6 C47 662 Un-for- get-ta-ble,— that's what you are.. Un- for- get-ta- ble, tho’ near so Uorfor- ge eb in ev-'ty way. ‘And for “e+ ver-more— that's how you'll Bb7 Cc B79 E-7 7 B- CoTAICH" FAT F7 Like a song of Eb Do ‘AbT 2 a7 never be-fore has some-one been maore.. E-7 Ag That's why dar-ling, D7 D-7 G7 car B79 that some- one soun-for-get - ta-ble, thinks that I am un-for- get - ta-ble AL love that clings to me, how the thoughtof you does things to me, F-6 it’s in-cre - di-ble, cé (A-7D7) to0.6 STARDUST Hoagy Carmichael 1929 Verse F9 E7 And now the pur- ple dusk of twilight time, steals _a- cross the mea-dows of my ‘You wan-dered down the lane and far a- way. Leav-ing_ me a song that will not E- A- [B7 High up in the sky the —lit-te starsclimb. al - ways Love is now the star-dust__ of yes-ter- day, 2 G7 co Cc re ~ mind-ing me that we're a - par. the mus- ic of the years gone by. Some-times 1 Be F-6 Bb7 won-der why I spend the lone~ly night dream- ing of _ song. The side a gar- den wall when stars are bright, you are in my arms. The E-7 An D- “D- — D-7HAb ATS me-lo-dy haunts my reWer- ie, and Tam once a- gain with you. ‘When our nnight-en-gale tells his fai- ry tale Of par- a dise, where ros - es G7 G G7 Gt Cc D7 Ebe7 CIE love was new, and each kiss an in spi - ra - tion ___ Av? D9 AZ D9 G7 DA o that was long a- go, now my con- so-la- tion is in the star dust of a song—__Be - 2 D7 F6 F-6 Cc E-BA- CiIG “grew Tho’ 1 dreamin vain in my heart it will sre BYF§ F7 E7 Ebi3 D= ATs D7 G7 c the mem-o-ry of love's re frain, main, my _star-dust mel- 0- dy,SEPTEMBER SONG Kurt Weil 1998 AI os ay nC DT py oo Oh it's a long, long time, from May to Dec - em- ber, Dut the days grow the au-tumn wea - ther, tums the leaves to flame, Andthese few _pre-cious days, Tl spendwith you, GI fone has-n't got these precious Gn D? Dp =745 CAT Gust CAT ze D-75 shor when youreachSep- tem- ber Whenthe autumn “ time for the wait ing Cc Giutce |B} p-6 Fhe? x F-6 o ——— Ohthe days dwindledown___ to a_prec-ious few, Sep- tem - ber, f07 CAIG 00.1cese @ Diu D7 D-75 Dba? C6 Nov- ember, _andthesefew days ll spend with you. POLKA DOTS AND MOONBEAMS ‘Van Heusen /Burke 1940 c7 BT a7 D2 Fa7 D2 G7 ‘A courtry dance was be- ing held in a _gar- den, T felt a bump and heard an The music start-ed and was "I the per-plexed one, I held my breath and said “may Now in a cot-tage built of Ji- lacs and laugh- ter I know the mean-ing of the G7 E-7 AT D-7 By F Bb A-T AT “ob, beg your par- don,” sud-den- ly 1 saw Pol-ka Dots and Moon - beams I’ have ‘the next one?” In my fright-ened arms Pol-ka Dots and Moon - beams words “ev - er af - ter,” and Till al - ways see Po-ka Dots and Moon - beams G7 c7 A- Ab7G-7Gb7 2 G-7 cz F6 E7 Fre all a-round a pug- nosed dream. spark- led on a pug-nosed dream. There were BI when I’ kissmy pug-nosed dream, AAT Be B-7 E7 AAT Fe, , B-7 £7 questions in the eyes of oth-er dan-cers as we float-ed ov-er the floor. There were ACT Be B-7 E7 AT D7 G-7 c7 BG. wand Encing questions but my heart knew all the ans-wers, and per-haps few things more8 EVERYTIME WE SAY GOODBYE Cole Porter 1944 Eba7 F-7 G-7__—Aba7 G-7 C79 F-7_ BHT Eb? Gb7 Ev - ‘ry time we say good- bye, 1 die a ‘lit-de, —ev- "ry time When you're near—— there's such an air of spring a- bout it, T can hear Ba? E7 “Aab-7 EWG Gbeo7 F-7 Bb Bb-7 79 we say good - bye, 1 wonder why a lit-tle, why the gods a- bove me who a lark some- where be gin to Bb-7 B79, (AbAT Ab-7 pb Gt C7 Gb-7 B7 rt think so lit-tle of me, they al - low you to go Gho7 F7 Bb Bb-7 Bb7Aba7 must be inthe know, Bb7us¢ Bb7I9 |? Aba7 b9 BG sing about it. There's mo love song fin-er, but how strange the change from Ab7,___Dbo BbA7 C79 +7 BbJgust Bb7I9. EG ma-jor to mi-nor, © ev- "ry-time__ we say. good - by WE'LL BE TOGETHER AGAIN ee cé ADT D-7 G7) A- AZ, pv No. tears, ho fears, re -mem- ber there's al- ways to - mor - row, so Your kiss, your smile, are_=—smem-"ries I'll treasure for - ev - er 30 Some day, some way,» we ~—both have a _iife- time be - fore us, for 2, BY AMT "Gast G7 | *C6 Be Aba? p-7s what if we have to par, we'll be to-geth-er a - gain. Your gun. wy think-ing with your heart, pan- ing is not good - bye, AMZ, G7s c-6 AbT,, G+7 c-6 Times when I know you'll be — lone- some, times when I know you'll be sad, AMZ, G7 brn F7 D7 Ab7 Gast G9 don't Jet temp-ta- tion sur - round you, don't let the blues make you bad. Some D.C. Ed ie)things that ev-'ry-one ought to do. I'm liv- ing in a kind of day-dream, I'm hap-py asa mo- ments go'till Tm near to you. I see your face in ev-‘ry flow- er; your eyes in stars a- *D-75 G79 C-7 F-9 Bb BT Eb7 ‘king, and fool-ish tho’ it may seem, to me that's ev-‘ry- thing. The mere 1 - 2 D-75 Dhar c-7 F7 Bb-7 Eb7I9 abs bove It's just the thought of you, the ve-ry thought of you, my — love. I'M IN THE MOOD FOR LOVE Jimmy McHugh/Fields 1935 D-7 G7 D7, G7 c7 oc Tm in the mood for ove, simply be - cause youre near me. Hea- ven is in your eyes, bright a5 the stars. were un - der If there's a cloud “a - — bove, if it should rain well let it, E-7 Ebo7 D-7~=«G7 D-7 G7 " C Giaust |}? Fun- ny, but when you're near me, Tm in the mood for love, love. ™* Oh, is it any won - det Tm in the mood for But for to-night for - get it, Tm in the mood for B] p-7 G7 C E5479 pers Gn c Why stop to think of wheth - er, this lit- tle dream might —_ fade. FETS Bre E-7 Aq D7__D-7s G7 We've put our heans to - geth - er, now we are one, Tm not a - fraid. D.C 02nd ening Fine) THE VERY THOUGHT OF You | 9 Bb7 Aba7 Eb AbaT ET Ab BbT ee eh tee Soe Be AWC, OF-9 Bb Bb7 Bb7 G-75 C7 FT F-YEb a a a a 1 a a a a i i i i10 HERE'S THAT RAINY DAY Johnny Burke /Jimmy Van Heusen 1949 G DF BF oB7™ Bh? 2, Abs? AT D7 s~p7 i S + May-be- I should have saved those left _ov- er dreams, funy but here's that rain-y Where is that worn out wish that I threw a- side, af-ter it brought my lov-er Ga _p-7G7[*E-7 Flat 9 Bhar Eba7 day Here's that’ = rainy day they told. «me a - bout, and I near? A-7 Ds c7m B+ ES A-7 p7s!* Caz Taughed at the thought that it might tum out this way.___ Fun- ny how DIC B-7 B-7 AB A-7D D7 D7 G6 love be-comes a cold rain-y day, fum-ny that rain-y day is here—___ I REMEMBER YOU Johnny Mercer 1942 G6 CHISFH7 G6 D7 = =G7 car C7 FT, BDEEEE EBB Oe I remember you, youre the one who made my dreams come te, a few kiss- cs a- I remember you, _you'te the one who ‘said. “I. love you too", I do, did- mt you B-7 Bb7 |‘A-7 D7 |*D-7 G7 Bhar FT B7 a7 oe 1 fe-mem-ber too a dis-tant bell, kaow! FR7 BT E47 E-7 AZ DAT = A-7 D7 G6 and stars that fell like rain out of the blue. CHISFH G6 a7 B-75 B79 AT C-6 F7 When my life is s through andthe an gels ask me to re- call_—— the till of them G47 E7 C75 C-6 B-7_ Be7H A-7 D7 G6 all, then I shall well them «Tre - mem - ber you.MY ONE AND ONLY LOVE 11 Wood Melin 1983 Al car Ay D-7 G7 Gi? a7 Far, Ye - ry thought of you makes my heart sing like an Ap-rilbresze onthe The sha-dows fall andspread their mis - ty charms, in the hush of ‘light whileyou're You fill my ea ger heart with such de- site, ev-'ry_—_kiss you give, sets my E7 Alas! AT D-7 G7 E/Gt A? D7 Opa G7 wings of Spring, and you ap- pear in all your —_splen-dor: my one and on-ly in’ my arms, T feel your lips so warm and tender, my one and on-ly soul on fire. I give my- self in sweet sur - — ren-der——— F757 B] p- 2 FHS B78 2 C6 crs, E-7A7D-7G7 love. The touch of your hand is like heaven, a EC 75, TIS B79 E- ss E/DE E-(D,—s— CH love. hea - ven thatT've neveer known. The blush on yourcheeks when ev - er I speak D7, AMT, GTns$ G7 acarcon @& D-7 G7 C6 tells me that you are my own. my one and on-ly love. THE NEARNESS OF YOU a Hoagy Carmichael/Washington 1937 Fa? C7 F7 ‘BbAT Bbo7 It’s not the “pale moon that ex - cites me, that thrills. and ex - cites me, oh is-m't Your sweet _con- ver - sa- tion, that brings this sen - sa- tion, oh T need no ‘soft lights to. en - chant me, if _you'll, ~on- ly __grant_ me — the AT Dm G7 C1, OAT AW GT Chat F it's just the near-ness of you. Itis-n't you——____ whenyou'rein it's Just the near-ness of . ™y right “tw holdyou ev- er so G7 cw FA7 Fist C-7 BT BbA7 E79 A-7 D7 and I feel you so close to me,. all my wild - est dreams come Gimst G9 G-7 C79 F6 C7us4 FE arms, G-7 DECI Cho scout AnTS EDT D7 _ == = — Teed no tight, and to feel in the night the near-ness of you.12 WHAT'S NEW? Burke tagant 1038 ow Bi 6 Bey _,__, BT Aber pe7is Gm 2 How is theworld treating you’. ‘You have-n't cHanged a What's new? How did that T-mance come through’ ‘We have-n't met since A= dieu, Par-don my ask- ing what's new Of courseyou could- n't FG-7. C7 7 Gi Aba7 G79 co C- Ebb bit, lovely as © - ver, Tso must ad- mit ‘What's new? ‘What's new? then, gee but it’s ice to see you a-gain. know, T have-n’'t changed, I love you so. BI rs BRT ab pir Ges cw Prob - a- bly I'm boring you but see - ing you is F-_Ab7E DbA7 cm OF BT D-75 Gn Dc. afro grand and you were sweet to of-fer your hand ‘I un- der - stand. BODY AND SOUL B-7 D9 bo Hetman/Sour/Byton/John Green 1930 G7 F7 E°7 Al Eb Bb7I9 My hear is and Jone - ly, for you I sigh, for you dear - by spend my & and Won-d'ring Why its me you're wrong My wreck you're taf fog’ you know I'm yours for just the tak = E+ P&:— [© pb Bbw Eb? Bb7Db C-75 R79 BLT Why haven't yBu seen it? I'm all for you, Bo-dy and Soul. T” ‘tell you "l= mean it, Fine BI Td gld-ly sur- ren - der D E7 D/Ft G7, C7 FET B-7 E-7 = A7 Dav I can't believe it, it's G7 hhard 10 con-ceive it, that you'd tum a- way ro- mande D7 E7 Ebe7 D7 G7 C7 BT7BHT oc ate ‘Are you pre-tend-ing, it looks like the end-ing, un - less I could have one more chance to prove dear,Re@egegeaegeneeeenseeaeaesegseaeaeae a8 8 13 Johnny Burke/ Jimmy Van Heusen CHOSFI9 B-7Ca7 BUT BEAUTIFUL G6 cm B75 En A-7 io ife is fun-ny or it's sad, or it's. qui- et or it's mad, its a good thing or it’s Love is tearful or it's gay, i's a problem or its play. Its a heart-ache cith - er SET AT E-TB C-Cp-7I5 DL DIC _B-7 E-7 bad, but beau - ti- full way but beau ti- ful. A-7 D7 Ge B79 Beau-ti-ful to take a chance_and And Im think - ing if you were mine Td Bee BOE Ad would- nt mind at A? AMT if you fall you and 2a-7 BT fall Tm think- ing E-7 -F7 G6 Bb7 1 nev-er let you go, and that would be but beau-ti-ful I know. SCOTCH AND SODA Db Dave Guard 1959 AbA7 EG G7 c7 Scotch 'n’ so - da, iad in your eye, ba-by do I feel high, oh me ob Dry mar-ti - ni, jig- ger of gin. Oh what a spell you've got’ me in, oh AI All I need is one of your smiles, sun-shine of your eyes oh me oh my F7 F7 Bb7 | "Bb7 Bb? OA7 J? Bb7 Bb? «Eb? BHT my— do fel high. Bl ssn B high. F- Bb ‘EbA7 Peo-ple dont be - lieve me, they say ‘that ‘Tm just brag - gin’. F9 c-7 F9 C7 F7 Bb7 But ‘Coe 1 could feel way I do and o G7 still be on the wag - on7— C7 F7 Bb7 Ab7 EB high-er than a kite could fy. ba-by I feel high Give me lov- ing14 WHAT ARE YOU DOING THE REST OF YOUR LIFE Legrande/Bergman 1969 Ar A-IG A-/G A-/Ft oe What are you do-ing the rest of your _life?. North and South and East and All the sea-sonsand the times of your days all the nick - es and the ‘Those tom-mor-rowswait - ing deep in your eyes, in a world of love you Fa? E-7 D7 West of your life___I have on - one re =~ quest_ for your life, dimes of your days, et the reasons andthe == rhymes of your days keep in your eyes ‘Tl a - wa-ken what's a - — slep in your eyes, B-755 @ [EIA ET I want to All the sea-sons and the “ me. that you spend it all with me. all ‘be - gin and end with it may take a kiss or B-75 E7 AAT B15 E7 o see your face in ev-"ry kind of light, —in_— fields of dawn and for-ests of the AST ADT pb79 Gba7 night. And when you stand be- fore the can-dles on the cake, Oh let me be the G7 c79 F47 one to bear the © si- lent wish you make. Those fori*. “tor - rows wait - ing o Etnust Ev F9 B-75 E7 two,__ Thru all of my life, Summer, Win- ter, Spring and Fa7 Fr A-IE B77 E7 A- Fallof mylife, all Tev-er will re call in my life, is all my life with .you.I ONLY HAVE EYES FOR YOU 15 Warren/Dublin 1934 D-7 G+7, D-7_ At D-7 G7, D1. ATR Are the "stars out to -night? 1 don't care if it's clou-dy or bright, cause I moon may be high, but I cant see a thing in the sky, cause T here so am 1, —may- be millions of peo- ple go by, but they ze car, E-7 Bho Al13 Bb7 D-7D#°7|'E-7 pie AT E7Ab7 on- ly have eyes. on- ly have eyes all dis - ap - pea from D-7 for you dear The for you. G7 Fe? E-7 A-7 G-7 C79 F-6 Bb7 E-7 A-7 T dont know if Tm i a gar- den,—__ or on a crowd-ed a-ve - nue. Eb7 ab? 2csce@ phy a7 D7 D-5 G79 oc 2. ‘You are view. and I on-ly have eyes_— for you. THAT’S ALL ‘Alan Brandt/Bob Haymes 1952 (Al aber ca D-7 —C-7 F7_ BbaT Eb. T can on-ly give you love that lasts for- ever, and the mise to pro. be near each time you i ‘can __on-Iy_ give you country walks in spring-time, and a and to hold when leaves be- gin “to If you're won-d'ring what I'm ask-ing in re~ tum dear," you'llbe glad to know that my de-mands are D-7? G7_ E-75 Eb? Dz Gan c-7_ G7 call: and the on - ly heart. I own, for you and you a- lone that's all, that's fall, and a love whose bum- ing light will warm the win-ter night, that's all’ that small; say it's me thar’ you 2 dore for now and ev er- more, that's all; that's 7 Je [B) 5. 9 - : F pis) p7 4 Bb7 Bb? C7 — = = a cr a Fie o - aT can “ aff, “There are those, Yam sure, who have told you, Wey would give you the world er a EbAT G7 cl F447) D7, G7 oe Fest F7 06. aFine SSS = SS = toy. All I have are these arms to en- fold you and a love time can nev-er des- troy, If you're16 MY SHIP Kurt Well/ira Gershwin 1941 Al Fe p79 G9 Cia: C7 FS D7? G7 cm My — ship has sails that are made of silk, the decks are trimmed with gold, and. of My ship's aglow with a mil-lion pearls, and rub- ies fill each bin. The T do not care if that day ar-rives, that dream need nev - er be, _—if_the F6BX7 D7! -@ G-9 —_E-75 A479 [“D-7 G7G-7 C7 |*D-7 G-7C79F6 jam and spicethere’s a par-a-dise in the hold My ship comes in. = Tean sun sits high in a sapphire sky when my ship I sing does- n't B G-7C C7 G-7C C7 G7 Be6 FAT B-75E7 A-7 D7 Ar D-7 A-TD7 G7asG9 Cus! CJ gen? G-7_E-75A7 D-7 C7 ‘won't mean much if there's miss-ing just one thing, 7 al-so bring my own tue love to FA7F#7G-7C7 FA9 BB 7M BAD EbTeustBb7 A-7 ADT Dba7 C79 FG me, If the ship Tsingdoesn't_ al-so bringmy own mue love to me. ‘Suessdorf/Blackburn 1939 MOONLIGHT IN VERMON’ Eb6 C-7 F-7 Bb7 Bb6 c7 pa F+7 Bb7 |'* Bb F-E7, — = = == —— = —— SSS fall- ing leaves, a sy- ca-Hove. Moow-light in Vermont. T- cy fin-ger waves, ski trails on a moun-tain- side, snow- light in Ver mont. Ev'-ning sum-mer breeze, warb- ling of a mea-dow lark,” Moonlight in Ver Az, D7 GAT E-7 AcT Ab7i Gar nies in a stream, 2 Te-le- graph ca-bles, they sing down the high-way and tra-vel each bend in the road, BLT, By, abe, Fhe Abe Bb, Peo- ple who meet in this ro-man-tic set- ting are so hyp-no-tized by the love - ly, o Eb F7 —E7 BS ‘mont. You and I and moon light in Ver- mont. wait the years till it ap-pears, one fine day one spring. But the pearls and such, they 1OVER THE RAINBOW 17 A Harold Arien/Harburg 1998 Be CG BT ab? D7 «G-7ocm OFT Dh7 Some - where, ov-er the rain-bow, way up high, there's a Some - where ov-er the rain-bow, skies are blue, andthe Some - where ov-er the rain-bow, blue - birds fi birds fly Eb? c7 F7 F-7 Bb7 [MEb6 F+7 Bb7}9]* Bho land that I heard of once in a Wl ~ la - by. tue. ‘Some- dreams that you dare to dream real- ly do come Fine BB ie tem Si Sen oh way tr Eb FL lee EE gd Bl day I'll wish up-on a star and wake up where the clouds are far be- hind = me——__ Where Bba7. A-75 p79 G-7 Gbo? F-7 Bb+7 DolalFne trou- bles melt like le-mon drops, a - way a-bove the chimm-ney tops,that’s. where you'll find me. rpasixeny Eb Fl Bye If hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can’t 1? ONCE IN AWHILE Green/Bdwards 1919 Eb Eb6 BbA7 Bb6 G7 co G7 Cc 2. Once in a- while will you uy to give one lit - de thought to me? Once in 32 while, will Jou det of ine to- mens” ‘Shad'with you? T know what Til be Gon tented with yer ter day's 'mem- oy, F7 c7 F7 BY, "-G-7_C7_F-7 Bb7,/*Bb6 Ab-7 Eb6 D7 Though some-one clse may be near - er your heart. pan In Mo'- ments be- fore we two dnf - ted a > while. Fre know - ing you think of me once in a - Ga Ba ome Gu Ely, love's smol - der - ing em - ber, one spk omy re - main, if AT D718 LAURA , Raskin 1945 A-7 pw (C9) G6 (C9) G-7 oo ~GAT Lau - ra is the face im the mis ty —_light_____ foot - steps — Lau - ra on the train that is pass- ing through, those eyes cm 2, F47 Bb13) Fe (Bbi3)-F-7 Bb Bb, EDAT that you hear down the — ball._____ ‘The laugh that floats on a — sum-mer night, how fam- D7. «Gar B-7 E79 2B that you can nev-er quite. re - call. And you see She gave 679) (a-7) (7) (ab) D-75 G7, C47 D-7 E-7 A-75 D79 GTsust Gi, C6 your ver y first kiss to you that was Lau-ra,— but she’s on-ly a dream—___ WHAT A DIFFERENCE A DAY MADE Grever/Adams 1934 G7 Cut, 3, F47 BYOA-7 bz, 3 What a diff-'rence a day made, What a diff-'rence a day ‘makes G7 c7 twen- ty-four lit-tle ho - urs—— brought the sun and the /— there's a rain-bow be- fore me—— skies a- bove can’t be uF ae Alms! At7 flow - ers, where thereused to be rain My yes-ter-day was blue dear 10-day I'm part of stor = my—— since that mo-ment of D- D-7 Glut G7 CToust you dear my lone-ly nights are through dear—__.__— since you said you were mine. 2F7 __. C-7 FT Bb-6 B-75 What a diff-'rence a “bliss, that thrill- ing kiss. find ro-mance on your A-7 Abo7 a G7 c7 F6 — Ws 7heaven when you me - nu, what a diffrence a day made, and the dif-'rence is you.DARN THAT DREAM 19 al ‘Van Heusen/De Lange 1939 Ga7 Bb-7 Eb? A~7 Ban? E-7 — C#75__ cx B-75 E79 Dam that dream I dream each night, you say you love me and you hold me tight, Dam your lips and dam your eyes, they lift me high a-bove the moon- lit skies. Dam that dream and bless it too, with -out that dream I nev - er would have you. CH B-7 Bb? A-7 Ab7nt G6 p79 AT but when I a-wake youre out of sight, oh, dam that dream. Then wm-ble ou of par - a - dise oh But it haunts me and, it wont come tue, oh IB) 6 2 A-7 Ab7MG6 Bb79 C7 Fa Bb7 G-7 FET dam that dream.” Dam that one-track mind of mine, it cant un-der-stand that F-7 Bb79 BG) C-7—A-75D79.G-7_— AT D7 «Eb D7 you don't care. Just to change the moodI'm in, Td welcome anice old night - mare. 0.6 al2nd End (Foe) SKYLARK EbayBb Hoagy Carmichael/J. Mercer 1941 Aba7 By Aba7 ATM BO OF7 G-7 ‘Sky - lark—have you an-y-thing to say to —me?________ Won't you tell mewheremy Sky ~ lark, ‘have you seen a val-ley green with spring where my heartcan goa Sky - lark I don’t know if you can find these things, but my heart is ri C7 FT F7 Bb7 Bb E79 Jove can be?—__ Jjour- ney - ing- on the 2 Bb ‘AbAT Gar sad as in the night, wings, rain, to a blos-somed covered lane? AbT G6 agyp - Bb+7 ov-er the sha-dows and b7, Bb G-7s c7 ‘won der= ful mus- ic, 7 D7 G sy ser-en - ad-ing the moon the $0 if you see them an-y AbaT F Is there a mea-dow in the mist where some-one’s wait-ing to be kissed? Ac Bb B a And in ySur Jone-ly flight, haven't you heard the mus-ic Db Bb-7 Eb7 Ab6 faint as a will-‘o- the-wisp, cra-zy asa loon, Bhinc. sco” Bb-7 BbTa Eb Oh, where, won't you lead me there?im eniminvimn Due ss (B-7 E7 Bb-7 Bb7 A-7 D7Ab-7D57) E7 AYE D7 Giat @ x 20 I CAN'T GET STARTED ca7 A? D9 G9. T've flown a- “round the world in a plane, I've set- ted re-vo- lu- tions in Spain, the North Pole 5 A-round a golf course I'm un-der par, and all the movies want me to star, I've gota In nine-teen wen ty nine I sold shor, in En-gland I'm present - ed at court, butyou've got Av D-9 Gn Bb AS DI Gust 2C Gla CFA? a7 o I have char - ed, but can't get star - ed with you. Around the you. You're so. su- house, a show-place,but_ I get no placewith Bl e+ AT ET AT D9 Gi3FR-7 E7 D-7 G7 D7 G7 . preme, _ly-rics I write of you, scheme just for the sight of you, dream both day and night of you, E-7 A9 Dim D79G Tut pc. aco C47 BOT A+7 D-9 G7nust G7 C6 and what good dors itdo?In nine-teen me down-heart-ed'cause I can't get start- ed with you. THESE FOOLISH THINGS F-7 Eb Strachey/Linck 1935, 2 Eb Cc Bb7 A’ cig- a+ retie that bears a lip- stick’s tra-ces, an air-line tick-et i ro - A ‘tink-ling pia- no in the next a part-ment, those stumbling words that told you ‘The winds of Marchthat make my heart a dan-cer, ate = le-phone that rings but By @ Bh F9 Bo ARS Giese oe man- tic pla- ces, and sull_my heart has wings, these fool-ish things re-mind me of what my heart meant, a fair- ground’s paint - ed wings, these fool- ish who's to_ans- wer, F7 By rope v7 Bl g- ps ams pr ‘you. things fe-mind me of you, c7 Bhs? G-7 C7 ‘You came, you saw, you conquered F7 G7 cms F-7 BT me, when you did that to me, I knew some-how this had wo be. ® Bb7 Bi, ab soc7, F9 BY, Eb ow the ghost of you clings, these fool-ish things ie-mind me of youa fa @p SBS SS SS SBS SS SSE SESE SE SBS SS SS APRIL IN PARIS vernon dute/tiarburg 1932 21 a _ D-75 Al GB car BIC C ‘A-pril in Par- is, chest- nuts in blos- som—________hol- i-day uab-les car G- G-& G-7 Gham F6 E47 F47—F6 B75 B79 under the tees.—______ A-pril in Par-is, this is a feeking AT A-IG FETS B79 E47 E7 E-75 ATG 2 no one can ev - er reo = prise FU-75 Fe? C/E Eb? «D7 Db C6 AT BATS EDS 1 nevver knew the charm of spring, nev-er met it face to face, I never knewmy A> AWG FATS 1 E47 G7 D-75,__ BA7CA7 C6 heart could sing, nev - er missed a warm em- brace; ‘till © A-pril in Par-is_____ E75 Bb7 ais. BTM D3 + cH D-75— G79 CH whom can I tum to, what have you done to my _heaut?. TILL THERE WAS YOU Meredith Wilson 1950 [Al EB Eo7 F-7 Ab-6 Db7 Bb Ge There were bells onthe hill, but I nev-er heard them ring-ing, no I nev-er heard them at There were birds in the sky, but I nev-er saw them wing-ing, no I nev-er saw them at There was Jove all a- round, but I nev-er heard it | sing-ing, no I nev-er heard it at B AbAT F-7 Bb79 2—b AP BbA7 Bb7* hE Eo? P-7 all ‘till there was you.—____ ‘Therewere you And there was mus-ic and ‘AeT Bb6 BIC? FT F7 BbT BHT oc aaatnd oF there were won-der-ful ros-es, they tell me, in sweet fra-grant mea-dows of dawnand dew. There was renee22 MORE THAN YOU KNOW rece/ruscu/voumans 1929 vone C- A-75 BAT c- ATS brn G7 Wheth-er you are here or yonder, whether you are false or tue, E.- ven though your friends for - sake you, = ven though you don't sue~ ceed, Bb-7 Bb7 Aba? G7? ID, AbTH G79T C= A=75 D-7. pause Cc Whether you re-mainor wander, I'm grow-ing fonder of you. break you need. woulda’t “1 ete take you, giveyouthe cz, % Ace G7, G9 cw Fa? E-7A7® D-7 Fe], BbT More than you know, more than you know, man of my bear I love you so, late- ly I Wheth- er you're right, wheth - er you're wrong, man of my heart I'll sting a - long, you need me Oh how T'é cry oh how I'd cry, if you got tired and said good - bye, more than I'd * D-9 Ab7i -D-9G_ G78 E-7A7D-7 G7, 2E-7 AT find, you're ‘on my mind, more than you know Wheth- er you're © so, more than you’ show, more than you" D-7 G7 C6 F9. C6 FETS Bm BIg. chs REns Bw BT the I do, there's noth-ing I can do a- bout G+ 4 Lov-ing you E7 Alw* AT Dla‘D7 D-9 Glas ev- er way that ev- er A-TS . DS wind End Fre) Lov-ing may be all you can give, but hon-ey 1 can't live with out it. ob how *t COME SUNDAY eee Ae Eb F7 D+7 G9 c-9 of love, please look down and D7 G7 Lord dear Lord a - ove, God Al. might Fo Bs Eb6Bb Bbo7 Bho [Blp7 Eby a : =o my Peo - Te through. a co FT I berlievethat God put sun and moon up in the = 1 C7 F7 D9 GH7 C9 Be sky——— I don't mind the gray skies, ‘cause they're just clouds pass-ing by—___YOU GO TO MY HEAD 23 Gillespie /Coots 1938 [A Bba7 G-7—Ab-7_—sDb79 Ghar C-75— p75 BbTalt You go to my head and you lin-ger like as haunt-ing re- frain, and I find you spin- ning You go to my head like a sip of burgundy brew, © andthe ve = ty You goto myhead, with asmilethatmakesmy tem-pra-ture rise, like a summer with a BRA7 ces B75, BhTah «= BHAT C7 7 B77 AT ‘round in my brain, like the bub-bles in a glass of cham-pagne. You The men- tion of you, like the kick-er in a ju-lep or two. By oes Jos, you in- tox - i- cate my AbG AT EbATBb G7C-7 thrill of the thought that you might give a thought to my plea casts a spell o-ver me. sull T Ad, DI, Bo, BATT G GG ETH say to my-self "get a old of your- self, cant you see that it nev-er can be” You ® pha C-7 Bb? «EBT aba? abe phy Bb? G-7D. soul with your eyes. ‘Though Tm certain that this heart of mine has-n't a ghost of a C7 A-15 D7 G-7C7 F-7 Bb7 Gbs7Gb7 F-7 BTM Be 7 2 — chance in this cra-zy ro- mance, you go to my head, you go to my head, DON’T BLAME ME lelds/McHHugh 1932 C6 B75 479 D-75 G7 ce D-75_ G7 Don't blame me for fall- ing in love with Tm un - der ll, but Cent you see, when you. do. the things you ‘do, fT on ‘te Blame your kiss, as sweet as a kiss can be, and blame E725 AT .D-7 G+ C6°G7 [2D-7 G7 3 how can 1 help it, © dont blame me. thrill that Tm feel - ing, melt in my arms but E7 ae D7 don't blame — me. T cant help it D-7 D-75._ G79 if that dog- gone moon a-bove makes me need some-one like you to love,24 WHEN SUNNY GETS BLUE Fisher/Segal 1956 A] G7... c7 Bb7 BT Fa7 G7 When Sun- ny gets blue, her eyes get gray and cloud- y, then the rain be- gins 10 ‘When Sun- ny gets blue, she breathes a sigh of sad- ness, like the wind that stirs the But mem-'ries sil fade, and pret - ty dreams will rise up, where her oth- er dream fell A? D7 B-75 Bh? BT AT Ab? D7 ® fall. Pit - ter, pat~ ter, ~ pit-ter, pat- ter, love is gone so what can mat- ter, tees. ‘Wind that sets the tree to sway-ing, like some vi - 0 - lins a - play-ing, through, Hor- ry new love, hur- ry here to kiss a - way each lone-ly tear, and c7 Bb “ A-7 D7 2 ET Awe no sweet lov - er man comes to call. ‘When dies wierd and haumt- ing mel - 0 - Da7 E7 FR? B E7 Ans Da7 2. Feo-ple used to love to hear her laugh, see her smile, that's how she got her name. D7 GH car Av Fa7 D- G7 G-7¢7 Since that sad af fair, she's lost her smile, changed her style, some-how' she's not the same. But G7 Catt EM epeF47 Gh G-7 a, Fa7 Last X 90 on hold her near when Sun-ny gets blue hold her near when Sun-ny gets blue IN A SENTIMENTAL MOOD Duke Ellington 1935 D- p-4) D-7 D-6 G G4) G7 Gq G-7 Ghm ss fipar (lp [Bl pir Bb Eb7 AMT Dba? BbT Bb Ab7 ‘Dba? Bb7 BT Ab7 G7 Sl eyGOOD MORNING HEARTACHE 25 Higginbotham /Drake/Fisher 1945 Acs — F G-7 = s + ——<— > 2 7 F SS + = Good morning heart-ache you old gloom-y sight Good _mom-ing heartache, tho’ we Wish T'4 for- get you, but you're here to stay. ‘It seemed I met you when my Good morming heart- ache, here we go a-gain— Good mom- ing heartache, you're the ATS BT pw G7 Bb-6 Av aber & said good-bye last night. I tumed and tossed un-- til it seemed you had gone, love went a way. Now ev-'ry- day I stam by say - ing to you ‘one who knew me when. Might as well get_used to you hang- ing a- round, G7 C7 F Co 2 G7 C7 cm F6 but here you are with the daw Good mom-ing heart-ache, what's new?. At D- At D47 G-6 D-7 G7 C47 C7 ‘Stop haunt-ing me now, _can’t shake you nO- how. Just leave me a-lone——______ I've ab? Gh c7 F? peace © G-7 Gham F6 fre ee & = SS SSS SS ‘got those mon- day blues, straight thru sun- day blues. Good morm-ing heartache sit down. GOD BLESS THE CHILD Herzog Jr/Billie Holiday 1941 ba Eb7 Abs Bba7 Bb? Abs? BAT BT Bh? Eb7 ‘Them that's "got shall get, them that's not shall lose, so the ble said and it still is news. ‘Yes the strong gets more, while the weak ones fade,emp-ty ets don’t ever makethe grade. Rich re -la- tions give, crust of bread and such, youcan help your-self, but don't take toomuch. AbA7 Ab-6 G7 c7s F-7_ Bb7 Eb6 Fine Ma-ma may have, “B-7 | Bb? God’bless. the child that's got his own, ce" cr c-6 a- pa may hive, but 2D-GT Cc. t's got his own, G7 Yes the D-7'5 G7 C- lots of friends, crowd-in’ ‘round the G7 c7 F-75 Bbze. (Ca Fine Mon-ey, you got co C7 C6 door When you're gone and spend-in’ ends, more. Rich re~ they don’t come no26 MY FOOLISH HEART ‘Young/Washington 1950 Bba7 = Bba7 D-7 G7 C-7 C-7Bb Ala AT The night’ is like a dove - ly tune, be - ware my fool-ish heart. How Her lips are much too close to mine, be - ware my fool-ish heart, but D7 G7 Db7 C-7 C75 BT D-7 white the ev er con stant moon, take care. = my__ fool ish heart, There's should our eag-er lips com - bine then Bba7 F7 Bb7#9 Bba7 A-75) D7 line be-tween love and fas-ci- na- tion that's hard to see on an ev-en- ing such as this, for they Goin D2) G-7 cz C7 Gy C7 FT both givethe ve~ ry samesen - sa - tion when you're lost in the magic of a kiss. Her 2c7 CBE ASD G7 Be? ab let the i= re sta, For this time it is- n't fas-ci = ma- tion, or a ‘Bba? Bba7 Ab7 G7) CG-7 G7. C13 C+#7 FlustF79 Bba7 o dream that will fade and fall a - part, it's. love, thistime it’s love, my fool - ish hean___ SOMEONE TO WATCH OVER ME George/tra Gershwin 1926 Ge GIF EST Bb AcTS Ak BWG There's a some-bo- dy I'm long-ing to see, I hope that he, tums out to be, Tm a lite lamb who's lost in’ the wood, T know “T-could, “aleways be goed, Won't you tell him please to put on some speed, fol-low my lead, Oh how I need, EB abe» pir Bl abababab FYA_Bb/Ab|'G+7_C9 F+7 Bb F7 Fe some-one who'll watch ov-er me, me. ‘Al-though he may not be the to one who'll watch ov-er some-one to watch ov-er me. AgT EbBb G7B C-7 A D7 G7 ce F9 Bb79 D.C. al nd En Fine) man some girls think of as hand-some, to. my heart he car-ries the key. =IMAGINATION Van Heusen Burke 1939 27 F-7_— Bb7 Eba7 Abag . G-75 C7 A Bb? B07 I-ma-gi - na-tion is- fun-ny, it makes a cloud- y day sun = ny, I-ma-gi - na-tion is- cra- zy, your whole per- spec- tive gets ha - zy, I-ma-gi - na-tion is- sil- ly, you go _a- round wil- ly - nil-- ly. cH OFT “G7 C7 F-7 Bb7 makes a bee think of hon-ey, just as 1 think of you. T+ ma-gi starts you ask- ing a dai- sy what to 7 for ex-am- ple, I go a- round want- ing 2A ph B7 [Bhbaz op? AT D7 G7 Have you ev-er felt a gen-tle touch and then a kiss and G2 C7 BL, Bhlast BHT De. al Coda what to do?. E75 q79 D-7 then, and then find it’s on-ly your i -ma-gi- nation a - gain? Gh well, _I- ma- gi- @ ps7 Bb7_, _ G7 Db7#Ic7 F-9 BZ, Bb7a Bb7 Eb6 g0 a-round want-ing you and yet I can't i-ma-ginethat you want me too. EASY LIVING Robin/Granger 1937 A Gto7 AT F7 Bba7 B7 Fal, FR? G-7 Liv- ing for you 1S ea- sy liv-ing. It's da-sy to live, whenyou'rein love. Tilnev- er re- gret_ the years I'm giv-ing, they're ea-sy to give, when you'rein loveand I'm FA23__, D-7 G7 c7 1 A-7 D729 G-7 C79.[2F Bb-7 BT Ab7 T'm so in love, there's noth- ing in life but you—__ you——___ For oe what - ev er-T do. for Fie Dba7_Bb-7 * 7. “BT BT a7at b7 Bie — eh ———s | 3 = you may-be a fool but il’s fun peo- ple say you rule me—With Dba? Bb-7, Bb-/Ab G-7)5 C7 C/Bb A-75_ p79 G7 C#7 nearne Es = = SS = SSS one wave of your hand, dar- ling it’s grand, they just don’t’ un-der- stand.28 I'M GETTING SENTIMENTAL OVER YOU bassman 1933 F9 E9 9 DW G7 C7 Far c79|*G7 C7 CTE I was just a notherwho laughedatro-mance, I said it was not for me— meant to be. A ‘Thenyoumadeyouren- tranceand rightat a glance. I knew this was % F 1 BTS ET ATS (ETN), D7 G7 % a > +b. —— = == aS se Nev- er thoughtI’d fall but now hear you Pro Pee tnt en = G- Things you say and do just thrill me through and through I'm get- tin’ sen- ti Won't you please be kind and just’ ‘make up your mind that you'll besweet and WG-7 C7 F c7 *G-7 CHR F Bb F £7 men- tal ov = er you men- tal ov - er you—___ A- FY-75 Bm E7 I thought I was hap - -py, - I - could live with- out love, 7 E 7 Av D7 G7 C7 = DE alCode now I must ad -mit,-love- is all +s I'm think’- ing of. @ C7 F Bp? G7 G7 cm = iE = Be chuse I'msen --ti -men-tal -ov --er you. gentle, be gentle with me. EARLY AUTUMN ‘Woody Herman/Ralph Bums 1949 A Ab ABbB, C47 B7 Bba7 AT ‘Aba7 *Ca7 BY D-9 Ab A Bb B 247 Aba7BbA7 CAT CATE G7 Gar Bbo7 c-7 F9 A/Bb Bb D47 Db7 C9 B79 Bb7 ASTAb7I9GI3 D.. alFine TEvoy wats. SMOKE GETS IN YOUR EYES 29 Jerome Kern/Habach 1933 EB Eb Ab b13 AT A Bb6 G-7_ Gbe7 F-7 They asked me how 1, knew my tue love was tue? 1 of course re- They said some-day you'll find, all who love are blind, when your heart's on Now laugh- ing friends’ de - ride-tears- I can-not hide, so” smile and BbA7Bb _C-7 F-7 Bb “G-7 C7 F-7 BT 2Bb6 G7 pliedsomething here in -side,- can- not-be de - nied. eyes. Fine fire, you must re - a - lize,-smoke gets-in your ye say, when a lovelyflame dies, smoke gets in your 7 BA? Gi-7 pe ke tea emi So Ichaffed them and I gay-ly laughed, tothinktheywould doubt my love. Ba7 Gt7 F-7 Bb7 BS C7 F-7— BbT DS. al 2nd Enang ‘Yet to-day my love has flown a- way, I am with - out- my - love. MONA LISA Livingston /Bvans 1949 Mo-na ——Li- sa, Mo- na Li-sa men have named you, you're so like the la- dy withthe mystic Do you —smileto tempt a loverMo-na - Li- sa, or is this yourway to hide a broken G-7F C7 G-7 c7 al m4 smile. Is_ it on-ly ‘causeyou’relone- ly they have blamed you, for that Mona Lisastrangeness inyour F FP G-7¢13 |*Bb By F c7 smile? Do you heart? Man-y dreamshavebeen brought to your doorstep, they just lie there,andthey F F7_ Bb Bo FIC F die there, are youwarm are you real Mo-na Li-sa, or just a cold and lone-ly, love-ly work of art?30 WILLOW WEEP FOR ME ‘Ao Rone! 1882 Verse D9 GB co F7 = So Ob Lord, why did you send the darkness to me? ‘Are the sha-dows for - e-ver to Bb BS c+ F6 C7 (B7 be? Where's the light I'm long-ing see? Oh 59 Al D9 G3 ——— = —-, love, once we met by the old wil-low tree, ‘now you've gone and left nothing to c7 F9 D+7 G6 AT D7 me, noth - ing but @ sweet mem - 0 - ty, Ob gAc c7 G c7 G Gr A-7 Bbo7 es = Wil- low weep for me, wil-low weep for me, bend youbranches green a- long thestream Gone my lov-er’s dream, love- ly sum-mer dream, gone and left me here to weep my tears ‘weep-ing wil-low tree, ‘weep in sym- pa- thy, bend yourbranch-es down _a- long theground GB DIT CT co C8 Abs = = that runs to sea. Listen to my plea, —lis- ten wil-low and weepfor me. in- to the steam. Sed as 1 can be, hear me wil-low and weep for and cov - er me. When the sha-dows fall, bend oh wil-low and weep for me. G47 co GD G pe IBIC- Abo G7 G7 . =— Fe ‘me. Whisper to the wind and say that love has sinned, to Cc? FT Bb7 EBT Ab7 . G7 Cc Abo = Teave my heart a- break-ing and mak-ing a moan. ‘Mur - mur to the night, ry G G7 C7 F7 Bb7 ET Ab7 A-7 Ab7 — sD S.alFine hide ber star~ ry light, so none will find me sigh-ing and cry- ing a - lone. Oh np EeERl.BReeR ERR :R:SEL ER: SET SE SET EB aT Aaaman - tic, ‘mom ing sha-dows write the old - est mag - ic word. I man - tic, Ev- ‘ry note that's sung is like a lov er's kiss. D-75 G7 Cc G7 Bb-7Eb7 = Abs7C7_—F- D-75 G7 hear the breezes play-ing in the trees a- — bove, while =F F-VE) p-75 Gm ce all the world is say-ing CF?) am BT c-7Bb youweremeant for love. Is - n't it ro - Sweet symbols in the moonlight, do you mean that C-A ARG OG~7 Gh? F+7_Bb7 Eb Abe Bb Twill fall in love per chance? Is - n't it ro- man - tich__ FOR SENTIMENTAL REASONS satson/set 1945 F D-7 G7 cz F D7 G-7 cz love you, for sen-ti-men- tal rea sons, T hope you do be- Tove you, and you a-lone were meant forme, please give your lov-ing D-7_ G9 c7 |} F D7 G-7 C7 |? F G-7Gp F/A lieve me Tl give you my bean hean ome, and Say we'll nev - ef Tye giv sen you my heart Gi. oc? F ab G1 c7 mom - ing, D-7 think of you ev - ‘ry dream of you ev- ‘ry night, ens 7 G9 C7 soca dar ling, Pm ee 2 en ere ponerse) age ee ISN’TIT ROMANTIC icccnunsson OL Bb? Bb OC OFT By Bb? BB Bh Is-n't it ror man-tic, muse in the night, 2 dream that can be heard Is - wt oe Ieee roe made, erly w Be jokag on Team tat ea Berard. Us = itr B6 oc? FT Bb? Eba7 G-75. C79 RF32 CHANCES ARE Stitiman Alen 1957 C6 Gt7 CcA4z F7 G B-7 eee Chances are, ‘cause I wear a sil-ly grin, the mo-mentyou come in- to view, Just be- cause my com = po-sure sort ofslips, the mo-ment that yourlips meet mine, AICHE |'D7ust D7 G D-7 G+7 D7 G BT AT chances are you think that I'm inlove with you=—— chances are you think my D7 G+7 c-7 Just be- beart's your val-en - tne. A715 p7s G- E-15 In theme-gic of moonlight, when I sigh“hold me close dear”, _chan-ces are you be- lieve the stars that Aleut AT BS = =D9 Gin G47 Ccé Gt7 CAT Fo fill the skies are in my eyes. Guess you feel you'll akways be theone and only one for me, and Gas c7B-9 E7 A- G/B C6‘AICH D7 G Gt7 De (ode AX) if you think youcould,____well, chan-ces are yourchan-ces are aw'fly good Chances DiasD7 B-715 Bye A-7 DimstD7 G6 e are aw'fly good, the chances are your chan-ces are aw'fly good. SOPHISTICATED LADY Dule Elington/Milis/Parish 1933 Ab7 G7 Gb F7 Al 7 F7 BT Eb? AbAT p7s 2 Aba7 By Bb? aba7 C75 79 ATs Fine B-75 E7 = A-2 D7 Bb7 18 B79 G47 E-7 G7 Be? C-7 D.C. afd End Fie) eae aecaaaaaacaacaaaaaaaaaaaaamaataaaTWILIGHT TIME Nevis/Ram 1944 33 G B7 E-r3— Hea-verrly shades of nightare faring, it's twi-light time, out of the mist yourvoice is calling, Deep-en-ing sha-dows ga- thersplender, as day is done, _fin-gers of night will soon sur-ren-der, Deep in the dark your kiss willthrillme, like days of old,’ lighting thespark of love thatfllsme, Cc Cc G E7 G7 it's twi- light time. When pur- ple col - ored cur-tains mark the end of day, T the set - ting sun. I count the mo- ments, dar-ling, till you're here with me, to- with dreams un- told. Each day I pray for ev-'ning just to be with you, to- “Ad AeDy 2A7 D7 GCG ige- ther, at at twi- light time. E- ©@ E- ear you, my dear, at twi-light time. BT Ez Cc Here, in the af-ter- glow of day, we keep our ren-de-vous be-neath the blue. AT Dz c 1, Here, in the sweet and same old way, I fall in love a-gain as I did then. DON’T GO TO STRANGERS kent/mason/pvans 1954 A a7 F9 a7 B+ —3—, E-75__ a7 Build your dreams ~ to stars a- bove, but when you need some-one true to love, Play with fire till your _fin- gers bum, and when there’s no place for you to mm, Make your mark for your friends to see but when you need more than com- pa- ny, D-7,_F-6 |"Glast G7 E-7 A7D-7G7 Glut G7 C6 Glas*C6 = 5 —= 4 . x = ——F SSS ee SS Se don’tgo to strangers, dar-ling come to me». ‘dar-ling cometg me—————— "For When GB em G7 co G7, 9 Fa7 Bb Fa7 ——3—, you hear a call to fol-low your heart, you'll fol-low your heart I know———__ I've AT D9 AT D9 Diaust D9 Gust G9 —s, — 2.6, al 2nd Ena © been through it all for I'm an old hand and I'll un-der- stand go. So34 1GOT IT BAD pe gest fer (ox) B-?7) E-7) Amst AT? A-7 F740 £7 B74 D7 iev-er eats me sweet and gen-tle the way he should, ‘I got it bad and that ain't My poor heart is sen - ti-men-tal not made of | wood, He don't love me like I lovehim, —no- bo- dy could, E-7A-7 D7 266 pb7 cal A G ‘00d. 004. But when the week - end’s o- ver and c-6 F7 G47 F775 FY -B-7 ET) A-7_-DT Ica ond ere mon-day rolls a- round, I end up like I stat out just cryin’ my heart out Like a lovely weeping willow, lost in the wood, I got it bad and that ain't good. ‘And the wings I tell mu pillow, no woman should, I got it bad and that ain't good. ‘Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can't live without him. Lord above me make him love me, the way he should, I got it bad and that ain't good. MOOD INDIGO Duke Bba7 c7 F F7 — Bba7 Bba7 c7 You ain't been blue, No, 0, no. You aint been blue, G7 F7 Bb Bb7 Eb6 Ab7 ‘till you've bad that mood in-di- go. That feelin’ that goes steal-in' down tomy shoes, while Bhar c7 F7 FH Bb Bba7 G7 T sit and sigh "Go long blues". Al-ways get that cz C7 F7 Bb F7 Bb G7 c By said good- byes In the ev- ‘ning when lightsare low, Bb BI Eb7 mood in- di-go, since my Gi F7 Tm just soul who's F7 Bb Tm solonesome I could cry. ‘Cause there's no-bo-dy who cares a- bout me, AbT Bba7 G7 Cl C7 blu-erthan blue can be. When I get that mood in- di-go, TcoulTTayine down and die.¥ ' STELLA BY STARLIGHT 35 Victor Young/Ned Washington y444 E75 Ano C-72 a, F+7— Bb7i9 Eb6 Ab7 =a The song @ ro-bin sings, through years of endless spring—— the Bb E-7)5 47}9 D-7 Bb-7 Eb7 Fa7 E-75 47 A-765 p79 mur-mur of a brook at © ev-en-tide,.__that_ ripples by a nook where two lov-ers hide. A. G78 C7 oe Abn Bhar great sym-pho-nic theme, that's Stel-la by star-light and not a dream My E-75 a7 D-75 G79 C-75 B79 Bba7 beart and 1 a- gree, she's ev-'ry- thing on earth to me. PRELUDE TO A KISS Duke Elington 135, D7 ~s«G#7 c7 FA7 B79 BT ATMs D-7 2 cry ing forthe dew, = men- tal woes, that was ness, with - in your eyes, my Tf you bear a song in blue, like a —_flow. If you hear a song that grows frommy sen How my love song gent-ly cries for the ten D7 G+7 AT pv rot CAT AT that was my heart ser- en - ‘my heart try-ing to com- pose, love is a pre~lude that nev- er dies, ad ing you, my pre-lude to a kiss. 2D-7 G+? C6 «BT CBA cH FS B7 Gh7 Gor = apre-lude to a kiss." =~ Though its just a sim-ple melo-dy, noth-ing fan-cy, 1g FET F7 Ba7 cH? FHS B7 E47 An D-7D§-7E-7Eb71 DG, ag Er (39) with Roth-ing much, you could tum it to @ sym-pho-ny, "a Shu-bert tune with a Gersh-win touch, Oh!36 HOW LONG HAS THIS BEEN GOING ON? George Ira Gershwin 1927 Al AS Gt? Dust D9 D-7 G7 C7. FS T could ery. sal-ty tears where have you been allthese years? Therevere chills up my spine and some thrills I can'tde - fine Kiss me once thenonce more what a dunce I was be - fore GB Be A7 D7 G7 C7 B7 D7) Ga lit- tle wow, tell me now, how long has this been go-ing on?. Listen sweet I re ~ peat how what a break Koaven’s sake___ how Ech BT D7 «G6 o7 Bh, F7 CAT F7 CA? FT Fine ong has this been going on? C47 CHT5FI7 B- -E-6 Oh I feel that I couldmelt__ in-to Hea-ven I'm CHISFA7 B- E-6 B-7 Bb iG. al ed End Fine) hurled. I knowhow Col um-bus felt - finding anoth - er world. #2) Icould cry salty tears, where have I been all these years? Listen you, tell me do, how long has this been going on? ‘Whata kick! how I buzz, Boy, you click as no one does, hear me sweet, I repeat how iong has this been going on? ‘Dear when in your arms] creep, that divine rendevous,don't wake me if 'm asleep, let me dream that i's tre. Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long bas this been goi IN MY SOLITUDE Ellington/DeLange/Mills 1994 A Bb? F-6 G-7 C-7— F+7 (7 2ndxy BbIust Bb7 Inmy sol-i- tude you haunt_____ me, with re- ver- ies Inmy sol-i-tde——— you taunt me, with — mem- or - ies Inmy sol-i- tude Tm pray.» img, - Dear Lord a-bove Bat BeBe? =p? 7 Bla ie Fine of daysgone by Inmy 1 sitin my chair, I'm filledwithdes pairshere's that nev-er die sendback my love. ByBb oBb7 oBb-7 BT Abs7 AT ByBb Ghe?—-F-7 Bb7 no onecould beso sad. Withgloom ev.'ry- where, I sitand I stare, 1 know that I'llsoon go mad. Inmy ‘DC. al 2nd End (Fine)THINGS WE DID LAST SUMMER, THE 37 ‘Sammy Cahn/Styne 1946 G E7 AZ D7 Caz The | boat rides we wouldake, the moonlight on the lake, the way wedancedandhummedour fav-'rite The mid-way and the fun, the kew-pie dollswe won, the bell you rang to prove that you were The leaves be-gan to fadelike pro-mis-es wemadehow could a love thatseemed so right go B-75 E79 A-7 D7 @B-7 E-7 tA-7 D7 G GRA-7D7 song, the things we did last sum-mer, Tl re -mem-ber - all -win-ter long. The strong, wrong? 2A7 D7 G7 G D7 G7 D7 G7 mem-ber all win-ter long. © The ear-ly _mom- ing hike, the rent-ed dou- ble bike, the Cc G+7 c EZ Az E7 AT Jun-ches that we used to pack, we nev-er could ex-plain, that sud-den sum-mer rain, the D7 Ge D7 peace @B-75 ER GhA-7 D7 G looks we got when we got back. The summer, Tire member all winter long. I FALL IN LOVE TOO EASILY ‘Styne/Cahn 1972 F7 Bb7 BT, C7 D-75 G78 c- CB 1 fallin love too eas-i- ly, I fallin love too fast. D-79Ab Gm ¢ C-1Bh A= p79 :p-7i5_ G79 I fall in love too ter-ri-bly hard, for love to last. C7 ATS p79 G7 (e6r tc? F-@n Myheartshould be well schooled, ‘causel’vebeen fooled ‘in the past. Andstill I F-7 Bb7 (aks c7 F:7_,__, Bb79 Bb fall in Tove too eas i ly, I fall in love too fast.38 ALL OF You ene at Eba7 Bb79 Ab6 *Eb87 Ab6 F-75 Tlovethe looks of you, the lure of you, the sweet of you, the gain complete con- mol of you, © and han - dle F-75 Bb Eh6G =~ Ghe7 F7 Bb7 Ea? Eb/D G-74Db C7 pure of you, the eyes, the arms, the mouth of you, the East,West,Northand the * Bhar G7 c7 Aba7 Fd Bb? ev-en the heart and soul of, you. © So._ love at least, a cn F- C7 F-7Bb7 Bb Td love to G7 South of you, ATS — p7e small per-cent of me, do, for I love all of — you. IN THE STILL OF THE NIGHT * Bb G7 Cole Porter 1937 F Bis F In the still of the ight,__ I fror ~ dow, the in it's In the sll of the night whilewe onan“ a c7 ee Ab Got) Cu 2B BT AS FA-75 flight, my thoughts all stray to you—__ slum - ber the times with- out B-7 7 A- Ab G-7C7, F F#7 Bb G7 Cc? fF number, dar-ling when I say to you Do you love me. as I love you? ‘Are you my life to be, my dream come 2 Bb? Eb7 A-75 79 Bb-6 Eb7 BLD) FIC Bo? G- ‘true?___ or willthis dream of mine fade out of sight, like the moon, grow - ing corBh FIA Abe? G7 c7 F dim on the rim of the hill, inthe chill, still of the night?39 I WISH YOU LOVE ‘Trenet/Beach (French) 1946 G7 cy Fa? Bbi3 A-T _AbeT p79 G7 C1. I wish you” blue-birds in the spring, to give your heart a song to sing, and then a And in Ju- ly a lem-o - nade, tocool you in some leaf-y glade, I wishyou 1 wish you shel = ter fromthe storm, a co- 7y fire to keepyou warm, but most of ot —.@ [FTF Fe, CF kiss, but more than this, I'wish you love. And in Ju- wealth, I wish you love. health and more than all, when snowflakes 8) pba7 Bb-6 G7 4 My ach-ing heart and I a ~ gree, that youand I could nev-er be, so with my best, my ve-ry G7 _,_, C7 —1—Pcarcos C7 5 F6 best, I setyou free. I wishyou fall I wish you love. ANGEL EYES Matt Dexmie/Brent 1948 C-7 D7 G79 C- Abs G7°C-7_C-7Bb A-75 D7 G7 ‘Try to think that love's not a-round____still it's un-com- form Aaegel eyes that old dev ar mn me, but D7°G79 C- Abo CHG Ab7 G79 brig — 1. C= Ab7G 7 C- C7 oat beart aint gain in’ no ground be- cause my an-gel eyes ain’t here So say ‘my love's mis spent, mis-apent with an-gel eyes 10- night —— Got-ta find who's now num-ber one" and’ why ‘my. afvgel eyes ait here Bh-9 Eb79 AbS7 —C-7 F7}9 Bb-9 Eb79 aba || Ad pT dink up all you peo - ple—— G47 GOD CHT FI? ope? G7 or- der an-y-thing you see____ Have fun you happy Bab G7 co peo-ple, the drink and the laugh’s on me.. DG al Coca ‘scuse mewhile I dis-ap- pear.40 I CONCENTRATE ON YOU Cole Porter 1939 Bba7 Abra BHO |, CH7 FI? BO ‘Whenev-er skies look grey tome,. andtroublebe- gins to brew—__ ‘Whenfortune cries “nay, nay” tome, and peo-ple de- clare “you're through" Eo CH? FR? BTM 1-7 Bb7 when ev-er the —win- ter winds be-come to strong, I con-cen- Bb6 2ab7 pis Ghat Gb Ab6 trate on = you.—________ when ev- er the blues be-come my on-ly ET F79 Bb? Eb6 Ab6 EG AbAT song, T con-cen- trate on = you—___________ On your smile 30, ADT Db7 Ghat GhaT BHT Fa Bb7 bat when at first mykiss you de~ cline, b7 ,_GhaustGba7_Eb-7 c7 sweet, so ten - der, BB? AbAT Ab7 on the light in your eyes when you sur ren - der and once a- gain our F7 ‘Bba7 Bb7 Eb6 Ab7S0 G7 ams inter ~ twine ___ ‘And so when wise © men say to me, BbTast AbT, G7 C7nst_ C79 BbUD> Cleust Gh F-7 that love's young dream nev-ercomes true, to prove that c+ F-9 Flust F9 B70 Bb? Bb ev = en wisemen can be wrong, Tconcen- raison you.POOR BUTTERFLY _cotten/tiubte i916 41 pbs C7 B7m Bb Bb-7 Eb79 “AbAT Ab6 Poor but ter-~ fly ‘neath the blos-soms wait - ing, poor But- ter - ‘The moon and I know that she is faith = ful, Tm sure he Gn F7 Bb? EDT cH C7 fy, for she loved him so. The ino-ments pass in-to hours, the hours come to me bye and EB eee Bb7 Bb ‘D9 C7B 74 pass in-to years, and as she smilesthru her tears, she mur-murs low. ‘The moon and 2 FO Bb7 Bb75 Absst Ab Db7t0 bye. But if he don't come back, then -I nev-er sigh or cry, C7 Bb? Eb7I9 Ab6 1 just mus’ die. Poor but- ter fly OLD FOLKS Robison/Hill 1938 Al D-7s,__ G7 C-7 B-7 Bb] AT aba7 Db G7 c7 old folks, leav-ing his spoon in his _cof- fee, like the sea-sons he'll come andhe'll 0, just as puts his nap- Kin up n= der his chin and dat quite un-der-stand about old folks, did be fight for the blue or the grey? Forhe's Bb7 Lad, EbA7 + cn C7 FT F-7 Bb7 fe as a bird and as yel-low cob pipe, 30 dip-lo- ma 2 FT as his word, that’s why ev- ‘ry- bo-dy loves him so. Al- ways’ oes low its mer ‘bat ey be z and _so_dem-o - cra’ tic, BBs BI ears BhT phy aba youneed-n’t be a-shamed of him. ‘we al-ways let him have his way. D7 Bba7 BT . ‘Aba7 D9 = C-7 F7 F-7 Bb7 — 3 In the ev-"ning af-ter sup-per, what stor-ies be would tell, how he held the speechat Get-tys-burg for Lin-coln that 4Y, J know that one sowell. Don't 0. sland nd,42 A NIGHTINGALE SANG IN BERKELEY SQUARE Sherwin/Maschwitz 1940 G-7 Bb? Eb7) Aba? -755_ G79. C- A-G Eb? C-7 ‘broad in the air, there were That cer- tain night, the night we met, therewas magic T may be right’ I may be wrong, but I'm per-fect-ly will-ing to swear, that The streets of town were paved with stars, it was such a ro-man-tic af- fair, and Ebsyph F-7 BG —Ab-7 Db7EbAT, = C-7_—F+7._- BY? C-7 angels din - ing at the Ritz, and a night-in- gale sang in Ber-k'ley square. when you tumed and smiled at me 9 & as we kissed and said good-night, a 24-75 D7 GAT E72 B-7 Bb? A? D7 "+7 Bb7 1 ‘The moon that lin- gered o-ver Lon-don town, poor puz-zled moon, he A-7 D7 Ga7 Ez A? D7 B-? E-7 F-7 Bb? wore a frown, how could he know we two were so in love, the whole dam worldseemedup- side down. The FLAMINGO Grouya/Anderson 1941 Far D-7_—G-7 c7 F-7 BbS fy ing 0 yer the speak of pas-sion un - ‘say farewell to my ? F6 Bhs c7 is- land Tov - __—————— la - true. dy ing wa Powe _ ~e F47 B7# Bb-7 ‘Eb ba7 b-7 0-7 FR Bh7 The wind sings asong to you as you go, a song thatl hear be-low Bs Ga CT pewce & G7 C2, ‘epestFA7 G-7 C7 the mur-mur-ing palms. Fla - and has-ten to me—_— Lasix PAT 78, G-7 ab7 G-9 cm Gham FEMY OLD FLAME 43 Cosiow/Johnston 1934 “5 DW Gg ee G47 F9 B-75 EW AT min A My Old Flame, I can't. ewenthink of his name. Butit's _fun-nynowandthen,how my My Old Flame = my new lov - ersseemso tame, For I haven'tmet a gent so mag- My Old Flame, I can't_ even think of his name, but I'll nev-er be thesame un- til “a-75p79|"C-7 FT Bba7 BY —3— = A-7D7 Bb o thoughts go flash-ing back a-gain to my old flame. flame. F'vemet so man-y whohad ni- fi- centor el-e-gant as my old flame. I dis-co-ver what be-came of my old flame. ae DIA Gu Clu C7? Flt 3 F9 fas-ci-na-ting ways, a fas-ci-na-tin’ gaze in their eyes. ‘Some who tookme up to the skies, D7 G7 ET AT AT D7 ocacon AT? D+7 G6 but their attempts at love were on-ly im-i- tations of My Old Flame. LOVER MAN Davis/Ramirez/Sherman 1941 D7 G7 D-7 G7 G7 c7 C7 1 don't know why, butI'm feel- ing so sad___I._ long to ty some-thing I've nev-er had The night is cold and I'm so all a- lone, T'4 give my soul just to call you my own Some day we'll meet and you'll dry all my tears, then whis- per sweet lit-tle things in my ears E79 BHT Bh7_Bb7_ G-7_ c7 |" Fa7 a7 Nev- er had no kiss-in’ ob, what I've been miss-in’ Lower Man oh where can you be? Got a moon a-bove me, but no one to love me, Hug-gin’ and a-kiss-in',” oh what I beg miss-in’, D2 *Ea7T BIT AK A-@7 A-7 Ga7 BT A-7 Az, be? G- Te heard it said that the thrill of ro-mance G7 C7 can be like a hea-ven-ly dream, G-« Fa7 Bb, ES aro T goto bed with a prayer that you'll make love to me, strange as it seems. 0°4744 BLUE VELVET wayne /Morse Gl, Fe. Bb She wore — blue velvet, blu-er than vel - vet was the night, She wore — blue. vel-vet, blu-er than vel - vet were her eyes, Blue—— velvet, but in my heart there'll al- ways be, e F7 Bbs7 G79 C-7 FT 2C-7 7 soft - er than sat - in was the light from the stars She wore sighs, love was warm - er than May her ten- der Pre- cious and warm, a mem-o - F7 Bb EP Bb7 Bb ours. Ours, a love I held tight-ly, feel- ing the rap- ture Bb7 Bb Eb-7 D7, fond FT pc aces grow, like a flame bum-ing bright-ly, but whenshe Jef, gone was the glow of Oc FT F Bb Bb FuS Bbé ry throughthe years and I stillcanseeblue velvet through my tears. I SHOULD CARE Cahn/Stordahl/Weston 1943 Gust E-7 A9 D-7 Gas, car E-75 AT should care, I should go sround weep-ing. should care, T should care, I should let it up - set me, should care, F7 Bis Car B75E7 G7, C7 —— 2 o I should go with-out sleep-ing. Strange-ly e-nough I sleep well, “cept for a dream or vue MR joe doeesnt “pete: MS RS Twat nd a FA? Bl, BV Aa Az, Ds D-2,_, G9 = z 4. SS = two, bbut then T count my sheep well, fun-ny how sheep can ull you to sleep. So E7 A-7 D-7 G7 cé D7 some-one as love-ly as. you, but_-I_— should care = and Ido.SPRING CAN REALLY HANG YOU UP THE MOST 45 A Landesman/Wolf 1955 ca Bba7 ca? Bba7 Caz A-7 D-7 G7 L.Spring this year has got me feel__- ing like a horse that nev-er ich te ‘Mom = ing’s “kiss, wakes wees and flo wers, and to them I'd like to drink a 2.Spring is here, there's no mis-tak__-._ ing, To- bins buid-ing nests from coast to Cols lege boys are writ-ing son nets, inthe ten~ det pas sion they'e en- E-7 AT BE-7HS F-7 E-7 Av D7 post, I lie in my room sar ing up at thecal" ing, toast, 1 walk inthe park just’ to kill the Tone - ly hours, coast, my heat tries to sing so they won't hear it break - ing, posed, but Tim on ‘the shelf with lat years Bas - ter bom - ome, c per (2 pv Giaust G7 G7 ca7 ‘Spring canreal- iy hang you up the most. Spring can real-ly hang you up the most. Bl cic ca GC CAT GAC car G-7C car All af ter-noon those birds twit ter_ twit, know the tune,“this is love, this is it’ Love camemy way I hoped it would last) we had our day, nowthat’s all” in the past. C-7 F47 C7 Fay Fi7_, B7 B47, x7 D7 Heard it “Be-fore and 1 know the score and I've de - id= ed that Spring is a bore. Spring came along, a searson of song, full of sweet prom-ise but something went wrong. Gav Fa7 ca7 Bba7 C42 A-7—s-D-7_—s GT E-7 A79 Lave seemed sure a ~ round the New Year, now it's A-pril, love is just 3 ghost Doc - tors once pro- scribed a ton - ic, _—sul=pha_and mo’ las- ses was the dose, FA-7!5 F-7 @ E7 AT D7 D7 G7 E-7 A7® ‘Spring ar- rived on time, on-ly what be-came of you dear?, did n't help a bit,” my con C Bbay bs Gust G7 Spring can reall} hig you up the most, a Ab7 D-7 G7 Spring canreakly hang you up the most. di tion must be chron ic, Spring can realy hang you up the E-7A79 D-7— Ca7 D-7— Ca7 B-75) Bb7A-7 D7must D7, ‘most. D7 All : alone, the par-ty’s o- ver, old man Win-ter was @ grac-ious host, but when Bb7 EZ AT D-7 D7 ca7 you keep pray-ing for snow to hide the clo- ver, Spring can real-ly hang you up the meet.‘You ‘You You G75 Dear AbS7 is- ing, car “YOU DON’T KNOW WHAT LOVE IS tayeperasi 1041 F-7 pb ‘don't now what love don't know how lips hurt, don't know how heart's bum, for love that can- not live yet nev-er dies, til you've loved don’t know what and how lips that taste of tears C79 F6 B 7s cm F- C72, Dba? is, un _ il you've learned the mean-ing of the blues, F-6 9 Ab7 ft Dba7 un ail you've kissed and had to pay the cost, G75 C7 G75 a a love you've had to lose, you don't know what love is, Ail you've flipped your heart” and you were lost. you Uil you've faced each dawn with sleep-less eyes, you Bbh7 BAT abaT Do G7 love is. D7 you know how a lost heart fears car pbs SOME OTHER TIME GTrust Where has the time all This There's day was just a so much more em - things we want G7 D/F} F-6 E-7) Alas, , Ob sill un - spo = ken time _is "C47 GIsus4 Fre AbsTqaTtt bar rac + = CAT Bb-7E7 5 “AbaT car G7sus* gone to, tok - en, brac = ing Ebis¢ = AbAT the thought of rem-in- 7s lose their taste for kiss ing? You BLT Bbut D.C. al 2nd End ‘You Bernstein /Comdon/Green 1944 a7 have - 100 still D7 E7 FA? BbTeust G7sus* n't done half the ma - ny words are to be done but GIs C87 Gout —— Qh Well, we'll catch up some oth-er time. Aba7 Ebn9 Just when the fun is start G+7 but let's be glad for what we've had and ing C47 E-7 A-7 Eb? Dias what's D7, ‘comes the Gast time for Dc. aleAUTUMN IN NEW YORK 47 ‘Vernon Duke 1934 AT Bbs c7 C+7 Fa? G-7— A-7,_ p79 G7 ‘Au-tumn in New York, why does it seemso in - vit ing? ‘Au-tumn in New York, the gleaming rooftops at sun - down. G-7 A-7 Bb c7 A-75 p79 ‘Autumn in New York, it spells the thrill of first night - ing. ‘Au-tumn in New York, it lifts you upwhen you're run down. G-7 Bb7 Bb7 “AbA7 Bh? C-7 -D-755 G79 Glit-ter - ing crowds and shim-mer-ing clouds in cam of steel, they're Jad-ed rou- es ‘and gay di- vor-cees who lunch at the Ritz will C7 A-75 D7 G7 C47 G7 c+ k-ing me feel. a home. Irs ell yout ie: | di = vinet”. This Gz A-7 BMG C7 C#7: «FAT G7 A-7 D7Db7 Au-tumn in New York, that brings the promise of new love, Au-tumn in New York transforms the slumsin - to May - fair, C7 D7 Be6 F7R Bh BeyAb G-75 C78 Autumn inNew York is of-ten mingled with pain. ‘Au-tuma in New York, you'lineed no castles in Spain. F7 cH - AbT Dba7 AT ‘Dba? Ghar Dreamers with emp-ty hands, may sigh forex = ot - ic lands, it's Lov-ers that bless the dark on benches in Central Park greet G-7 A? Bb-6 cm F au-tumn in New York, it’s good to live it a - gain, ‘Au-tumn in New York, it’s good to live it a - gain,48 WHERE OR WHEN Fa7 Rodgers /Hart 1937 F F6 Bb BHA It seems we stood and talked like this be - fore, we looked at each oth - er in the ‘The clothes you're wear-ing are the clothes you wore, the smile you are smil- ing you were BF Bb BHA G-7_ Chu *G-7 C79 |*B-7 a7 BIG Fa7 same way then, but I can't re-mem- ber where or when. smil - ing then but I can't re-mem- ber where or when. D7 G7 E-7 AT D-7 G7 ‘Some things that hap-pened for the first time,—_ seem to be —hap-pen-ing a- G™D C79 F F6 E-75 47 D-7 F7_— Bba7 gain. __ And so it seems that we have met be - fore, and laughed be - A-75 Dm G7 A-75 D1 G-7 c7 Gm Fe fore, and loved be - fore, but who knows where or when. FOR ALL WE KNOW Coots/Lewis 1934 F Ge C7 aa G-7C7_ Fa? 7 For all we know we may nev-er meet a-gain— fe - fore you go makethis For all we know, this may on-ly be a dream we come we go, like a G7 c7 FIA @ Ab? G7 tne weet] apa ee RG OE Btcay a enecers ene ere a Sp-ple on a steam——— 0. ove. me to : E-75 47 D- D-@) ~=p-7G7 G7 c7 Gh ® B-ms ED min-ute, Tl hold out my band and my heart will be in it For night, to AZ, Eb7a Diust D7 G7 c7 F6 mor-row was made for some, to -mor- row may nev-er come for all we know.EAST OF THE SUN 49 on ct Be, Ey Ad out, — East of the sun and west of the “moon, well build a dream-house of cr oF? Ad, —- D7 FEST E7 Near to the sun in the day, near to the moon at night, we'll E7A7 AT, D7 Gaz, c7 love. dear. Als live in a love-ly way dear, liv-ing on love and pale moon-light. Just you and L—— for - B-7 E7 Ad G2, E7 ev-er and a day______ove will not die,. we'll keep it that way, AT FES B7 BAT AT a — A-75 D7 ‘up among the stars we'll find, a har-mo-ny of life to a love-ly tune, east of the sun and west of the B-7 E7 pb7 Bb7 AZ, D7 G ‘moon,— dear,— east of the sun and west of the ‘moon SPRING IS HERE Rodgers/Hart 1088 Abo7 Ab6 AboT Abe C-75 F719 Spring is here, why does-n't my ge danc- ing? Spring is Spring is here, why does-n’t te ee light me? Spring is Be? c-iah_,_ Fah? Goa? AWG =F? Ff here, why _is- n't the waltzen- trance - ing? No de- sire, = bi = tion here, why docs-n't the night im- ‘wie me? May-be its) be - cause no. bo = ay Db cH F-6 B-7 E7 Bh? &b7 leads 2B-7 ET me, maybe it's be - cause no-bo-dy needs me. Bh? By C-7,—F-7_—s BATTS loves: me, Spring is here, 1 bear.50 EASY STREET oe yen Al Ber c7 BY F7 Bb7 Ab7 Bb? Ea-sy suet. I'd love to liveon —ea-sy street No- bo dy works on Life is sweet for folks who live on easy street no week- ly pay- ments Easy street I'm tell- in’ ev-'ty - one I meet if I could ine on Eba7 c7 OF, Bb7 © Bba7 F7 F- Bb7 cas sy sted just sit a- round all day Gust sit and play the hors es) you must meet that make your hair tum Ea- sy street Ts would- n't’ want n0 2Ebs7 Bb? ET Aba7 Ab? Dbz ‘When op- por- tn-i-ty comes knock-in’, you just keep on with your rockin’ ‘cause you Bb-7—Bb7 Aba7 Ab-7 DP. ‘grey. bar know your for-nane’s made and if the sun makes you per-spre, there's @-man that you can hire to plant C7 FW F7 Bb ® B7 BHT B py Bb ‘Die al Code trees, $© you can have shade on 1 would-n't want no job to - day, so please go way. WHEN YOU WISH UPON A STAR Harline/Washington 1940 3 CE Bbe7 c Al Da G7 Cc jen you wish up - on a star, makes no diff-‘rence who you ar. An - y-- thing your If your heart is in your dream, no. re-quest_ isto ex-treme, when you wish up = Lika a bolt out of “the blue, fate steps in and sees you thm,” when you wish up - zc D-7 G7 E-7 A7 C6 Dat Giust G7 bean de-sires will come to you éo, Fae is kind, op a star as dream- ers on a star your dream comes (rue. D7 G7 ce c al D7 D-75 G79 Deal Fine she brings to those who love, the sweet ful -fill- ment of their sec-ret long - ing.THE SECOND TIME AROUND 51 ‘Van Heusen/ Cahn 1945 oe C47) F133. E-7_— Bbo7 D-7 G7 ca7 Love is love-li-er the se-cond time a- round just as won der ful with Love's more comf’-ta-ble the se-cond time you fall, like a__friend-ly home the AT D-7— -B-75 B79 a7 G7 c7 o —— both feet on the ground It’s that se- cond time you hear your love song se - cond time you call Who can say—______ what led us to this ‘FAT Db7 F/C A-7 D7 G7 sung—— makes you think per-haps, that love like youth is wast- ed on the young. Love's more 2Pa7 Bb D9 D-7 G7 East BbI3 mir-a-cle we found? There are those who'll bet Jove comes but once and yet, AT Av D7 Gust c = > Tm oh 9% glad we met the se- cond time a- round DEEP PURPLE De Rose/Parish 1934 F FR G7 c7 ‘When the deep pur-ple falls, ov - er —sleep-y gar-den walls, and the In the still of the night, once a - gain I'll hold you tight, though you're Fa7 A-7S D7 CH Fe? D7Ft G-7 stars be- gin to flick- er inthe sky, through the mist of a fone, your love lives on when moon-light beams and as long. as. my BEG aun * Abe7 G7 c7 C+ mem = 0 - ry, you wan-der back to me, breath - ing my name with a heart will beat, lov - er we'll FFP G-7¢7 2 abo7 G7 CTnust C+7 F sigh In the al ways meet, here in my deep pur- ple dreams__52 OLD CAPE CoD B BT pt ab pis If you're fond of sand dunes and salt-y ait, quaint lit-e vil-lag-es here and there, If you like the taste of a — lob-ster stew, served by a win-dow withan o-cean view, If you spend an eve- ning, you'll want to stay, watch-ing the moon- light on Cape Cod. bay, Om ==> Bb7 EBT Ab BAT “F-7 Bb BT Cod Wind- ing roads that seem to you're sure to fall in love with old Cape Cod ByBb C7 Bb79 Eb Eb7 Ab Eb Ee 7 beck-on you, miles of green be-neath the skies of blue, church bells chim-ing on a Sun- day mom, re- Fa F7 Bhat Bb pc.wca® F7 Bb7 Bb mind you of the town where you were bom. old Cape Cod. MOON OVER MIAMI Burke/Leslie 1935 G AR Al ap D7 Gat_, C/G shine on my love and me, so we can Moon shine on as we be - gin, a dream or ‘Moon you know we're wait- ing for alt de c B7 |'G EB7 |*G FT Fine ‘stroll be- side the roll of the roll - ing sea. in. two thal may come true = when the fide comes, love, aolit- de kiss, on Mis - a - mi's shore. B- E- B- —»—B)7 DF. B- FHV ark wo the song of the smil-ing trou - ba- dous, hark (0 the throb-bing gui - rs, B- E- B- 5 _G-/B> DiAgee, Eee Ag D7 Di ale hear how the waves of-fer thun-der-ous applause after each song to the stars.53 I WILL WAIT FOR YOU Michel Legrand/Gimbel 1965 D-7 D7 G-7 G7 C7 If it takes for -ev- er Twill wait for you, for a —_thou- sand An-y- where you wan-der, an-y - where you go, ev-"ty = day re If it takes ‘for -ev- er 1 will wait for you, for a thou - sand G-7 c7 Fas F E-715 AT__D-7 D7 sum-mers I will wait for you, “Til you're back be - side me, ‘til I'm mem- ber how [love you so, in’ your heart be = lieve what’ in my sum-mers I will wait ‘for you, “Til you're here be - side me, ‘til I'm G7 E-75 479 = D-7 E-75 479 D-7G-| "D- *D-7 Fie hold-ing you, ‘til_I hear you sigh here in’ ty arms. Any ‘The heat I know that for - ev-er-more ‘Til wait for you. touching you, and for - ev-er-more _shar-ing your love. Bba7 G7 Dz Bba7 clock will tick s-way the hours one by one and then the time will come when all the wait-ing's done. The E-75 ATM’ B-75 Bb7 Asst AT D..a1Fne time when you re-mm and find me here and run _— straight © to my wait- ing arms. If it FOOLS RUSH IN ca7 CH, Be Bloom/Mercer 1940 D-7 D7 AtT G7 Fools mush in where an gels fear to ead and so_I come to you, my love, Fools rush in where wise men nev-er go-__but wise men nev-er fall’ in love, D7 GZ "CAT AT D-7? B-75 E7 A- A-A-7 my heat a-bove my head, though I see the danger thers> if there’s a 0 how are they to ‘ ps AT D7 D-7 G7 A7[?B7 a7 opt chance for me—— then I don't care—___ know? When we met F-6 cIG AT D G7 Cc T felt my life be-gin, so op-en up your heart, and let this fool rush in.54 IT MIGHT AS WELL BE SPRING Rodgers Hammerstein 1945, G ae G D+7 Tmas restless as a wil-Jow ina windstorm, I'm as jump-y as a puppet on & Tam starry eyed andvague-ly dis-con - tent - ed, like a night-ingalewithout a song to fi Tmas bu-sy asa spi-der spinning daydreams, I'm as gid-dy as. a ba-by on a & G7 car DIC GB Bb “AT D9 BAT E79 a-7Abrng D7 swing, I'd say that I hadspring fev-er, but I know it is-m't Spring. I am sing, Ob —whyshould I havespring —fev-er, when it s swing, I 2a-7 D7 G G7 C_ A-7 D7 G7 Dz G7 tf is-n't even Spring? I keep wish-ing I were somewhere else walk- ing down a strange new f Cc’ E7 AT AWG FH75 B70 E-7 AT Diast D7 Street, hear-ing words that I have nev-er heard from a girl I've yet to. meet. I'm as i & c B? E- A-7 D7 B7 E79 = A7 have-n't seen a crocus or a rose-bud, or a ro-bin on the wing, but I feel so gay in a Av D7 G_E-7 Ct75 C-6 G/B E-7 A-7 D7 G meban-cho-ly way, that it might as wellbe Spring, It might as well ~-be Spring. DREAM Johnny Mercer 1944 c Fie? B7 C6 E-7 Dream— when “the day is thru dream—__ and they might come tue— AT D7 F-7 Bb7 ca? Justi" watch the smoke rings rise in the | ai things never are as bad as they seem, D7 G7 *B7 A-7 D-7 Gm C6 you'll find your of mem -0- ries there So 50 dream— dream dream__ ' ' ‘Dream,— when you're feel - in’ blue,. to do.__ : :: THE PARTY'S OVER 55 ‘Styne/Comdon 1956 F7 Bb7 Bb7 EP Eb F-7 i's time to call it a day, they've burst your the can-dles flick-er and dim, you danced ‘and Eb7 Abe The par-ty's 0 - ver. ‘The par-ty’s 0 - ver, EB Abr pret - ty bal-loon and ta - ken the moon a - way 1's time to wind up dreamed thru the night, it seemed to be right just Abo Bb D-7 G7 C7 F7 Bb the mas quer ade just make your mind up, the pi-per must be paid. The par-ty's 2Bb-7 pT Ab F-7 Bb7 G75 ¢7 be ing with him. Now you must wake-up, F-7 Bb7 Eba7 C7 all dreams must. end take off your F7 Bb7 B make-up— the Party's o-ver——___ it's all o- ver. my friend GOODNIGHT SWEETHEART Ray Noble/Rudy Vallee 1931 c BC Bee Ge Be Ca FCC D-7_ G7 Good - night sweet - heart, til = we meet tom - mor- row, good - night Good = night sweet - heart though I'm not be _- side you, good ~ night Go Go GG G v7 G7 [A AO Ar a6 sweet - hear, sleep will ba - nish | sor = row, tears andar ing may sweet - heart still my love will * guide you, G7 ca7 AT D-7 G7 2A make us foro, but with the dawi—~ anew day is bom — A-®) A-T D7 Ebe7 E-7 A7__D-7 G7 So T'll say c dreams en - fold you, in each one T'll hold you, good- night sweet-heart, good - night. a56 ONE FOR MY BABY / Newres ‘EbAT Bb7 baz Bbyust EbA7 BD-7 | 'Eb7us4Bb7, It’s quar- ter to three, there’s. no-one in the place ex-cept you and me, so So, set ‘emup Joc I've gota little sto- ry you oughta know. * Bbiaast BOT Ghar _aba7 Dig Bb? Abs7 EID ‘We're drink- in’ my friend,—_— to the end_ of a brief ep - i- sode___ pb7mc79 G+? crs F-7 G-7 Ab6 Bhlust Eb6 A-75D7 make it one for my ba- by and one more for the road. 1 Well, Gaz D-7 Gar Diat GAL D7 GlatD Tat got the rou-tine, so drop an-oth- er nick-el in the ma-chinn____ I'm that’s how it goes and Joe, I know you're get-ting anx-ious to close, * GAZ. D7 Ga7 Dint GAZ D-7 Glaus! G7 feel- in’ so bad—— 1 wish you'd make the mus- ic dream-y and sad____ Could thanks for the cheer I hope you did- n't mind my bend- ing your er __This car Bba7 CAT F9 Gar Ger} FT BTS tell you a lot but you've got tw be true to yourcode,_________ make it torch that I've found must be drowned or it soon might ex-plode———______ make it BH E79 AT? BT C6 Dint® G6 D-7 G7 SS -Lr——=——-—~=C“ road. ‘You'd Cust C7 Cheust c7 Bt E7 — A7 Diss G6 G7 nev-er know it, but bud- dy I'm akind of poreTAM—T've got a lot-ta things to say. and Clas C7 Clsus* c7 G7 AT BTCA when I'm gloom-y you sim- ply got-ta lis-ten to me, un - tl its ted a - way. Well, @ B+ B7 EAT Aq D9 Gs nn ee ee eee ae ee ee ee a road, that long, Jong road. Le ccaMIDNIGHT SUN 57 ‘Burke/Hampton/Mercer 1947 c car c-6 Your lips were like a red and ru-by chal-ice, warm- er than the sum- mer night. IT can't ex-plain the sil~ ver rain that found me, or was that a moonlight veil”. The flame of it may dwin-dle to an em- ber, and the stars for - get to shine Fy Bb Bba7 + a+ bas-ter pal - ace ris-ing w a the clouds were like an al The mus - ic of the un- i- verse a - round me, of was tht a and we may see the mea-dow in Dec - em- ber, ic- y white and Bh6 EbTt Ab snow - y height, each sar its own m-o-m bo-re- night - in - gale? And then your arms mi - rac - u - lous- ly bat oh omy = dar- ling al- ways I'll re- Ab-6 Db7in a= lis, sud = den - ly you held. = me_—_tight__ 1 could see the found me, sud - den - ly the sky tamed pale T could see the and we saw the mem - ber when your lips were close to ~—mine, G7 Fear AT FT BT AT D7 Mid - night Sun. iad I ‘Mid - night Sun____ AT Da7 ET a7 EA? E27 bat Was there such a night? i’s a thrill I still dont quite be - lieve D7 G7 E-7 BT p-7 pb D47 D.C. alFne o af-ter you were gone, there was still some star-dust on my sleeve The58 PENTHOUSE SERENADE ee ceo, Ebe7_,, Dv. ——s Just picture a penthouse way up inthe sky, with hing- es on chim-neys for From all of so-ci - ¢ - ty we'll suy a-loof, and live in pro- pri - e- ty In our lit- He pemt- house, we'll al- ways con-trive t keep love and ro~- mance for DZ, G7 D-2, G7 O['ce Ae stars to go by, a sweet slice of hhea- ven for just you and 1, when we're a - there on the roof, two bea-ven-ly her- mits we will be in truth when ver alive, in view of the Hud-son just 0 ~- ver the drive, when c D7 a7 D-7G+ lone. From ei ae bon ‘We'll see life's mad pat - tem, MY MELANCHOLY BABY Burnett/Norton 1911 BP OFo FR G- Be? Bb? D7 DIS C7 F7 C7 cud-dle up and don't be Come to me my mel-an-chol- y ba - by, ing, wait un - til the sun shines Ev- ‘ry cloud must have a sil - ver lin - F7 Bb7 FT Bb F7 Bb7 VF a all your fears sare fool - ish fan-cy, may be, z C7 ase Bb7us4 Bb7 ‘Ab AT you know dear that dear, while 1 EL/Bb Db T'm in love with you” Smile my hon-ey c7 F7 Bhiust _Bb7 BE kiss a-way each tear, or else.‘ shall be mel- an chol-yYOU’VE CHANGED 59 Fisher/Carey 1942 Epa? ACTS D+? Db G75 c+ You've changed, that spar-kle in your eye is gone, your smile is just a care-less You've changed, your kiss-es now are so bla- se, you're bored withme in ev- ‘ty You've changed, youre not the an-gel I once knew, no need to tell me that we're O['B9 BbS E> C7 FT Bh F9 yawn, you're break-ing my heart, you've chang ‘You've way, I 1 through, it's “Bo BT AbAZ. Ab7 pbs Bb7 Bb can't _un-der- stand, you've changed. You've for- got- ten the words “I love you”, G-7 Eba7 Bh? &b7 AbAZ, Ab7 = Db7 each mem-o-ry that we shared You ig- nore ev-‘ry star a-bove you, _—I._can't G2 Gh7 FT Bb Toc sco BY BLO Eb6 o S$ re- arlize you ev- er cared. You've all ov-er now, you've changed. BLUE GARDENIA Russell/Lee 1953 AT D7 Gal CHI FAT Fa7 B-7 E7 Blue Gar - den- ia, now I'm a-lone with you, and Tam al- 30 blue, you, Gar -den-ia, once I was near her beart, after the teardrops start A-7 D2_3__._ |'Ga7 B79) |"A-7D7 G she has tossed us a - side. And like hide? I lived for an ho-ur, what more can I where are tear drops to CH-7 FIT B47 Gf-7 C7 FAT B7) «EW oB7 AT A-7 Ds tell, love bloomed like a flow - er, then the pe-tals fell. Blue Gar - den-ia, Gar cy B-75 B79 4-7 Dieu Ab? G6 thrown by a passing breeze, but pressed in my book of mem-o - ries.60 BLUE HAWAD Robin /Ratnger 1897 Bb Bb7 ED Eb Bb SF Ab G+ c7 Night and you and blue Ha- wa the night is hea-ven- ly Love - ly you and blue Ha- wa with all this love- li ness, Dreams come true in blue Ha- wa - i, and mine could all come tue Bb B}/B> BbBi7 G7 C-7 FIR | 2 C7 ed RL, F7 there should be love. Bb Bb? c7 and you are hea-ven to me. Eb E By Come with me——__ while the moon is on the sea—___ the — night is young C7 FT pc.wcote @ C-7 F7 Bb Ebb Bb and so are we—___ this mag- ic night of nights with you. HARBOR LIGHTS Kennedy 1937 Bb7 Bb7 F7 I saw the har = bor I watched the hhar = bor Now I know Jone - ly F7 * BOT B they on- ly told me we were pan - ing, how could I help if tears were start - ing? for all the while my heart is whis - p'ring, hs same old har bor lights me. Iwatchedthe Good-bye to ten - der nights some oth- er har bor lights that once brought you to ‘ » Ab Ab7 -Db7 2 Bb7 EP be-side the sil- vty sea will steal your love from — me. BCT F7 Bb7 2. al 2nd End (Fe) fne ‘Elonged to. hold you near and — kiss you just once more, but you were on the ship and I was on the shore. Now I knowATS D-7 G7 ca7 Az D7 =) 7 = = fone that I have been think-ing of—— What kind of man is this7——~ An emp-ty shell A7 D7 B-7 de AT D7 Geust G7 dwell fat kind of What kind of car cell in which an emp-ty heat’ must a lone = ly Gust car Ans D-7 lips are these? Tflat lied with ev - ‘ry kiss, whis-pered emp-ty words of clown am I? What do I know of life? Why can't. 1 cast a- way the ‘Bba7 A79 AVG FRRTS F7 GB love that left me a - lone like this why can't I fall in love? like oth - er mask of play and live my life? Why can't I fall in love, wll TT don't CE Be7 D7 D-7 Giast G79 c peo- ple can, and may-be then T'll know what kind of fool I am. give a damn RED SAILS IN THE SUNSET ‘Williams 1935 D7 G7 Ca7 | Rls GA7GPIA-T_Gfe7, A-TD7 Red sails in the sun-set, way out on the sea, oh car-ry my loved one He sailed at the — dawn-ing, all’ day I've teco bloc, red sails im the "Sune see AT D2, |"G D+] CET; A-7 | Dia4, | G_ G7 home safe- ly to me. Swift wings you must borrow make straight for the shore, Tm wusting in you G BiAL D7 oc. urns C__Et, We oo mar- ryt - mor - row and he goes sail - ing no more. WHAT KIND OF FOOL AM I? 61 en Glast G29 CAT FA? E-7 Alu D-7 Gust E-7 fat ind of fool am I nev-er fell in love W seems thar I'm the on- ly62 ALL MY TOMORROWS =— = Hewaveams 050 (CHS sax ) AT C6 GB. ‘Bbo? To- day I may not have a thing at all, ex -cept_ for just a dream or wo, but Right now it may not seem like spring at all, we'e drift-ing and the laughs are few, but As Jong as I've got arms that cling at all, it's you that I'll be cling-ing 10, and FyTS B-7 Ev AT D7 ("3-75 BT AT Trve got lots of plans. for to- mor row and all my to- mor-rows be~ long t you. Right T've got rain- bows planned for to-mor-row, and all my to- mor-rows be - long to all the dreams I dream, beg, of bor-row, on some bright to-mor- row they'll all come *D-7 G7C cz FZ E-7 chs c-@n you. No one knows bet-ter than I, that love keeps pass-ing me by, that’s fate. GB ET Ad D7 BYat E7 AT D? pc wcnt T'll soon be turning the tide, just wait. AS 15 D7 G But with you ® pas Bn Ad here at my side, E79 true, and all my bright to- mor- rows be- long to you. HOW DEEP IS THE OCEAN? Irving Berlin 1982 c- cB C-7B> A-75 G-7 A-75 D719 How much do I love you? T'lltell you no lie, how deep is (0- cean, How far would I ta - vel to be where you are? How far is the jour-ney, G7 F7 Bbr [tEb7 BT Eby ab? By7 ab7 how high is the sky? How many times Say, do I think of you? from here to a sur? B9 G7 BT OFT BLT G7 | *Bb7 BT G-75 C79 And if I ev-er lost you, Bb7 B How many ros ~ es, are sprinkled with dew? F7 —2— ~ Ab-7 Db7 Ebb C-7 F9 = F-7 how much would I cry? How deep is the 0- cean, how high is the sky?WHO CAN I TURN TO? 63 Bricusse/Newley 1964 Bs c7 F7 Bb7 o ¥. Who can I um to, when no - bo - dy needs me7—=" My may - be to- mor- row. TH find. what I'm af ~ ter ru Bba7 F7 G-7 Aba? Bb-7 7 heart wants to know and so I must go where des - ti - ny leads me With throw off my sor- row, beg, steal or bor-row, my share of laugh- ter. with ‘AbaT ATDT9 G7 c7 FT D-75 no star to guide me and no-one be-side me 'l go. on_my way and C7 FT Bb7 ?aba7 D-7G79 G7 And af-ter the day the dark-ness will find me. you I could leam to with c-9 __F7 Fhe7 EWG — Gho7 F-7 Bb7 EDS you on a new day but = who can I tum to if you tm a - way? BEWITCHED Rodgers /Hart 1941 c Che7 D-7_, Die CE Et F6 F-6 tm wild a- gain, be - guiled a- gain, a — sim-per-ing, whim-per-ing child a- gain, be~ rl sing to him, each spring to him, and long for the day when I'll cling to him, Could-n't sleep, would- n't sleep, when love came and told me I should- n't sleep, be- ce 1 O'D-7 am D7? *G™D C7 Fal E-7 AT Witched, both-ered and be - wild-ered am Dz A; wild-ered am D7 1___ G7 Lost my heart but what of it? He is cold I a- gree he can laugh but I D7 G7 E7 BT D-7 Glocwcou@ D7 G7 C love it, al though the laughs on me I'll wild-ered am = L_____64 ALL THE WAY ee Fal E-25 ATS D-7 G9 When some-bo-dy loves you, it's no good un-less they love Jou, all the way. ‘When some-bo-dy needs you, it's no good un-less she needs you all the way. c7 Bi Die7 CVE Fa7 C-7 FT Hap - py to be near you, when you need some-one to cheer you, all the way. ‘Through the good and lean years and for all the in. be-tween years, come what may. Bba7 c7 G-7 E-75 AT? 'D-7 G7 C7 F7 Tall - cr than the tall’ - est tree is, that's how it’s got to feel, Who knows where the road will lead us, © on - ly fool would BbAT c7 AT D7 —3—D-7C__ Bb? Bb7 2D- Bb-7Eb7 Gcep-er than the deep blue sea is, that'show deep it goes if it's real say, But FAL, AGL D79 —-B+7'5 C9/Bb A-75).7'9G-7 C79 F if you let me love you, it's for sure I'm gon-na love you all the. ~=way, all’ the = way. I COVER THE WATERFRONT John Green/Heyman 1933 Av B-7_ Bho? Av D™ Gar, T cov-er the wat-er- fron I'm watch-ing the sea, will the one I love be I cov-er the wat-er- front in search of my love, and Tm cov-ered by a I cov-er the wat-er- front I'm watch-ing the sea, for the one 1 love must Fi D7 G47 B-75 E79 2G Diat G com - ing back to me?____ ove" star - less sky 2 a me. B] come back © AT D7 Gy Be BHT AT, 7 G_._66 Here am L___pa-tient - ly wait-ing _hop- ing and long-ing—— Oh, how I yeam, Bee Ch7_,__, FV Bee TE, At, D7 Dewars Ea ree) ‘Are you for get-ting, do you re-mem-ber, will you re- tum? where are you?.65 EVERYTHING HAPPENS TO ME ‘Matt Dennis /Adair 1941 [Al C7 FT D-7 Db c-7 FT I make a date for golf and you can bet your life it rains, I uy to give a par-ty and the I nev-er miss a thing, I've had the mea-sles and the mumps, and ev-'ry time I play an ace, my Tve te-le-graphed and phoned,I sent an air-mail spe-cial to0, your ans-Wwer was good-bye, and there was D-75 Gn C7 Ab7 D7 __,__ phe? & guy up-stairs com- plains, I guess I'll go thru life just catchin’ colds and missin’ tains, Partner al- ways wumps, I guess I'm just a fool who nev-er looks be-fore be jumps, ev-en post-age due, I fell’ in love just once and then it had to be with you, “O-7 F7 Bb G7 zO7 Bb ev-"ry-thing hap - pens to me eve 'ry-thing hap - pens to me At F7 Bb7I9 Eba7 C79 B7 Bb2e. first my heart thought you could break this jinx for me, that Jove would tum the trick to end des- Eba7 E7 ATS Dav pa, but now just cant fool this bead’ that thinks for me, Ive G7 cz C77 FI pc wcad C7 F79 Bbs ————— SSS] oe ——S ————S mon gaged all my castes in the iz. ‘Tve ETT thing bap - peas to me A SUMMER PLACE ‘Max Stetner/Discant 1959 Bb G-7C-7 Fu! Bb G-7C-7 Flt BbA7 — C-7 FZ C-7 £7 Bba7 ‘There's a sum-mer place where it may rain or storm, yet I'm safe and warm, for with- in that sum-mer place your arms reach out to me | and my heart is free from all of a sum-mer place is that it's* a - ny- where when two peo - ple share all their Bb G-1C-7 F7__ Bb G-7C-7 F7_ @G-7 BYF Bb C-7__-BYD G-1. C-7 Eb 6 care, for it knows are no “Bloom-y skies when seen thru the eyes of ae all their dreams, all their BHF Fist C7 F9 0. Coo 7. ‘hose who are blessed with swhet se-cret love,66 LAST NIGHT WHEN WE WERE YOUNG ‘Arlen/Harburg 1837 Ga7 C7 B77? EL2— G/A AI B7 CID RL, Last night when we were young, lovewas a star, a Song un -sung.-_ Lifewas so To - day the world is- old, you flew a - way and time grew cold, whereis that G6 Ghe7 A-75 D8 [-B-7 Bb9 A-7 Ab7M [2.G47 Gho7 A-7 D7 new, $0 real so bright, agesa -go- last night star that seemedso bright «ss agesa- = = S es B-75 E79 BH7 A A799 B+7— Bb7I9 A7I9 —— go last night? To think that Spring had de - pended - on merely this, alook a kiss. To p-« D1, B-75 E-75 A479, EA9 D9 Ab7H think —thatsome-thing so splen-did could slip a - way inonelit-tle daybreak. So G47 A-7 Bbo7B-7—ET B-75 F9 -E7 ET E7 now, let’'sre-mi -nisce- and recol -lect - the sighes and- the- kisses, _ the arms that ETA 7 Bbo7 AT p79 G clung when we were young last night. ILL WIND ‘Arlen Moeler 1994 Bb6 A-75 D799 D-7G7 BHT Ab7 D-7 G7 -C-75 E79 BLE G79 Blow, ill wind, blow away, det merest to - daysyou're blow- in’ me no good, no Go,’ ill wind, go way, skiesamp oh so gray a - round my neigh-bor hoed no ‘C-TFT |2Bb6 A799 DT E7 Fo? DFE GTous* sun-shine I’m need-in’, ain'tthat ashame? pb7m c-7s R79 ‘good. GB good. You're on-ly mislead-ing the D7 OE? F°7 D/Ft G7 sohardtokeepup with toublestheycreepup from out of no - where,when love's toblame. IrsPEOPLE Jassonemena ses OF Ca G7ast G7 car Gla s—, Glnst_CA7 Peo- ple, peo-ple who need people are the luck-i-est peo-ple— inthe Lov-ers—_ are ver-y spe-cial people, they're the luck- i-est peo- plein the GB Ed A- ATS pTs We're chil-dren____need- ing other chil- dren___ and yet _let- ting our grown-up GAT ACH C-6 GB Bb? AT D7 D-7 G7 pride hide all the need in side,-act- ing more like chil-dren than _chil- dren. 2G-7_ CT ‘y GIF F- CE G-7 C7 F world. With one person___ one _ver-y spe-cial per-son—_—a feel- ing deep in your soul— GIF CE FE-75 CIG, AT D7 G7. “says you were half, now you're whole— No more hun- gerand thirst, but first, be a per-son who needs c c7 F F- Glut D-7 Gist C people. peo- ple who need peo- ple are the luck-i-est peo-ple in the world. TIME ON MY HANDS acent youmans/adamson 1830 Fa7, B75 E7 GeiE. G-75 3 Time on my handsj——— you in my arms —noth- ing but love—— in Then if you fall once and for all TI see my dreams come *c7 G-7.c7,_|?A7 p79 «G7 ns tue Mo- ments to spare. for some- one you care G7 C7 Fal, D-7_ G7 Ga cl Faz, for, one love af - fair__ for two. With time on my hands DsLs. GL, G77 F6 and you in my arms and love in my hear, all for you68 I'M GLAD THERE IS YOU Maidera/J Dorsey 1945 F7 G7 FA7 In this world of or-di-na-ry _peo-ple, extra- or-dina-ry people In this world wherema-ny,many play at love. and hard- ly an-y stay at love C74, |"F47 ab7 G-7 C7 Fa? A Ab? = G-7 In this world____ of overrated plea sures G-7 C7 F7 Bba7 "Tm glad there is you. T’m glad there is cz Fa7 Aan of un-derrated trea- sures I'm glad thereis you________ I'll live to love T'lllove to Bb? Bb7 a7 E-75 A+?) -D-7 G7 G7 c7 side me—-— thisroleso new, I'll muddle thmwith you to guide me. F6 live with you be Bo pais G-7 F/A Bhs? C79 T'm glad there is you. you more than ev- er, THANKS FOR THE MEMORY Rainger/Robin 1937 F6 C+ F6 i: Fhe? CVG ___,__F/A G7. C7 ‘Thanks forthe memo-ry, of can-dle- light and wine on the Rhine, the Thanks forthe mem-o-ry, of rain- y af- ter-noons—— _—swing-y Har-lem tunes, and ‘Thanks forthe memory, of sun-bums at the shore nights in Sing-a pore, you Be? E-75 FAT, co? @ Par-the-non and mo- ments on the Hud-son Riv- er Line, how lovely it was. mot - or trips and bum- ing lips and — bum- ing toast and prunes, might have been a head- ache but you nev- gr were a bore,” so ‘Ab Bb-7 Bb? Ab p79 CIG__ AT ‘Me-ny'sthe time that we feast-ed and ma-ny’s thetime that we fast-ed, ob, well it was swell while it D7 G7 G7 c+7 @ G-7 C7 F 2a) lasted, we did have fun and no harm done. And thank you so much.I'VE GROWN ACCUSTOMED TO HER FACE 69 Loewe Lerner 1956 B Aba G-7 +7 F7 Bb?) F-7BbT I've grownac eus-tomed to her face she al- most makes the day be gin,__ T'vegrownac- T've grownac cus-tomed to her face she al- most makes the day begin, Ive got- ten Ab6 AT Ebb c7 Ab6 = Go7 Fy Bb7 : — ee = Ss ——S 75 + aS ‘cus-tomedto the tune she whis- tlesnight and noon, her smiles,her frowns,her ups, her downs are sec-ond used to hear hersay,"Good morning” ev- ‘ty day, her joys, her woesher highs, her lows are sec-ond _ eB Abs G7 G7 F-7 Bb7 F-7 Bb7 he = —————— SS wv — x —— ‘na-ture to me now, like breath-ing out and breath- ing in, Twas se- Ra-ture to me now, like breath-ing out and breath- ing in Tm ve-ry Ab AT ByBb C+ FZ Bb Db CH ‘rate-ful she's awo-manand so easy to for- get, rath-er likea ha-bit one can al-ways brealand yet,I've grownac- caer tome 0 her looks, ac - cus tomed to her voice, ac -cus-tomed 40 her face cus-tomed to the ‘trace, of some- thing in the air, ac -cus-tomed to her. face FOR YOU, FOR ME, FOREVERMORE George/ira Gershwin 1946 A-7 Abo7 G-7 F6 A-7 Abo? G-7 c7 “F6 For ee ere emg fies 2 cr er ee ey eet ev- er-more, I'm yours, you're mine, and in our the c7 c-7 F7 C7 RTS Bb D-7 G7 it’s D7 C47 See, we found By find-ing each other, the love we wait-ed 20-7 FT BbA7 Eb 7eut BT Far p7s Plain to for 'm G7 c7 hap- py end- ing starts what a Fa7 D-7 G7 G7 C7sas4 love-ly world this Cc? F6 ‘orld will be, with a world of love in store, for you, for me, for eveer more.GUESS I'LL HANG MY TEARS OUT TO DRY Jule Styne/Cahn 1944 E7 BT Dx G7 car Fa? B-7Bb7!A 7A}78 When I want rain I get sun- ny wea-ther, I'm just as blue as the sky, Friendsask me out I tell them I'm bu- sy, must get_a new al- i- bi Some-bo- dy said just for- get a- bout ber, I gave that treat-ment 2 cm By @ AT D7 D-7 Glut G7 “C Glat since love is gone, can’t pull my-self to - geth-er, guess I'll hang my tears out to diy I stay at home, and ask myself where is she, strange- ly e- nough, *c Blow oc G77 FAT Bh F6 Dry lit-te tear- drops, my lit-e tear- drops, hang- ing on a string of dreams. E-7 AT E-7 AT D7 AbT Giast, G7, Fly lit-tle mem- ‘ries, my lit-te mem. ries, re - mind ber of our cra-zy schemes. C CAMB AT _C/G) F-75B7 E-7 B-7 De Gru c + then one day she passed me right by Oh well, I guess I'll hang my tears out to diy— GHOST OF A CHANCE | vier young/Washington 1931 él car G+7 E-75 A798 F7 Bb7 1 need your love so bad - ly, I love you oh so mad - ly, but 1 thought “at last Td found you, but oth - er loves sur - round you, But what's the good of | schem- ing, 1 tow I must be — dream- ing, for car ‘E778 7c FC AM AT HL, Gt D7 G7 T don't stand a ghost of a chance with you you D2, Gi, ca If you'd sur-ren- der just for a un - Kiss or two, FRe2S_s. B7 EF AT D7 G7 o you might dis- cov- er that I'm the lov-er meant for you, and I'd be tue. But B.C. and Ene ne)TWO FOR THE ROAD 71 Re cr FeeTI5 Bye E7 EMD C7 BI € = : = If you'refeeting fan-cy free come wander thru the world with me, and an-y-place we Inemcnrtioe te anil dive. "hr wanes ov dak sane tea-wings und ety yt AT A-/G_ D/Ft ASIG G7 E-7 = chance to be will be our —_ren-dez-vous——_ two for the road. we'll tra-vel down the you are mine willbe a love- ly day ACH D-7 D-iC GIB E-715 29. years, col-lecting precious mem-0- ries se- D-755 G79 car c7 = t-ing sou- ven- irs_— and_liv- ing GUF E- E-D_ Ch C-6 life thewaywe please In summertime the Aslong as lovestillwears a smile, I GB a7 B-7 Bb?) A-7 D798 Gg know that we'll be two for the road, and that’s. © a_—ong, long while __ NEVERTHELESS by Kamar 1991 Bb Dbo7. FIC Fo D-75 G79 May-be I'm right and may-be I'm wrong, and may-be I'm weak, and may-be I'm strong, but May-be I'll win, and may-beT'll lose," and may-be I'm in for cry- ing the blues, May-be I'll live a life of re- gret, and _may-be I'll give much more than I get, C7 G7 ‘c7 F7 Bb G7 «c-7F9 [#07 F7 Bb nev-er-the-less, I'm in love for you. love with you. Bb7 FT Bb7 bAT Some-how, I know at aglance, the ter-ri-ble chan- ces I'm tak - _ ing, G-7 c7 G7 re ee ee ee eee ee ee eee ee ee ee ee ee fine at the start, then left’ with a heart that is break - = ing = c7 F7 D.C. al 2nd End (Fine)72 VIOLETS FOR YOUR FURS sat desnis/atar ion Bb7 BY? A-T D7 G-7 CLs Fa T bought you vi-o-lets for your furs, and it was spring for a- while, re - mem-ber? 1 bought you vi-o-lets for your furs, and there was blue in the win-try sky. Gh. Av D7 G7 FA7 Bba7 G7 T bought you vi-o-lets for your furs, and there was A- pril in Dec - em-ber. The ‘You pinned the vi-o-lets to your furs and gave a lift to the crowds pass c7 FA7 G-7 G7 F6 c7 sow drift-ed down on the flow-ers and melt-ed where it lay, the snow looked like dew on the Fa7 G7 G-7 pb7 | *G-7 Bba7 Bb7 FA?) A-715 blos-soms as on a sum- mer‘s day. by. ‘smiledat meso sweetly, since _thenonethoughtoc- D7 Be-7,C+7_ F6 G7 C2, F6 You curs, that we fell in love com-plete-Iy, the day that I bought you vi- o-lets for your furs. TRY A LITTLE TENDERNESS onaty/voods 1992 Bb? Bb D+ Db C9 a7 c-7 F-7 She may be wea-ry, women do get weary ‘wear-ing that same shab-by dress__ ‘You know she's wait-ing, just an = ti ci-pa-ting things she may nev ~ er pos- sess ‘You won't-re- gret it, wo-men don’t for- get it, love is theirwhole hap-pi- ness C7 F7 F-7 Bb7 "G7'9C79F-7 Bb7o|*Eb BT Eb7 ‘And when she’s wea-ry, try a lit-e ten- der = ness While she's with-out them, try a lit- tle tender : Ws all so ca-sy, uy a lit-Ue tender : AbAT D-75 «G79 C7 G-75 C79 not just sen i - men - tal, she has her grief and = care, anda F-7 G-75 cn F-7 F7 Bb7 makes it ea-si- er to bear word that's soft. and gen - tleTHIS IS ALL I ASK 73 Gordon Jenkins 1958 Verse F6 —Ffe7 G7 c7 G7 ¢7 Fe? F6 As I ap-proach the prime of my life, I find I have the time of my life, G-7 Fye7 G-7 Bb-2_ 7 FATA Abo7 learn-ing to en - joy at my lei-sure all the sim-ple plea- sures, and so I hap-pi-ly con- Als BS A-7i5 p19 D-7 G79 pho cn F6 p79 cede, this is all ask, this is all need, Fe FAT) a-7i5 Dw G7 cn Chorus G7 C7 _,__, Beau-ti- ful girls, walk a lit-tle slow-er when you walk by Wan- der-ing rainbows leave a bit of col-or for my heart to Fé G7, Far p G7 Gte7 "FATA me. Lin- ger-ing sun- sets, stay a lite long-er with the lone - ly own. Stars in the sky make my wish come true be-fore the night has B75 B79 A AD 4-7 D7 shoot at bad men, shoot at me, G7 c7 sea. Chil- dren ev - ‘ry - where, when AT De G7 Of you D7 land grown- ups sel-dom un- der- E79 take me “to that strange, en-chant-ed FAIS Bbs B-715 stand. flown, and let the mus-ic play as Jong as there's a F6 A> AT DB G7 CTeust song to sing = and = will’ stay young- er than spring.74 THE MASQUERADE IS OVER ‘Wrubel, Magidson 1938 oe) EbA7 G-755 c7 FT Bb7ust = Bb7 ‘You sa B G7 c-7 Bh7 BT Ab D7 eyes don’t shine— like they used to shine, and the = thrill is words don't mean___ what they used to mean, they were once in- Took the += same, youre a Jot the = same, but my heart. says G7 7 F7 F7 By OB OB gone when your © lips meet mine, ‘I'm a - fraid the mas-que - rade is spired, now they're just. © rou - ‘tine, “no, no youre not the += same", Ab-6 AbAT oe and so is love, ‘Your love, and so is love I FT Bb7 G-7 C797 Bb7 Ba? guess I'll have to play Pag - liac-ci and get my-self a clown's dis - guise, and A-75 p79 G47 G7 C1__Fi,__ BTU Bb7 ys wcoue Jeam to laugh like Pag - liac- ci with tears in. my _— eyes. ‘You ® By Ab pis G-7.C7 F-7 Bblat — BAS rade is ov - er, and so is love and so is love.THEY SAY IT’S WONDERFUL 75 ving Berlin 1946 G7 G-75 c7 AT Abo7 G-7s ‘They say that fall- ing in love is won-der-ful___ It’s won- der-ful— ‘And with the moon a - bove, it’s won-der-ful____ it's won der-ful— 1.C79 AT? D7 2C79 F7 FHT FAT te = = 5 so they tell me——____ I Bba7 Bb-6 FIA AT Abe? G-7 ATG can't re- call who. said it, I © know I nev-er read it, I on ly know they Fo E7 A7 D7 AbT DIT G-7 G-75 C79 tell me that love is grand, and the thing that's known as ro-mance is AT BS D9 D-7 G7 G-7 C7 F6 won- derful, won- der-ful in ev-‘ry way——— so they say. SMILE Chaplin/Tumer 1954 F FA7 Smile, tho’ your heart is ach - ing, smile. e- ven tho’ it’s _break- ing, Light up your face with glad- ness, hide ev- ‘ry trace of sad ness, AT Abo7 G7 p79 G7 when there are clouds in the sky, you'llget_ by. If you — smile _ though your al- tho’ a tear may be =e - ver so near. That's the time you must Bb7 . BS F6 fear and sor- row, smile. ands may - be to- mor-row, you'll see the keep on ty ing, smile, what's the use of cry ing, you'll ‘find that D+7 G7 rer) 2079 F sun come shin- ing thm for you life is still worth - while, if you'll just smile76 THE END OF A LOVE AFFAIR gissrsseisng sso Aa, a F7 Bb, Ba fast, and I drive a lit-tle too fast, and I'm much, and I laugh a lit-tle too much, and my much, and I drink a lit-tle too much, and the Ab7 Dba7 Clas YF D-7 So 1 walk a lit-tle too reck-Iess it's true, but what else can you do at the end of a love af- fair? Sol voice is too loud when I'm out in a crowd, so that peo- ple are apt to tunes I re-quest are not al-ways the best, but the ones wherethe trumpets D-7 G7 D7 G7 D-7 G7 stare. Do they know, do they care, that it’s on-ly that I'm lone-ly and low as can D7 G7? car AT D7. -D7 G7 G7C7 be? And the smile on my face is-n't real- ly a smile at all__.___ Sol ® or FT Bba7 BS Fa7 ce ee ee ee ee ee ee ee ee ee blare. So I go at a mad-den-ing pace, and I pre - tend that it's tak-ing her G7 c7 G-7 c7 F6 Place. But what else can you do at the end of a love af - fair WARM VALLEY Duke Ellington 1943 Bar Ee? F-7 — BbTast G7 c7 F-7 Db? eis BS By |? BD ADSL. C7, Be? BHT BT Ab6 Dba7_ Fi-7 B7 Bb Et F-7 BY, onA SUNDAY KIND OF LOVE 77 Louis Prin /B.Bele 1948 F6 Ac? Abe? G-7 Cn re D7 T want a Sun- day kind of lov | love to last past Sat - ur- day night, 1 want a love that's on thesquare—__can'tseemto find some - bo- dy to care, My arms need some-one to en- fold____ to keepmewarm when Monday’sare cold, G7 B67 AT D7 G7 c7 . T want a Sun- day kind of love— T'd like to know it's more than ove at first sight—___ T'm on a lone- ly road that leads me no- where a love for all my life to have and to hold "F6 D7 G-7 G7 6 GbAD 6 c7 F7 T want a eee I do my Sun- day dreaming and Fro Bb6 C-7_F9_ Bb6 Ab7«G:! D-7 C2 all my Sun-day scheming ev-"ry min-ute,ev- ‘ry hour, of ev'ry day. I'm hop-ingto discover a G9 Db7 co Fe7 G77 ‘My —amms need cer tain kind of lov-er, who will show me the way? SEPTEMBER IN THE RAIN ‘Warren/Dublin 1937 B AbT G7 C7 F7 F-7Eb Db7— BT OBLT The leaves of browncame tumblingdown, re - member? in Sep- tember in the The sun went out just like a dy- ing ember thatSep - Though spring is here, to me it's, still Sep - tember, thatSep - BE C7 Bb7 BT Bb7 B7 "F-7 Bb7 2B rain The To ev- "ry word of love I beard you Aba? D7 C7 F7 C-7 =F7 F7 Bb7 whis-per-—— the _rain- drops seemed to play a sweet re - fain Though78 PORTRAIT OF JENNIE obinan Burége 1048 : Bb6 BS a A F D-7 Db7C-7 Fel, = A portrait of | Jen-nie-_______ more love- ly to see than a The portrait of | Jen- is etched on my —heart_____where her the por-trait of | Jen-nie—__________ I1_nev- er will part, for there ‘a7 D-7 G-7,__G79,__ A¥7,_ D9. G-7 79, |7A-7— +7 mas - ter-piece, how-ev-er fa-mous it be. The por-traitof fea - tureshave been G-7 C7 F6 BD FG B-7,E7 A4l, CH? D7 G7 sketched from the star Ah the co-lor and beau- ty of line and the glow of her C&,—, F7 E747 D-7 Ab9 G9 G79 «G7 crs Dg Cone % ‘Spi- rit di-vine—____ alll cast in Hea-ven's own de - sign. With the por- trait of AT D7 G2, 2 Cla! C7 FG is - n't an-y por-trait of Jen-nie, ex - cept in my heart CRY ME A RIVER Arthur Hamilton 1953 A c- ier C6 C7 FT Bb7 BA?) -D-7_-G7 Now you say you're _lone-ly— you cry the whole night thru, well you can Now— you say you're sor- ry, for be-ing so un - true well you can Now you say you love me well just to prove you do, come on and G-75_,_ C79 Flat, F9 7 Bhat |B G7 |*BS D7 cry meariver, cry meariv-er, I crieda riverov-er you, p79 Fine A-TS D79 = A-BS a evershed atear, G7 0G.alFne You drove me, near-ly drove me out of myhead, G A-75__D79 G while you D7 m4 remember? I rememberall thatyou said; told melove wastoo plebian, toldme youwere thru with meandPIECES OF DREAMS 79 Michel Legrande/Bergman 1970 F6 G7 A7 D7 G7 GIF CiE ¢7 Lit- te boy lost in searchof Lit- le boy fount=——~ you go a- Lit-tle boy false in searchof it- Ue boy tue. _will you be FAT G7 AT B-75 c-7 CH? ATCE ‘won-der-ing, — wan-der- ing, stum- bl- ing, tum-bl- ing, round, round. ¢v- er done tra- vel- ing, al- ways un - rav-el- ing you, you? 2D: ee Be E7 AT Fleust F9 When will you find what’son the tip of your mind? Bba7 FIA G-7 C7 Av D7 G7 c7 ‘Why are you blind______ to all you ev- er were, nev- er were, really are, nearly are? 2D-7 BYD G-79Db C7 FIC B-75 running a - way couldlead you fur-ther a - stray, and as for FIC Class C9 Flas C-7 B7 Bba7 Bb-7 BT fish- ing in streams________for pie- ces of dreams, Fay D-7 G7 c7 F6 G7 those D-7 AT Pie-ces will nev-er fit, whatis the senseof it? Lit-tle boy blue—__—don'tlet your G7 G-1F CVE C7 FAa7 G7 lit- de sheep roam ——— it’s timecome blow your hom, meet the mom, AT B-75 C7 7s Fé Bb F6 look and see, can you be far from home.80 THE HEATHER ON THE HILL Al xs Loewe/Lerner 1947 G7 c7 F6 (Cue. Ei, 8 The mist of May is in the gloam- in’, The mom-in' dew is blink-in’ yon - der, That when the mist is in the gloam - in’ and all thecloudsare holé-in’ still there’sla- zy mus-ic in the rill and all thecloudsare hold-in’ still Bb? A-7 D7 G-7 DIA Bb? BST FIC C79 ORS C7 Es SSS = == = so take my hand and let's ‘go roam-in’ thru the hea-ther on the _ hill. and all I want to do is wan-der if you're not there I won't go roam-in’ Gea? B-7 Ab-7 Db7 Bb7 F6 B7 hill. Theremay be oth-erdays as richand rare, ‘AbA7 D7 G7 CA? Cho7 theremay be oth-ersprings as fall and D-7 G7 Clu# C7 Be alone fair, butthey won't be the same ‘they'licomeand go, for this = 1 know. D7 G-79Dh FC _D-7 =~G-7_— C7 F6 bill, the hea- ther on_—the hill MY OWN TRUE LOVE (TARA’S THEME) Steiner/David 1941 F G7 C7 G7 C7 Fut F F/A Bb ly own true love, my own tue love, at last I've found you, No lips but yours, no arms but yours, will ev- er lead ‘me And by your ‘kiss, you've shown tue love, T’'m yours for - ev - er, FA G7 c7_ \*F G7Cc7 F Bb my own true love. tira hea-ven's doors. J roamed the earth my own true love. AT! G7 Ad G2 c7 ) in search of this, Tknew Fd know you, know you by your kiss.IF EVER I WOULD LEAVE YOU 81 Loewe/Lerner 1960 c-7 F7 ‘BbaT if ev-er T would leave you t would-n’t be in sum - mer— But if [Td ev-er leave you it could-n't be in au - tumn— If ev-er I would leave you how. could it be in spring - time G7 C7 F7 Bba7 see - ing you in sum - me, I nev - er — would 20. how Td leave in au - tum I nev - er will know know - ing how in spring I'm be - witched by you 80, Bb7 Bb6 0 o7 F7_, BbA7 Your hair streaked with sun - light your lips red as flame T've seen how you. spar - Kle_ when fall nips the air, = O-7 FT Bu if ra Se and I must be there. Sd could T D Dt Ga7 Egy Ad De? Dé leave you FF mer-ri-ly thm the snow?__ a EAT Ds F7 ne Co mn - ning B win- try eve- ning when you catch the fi- re’s glow. o. ass Bb6 ce F9 3— ss. sum - mer, win- ter or fall___ mo, nev-er could I leave you C7 F79 BbG BA7 Bb6 at aj82 NANCY WITH THE LAUGHING FACE Van Heusen Phil Silvers 1944 G7 oe G77 c7 Fa7 G7 a see her each day I miss her, Gee, what a thrill each She takes the win- ter and makes it sum - mer, sum-mer could take some 1 swear to good-ness you can't re - sist her, sor- ry for you she AT Ab7 G-7 Dz. G-7 E-75 A7 | p-7 G7 time I kiss her. © Believe me I've got a case on ‘Nan-cy with the laugh ing face Jes-sons from her. Pic-ture a _tom-boy in lace, that’s has no sis- ter. No one could ev- er roplace my BHT BY F6 AMT D-7 AAT p79 2p-7 G7 She takes the Nan-cy with the laugh-ing face. ‘" Do you ev=er hear mis- sion bellsring- D-7 AAT D7 Ad Dt. GT C7, ing? well,she'll give you the ve - ry same glow. When she Fa7 D7 G7 A7® D-7 G7 G7 C7 p79 speaks you would think “it was simg - ing, justo hear her say “Hel - lo” I swear to DC. al and End (Fine) THE NIGHT WE CALLED IT A DAY Matt Dennis/Tom Adair 1942 FH-715 Bre E-7 cps —s— Fs. A-7S p79 GAT There was a moon out in space, but a cloud drifted ov-er its face, you T “beard the song ofthe spheres like a min-or la-ment in my cars, T ‘The moon went down, stars were gone, but the sun did- n't rise with the dawn, there GB. Bho? ,__—sB-7_ Bb? A-7 ABT era D7 2 Di kkissed me and went on your way, the night we called'it a day. I heard the day. hhad- n't the heart left to pray,THE NIGHT WE CALLED IT A DAY (pg 2) C7 D7 D#7 CE Arms. B79 E-7 A7 epct = SS Soft thru the dark, the hoot of an owl in the sky, FHS B79 E-7 AT Eb7 Dimust — _D7}9__2.¢. Coda sad tho’ his song, no blu er was he than I. The moon went Ga7 ® Ro, E-4) E7 E-6 B-7 Bb? A-7Ab7 was- n't a thing left to say, the night we calledit’ a day. IT NEVER ENTERED MY MIND Rodgers /Hart 1940 a FA7 Bba7 FA7 Bba7 A-7 G7 F6 G7 @ dg =, Once I laughed when I heard you say - ing that I'd be play-ing so - li- taire; Once you told me I was mis - tak - en, that I'd a- wak- en with the sun Once you warned me that if you scomed me, T'd sing the maid-en's pray’r a- gain, AT G7 @ a7 pw [PGF Cla C7 un-ea-sy in my — ea- sy chai it nev-er en-tered my mind—_ and or-der or- ange juice for one and wish you. were 267 G7 G7 C7 F6 G-7 Clust FAT ‘it’ nev- er en-tered my mind____ . ‘You have what___ z= Jack = my-self,— G7 C7 Fa7_ G-7 AT Ab7 G7 Clas! C7 Dc. a'Goaa and now even have to. scratch my back _my- self. % A-75 D7 G7 Clauss = A-7 D7 G-7 CTrust F6 there a- gain to get in- to my hair a-gain— it nev- er entered my mind____84 IN THE WEE SMALL HOURS David Mann/Bob Hilliard 1955 C47 D-7 ca? D-7 ca7 Glas ca? C7 | ‘When the sun is high in the af-ter-noon sky, you can al-ways find some-thing to do, but from E7 BT E-7 F-75B79B-7 ATS D7 G7 dusk to dawn, as the clock ticks on, some-thing hap- pens to you. In the ca7 c7 FAT F-6 Bb7l a7 Che7 D-7 G7 wee small ho-urs of the morn-ing— whilethe whole wide worldis fast a - sleep, you D7 G7 GF E-15 Ano FR-75 B79 Be Gi lie a-wake and think a-bout the girl, and nev-er, ev- er think of counting sheep. When your C47 c7 Fa? F-6 Bb7# Ca7 <7 C79 FAT ATE lone - ly heart has leamedits les-son—— you'd be her's if on-ly she would call, in the D7 #7 CoB AT = @ D7 Gn C6 Glut wee small ho-urs of the mom- ing that’s the time you miss her most of all. | | % pa D7 «G7 + 6 time you miss her — most of ——WHAT I DID FOR LOVE A Chorus Line cs Ans AZ D- eS —— x et = ° 2 = Kiss to- day the sweet-ness and the Look my eyes the dream was ours to Kiss to- day and point me t'ward to - Fr we did what we had to do, and I can’t re- gret_ what I did. for love, Ws as if we al- ways knew, but T won't for-got what I did for love, Wish me luck, the 2 E- GD what I did for Jove________Look my eyes are dry what I did for love. AAG Fa? EssE7 A- A/G FE-75 Bust B7 E- GIA AL Gone, D-75 loveis never gone as we travel on, love's what we'll re. pcucs @A- A/G DUFEA-IED7 F CE G7 mem- ber. Kisstoday goodbye you. D-7 Glut C C/Bb F-/Ab c Won't for-get; can't re-gret what I did crpbF-/Ab c for love, what I did for love, what I did for love. LOVE STORY 1970 Eba7 D7 soa? G7 B) c- F7 _ Bba7 Eba7 ATS p79 Eba7 ATALL I ASK OF YOU Phantom of the Opera 1987 cbs Db pba7 No moretalk of dark-néss-* for - get those wideeyed fears, I'm here,nothing canharmyou, my Let me be your shel- ter, Jet_me be your light, you're safe no-onewill find you, your AWC Db B ‘words will warm and calm you. Let me be your free-dém-* let day- light dry your tears, I'm fears are far be-hind you. All I want is free-dom, a __worldthat'swarm and bright, and pba he B DB here with you be-side me, to guard you and to guide you. Say you love me ev-'ry you, al- ways be-side me, to hold me and to hide me. Then say you'llshare with me one Bb7 AbZ DYF Bb ED-7 AbTeust win - ter mom - ing tum my head with tak of | sum-mer-time, love, one life - time, Tet me lead you from your sol - i - mde, DBI EH? ABZ DY Ge say you meed me with you mow and al- ways pro-mise me that all you say is say you need me with you, here be-side you an y- where you go, let me go Db/ab Eb7Ab F-7Ab Db a rie, that’s all I ask of you, t00,—____ that’s all I ask of you. BT I say the word amd 1 will AbT7 ask for is one love, one life - AbToust Db oBb-7 BY? ET fol-low you share each day with me, each night, each _mom- in, DYE G Db/ab Abjeut Abo Db say you feel “he way Ido, ove me, that’s all I ask of you.MEMORY 87 Webber/Nunn 1981 Cats 82 F Mid-night, not a sound fromthe pave-ment has the moon losther mem-'ry. She is smiking a- Mem-'ry, all = lone in the moonlight, I can smile at the old days, I was beau-ti- ful Day-light I must wait for the sun-rise, I mustthink of a new life. and I mustn't give E D-7 me = lone. In the lamp - light where with- ered leaves then. I re -mem- ber the time I knew what in when the dawn comes to - night will be a. G7 Cc wind Be gins ‘moan. Ev - ‘ry sueet lainp Te lect at my feet and the hap - pi- ness was let the mem-0- ry to and a E- F seems teat 3 0 mem - "ty live a- gain. Burt out ends of smok - ey days the new day will be - gin. cD G AT D7 G fa - ta - list- ie wam- ing. stale cold smell of the mom-ing. The street lamp dies E Al @at De and soon it will be mom - ing. Some one mut-ters and a street lamp sput- ters noth-er night is 0 - ver, Dc. al Coda dawn - ing Touch me, it's so ca-sy to mem-'ty of “my days in the sun, IF you Cc Bb7 hap- pi- ness is, Took! a new eave me all a-lone with the touch me you'll un-der- stand what Eb day has be - gun88 A TIME FOR LOVE ao os Johnny Mandel/Webster 1966, [A] ~~ G-9 Abts Sir ‘Bba7 ‘Ab9/Bb BPG cB A time “for sum-mer skies for hum-ming birds and but - ter- flies, for A time for climb-ing hills, for lean ing out of —_win-dow sills ad- As time goes drift-ing by, the wil - low bends and so do, but C7 Ebaypb fDi DT a-7 pm» [Faas ps ten-der words that har - mo-nize with 1ote-———* bove. Atimefor mi-t- ing the dof - fo-dils a oh my friends what ev = er sky a é G7 D7 G-7 C9 D-7F AT D7 D™® eae hold- ing hands to - geth-er, atime for rain- bow col-ored wea-ther, a time of make be-lieve that E75 a7 D&T C7 F® peace & A-7 Aw D7 we've been dream- ing of. As bove, Te known a Ga ce C7 Finst F79 BG time for spring, a time for fall, but best of all a time for —love. TWELFTH OF NEVER G D AT D B-THE WAY WE WERE 89 ee E- £7 A- AvG9 Fa7 A-7 A-/G FAT Cc ET Mem - ‘ries light the com-er of my mind mis- ty_wa- ter color mem‘ries pic - tures of the smiles weleft be -hind= smiles we gave to one an - oth- er - Mem - ‘ries maybe beau ti- ful and yet what's to pain-ful to re -member, "Ca? B-7 FA? G7 2Ca7 c7 Fav Gsust Scat tered were E7 of the way we were. for the way we no Alms! AT FAL sim- ple then, or has me re-writ-ten ev-"ty line? G7 CAT Gimst G7 00. alCoda Can it be that it was all so D-7 could we?. E-7 If we had the chance to do it all a- gain, would we? Ore Etat E7 A> A/G FA7 E7 FAT we sim-ply choose to for - gets». So it’s the laugh- ter we will re -mem-ber,- Fa7 E-7 A-7 D-7 Glut CA7 FAT G7aust ca7 when-ev-er we re mem-ber=— the way we were,____—the way we were. WHEN I FALL IN LOVE ‘Young/Heyman 1952 Re De Geet. De G7) Cr pe B7 D7 When I fall in love it will be for - ev-e,- = or I'l nev-er fall in When I give my heart, it will be com -plete-ly,- - or I'll nev-er give my G-7 DITMC Tact “F p7 G7 C79 Faz B7 A-75 D719 719 restless world like this, love is end - ed be-fore it's be-gun, and too ma- Em love In a heart and the G7 E75 2 D7 G7 c7 FA7— B 7H ny moon- light kiss -es seem te cook in the warmth of the sun. mo- ment I can BbaT E79 A-75 D7 G-7 BT OF D7 G-7 CT9 F6 feel that you feel that way too, is when I fall in love with you.90 EVERGREEN Barbara Streisand /Paul Williams 1972 ee D-71C = DIC D-ic — Love soft as an ca- sy chair Love fresh asthe c CR A- —— EF mom: ing air One love that is shared by two D-7 Bb G Gat C ot T have found with you___ Like a rose, tun der the F/G D-7 F/G = Nichols /Wiliams 1970 april snow, Twas al- ways cer-tain that love would grow Aq ET FAT Love, ageless and ev-er- green, Bic c7 [Blrar F6 E-7 Eba7 << You ands will make each night a first. Far G/F E-7 BHC C7 FAT Blut = BT Brey dag ate gn ang eee Spir-its rise and their Eba7 cD Dz FG —>— ET dance is un-re- hearsed. ‘They warm and ex- cite us, ‘cause we have the bright - est car BIC D7 FIG > love. Two lights that shine as one Mom ing glo - ty and theEVERGREEN (pg. 2) C4 cB AT E-7 mid - night sun Time, we've leamed to sail a= bove—__ BHC F423, F-47) C —— Time_____—_ won'tchange the mean - ing of, one love, age-less and DIC CHC c CHC ev = en, evs er. green. DIC BIC DIC chic c on WE'VE ONLY JUST BEGUN Nichols /Williams 1970 F Bb AT D7 G7 —s— We've on- ly just be- gun to live white lace and prom- is - es, Be - fore the ‘ris- ing sun we fly, so ma-ny roads to choose, And when the eve-ning comes © we smile so much of life 2 - head, O|' Cat |* CI FA7 BbA7 FA7 BbS7 3, G7 a kiss for luck and we're on our way. and yes,we'vejustbe- gun we start out walk-ing and leam to run, we'll find a place where there’sroom to grow, D GAZ D47 G47 D GAZ D47 G47 ‘Shar-ing hor-i-zons that are new to us, watch-ing the signs a-long the way, Gba7 BAT Gaz. B47 Gh Bay C7eus* talleing it ov-er just the two of us, working togeth-er day to day, to - gether. a © CInust Fa? Bba7 AAT Fa7 Bba7 [747 Bba7 we've on-ly just be- gun..92 CLOSE To You Hoffman 1933 C7 Ab Aba7 Glass G7. G7 Why do birds sud-den- ly ap - pear ev-'ry time you are near? —‘SJustlike me, Why do stars fall down from the sky, ev-'ry time youwalk by? ‘That is why all the boys in town foklow you all_a- round, Ab F+7 BbTust EbS7 2 G- Ciust C7 an-gels got to-geth-er and de - ci-ded to cre-ate a dream come tue, so they Ab Aba7 Ab6 Bb 26. a Code sprin-Kled moon dust in your hair of gold and star-light in your eyes of blue. That is @ ab Bbiaust BbAT os FT close to you. a a a they want i be, close to you Why do (On the day that you were bor the a i a a a aSEND IN THE CLOWNS 93 Stephen Sondheim 1973 Ebyust ab Eb7sust Ab Ebyust Ab en'tit rich? Are we a pair? «Me here at the ground, you in the Tent bliss? Don’tyou ap -prove? One who Keeps tear- ing a- round, one who can’t Dba? 1. BWA Ebfeust Bb/AD Bbtust — !2, Bb EbTust _ air, Send in the clowns. Is- n't it clowns. Send in the move, where are the Ab Graust BI c- G- c- bd clowns. Just when I'd stopped ‘op - en-ing doors, mal ly Cc F7 c AWE> _ BD DP6. ot eT —— - See = SS S SS = know- ing the one that I want-ed was yours, makeing my entrance a-gain with my u~ su-al Cust BbTSC-7/Eb EbTwst EAD Eb7aus* Bb/Ab Eblust fair, sure of my lines, no one is there. Don't you love Is- at it Cs Bbtut ab Bota ab farce? My fault 1 fear T thought that you'd want what Twant. Sor-ry my rich? Is- nt it queer? los - ing my tim - ing this lat__in_my ca- Dba? EDAD “BbOVAb dear, but where are the clowns? Quick send in the clowns, don't both-er they're reer, andwherearethe clowns? There ought tobe Eb7eust Ab Ebtust — |* Ebovab ab Ab EbTust Ab here, Is-n't it clowns. Well, may-be next year...94 CAST YOUR FATE TO THE WIND = curaa/veve iy F c Bb A month of nights, & year of day3 Oc. - to- ber drifting in-to Mays, T shift my course a long the breezs, won't sail up-wind on me-mo- ee’ the There never was, there could-nt be, a place in time for men like me. who'd So now I'm old, T'm wise. I'm smart, I'm " just aman with half a beat, 'T c F Bb c F Bb set_my sail when the tide comes in aitd I just cast my fat to the wind. empty sky is my best friend, and rink the dark and laugh at day,’ and fet their wild-est dreams blow a- way. won-der how it, might have been, had I not cast my fate to the wind. 7 Bb Wd ‘C7, —siBb e7 Bb Foc F Bb F Bb Cc oF time has such a way of chang-ing” man through-out the years And now I'm re - ar- Bb F Bb Cc oF Dc. alscuen verse Tang-ing——_ my _— life through all my tears. a- lone. ‘There's STRANGER ON THE SHORE ‘Acker Bik F G7 C7 F F7 Bb Bb F D7 Here = 1 stand,____watch-ing the Taide all_a-lone and watched your ship" as_it sailed out tak- ing all my Why “oh = why, must Igo on like this?. T just be 8 ‘G9 G7 c7 cm FFT Fe just dream-ing dreams of you. 1, dreams and —tak-ing all of me—_™_ Jone - ly strang-er on the shore? G7 c7 2 FT blue, Bb iy the wail-ing of the wing the G7 Ci The sigh - ing of waves, Bb A- G7 ‘Dale Ena re) tears in my eyes bum,———__ plead - ing, my love, re- tum—__—