Amended Complaint Williams Et. Al v. Roberto Cavalli S.p.A. Et Al., CV 14-06659
Amended Complaint Williams Et. Al v. Roberto Cavalli S.p.A. Et Al., CV 14-06659
Amended Complaint Williams Et. Al v. Roberto Cavalli S.p.A. Et Al., CV 14-06659
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11 JASON WILLIAMS, an individual; VICTOR
CHAPA, an individual; and JEFFREY
12 RUBIN, an individual,
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Plaintiffs,
v.
1 YOOX, Luisa via Roma, S.p.A., Stylebop USA, LLC, and Neiman Marcus Group LTD, LLC (the
2 Retailer Defendants); and Does 1-10 inclusive; (collectively referred to as Defendants) as
3 follows.
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Roberto Cavalli is among high fashions most prominent names, with over 90
6 stores around the world, including on the premier shopping streets of every fashion capital. Just
7 Cavalli is the brands mass-market alter ego, available at brick-and-mortar stores like Nordstrom,
8 online through retailers like Amazon and justcavalli.com, and through its own Just Cavalli stores
9 in over a dozen countries including the United States.
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2.
In March of this year, Just Cavalli introduced a clothing and accessories collection
11 in which every square inch of every piece (including clothing, bags, backpacks, and shoes) was
12 adorned with graffiti art. That artwork, however, was taken from Plaintiffs without their consent.
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3.
Indeed, all the artwork of the so-called Graffiti collection was mechanically copied
14 from a single authorized mural in San Franciscos Mission districtwithout the artists
15 knowledge or consent. The mural, pictured below, was the work of three acclaimed artists, known
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1 individually as Revok, Reyes and Steel. The Artists, who have exhibited at fine art galleries and
2 museums around the world, including locally at the Los Angeles Museum of Contemporary Art
3 (MOCA) and the Pasadena Museum of California Art, have never consented to lend their artwork
4 to mass-market consumer products of any kind.
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4.
As one can easily discern, the Just Cavalli pieces shown belowlike all the pieces
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5.
If this literal misappropriation was not bad enough, Cavalli sometimes chose to do
its own painting over that of the artistssuperimposing the Just Cavalli name in spray-paint style
as if were part of the original work. Occasionally, Cavalli even added what appears to be a
signature, creating the false impression that Roberto Cavalli himself might be the artist.
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6.
Defendants ignored Plaintiffs urgent demands (beginning in early June) that the
2 Cavalli Defendants stop using their art, and despite documented protests, pieces could still be
3 purchased months later as of the filing of Plaintiffs initial complaint, including on the Just Cavalli
4 website and on Amazon, and even remain available for purchase online today. This arrogant
5 refusal to recognize Plaintiffs unquestionable rights is no doubt a testament to the economic
6 benefit wrongfully derived by Cavalli. In addition to sales revenue, Cavallis numbers will show
7 that the purported association with Plaintiffs has boosted the entire brands popular appealas
8 evidenced by the brands extensive advertorial use of the art packaged as the Just Cavalli
9 Graffiti Girls collection, including extensive traditional advertising and marketing media
10 campaigns, spotlight features, and social media promotions.
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7.
But this same association that the Cavalli Defendants so value has, and will
12 continue to, damage Plaintiffs reputations and careers. Nothing is more antithetical to the outsider
13 street cred that is essential to graffiti artists (indeed, the Pasadena Museum of California Art
14 exhibition mentioned above was entitled Street Cred) than association with extravagant
15 European chic, luxury, and glamourof which Cavalli is the epitome. To anyone who recognizes
16 their work, Plaintiffs are now wide open to charges of selling out.
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8.
18 misappropriation of their artwork. Because the misappropriation included and exploited signature
19 (i.e. source-identifying) elements that are recognized by the public as associated with one of the
20 plaintiffs, he also bring trademark claims under the Lanham Act and state unfair competition law.
21 And because Defendants removed or obscured the names of the other two plaintiffs, they bring
22 claims under the Digital Millennium Copyright Act for falsification, removal and alteration of
23 copyright management information, and related state law unfair competition claims.
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Plaintiffs bring this action for copyright infringement (17 U.S.C. Section 101 et
26 seq.); falsification, removal and alteration of copyright management information (17 U.S.C.
27 1202); violation of Section 43(a) of Lanham Act (15 U.S.C. Section 1125(a)); unfair competition
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10.
This Court has original subject matter jurisdiction over this action and the claims
3 asserted herein, pursuant to 28 U.S.C. Section 1331 (federal question jurisdiction) and 1338(a)4 (b) (patent, copyright, trademark and unfair competition jurisdiction) in that this action arises
5 under the laws of the United States and, more specifically, Acts of Congress relating to patents,
6 copyrights, trademarks, and unfair competition. This Court has subject matter jurisdiction over the
7 state law claims pursuant to 28 U.S.C. Section 1367(a)(supplemental jurisdiction) in that they
8 are so related to the federal law intellectual property claims in the action that they form part of the
9 same case or controversy under Article III of the United States Constitution.
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Defendants are subject to the personal jurisdiction of the Court because they do or
11 transact business in, have agents in, or are otherwise found in and have purposely availed
12 themselves of the privilege of doing business in California and in this District.
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14 because a substantial part of the events or omissions giving rise to the claims occurred in this
15 District in that, inter alia, the clothing in question is and was offered for sale here.
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THE PARTIES
13.
Plaintiff Jason Williams is, and at all times relevant herein has been a resident of
18 Los Angeles, California, and is a world-renowned artist, producing works under the pseudonym
19 Revok. Williamss work has been featured in high-profile museum exhibitions, including the
20 groundbreaking 2011 show Art in the Streets at MOCA, and the Street Cred show at the
21 Pasadena Museum of California Art, as well as numerous art galleries in Los Angeles, New York,
22 Hamburg, and Dubai to name a few. In May of this year, Made In Detroit, a book chronicling
23 Revoks recent work, was published by Gingko Press.
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14.
Plaintiff Victor Chapa is, and at all times relevant herein has been a resident of San
25 Francisco and is a world-renowned artist, producing works under the pseudonym Reyes.
26 Reyess work has been featured in numerous art galleries in cities across the world, including New
27 York, San Francisco, Tokyo, and Montreal. Reyes is perhaps most well known for his outdoor
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1 murals, which were the subject of a 2010 cover story in the San Francisco Chronicle. An image of
2 the story on the front page of the Chronicle article is attached as Exhibit A.
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Plaintiff Jeffrey Rubin is, and at all times relevant herein has been a resident of San
4 Francisco, and is a world-renowned artist, producing works under the pseudonym Steel. Rubins
5 work has been featured in numerous gallery shows, including in Los Angeles and New York.
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7 Italy. It sells at its own boutique stores around the worldincluding on Rodeo Drive in Beverly
8 Hills, Madison Avenue in Manhattan, and Boulevard Montaigne and Rue St. Honor in Parisas
9 well as through the worlds highest-end department stores such as Bergdorf Goodman in New
10 York, and Harrods in London. The brand is also extremely popular in Asia, and especially in the
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11 Middle East. Earlier this year, the Company was valued at over $1 billion in conjunction with a
12 pending acquisition. The Cavalli brand is of course closely associated with its founder, Roberto
13 Cavalli, a resident of Italy. Mr. Cavalli has been an outspoken critic of knocking off in the
14 fashion world, complaining loudly that his own work has been grossly misappropriated by his
15 peers, and calling such copying scandalous.
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17 information and belief, Staff Intl. produces and distributes clothing, shoes, and accessories under
18 the Just Cavalli label as its licensee, as well as the labels of other prominent brands such as
19 Maison Martin Margiela, Vivienne Westwood, and Marc Jacobs Men.
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21 information and belief, Staff USA is a subsidiary of Staff International, S.p.A., and distributes
22 clothing, shoes, and accessories under the Just Cavalli label for sale in the United States. On
23 information and belief, Staff USA operates the Just Cavalli store located in New York City.
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25 sells Just Cavalli labeled goods through its online store, www.nordstrom.com, and its brick-and26 mortar retail stores throughout the United States, including multiple locations within California.
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Defendant YOOX is an Italian corporation. YOOX sells Just Cavalli labeled goods
5 through its online store www.yoox.com. YOOX also operates the Just Cavalli online store, located
6 at store.robertocavalli.com/justcavalli.
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Defendant Luisa via Roma, S.p.A. (Luisa via Roma) is an Italian corporation.
8 Luisa via Roma sells Just Cavalli labeled goods through its website www.luisaviaroma.com.
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10 company. Stylebop sells Just Cavalli labeled goods through its website www.stylebop.com.
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12 limited liability company. Neiman Marcus sells Just Cavalli labeled goods through its brick-and13 mortar retail stores, including Neiman Marcus, Bergdorf Goodman, and Neiman Marcus Last Call;
14 as well as through its websites www.neimanmarcus.com, www.bergdorfgoodman.com,
15 www.lastcall.com, and www.cusp.com.
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Plaintiffs are ignorant of the true names and capacities of the Defendants sued
17 herein as Does 1-10, inclusive, and therefore sues said Defendants by such fictitious names.
18 Plaintiffs will amend this Complaint to allege the true names and capacities when the same has
19 been ascertained. Plaintiffs are informed and believe, and thereon allege, that each fictitiously20 named Defendant is responsible in some manner for the occurrences herein alleged, and that
21 Plaintiffs damages as herein alleged were proximately caused by their conduct.
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Each of the Defendants acted as an agent for each of the other Defendants in doing
23 the acts alleged and each Defendant ratified and otherwise adopted the acts and statements
24 performed, made or carried out by the other Defendants so as to make them directly and
25 vicariously liable to Plaintiffs for the conduct complained of herein. Each Defendant is the alter
26 ego of each of the other Defendants.
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GENERAL ALLEGATIONS
28.
In 2012, Revok, Reyes, and Steel were invited by a property owner to collaborate
3 in creating a giant mural, covering the broad side of a building in San Franciscos Mission District
4 (the Mural). As is not uncommon in graffiti art, much of the Mural consisted of the signatures of
5 Revok, and Steelstylized renditions of their art pseudonyms. Those signatures appeared on a
6 background of Reyes signature revolutions imagery, which is reminiscent of swirling ocean
7 waves. All of these signature elementsthe literal signatures and the stylized revolutionshave
8 secondary meaning as that term is used in trademark law. That is, they are recognized by
9 members of the public and consumers as being associated with the respective Plaintiff. Such
10 consumers have come to understand that goods bearing the signature elements are produced by
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29.
Due to its artistic merit and the Artists prominent reputations, the Mural attracted a
13 great deal of positive attention in the art community. Reviews were universally positive.
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For the Spring/Summer 2014 season, Just Cavalli released a capsule collection (the
15 Collection), featuring textile designs (the Designs) made up entirely of misappropriated and
16 unauthorized literal images of the Mural. The Designs covered the entirety of each of the
17 Collections thirty-plus unique pieces, including clothing, bags, backpacks, and even shoes.
18 Attached as Exhibit B is a partial collection of images of the Just Cavalli garments featuring the
19 misappropriated imagessome of them with comparisons to the Mural. To add insult to injury,
20 the artwork misappropriated by the Cavalli Defendants included Reyes Signature elements from
21 the Mural including their literal namesgiving new meaning to the idea of appropriating an
22 artists signature style. While Reyes revolutions are visible and fully recognizable in the pieces of
23 the Collection, the signatures of Revok and Steel are chopped and rearranged to such an extent
24 that they are not recognizable.
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31.
On information and belief, the images used in the Collection were mechanical
26 copies of the Mural, obtained and produced through the use of high-resolution photography.
27 Indeed, Mr. Cavalli himself is an unabashed fan of graffiti art, and has spoken on his personal blog
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32.
While every portion of the Designs is a mechanical copy of the Mural, Defendants
3 added certain of their own material over the Mural artwork. Needless to say, Plaintiffs consider
4 these embellishments to constitute a defacement. One prominent such embellishment is the
5 inclusion of the brand name Just Cavalli, made to appear as if it were part of the original work,
6 and arguably giving the impression that the work was created for Just Cavalli. Similarly, for
7 whatever reason, Defendants took the liberty of rearranging some of the elements of the Mural for
8 inclusion on their apparelagain amounting to defacement (and obscuring the signatures of
9 Revok and Steel). To the similar effect, and in addition to the wrongs enumerated above, Mr.
10 Cavalli appears to sign a few of the Designs (although what appears to be a signature actually
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11 reads Just Cavalli), amounting to a false representation that he rather than Plaintiffs was the
12 creator. Nowhere is credit or attribution given to Plaintiffs.
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33.
The Collection was sold extensively throughout the world through the Just Cavalli
14 stores and website, as well as through more than four hundred third-party retailers, including
15 Defendants Nordstrom, Amazon, Zappos, YOOX, Luisa via Roma, Stylebop, and Neiman
16 Marcus.
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18 urgently demanded that the Cavalli Defendants cease their use, and remove the offending items
19 from the marketplace. Despite assurances of cooperation and repeated requests for more time to
20 respond (based in part on the assertion that remedial action is impossible because Italians are on
21 vacation in August), the infringing items were still widely available when the initial complaint
22 was filedincluding on Amazon and even the Just Cavalli ecommerce website, and remain
23 available online today.
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25 including but not limited to the following: (i) they enjoyed the revenue and increased revenue
26 from the sale and/or license of the offending goods, and (ii) the success of the Collection increased
27 the value of the Roberto Cavalli brand and its Just Cavalli diffusion brand. In this latter regard,
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1 Defendant Staff Intl. recently re-licensed the Just Cavalli brand on terms favorable to licensor
2 Roberto Cavalli S.p.A , due in part to such success. In addition, Defendant Roberto Cavalli S.p.A
3 is in the process of being acquired on favorable terms, due in part to such success.
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5 above in several ways, including but not limited to damage to their reputations and credibility in
6 the art world based upon their perceived association with and endorsement of the Cavalli brands.
7 In this latter regard, Plaintiffs are diligent in controlling distribution channels of their work,
8 because such channels greatly affect an artists reputation and the overall market for an artists
9 work. Plaintiffs do not make their art available on the internet or in retail stores, and like their
10 target audience, they eschew any connection to mass-market commercial consumerism. Rather
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11 they sell original art pieces (for prices in the range of $50,000) and limited edition prints.
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Plaintiffs are informed and believe, and thereon allege, that Defendants alleged
13 conduct was, and continues to be, intentional, deliberate, willful, wanton, committed with the
14 intention of injuring Plaintiffs, and depriving them of their legal rights; was, and is, despicable
15 conduct that subjects Plaintiffs to a cruel and unjust hardship; and was, and continues to be,
16 undertaken with oppression, fraud and malice. Accordingly, Plaintiffs are entitled to an award of
17 punitive or exemplary damages.
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Defendants actions have caused, and will continue to cause, damage and
19 irreparable harm to Plaintiffs (as described above) and are likely to continue unabated, thereby
20 causing further damage and irreparable harm to Plaintiffs, unless preliminarily and permanently
21 enjoined and restrained by the Court.
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40.
27 matter under the laws of the United States. The image was fixed in a tangible medium of
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At all times since the creation of the Mural, Plaintiffs have complied with all
3 aspects of the Copyright Acts of 1909 and 1976 and all other laws governing copyright, and
4 secured the exclusive rights and privileges in and to the Mural. Plaintiffs have at all times been the
5 co-owners of all rights, title, and interest in and to the copyright in the Mural, and have applied for
6 a federal registration from the Register of Copyrights, dated June 5, 2014. The deposit,
7 application, and fee required for registration have been delivered to the Copyright Office in proper
8 form.
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Subsequent to Plaintiffs publication of the Mural and (on information and belief)
10 with full knowledge of the rights of Plaintiffs therein, the Cavalli Defendants infringed Plaintiffs
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11 copyright by copying, as described above, the artwork and placing such copied images on Just
12 Cavalli apparel, and by selling such apparel in California, elsewhere in the United States, and
13 abroad.
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The Retailer Defendants have infringed by selling the infringing Just Cavalli goods
44.
All of Defendants acts were performed without the permission, license or consent
17 of Plaintiffs.
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19 Plaintiffs have suffered and will continue to suffer substantial damage to their business in the form
20 of diversion of trade, loss of profits, and a dilution in the value of their rights and reputations, in
21 part as described above, all in amounts that are not yet ascertainable but not less than the
22 jurisdictional minimum of this court.
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46.
24 Defendants are liable to Plaintiffs for the actual damages incurred by Plaintiffs as a result of the
25 infringement, and for any profits of Defendants directly or indirectly attributable to such
26 infringement.
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Second Claim For Relief For Falsification, Removal and Alteration of Copyright
47.
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7 1202(b).
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9 intent to induce, enable, facilitate, or conceal an infringement of Plaintiffs rights under the
10 Copyright Act. On some of the infringing pieces, Defendants have replaced such information with
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11 false, altered and inaccurate copyright management information, which falsely identifies one or
12 more Defendants, or another person or entity, that has no copyright ownership interest as the
13 owner of copyright in the work.
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18 Defendants intentionally, knowingly and with the intent to induce, enable, facilitate, or conceal
19 Defendants infringement of Plaintiffs copyright in the Mural. Defendants also knew, or had
20 reason to know, that such removal and alteration of copyright management information would
21 induce, enable, facilitate, or conceal Defendants infringement of Plaintiffs copyright in the
22 Mural.
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53.
24 Defendants wrongful acts as hereinabove alleged, and as a result of being involuntarily associated
25 with low-quality merchandise. Plaintiffs are at present unable to ascertain the full extent of the
26 monetary damages they have suffered by reason of said acts. In order to determine the full extent
27 of such damages, including such profits of Defendants as may be recoverable under 17 U.S.C.
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1 1203, Plaintiffs will require an accounting from each Defendant of all monies generated from their
2 wrongful falsification, removal and alteration of copyright management information.
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4 U.S.C. 1203(c)(3) in a sum of not more than $25,000 from each Defendant for each violation of
5 17 U.S.C. 1202.
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Third Claim For Relief for Unfair Competition Under Section 43(a) of
55.
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12 signature elements of Plaintiff Reyes artwork. Members of the public, including art world
13 consumers and insiders, as well as the art press, have come to recognize Reyes signature elements
14 as belonging to Chapa. Such elements are referred to collectively herein as the Reyes Signature
15 Elements.
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The Reyes Signature Elements (among other things) including the revolutions
17 describes above work as a sort of product packaging or logo, which enables the public to identify
18 Reyes work. In other words, the Reyes Signature Elements have secondary meaning.
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The goodwill and reputation associated with the Reyes Signature Elements has
20 continuously grown throughout the general public. The Reyes Signature Elements are now well
21 known throughout the United States and the State of California as a source of origin for Reyes
22 artistic product.
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Chapa has spent substantial resources successfully establishing the Reyes Signature
60.
The Reyes Signature Elements and all individual elements thereof are strong,
26 fanciful, non-functional and distinctive, and inherently distinctive. Through Chapas efforts in
27 exhibiting his work, the Reyes Signature Elements have become distinctive of his artwork, and
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1 acquired secondary meaning among relevant consumers and the public generally.
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3 commerce that feature and include the Reyes Signature Elements (most pieces of the Collection
4 include all of the signature elements described above).
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Defendants use of the Reyes Signature Elements is designed to create and does
6 create the false and deceptive commercial impression that the Just Cavalli garments and
7 accessories are associated with and/or manufactured by Reyes and Plaintiffs. The use by
8 Defendants of the Reyes Signature Elements or any portion thereof is likely to cause confusion or
9 mistake or deception of purchasers as to the source of the goods.
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Customers and potential purchasers are likely to be attracted to the Just Cavalli
11 pieces described herein, creating an initial interest in the goods upon seeing them and creating a
12 lasting appreciation, causing the belief that they are associated with Plaintiffs, thereby resulting in
13 consumer confusion. Defendants conduct will damage Chapas ability to enjoy, maintain and
14 exploit his hard-won brand-recognition and status as an art leader.
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Although he maintains the highest standards of quality, and specifically does not
16 offer his images for sale on mass-market clothing articles or other mass-produced consumer
17 goods, Chapa has no control over the type or quality of the goods provided by the Defendants.
18 Goods of low quality, if associated with Chapa, will certainly damage his reputation.
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20 distinctiveness by associating it with clothing items associated with low-cost and discount
21 marketing, and diminishes Chapas ability to connote a single source of his artwork.
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23 themselves business and goodwill value that properly belongs to Chapa and that Chapa has
24 invested time, money, and energy in developing.
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26 Chapas graphical, thematic, and other signature source-identifying elements of the Reyes
27 Signature Elements constitutes a false representation that wrongly suggests to the trade, relevant
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1 purchasing public, and consumers at large, that Chapa is the source or manufacturer of, or
2 endorses or approves of, Defendants goods.
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4 suffered and will continue to suffer substantial damage to his business in the form of diversion of
5 trade, loss of profits, and a dilution in the value of his rights and reputation, all in amounts which
6 are not yet ascertainable but which are estimated to be not less than the jurisdictional minimum of
7 this court.
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9 and are continuing to commit, unlawful, unfair, and fraudulent business acts in violation of, inter
10 alia, 15 U.S.C. 1125(a).
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12 caused, and will continue to cause, damage and irreparable harm to Plaintiffs (as described above)
13 and are likely to continue unabated, thereby causing further damage and irreparable harm to
14 Chapa, and to the goodwill associated with Plaintiffs valuable and well-known trade dress and
15 Chapas business relationships, unless preliminarily and permanently enjoined and restrained by
16 the Court.
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Chapa has no adequate remedy at law and will suffer irreparable injury if
18 Defendants are allowed to continue to wrongfully continue the conduct herein described.
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20 wantonly, and recklessly; and with conscious disregard for Plaintiff Chapas rights. Chapa is
21 therefore entitled to punitive damages.
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74.
Defendants, by means of the conduct above, have engaged in, and are engaging in,
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1 unlawful, unfair, fraudulent and deceptive business practices under California Business and
2 Professions Code 17200 through 17203. These acts and practices undertaken by Defendants
3 violate California Business & Professions Code 17200 in that they areas described above
4 unfair, fraudulent, and/or unlawful. Specifically, without limiting the generality of the foregoing,
5 such acts and practices constitute violations of copyright laws and the Lanham Act as alleged
6 above, and are and were fraudulent in that: (a) Defendants seek to deceive consumers regarding
7 the source, quality and origin of Defendants goods and Defendants association with Plaintiffs,
8 and (b) the general public and trade is likely to be confused regarding the business relationship
9 between Plaintiffs and Defendants. Further, without limiting the generality of the foregoing, the
10 harm to Plaintiffs and to members of the general public far outweighs the utility of Defendants
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11 practices and, consequently, Defendants practices constitute an unfair business act or practice
12 within the meaning of Business and Professions Code 17200.
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Plaintiffs have sustained, and will continue to sustain, serious and irreparable injury
14 to their business and reputation, as a direct and proximate result of Defendants conduct (as
15 described above). Unless Defendants are enjoined by this Court, there is a substantial possibility
16 that they will continue to engage in such unlawful, unfair, and deceptive business practices, for
17 which Plaintiffs are without an adequate remedy at law. Accordingly, Plaintiffs are entitled to a
18 preliminary injunction and permanent injunction against Defendants and their officers, directors,
19 employees, agents, representatives, affiliates, subsidiaries, distributors, and all persons acting in
20 concert with them, prohibiting them from engaging in further unlawful, unfair and/or fraudulent
21 business practices.
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23 business practices, Defendants have received, and continue to receive, income and profits that they
24 would not have earned but for their unlawful, unfair, and deceptive conduct and Plaintiffs are
25 entitled to disgorgement of such funds wrongfully obtained.
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27 have suffered and will continue to suffer substantial damage to their business in the form of
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1 diversion of trade, loss of profits, and a dilution in the value of their rights and reputation, all in
2 amounts which are not yet ascertainable but which are estimated to be not less than the
3 jurisdictional minimum of this court.
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78.
Plaintiffs are also entitled under the provisions of Business and Professions Code
5 17208 to an injunction prohibiting Defendants, and each of them, from engaging in any act,
6 directly or indirectly, which constitute unlawful, unfair, and deceptive business practices.
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79.
8 wantonly, and recklessly; and with conscious disregard for Plaintiffs rights. Plaintiffs are
9 therefore entitled to punitive damages.
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80.
Defendants conduct, if allowed to proceed and continue and/or let stand, will
11 cause irreparable damage to Plaintiffs valuable business relationships and consumer relations and
12 will require Plaintiffs to undertake efforts to mitigate damage to such relations, all to Plaintiffs
13 detriment. Further, such mitigation costs will require substantial time, effort, and expenditures by
14 Plaintiffs, all to Plaintiffs detriment.
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82.
83.
23 be proven at trial.
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85.
Defendants, and each of them, owed a duty of care to Plaintiffs, as described above.
86.
3 reasonable care in that, among other things, they failed to prevent injurious falsehoods from
4 reaching the public.
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6 an amount to be proven at trial but exceeding the jurisdictional minimum of this Court.
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PRAYER
1.
That Plaintiffs be awarded all damages, including future damages, that Plaintiffs
10 have sustained, or will sustain, as a result of the acts complained of herein, subject to proof at trial;
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2.
That Plaintiffs be awarded their costs, attorneys fees and expenses in this action;
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3.
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4.
14 servants, attorneys, representatives, successors, and assigns, and any and all persons in active
15 concert or participation with any of them, from engaging in the misconduct referenced herein;
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5.
6.
7.
That Defendants be ordered to file with this Court and serve upon Plaintiffs
21 counsel within thirty (30) days after services of the judgment demanded herein, a written report
22 under oath setting forth in detail the manner in which they have complied with the judgment;
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8.
24 business practices and unfair competition in violation of California Business and Profession Code
25 17200 et seq.;
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9.
27 received by Defendants as the result of their wrongful conduct, including copyright and trade dress
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10.
11.
That Plaintiffs have such other and further relief as the Court may deem
5 appropriate.
6 DATED: November 10, 2014
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By:
/s/
David Alden Erikson
Attorneys for Plaintiffs JASON WILLIAMS,
VICTOR CHAPA, and JEFFREY RUBIN
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By:
/s/
David Alden Erikson
Attorneys for Plaintiffs JASON WILLIAMS,
VICTOR CHAPA, and JEFFREY RUBIN
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