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Sample Letter of Agreement: (Name of First Party) (Name of Second Party)

This document is a sample letter of agreement for commissioning a musical composition. It outlines the roles and responsibilities of both the sponsor and composer. The sponsor will provide financial support for the composer to create an original work and participate in a residency program. In return, the composer grants the sponsor rights to the composition and related promotional materials. The agreement specifies details of the composition, payment schedule, copyright ownership, and obligations of both parties.

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batambintan
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© © All Rights Reserved
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Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
48 views

Sample Letter of Agreement: (Name of First Party) (Name of Second Party)

This document is a sample letter of agreement for commissioning a musical composition. It outlines the roles and responsibilities of both the sponsor and composer. The sponsor will provide financial support for the composer to create an original work and participate in a residency program. In return, the composer grants the sponsor rights to the composition and related promotional materials. The agreement specifies details of the composition, payment schedule, copyright ownership, and obligations of both parties.

Uploaded by

batambintan
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
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Sample Letter of Agreement

1
SAMPLE LETTER OF AGREEMENT
Openi ng par agr aph: def i nes t he par t i es t o t he agr eement and t he
pur pose of t he pr oj ect . End wi t h: Thi s agr eement super sedes any
pr evi ousl y dat ed agr eement bet ween t hese par t i es.
I. Parties
Thi s Agr eement i s made t hi s ______ day of ____________________,
( year ) , bet ween and among ( name of f i r st par t y) ( Sponsor ) , and
( name of second par t y) ( Composer ) .
II. Project Administration
A. Dur i ng and at t he compl et i on of t he Resi dency Per i od, Sponsor
agr ees t o:
1. pr ovi de i t s pr of essi onal ser vi ces as admi ni st r at or of
t he t hi s pr ogr am,
2. f aci l i t at e and coor di nat e t he exchange of i nf or mat i on
among al l par t i ci pant s i n t hi s pr ogr am,
3. meet per i odi cal l y i n per son and by t el ephone wi t h
Composer t o pl an, eval uat e, and consi der i mpr ovement s t o
t he pr ogr am,
4. pl an and car r y out publ i ci t y f or t hi s pr ogr am,
5. cul t i vat e r egul ar and consi st ent cont act wi t h l ocal and
r egi onal const i t uenci es,
6. mai nt ai n a document ar y r ecor d ( e. g. , phot os, r ecor di ngs,
vi deos, pr ogr ams, post er s, news r el eases) of t he
pr ogr am,
7. over see and car r y out t he pr emi er e per f or mance of t he
Composi t i on.
B. Dur i ng and at t he compl et i on of t he Resi dency Per i od,
Composer agr ees t o:
1. cooper at e wi t h Sponsor t o act i vel y pr omot e and adver t i se
t hi s pr ogr am,
2. as of t he ef f ect i ve dat e of t hi s agr eement , gr ant t o
Sponsor t he r i ght t o use Composer s name, l i keness,
audi o and audi ovi sual appear ances, and bi ogr aphy i n
connect i on wi t h any pr omot i on, adver t i si ng, and
document at i on r el at ed t o t hi s pr ogr am, and i n any audi o
or audi ovi sual pr ogr amon Composer s Resi dency Per i od
Sample Letter of Agreement
2
and/ or t hi s pr ogr am, made by or under t he aut hor i t y of
t he Sponsor , i n whi ch t he composer may appear ,
3. f ur ni sh Sponsor wi t h a phot ogr aph sui t abl e f or scanni ng,
and a compl et e bi ogr aphy wi t hi n 30 days of Composer s
si gni ng of t hi s Agr eement ,
4. pr ovi de Sponsor wi t h t i mel y r epor t s ( ever y t wo mont hs?
Quar t er l y?) on t he st at us of t he Composi t i on and
r esi dency act i vi t i es ( see sect i on V. bel ow) , begi nni ng
( dat e) , and cont i nui ng f or t he dur at i on of t he Resi dency
Per i od,
5. submi t a f i nal wr i t t en r epor t and eval uat i on t o Sponsor
upon compl et i on of t he Resi dency Per i od.
III. Financial Obligations
A. Sponsor makes t he f ol l owi ng Gr ant t o Composer :
1. The sumt ot al of ( dol l ar amount ) , t oget her wi t h any
t r avel r ei mbur sement under I I I . A. 3. bel ow, r epr esent s t he
ent i r e payment obl i gat i on of Sponsor f or t he commi ssi on
and r esi dency. Sponsor wi l l pay Composer t he t ot al sumi n
i nst al l ment s of :
1/ 3r d upon execut i on of t hi s Agr eement
1/ 3r d upon del i ver y of t he compl et ed scor e of t he
Composi t i on ( per I V. B. bel ow) t o t he Sponsor i n a
f or msat i sf act or y t o Sponsor
1/ 3r d af t er t he pr emi er e of t he Composi t i on and upon
r ecei pt of Composer s f i nal r epor t and eval uat i on, as
set f or t h i n I I . B. 5. above.
2. Sponsor wi l l r ei mbur se Composer up t o ( dol l ar amount )
f or pr epar at i on of f ul l scor e and par t s.
3. Sponsor wi l l r ei mbur se Composer f or t r avel t o t he host
communi t y, up t o a t ot al of ( dol l ar amount ) upon r ecei pt
of document ed expenses.
B. By si gni ng t hi s Agr eement , Composer agr ees:
1. t o be r esponsi bl e f or al l t axes per t ai ni ng t o t hese
payment s,
2. t hat s/ he i s r ecei vi ng benef i t s f r omSponsor by t hi s
Gr ant , t hat s/ he i s bound by t he t er ms of t hi s
Agr eement , and t hat al l r i ght s under Sect i on I I . B. 2.
above ar e her eby gr ant ed.
C. I f f or any r eason t he Composer does not f ul f i l l al l t he t er ms
of t hi s Agr eement ( see VI I I . E and F. bel ow) , t he Composer s
sol e l i abi l i t y t o Sponsor shal l be t he r ef und of t he f ees
Sample Letter of Agreement
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pai d, and upon such r ef und, nei t her par t y shal l be under any
f ur t her obl i gat i on t o t he ot her par t y.
IV. Composition
A. I n cooper at i on wi t h t he musi cal / ar t i st i c di r ect or of Sponsor ,
Composer agr ees t o compose a musi cal wor k ( Composi t i on) as
speci f i ed i n At t achment A. Composi t i on shal l be
appr oxi mat el y ___ t o ___ mi nut es i n dur at i on. Composer agr ees
t hat t he Composi t i on wi l l be wr i t t en f or t he
i nst r ument at i on/ scor i ng as set f or t h i n At t achment A.
B. Composer wi l l del i ver one cl ear l y l egi bl e, per f or mance- r eady
copy of t he compl et ed scor e of t he Composi t i on, and one
cl ear l y l egi bl e, per f or mance- r eady copy of each i nst r ument al
par t , i f appl i cabl e, ext r act ed f r omt hi s scor e t o Sponsor on
or bef or e ( dat e- - at l east 90 days pr i or t o pr emi er e) . ( See
At t achment A f or speci f i cat i ons r egar di ng scor e and par t s. )
The pr ecedi ng copy of t he scor e and par t s of t he Composi t i on
shal l r emai n t he possessi on of t he Sponsor f or i t s sol e and
excl usi ve use, and shal l not be gi ven, l oaned, sol d, or
r ent ed t o any ot her par t y wi t hout t he expr ess wr i t t en consent
of t he Composer . Composer shal l keep and r et ai n owner shi p of
t he or i gi nal manuscr i pt copy of t he scor e.
C. At i t s own expense, Sponsor wi l l make phot ocopi es or ot her
r epr oduct i ons of scor e and par t s as r easonabl y needed f or
per f or mance use. Composer her eby gr ant s per mi ssi on f or such
phot ocopyi ng or ot her r epr oduct i ons vi a At t achment B, whi ch
shal l be si gned by Composer upon execut i on of t hi s Agr eement .
D. Sponsor and Composer agr ee t hat t he cr edi t on t he t i t l e page
of al l publ i shed and unpubl i shed ver si ons of t he f ul l scor e,
i n al l publ i ci t y mat er i al s and pr ogr ams, l i ner not es t o
r ecor di ngs, r adi o, t el evi si on and I nt er net br oadcast s,
pr esent at i ons of t he Composi t i on i n pr emi er e per f or mance and
al l subsequent per f or mances, shal l i ndi cat e t hat sai d
Composi t i on has been commi ssi oned by Sponsor .
Thi s cr edi t shal l r ead:
Commi ssi oned by ( sponsor ) and pr emi er ed by ( i nf or mat i on
about pr emi er e: per f or mer s, conduct or s, l ocat i on, occasi on)
wi t h suppor t f r om( f under s and ot her suppor t er s of
pr ogr am) . "
Sample Letter of Agreement
4
E. Composer agr ees t o assi st i n pr epar i ng t he above descr i bed
Composi t i on f or per f or mance, t o be on hand f or consul t at i on
dur i ng r ehear sal s, and t o gi ve pr esent at i ons about t he
Composi t i on as par t of t he r esi dency ( see V. A. bel ow) .
F. Composer r epr esent s and war r ant s t hat , except f or any t ext
owned by t hi r d par t i es and used by Composer af t er obt ai ni ng
per mi ssi on f r omsuch owner , t he Composi t i on i s Composer s
or i gi nal wor k whi ch does not i nf r i nge upon any exi st i ng
copyr i ght or any r i ght s of any t hi r d par t y, and t hat Composer s
execut i on of t hi s Agr eement and t he r i ght s conveyed her ei n
shal l not i nt er f er e wi t h, cont r adi ct , or cont r avene any
agr eement t hat Composer has ent er ed i nt o wi t h any t hi r d par t y.
G. Shoul d t he compl et ed Composi t i on i ncl ude t ext , t he t ext i s t o
be mut ual l y agr eed upon by t he Composer and Sponsor . I f t he
t ext i s under copyr i ght by any t hi r d par t y, i t i s t he
r esponsi bi l i t y of t he Composer t o secur e any per mi ssi ons
necessar y f or i t s use, and t o pay f or t he cost of obt ai ni ng
such per mi ssi on. Such per mi ssi ons shal l be of suf f i ci ent
scope t o cover al l gr ant s of r i ght s i n t he Composi t i on made by
Composer i n t hi s Agr eement .
H. Wi t h t he except i on of t he speci f i c pr ovi si ons set f or t h i n
t hi s Agr eement , al l par t i es agr ee t hat t he copyr i ght of t he
Composi t i on t oget her wi t h al l r i ght s not speci f i cal l y gr ant ed
t o t he Sponsor her ei n ar e and r emai n t he pr oper t y of t he
Composer , and f ur t her t hat t he Composi t i on i s subj ect t o a
per f or mi ng r i ght s l i cense wi t h Amer i can Soci et y of Composer s,
Aut hor s and Publ i sher s ( ASCAP) , Br oadcast Musi c, I nc. ( BMI ) , or
ot her per f or mi ng r i ght s or gani zat i on. Al l par t i es pl edge t o
t ake appr opr i at e st eps t o pr ot ect of t he Composer s copyr i ght
i n connect i on wi t h t hei r uses of t he Composi t i on.
V. Residency
A. Composer and Sponsor agr ee t o car r y out a r esi dency pl an i n
t he host communi t y of up t o ( dur at i on i n weeks, mont hs) , not
necessar i l y cont i nuous. The r esi dency wi l l be desi gned i n
such a way as t o ensur e t hat t he Composer wi l l become a
r ecogni zabl e member of t he host communi t y. The Resi dency
Per i od begi ns upon t he si gni ng of t hi s Agr eement and concl udes
upon t he pr emi er e of t he Composi t i on. A copy of t he r esi dency
pl an i s At t achment C.
Sample Letter of Agreement
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B. Al l cost s f or t he r esi dency, i ncl udi ng meal s, accommodat i ons,
and l ocal t r anspor t at i on, shal l be bor ne by t he Sponsor .
Composer t r avel t o and f r omt he host communi t y wi l l be
subsi di zed by Sponsor , pur suant t o I I I . A. 3. above.
VI. Performances
A. The pr emi er e of t he Composi t i on wi l l t ake pl ace on ( dat e) , at
( l ocat i on) . Composer agr ees t o be i n at t endance.
Addi t i onal per f or mance dat es of t he Composi t i on as par t of
t hi s pr ogr amar e as f ol l ows:
B. Sponsor agr ees t o make an audi o and/ or vi deo r ecor di ng of t he
Composi t i on, and t o pr ovi de Composer a copy of and r i ght t o
use sai d r ecor di ng. Sai d r ecor di ng shal l be made wi t h t he
hi ghest qual i t y t echni cal means l ocal l y avai l abl e t o t he
Sponsor . Sponsor shal l make r easonabl e ef f or t s t o obt ai n al l
necessar y r i ght s and per mi ssi ons f r omcont r i but or s t o such
r ecor di ngs t o per mi t al l uses agr eed t o by Sponsor and
Composer . Sponsor shal l i nf or mComposer of any per mi ssi ons i t
does not obt ai n.
C. Al l cost s associ at ed wi t h t hese per f or mances shal l be bor ne
by Sponsor . Such cost s may i ncl ude but ar e not l i mi t ed t o:
copyi ng scor es and par t s, l ocal publ i ci t y, venue r ent al ,
per f or mer s f ees, pr ogr ams, per f or mance l i cense f ees,
admi ni st r at i ve over head, and r ecor di ng. Sponsor may r ecover
t hese cost s t hr ough r evenues t hat i ncl ude but ar e not l i mi t ed
t o: t i cket sal es, adver t i si ng, sal e of goods and ser vi ces, and
cont r i but i ons.
VII. Performance, Recording, and Broadcast Rights
A. Composer gr ant s t o Sponsor t he excl usi ve r i ght t o per f or mt he
Composi t i on publ i cl y wi t hout l i mi t at i on or l i abi l i t y f or
addi t i onal payment s of any ki nd f or a per i od endi ng ( dur at i on)
f r omt he dat e of t he pr emi er e per f or mance. Composer f ur t her
gr ant s t o Sponsor a cont i nui ng, non- excl usi ve r i ght t o per f or m
t he Composi t i on publ i cl y wi t hout l i mi t at i on or l i abi l i t y f or
addi t i onal payment s of any ki nd f or an addi t i onal ( dur at i on)
af t er t he f i r st anni ver sar y of t he pr emi er e. Thi s par agr aph
does not conf er any per f or mance, br oadcast , publ i shi ng,
r ecor di ng, or ot her r i ght s i n t he Composi t i on not speci f i cal l y
Sample Letter of Agreement
6
named, nor shal l i t be const r ued i n cont r adi ct i on wi t h any
pr evi ous agr eement s Composer may hol d wi t h a per f or mi ng r i ght s
soci et y or publ i sher . Composer s per f or mi ng r i ght s soci et y
r et ai ns t he r i ght t o l i cense per f or mances, as appl i cabl e.
Composer and/ or publ i sher r et ai n r i ght s t o l i censi ng i ncome
der i ved f r omper f or mi ng r i ght s soci et i es and t o r ent al f ees
f or use of per f or mance mat er i al s.
B. Sponsor wi l l make r equi si t e payment s t o Composer s per f or mi ng
r i ght s soci et y ( ASCAP or BMI or ot her ) t o l i cense i t s
per f or mances of t he Composi t i on, i ncl udi ng t he pr emi er e.
C. I n t he event Sponsor el ect s t o r ecor d t he Composi t i on f or
r el ease on a commer ci al r ecor di ng, a separ at e agr eement
bet ween Sponsor and Composer i s r equi r ed. For such a
r ecor di ng, mechani cal r i ght s wi l l be payabl e t o t he Composer
at t he st andar d compul sor y l i cense r at e i n ef f ect at t he t i me
t he r ecor di ng i s i ssued.
D. Pr ovi ded t hat t he Composer s r i ght t o r ecei ve t he appr opr i at e
br oadcast r oyal t i es as set f or t h by ASCAP/ BMI / ot her i s
pr ot ect ed, Sponsor shal l have t he r i ght t o per mi t r adi o,
t el evi si on, and I nt er net br oadcast s of per f or mances, as
speci f i ed i n VI . A. above, of t he Composi t i on.
VIII. Limitations, Enforcement, and Jurisdiction
A. Thi s Agr eement , i ncl udi ng al l at t achment s, const i t ut es t he
ent i r e agr eement among t he above named par t i es. No
wai ver , change, or modi f i cat i on i n t hi s Agr eement i s val i d or
bi ndi ng unl ess agr eed t o i n wr i t i ng and si gned by al l par t i es.
B. Each par t y war r ant s t hat i t has t he r i ght t o ent er i nt o t hi s
Agr eement and t o gr ant al l t he r i ght s i t has gr ant ed t hr ough
i t .
C. The Composer i s not an empl oyee of Sponsor and t he
Composi t i on i s not a wor k f or hi r e.
D. Each par t y agr ees t o i ndemni f y and hol d har ml ess t he ot her
par t y f r omal l cl ai ms, damages, cost s, l i abi l i t i es, l osses and
expenses, i ncl udi ng counsel f ees, t hat i t may suf f er as a
r esul t of such par t y s br each of war r ant y.
E. No par t y wi l l be l i abl e f or f ai l ur e t o per f or mas r equi r ed by
t hi s Agr eement i n t he event t hat such f ai l ur e i s caused by or
Sample Letter of Agreement
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due t o i l l ness or physi cal di sabi l i t y, act s or r egul at i ons of
publ i c aut hor i t i es, l abor di f f i cul t i es, ci vi l t umul t , st r i ke,
epi demi c, i nt er r upt i on or del ay of t r anspor t at i on ser vi ce, or
any ot her cause beyond t he par t y s cont r ol .
F. I f ei t her Composer or Sponsor i s unabl e t o f ul f i l l t he t er ms
of t hi s Agr eement , and i f , af t er r easonabl e ef f or t , a
r esol ut i on bet ween t he par t i es can not be r eached, t hen ei t her
par t y shal l have t he r i ght t o t er mi nat e t hi s Agr eement . I n
such a case, each par t y wi l l hol d t he ot her har ml ess f or t he
t er mi nat i on of t he Agr eement , and nei t her par t y wi l l be l i abl e
t o t he ot her f or any unf ul f i l l ed obl i gat i ons as descr i bed
her ei n.
G. I f t hi s Agr eement i s t er mi nat ed, Sponsor wi l l r ei mbur se
Composer f or t r avel expenses i ncur r ed pr i or t o t he
t er mi nat i on, as per I I I . A. 3. above and Composer wi l l r ef und
f ees pai d, as per I I I . C. above.
H. Thi s Agr eement i s gover ned by and shal l be const r ued under
t he l aws of t he St at e of ( your st at e) . Any di sput es
r el at i ve t o t hi s Agr eement shal l be set t l ed accor di ng t o t he
l aws of t he St at e of ( your st at e) .
IX. Signatures:
( Sponsor i ng Or gani zat i on) by Feder al Tax I D #:
_______________________________ Dat e: _____________________
( name) , ( t i t l e)
____________________________ Dat e: _____________________
( name) , Composer
Composer s Soci al Secur i t y Number :
_______________________________
Composer s mai l i ng addr ess: Composer s t el ephone number :
_________________________ _____________________________
_________________________
Composer s e- mai l addr ess: ________________________________
Sample Letter of Agreement
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ATTACHMENT A
SCORE/PARTS SPECIFICATIONS
A. The Composi t i on wi l l be wr i t t en f or t he f ol l owi ng
i nst r ument at i on/ scor i ng:
B. Al l scor es and par t s must be cl ear l y l egi bl e. Comput er -
pr i nt ed scor es ar e pr ef er r ed.
C. Submi t t ed f ul l scor es and i nst r ument al par t s must be pr ovi ded
camer a r eady: sui t abl e f or r epr oduct i on i n por t r ai t f or mat ,
3/ 4 mar gi n on al l si des. To assure the receipt of useable
performance materials, a sample of the score and parts must be
reviewed and approved by the Sites musical/artistic
director(s) prior to final submission of the Composition.
D. Al l scor es and par t s must be per f or mance r eady, and must
i ncl ude t empo mar ki ngs and dynami c mar ki ngs.
E. Vocal musi c scor es must have t ext t hat i s cor r ect l y al i gned
wi t h associ at ed pi t ches. I f t he composi t i on i s f or a
cappella choi r , a pi ano r educt i on of t he vocal par t s must be
i ncl uded i n t he f ul l scor e. A separ at e t ext page, wi t h
t r ansl at i on i f appl i cabl e, must be i ncl uded.
F. The cr edi t as l i st ed i n Sect i on I V. D. above must appear on
t he t i t l e page.
G. Copyr i ght not i f i cat i on must appear on t he bot t omof t he f i r st
page of t he scor e.
Composer s i ni t i al s _____ Sponsor , by_____
Sample Letter of Agreement
9
ATTACHMENT B
PERMISSION TO DUPLICATE
I her eby gr ant per mi ssi on t o ( Sponsor ) t o make phot ocopi es or
ot her r epr oduct i ons of t he scor e of my or i gi nal musi cal wor k.
( Sponsor ) i s per mi t t ed t o make as many sai d copi es as ar e deemed
necessar y f or i t s use i n r ehear sal and per f or mance, but not f or
sal e or publ i cat i on. Thi s per mi ssi on i s gr ant ed by me as sol e
owner of t he copyr i ght of t hi s musi cal wor k.
__________________________________________ _____________________
( name) ( Composer ) ( Dat e)
Sample Letter of Agreement
10
ATTACHMENT C
RESIDENCY PLAN
Composer and Sponsor agr ee on t he f ol l owi ng pl an f or r esi dency
act i vi t i es, t o be hel d at dat es, t i mes, and l ocat i ons t o be
mut ual l y agr eed upon by Composer and Sponsor .
Composer wi l l par t i ci pat e i n ( number ) per i ods of r esi dency i n
and near t he Sponsor ' s communi t y. These event s wi l l commence on
or af t er ( dat e) , and wi l l concl ude wi t h t he pr emi er e of t he
Composi t i on, ( dat e) .
Resi dency event s may i ncl ude but ar e not l i mi t ed t o t he
f ol l owi ng: wor kshops, l ect ur es, pr esent at i ons, quest i on and
answer sessi ons, semi nar s, and r ehear sal s.
Composer wi l l be pr esent f or at l east ( number ) but not mor e t han
( number ) r ehear sal s pr ecedi ng t he pr emi er e per f or mance of t he
Composi t i on, i ncl udi ng t he dr ess r ehear sal . Composer wi l l be
avai l abl e as needed t o consul t wi t h t he ar t i st i c di r ect or ,
ei t her i n per son or vi a t el ephone.
Composer s i ni t i al s _____ Sponsor , by_____

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