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Getting Started With Chinese Calligraphy

1. The document provides instructions for beginning Chinese calligraphy, including necessary materials like brushes, ink, and special paper as well as techniques for holding the brush and different scripts. 2. It explains the basic brush strokes like horizontal, vertical, and diagonal lines as well as dots and hooks. 3. Five golden rules for writing characters are outlined, such as starting at the top and moving down, proceeding from left to right.

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0% found this document useful (0 votes)
387 views

Getting Started With Chinese Calligraphy

1. The document provides instructions for beginning Chinese calligraphy, including necessary materials like brushes, ink, and special paper as well as techniques for holding the brush and different scripts. 2. It explains the basic brush strokes like horizontal, vertical, and diagonal lines as well as dots and hooks. 3. Five golden rules for writing characters are outlined, such as starting at the top and moving down, proceeding from left to right.

Uploaded by

Lill Galil
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Getting Started with Chinese Calligraphy g p y

Materials
Brush Brush Rest

Ink Stone and Ink

Water to mix with ink

Paper

Ink and Paper


Traditionally, y the Chinese add water to an ink stick and use an ink stone to grind the ink that they use for their calligraphy writing writing. Since were going to be using ink mixed with water water, we need to use a paper that will absorb most of the water. The Chinese use X Xuan paper. It is i made d of f green sandalwood straw, bamboo and bark. It is thin, soft and absorbent.

Holding the Brush


The brush should be held in a vertical position with two fingers on one side of the brush handle and the thumb and the other two fingers on the other side of the handle. There should be a gap between the brush and the palm of the hand. g that you y are holding g an Imagine egg in the palm of your hand. Dont allow the brush to move into that gap where the egg would lie.

How can these holds on the brush be improved? C th Can the angle l of f th the b brush hb be i improved? d?

Small Script
For small script, hold the brush just j above the brush tip and you may rest your arm or elbow on the table to steady your hand for writing.

Large Script
For large script, hold the brush in the middle of the handle and support your writing with your elbow lb or try t lifting lifti your elbow off the table for more freedom of movement.

Big Writing
Big writing, as on a poster or banner, is done standing with no support from the hand or arm against th table. the t bl The Th brush b h is held about 6 inches from the brush tip.

Basic Brush Strokes


Horizontal brushstroke
These can be long, short, pointed, i t d or angled. l d

Vertical brushstroke
They can be long, long short, short or pointed.

Basic Brush Strokes


Dot A dot can lean to the right (the most common type of dot) or to the left. Other dots have a point or are triangular in shape.

Basic Brush Strokes


Hook
A hook is a pointed extension of a horizontal or vertical brushstroke. Hook Vertical Brushstroke

Basic Brush Strokes

Press and lift upward

Press and lift downward

Basic Brush Strokes

Diagonal brushstroke (sweep) to the left

Diagonal brushstroke (sweep) to the right

Basic Brush Strokes


This is a good time to practice the basic brush strokes. When you are ready to begin to write Chi Chinese characters, h t we will learn the Five Golden Rules of calligraphy writing.

What have we learned about Chi Chinese C Calligraphy? lli h ?


1. Hold the brush in a vertical position. 2 The brush is held in different places for 2. small script, large script, or big writing. 3 There are different brush strokes to 3. learn. 4 Wh 4. When it i is ti time t to write, it th there are fi five rules of how to write a character.

Five Golden Rules of f Calligraphy C lli h W Writing ii


Rule #1 Rule #2 Rule #3 Rule #4 Rule #5 Start with the upper part of a word, then move downward. Start with the left part of a word word, then move to the right. Horizontal brushstrokes are made before vertical ti l b brushstrokes. h t k Diagonal brushstrokes to the left are made g strokes to the right. g before diagonal The box rule: Finish everything inside the box before closing it.

Following g the Five Golden Rules


Now we will try to follow the rules for writing Chinese characters and p practice the brushstrokes we have learned. We will write the number characters from 1 to 10.

We will read all of the directions, then we will start to write. First Log on to this website: http://lost-theory org/ocrat/chargif/numbers html http://lost-theory.org/ocrat/chargif/numbers.html

Follow These Steps p


2. Then, Click on the Chinese character for 1. 3 Watch the red flashing animated line that shows you what 3. stroke comes first to write this character. 4 Trace the character in the air with your finger 4. finger. 5. When you think you can remember how to write 1, click the go Back to the web page p g and select the Chinese arrow to g character for 2 and click on it. 6. Watch each animation from 1 to 10. 7. When you have completed all 10 numbers, you are ready to write!

Sources
Ho, , Yat-Ming g Cathy. y The Chinese Calligraphy g p y Bible. New York: Barrons Educational Series, Inc., 2007. Contains a large directory of Chinese characters with illustrations showing brush stroke sequence. Kryskalla, Steven, comp. "Animated Chinese Characters - Numbers." Ocrat Mirror. 6 Nov 2006. Nov. 2006 Lost Lost-Theory.Org. Theory Org 20 Nov. Nov 2007 <http://losttheory.org/ocrat/chargif/numbers.html>. This is the animated calligraphy site for the numbers 1 to 10 as described in slides 17 and 18. Peng, g, Tan Huay. y Whats in a Chinese Character. New World P, , 2005. Contains many y characters with stroke sequence and explanations of the evolution of characters from the past to the present. White, Caryn M. "Calligraphy Practice: Numbers 1-10." Asia for Educators. Columbia University 20 Nov. University. Nov 2007 <http://afe <http://afe.easia.columbia.edu/china/language/Numbers1easia columbia edu/china/language/Numbers1 10.htm>. Practice worksheets for the numbers 1-10 can be found here. White, Caryn M. "Chinese Calligraphy." Asia for Educators. Columbia University. 20 Nov. 2007 <http://afe.easia.columbia.edu/china/language/callig.htm>. p g g g Good background g information for teachers on the history of calligraphy and classroom suggestions for success in teaching calligraphy. Yue, Rebecca. Chinese Calligraphy Made Easy: a Structured Course in Creating Beautiful Brush Lettering. Lettering New York: Watson-Guptil Publications, Publications 2005. 2005 The The Five Golden Rules in slide 15 were found here as were the descriptions of how to hold a brush in slides 4, 5 and 6.

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