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Observation Two

The Discussion was engaging and excellent, says teacher. Be bold, especially when in front of big choirs. Develop a standing definition for music that the class can adapt for future listening.

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0% found this document useful (0 votes)
64 views2 pages

Observation Two

The Discussion was engaging and excellent, says teacher. Be bold, especially when in front of big choirs. Develop a standing definition for music that the class can adapt for future listening.

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api-188751688
Copyright
© Attribution Non-Commercial (BY-NC)
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A

Teaching Observation from Ellen Abrahams

Westminster Choir College

Music Education Department


Name of Teacher Hannah Larson Name of School Scotch Plains Fanwood High School Grade 14 October 3, 2012 Date 1:39 pm Music Theory Time Lesson/Rehearsal Plan: Conforms to the required forms. Comments: Great. It was very easy to follow. Lesson/Rehearsal Execution: Includes appropriate strategies to meet the objectives and answer the focusing/essential question. Comments: 1. The focusing questions were clearly addressed. 2. Discussion was your frontline strategy.. Monitoring all members of the class in a discussion is tricky. Providing a discussion guide for the students will keep everybody working and enables closure. often say that music brings people other 3. WeDISCUSSION about music does thetogether,Hmm. cultures, etc. Now, saying that, is it reasonable to think that a same? 4. In my experience I have noticed that the same critics of "pop" music will thoroughly enjoy jamming on the "pop". And why is that?

General : Includes classroom management, assessment and standards. The strongest areas of this lesson/rehearsal were: 1. THE Discussion was engaging and excellent. I noticed that the students were SILENT when listening to the music. They like MUSIC. You had super samples. I thought it was brilliant to lead them in to the Webern via the Banshee. 2. Last observation I suggested that you always include music/listening in your lesson. BRAVO. And what if they walked in to class with music already playing? Suggestions for the next observation: BE BOLD. The theory class may not require that of you, but when in front of big choirs you will have to get your "I am in the driver seat people" stance going. Comments: 1. Develop a standing definition for music that the class can adapt for future listening. Otherwise you will play referee. And I would stay clear of opinion-adjectives like pleasing and displeasing. 2. Regarding the focusing questions: I suggest that you put these questions to the students. What question is the biggest. What listening skill do we want to develop for future. IS exposure to/ IS listening to tons of musics part of the strategy? 3. When assigning homework, be very specific with criteria and requirements/due dates, etc. This should be in some form of writing. 14 Todays Grade (15 points maximum) _________________
4. Model your projects. Ex. Model the composition assignment. Not like a Westminster composer, but like one of them. Model each component. 5. It is not easy, but try to make sure the students have the skills to do your assignments. i mention this because

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