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How To Design A Logo of Letters

The document provides strategies for designing letter-based logos through ligatures, or linking letters together. It discusses various techniques for linking letters, such as using shared strokes between letters, angling letters to link vertical and horizontal strokes, removing parts of letters, overlaying letters, and using color and transparency effects. The goal is to provide simple yet distinctive logos through creative letter combinations.

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66K views

How To Design A Logo of Letters

The document provides strategies for designing letter-based logos through ligatures, or linking letters together. It discusses various techniques for linking letters, such as using shared strokes between letters, angling letters to link vertical and horizontal strokes, removing parts of letters, overlaying letters, and using color and transparency effects. The goal is to provide simple yet distinctive logos through creative letter combinations.

Uploaded by

kraudio
Copyright
© Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
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Strategies for Letter-based Logo Design

By John McWade
Before & After Magazine

Dateline: October 7, 2005


More Graphic Design tips

Companies of every kind sign their names with linked letters called ligatures. Ligature
means to tie. Ligatures make excellent business signatures. They’re handsome, simple
and compact. And they’re fun, too—we all have initials! Some letters link in one
typeface but not another. Others link in lowercase but not in upper. What follows are a
variety of ways to get your letter pairs beautifully together. The logo typefaces and
colors are listed at the end of the article.

Use Shared Strokes


Many letter pairs form natural links; they have identical parts or complementary shapes
that fit like hand in glove. Let’s begin with the easiest letters to link—those that have
identical adjacent strokes.

Almost-identical Strokes
Pairs like UR share not-quite identical strokes, yet often flow naturally together. To link
neatly, you must usually sacrifice some parts; here, the R gave up a foot, the U a serif.
Angled to Vertical
Angled strokes often link well to vertical strokes. The easiest technique is simply to cut
the angled letter in half.

If Your Letterstrokes Don’t Quite Match...

How to Design a Logo of Letters

Curved to Vertical
The more decorative the typeface, the more easily dissimilar strokes can be linked. Even
a curving stroke can replace a vertical. You need gentle curves, though, circles won’t do
(far right).
Uppercase-lowercase
Uppercase letters can often link to lowercase with excellent results. An uppercase I,
though, won’t link to anything—its body just disappears! But a lowercase i has the
advantage of its distinctive dot and can link with many letters.

Horizontal Crossbars
A few letter pairs share top crossbars, which are easy to link. Similarly, some typefaces
have exaggerated serifs that can be linked.

Mid-letter Crossbars
Many letters, such as ABEFHPR, have mid-letter crossbars that can be connected with a
little help—just cut the letter apart and s-t-r-e-t-c-h the bar!
Remove a Stroke
Here, a phantom stroke hints at what’s not there! This is particularly effective with
Modern typestyles such as Bodoni and Didi that have extremely thin strokes.

Remove Part of a Stroke


Letters with angled and overhanging arms—FKTVWXYZ—benefit from this
technique, which is especially attractive in serif typestyles. The illusion is that of a
stencil; the line is interrupted, yet our eyes “fill in” the missing part!

Reverse the Field


Put negative space to positive use! Add a same-color field behind your letter, then
reverse the second letter out of the field. Especially effective with three-character
acronyms.
Crop!
Your intrigued reader will linger for valuable moments on this design! Crop away the
bottoms of your letters, and the viewer’s eye must complete the image. Add a company
name or other horizontal graphic to span the gap (far right).

Follow the White Line


Create the illusion of attachment! Rather than abut letters, leave a gap, then make a
flowing centerline that draws the eye smoothly around.

Disconnect and Attach


An entertaining ligature unique to the T, disconnect one arm and attach it to its
neighbor!
How to Design a Logo of Letters

Interlock
Circular letters flow most naturally into other circular letters. Interlocked here like
wedding bands or Olympic rings, two complete letters function as one.

Overlay
A simple alternative to interlocking is to lay one letter atop the other, then “link” with a
common fill or stroke. Here, a colorful gradient turns two letters into one object.

Build Bridges
This technique works when nothing else will! Abut your letters, then conceal the
junction with a decorative graphic, line or a series of lines and shapes. Easy, fun and
always engaging.
Use Transparency
Transparency softens. Create a gossamer effect on even the boldest ligature by lowering
the opacity of one or more characters. Here, all three letters are set at 50%.

Color the Negative Spaces


Finally, some stubborn letters just won’t link physically. So try linking the background!
Put the letters in a box, and color the negatives spaces; you can get all kinds of energetic
results!
Article Resources
Fonte:
http://www.graphics.com/modules.php?name=Sections&op=viewarticle&artid=276&pa
ge=3

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