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‘Omaha’: Sundance Review
A father and his kids take a sombre road trip in this impactful US debut
’Marlee Matlin: Not Alone Anymore’: Sundance Review
Tthe life and career of deaf actor and activist Marlee Matlin
‘Inheritance’: Review
Phoebe Dynevor embarks on an international adventure in Neil Burger’s iPhone-shot actioner
‘Wolf Man’: Review
Christopher Abbot and Julia Garner head into the woods for Universal’s horror revamp
‘Den Of Thieves 2: Pantera’: Review
Gerard Butler and O’Shea Jackson Jr return to form an unlikely alliance in this lacklustre action sequel
‘Sonic The Hedgehog 3’: Review
Keanu Reeves lends his voice to the manic third instalment of the video game franchise
‘Mufasa: The Lion King’: Review
Lion King prequel directed by Barry Jenkins looks to exploit a rich franchise
‘Kraven The Hunter’: Review
Aaron Taylor-Johnson embraces his wild side in a superhero movie that lacks any real bite
‘A Complete Unknown’: Review
Timothee Chalamet captures the enigmatic spirit of Bob Dylan in James Mangold’s riveting biopic
‘The Lord Of The Rings: The War Of The Rohirrim’: Review
Animated LOTR spin-off places a fearless female protagonist in a lacklustre action-adventure
‘Nosferatu’: Review
Bill Skarsgard and Nicholas Hoult sink their teeth into Robert Eggers’ thrilling take on the vampire legend
‘Spellbound’: Review
Rachel Zegler, Nicole Kidman and Javier Bardem lend their voices to Netflix’s family animation
‘Wicked’: Review
Lavish, full-throated and lengthy adaptation of half the hit stage musical
‘Gladiator II’: Review
Paul Mescal, Pedro Pascal and Denzel Washington cross swords in Ridley Scott’s stirring return to ancient Rome
‘Red One’: Review
Dwayne Johnson and Chris Evans must team up to save Christmas in Amazon’s by-the-numbers festive adventure
‘Juror #2’: Review
Modest, comfy crime from Clint Eastwood puts Nicholas Hoult in the dock
‘Here’: Review
Tom Hanks and Robin Wright headline Robert Zemeckis’s ambitious study of lives across time
‘Venom: The Last Dance’: Review
Tom Hardy takes his inner demon out for one final spin in this fun if familiar sequel
‘Smile 2’: Review
Sequel to Paramount’s 2022 horror hit lacks the crucial element of surprise
‘Nickel Boys’: Review
RaMell Ross adapts Colson Whitehead’s novel of southern racism and abuse in a boys penitentiary