TV
The Netflix series brings together Megan Stalter with a star-studded cast.
The series broke ground in terms of representation, but that didn't change the fact that it was produced in '80s America.
Set Boundaries
Overeagerness can often ruin a career before it gets started.
No one is wrong
"We Were Liars" author and executive producer E. Lockhart tells IndieWire about the 10 years it took to bring her novel to the screen and the poignant message behind all her books.
Filmmaker Toolkit
Editor, director, and executive producer Yana Gorskaya looks back at the unshootable, unkillable, ambitious genre comedy that is "What We Do in the Shadows."
Consider This
After writing a fair amount of his scripts in war-torn Ukraine, Willimon explains how reality and history informed Season 2 — with a special play-by-play of building Forest Whitaker's Episode 5 aria.
Interview
As the iconic TV hitmaker brings "The Waterfront" to Netflix, he also looks back on classics like "Dawson's Creek" and "Vampire Diaries," and gives IndieWire a taste of what "Scream 7" may hold.
Getting Animated
Directors Maggie Kang and Chris Appelhans discuss bringing Korean demonology and K-pop to Netflix, with kick-ass female superheroes in all their glory.
Exclusive
Writer/producers Molly McNearney, Danny Ricker, Gary Greenberg, and Josh Halloway explain how their late night ABC show adapts to unpredictable news cycles, and an upcoming rotation of guest hosts.
Exclusive
Exclusive: David Lynch's sound collaborator Dean Hurley will be in attendance for a special pre-screening conversation.
"I misappropriated, I appropriated...I didn't know," said Poehler, whose "Saturday Night Live" characters included Yoko Ono and Kim Jong-il.
Thompson on Hollywood
"The Agency," "Black Doves," "The Day of the Jackal," and "Slow Horses" reinvent the espionage genre in clever ways.
