Top of the Line
Filmmaker Interview
Editing “Nickel Boys” was every bit as experimental as the unique way it was shot.
Filmmakers Fortnight
"Shōgun" and "House of the Dragon" both earned double nominations for outstanding TV cinematography.
Return to Oz
Paul Tazewell tells IndieWire about his costume design shape language for Elphaba and Glinda: spiraling mushrooms and effervescent pink bubbles (see the making of video below).
Stay Out of the Basement
For Season 2, the creative team went full body horror as David Schwimmer's botanist gets into some serious trouble.
The Circle of Life
MPC's Adam Valdez explains how the new Quad Cap mo-cap process added more humanlike qualities to an intimate Barry Jenkins film.
Ellis-Taylor and the crafts team talk creating her indelible performance as an anguished grandmother in RaMell Ross' adaptation of the Colson Whitehead novel.
Like a Rolling Stone
Production Designer François Audouy adopted a Dylan mantra for authentically recreating the Greenwich Village experience: "How does it feel?"
Director of photography Drew Daniels tells IndieWire how he and director Sean Baker carefully crafted a visual style designed to give the impression of life happening on the fly.
Function Over Form
Production designer Judy Becker channeled Adrien Brody's Brutalist architect to create a towering building symbolizing his lived history and struggle.
Interview
The composer tells IndieWire about his seventh collaboration with Ridley Scott and how he paid tribute to the "Gladiator" score by Hans Zimmer while still writing 100 minutes of new music.
Monkey Business
ILM's Pablo Helman tells IndieWire about crafting the painful transformation of Chistery and the rest of the monkeys in the Emerald City.
Interview
Cinematographer Jarin Blaschke tells IndieWire, “There's an aversion to beauty and being earnest these days, a kind of a grunge going on. It’s nice to strive for beauty and have no embarrassment about it."
