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Win or Lose Trailer: Anxiety, Fantasy Abound in Animated Pixar Series

Sarah Shachat

Craft Editor
Sarah Shachat is a writer from New Orleans, now living in New York City. She is the Craft Editor at IndieWire, where she looks at the artistic choices behind building great television series and films. She also helps produce and host the Filmmaker Toolkit podcast, along with other special projects focused on filmmaking.
Latest by Sarah Shachat
TAKE HEART – In Pixar Animation Studios’ “Win or Lose,” Vanessa (voice of Rosa Salazar) is a hard-working single mom who faces the challenges of life with positivity and laughter—her bubbly personality has won a community of online followers. Vanessa is a little obsessed with the love she gets for her social media posts: seeing those pink hearts popping up brings her unchecked joy—and a little anxiety. Directed, written and executive produced by Carrie Hobson and Michael Yates, and produced David Lally, “Win or Lose” begins streaming on Disney+ Feb. 19, 2025. © © 2025 Disney/Pixar. All Rights Reserved.
Sports!
The animated series will premiere on Disney+ on February 19.
MARIA, Angelina Jolie as Maria Callas, 2024.  © Netflix / Courtesy Everett Collection
Filmmakers Fortnight
"Shōgun" and "House of the Dragon" both earned double nominations for outstanding TV cinematography.
THE WILD ROBOT, from left: Brightbill (voice: Kit Connor), Fink (voice: Pedro Pascal), Roz (center, voice: Lupita Nyong'o), 2024. © DreamWorks Animation / © Universal Pictures / Courtesy Everett Collection
Visual Effects Awards
"The Penguin," "House of the Dragon," and "The Lord of the Rings: The Rings of Power" are among the outstanding visual effects nominees for episodic series.
'The Brutalist,' A24
Guild Awards
"Shōgun," "Bridgerton," and "What We Do in the Shadows" were also recognized with nominations for television production design.
Ariana Grande in 'Wicked'
"A Complete Unknown" No Longer
The Cinema Audio Society also nominates "Masters of the Air," "Hacks," and "The Bear" for excellence in sound mixing.
DUNE: PART TWO, (aka DUNE: PART 2, aka DUNE 2), Zendaya, 2024. © Warner Bros. / Courtesy Everett Collection
The Golden Reel
"Shōgun," "Ripley," and "Arcane" all get TV awards nominations for sound and music editing.
Squid Game S2 Wi Ha-jun as Hwang Jun-ho in Squid Game S2 Cr. No Ju-han/Netflix © 2024
Players Terminated
Stunt coordinators Park Young-Sick and Chung Seong-Ho tell IndieWire how they organized the raw survival action of "Squid Game."
Squid Game S2 (L to R) Kang Ae-sim as Jang Geum-ja, Yang Dong-geun as Park Yong-sik in Squid Game S2 Cr. No Ju-han/Netflix © 2024
Control Room(s)
Production designer Chae Kyoung-Sun tells IndieWire about crafting new games and more sinister spaces for Season 2 of the Netflix series.
WICKED, Cynthia Erivo, 2024.  ph: Giles Keyte /© Universal Pictures / Courtesy Everett Collection
High Notes
Composer John Powell, executive music producer Stephen Oremus, and editor Myron Kerstein tell IndieWire about taking Stephen Schwartz's music and Ozifying it for Jon M. Chu's musical version.
WICKED, back from left: from left: Bronwyn James, Bowen Yang, front: Ariana Grande, 2024. © Universal Pictures / Courtesy Everett Collection
Popular Makeup
Hair and makeup designer Frances Hannon tells IndieWire about giving the witches of Oz a glow-up and painting a horse blue in Jon Chu's adaptation of the Broadway musical.
I'M STILL HERE, (aka AINDA ESTOU AQUI), Valentina Herszage (back left), Fernanda Torres (center), 2024. © Sony Pictures Classics /Courtesy Everett Collection
"I'm Still Here," "Kneecap," and "Saturday Night" rank among the best cast films of the year according to Hollywood's top casting directors.
Best TV cinematography of 2024
The IndieWire craft team celebrates the cinematography of series that premiered this year, including "Ripley" and "Somebody Somewhere."
Top of The Line Weekly
A weekly digest that captures the best of our Top of the Line coverage.

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